Tag: Summer of ’42

I Go To Pieces

Sunday morning and I hope it finds you doing well, Constant Reader. It’s kind of gray outside my windows this morning, and it’s raining, off and on; not a gully-washer like the occasional tropical downpours we get on occasion, but enough so that everything outside is wet and glistening. It’s supposed to be lovely today, but the temperature is dropping overnight and it’s going to be in the bitterly cold thirties the rest of the week. Yay, but this too shall pass. Tomorrow is Twelfth Night and the official beginning of Carnival; so on my way home tomorrow night I’ll stop and get our first King cake of the 2025 season. Yay, king cake! We are both fans. Paul picked up this year’s copy of Arthur Hardy’s Mardi Gras Guide, a staple of the season. We’ve bought a copy every year we’ve lived here, and while the “parade watcher” app makes parade-going much easier, it’s also nice to have around.

What are we going to do when we lose Arthur Hardy? I don’t even want to think about it.

I have a lot to get done today. I did work some yesterday but not much; I was kind of tired after going to the gym (yay!) and making groceries, so I just kind of collapsed into my easy chair after putting the groceries away and just relaxed. I did finish reading Winter Counts (more on that later) which I enjoyed, and started reading my next read, Ode to Billy Joe by Herman Raucher. Last spring–and I don’t know why–I remembered Summer of ’42, the novel by Herman Raucher that was made into a film in the early 1970’s. I enjoyed both book and movie; it’s very poignant and sweet, and I later made the connection when I was writing my post about Robby Benson and my crush on him when I was a young gay…and then remembered he’d been in the film version of Ode to Billy Joe, which sent me down a rabbit hole–the song, the book, the movie–which is an interesting journey. I wound up ordering a copy of the novel from a second-hand book website, and so I started reading it finally. It’s weird; it was originally a haunting story song hit for Bobbie Gentry, and they decided to make a movie of it. They hired Raucher to adapt the song into a screenplay, and he went one better–not only writing the screenplay but writing a novel as well. So, is it a novelization of a movie, or a novelization of a song that became a movie? It’s actually very well written; the movie was dated and I didn’t enjoy my rewatch a few years ago, but the book still holds up. I also decided yesterday that I am going to alternate crime fiction with another genre or style of fiction, to broaden my scope and better inform my own writing.

I slept well last night, even if it took me longer to fall asleep than usual, which was odd. I wasn’t nearly as tired as I usually am when I went to bed, but I did drag my ass out of bed this morning. Sparky didn’t let me sleep late this morning–later than my usual, but far earlier than the last two mornings–so hopefully I’ll feel tired tonight. I made it to the gym yesterday, and so am a bit tight and sore this morning, but at the same time I am very pleased I did go. I tried to talk myself into waiting till today, but finally around one I snapped out of it and went. The one thing I’ve noticed besides the muscle fatigue is that mu shoulder is a lot looser and freer now–it’s been tight for a while, and sometimes it felt like it needed to, I don’t know, pop? Like a knuckle that won’t crack? But since I started working out again (granted, only twice but that’s also two more times than if I hadn’t, so there), it feels a lot better and more usable than before. Yay! Should have never stopped going last spring, but if wishes were horses and all that nonsense. Even the tightness of the other muscle groups feels kind of good. Now, if I can just remember to find time to stretch every day…

The weekend hasn’t been a waste for writing, either. I reread some works in progress, worked a bit on the synopsis of The Summer of Lost Boys, and reread Chapter 2 of new Scotty preparatory to revising it this morning. I have some short stories to work on and more to read–Saints and Sinners short story contest judging work–so I may not have as much time today to read for fun as I might want, but I think I can get through Ode to Billy Joe this week before moving on to my next read, which will be a crime novel from a marginalized author.

We finished watching Cross yesterday, and I have to admit we enjoyed it more than I thought I would. I’m not sure what I was expecting, but the show turned out to be a lot better than I was expecting. Shows produced by streaming services can often be hit-or-miss, and other than The Boys I generally don’t go into Prime shows with a lot of expectations. I think Cross could have been six episodes instead of eight, but they did an excellent job of juggling different crime storylines against each other as well as making the viewer wonder if it was two different cases or the same one. That’s not easy to do, and is even harder for a television series to pull off than a book. We then watched a really fun crime show called Killer Heat, which was a modern take on film noir/hard boiled private eye stories. Starring Joseph Gordon Leavitt (whom I will watch in anything), Richard Madden, and Shailene Woodley, it’s done very well and is quite fun to watch until they don’t quite nail the landing, but hey–it was an excellent attempt, and they got everything right–including excellent performances from the two main leads (Richard Madden was kind of wasted in the role of identical twin billionaires, one of whom’s murder opens the movie; the part wasn’t well written and any hot actor with a good body could have done the job)–and we definitely enjoyed it.

And on that note, I am heading into the spice mines. Have a lovely Sunday, and I may be back later. One can never be entirely certain, can one?

Sweet Magnolia Blossom

Work at home Friday and was Mercury in retrograde yesterday? Is it still? My work laptop died yesterday morning when I tried signing into it after I got to work and it took most of the morning for me to get a new replacement one. So, I spent the morning without a computer–which meant outside of seeing my clients, I didn’t really have the ability to do much of anything. I finally got the new one around lunch time, but my day was already off and so was my energy, and since my routine had been disrupted, I had trouble getting back on track. Finally, I just made a list while I was eating lunch and that seemed to work, even though I still felt off all day. The replacement laptop (which is just temporary until they fix the old one) also had some issues with staying connected to my scanner, which was incredibly frustrating and resulted in my admin work taking far longer than it usually does, and I had a lot of documents to scan into patient files. The frustration was real, and I was exhausted when I got home. My brain was basically non-functional by the time I got home, and I actually fell sound asleep in my easy chair around nine-thirty. I didn’t get anything done once I was home–worn out from the endless frustration of the day–and didn’t even remember to charge my phone when I went to bed. I did manage to watch Real Housewives of Salt Lake City (which is lit this season and definitely my favorite of these shows at the moment), though, since that required little to no energy on my part. I hope to get a lot done today, both day job and Gregalicious wise; and we’re going to Costco later after I am done with work duties. (Need to make a list!)

But I slept very well last night, and woke up feeling pretty rested this morning, which is a good thing. The entire place is a disaster area, and I never managed to do anything about the dishes accumulating in the sink and now it’s of course out of control. Heavy heaving sigh. Even my desk is piled high with things that need to be put away. It feels chilly, and per the weather the high will only reach sixty degrees here today. I think I am going to walk to the gym tomorrow morning and get started back up with that again, and hopefully today will be a great clean and organize day for the house. Christmas is coming, and I am really not feeling it very much this year, to be honest, and haven’t for a few years. Paul and I decided to not do gifts again this year–we are divorcing ourselves from the capitalist holiday by refusing to spend much money observing it (we’re going to go see Babygirl in the theater on Christmas day), and I have to say I am gradually growing more radical and anti-capitalist by the day (so much for that you get conservative as you get older bullshit; I grew up as a conservative and my adult hood has been mostly about shedding that foul and utterly inhuman methodology. Profits over people, corporations are people but living breathing humans are not–I could go on and on talking about the class war in this country. I am a radicalized Paw Paw, I guess? I did have a client this week whose birth year was 2006–which was highly traumatizing, and would have been worse if I cared about being old. It was more of a shock to me that kids born after Katrina are eighteen (and older) now. Kids born the year of Katrina will be twenty next year. Twenty years, a third of my life, has passed since that time.

I am also looking forward to some good reading time. Both of my current reads (Winter Counts and White Too Long) are fascinating and well-written, and it’s quite easy to get caught up in the narrative. I’d love to finish both this weekend so I can move on to my next reads (leaning towards Alter Ego by Alex Segura or Missing White Woman by Kellye Garrett and The Exvangelicals for my non-fiction). I do want to get caught up on Donna Andrews’ two latest over the holidays, which are rapidly approaching. Soon it will be 2025 and even more insane chaos once the new “administration” is sworn in. The next four years are going to be bad, I think–signs point to yes–but I also survived the 80s and the 90s, so maybe I am a Cher/cockroach.

We started watching Black Doves the other night, and I really enjoyed the first episode. I love Ben Whishaw, and Sara Lancashire is a treasure. I am hoping we’ll be able to spend some more time with it over the course of the weekend. We also should go back to Slow Horses, which we never went back to for some reason; I think we got interrupted by something (a surgery? A funeral? Who knows?) and just never went back to it. I do also want to read the books by Mick Herron (got to love that last name), too. Ah yes, so many books to read. Heavy sigh. I have so many treasures in my TBR pile, as well as treasures from the distant past (I would love to read Anatomy of a Murder and A Summer Place and Summer of ’42 again, plus more of Margaret Millar, Daphne du Maurier, Charlotte Armstrong, and Dorothy B. Hughes) that I will probably never get through them all.

And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader, and I hope that I have a really productive one. I’ll be back either in the morning or later today, it’s a mystery!

Gorgeous retired Olympic and world champion ice dancer Guillaume Cizeron, who also is a model.

It’s Four in the Morning

Tuesday morning and my alarm went off this morning–as well as the cat alarm–and so I am up, swilling coffee, and looking forward to my day. I did stop on the way home yesterday to get the mail and went to the gym to do Rehab. It was remarkably smooth, too–I was able to drive there, park easily, get in and out relatively easily, and get home. I feel a bit tired this morning, which is no doubt due to the unexpected rigorous exercise I put my body through last evening, so there’s definitely some muscle fatigue going on. We watched The Hit Man on Netflix, which was interesting and clever enough, and it was filmed in New Orleans–and that was the way to film in New Orleans; AKA, they just filmed it here like it was anywhere else, and didn’t feel the need to “Nawlins” it up (by which I mean constantly saying New Orleans, sending the characters out for beignets all the time, occasional mention of the Saints, etc etc etc), and there was only one scene where I was like, “if you work at UNO and live in Gentilly, why would you drive home via Liberty Circle?” It was a pleasant way to spend the evening, and it was a cute film; actually based on a true story here locally about an undercover cop (really a side gig) who played hit men in sting operations to arrest the person hiring him, and he’s actually good at it. Check it out, it’s a pleasant way to spend two hours.

I did spend some time writing yesterday, which felt good; I am now going to let that sit for a few days before marking it up with the proverbial red pencil (when I first started, you did use a red pencil or ink to mark up your manuscripts) and I am now going to start pulling Never Kiss a Stranger apart in order to piece it back together as a novel. I mean, why not? I love the main character, I love the minor characters, and the story itself is one I really want to tell and share with the world.

I also picked up the mail, and now have my copy of Summer of ’42, which I am hoping to reread relatively soon.

Hilariously, Harrison Butker (aka Hairy Butt) was in the news again lately for “saving” a teammate’s life, who’d gone into cardiac arrest. Turns out all he did was run for help–which, as someone who has been certified in CPR since 1997, I can tell you is the wrong thing to do. You’re supposed to call for help while starting CPR and ordering someone else to go for help, or to keep calling until someone comes. You’re never supposed to leave the person alone; seconds are critical and the longer before compressions starts the more unlikely it is they will be successful, not to mention the cessation of oxygen flow to the brain. Even if he was the person who was sent for help, it was hardly “his” heroism at play here; it’s really not all that heroic to go look for help when someone is having a medical issue. The irony that he got a female trainer to come out and save the man’s life–while getting the headlines for himself about his “heroics”; in many of the pieces the actual trainer’s name wasn’t even mentioned as they masturbated Butker’s fragile ego, as though saying to all of us who found his graduation antics in incredibly poor taste “see what a great guy?”

Given the other option was to let the man die, he literally did the bare minimum, but we’re supposed to call him a hero? No, heroes are my co-workers who run outside to administer NARCAN to an overdose and save lives. It’s become so routine now that no one even thinks about it, but watching my department immediately slip into crisis mode and work together quickly and efficiently to save a life is very impressive, and way more than Hairy Butt ever would do; he’d probably think the OD was God’s will or something.

The bar really is set low for cishet white men, isn’t it? They need praise for everything.

Sigh. The poor, sad, oppressed straight cis white man, right?

And on that note, I am heading into the spice mines. Wish me luck, and I’ll do the same for you, Constant Reader, and there’s going to be a Pride post later, I’m sure.

Screenshot

Morning Good Morning

Sunday morning and I slept late, which is fine, really. I keep forgetting that sleeping in on my days off isn’t a criminal act of any kind. After so many years of keeping myself overly busy and so I was always behind on deadlines and so forth, I’ve kind of gotten into the insane mindset that sleeping late is a waste of time that could be better utilized, writing or cleaning or reading. I do have some things I need to get done today–mostly running to the store to get the things i need to make a carrot cheesecake for a co-worker’s birthday tomorrow–but if i manage my day properly, I should be able to get things done.

I spent yesterday running errands, and trying to get things cleaned up around the house while dipping into two books–The Berlin Stories by Christopher Isherwood and Ode to Billy Joe by Herman Raucher. I ordered the latter from ebay after I started doing my research into Robby Benson for the post I made about the crush I had on him as a teenager; realizing the movie script and novel were written by Herman Raucher made me interested in reading the book, as well as wondering about Summer of ’42, and so I ordered copies of each. Billy Joe arrived yesterday, and I was curious about it. Usually novelizations were work-for-hire arrangements and the author used a pseudonym; some are better than others, of course, but just reading the first chapter of Billy Joe I can tell it’s head-and-shoulders above most novelizations, and it’s probably more thorough in telling the story than the movie was, which has me interested. I’ve also been thinking about The Berlin Stories lately, after watching the film Christopher and His Kind, and may revisit it again, too, for Pride Month; Isherwood is one of the literary gods of the gay canon, and the opening sentences of Goodbye to Berlin are perfect for parodying in the prologue to the next Scotty. I still have to finish my reread of Michael Thomas Ford’s Suicide Notes, and I think I’m going to bump the new John Copenhaver up on my TBR list. It is Pride Month, and I should immerse myself in queer lit for the month, don’t you think, Constant Reader?

I also want to write about Summer of ’42 at some point. Like The Other, it was an early read that was very influential on me, and one I often don’t think about when I do think about influential works I’ve read or make a list. I really do need to sit down and identify the books that really impacted me and the way I write; The Other, Summer of ’42, and so many, many others. I also want to write today; I didn’t really yesterday, but I did spend some time yesterday doing research; i.e. watching Youtube videos on the Oklahoma true crime story that fascinates me still, as well as ones that review the 1970’s and pop culture and what was going on those early years of the decade, which is when the book will be set. I think I am moving in a more historical direction rather than writing about the current day; Never Kiss a Stranger is set in the 1990s (1994, to be exact) and of course The Summer of Lost Boys is going to be set in either 1972 or 1973; I can’t decide which, although I suspect 1973 is going to end up being the winner when I finally have to decide.

We finished Under the Bridge last night, and it’s most excellent; I highly recommend it. Based on a true crime novel about the Reena Virk murder in Victoria, British Columbia back in the 1990’s, Reena was beaten badly by a group of girls–some she thought were friends–and then after the others left her broken and injured and bleeding along the river bank, a boy and a girl came back and basically, finished her off. The show reminded me a lot of Megan Abbott’s work; Abbott always writes about the mysterious world of female relationships, female rage and jealousy, and that’s what Under the Bridge does so beautifully. The acting is extraordinary; a real standout is Javon Walton as Warren, the young boy who kills Reena. Walton is very handsome in that young way, and I looked him up because the performance was so extraordinary, and turns out he also played Ashtray on Euphoria, who was one of my favorite characters on that show. Do watch it when you get a chance. I’m going to get a copy of the book now, too. Yay, more things to read! Just what I need!

We also started The Acolyte, but I was sleepy by the time it started and kept dozing off. No judgment on the show, I was just tired.

And on that note, I think I’ll head into the spice mines. I’ll probably finish the dishes this morning while making a grocery list, and then I’ll dash to the store and get gas. I may even finish one of these other Pride blog drafts, so have a lovely Sunday, Constant Reader, and I may be back later.

Ode to Billy Joe

Robby Benson. Swoon. I mean, LOOK at him.

Eat your heart out, David Cassidy!

I don’t know when I first became aware of one Mr. Robby Benson, but I do know he was a major crush of mine when I was a teenager–he and Jan-Michael Vincent–and I also think he’s another one of those who definitely helped create a type for me; dark hair and bright blue eyes, and that smile! Jesus Mary and Joseph!

ODE TO BILLY JOE, Robby Benson, 1976

I wasn’t alone in my teen years crushing on Robby; I think most teenaged girls of my generation all had a bit of a crush on him. For one, he was ridiculously beautiful; it kind of should be against the law to look that good. He was also photogenic and telegenic, and I loved his speaking voice. I know my teen years are also when I developed my love of jeans cut Daisy Duke short; and as you can see from the pictures above, Robby’s were cut so short they were basically speedo-sized. Years later, Daisy Dukes were my favorite shorts to wear, because all modesty aside, I’ve always had muscular legs; assets best displayed in shorts cut immodestly short.

But in looking up information on Robby Benson for this post, I realized I had never seen the movie Ode to Billy Joe, which was one of his best-known films. I knew about the movie, of course, but never saw it. It was released the summer we moved to Kansas and it never played in Emporia, and I never saw it on television, either. So, yesterday, I remedied that by watching it on Youtube, which has the entire movie uploaded for free.

The movie itself is simple. Based on the story song by Bobbie Gentry that is probably one of the biggest and best-known hits of all time, it’s ethereal and mysterious and unclear; and the lyrics themselves create an indelible image of a rural Southern lunch and the casual, unknown to anyone speaking, cruelty of the conversation. The narrator had a strong connection to Billy Joe, and his suicide affects her deeply, but nobody really notices. It’s genius in exposing that Southern mentality of “the girls don’t matter”–no one’s noticed that she is connected to him in some way, no one notices that she’s upset, and the way Gentry sings the lyrics is so matter-of-fact yet horrible as she recounts an emotionally troubling experience for herself, and paints such a powerful image of the invisible daughter, left to grieve on her own for the boy she loved, and does she know the reason he jumped? I’ve always liked the song, even if it doesn’t work for me musically (the lyrics don’t match the melody), because it tells so many truths about rural Southern girls that what actually happened isn’t the point–the point is the isolation and loneliness she feels, and the alienation from her own family.

The movie, screenplay and novelization by Herman Raucher of Summer of ’42 fame, fleshed out all those mysteries. It was from the movie and book that turned Ode to Billy Joe into a queer story and a tragedy; it’s also interesting that it wasn’t more of a scandal when the movie was released in 1976; maybe him having had a sexual encounter with another man and committing suicide took the sting and shock of the gay twist; after all, misery and suicide were the only possible outcomes for most queers in movies at the time. Watching the movie, but taking away my own quibbles about its depiction of southern rural life to talk about it as it stands as a queer film, it was really quite revolutionary. First of all, Robby Benson was a full-fledged teen heart throb with photo shoots in every magazine like 16 and Tiger Beat, and having someone who didn’t telegraph gay (or the societal images of what gay looked like then) who was also a heart throb playing the part was putting an acceptable face on a (at the very least) bisexual character. What was also interesting to me about the film was that it was produced by Max Baer (aka Jethro from The Beverly Hillbillies), and the man Bobby Joe had the encounter with was played by James Best, who would go on to greater celebrity and fame as Sheriff Roscoe P. Coltrane on The Dukes of Hazzard later on in the decade. Glynis O’Connor is fine as Billie Lee (seriously, Bobby Joe and Billie Lee? I have an army of relatives from the rural south, and out of all of them there is exactly ONE who has that stereotyped Southern two first names thing), but Benson’s appeal is clearly on display here–and I understand why girls loved him so much: he always played sensitive and vulnerable young men, which girls love.

And he is just stunningly beautiful in this movie.

Benson’s most successful role of all time was, ironically, from voice work: he voiced the Beast in Disney’s Beauty and the Beast.

I also found it interesting the Bobby Joe committed suicide in the Tallahatchee River, which was also where the white supremacists dumped Emmett Till’s body…so that river is kind of hexed, wouldn’t you think?

He also aged incredibly well–Benson is still quite beautiful.

American Pie

Saturday! Woo-hoo!

Yesterday was an odd work-at-home Friday. Our power went in and out a few times during the day, and that threw everything off–laundry, work, plans for the day. But it did gradually and eventually all get finished in the end so Paul and I could spend the evening riveted by Under the Bridge. We only have two episodes left and it’s soooo good, and so delightfully queer-which was a delightful and unexpected surprise. Lily Gladstone continues to own the screen, and I can’t wait to see the final two tonight when Paul gets home from tabling at Pride for Saints and Sinners.

I slept really well last night, which was marvelous. I woke a bit later than I originally had intended, but that’s okay. I want to get some more cleaning done around the house this morning before I take books to the library sale, pick up the mail, and make groceries; then I intend to get some more writing done today. I did some more thinking about it last night before Paul got home, and I think I almost have the voice right. I also did some more research while he was at the gym–nothing like reexamining pop culture and the news during a distant time period (note to self: TV Guide archives must be checked as well), because it brings back memories, which also helps put me in the right mental place to write and create the story. I also kind of know how the story is going to go, and I also came up with another idea for the beginning, which I also really like. (I just had one of those imposter syndrome moments, where my brain suddenly panics and thinks, that isn’t going to work. Sometimes I really hate my brain…

During one of the power outages yesterday I decided to use the time productively and walked to the gym to do rehab exercises. It made sense when I thought about it–I mean, without power or Internet I can’t work, so utilize the time, right?–but after getting damp with sweat walking over there on a “feels like 105” afternoon, sweating more during the rehab exercise, and getting soaked with sweat walking home to a house without power that was getting hotter wasn’t perhaps the wisest choice? The power was still out for about an half hour or so at that time, so I took a very quick shower while the apartment began cooling down again and felt ever so much better. I also don’t feel exhausted or tired this morning, so maybe physically I am beginning to get back my stamina and getting back to normal, which is terrific. I was starting to worry that I was never going to do so, and I am nothing if not incredibly impatient.

I also watched Ode to Billy Joe yesterday (the film is on Youtube for those inclined to watch it again) because I’d been looking into Robby Benson for a Pride post, as he helped me understand that I liked men instead of women–so, so beautiful–and I realized I’d never watched this movie….and the movie, it turns out, is what fleshed the song out to give us a reason why Billy Joe jumped off the bridge; he’d been with a man, and the shame drove him to it because it was such an ugly thing to be that suicide made the most sense as an option. I’d heard the theory that he killed himself for being gay before, but didn’t realize it came from the movie…and the novelization of the script was written by Herman Raucher, who’d also written Summer of ’42, a coming of age novel and movie that were also kind of formative for me. Looking into it, it was released in the summer of 1976. We moved to Kansas that summer and the movie didn’t play locally, and I’d never watched any of its television airings. Anyway, the movie was interesting but there were lots of parts to it that didn’t play well for me today–I am always prickly about the way films have rural Southern people talk–but keep an eye out for my Robby Benson post if you’re interested in him.

I do feel good this morning, which is nice. I’ll go get cleaned up in a bit, but am going to work on either entries or the prologue this morning. I also plan on doing some rereading of my own work today–I am definitely moving Never Kiss a Stranger to the top of the to-write pile, because I am not entirely sure about the y/a I want to turn from novella into novel; I’m not entirely sold on the plot, to be honest. I also want to work on the kitchen this morning, too; I did buy the wrong vacuum cleaner (mine is a rug cleaner; so I can put water and shampoo in it to clean the carpets too, but it does work as a very powerful vacuum, so I’ll go ahead and use it–and maybe next weekend, I’ll clean the Oriental rugs with it.

Yesterday the right, through The Federalist, decided to come for Dolly Parton and basically call her a false prophet and a “danger” to Christianity. The recovering alcoholic who wrote the hit piece, Ericka Andersen, is about what you’d expect: a self-righteous born-again Christian who thinks she knows the faith better than anyone who ever lived or ever will live, which of course is apostasy, but she’s a soulless troll who got the attention she wanted. Andersen’s social media is now completely shut down as she is in the find-out phase of coming for Dolly. Dolly has not only given the world decades of amazing music and entertainment, she is also one of the most generous people alive, using her money and her fame to do good works in the world and is always kind and understanding and sympathetic; the woman literally loves everyone even her harshest critics. If ever there was an example of what it is like to truly follow the Christian path, it’s Dolly Parton–but you know, giving kids free books, donating millions of dollars to charity every year, and her incredible generosity to her employees at Dollywood? Sorry she won’t condemn people you don’t like, cosplay Christian piece of shit. And for the record, Megan McCain is married to the head of the Federalist Society–which is all anyone needs to know about what utter and complete garbage they are.

Seriously, they’ve come for Taylor Swift and now Dolly. Next thing you know they’ll come for Cher–which is something I would love to see them try.

And on THAT note, I am heading into the spice mines. Have a lovely Saturday, and I’ll be back later, okay?

It’s Just a Matter of Time

Sunday morning and the last day of Saints & Sinners. It’s been a lot of fun, if tiring. I headed down there yesterday afternoon in a Lyft, hung out in our suite for a bit and practiced for my reading–I read my story “The Ditch” from School of Hard Knox, and I think it went very well. It was a terrific reading session; Rob Byrnes, Jean Redmann, Marco Carocari, David Slayton, David Pederson and one other person whose name I can’t recall off the top of my head; my apologies because I really enjoyed what he read.I then went back up to our suite and came back down for the anthology launch with Paul. Those readings were also fantastic–and I am looking forward to reading the book more than I already was. I am also the judge for next year, so I’ll be reading a lot of stories in the fall. That will suffice as my volunteer work for 2024, so don’t bother to ask; the answer will be no.

I started reading an old Evan Hunter novel yesterday, Last Summer. It was a book I’d always wanted to read when I was younger, and I was reminded of it sometime during the pandemic, so I got a copy of it and its sequel, Come Winter, from eBay and so I started reading it at long last yesterday. I’ve never seen the film, either; but I do remember Barbara Hershey and Richard Thomas (aka John-Boy Walton) starred in it. It also put me in mind of another trope from that era of publishing; books with teenagers as protagonists (and/or antagonists) were almost always set during the summer, and so many were set on coastal islands–this one, Summer of ’42, A Summer Place, etc. It of course makes sense; teenagers had a lot of free time to get into shenanigans during the summer, especially when they were on a vacation somewhere. I’ve actually fallen into that trope a couple of times myself–Dark Tide, Lake Thirteen–and numerous other stories I would like to tell at some point. I do like the idea of gradually getting rid of all this paper around here by digitizing or disposing of things that I’ll never get around to writing. I don’t want to start writing fast in a frenzied attempt to write everything I want to before I die–and there’s always new ideas, too. But i know I’d really like to eventually get back to that novel where I based the victim on Ann Coulter…hmmm, maybe that could be the next Scotty. That’s actually a very good idea. Hmmmm.

It’s so nice to be around writers. It really is a balm for my soul. I did write some yesterday morning, but I am not going to even try today. I am very tired–I’ve done a lot of walking this weekend–and of course having to be “on” is tiring. The truth is I am not at 100% yet, much as I want to believe that I am, and there’s nothing wrong with that. One exciting development of the weekend is that I experienced no stress, anxiety or stage fright for my reading yesterday. Not only was I calm and not sweating buckets, I was actually able to relax and enjoy the experience. I don’t think I’ve ever done that before? It was wild. I’ve actually been relaxed the entire weekend; I don’t believe I understood before how much my anxiety impacted me at events like this. Having a calm and quiet head is a lovely thing, and now that the creativity has come back, I might actually start enjoying my life again.

I’ve also been spending a lot of time reminiscing about past S&S weekends, too; remembering how it all started, how much of it was done on a fraying shoestring because there was no money for it, and held in donated spaces at gay bars. It also used to be in May, so the weather was a LOT hotter. Paul and I used to always get the pool suite at the Olivier House for our home base, and people always used to wind up in our room later in the evening to drink and socialize and have a lot of fun. I couldn’t do that now–as it is, i stayed up past my usual bedtime Friday night and paid for it all day yesterday (legs are tired today, too). I also came up with a title for my memoir should I ever try to write one: Unreliable Narrator.

And LSU won the SEC women’s gymnastics championships last night in very dominant style. They weren’t as on as they usually are, and still set an incredibly high score and really have the potential to win the national title this year, too. And the US had a great outcome at the World Figure Skating Championships, winning two golds (men’s and ice dance) and a silver (women’s).

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll most likely see you tomorrow.

Young Offender

As I said yesterday, I had been wanting to reread Summer of ’42 for quite some time now, and finally decided to bite the bullet and start it yesterday.

He always intended to come back, to see the island again. But the oppertunity had never quite presented itself. This time, however, with a break in his schedule and with events moving remrkably in his favor, he had driven far up the New England coast to see if the magic still prevailed. Aboard the old ferry his Mercedes convertible earned the icy nonchalance of a half dozen craggy islanders, for very few new cars ever make that crossing. Cars that came to Packett Island are usually well into the varicose stage of their lives, and as such, they are by time and temperament unconcerned with a return trip to the mainland. “Cars come to this fuckin’ island to die.” Oscy had said that. Oscy, the big deal philosopher. And it was as true in 1970 as it had been in 1942.

He studied the faces around him, each turned to the wind, taking the breeze full face. It was apparent that none aboard remembered him. But then, he was barely fifteen that last time he forked over the twenty-five-cent fare. And in the intervening years nmuch had changed, including the twenty-five cents, which was now a dollar, and himself, which was now forty-two. How, then, could anyone remember him? The nerve.

The Mercedes moved with disinterest along what purported to be the Packett Island Coastway, for the speed limit was thirty, hardly a challenge for an exhumed LaSalle, let alone a hot Mercedes-Benz. To his left were the familiar dunes, sulking in the grass, incongruously scattered with the uncatalogued refuse and bleached timber that the sea could toss so casually across the road whenever it felt so disposed. And to his right, the sea itself, choppy and gray-green. And large. Very large indeed. One of the largest in the world.

I first read Summer of ’42 when I was either eleven or twelve; I don’t remember which; I just know that we had already moved out to the suburbs and I bought a copy off the wire racks where the Zayre’s stocked paperbacks, cover out and about four books deep. I’m not really sure why I picked it, of the scores of paperbacks from Dell and Fawcett Crest and Pocketbooks; there had to be a reason but nearly fifty years later I cannot remember. The movie was out at the time, and the cover art was from the movie, with Jennifer O’Neill standing in the sand looking out to see, and Gary Grimes seated in the sand behind her looking at her longingly; her little beach cottage was in the background along with the dunes and sea grasses. Was it because the cover depicted a beach scene, and we were beginning to spend our summer vacations including the Gulf Coast of the Florida panhandle in our annual jaunts to Alabama to visit family? The answer is lost in the mists of time, alas, but I did buy it, I did read it, and never really forgot it. It’s a lovely little book, nostalgic and sweet with a little tinge of sadness running through it; I think I also identified very strongly with Hermie, the main character (obviously, standing in for Herman Raucher; the book is supposedly semi-autobiographical). Hermie was a dreamer whose family didn’t really understand him, he had an older sister who is barely a presence at all in the book, and his fantasy life/world was just as strong as mine. He often went off into daydreams the same way I did, and he didn’t really fit with his friends, whom he enjoyed and was annoyed by in equal measure. At just fifteen, he is just starting to experience his own sexuality, and that summer of 1942 he becomes obsessed with a beautiful young woman who stays in a cottage just outside the small town on the beach. He sees her with her husband–also stunningly handsome, and they are so clearly in love, and begins to sort of watch them whenever he gets the chance. The husband goes off to the war, leaving her alone, and he contrives a way to meet her, offering to help her carry packages home when she is overburdened. He is also clumsy and awkward; saying and doing things that embarrass him, and they begin to develop a kind of weird and different little friendship. She just thinks he’s a sweet boy, but he is crazy about her, and she becomes his sexual fantasy; speeding along his awakening awareness of sex and sexuality.

The book is entirely from his point of view; so deep inside that we really don’t get to know any of the other characters in the book other than from his perspective and how he perceives them. There are parts that are actually quite funny–the scene where he buys condoms is hilarious–and the bittersweet feeling that she was his first love that he can never quite forget is the motor that drives the engine of the story forward. It’s melancholy, and Raucher was a really good writer; he captures that awkwardness of being insecure in your own skin at fifteen beautifully, and the entire tone of the book–that bittersweet melancholy for a lost love and a lost time and really, lost youth–is rendered exquisitely.

And yet…

He doesn’t know this woman at all, other than she’s quite beautiful and in their little exchanges, very kind to him, if a bit confused by his behavior. He doesn’t even know her name until the book is almost finished. (SPOILER) And when she does have sex with him in the end–after getting the shattering telegram that her beloved husband has been killed in the war and she’s been drinking, in the throes of a powerful grief–it never really made sense to me. Why would she do this? She’s in her early twenties and he’s fifteen. And despite her vulnerability in that moment, she’s the adult here…when I first read the book and saw the movie, that power differential wasn’t anything I noticed (as I said, I wrote my own story inspired by this one without a second thought about statutory rape and so forth), but now…it’s weird. And he of course has never forgotten the first woman he had sex with (they say you never forget the first) but it also doesn’t go into any of those directions, and why now has he decided to go back and see the place? There’s a lot left out, and I actually was thinking, as i read it this last time, how much I would have liked to have seen the story from her point of view.

It’s a short book and, as I said, the writing is well executed and it flows nicely. It made me start thinking about my own story and how I could possibly rewrite it now. I was able to read over the course of the afternoon (like I said, it was really short) and I did enjoy the reread…but this time it raised a lot more questions than it did to my much younger self.

But like Hermie, I also never forgot the story, so that’s something, right?

Way of Life

Sunday morning, and yesterday was a bust. Oh, we took Scooter to the vet, but I was oddly tired (Always Tired: The Greg Herren Story) and only intended to read for a little while; but alas, every time I got up to try to do something, anything…I was tired and gave up. So, I stuck to my easy chair and read Summer of ’42, and even dozed off for a little while around five. I was finally able to get up the energy to put the dishes away and clean out the dishes in the sink before making dinner–which is also when I did the filing and tried to get a handle on the reorganizing. I am hoping that tonight I’ll sleep well, which will help me get through the gym tomorrow as well as getting a leg up on the things I need to get done in the meanwhile before I go visit my family later this month.

But blessed sleep did occur last night and so I am hopeful that today I can make serious progress on all the things I wanted to get done this weekend. I started writing a short story yesterday, “Vivit Dominus,” and I’d like to make some progress on that today. I am going to go to the gym later on, and of course, would like to spend some time getting a handle on some of the other messes that seem to have become permanent around here. I also need to make a decision on what to read next…so many excellent choices in that TBR pile that sometimes it’s hard to decide.

We watched Palmer last night on Apple Plus, starring Justin Timberlake (#freeBritney), and it was incredibly well done. Timberlake gives a stunning performance as a former small town Louisiana football hero who wound up spending twelve years in jail for attempted murder, and comes home to live with his grandmother. Her home is next door to a trailer…and a young woman lives there (played brilliantly by Ted Lasso’s Juno Temple) who has a little boy who isn’t like other little boys. He has no interest in boy things, and his favorite TV show is Princess Penelope, a cartoon about princesses who have wings and can fly and have adventures. Grandma Vivian takes care of Sam when his mom is off on a drug binge, disappearing for weeks at a time. Grandma Vivian dies in her sleep during one of these times while she’s taking care of Sam, and the responsibility for taking care of Sam falls on Palmer–who doesn’t know what to do with this gender nonconforming little boy. At first he tries to get Sam to be more like other boys, but Sam is persistent–he likes what he likes and doesn’t understand why there’s a difference between boy things and girl things–and it’s really beautiful and touching to watch Palmer slowly come around to not only accepting him as he is, but becoming a parent. It’s a really lovely little film, and one of the few good things that came out of the pandemic is that streaming services are picking up lovely movies like this and making them available to a much larger audience than they would have reached in a theatrical release. Every film we’ve watched on Apple Plus has been quite marvelous. They have a documentary called Boys’ State that I’d like to watch–particularly since I myself went to Boys’ State when I was in high school.

And Ted Lasso is coming back in July! Huzzah!

So, today I am going to make a to-do list and see what progress I can make on it today. I am going to walk to the gym in a few hours and get my workout done–it inevitably wears me out and makes me tired, but I have to somehow stay awake so I can get sleep tonight so I can function tomorrow. However, a quick check of the gym’s hours today shows that they are no longer only open from 10-3 on Sundays but rather 9-6, so I can actually go later than I’d originally planned, which is even better. Huzzah! That changes everything.

So, I am going to get up for a bit and do some touching up around here, and then I am going to work for a while, maybe do some writing. Have a lovely Mother’s Day, Constant Reader!

Turn

Saturday morning and I’m up much earlier than I usually am; I woke up around seven–the last time; it was a restless night–and finally decided to just go ahead and get up. We have to take Scooter to the vet at eleven for follow-up blood work (monitoring his diabetes) but other than that, the day is pretty free for me. I am thinking about going to the gym later to do arms (I skipped them last night because…well, because there were too many people there in the small space that is the gym and I don’t like having to force my way into spaces because so many gym-goers seem to feel like they are the only people there or they own the gym or something; I despise many things, but I have an especial hatred for inconsiderate assholes at the gym; always has been a pet peeve of mine) and was actually thinking it might be a good idea to go to alternating workouts; arms on one workout, shoulders/chest/back/legs on the other, with a goal to eventually give legs its own day in June). My muscles feel tired this morning, which means I worked them hard yesterday. That is a good thing. I also don’t want to waste today–which has a tendency to happen far too often on these weekends. The apartment needs some work done on it (it’s horrifying how much I’ve allowed the housework to slide since the first of the year) and perhaps getting up early this morning and using this time to actually do stuff rather than be a slug will help.

We shall see how this day progresses, at any rate.

One would never guess, looking around my apartment this morning, that I prefer to be organized, that’s for certain.

I’ve kind of decided to reread Summer of ’42 by Herman Raucher next. I think I need a break from reading crime fiction–a palate cleanser, if you will–and I’ve been thinking a lot about this book and the film made from it lately; I don’t know why, or I don’t remember the reason it came up in my brain recently (hell, it may have been two years ago for all I can remember; I have absolutely no concept of time anymore). I read the book when I was eleven or twelve; I’m not sure when, but I know it was when we lived in the suburbs, and I’m also not really sure why I was so interested in it. I know I didn’t see the movie until it aired on television, and years later I rented the video to see the unedited version, but it always stuck in my head–so much so that I wrote a short story somewhat predicated on the same premise; nostalgic looking back at the coming of age of the main character. The story was called “The Island”, and rereading that story about ten years ago–I was fond of it, and it was very popular in the creative writing class I wrote it for–I realized, in horror, that it was very clearly a product of its time and could never be published without an extensive rewrite. There was a young woman in that creative writing class, and she hated the story, which of course deeply bothered me; particularly because her criticism was based on nothing–she had nothing concrete other than “it just made me squirm a bit,” was all she could say, and of course everyone else in the class just kind of rolled their eyes and dismissed her. On the reread, I realized precisely why it made her squirm, even though she couldn’t–or was afraid to–put it into words: the main character was thirteen and is seduced by a woman in her early twenties, so I kind of unintentionally wrote a grooming/pedophile story but wrote it as a nostalgic, coming of age romantic story. Ick ick ick. In retrospect, her reaction was the right one to have, frankly. I tried to rewrite it and make the characters closer in age–making the main character seventeen and the young woman twenty–but it still had an ick factor to it. I thought about changing it to a gay story, but that made it even ickier.

This set me to thinking about how our viewpoints on this sort of thing have changed over the course of my life, and whether Summer of ’42, which inspired the story in the first place, would still read the same way all these years later. NOW I REMEMBER! (There’s still some juice in the old brain yet!) I started thinking about my story again when I made the list of all the unpublished short stories I have in my files, and I remembered, not only this story but another one I wrote for that class that was never published anywhere, “Whim of the Wind”–and I was thinking about that story a lot over the last year because that one was also set in Corinth County, Alabama–the place I was writing about in Bury Me in Shadows, and the two stories (“The Island” and “Whim of the Wind”) are forever linked in my head because I wrote them for the same writing class and turned both in together (we could turn in as many stories as we wanted, but had to turn it at least once twice in the semester…I turned in two the first time, and six the second time; the first example of how prolific I can be when I set my mind to it and do the work). But I digress. Back in the day, when I was growing up and even up to my thirties and forties, the age gap thing–and the sexuality of teenagers–wasn’t as big a deal as it is today, if that makes sense. Even now, when there’s a scandal about a teenaged boy having sex with an adult woman–usually a teacher in her early twenties–a lot of men don’t see the problem and say lucky kid or wish I’d had a teacher like that when I was in high school and things like that; as though there’s something natural and “manly” and normal about a teenaged boy having sex with an adult (incidentally, if the teacher is male these same responses are most definitely not used; adult male teachers who have sex with girl students aren’t treated or looked at the same way, nor are male teachers having sex with male students; adult men are inevitably seen as predators–the very same type of double standard the classic Tracy/Hepburn film Adam’s Rib addressed in 1949).

It’s rather interesting now, as sixty looms on the horizon, to look back and see how the world has changed since I was a kid.

We got caught up on Cruel Summer last night, then tried watching The Serpent on Netflix–I’d read Thomas Thompson’s book about the murderous couple, Serpentine, years ago–but it didn’t really hold our interest, so we decided to skip it and move on to something else.

Okay, I’ve put off getting the day started for long enough now. Talk to you tomorrow, Constant Reader.