So, this is another Monday in one of the last weeks of 2025. I slept well, and only hit snooze twice, which was unusual. I feel rested and good this morning, which is absolutely delightful. I didn’t get all my chores done over the weekend, so I’ll have to put away dishes and so forth when I get home from work this evening. I also have some dishes to wash and put through the dishwasher, too. Yesterday was a nice, lovely, relaxing day. I finished watching The American Revolution and New Orleans Soul of a City (the last one was about the Saints and the Superdome–so the series was food, music, Carnival, and the Saints; pretty much the soul of New Orleans). The college football play-off seedings were released, to the anger of several fan bases, and LSU is going to the Texas Bowl to play Houston in Houston. We also watched The Roses, which was interesting. I also spent a lot of time scanning journal pages into my computer so I can get all my notes over the years on Chlorine easily accessible and in one place. It’s chilly this morning, but the rest of the week (I think) will have highs in the 1970s.
ICE is here, sweeping the city with a goal of five thousand “criminals” to deport from the New Orleans area–and they are doing it so far with all the skill, efficiency, and Constitutional adherence they’ve shown everywhere else they’ve invaded with their Gestapo tactics. The reports so far seem to have netted only thirty-eight arrests, a third of whom had criminal records (odds they’ll be here through Carnival?), and they seem to have primarily focused on the immigrant community in Kenner, the suburb with the airport and the last one before you hit swamp heading west on I-10. A friendly reminder, that always needs to be mentioned, that immigrants rebuilt the city after Katrina. That’s why New Orleans was a sanctuary city: gratitude, which always seems to be in such short supply in the American psyche. I’ve been blocking the racist trash from the outer parishes and “metro area” who always claim to be from New Orleans but never are, who show up with their hateful bullshit on social media. I drove one bitch all the way off Threads recently, who pulled the I live in New Orleans which then became I’m from New Orleans to I was born in New Orleans but a quick search of her social media (wide open, I might add) showed she actually lives in ALABAMA, like the lying piece of racist trash she was, and that her husband worked for a government contractor. When I asked her how her husband’s employer would react to her being a racist lying piece of shit on-line, POOF. She was gone.
Keep New Orleans out of your disgusting, filthy, lying racist-ass mouths–and if you’re going to be such a troll on-line, don’t use your real name and leave all of your social media open. They’re rarely smart, you know?
And for the record, racist skanks in the burbs, New Orleans has always had crime; it’s a port fucking city. The history of this city is drenched in blood spilled by violence. Y’all fled the city after integration. Fuck ALL the way off.
Nothing makes my blood boil more than non-New Orleanians complaining about New Orleans. Begone! You have no power here!
But as always, going through the journals to scan my notes from Chlorine (I actually found the very first time I wrote the idea down, which was kind of cool) was revelatory; I really need to go through my journals more regularly to remind myself what is in there. There are some terrific ideas for short stories and essays in there, as well as notes on multiple projects that are still unfinished. As I was saying yesterday, my journals are far more informative about my writing process than anything in the files, so I think one of my projects for the rest of December is to ditch a lot of my files and get everything compressed into the filing cabinet. I also need to prune the books some more, and start clearing out the storage attic, and take everything off the tops of the kitchen cabinets (I literally have boxes of books everywhere).
And then there’s that moment when Carl Hiaasen shares your newsletter post reviewing hid book Fever Beach–yes, I still fanboy all the time. Eeee! (And it’s getting lots of likes and shares, which is really cool and was never the point of the review!)
And so, without anymore delays, I am heading into the spice mines this morning. Have yourself a merry little Monday, Constant Reader, and I’ll be back on Tuesday morning!
The river parishes light bonfires on the levees to direct Papa Noel, an incredibly cool Louisiana tradition. They feature prominently in Ellen Byron’s mystery A Cajun Country Christmas.
Thursday morning and my last day in the office this week, praise the Lord and pass the ammunition. I was tired yesterday, but I did get some writing done last night. I finished the revision of the chapter, and now have two more to get done before I can right the next third. It’s going to need to be gone over again, but not right now. It also kind of felt good to be writing it again, and last night was the most I’ve done in a sitting on this book since before the blizzard disruption/distraction. The blizzard was actually rather magical, perhaps the best thing that’s happened this year, and it really was nice going into that bubble for those days–tuning out and just chilling in the cozy snug warmth of the inside while it was bitterly cold outside. Every time I looked out my windows I was captivated by it, seeing it swirling and twirling in such vast amounts with just the ancient glass separating me from the chill outside. Next weekend I am going up to Alabama to meet Dad; its been two years now, wow. That’ll be yet another distraction, and then it’s Carnival and jury duty. Jesús Cristo! That’s a jam-packed month, isn’t it?
I’ve also got to do my part in the ongoing fight against this illegitimate regime, so I need to take down time and rest when I can, all the while writing a book and working full-time. I’m really not the brightest, am I? And this is me slowed way down. I was thinking the other night that I want to finish at least two more books this year; which is kind of insane? I don’t know. I used to do three or four per year, I think. I definitely don’t think that is possible for me anymore. But at least I am thinking in terms of writing again, which up until recently boiled down to I probably should write today and then not doing it. I think that my mind isn’t as creative anymore when I am not actively writing, and so when I am writing the floodgates in my mind open and suddenly I am getting ideas about future projects and stories and essays and…you see how it works around here.
I barely slept at all last night, drifting in and out of a shallow state for the entire night. I feel rested physically, but also a little like I am operating in accessory and draining my batteries by the minute. I know that doesn’t make any sense, but it’s how I feel. I am going to be very tired this afternoon when I get off work, and fortunately I have no errands to run that cannot wait until the morrow. I did pick up my copy of the new William Boyle on the way home from the office yesterday, and I am hoping that tonight I’ll at least have enough focus to read some more of my book, which I want to finish by the end of the weekend if not sooner. I am still not feeling tired yet, but I know that’s going to land on me like a ton of bricks this afternoon to the point where I will be so tired I am almost in tears. I hate feeling that way, but the plumber is also coming to the apartment today (Paul’s working remotely) to fix the bathroom shower and the garbage disposal, so I can start using the dishwasher again, which will save me some time every day and free up counter space. Huzzah! I think I’m going to work on the kitchen some more this weekend, try to make it more efficient and easier to use.
I know I want to wash the car this weekend for sure.
Oh, and Idaho has petitioned the Supreme Court to overturn Obergefell and overturn same-sex marriage. Hmmm, where’s all that fucking trash that told me repeatedly I was “overreacting” and “no one’s coming for gay marriage.” Fuck off forever and drink some bleach with some ground glass added to it, garbage people. Gargle it before you swallow, while you’re at it. I am so tired of being told that fighting for my rights and those of my community aren’t as “important” and to “be patient for a little longer” while those courting our votes don’t lift a fucking finger.
But it’s also the Super Bowl this weekend, and while I am doing my best to avoid the whole thing–the National Guard is out, and I really do not like living in a military zone, with armed soldiers and tanks out and about–it’s kind of hard to avoid it completely. It’s definitely affected my drive home from work, as I can’t go the way I usually go because its inside The Superdome Military Zone and streets are blocked off; they’re even closing New Orleans air space around and during the game. I think they did this the last time the Super Bowl was here, too…but it was like ten years ago and I don’t really remember. I do remember the post 9/11 one, and it was much the same as this. I don’t remember armed soldiers and tanks last time, though.
Sigh.
And on that note, I am going to head into the spice mines. It’s also cool but humid, which means cool temperatures but it feels clammy, blech. I’ll be back tomorrow, most likely, and I’ll talk to you again!
I had something go a little viral (in a very small way) on Threads; New Year’s morning when I saw, after what happened here, that garbage “humans” were blaming “the border”1 for it (um, well actually it was an American military vet, bitch) and posted MTG needs to keep New Orleans out of her hellmouth and at last count, I was at well over a thousand likes and an equally insane amount of reposts–and no “libt@rd” replies for me to block, either. Now, imagine had I put that on Twitter (fuck you now and forever, Elmo, I will always deadname your shitty app). Would I have escaped being swarmed by right wing trolls? Probably not, which was one of the many reasons that helped me break the addiction to Twitter and delete my account. Sometimes I miss interacting with people there (Jericho Brown, for one, and other friends, too), but I do not miss the toxicity and the really bad takes from trashy trolls and bots.
The energy around town yesterday was very off. Of course we all talked about the incident all day at work–the clients, too–and the vibe that’s always there, even when you’re not paying attention, just didn’t feel right. I saw a lot of social media posts yesterday that were love notes to New Orleans, and the love notes far far outnumbered the disgusting bottom-feeding ones (see MTG reference above). And reading those, I started remembering back over the years. Not just the years I’ve been so blessed to live here, but the ones going back to the day when Bienville came up Bayou St. John from Lake Pontchartrain to the island surrounded by swamp alongside the Mississippi River. New Orleans has had this kind of horror before; the biggest mass death event for gay men until Pulse was the Upstairs Lounge Fire in the early 1970s. Hundreds and thousands died during fever season. There was bubonic plague during the Wilson administration, and a massive hurricane a few years later that wiped out entire communities. New Orleans has always understood that death is a part of life, and no one knows when Death will come for you–so live every day like it’s your last; squeeze every bit of joy and pleasure and happiness out of life you can because it can all go away tomorrow, chér. And I remembered back to that time I came here for my birthday in 1994, and an entire new world and life opened up in front of my eyes as I got out of the cab at the corner of Bourbon and St. Ann–and I’ve said before, the city whispered in my ear come live here and I will make your dreams come true.
I love my city, and it will do what it does best. It will mourn its dead and raise money for survivors and celebrate the lives of those lost in this horrific act, the way we always do. New Orleans will not stop being what it is or who we are. We held Carnival after Hurricane Katrina and it was marvelous, absolutely fucking marvelous, and exactly what we needed when we needed it the most. New Orleans will always celebrate being alive, and that’s really part of the charm of this city; not only do we welcome everyone we encourage and celebrate difference, and find joy in finding community all together. What will Carnival be like after this? Joyous but cautious, I would imagine; but as always, Carnival puts everyone into a great mood and we celebrate that we’re still here.
I was tired yesterday–didn’t rest enough I guess after returning to the gym, which I am hoping to do again later on today–so I didn’t get as much writing as I would have liked to get done; I did take Chapter One to over five thousand words from slightly more than three thousand; not bad for a working week. I am hoping to get through the rest of the original chapters this weekend (no college football, nor do I have as much to do as I usually do on a weekend, either, which is absolutely 1000% awesome. The drive home was an exercise in Security Theater; cops and police cars everywhere, and they’d closed off the CBD around the Superdome completely, which was a nightmare as the CBD is the area closest to the interstate–how many people get home from work–so maneuvering around stupid drivers and closed streets and blocked lanes was quite the adventure in irritation and frustration.
Sigh.
Also: I am sick and tired of white racists saying “it’s not safe!!!!” about New Orleans when what you really mean is “too many Blacks live there.” This usually goes along with some pious weeping about how much they used to love New Orleans back when it was safer…newsflash, K-K-Karen: New Orleans is as safe as it ever has been. When you were a child, your parents never talked to you about crime, but when precisely was New Orleans this paragon of safety? New Orleans was always a major port–and major ports aren’t exactly known for decorous behavior and peace and quiet. Was it safer when the Mafia ran the Quarter? When the Upstairs Lounge burned with over thirty people inside? When prostitution was legal in Storyville, or when New Orleans was the liquor capital of North America during Prohibition? Crime has always been rampant here, and this vile racist pretense that before desegregation New Orleans set the standard for law-abiding American cities? Hardly. Just admit your parents or grandparents didn’t want the kids in your family to go to school with Black kids and be done with it, okay?
I feel pretty confident that twink-in-barely-more-than-a-thong will trigger the puritans.
I wonder how long before this post gets flagged by social media puritans as “adult content?” Yesterday’s post was flagged as porn by the cosplaying Puritans at Threads–a man in his underwear is pornography; bare female breasts or some woman with an enormous ass in only a thong proliferate everywhere. Seriously–fuck all of the way off, censors–and think about the message you are actually sending women with your selective application of “oops, this is porn! Shame on you!” to shots of men in swimsuits or underwear, but okaying degrading and demeaning pictures of women every fucking day.
But…Facebook began as a way to rank and score girls who wouldn’t fuck Zuckerberg by a hotness scale, so here we are.
It’s a work at home Friday for me today, and we’re going to Costco later, after I finish my work at home duties. The house is in better shape than usual (thank you, day off on Wednesday and cleaning), so there isn’t as much housework to get done this weekend. My muscles are tight this morning, so I am going to have to do some stretching, and then head back to the gym tomorrow. I also learned something else about myself yesterday–I always rush through my workouts and get extremely frustrated if I have to wait on a machine. When I went the other day, I took my time. I moved through the exercises relatively quickly, but I did them all slowly, didn’t allow myself to get frustrated, and didn’t try to rush through it. And again, I realized I was so focused for so long on using my time effectively and efficiently and trying to do everything as quickly as I can that…it was much easier to get annoyed and frustrated and cut the workout short or something like that. This time, taking my time and actually feeling the muscles work instead of going through so fast that I don’t notice any burn until I am finished isn’t the best way to exercise. I also don’t have the anxiety anymore, so I also don’t feel like I need to get through everything as fast as I can because I don’t have as much to do as I used to. But the good news is my shoulder and arm do not feel any more sore or fatigued than anywhere else; in fact, it actually feels better than it has in a while.
Louder, for those in the back: clearly I should have continued exercising after I was done with Physical Therapy. But…I wasn’t in a good place for the most part last year, so it is what it is and I can’t change that now so move forward and remember. And also remember how good it felt to go to the gym and exercise in the first place.
I also started writing a synopsis of The Summer of Lost Boys last night, too–which felt good and was kind of fun to do. I also need to work on some short stories this weekend, run a few errands, and do some picking up around here. I want to write some today after work, and I think I’m pretty much done with the college football play-offs. There’s no one left that I care about watching; in fact, not a fan of any of the final four, to be honest. LSU already played their bowl game2 and so…who cares? It’s Gymnastics season now, and LSU is the defending national champions, so that’s very cool.
We’re watching Cross, which we’re enjoying; we also finished Hysteria! earlier this week, and it was a lot of fun.
And on that note, I am heading into the spice mines. Have a terrific Friday, Constant Reader, and I may be back later today; one can never be certain.
They still are blaming illegal immigrants despite the fact the killer was born and raised here and was a veteran of our military! They are quite literally the fucking worst humans ever born. The next four years are just going to be a shit show. ↩︎
They did win, by the way, beating Baylor 44-31. ↩︎
Monday morning and back to work with me today, which is fine. Yesterday was nice–despite the Saints losing; not a good weekend for Louisiana football outside of Tulane–and I feel rested and relaxed this morning, which is great. I have a lot to do today, and am really looking forward to having a good day. I did work on the book; I got the outlining of the first seven chapters done; I made a character list (a good start); and also recognized in the rereading what needs fixing and what needs adding and what needs redoing. I also outlined the rest of a short story I am working on, and figured out how to solve the problem of another one, too, which is very cool. I also read for a while, and really am enjoying House of Rain and Bone. I also figured out why it’s taking me so long to read, which I am puzzling over, and it hit me this morning–I am reading it slowly because I am savoring it, and because it’s making me think as I engage with it, and that’s not an easy thing for any writer to do with their work. The book is also a lot of things I generally don’t care for or like–lots of violence–but the language is very beautiful yet raw, the emotion is like an exposed nerve, but I am enjoying it very much, and it’s very intense…but takes me a while to process and digest what I read, so it’s not going very quickly. This is not a bad thing. Most readers will take this ride and not be able to put it down–it moves very quickly, the characters are remarkably likable, the main character is a relatable guy–but as a fellow author, I want to savor the language, the structure, the pacing, all the things that make the book so stunningly brilliant.
And that’s a good thing.
I feel pretty good this morning, actually. I slept really well last night, and feel rested and relaxed as I face the day. It’s my Admin day at work, so I have no pressures or stress and no interactions with clients, unless I see one by chance as I walk around doing other things this morning. I love my clients–I really do, and the long-termers are lovely to see every quarter–but interacting with people all day as someone who is, at heart, an introvert despite being a Leo (I like attention but it also makes me uncomfortable2), wears me out a bit.
I also worked on the Scotty Bible some this weekend. I marked up the final volume that wasn’t (Royal Street Reveillon) and then took down the notes from those pages, and will need to get that typed up. The last step of finishing the Bible includes reorganizing the notes into book order, before sorting them all into categories and so forth. I also need to do a synopsis of each book, detailing not only the case but developments in Scotty’s personal life, the family tree, and so on. Also going through the books to do this–even just pulling the notes out–has given me the opportunity (without the anxiety and all the little naysaying voices in my head, banished by my new medications) to reread (a bit) and reacquaint myself with the work with fresh eyes. As you probably already know, I am very hard of myself and was always dismissive of any achievements or recognition I may have received, and have forgotten a lot of the stories and what happened and why and where the idea came from and why I wanted to tell this story…but this revisitation without the usual Greg-crazy has made me appreciate the stories and the writing all the more, which is lovely and incredibly cool. I also realized yesterday while making the notes that while a Scotty Bible is needed and necessary, that an overall Greg Multiverse of New Orleans Bible is necessary; I’ve crossed over all my New Orleans writing (short stories and novels), using the same fictitious spaces and minor characters. (For example, Cooper Construction from A Streetcar Named Murder is also the construction company Scotty is using to renovate the building on Decatur Street.) So, yes, it needs to be more encompassing. I realized that Paige–Chanse’s best friend–whom I’ve also used in the Scotty series–most of her background is in the Chanse books, and yes, I should probably do one for him, too….sigh. It’s like pulling a string from something knit.
I’m kind of going to miss the Swifties, to be honest. We’re used to tourism here–non-stop conventions, the big events, and so on–but there was a marked difference between the Swifties and other big groups that take over New Orleans. For one thing, they were incredibly friendly and nice! So much good energy that I didn’t mind the crowds of them I had to pass through, and the outfits and everything. They were here to have a good time, of course, and the city welcomed them (and their wallets) with open arms so that it became almost a symbiotic pairing. Hospitality workers marveled at their kindness and their generous tipping; store owners and workers didn’t mind being busy because everyone was nice and polite and didn’t complain about anything. I loved the friendship bracelets adorning the Superdome. I loved the endless karaoke of Taylor’s songs that went on as they took over Bourbon Street. Every bar and every shop was playing her music. Her economic impact on the city was undeniable, and I can’t wait to hear about her local charity giving, which she always does–usually food banks and homeless shelters, bless her.
It’s no wonder MAGA hates her. They hate anyone who is kind and giving–they certainly do not recognize Jesus’ messages in her (which goes to show you how they would react to Jesus’ return, doesn’t it? I find it very interesting that his followers are the ones most likely to reject and crucify him). I won’t talk about the Nazi rally at Madison Square Garden yesterday because what else is there to say, other than “we’ve not seen anything like this since the Nuremburg rallies” but we did have one in MSG back in 1939, didn’t we? (And it should come as no surprise that it was conservatives who were pro-Hitler in 1939 America, does it? They hated FDR with the same kind of passion Trump ignites in his acolytes, and since they smeared him as a socialist/communist, naturally they got into bed with Nazis.)
Everything old is new again.
And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll be back later or tomorrow, we’ll see!
So, turns out it means “rough, isolated country”–and has come to mean, in slang, a remote place with little to no civilization. Interesting. ↩︎
And yes, that is on the list of issues to unpack and make peace with. ↩︎
Imagine my delight and surprise to discover that the meeting I thought I had to go into the office for later this morning had a virtual option, so I am not leaving the house today–other than to run a necessary errand later.
I may even put that off until tomorrow.
Yesterday was a lovely day at the office. Everyone was in a pleasant mood, and everything flowed well. I enjoyed all my client interactions and everything ran smoothly the way it is supposed to always run, and that was lovely. I wasn’t even terribly tired when I got off work, but knew I’d be in a mood by the time I got home. Why? Because there was a Saints game last night in the Superdome, and traffic in the CBD was going to be a nightmare. It was, but it wasn’t nearly as bad as I thought it would be, and I made an impatient decision about the route home that was a big mistake. It took me about forty-five minutes to get home from work–what usually takes at most fifteen minutes; Wednesday night, for example, I detoured up to the Carrollton corridor to go to the Rouses, and still managed to grocery shop and everything and get home less than an hour after I left the office. Saints game also meant crowd at the bar on the corner, which meant difficulty finding a place to park. No big deal, I did find a place to park and then came inside.
Heavy sigh.
So, we have guys here working on the roof and the gutters. There’s also a bridge from the patio upstairs over to the carriage house gallery. It had apparently rotted; so they’ve been working on that. The patio is directly over my kitchen. I came inside, and there was debris all over the stove and that counter. “Weird,” I thought, and actually said out loud, annoyed, “well, I’m glad I cleaned in here” before looking up to see a blue sky. Yes, while they were working on the bridge yesterday, they were trying to do something and the kitchen ceiling/patio floor gave way. Unable to help myself I yelled, “Oh, fuck!” Well, the thing about a hole in the ceiling is the poor workers–who hadn’t really done anything wrong; it wasn’t their fault that portion of ceiling/floor had rotted out, of course–heard me. And then I went outside to see what they were doing and one of them sheepishly asked me how I was doing, and I replied in full candor, “well, I’m not thrilled about the hole in my kitchen ceiling” which led to apologies and explanations and they even came by several times to apologize again. They also cleaned up the mess in the kitchen and put up a piece of plywood to cover the hole, reassuring me this was a stopgap measure and they’d repair it. It was amusing–well, it is now, not so much at the time–but I then found myself reassuring them I knew they didn’t do it on purpose, thanking them for cleaning up the mess and covering the hole, etc etc etc. I had intended to work on my short story in progress, “The Blues Before Dawn,” when I got home and maybe read some of Angel Luis Colón’s Infested, but that of course disrupted the entire evening so I grabbed Tug and he slept in my lap while I watched the last episode of the first season of Moonlighting (it was a late midseason replacement and the first season was only six episodes, including the pilot). Paul came home, he went through the stages of grief about the kitchen ceiling that I already had, and then we watched The Morning Show and Our Flag Means Death before I went to bed (I actually fell asleep during OFMD so have to rewatch at some point today or tomorrow).
I slept deeply and well, not arising this morning until eight (other than the usual “Tug needs food NOW” daily five a.m. wake-up) and now am facing my day. I am going to get this done and posted, probably work on some emails before starting my work-at-home duties, which will also include chores around the house (laundry’s first load already going in the laundry room) and hopefully, I will get some work done on that short story. I had decided to write this as a Sherlock-in-New-Orleans story, but not told by Watson–which is a risk on top of a risk–and then see how it went. In talking to a friend yesterday I also realized part of the reason I am having trouble writing and/or getting started on a new project is because everything is in limbo because of my arm surgery. I don’t know how long the recovery process is going to be and I also don’t know how much writing I’ll be able to do in a cast and sling (and not the good kind of sling, either–see what I did there?) I’m afraid to commit to a deadline knowing that I can’t even self-delude myself that I’ll make that deadline (I never do, but I never agree to one knowing ahead of time I won’t make it). It’s also been an extremely rough year for me, and there’s nothing wrong with not being as productive as you would like because other things are going on in your life that you simply can’t avoid dealing with–which is usually my preference, immature and childish as it is–and recognizing patterns of behavior within yourself. I’ve done a lot of self-examination and reevaluating my past as well as who I am along with why I am who I am, if that makes sense. A lot of that had to do with Mom dying, as well as me recognizing that probably my absolute best work inevitably always winds up being set in Alabama. That Alabama tie, those roots, run so deep inside me that they’re inescapable, really.
I also started reading Death Drop last night. Reviews are starting to come in, and friends are reading it and telling me they’re enjoying it, and the truth was I couldn’t really remember a lot about the book so thought it was probably a good idea to reread it. So much was going on during the process of writing the book–it and Mississippi River Mischief, which doesn’t even take into consideration the fact that I was actually writing two books at the same time (not recommended, aspiring authors, don’t be a Greg; be smarter)–that I couldn’t really remember much of it (I may need to reread Streetcar too) and being familiar with your own work that you’re promoting is usually smart. Now that my memory isn’t what it used to be, rereading my work is like reading something new by another author because I don’t remember anything about the book itself other than the drudgery of writing, editing, and revising the damned thing. But I was very pleased with it–I wasn’t able to finish the reread, but got pretty deep into the book–and it flows well and there are parts that are seriously funny. Of course, like always I started nitpicking at it, but after about chapter three I turned off the internal editor and just read it as though I was reading it for pleasure rather than reminding myself of what I had written. The characters are likable and all of them–even the minor ones–seemed fully realized and with their own agency; by which I mean they aren’t always just dropping everything to rush to help Jem out at the expense of their own lives and aren’t there to simply feed him information or help him work through his problems. I also liked the voice, and I really like my main character Jem Richard, the glam artist just dipping his toes into the world of drag performance. I intended it to be a drag queen origin story–the answer to the question “so how did you start doing drag?”–and it absolutely works in that regard.
And the book itself is gorgeous, simply gorgeous. I couldn’t be more pleased.
It’s also weird having two new books drop in such a short period of time. It certainly wasn’t planned that way, and entirely happened because my life blew up and I didn’t make deadlines for either. But I promised myself I would be better about promotion and so forth, so here we go.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you again later or perhaps tomorrow.
Sunday and the midpoint of the holiday weekend, as New Orleans swelters in what is, even for here, an unusually potent June heat wave. I stayed inside as much as I could yesterday, in the marvelous cool of the Lost Apartment. I slept well Friday night, which was great, and while I wasn’t feeling especially motivated yesterday morning, I did get my daily blog entry done as well as a Pride post. I read more of That Summer Night on Frenchmen Street, which is just absolutely charming (you should get a copy, Constant Reader), and then I did some more cleaning chores around the house before digging into the edits of this manuscript. I got the macro edit along with the copy edit, so I can get it all worked through, hopefully this weekend; I would love to be able to get this to the editor on Monday. We shall see how it goes. I did get some progress made yesterday; we’ll see how things go today. Yesterday was kind of nice, actually. I got some rest, too–today I feel really rested–and we finished watching Butchers of the Bayou, got caught up on The Crowded Room, and started watching City on Fire, which…is interesting, but I guess we’re supposed to believe Manhattan is an incredibly small town? It’s based on an “it” book from a couple of years ago that I never read; I had a copy but eventually donated it in one of my many purges. I’m not sure we’ll continue watching, to be honest; it’s okay but not riveting. There was no disappointment last night when I called the evening after a couple of episodes.
LSU won their game yesterday at the College World Series (GEAUX TIGERS!). We watched part of the game before switching over to The Crowded Room once I was sure the Tigers had the game under control. I have to say, it’s very fun living in Louisiana and being a sports fan. I of course always will root for any team based in Louisiana, with the Saints and LSU having my deepest loyalties, but part of the fun is how different Louisiana sports fans are from fans in other parts of the country. Tiger Stadium and the Superdome can get loud enough that it hurts your ears, but the thing I love the most about Louisiana sports fans is that they are also fans when it’s not easy, if that makes sense? It’s why Saints players become so attached to New Orleans; we’ll turn out to welcome them home from away games at the airport even when they lose. When the Saints were in the Super Bowl, the city of New Orleans decided to have a Saints parade that Tuesday night before the second weekend of Carnival, where they won or lost; a celebration if they won and a thank you for a great season and making it to the Super Bowl if they lost. Maybe the turn out for that parade might not have been quite the mob scene it was had they not won, but I like to think that it would have been pretty close to the same thing. I also love all the stories about how Omaha (which we’re calling Eauxmaha the way we always Louisiana-ize everything) loves our fans and hope we make it to the College World Series every year. There’s a bar in Omaha that has a shots contest for all the fans of the teams there–LSU is of course way out in front of second place, and at one point you could combine the other seven schools and LSU still won. It also reminds me of how when LSU played Oklahoma in the 2019 college football play-offs in Atlanta, a lot of the bars around the hotels and stadium ran out of beer and bourbon the first night (this was NOT a problem when LSU played in New Orleans for the national championship; New Orleans never runs out because we’re Louisiana too). I also imagine that the servers and bartenders must make a ton of money in tips from LSU fans, who are also as generous as they are friendly. (I was also thinking the other day as I rewatched highlights of this past year’s LSU-Alabama game, what a night for recruiting that must have been! As a high school football player, visiting Tiger Stadium on a night like that, when the entire stadium was rocking (the stadium’s reactions to the over time touchdown and the two point conversion both registered on the campus Richter machine), how could you not sign with LSU? I’m trying not to get overly optimistic for football season, but LSU and the Saints (and Tulane, even) are poised to have great seasons.
Fingers crossed!
It looks kind of hazy outside the windows this morning. The heat advisory/heat wave is supposed to last until Tuesday; I’ve not checked the weather yet this morning to see how bad today is going to be. AH, yes, heat advisory, partly cloudy, and the potential for a severe thunderstorm later this afternoon. I was hoping to barbecue today, so here’s hoping the thunderstorm either holds off until I do or is over before I want to. I’m not going to run errands until after work on Tuesday, on my way home from the office. We have plenty of stuff on hand to eat without me having to go to the store, and I’m not going to be getting a lot when I do make a grocery run because I will be out of the house all next week. The reason I am coming back on the following Saturday is so that I can do a grocery run before heading to work on Monday.
And on that note, I am heading into the spice mines. Have a lovely Sunday of your holiday weekend, Constant Reader, and I’ll be back before you know it.
Who dat? Who dat? Who dat say dey gonna beat dem Saints?
I am a very proud member of Who Dat Nation, and have been since we moved here in 1996. I never really paid a lot of attention to the NFL before moving to New Orleans; I vaguely was aware of who was good and who wasn’t–and I knew very certainly that the Saints had routinely been one of the worst football teams, consistently, in the league since they were formed in 1966. You couldn’t not be aware of how hopelessly bad the Saints were, year in and year out. I always root for underdogs–a particularly American trait, I might add, which is another good essay topic (how we always root for underdogs, especially in our entertainment–film, television, books–but in the real world we either look the other way or actually pile-on. We all feel bad for poor bullied Carrie White in Stephen King’s Carrie and hate the cruel kids…but how many of us ever stood up for some kid being bullied in school? My experience as the bullied is NONE.)–and so I always wanted to see the Saints somehow turn their program around. Paul and I always watched the games–or had them on–when they aired; there were many times the games were blacked out locally because they didn’t sell out the Superdome.
Three things were inevitable in New Orleans: hot summers, termites in the spring, and the Saints would suck in the fall. When we first moved to Louisiana LSU was also in a downturn slump; some seasons they’d win, some they’d lose, but they were rarely, if ever, in contention for the conference title. I had a Saints ball cap and a Saints T-shirt, of course, but I was an idle fan of theirs for a very long time.
As with so many other things, my attitude towards the Saints was completely changed by Hurricane Katrina.
It was the best of times.
It was the craziest of times.
Well, what it really had to be was the end times, which was the only logical explanation for what was going on in the city of New Orleans.
Pigs grew wings and nested in the branches of the beautiful love oaks everywhere in the city. Some thought the pilot light in hell had gone out, so that icicles hung from the noses of shivering demons in the realm of the dark lord. Others started watching the horizon for the arrival of the Four Horsemen, for surely the Apocalypse must be coming. Surely the earth was tilting on its axis. Maybe aliens would land in Audubon Park, or the Mississippi River would start flowing backward.
Anything and everything was possible, because the Saints were winning.
GEAUX SAINTS!
People who don’t live in the South don’t really understand how important football is down here. Football is more than a religion in the Deep South. I’m not sure what it is–my mom claims it’s because the South lost the Civil War–but it’s true. On Saturdays, when the colleges play their games, the entire region comes to a complete halt. People live and die by their teams–whether it’s LSU, Ole Miss, Alabama, Auburn, Florida, Georgia or Tennessee–and how they face on Saturday. I myself grew up cheering for the LSU Tigers–even though attending Vanderbilt was a family tradition on my mother’s side. Whenever Papa Fontenot gives me crap for dropping (well, flunking is probably a more accurate word) out after my sophomore year, I give him a withering look and reply, “Maybe I’d have done better at LSU.
That always shuts him up.
I don’t think even the Saints organization knew how much the team actually meant to New Orleans until they tried to move the team after Katrina.
Everyone knows the Superdome was damaged by Katrina and the aftermath. I’ll never forget driving back into the city in either late September or early October and seeing it as I came around that curve in I-10 just past Metairie Road and the cemeteries; I wrote in Murder in the Rue Chartres that it resembled a half-peeled hard-boiled egg. One of the saddest things for me about seeing the wreckage of the Lost Apartment was finding my beloved Saints ball-cap lying on the rug in the living room and consumed by black mold. It seemed so symbolic of everything that had happened to us and our city.
Obviously, the Saints had nowhere to play home games and arrangements had to be made. Some games were played at Tiger Stadium in Baton Rouge, others in San Antonio–and San Antonio made it very clear they would be more than happy to give them a permanent home.
It felt like the Saints organization was not only stabbing New Orleans in the back, but the entire state. I know I took it very personally; the city had supported and loved that team through decades of mediocrity if not outright suckage, and now when the city is at its lowest point, they’re going to move to San Antonio? But the NFL wasn’t having it–Tom Benson always made it seem like it was his decision, but the NFL was committed to New Orleans and wouldn’t let the Saints leave. The Dome was renovated and fixed in record time; the season tickets for 2006 sold out for the first time in years, and the new Saints–with our new coach and quarterback–debuted on Monday night football against the hated Atlanta Falcons. I wasn’t even aware of it, I was paying so little attention to everything going on around the country and world, to be honest. I ran my errands that day and noticed Saints flags were everywhere and people were wearing Saints jerseys and there was this strange sense of excitement in the air. Paul and I were living in the carriage house and we only had this tiny little black-and-white television, but we watched that night. And when Steve Gleason blocked that punt and the Saints recovered in the end zone–we both cried as we jumped up and down and screamed. (Everyone remembers the punt, but the entire game was amazing from beginning to end.) People call the blocked punt “the moment Louisiana healed,” and maybe they were right about that…but all I knew was for the first time in over a year we had something to be excited about, cheer about, and be proud of–and the Saints made it all the way to the NFC title game, so close to making it to the promised land of the Super Bowl.
I’ve been a rabid Who Dat ever since (2005 I also switched my first college allegiance from Auburn to LSU, but that’s a story for another time.).
And that magical season when the Saints not only went to, but won the Super Bowl? I had to write about it. I had never lived in a city that won a championship before, and let me tell you–it was insane in New Orleans that season, insane–as were the play-offs and the Super Bowl. I cried when Tracy Porter picked off Peyton Manning in the fourth quarter and ran it back for a touchdown to ice the game, and I cried again when the clock ticked to zero and the impossible had finally happened: the Saints had won the Super Bowl. It was so noisy that night; cars were honking their horns all night long, the streetcars rang their bells non-stop, and people were just chanting and cheering all over the city. We could hear the crowd at the bar on the corner, we could hear our neighbors, it was just insane and celebratory. Paul and I to this day have regretted not getting dressed and heading down to the Quarter to see it all; when will that ever happen again? The Saint may win a Super Bowl again, but it will never be the first time ever again.
I remember later that spring a friend asked if I thought the Saints would be good again the next year, and I just smiled. “I don’t know and I don’t care. All I know is we finally won the Super Bowl and I can die happy, and I think a lot of us feel that way.”
The Saints are New Orleans, and New Orleans is the Saints. (I also am a little disappointed in myself for forgetting that A Streetcar Named Murder is actually set during football season; I didn’t mention it once and that’s a significant flaw in the book, honestly.)
So I decided to write another Scotty book, set it in that period between the Saints winning the NFC Championship and the Super Bowl so I could document that time, and I also decided to bring the other side of his family–the Bradleys–into the mix and give him a cousin who actually was on the Saints team and kind of a dick.
It was around this time, when I was planning or writing the book, that same-sex marriage was in the news a lot. Several suits were winding their way through the courts, and public opinion–thoroughly anti-queer in 2004 when it was on the ballot on a lot of states–was starting to swing back the other way. There was an incident at a beauty pageant when Miss California (her name escapes me now) was asked by Perez Hilton (who shouldn’t be judging anything, frankly) about same-sex marriage. She had to say she was against it, and even apologized, saying “I’m sorry, it’s how I was raised!” as the crowd began booing and jeering. She didn’t win, and I actually felt like it was kind of a shitty question to ask, but on the other hand, California had passed Prop 8 in 2008 (which was kind of the catalyst for the public opinion change, I believe). I also have always believed the old “it’s how I was raised” is a copout for bad or unpopular opinions–most white people are raised racist, after all–and questioning and reevaluating values and beliefs you were raised with is part of the maturation process of becoming your own person. But I was willing to cut her a break–she was young, it was a “gotcha’ kind of question, and kind of unfair–until she doubled down and decided to became the Patron Saint of Homophobia, following in the pumps of another runner-up pageant queen who became the face of hate and bigotry, wrapping it all up in religion and “concern for children”: yep, the hateful old bitch Anita Bryant herself, may she burn in hell for all eternity. She didn’t last long–its hard to paint yourself as a martyr for family values when you’ve been caught sexting (and recording yourself masturbating to send your man–and that was the end of that. I decided to make the reigning Miss Louisiana a homophobe who got that question at Nationals and is now dating Scotty’s cousin the Saints player–and he brings her to Christmas, with the end result that she gets slugged by Scotty’s mother and their family storms out.
And the night the Saints win the NFC championship, she’s murdered.
It was fun because I got to involve a megachurch in Jefferson Parish (there actually is one), and a sordid history of her own that the beauty queen was keeping secret for her own reasons–(coughs LESBIAN coughs) and even got to bring some more past characters back into the mix, like Emily who worked at the Devil’s Weed, and I had a lot of fun with this look into the other side of Scotty’s family (the one I am working on now also deals with another branch of relatives).
And I got to write about the Saints winning the Super Bowl, which was even more awesome. This was the book where I really thought I was done with Scotty. The year after it came out, at the next Saints and Sinners, was when I was asked if I would do another Scotty book; this was when I made my famous reply, “if I can figure out a way to include Mike the LSU Tiger, Huey Long, and his deduct box into a book, I will write another Scotty book.”
Of course, later that night it hit me like a 2 by 4 across the forehead, and I made some notes that eventually became Baton Rouge Bingo.
As I get ready to write another Scotty book, I am busy making his acquaintance all over again. It might seem strange, but yes, although I’ve written eight books about my ex-go-go boy/personal trainer/private eye, it remains true in this as in all other aspects of my life that my memory is not what it once was; in fact, I don’t think I’ve ever written a Scotty book since the first three without having to go back and revisit the series again. I have made continuity errors over the years (Scotty’s mother’s name changed over the course of the series, from Cecile to Marguerite and back to Cecile again), and I may forget things about his past and things I’ve written in previous books, but the one thing I never ever forget is his voice.
No matter what else is going on in my life, Scotty’s voice is very easy for me to slip back into, like a house shoe, and it somehow always feels like coming home to me in some ways. This is odd–because I would have always thought Chanse was the series character I was more connected to rather than Chanse, but that’s not the case at all. Scotty just won’t go away; but I ended the Chanse series and only every once in a while do I regret it (although I am beginning to suspect that I am going to probably end up writing another Chanse novel at some point in my life; I have two ideas that he’d be perfect for, but it also might be better and more challenging for me to simply come up with a whole new character for those stories rather than resurrecting Chanse); Scotty just won’t ever go away.
The idea for the Scotty series famously came to me during Southern Decadence, 1998.
(Well, I don’t know about famously, but I know I’ve told this story before many, many times. Feel free to skip ahead if you don’t want to see how I remember the birth of the character and the series now)
It was a Sunday afternoon, and Paul and I had somehow managed to get prime balcony standing spots–at the Bourbon Pub/Parade, right at the corner of St. Ann and Bourbon where the railing curves at the corner to head alongside the upper floor down the St. Ann side; so we could look down directly into the roiling mass of sweaty, almost completely naked bodies of hundreds of gay men from all over the country. That was my favorite spot for Decadence sight-seeing (Halloween, too, for that matter), and as I looked down into the crowd, I saw a guy in booty shorts and a very very loose fitting tank top, carrying a bag and trying to get through. I recognized him as one of the out-of-town dancers working at the Pub/Parade that weekend (I may have tipped him the night before) and as I watched in sympathy as he tried to get through that tightly-packed crowd of gays in various stages of being wasted, I closed my eyes and an image of him–or someone like him–fighting his way through the Decadence crowd while being chased by bad guys with shaved heads popped into my head just as Paul said, next to me, “You should really write a story set during Decadence” and then it popped into my head: someone escaping the bad guys has slipped a computer disc into one of the dancers’ boots on Friday night as he danced on the downstairs bar, and the bad guys want the disc back.
I didn’t have any way to write it down, obviously–I was wearing booty shorts, socks, and half-boots that came to my ankles, with nothing underneath the shorts and I had my tank top tucked through a belt loop like a tail in the back–yet even the title popped into my head: Bourbon Street Blues. The idea clearly stuck, because when I got home the next morning at about six or seven, dehydrated, drenched in sweat and having lost the tank top at some point during the night, I remembered it and wrote it down.
At some point over the next two years, I wrote a short story called “Bourbon Street Blues” about my stripper–only instead of being from out of town, I made him a local, filling in for someone booked from out of town for the weekend who had to cancel–and wrote about seven thousand words. It felt very rushed to me–the story–and I kept thinking it’s too long for a short story, it would have to be a novel but I also wasn’t sure there was enough story there for a novel. But I liked the idea, no one (at least, to the best of my knowledge) had written anything like it, and I thought, someday I’ll get a chance to write this story and develop this character.
Flash forward to 2001. This was during the time Paul and I had moved to DC to work for the Lambda Literary Foundation, we were miserable there and wanted to move back to New Orleans but didn’t have the money to do so, and the release of Murder in the Rue Dauphine was still at least a year away. I was talking to an editor on the phone about one of his new gay releases, and out of the blue I just pitched Bourbon Street Blues to him. He loved the idea, and asked me to write a proposal and email it to him. I had never written a proposal before, but I thought what the hell, how hard can it be? and so I wrote a two page proposal for the book. Two months later they made me a two-book offer–and the money was good enough to pay for Paul and I to move back to New Orleans as well as to live on for a while. I had only seen the book as a one-off, but they wanted a series. I needed and wanted the money, so I thought I can figure this out later and signed it.
Three months later, we moved back to New Orleans and I started writing the book.
The original cover is on the left.*
The one thing I wanted to do with Scotty was make him unabashedly, unashamedly, gay. I didn’t want him to have any hang-ups, a sad backstory, or parental issues. I wanted him to be a free spirit who embraces life with both hands, lived in the Quarter, and loved having sex, loved being found desirable, and never really said anything or thought anything mean about anyone else. I made him a personal trainer, and his poverty–he agrees to do the dancing gig for Decadence because he’s behind on his rent and other bills; he teaches aerobics and was a personal trainer–comes from his grandparents freezing his trust funds when he dropped out of college to go to work for a booking agency for male dancers. He has since stopped doing that, but fills in when needed (and when he needs the money) at the Pub/Parade. I also based the shitty politician running for governor–and trying to mount a Christofascist takeover of the state, beginning with an attack on Southern Decadence–on an actual politician who ran for the US Senate shortly after we moved here; we saw him being interviewed on the news and couldn’t believe it wasn’t a joke, some kind of performance art–but forget it Greg, it’s Louisiana.
I also want to let you know that while I was working on this manuscript my first book, Murder in the Rue Dauphine, was released–and I got a “damned with faint praise” review from the Bay Area Reporter, which complained that “it would have been nice to see inside the heads of the other characters”, which took me aback as the book was a first person narrative, which made that impossible. What the reviewer I think was trying to say was that she wished the book had been told in the third person; that to her that would have made the book more interesting to her. But in my baby-author naïveté, all I could think was how can you see inside the heads of other characters in a third person narrative unless the main character was psychic?And the proverbial lightbulb came on over my head. Make Scotty a psychic. This was also an integral key to the puzzle of who Scotty was; the reviewer also yawned over my “gay stereotypes” in Rue Dauphine, so I decided to make Scotty the embodiment of all the worst stereotypes of muscular gay men who worked out and had a lot of sex. Just writing that down now, I realize how incredibly insane it was for me to use my new series book and character to respond to criticism o my debut novel; and when the book came out I braced myself for the inevitable backlash to come.
No one was more surprised than I was at how readers embraced him. The book got great reviews, even from Publishers Weekly and Library Journal (Kirkus, of course, has always pretended I don’t exist). Bourbon Street Blues was even nominated for a Lambda Literary Award for Best Gay Mystery of 2003 (I lost, I think to John Morgan Wilson?) shortly after the sequel, Jackson Square Jazz, was released.
Jackson Square Jazz’s story was actually a recycled idea I had for a spin-off book for Chanse’s best friend Paige. The original concept was that someone would steal the Louisiana Purchase from the Cabildo–and somehow Paige stumbled onto the theft, and knew that the one on display currently there was a copy. (I was calling it, originally enough, Louisiana Purchase.) I decided to make that the basis of the second Scotty book. (This was inspired by a documentary I’d seen about the Cabildo fire of 1989–that may be the wrong date–and how the fire department tried saving everything in the museum before fighting the fire. I remembered how in the documentary they literally were placing historical objects and paintings against the fence at Jackson Square and thinking, anyone could have walked off with something during the fire…and my imagination immediately was off to the races.) Unfortunately, when I met with the museum director–whose actual first day on the job was the day of the fire–I found out that 1) the copy of the Louisiana Purchase at the Cabildo was actually only a replica and the original was stored in the weather-protected underground archive at the Library of Congress and 2) it was more than one page long–I’d imagined it was one large document like the Declaration of Independence; it is not. However–he also suggested I make the MacGuffin the Napoleon death mask–one of the three originals made when Napoleon died–and gave me some great backstory on it as well that I don’t remember if I used in the book or not; but it was a lot of fun talking to him (his name escapes me at the moment, alas) and was a great example of why it is important to actually do research and talk to people.
I also wanted to include figure skating–the working title for the book was Death Spiral, which the publisher made me change, asking for something alliterative, like Bourbon Street Blues–and so I decided to open the book with Scotty having a horrific hangover and then realizing someone was in the bed with him (it’s to this day one of my favorite book openings; what slutty gay man hasn’t been there?)…and then I remembered I’d introduced two love interests for Scotty in book one, and here he was in bed with someone else entirely. (The young man he woke up with was a figure skater in town to compete at Skate America, being held in the Smoothie King Arena.) I loved both of his love interests, and knew I was going to have to bring both of them back somehow, and then I was going to have to figure out which one he’d end up with. (Spoiler: I couldn’t decide, so he wound up with both of them.) I also threw in a ghost, a billionaire artifact collector, and pretty much everything but the kitchen sink. I turned in the book, along with a proposal for Book Three, in which I finally decided I was going to resolve the threeway relationship personal story, and that would be the end of the Scotty trilogy.
Man plans and God laughs. (Jackson Square Jazz was also nominated for a Lambda; I think this was the time I lost to Anthony Bidulka.)
Mardi Gras Mambo turned out to be an entire other kettle of fish.
I’m not entirely sure I remember exactly what the original plot of Mardi Gras Mambo was going to be, but I know it had to do with the Krewe of Iris (Scotty’s sister Rain belongs) and the book opened at the Iris parade on the Saturday morning before Fat Tuesday. It was due in June of 2004, and of course, I wasn’t nearly finished by the time Memorial Day rolled around, and was planning on asking for another month on the manuscript on the Tuesday after. Of course, that was the Memorial Day weekend when Paul was attacked and everything went to hell in my personal life. My publisher was incredibly kind; they took the book off schedule, told me to take care of Paul, and get the book done whenever I got the book done.
I started writing it again in January of 2005, shortly after I began keeping a blog in order to get me writing again. That was when the Christian/Virginia nonsense happened, and everything got derailed again. When I started writing the book again, I threw out everything except that first chapter at the Iris parade–which did wind up in the final book–and I do not recall what the second plot I chose to write was at this time, other than I knew I was bringing in a Russian character, inspired by someone I’d seen around in the bars for years and had always been just awestruck by his body–and yes, that Russian turned out to eventually be Wacky Russian, my personal trainer. I actually kept this as an inspiration–Eclipse used to be the nightlife insert for IMPACT News, a queer newspaper that died out in the early aughts:
Finally, it was April 2005, and I started writing Mardi Gras Mambo again. I had the plot all figured out–it was completely insane–but I also realized I couldn’t end the personal story with Scotty the way I had hoped and wrap it all up with Book Three. There had to be a Book 4, and so when I finished the book at last and turned it in, I included a proposal for a fourth Scotty, Hurricane Party Hustle–which was going to be set during an evacuation for a hurricane that missed New Orleans…I always thought it would be interesting to write a mystery story set during such an evacuation.
Of course, I turned the book into Kensington on August 14th, 2005. Fourteen days later, Paul, Skittle and I fled from New Orleans in the face of Hurricane Katrina.
I wouldn’t come back for good until October 11. Paul didn’t come home until after Thanksgiving.
Of course, I wrote to my editor a day or so after the levee failure to say, well, I don’t think I can write that book I proposed now.
I didn’t see, for a very long time afterwards, how I could write another Scotty book–light, funny, zany–in the aftermath of Hurricane Katrina. Then one day I was walking to work from where I’d parked my car and some people on bicycles came riding toward me. They smiled and waved and I smiled and waved back…and realized oh my God, that was Brad and Anjelina. Their house wasn’t far from my office–in fact, it was quite literally around the block from where Scotty lived–and I thought, you know, Brad kind of looks the way I describe Scotty–wouldn’t it be funny if someone tried to kill Scotty because he looked like a movie star who lived in his neighborhood? The more I thought about it, the funnier it became, and I started writing the proposal for Hollywood South Hustle when I got home from work that night. I was so certain they would take it that I started developing the characters and writing out a detailed synopsis…and they turned it down.
I wasn’t expecting that, but it was a marketing decision. Even if they signed the book immediately, it would still be another year before it would come out, and they felt by then Scotty’s audience was long gone, if it wasn’t already. It was disappointing, but right around the same time Alyson came back to me for a fourth Chanse book but they needed it right away–like within ten weeks–so I turned the Scotty story into Murder in the Rue Ursulines. I finished the book, turned it in, and figured the Scotty series was dead, alas.
Shortly thereafter, during the Gay Easter Parade an idea for a different Scotty book occurred to me . The parade was over and I was walking back to my car to drive home when I walked underneath a balcony…just as they started watering their plants. I got soaked–you can’t get mad, it happens in the Quarter periodically and it’s just one of those New Orleans things–and I thought, you really need to write about this. As I walked to the car, dripping, I pictured Scotty hurrying to catch a ride on his parents’ business’ float for the Easter Parade–and of course, he’d wear a white bikini, rabbit ears, and have a rabbit tail–when the exact same thing happened to him, only his bikini would become see-through when wet. By the time I’d driven home, I’d figured that the person on the balcony would be an old friend of his parents’, he’d invited Scotty in to dry off, and when Scotty was on his way home from the parade, the cops would be there because the friend had been murdered. Using The Moonstone as my inspiration, I came up with another MacGuffin story, a way for Colin to come back and explain everything that happened during Mardi Gras Mambo, and I had the perfect ending to Scotty’s story. I just didn’t have a publisher.
But Bold Strokes Books, a primarily lesbian publisher, had started doing books by and about gay men. I’d taken an erotica anthology to them when it was orphaned by the death of its original publisher, and so I wrote and asked if they wanted a Scotty story. They did, and thus Scotty came back to life one more time…and I figured that was the end of it. I wrapped up the personal story about the three-way relationship in a way that was organic and made sense; and I also added a new wrinkle to Scotty’s personal life: Frank’s late-in-life decision to become a professional wrestler. (One of the things we locals learned from Hurricane Katrina was to not put off following or chasing dreams or goals; my attitude thus became go for it and I started chasing down dreams I’d pushed to the side for years.) Mardi Gras Mambo and Vieux Carré Voodoo were both nominated for Lambdas, but at this point I can’t remember who I lost to in both of those cases–for the record, Lambda has never rewarded a Scotty book with an award–probably because they are inevitably funny and over-the-top, which never wins awards because funny is seen as “not serious,” despite the fact that humor/comedy is much harder than drama/tragedy.
I didn’t think I was going to write another Scotty book then, either. But then something miraculous happened: the New Orleans Saints won the Super Bowl, and I wanted to write about what it was like to live here during that incredible time. It didn’t seem like the right story for another Chanse book, so I thought, well, I can pull Scotty back out and write it from his point of view.
And of course, Who Dat Whodunnit was just sitting there for the title. How could I not write that book?
I had already established over the course of the series that the two sides of his family–the Diderots (maternal) and the Bradleys (paternal) didn’t really get along. The Diderots go back to Iberville and the 1718 settling of New Orleans; the Bradleys were Americans who came after 1803, and thus are not only parvenus to the aristocratic Diderots, but also l’Américains. Perish the thought! We’d also established that the Diderots were not nearly as conservative as their State Street living in-laws, but we’d never actually seen much of the Bradley side of the family, so I thought why not do the Bradleys and let us get to know the other side of Scotty’s family? It was around the same time I started reading about a megachurch out in Kenner (or Metairie? I don’t recall) that was rising to prominence in local politics and was, as you can imagine, homophobic. The same-sex marriage wars were also being fought at this time; and during one of those pageants (Miss America? Miss USA?) the reigning Miss California was asked about same-sex marriage during the question portion by judge Perez Hilton (why was he judging a beauty pageant for women is a mystery for the ages) and she responded that her faith had taught her that marriage was between a man and a woman (the audience started jeering) and she apologized by saying “I’m sorry, but that’s how I was raised!” She wound up as First Runner-Up, and some felt, rightly or wrongly, that her “politically incorrect” answer cost her the title. In some ways, I felt bad for her (although it’s not my fault it’s how I was raised I have always thought was an incredibly stupid thing to say; you have free will, and you should be capable of making up your own mind rather than simply parroting things without question you were raised to believe. So if your parents were racist white supremacists…) but then of course, the Right tried to turn her into a martyr and heroine, and she dove right into that headfirst, erasing any sympathy I might have felt for her (I still think the question was inappropriate for a pageant, as would be anything polarizing–and yes, well aware that same-sex marriage shouldn’t be polarizing, but here we are), and of course, Miss Upright Moral Christian had a bit of a shady past that eventually came out and that was that. I decided to base the murder victim in the book on this girl, and tried to explore the influence of this megachurch on her. I also gave Scotty a first cousin who was the darling of the Bradley grandparents because he was a jock and was on the Saints team as a player–but also a homophobic asshole. The Bradleys were like something out of Tennessee Williams–I think I even named Scotty’s uncle (the football player’s dad) Uncle Skipper as an homage to Cat on a Hot Tin Roof.
There’s a lot of story there left in the Bradley side of the family, now that I think about it–and I’ll be digging into that in the new one, rest assured!
Funny story: After I wrote Who Dat Whodunnit, I decided I was not going to write another Scotty book. This had been Book 5 of what started as a stand-alone and then became a trilogy and yet somehow, I’d kept going on top of that. I kind of felt played out a bit with Scotty, and the longer the series went on, the more problems I was having with things like character ages–Scotty was getting older, which meant his parents were getting older, which meant his grandparents were getting older, too. I didn’t want to deal with the deaths of his grandparents (or Aunt Sylvia, who was his grandmother’s age and had married Uncle Misha), and so I had two options: pretend they weren’t getting older and not talk about their ages, or let the series go. I was still writing Chanse at the time, and I kind of figured that would be the series that went on longer. But I was on a panel at Saints and Sinners and someone from the audience asked me if there would be another Scotty.
GREG: Probably not, but if I can figure out a way to include Mike the Tiger (the live tiger mascot at LSU), Huey Long, and a treasure hunt for Huey’s deduct box, I will.
(I had read T. Harry Williams’ award winning biography Huey Long and had become fascinated completely with him. All I had known about Long going into reading that biography was that he’d been a demagogue (thanks, US History textbook from high school) and Robert Penn Warren’s All the King’s Men had been loosely based on his life and career. Mention Long’s name to anyone and they immediately reply with “oh, he was so corrupt”–which amused me, since every Louisiana politician is corrupt to a degree–and I knew Roosevelt and others had worried about him as a populist politician who reminded them of Hitler (and the way he crushed his opposition in Louisiana and essentially became the state’s dictator, who could blame them?), but what was the real story? And Huey Long made me start to have what was at first a grudging admiration for him which grew into a kind of fandom the more I learned. (There are some similarities–more than one would think–between Long and LBJ in the Caro biographies, as well as with Robert Moses, another Caro biography; which would make for a very interesting comparison/contract essay at some point.) But the more I read about Long, the more I wanted to write about him. He fascinated me, and the fact that his trove of cash–the deduct box–was never recovered after his murder was even more fascinating to me.)
And don’t you know, later that night, it came to me. A few months earlier there had been a bomb threat at the LSU campus, and there had been some controversy about how the administration had handled the situation–they’d evacuated Mike the Tiger off the campus before the mass evacuation call for the students. It made sense to me (but I didn’t blame the students for being upset because it absolutely looked like the administration cared more about the tiger’s safety than the students’)–in the chaos of evacuating the campus, getting the tiger out safely would have been a nightmare, and God forbid something happen and Mike got loose. Then it hit me: what if some animal rights’ activists had staged the bomb threat in order to steal the tiger in order to set him free somewhere? (Mike is a frequent target of PETA, who often calls for him to be released into the wild–not in the US, of course–, or sent to a big cat sanctuary.) So, I had the tiger kidnapped, and since Huey Long was responsible for LSU being what it is today, it only made sense for the treasure hunt to have to do with his missing “deduct box”–Huey always used cash, after his assassination the deduct box containing thousands and thousands of dollars in cash disappeared–and there we had it: a plot involving Mike the Tiger, Huey Long, and the deduct box.
This was also the book where I decided to extend Scotty’s family a bit further by adding a new, younger gay character to the mix: Taylor, Frank’s nephew, disowned by Frank’s sister and her homophobic husband after he comes out to them after a semester in Paris, and so he comes to live with Scotty and the boys in the house on Decatur Street. I wanted to bring in someone younger, and gay, with literally hardly any gay experience in the world to reflect the change between generations of gay men and how they view being gay and the rest of the world.
I also figured this would be the last one, but like I said, Scotty just won’t go away.
SIDENOTE: I had to write to the administrators of the Huey Long website for permission to use some quotes from the site in the book. Needless to say, they were very wary of me when they responded, so I emailed them the chapter where I would use the quotes–Scotty was doing some research on Long, and came across the website. Like me, Scotty had always been told Long was corrupt and a demagogue…but demagogues also don’t get things done, which Long did. Some of Long’s programs–like the Homestead Exemption–still exist as public policy in Louisiana. They wrote me back, granting permission…and that was when I found out the person I was talking to was Long’s great-granddaughter, who was rightfully suspicious of anyone writing about her great-grandfather. I sent her a copy of the book when it was finished, and she sent me a lovely thank you card, which is probably one of my favorite writing souvenirs.
The genesis of Garden District Gothic was weird, but yet serves as yet another example of my adage never throw anything you’ve written away.
I had always wanted to spin Chanse’s best friend, journalist Paige Tourneur, off into her own series. I had always intended to do so; from the first time I thought her up for Murder in the Rue Dauphine I thought, “she’s fun and witty and interesting and that weird name–there’s so much more story there than we can get to as a supporting player in a series about someone else.” I have so much written down about Paige and her origin story; how she came up with that name and why; how she wound up at LSU; and so on and so forth. A friend started an ebook publishing company, and wanted me to write Paige novellas for her; I did two–Fashion Victim and Dead Housewives of New Orleans–but the sales, frankly, weren’t there and I didn’t have the necessary time to put in marketing them to help drive the sales, so even though I’d started a third, The Mad Catter, we agreed to kill the series and pull the first two from availability; ultimately, I was working too hard for too little pay-off. I was disappointed, obviously; Paige was kind of a passion project for me–I’d made any number of false starts writing a series book for her, and it was sad to see that there wasn’t an audience for her after all. But I had about four chapters of The Mad Catter in place, and I didn’t want to waste the time spent on them…so I decided to turn them into a Scotty book, which became Garden District Gothic.
I also brought in a new character–a true crime writer with a shady past of his own–who actually wrote a book, a la Midnight in the Garden of Good and Evil, about the case. The name of his book? Garden District Gothic. I brought him in, thinking I would spin him off into his own book/series–I thought it might be fun to write about a writer…(I thought about using him as the main character in another book based on an actual unsolved string of murders in a rural Louisiana parish, but very quickly realized he was simply an amalgamation of Scotty and Chanse, so that book–The Bodies in the Bayou–went onto the backburner. I think I may have created the character before, in the Chanse series, but I could be remembering that wrong. I also used this book to sort of set up the next; I will explain that further when I am talking about Royal Street Reveillon. I also crossed the character of Paige Tourneur over from the Chanse series into the Scotty series (I loved the character, hated to sideline her after I ended the Chanse series and the novella series didn’t pan out); not that she will be a big part of the Scotty series, but hey, every so often I need a journalist, and why not use a character I am very fond of already and wasn’t ready to stop writing about?
The book was loosely based, obviously, on the Jon-Benet Ramsey case–a decades old notorious murder of a child in the Garden District that was never solved. I wanted to examine and explore issues of class in New Orleans, but I am not entirely sure I pulled off what I intended with the book.
Then again, I think that with every book, don’t I?
And we now come to the (so far) most recent book of the Scotty series, Royal Street Reveillon.
Originally I’d envisioned the Scotty trilogy (when it morphed from a stand-alone) as encompassing the three big gay holidays in New Orleans: Southern Decadence, Halloween, and Mardi Gras. Jackson Square Jazz wound up taking place just before Halloween, alas; Scotty talks about their costumes in the epilogue, but I hit the other two holidays out of the park. When I added a fourth book, I tied it to the Gay Easter Parade–Scotty is on his way to ride on the Devil’s Weed’s float when the book opened–and then of course the next book was sort of Christmas/sort of Mardi Gras/sort of the Super Bowl. Baton Rouge Bingo was the first book that wasn’t tied to a holiday of some sort; neither was Garden District Gothic. But for the next Scotty book, I wanted to do a Christmas book. I’ve never really written much about Christmas, and I do love the season, especially in New Orleans. I wasn’t sure what kind of plot I was going to use, but I knew it was going to be set during Christmas season and I knew I wanted to use reveillon, the Christmas season meal you use to break your fast for Mass, in the title. I had introduced one of the characters from Dead Housewives of New Orleans in Garden District Gothic, so it only made sense to me (or so it seemed at the time) for me to take the framework of Dead Housewives–the entire Real Housewives spoof I wanted to write–and build this new story around it. I changed a lot–made the overarching story much more complicated, and especially complicating the “whodunnit” aspects of the three murders that all occurred within twenty-four hours of the premiere party for Grande Dames of New Orleans.
I also did a couple of horrible things to Scotty and his loved ones over the course of this book…which will have to be dealt with in the new one, alas. I hate when I do this to myself! But with Royal Street Reveillon and its darker themes, I wanted to show how much Scotty has grown and changed over the course of the series; he’s evolved as a person, partly because of the changes to his life and partly because of what he experiences through the murders he finds himself involved in. Do I wish, as I start writing Mississippi River Mischief, that maybe I hadn’t given so many growth opportunities over the years to Scotty and his gang of family and friends? Absolutely. But that’s part of the challenge of writing a series, and what makes it so much fun.
*Funny story about the original cover of Bourbon Street Blues. Back in the day, publishers used to meet with reps from Barnes & Noble and Borders to show them covers and get their input; covers were changed based on those meetings. The Bourbon Street Blues cover was so in-your-face it took me aback when I first saw it; and they had toned the original image down dramatically, mainly smoothing down the bulge so it wasn’t so in-your-face. The Barnes & Noble buyer told them, “he needs a bigger bulge” so they made it bigger–but were still cautious; the image’s original bulge was still bigger. I do think that story is hilarious.
And just like that, it’s Thursday again. Wow, where did this week go? It seems as though time is taking an eternity to pass–pre-pandemic times now seem as far back in the past as the Bronze Age–and yet here were are, at the Ides of October. Time keeps on slipping into the future…
I have to proof one of my stories this week; as Constant Reader may (or may not) remember, I sold “Night Follows Night” to an anthology of queer horror called Buried, being edited by Rebecca Rowland, and the galleys to proof dropped into my inbox this week. “Night Follows Night” is the story that begin its life as “This Thing of Darkness” and then was changed to “And The Walls Came Tumbling Down” before I finally settled on “Night Follows Night,” which may be the name of an old noir movie? Let me check the Google…hmmm, nothing coming up. I think I ran across it sometime when researching something–maybe it’s an old Cornell Woolrich title?–and thought, that actually fits my story better than “And The Walls Came Tumbling Down”, and so I changed it. (But “And The Walls Came Tumbling Down” is a great title, and I am going to use it for another story at some point, I am sure.) Anyway, I am quite pleased with how the story turned out, and I also like the cover art for the anthology quite a bit. I’ll share it when I can, and of course will be happy to provide purchase information and so forth when it’s available.
And the story is one of the best examples of how something completely mundane can inspire a story: this story was born when I went to make groceries in a particularly bad mood one morning and wound up with a shopping cart that wobbled because of a loose, squeaky front wheel. I tried a second; same thing. The third cart was also in the same condition, so I sighed and gave up, thinking as I pushed the cart into the store (Tchoupitoulas Rouse’s, in case you were wondering) and thought to myself, why do I always get the cart with the wobbling squeaky wheel as I went to the cantaloupes, picked one up, and thumped it…and then thought, do I really know what I am listening for when I thump a melon and then the story started forming in my head…and miracle of miracles, I still remembered it when I got home from the store, and scribbled down notes before putting away the groceries…and once the groceries were safely stored, I sat down at the computer and started writing. I think I submitted it somewhere it got rejected from; but nevertheless, I am very pleased that it’s finally found a home.
The LSU-Florida game this weekend has been postponed, possibly to December, because of a coronavirus outbreak on the Gators team. (Nick Saban and the athletic director at Alabama also both have tested positive this week; maybe having even a shortened season wasn’t the best idea?) Obviously, I am disappointed–even if they lose, I look forward to seeing LSU play every Saturday–but let’s face it; this football season is abnormal and weird and should have been skipped entirely. Whoever winds up winning the National Championship is going to have an asterisk next to their name, since it was a shortened, non-normal season to begin with, whether it’s college or pro; so while I understand the need to make bank for both…it really is amazing what a difference a lack of crowd noise makes when watching a game on television. Part of the fun of home games at LSU is the roars of the crowd in the background; listening to them spell out T-I-G-E-R-S after a touchdown, etc. etc. etc. The Saints games in the Dome with no crowd are equally strange and uninvolving. Who would have ever guessed?
Certainly not me–the guy who hates laugh tracks on comedy shows.
I started writing something new this week–yes, not something I am supposed to be revising, or finishing, or anything like that, you know, like I am supposed to be doing and I don’t know if I am going to be able to finish a first draft. It’s called “Parlor Tricks,” and it’s a short story that opens at a tedious dinner party in the Garden District–a trope I’ve used before, most notably in “An Arrow for Sebastian”–and one of the guests is a celebrity medium (Easter egg alert: the same woman who told Scotty’s parents he had the gift when he was a child) who, after dinner, conducts a seance, and it’s from the point of view of a non-believing young woman. I’m not really sure where the story is going to go–having her become convinced the medium has powers would be too cliched and has been done many times–but there’s a small kernel of an idea germinating there that I can’t quite force out into the open somehow; this, you see, is precisely why I have so many unfinished stories in the files.
Scooter continues to be much better, now that he’s getting insulin twice a day; but I still continue to be concerned that he isn’t eating enough. He is permitted to have a can and a quarter of this special diet wet food, but he won’t eat it if it’s been sitting out for a while, and he also wants a fresh spoonful whenever he gets hungry. He’s always been weird about eating–he’ll eat whatever is in the center of the bowl and then act like it’s empty once he can see the bottom, despite their being a ring of food around the empty space–and this is carrying over to the wet food, with the end result that we are wasting about a half-can of it every day. He’s going back to the vet for a follow-up visit this weekend; I am hoping we can dispense with the insulin shots, frankly.
I am working from home today and tomorrow; this was my first week of three days in clinic, and I wasn’t nearly as tired last night as I thought I might be, but I was definitely getting sleepy around ten–which is when I’ve been going to bed. I woke up at six again this morning, but stayed in bed for another hour or so, but feel very well rested this morning as I drink my coffee and keep adding another spoonful of wet food in Scooter’s bowl once he can see the bottom again. We started watching The Haunting of Bly House last night, but Paul didn’t really care much for it (he didn’t like The Haunting of Hill House either; I wound up watching it on my own) so that’s probably what I’ll watch this week while making condom packs, and we’ll have to find something else to watch in the evenings. There’s only a few films left in the Cynical 70’s Film Festival any way; and this month is supposed to be my month to watch (or rewatch) horror films anyway–and since their true American heyday began in the 1970’s…they are kind of an off-shoot of the Cynical 70’s Film Festival anyway.
I also remembered that usually every October is when I reread The Haunting of Hill House, and I got down my worn and much-read copy last night after I got home from work. Christ, that opening is such genius! I also think it’s smart to read a haunted house story again while I am writing a ghost story, and perhaps maybe rereading some of my favorite Barbara Michaels ghost stories might be in order. It is the season, after all, and it couldn’t hurt to read some more of Nathan Ballingrud’s North American Lake Monsters: Stories, either. (I’ve not done my annual reread of Rebecca in quite some time, either. I guess I can’t call it the ‘annual reread’ if I am not rereading it annually, can I?)
One thing I was doing between clients yesterday was looking fora classic book opening to parody for the next two Scotty books–yes, I have two in mind; French Quarter Flambeaux and Quarter Quarantine Quadrille–and as you may know if you’ve read the series and paid attention, each book opens with a parody of a famous novel’s famous opening (amongst those I’ve parodied thus far include Rebecca, The Haunting of Hill House, A Tale of Two Cities, and Anna Karenina) and I’ve picked out An American Tragedy by Theodore Dreiser for the former and I think I found one for the latter; but right now I cannot remember what it was. For you Scotty fans, the story for French Quarter Flambeaux is already starting to take form in my mind; it has to do with a closeted Jefferson Parish elected official, the collapse of a hotel on Canal Street, Carnival, and of course the conclusion to the spy intrigue began in Royal Street Reveillon; the second book will be the recycling of a Scotty plot that was originally planned to be the fourth book in the series–and yes, there’s possibly even a third brewing in my mind. I’m not entirely certain I should keep writing the Scotty books, to be honest; I love the characters and I greatly enjoy writing them, but at the same time writing a Scotty book always seems like a safe choice for me; so I need to, if I keep writing them, make them complicated and take chances with them and push myself creatively. 2020 has been a rough year for everyone, and it’s definitely, I feel, taken a toll on my creativity. I guess we shall see, shall we not?
And on that note, tis time for me to head back into the spice mines. Have a lovely Thursday, Constant Reader.
So here we are, on yet another Tuesday morning. Yesterday wasn’t a complete loss for me; I was very tired after going out and getting myself tested in the morning, so I came home and decided to take a “Greg Day”; no emails, no work, and as little social media as possible. Easier said than done, of course, but you know–that’s how the ball bounces sometimes. I did get further into my reread of Ammie, Come Home (I always forget the damned comma in the title) by Barbara Michaels–one of the best Gothic ghost stories ever published, even if a little dated today–and I read a few chapters of Barbara Tuchman’s A Distant Mirror–the 14th century is my second favorite century, behind the 16th–and when my brain couldn’t focus to read, I watched some videos on Youtube that sent me into yet another wormhole, this one of videos about American Horror Story.
In my defense, it started with a video about Jessica Lange’s roles on the show, which led to Sarah Paulson, and Lily Rabe, and…you get the picture.
And then, of course, ESPN replayed that particular Monday night football game from back in September, 2006. That warm night when the Saints played their first home game since the 2004 season. A year after Katrina, when the roof came off the Superdome and people died and still others were trapped there for days. When the city was almost completely destroyed, its economy gone, her people scattered. Our futures were uncertain that bleak fall of 2005, and even throughout 2006, with our abbreviated Mardi Gras and frustratingly slow, it seemed, recovery. We’d almost lost the Saints to San Antonio when the city drowned, but they’d stayed–and the true hero of that was Tagliabue at the NFL, not Tom Benson–and now the Superdome, long a symbol of the city and now a monument to its worst moments, was ready to reopen and create a new identity for itself, just as the city was seeking to be reborn, just as those who lived here were waiting for hope. I remember that day in the city–I knew the Saints were winning but I was busy; the Lost Apartment was still lost and still wouldn’t be finished for another two months. All we had was a tiny old black and white portable television in the carriage house, whose carpet had been ripped up to be replaced but hadn’t yet so there were carpet tacks sticking up out of the bare, scarred exposed wood. We were sleeping on a mattress on top of a box spring on the floor. Paul’s desk and computer were set up in one corner of the room, the staircase and railing took up another side and the little television, which was rarely watched, sat on top of a dresser. I ran errands that day and sensed something in the air–I knew the Saints were winning games but wasn’t paying attention because I was busy trying to make a living and keep myself to the very strict schedule I had to follow in order to have the slightest chance of getting anything done. But i could feel it when I went out to the car, in the air. People were wearing Saints jerseys, or at least black and gold, everywhere I looked. Saints flags were flying on the front of houses (we take flags seriously in New Orleans). Everyone was in Saints gear–the post office, the grocery store, Walgreens, everywhere–and when I got home I looked it up on-line: yup, the Superdome was reopening for Monday Night Football, and we were playing the hated Falcons. Paul and I watched on that little black and white television, screaming and cheering and getting a little teary eyed. It gave us something we hadn’t had in a long time–hope. They called the game both “ReBirth” and “Domecoming”; both fit.
And while the Saints had always been our team before, that night they became OUR TEAM. Even New Orleanians who weren’t football fans became Saints fans that night. And the sheer joy with which the team played that night was so apparent, and so obvious, and they made it so clear they were doing it for the city…I’ve rarely felt so connected with a football team the way I did with that 2006 Saints team.
As glorious as winning the Super Bowl was, I have to say I think the Domecoming game was probably the greatest moment in Saints history.
Watching the game last night during another social and societal upheaval–one that is affecting the entire world and not just us this time–reminded me of that feeling. Tears spilled out of my eyes once again as Steve Gleason blocked that punt and the Dome erupted; listening to that crowd, seeing their faces and the tears of joy on their faces…having something like the Saints to cheer for, to help us through the hard times, and to give us hope again for the first time since Katrina crossed southern Florida…it’s hard to explain that, I guess.
Try to imagine what it’s going to be like when we have sports again–or the first time you can go out to a restaurant again, or what it’s like to be free of this worry and burden and fear…heady stuff, frankly.
And now…now I am feeling tired again, so I am going to go lie down for a bit. Stay safe, everyone.
Queer and Loathing in America 