Well, I’m pretty tired this morning. I got home last night and St. Charles Avenue was still closed from the King Arthur parade, so I got back on Highway 90 and got off at Tchoupitoulas and circled back home the back way, up Annunciation to Melpomene to Coliseum and then home. I listened to Carol Goodman’s The Stranger Behind You on the way home (it’s superb) but had to finish the last seventy pages or so in the hard copy once I was actually home. I am sipping coffee and thinking that it’s going to take me a hot minute to figure out where I was at with everything and what I was actually doing; the faulty memory is not particularly helpful in that regard. To make matters worse, I never did get around to making that to-do list before I got the text from my sister last week–so I don’t have anything to fall back on, either. I know I had started working on the edits for the manuscript andI know I have a short story to write, but other than that I am completely blanking on everything. I need to make a grocery list for sure today, and I also need to figure out what I am going to take for lunch today. I have to swing by the mail as well as the grocery store, too.
Heavy heaving sigh.
I didn’t sleep all that great last night, either. I would have thought that exhaustion, if nothing else, would have helped me go into an incredibly deep sleep, but alas it was not to be. I feel rested and my brain doesn’t feel tired, but I do feel worn out. I think I am functional–and functioning–but things are probably going to be weird for me for the rest of this week, at the very least. I should sleep incredibly well tonight, though–that’s certainly something for me to look forward to enjoying this evening. I think I got microwave Jimmy Dean sausage egg and cheese croissants at Costco before I left town, and I think there’ s something in the freezer I can have for lunch as well. I was going to make something this morning but am too worn out and too worn down to bother with that. Sleep shouldn’t be an issue for me tonight, but I will probably be groggy as fuck tomorrow morning. I sure need to clean out my email inbox, that’s for certain, and I never did finish the filing apparently, based on the condition of the kitchen/office. It’s also weird that it’s parade season as well; we have two nights off but Wednesday night it all kicks into gear again and I have to start planning my life around the parade schedule–which also means not using the car from Friday afternoon through Monday morning, and then again from Monday night to Wednesday morning. It can be challenging, and I’m already tired. Yay!
So I need to make a to-do list; I need to refresh my memory to know where I am at with everything; I need to empty the email inbox; and of course clean and run errands and get a handle on my life again. But I think the most important thing for me to do is get rested and recovered from the exhaustion of the trip, which means being motivated and getting everything under control again because I won’t rest most likely until I know everything I’ve agreed to do and everything that I have to do. I feel very disoriented this morning and adrift–not a pleasant feeling–and, now that I think about it, is undoubtedly because of the suddenness of the disruption; usually when I travel it’s planned in advance and at least I can prepare for it; this was obviously last minute so I wasn’t really able to get things planned the way I usually do. I don’t always have things under control when I travel, but I am always on top of having a to-do list when I do travel so I know where I am when I get back home. That was the one thing I should have taken care of before I left Thursday (it seems like a lifetime ago), and had I done so, I wouldn’t be at sea this morning as much as I am.
And on that note, I am going to head into the spice mines, get cleaned up, and head into the office so I can get back into my routine. Have a great Monday, Constant Reader, and I’ll check in with you again tomorrow.
Wednesday and only two–count ’em, two–days left before the parades start rolling down St. Charles, so tonight after work I am taking the highway and swinging by Costco on my way home. Yesterday was an okay day in that I never really felt tired or drained, which is always a plus. I did manage to start working on the first stage of the revisions of the manuscript–and I started working on something cool and exciting and new, but must remain a secret for now until I get it all figured out and worked out–and that’s terrific. I am sure going to Costco after work today is going to be a draining experience–but it’s never as bad as just going to a regular grocery store or Walmart, frankly. I also have to clean up around the kitchen this morning because I am doing a ZOOM thing for the MWA-Midwest chapter tomorrow night. I also have to go in Friday morning for a staff meeting (yay) but that’s fine; I can run to the grocery store for last minute things and pick up the mail afterwards so we’re good through Monday.
Because the grocery store won’t be a zoo the first Friday morning of parades, either.
I’m a bit groggy this morning. I slept pretty much through the entire night, other than when Scooter began howling for food early in the morning. He’s such a sweetheart, though. I went to bed last night before Paul got home and fell asleep almost immediately. I woke up when Paul got home and Scooter was curled up, nestled inside my right arm with his head right next to mine. You have to love a cat that’s just a big ole cuddlebug.
While I waited for Paul last night–I am still in the final stages of the malaise, alas; my creativity at a very low ebb at the moment–I started going through the manuscript, this time getting character names and seeing which characters actually had their names changed from one thing to another over the course of the manuscript (which happens when you don’t have a character key, which I know and don’t know why I didn’t keep up with mine as the manuscript progressed…especially when you have a fashion show with how many drag queens walking the runway? But the manuscript, even with the slight glances I was giving to it as I went through pulling out character names, didn’t seem nearly as messy and sloppy as I remember it being while I was writing it–which can be either my faulty memory or my usual self-loathing of any and every thing I write. The latter is always possible, but so is the former. At some point I should probably address my failing memory on here…but not today; I shall save that for some morning when I am not awake before sunrise and can focus properly on writing about my aging mind.
I was too tired to read as well last night; I am hoping to break that tonight when I get home. I am in the midst of two really fun and well written crime novels–Abby Collette’s Body and Soul Food and Ruth Ware’s The Lying Game–and so maybe every night when Paul’s not home I should take a book to bed with me? I don’t know how that might work, to be honest; usually I am so groggy by the time I climb the stairs I’m not sure how much reading I could do–let alone retain–late in the evening. I was pretty worn out by the time I finished watching Airplane! on HBO MAX (I got tired of scrolling through Youtube videos to watch so decided to rewatch one of my favorite comedies of all time–which has some eyebrow raising moments, but still holds up for the most part) and maybe that’s what I should start doing on the evenings when Paul works late–watch an old movie, maybe even a rewatch of a particular favorite, like Rogue One or something I’ve not seen in years, like Double Indemnity.
But today’s goal is to finish the character list and start the outline, so I can see what corrections needs to be made, what sections might need moving, and where I need to add more. I am feeling more awake now–coffee always helps, but my legs feel like they’re still not completely awake yet, which is a weird feeling that I am not describing properly to get across. It’s not like they’re asleep and tingling, or even exhausted or fatigued or anything like that–they just feel like they’re not awake, which isn’t getting the way it feels across, is it? Ah, well, it doesn’t matter because they don’t feel like they’re still sleeping in the bed, anyway.
And I still haven’t gotten an Arthur Hardy’s Mardi Gras Guide 2023 yet, either.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader.
Monday and I have to say–as comfortable as that bed was in Birmingham, there’s nothing like my own bed. I really like being home. But being away is much more pleasant when you’ve just spent a weekend away. I slept very deeply last night–I did wake up a couple of times, but was able to get back to sleep again, which was lovely. I also slept later than I intended to this morning, but that’s also okay. I have things to get done, errands to run, cleaning to do and laundry to launder, manuscripts to edit…it’s not easy being a Gregalicious sometimes. (There’s also nothing like coffee you’ve made yourself, either.) Parades on St. Charles also begin this Friday, which means today I really need to get my life and week figured out–parade season always requires a plan. There are three parades Friday night, five Saturday, and two or three on Sunday. We haven’t gotten a Mardi Gras guide for this year, either; I’ll need to rectify that today–but I don’t think I’ve seen any anywhere this year? Maybe I’ve not been paying attention–always a possibility, really–but we really need to have one.
Although I suppose the parade tracker app can serve in its place?
Perish the thought.
It feels chilly in the apartment this morning but the heat isn’t on, which is odd. It felt relatively temperate in the apartment when I got home last night, so I’ll have to check the setting.
It’s always slightly disorienting to reacclimate to your day-to-day existence after a lovely weekend of being an author, you know? I’ve never had much trouble erecting firewalls to compartmentalize the different aspects of my life; I keep my day job out of my writing profession and I keep my author life out of my day job, and so on and so forth. I think I am able to compartmentalize my life so easily because I’ve always compartmentalized my life; every queer person who has ever been closeted should be good at this as we are used to living two separate lives–always terrified that somehow the two lives would intersect at the worst possible moment. I do recognize in myself that separating aspects of my life is such an ingrained habit that even after successfully merging my two lives when I was thirty, that I still have the habit of separating. I separate my private life from my public life, and am fiercely protective of my privacy (and yes, I know how weird that sounds, given I have a daily blog–but I rarely talk about my personal life on here other than generic references to dinners or drinks with friends, and I try very hard to leave my friends’ names out of here as well; they didn’t give me permission to talk about them publicly), and I also separate my author life from my day-job world. It’s nice and humbling to know that even if my co-workers know that I am an author, they don’t think about it much or if they do, it’s more of a how cool and then they move on and forget about it as well. This is even more true now that Jean has retired; I used to pop into her office to talk about a book one of us was writing, or something that we just read and liked, or just to share industry gossip with a heaping side helping of snark. I do miss that from time to time.
But I need to shake off this weird adjustment feeling. I have things to do, even though I’d rather just curl up in my easy chair and finish reading The Lying Game. I need to write my review of Carol Goodman’s The Night Visitors; I need to clean out the refrigerator and see what’s spoiled in order to make a grocery list for today; I need to figure out what to take for lunch for the rest of the week; I need to make a Costco list; I need to make a plan to get through parade season; I need to finish a short story and look at some in-progress ones to pick ones to finish for submission calls; and of course, there’s always filing and organizing to do. At some point I need to start tearing my manuscripts apart for the revisions; and I will probably do that today. There’s laundry to launder and computer files to look through and file properly; there’s mail and groceries and a prescription to get. So, on that note, I need to make another cup of coffee, find something in the cabinets for breakfast (add cereal to grocery list), and get my normal life kicked back into gear, much as I’d rather bask in the afterglow of the weekend.
So have a lovely Monday, Constant Reader, and I’ll check in with you again later.
The other night, as I walked to Lilette to meet my friend Laura for dinner, I walked past this house:
It made me smile, as the New Orleans dedication for decorating for the holidays (any holiday, really) always does.
I posted this picture after taking it, along with a caption along the lines of it’s almost Twelfth Night and the start of Carnival! Someone commented, a bit surprised, “already?” which once again made me realize how different living in New Orleans is from living anywhere else, really, in the country. Nobody outside of Louisiana (unless they’re Catholic) understands how Carnival actually works, which makes sense. If it doesn’t affect you, how would you know? So, I decided explaining Carnival would be an excellent blatant self-promotion post, particularly since A Streetcar Named Murder is built around (sort of) a Carnival krewe and their membership recruitment ball. So, buckle up, Constant Reader, I’m going to give you a sort of primer for New Orleans Carnival.
Carnival begins on Twelfth Night, January 6th, and the season continues until it ends at midnight on Fat Tuesday (Mardi Gras is actually the last day of Carnival, not the entire season; but over the years Mardi Gras has become synonymous with Carnival, but the locals will always correct you when you call it Mardi Gras instead of Carnival; and ‘mardi gras” literally translates from the French to Fat Tuesday), when the bells of St. Louis toll the beginning of Lent and the police clear everyone off the streets of the city (no one is supposed to be out on the streets after midnight; I used to love to stand on the balcony at the Parade watching the mounted police officers slowly making their way down Bourbon Street as the crowds disperse before them–and behind them the street is empty). I’m not going to get into the history of Carnival and how it all began as a “farewell to the flesh” before the religious solemnity and penance of Lent; but that’s the part most people don’t get if you’re not from here or Catholic. Christmas, Carnival, Lent, and Easter are all tied together. Twelfth Night is always a fixed date because Christmas is fixed for December 25th; but since Easter’s date is never the same, neither is the date for Mardi Gras/Fat Tuesday, which is always forty days before Easter.
So, first things first. If you want to know all there is to know about each year’s Carnival, you start by getting a copy of Arthur Hardy’s Mardi Gras Guide, seen below. (You can order it on-line if you’re curious about it.)
(Don’t @ me, I know it should be Carnival Guide, but Mr. Hardy is Mr. Expert on all things Carnival, so we let him get away with it every year.)
The guide is invaluable, even though now there’s a parade tracker app so you always know where the parades are. The parades are what most people associate with New Orleans and Carnival/Mardi Gras; the big ones that shut down St. Charles Avenue and Canal Street aren’t until the last two weekends before Fat Tuesday. I don’t even know how many parades pass by our corner during parade season, but it’s a lot. (I’m hearing that the parade routes are being truncated a bit because of not having enough police officers to pull parade duty, but I don’t pay a lot of attention and just look at the Guide–which I have yet to get a copy of this year.) So, parade season is the two weekends prior to Fat Tuesday. The first weekend is easy, really; there’s parades on Friday night, Saturday afternoon and evening, and Sunday afternoon. Then we get a two day respite before they start in earnest, and there’s always at least two a night beginning the Wednesday before Fat Tuesday. Muses is Thursday night, following two others; there are also three on that Friday. Saturday afternoon is my favorite, Iris, which is followed by Tucks. Endymion is the big parade on Saturday night but it has a different route; it doesn’t come down St. Charles unless rain has caused it to be postponed for a night (when Endymion rolls down St. Charles on a Sunday night it’s a nightmare out there at the corner because Endymion is HUGE). There are parades all day Sunday, culminating with Bacchus Sunday night; Orpheus is the grand finale on Monday night, and of course on Fat Tuesday Rex follows Iris and then come the truck parades. There are also other, smaller, walking parades earlier; Krewe de Vieux, for example, is enormous and is a Saturday night later this month. After Twelfth Night and before Parade Season, there are balls and parties and walking parades and all kinds of celebrations leading up to the parades. The bleachers are already going up at Liberty Circle and all along St. Charles.
So, what does A Streetcar Named Murder, which is set in October, have to do with Carnival, and how is this a blatant self-promotion post?
Because the plot of Streetcar is set around an October costume ball for one of the newer Carnival krewes, the completely fictitious Krewe of Boudicca (it was Athena in earlier drafts, until I realized that I should check to make sure such a krewe doesn’t exist anywhere and sure enough, there is one; either in Metairie or on the north shore), which is also kind of new-member rush for the krewe. Our main character, Valerie, has no interest in belonging to a krewe; as she says, she’s fine “just going to parades and catching throws.” But her neighbor/best friend Lorna wants to join Boudicca, and she is dragging an unwilling Valerie along for the ball. It’s at the ball that the murder takes place; turns out the membership chair for Boudicca is Valerie’s nemesis, and of courea Valerie is the one who finds the victim after she’s stabbed.
And of course, it’s Carnival season again in New Orleans! So more info and blatant self-promotion to come!
So, Greg, why did you choose to write about an antique shop when you know nothing about antiques other than they are old furniture and so forth?
In all honesty, I didn’t originally set out to write about an antique shop, and while the book was in progress my utter lack of knowledge about the antiques business did have me incredibly concerned. Even though I had decided that Valerie herself would know nothing about antiques (that way, she and I could learn together), it still made me feel fraudulent and like I didn’t know what I was doing writing about something I didn’t know anything about. But then I went to Crime Bake, and at one of the panels a writer named Barbara Ross, who writes a Clambake New England series, confessed she knew nothing about clam bakes or any of those types of things…so she had to learn as she wrote the series. That was exactly what I wanted and needed to hear from someone and that was the right time for me to hear it, so I felt a lot more confident about the book when I returned home to New Orleans from that trip (it’s always nice to go to a writer’s event and learn something; I feel like I always do whenever I go to one).
Originally, I had wanted to write about a costume shop; which even now seems easier to learn about that antiques, to be honest. There used to be a costume shop in my neighborhood for years, on St. Charles Avenue on the lake side on the same block as Hoshun. I never went inside, but I always thought it was interesting that it was open year-round rather than just being seasonal; I would have thought they wouldn’t have enough business to do so. But it closed and another opened in the CBD near Paul’s office, connected to whatever theater that is in the next block–which means they had an enormous warehouse space to keep their costumes in, and their primary customers were local theater, film and television productions. I thought, yeah, that could be fun so I moved MY shop back to the block and decided to give them a warehouse to store costumes for commercial rentals in, out near the airport. When Crooked Lane wanted something other than a costume shop, I just went to the Starbucks at the corner of Washington and Magazine, got a latte, and walked down the block writing down the kinds of businesses I walked past. I sent those to Crooked Lane and they picked an antique shop, which was a bit daunting but….anything is do-able, right? And since I like to learn…in theory.
I did stop into one of the ubiquitous antique shops in New Orleans to talk to the manager, who gave me some good tips–estate auctions and sales, for example; something that hadn’t occurred to me–and also, highly amused that both Valerie and myself knew nothing about the business, suggested, “Start with Antiquing for Dummies.” I’m still not sure if she was kidding or not, but I thought it a pretty good idea, so I ordered a copy and had Dee–who works at Rare Things–suggest Valerie do the same in the book!
Serendipity, if you will.
And then I needed a name for the business. In the late 1980’s there was a marvelous supernatural syndicated series called Friday the 13th-the Series (because it just used the name, it was not related to the films in any way) in which there was such a shop called Curious Goods. The premise of the show is that the owner of the shop made a deal with the devil and all the items in the shop are cursed; he goes back on his deal and the devil drags him to hell. His niece and nephew inherit the shop and start selling things–only to find out that the items are all cursed –an older man with lots of knowledge tells them; they form a team to track down the objects, which can kill–or can make a wish of some sort for the person owning it come true, but death is required–and each episode focuses on one of the objects. I thought about calling the shop Curious Goods, as an homage, but then thought but the objects in this shop aren’t cursed, so I went with Rare Things. I liked the name, and thought it really fit; it’s really more of a curio shop than an antique shop, anyway.
And the benefits of an antique shop means I can have a lot of fun with future volumes, if there are more. How much fun would it be for Valerie to have to stay at some old manse working on an estate sale, only to be bedeviled by ghosts and secret passages and so on? It also means getting to explore history and areas outside of New Orleans; I am becoming more and more interested in the entire state rather than just New Orleans, too, so this really is kind of cool–more reason to explore Louisiana’s history! Huzzah!
So, that’s how this book came to built around an antique shop on St. Charles Avenue. More to come!
Monday morning and I really didn’t want to get out of bed this morning. I have so much to get done this week it’s kind of overwhelming, to be honest; and the temptation to just stay in bed for the rest of my life and avoid the world was kind of really powerful this morning. Yet the world stops turning for no man, let alone a Gregalicious, so there was naught for me to do other than arise, do my morning ablutions, and start drinking coffee. I did sleep fairly well, despite the enormous stress of a to-do list with incredibly lengthy chores and projects to work on, and feel pretty well rested this morning–if not quite up to dealing with the world at large.
Ellen Byron’s book launch last night was marvelous. I was delighted to see she had a very good turnout and sold a lot of books–and she is the QUEEN of swag. I for once didn’t have stage fright–I knew Ellen would be warm and witty and wise and funny; all I had to do was lob some questions at her and she was off and running (she did try to deflect attention back to me a couple of times, but I was ready to turn the spotlight right back on her after a brief answer and succeeded each time). The book itself is lovely, too; you want to get a copy of Bayou Book Thief, especially if you’re a fan of traditional mysteries. The cover is gorgeous, and it’s a fun story with a likable main character and a likable supporting cast, and Ellen’s adoration of New Orleans spills over on every page–and what more can a New Orleanophile ask for? I also picked up a copy of The Westing Game by Ellen Raskin (I saw it and remembered someone recommending it to me a while back, so I grabbed it immediately) and a copy of Albert Camus’ The Stranger, which I’ve been meaning to read for quite some time now (since Camus was inspired by The Postman Always Rings Twice for his own novel, I thought it only made sense for me to finally read the Camus)–I can never walk into a bookstore and not walk out with more than I intended to buy when I walked in (I had only intended to get a copy of Ellen’s finished book; I read a pdf) but that was fine–I wanted both books and let’s face it, I am always going to buy books at every opportunity, but it is time for me to start donating books to the library again.
I am not familiar with the part of New Orleans where the bookstore is located; Blue Cypress Books is on Oak Street past Carrollton, not far from where Carrollton and Claiborne intersect (and yes, the two streets actually run parallel to each other in my neighborhood; welcome to the wonderful and terribly confusing world of New Orleans’ bizarre geography). I would have, as per my usual, simply driven all the way to Riverbend on St. Charles then turned left on Carrollton…but I decided not to do my usual “this is how I know to get there” thing and used Google maps. Interestingly enough, Google maps took me on to Highway 90 then I-10 before getting off at the Carrollton exit in front of Costco and going that way…and it was faster–a lot faster, which I still kind of can’t wrap my mind around, but then again that’s New Orleans geography for you; my mind always thinks in terms of grids where everything runs north and south or east and west, and that isn’t New Orleans. The only actual grid design to anywhere in this city is the French Quarter–and only the French Quarter, at that. I have lived here twenty-six years and still get confused and mystified by how geography works here…which is one of the reasons I think people believe New Orleans is magical and mystical. Where else does geography make no sense other than here?
After I got home, we finished watching The Outlaws, which we really enjoyed, and started watching Gaslit. Julia Roberts is killing it as Martha Mitchell–I’d really forgotten a lot about her, but she was kind of a celebrity at the time, more so than the wife of Attorney General could ever hope to be, frankly–and she was enormously popular; everyone liked Martha Mitchell, because you never really knew what she was going to say next, which naturally didn’t sit well with the president of the time, Richard Nixon. (And again with a show set in the 1970s; sensing a theme–Minx, Candy, Gaslit–all set in the 1970s as a reminder to us all just how awful the 1970s actually were…pay attention, everyone. There’s a reason you never want to turn the clock back, or bring an era back.) I’d actually forgotten about Martha Mitchell–she’s often left out of books I’ve read about Watergate–and she was actually kind of an important cultural figure of the time. If the Nixon idea was to erase her from history, it kind of worked. The 1970s was definitely an odd decade.
As I was lying in bed dreading getting up and facing the world today, I thought, I would really love to have a vacation, you know. A week where I didn’t have a deadline to meet, or go into the office, or really do anything at all other than relax and read and watch movies or television shows I’ve not had a chance to see. It’s been a hot minute, and most of the traveling I actually do tends to be writing related in some way, which means it’s not really a vacation but a work trip. I don’t think I’ve actually had a vacation-vacation since we went to Italy, and that was eight long years ago. We’re talking about possibly going to Puerto Rico or some place in Central America (Costa Rica, if anywhere), but I think it’s past time…although I could also use some time off to stay home and get the Lost Apartment into some semblance of order, a Sisyphean task if there ever was one.
I didn’t finish my short story–the deadline was today and I know there’s no way I can get it finished in time to email off by midnight tonight, particularly since there would be little to no time to revise and/or edit it. It’s a shame, but at least the story is further along at about just over a thousand words than it was at less than two hundred; it’s a great idea but I’m basically stuck in the middle. I know how it ends, I just don’t know how to get it there, so letting it sit for a while is definitely in order. I did start writing the new Scotty yesterday–don’t get excited, I literally wrote maybe 175 words of the prologue; I found the book opening I wanted to spoof (Pride and Prejudice) and since I didn’t want to forget, I started writing it and it flowed along for another hundred words or so before I ran out of steam. The Scotty prologues are always the hardest part of the book for me to write; they are basically a recap of Scotty’s life thus far to get a new reader caught up without having to go back and read the first eight (!) books in the series as well as not spoiling the first eight books in the series should the reader decide to go back and actually read the first eight books in the series. (Something I actually need to do before I really dig in and start writing this thing…I really need to do the Scotty Series Bible and get that done so I have an easy reference without having to page through the books or do a search in the ebooks) I also did some research over the weekend for the book, which entailed rereading two Nancy Drew mysteries, The Ghost of Blackwood Hall and The Haunted Showboat (both books bring Nancy and her friends to New Orleans/Louisiana) and oh, yes, that bit of research definitely triggered a blog post which I started writing yesterday after I got ready for the event and was waiting for it to be the right time to leave. I kind of slam Nancy Drew in the post–but the truth is, despite my obsessive collecting of Nancy Drew books (trying to get the entire original series, with the yellow spines) I never actually liked the books all that much. (Same with the Hardy Boys.) While I appreciate the two series for their popularity and for getting kids to read (and to read mysteries) neither series was ever my favorite–but once I started reading and collecting, I had to keep reading and collecting because I am obsessive–and that obsession with collecting the books, while slightly tempered as I’ve gotten much older (and don’t have a place to display the collection), still exists. (Periodically I do think about emptying a bookcase and refilling it with my kids’ series books; it’s always satisfying for me to see them on the shelves. And yes, I know how weird that sounds.)
And now back into the spice mines with me. Y’all have a lovely Monday, okay?
I got up again before seven this morning–despite staying up an hour or so later last night than I usually do; I was waiting, hoping Paul would be coming home, but he didn’t get home again until after I went to bed. I didn’t get nearly as much done yesterday as I would have liked because I got distracted by reading Kellye Garrett’s marvelous Like a Sister, and by the time I finished the book it was late afternoon and the tiredness I was feeling yesterday morning–I mentioned it, remember? I wasn’t as awake and alert as I had been the day before–I decided to just kick back and relax for the rest of the day. I watched a lot of history documentaries on Youtube; watched a lot of news worried about Ukraine; and then last night I decided to watch The Drowning Pool, a 1970’s film version of Ross Macdonald’s book–with significant changes made to the book–moving it to Louisiana for one (more on this later). When the movie was finished I went to bed, and woke up early again this morning (body clock has reset, for good or ill). I have to make groceries this morning, as well as gas up the car (can’t wait to see how much gas costs today; but I am more than willing to pay more to save Ukrainian lives, frankly) and head home for some more editing work. I am going to work on my manuscript today; and I have a manuscript from Bold Strokes I need to get edited this week as well. Lots of heavy lifting to get done this week, but I think I can manage.
I also need to select my next book to read. I’ve narrowed it down some; the leading contenders include Harlem Shuffle by Colson Whitehead, The Twelve Jays of Christmas by Donna Andrews, The Prophets by Robert Jones Jr., and All Her Little Secrets by Wanda M. Morris. A plethora of treasures in my TBR pile, no? There’s also some short story collections and anthologies I want to start working my way through–not to mention a short story I need to write by the end of the month (see why I need lists?)–so I think once I get home from the grocery store I will most likely have to make this week’s to-do list. I also have some emails to write for sending tomorrow. But I don’t feel as paralyzed this morning as I usually am by a daunting pile of work that needs doing. We’ll see how I feel when I get home from the grocery store, though, I suppose. Usually dealing with the groceries wears me out and I am pretty much useless afterwards; I don’t know if that is actual physical or mental exhaustion or laziness settling in. I know that my energy levels have significantly decreased over the past pandemic years, and sometimes I do wonder if it’s maybe Long COVID; exhaustion and loss of energy seems to be one of its leading symptoms, and of course, both tend to trigger depression, which creates a massive downward spiral. But I keep testing negative for it, so what do I know?
So, The Drowning Pool starring Paul Newman as Lew Archer, renamed Lew Harper in the movie, and the location was moved from southern California to Louisiana for some reason. The movie is very cynical, so it definitely fits into my Cynical 70’s Film Festival, but it’s not a very good movie. (I’ve read the book, and while the family structure of the film seemed familiar, there’s a lot of significant diversion from the book.) One of my favorite parts of the movie is one of those things Louisiana/New Orleans people always point out in movies and television shows: the geography makes no sense. Harper is summoned to New Orleans by an old flame, whom he meets in a Royal Street antique shop for some reason. She doesn’t anyone to know she’s hired him, so why would you meet in the Quarter? The airport is in Kenner; why would you make him drive all the way into the heart of the city when you could have simply met him at a lounge or bar out near the airport, where they would be a lot more anonymity? Anyway, the old flame (Joanne Woodward, wasted in a role far beneath her talents) has gotten him a room at a motel in the small town she lives in, and she runs off, promising to be in touch…and here is the weird Louisiana geography part. He leaves the Quarter, takes the causeway across Lake Pontchartrain, eventually crossed the river in Baton Rouge, and then winds up somewhere in swampy Acadiana. That’s all fine…but why would you take the causeway to the north shore to get to Baton Rouge when I-10 heads directly there from New Orleans? He added at least another hour to his trip by crossing the lake. There’s another scene where he’s tracking someone down, following his girlfriend as she gets off the St. Charles streetcar, crosses the street, and enters a home. Harper later refers to the man’s “apartment in the French Quarter”–um, the streetcar doesn’t run through the Quarter, it didn’t in 1975, and it was clearly St. Charles Avenue (there are several more of these, in fact; the bayou area near the town was clearly filmed in the Manchac Swamp). The plot is convoluted and didn’t make a lot of sense–blackmail, Joanne Woodward’s husband is a closet case, someone has stolen an account book from a local oil baron’s company that exposes their pay-offs and bribes and other illegal activities–and Newman, while handsome and charming, doesn’t really put a lot of effort in the role. Your mileage might vary, of course, but I found it to be disappointing. The only thing about the film of note was very young Melanie Griffith playing Woodward’s nymphet teenage daughter…and I kept wondering how old IS she to be so sexualized in a film? But it was also the 1970’s…in catching up on the 1970’s films I’m constantly amazed at how much unnecessary nude scenes for women there are, or gratuitous sex scenes that add nothing to the plots in these films. But I also appreciate the grittier, more realistic if cynical point of view of the films; there’s nothing pretty or noble about humanity in these movies…which also kind of explains how “hopeful” movies like Rocky and Star Wars were so enormously successful during the latter part of the decade.
And on that note, i think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.
Not sure what the weather is like out there today. I actually allowed myself to sleep late this morning (it’s the weekend) and even attacked the potential of insomnia with full force: breathing strip on my nose, aromatherapy thing on with sleep formula sprinkled into the water, sleeping pill, NyQuil, melatonin, and Deep Sleep pillow spray from This Works! (It really, really does.) The end result was ten hours of beautiful, dreamless sleep and feeling rested this morning. I did feel tired most of yesterday, to be honest, and when the day-job work-at-home duties were completed for the day I was tired, bone-tired, and I never made the errand run yesterday–an indication of how tired I really was; we’re out of things with no way to really replenish supplies until Monday. But there’s the Walgreens on the corner (if I get there early enough in the day before the crowds descend on St. Charles Avenue–I should probably walk over there once I finish this) as a stopgap–or actually, I could go to day after Tucks, when the crowds move to Egalité Circle for Endymion. Come to think of it, I could actually move my car and go to the grocery store this evening….no, it can wait till Monday.
Life inside the parade route.
Despite being tired last night, I did write a short story in my head last night for this deadline on Monday, so I am going to try to get a draft written today so I can polish it and rewrite it over the next two days to make the deadline on Monday. It’s a longshot, anyway, but the pay is good and who knows, they may actually like my weird story about a séance being conducted by a fake psychic while a real one is also there and senses that someone at the table is planning a murder. I just wrote a story with this psychic (“The Rosary of Broken Promises”) and some of the other characters in the story are characters I’ve used in stories before–“An Arrow for Sebastian,” and the hostess also appeared in one of the Scotty books–Garden District Gothic, I think–but that also goes back to my “Greg’s New Orleans Multi-verse” theory from the other day. So, I did accomplish something last night, and I feel good about that.
You have to cherish every win, no matter how small. But now I have to physically write the thing.
Just start typing, Greg, and soon enough it will be finished.
And on that note I am going to do just that. Have a lovely day, Constant Reader, and I’ll talk to you tomorrow.
Reality television goes above-and-beyond to convince the viewers that it’s “real” and “authentic”; but it’s kind of weird to me to think that people can actually go about their day-to-day lives with a camera crew following them, constantly having to set up and break down, without that having some sort of impact on their behavior and relationships with each other. In the case of the Real Housewives shows, obviously they aren’t being followed 24/7 the way The Real World always claimed they did with their casts…which was exposed for bullshit to me when MTV was filming The Real World: New Orleans and they lived in the Bellefort mansion on St. Charles Avenue–essentially in my neighborhood. Periodically I would see a group of them–young people I assumed were the cast–walking around in the neighborhood with a camera crew following them on their way to someplace they were going to film…which meant that obviously they weren’t being filmed 24/7 as the camera men were not filming them as they walked. That breaking of the fourth wall for me was kind of a spoiler in some ways (I never really spent a great deal of thought on the show or how it was made; if I had spent a minute or two thinking about it rather than just blindly accepting what I was told I would have realized how ludicrous the 24/7 filming thing they claimed actually was–but I never cared enough to question anything). After that fourth wall was broken for me, I wasn’t as into The Real World as I had been previously; plus, the longer the show went on, the more it became focused on blackout drinking, sex, and violence–none of which I particularly wanted to watch, really.
When Bravo–which used to be a more higher-minded channel showing Inside the Actor’s Studio as well as syndicated repeats of Law and Order and The West Wing–chose to capitalize on the success of their first forays into reality television with Queer Eye for the Straight Guy and the great reality competition shows Project Runway (we were obsessed with it) and Top Chef by going for something a little more Real World-ish with The Real Housewives of Orange County, I wasn’t particularly interested. As Sonja Morgan was told by Bethenny Frankel in one memorable encounter on the New York franchise, “it’s a cheater brand”–something branded similarly to something vastly more successful as an attempt to piggy-back on that success; in this case, they were copying ABC’s breakout hit Desperate Housewives AND The OC. The ubiquitous previews–run constantly during the syndicated repeats we watched as well as the competition programs–did nothing to inspire me to want to watch even a little bit. The show was successful enough to spawn another franchise in New York, and then another in Atlanta. These shows became part of the public consciousness, really; you couldn’t get away from them, particularly if you watched anything else on Bravo–you began to learn what some of the women’s names were; began to know who was friends with whom and who couldn’t stand who; who was fighting with who and why and so on. Sometimes on weekends while Paul slept on the couch and I sat in my chair reading a book or revising something I was working on, I would just put the channel on Bravo because they always ran marathons on the weekends–whether it was The West Wing, Law and Order, Project Runway or a Housewives franchise–primarily because I always need some sort of noise in the background whenever I do anything. Occasionally Paul would wake up and watch for a few minutes, or I would look up and watch for a while, slowly figuring out what was actually going on with the show, but not interested enough to watch as they aired or become heavily involved. Paul and I actually started watching Atlanta when it started airing–we were drawn in by previews featuring NeNe Leakes, who was hilarious–but I wasn’t very comfortable with it, to be honest; my liberal white guilt made me wonder whether this was a kind of “look at the how funny and weird Black women are!” kind of show. I also didn’t like that the first show to feature Black women had a token white woman on it–none of the other shows with all white casts ever added a minority to the mix; why couldn’t Black women have a show that was all about Black women without needing a white woman to round out the cast? And I was definitely not a fan of Kim Zolciak, so we gradually stopped watching regularly; after all, there was always a marathon going to be aired at some point on a weekend.
I also gave Beverly Hills a whirl when it first aired, primarily because I remembered Kim Richards from her days as a child actress and wanted to see her as an adult. Seeing what she’d become was a bit of a shock, but I watched that entire first season as it aired in amazement, falling in love with Lisa Vanderpump (as so many did) and kind of liking Camille Grammer. She was a bit unfiltered and came across as a very spoiled, privileged white woman…but she was fun to watch and I couldn’t stand Kyle Richards, who was her primary antagonist. But I stopped watching when the show became too dark in the second season, dealing with spousal abuse of one of the cast-members and her husband’s eventual suicide.
A little too real, frankly.
But some friends got me to start watching New York again as it aired in a later season, and this time, I embraced the lunacy and the madness, seeing it for what it was: entertainment. Sure, there was an element of people being rewarded for behaving badly, and whether the madness I was watching was authentic and real, filmed as it occurred, or was “produced” really didn’t matter. I didn’t need to see how the cheese was made, nor did I care; but as I started watching the others so I could talk about them with my friends, dissecting characters and behaviors, I began to realize that these shows were the nighttime soaps of this new age; addictive shows about people with money behaving badly that we talked about (I used to watch Dynasty with a huge group of friends, every Wednesday night: Bong Hits with the Carringtons and the Colbys). Each new edition/franchise of the show was uniquely different from the others; some I never got into (DC, Miami) and others I watched religiously (New York, Atlanta, Beverly Hills), and others I’d keep up with generally (Orange County, Potomac)–my viewing habits for the ones I didn’t watch religiously eventually evolved into simply watching the reunions–which essentially summed up the highs and lows of the season without all the filler.
But I also became interested in watching from a sociological point of view as well; it wasn’t just entertainment, the shows actually provided all kinds of looks into things like group dynamics, how some minor understanding could become blown completely out of proportion, how betrayals of trust are difficult to come back from with a friend, and watching how these women’s evolution was potentially altered, even contaminated, by exposure on camera to a wide audience. Success on the shows might lead to success away from the cameras, but primarily in business more than anything else; these shows were not a jumping off-point into any kind of scripted acting, other than stunt casting on Broadway in shows very late in their run (see: NeNe Leakes, Cinderella; Erika Jayne, Chicago). Bethenny Frankel, seen as the primary success story to arise from the shows (I’ve never cared for her, to be honest), has never managed to translate her popularity as a Housewife into anything successful that wasn’t linked, in some ways, to her original show (her talk show failed, her ripoff of The Apprentice for HBO also failed); and like Trump, her business is really now just licensing the “Skinnygirl” label to other companies marketing products since she sold the alcohol company for a lot of money to Jim Beam years ago.
This interest eventually, as always, evolved into fiction for me. I had always been interested in writing a Scotty book rooted in a season of a Real World-type show filming here; that gradually evolved into my own version of the Housewives shows, The Grande Dames. That eventually worked its way into Royal Street Reveillon, which might be one of my personal favorite Scotty books. I still do watch New York, although I’ve had to back away from Beverly Hills because I cannot stand to see alleged criminal conspirator and ruthless narcissist Erika Girardi on my television; I feel that giving them that extra streaming view somehow condones the fact they didn’t fire her and continue to give her a platform to spin her lies and evade prosecution and restitution.
So, I was very interested when I saw this book talked about on one of the Facebook fan pages I belong to:
As a reward for the procedure the other day, I decided to download this, and in my exhausted state Thursday evening, I started reading it on my Kindle.
If you’re a fan of the shows, you will definitely enjoy this. Essentially, it’s an oral history, with Quinn interviewing not only actual Housewives but also members of production and people from the network about the casts, things that happened on the show, and the controversies. It’s fascinating; production and the network people are always very quick to justify their own questionable behavior in the actions they did or did not take when something bad was happening in front of the cameras (which was to be expected). What was truly interesting to me was the women themselves, and their commentary on their castmates, and the absolute zero fucks they give about lifting the curtain and letting us all see how the sausage was made. What’s particularly weird, though, is you do find yourself wondering–just as you do when you watch the shows–how much of it is real and how much of it is the women either covering their own asses or staying in “character” from the shows; Sherée Whitfield makes absolutely no bones about how much she loathes NeNe Leakes…and actually, nobody spoken to from the Atlanta cast, past or present, says anything nice about her other than she makes good TV. (Likewise, New Jersey castmates are very quick to point out that cast-mates Teresa and Melissa, sisters-in-law, still very much hate each other despite the “reconciliation” for the cameras.)
But again, are they just playing a part still, or are their answers authentic? It’s hard to say. I do think some of the former cast members who are bitter about their experiences (looking at you, Carole Radziwell and Heather Thomsen) are being honest, since they have nothing to lose; the ones who are still on their shows perhaps not so much. (Props to Teresa Guidice, too; she literally is who she appears to be, both on television and in this book–so either she’s very good at playing “Teresa” to the point of staying in character all the time, or she basically is that person. I’m not sure she’s a good enough actress to pull off a performance, though.)
Reading the book was a lot of fun, though, and I think if you are a fan of these shows, you’ll also enjoy it. I greatly enjoyed reading it, and it also reads, as oral histories tend to do, very quickly. Does it actually give the reader an accurate view behind the scenes, or any insight into who these women really are off-camera and in their own lives? I don’t know, and that, I guess, is part of the fun; it’s a very good extension of the shows for fans.
I have recently begun to wonder about whether I should continue to watch these shows. I go back and forth between embracing the enjoyment I get from watching (there’s no such thing as a guilty pleasure; we should never feel guilty about finding joy in anything in life; one of the producers even says towards the beginning, that guilty pleasure thing pisses me off because it’s always directed at things women enjoy–a man can sit in front of the television all day watching football yet no one calls the NFL a “guilty pleasure”–which is a very good fucking point) and wondering if I am part of a system that glorifies and rewards bad behavior. do the shows demean women, make them look bad and infantile and childish?
Reading this book gave me no answers other than I should continue to enjoy what I enjoy without spending a lot of time questioning or over-analyzing both myself and my motivations. I also don’t care if people judge me for anything I get enjoyment from; after all, I get judged by people for my sexuality and I really don’t give two shits about the people who do that, either.
But if you don’t watch the shows, I wouldn’t suggest or recommend you read this book; none of it will make any sense to you once they start talking about what happened during the seasons and the conflicts/relationships between the women.
I find myself now in the post-launch haze; it’s been awhile since I’ve actually promoted a book–and usually so much else is going on the launch date might get some social media posts from me and not much else (it really is a wonder I still have any career to speak of)–but I actually feel a bit hungover from what little I did. (I admire other writers who hit it so hard; how do they do it? I sure as hell can’t.) I have nothing but the utmost respect for authors who can do the public appearance/promotion stuff and make it look easy and make it seem like they’re enjoying themselves; because that is not my experience with such things. I am always incredibly self-conscious, and inevitably my fallback response to being nervous and feeling uncomfortable is to try to be funny–which is, of course, completely subjective, and amps up the anxiety: what if no one thinks you’re funny? And with these on-line appearance (as opposed to in-person ones) I do not know if anyone laughs and that makes me even more anxious to the point that when it’s over I am a completely nervous wreck, emotionally, physically and emotionally exhausted; and the hangover from that carries over into the next day. I felt very drained and hollowed out yesterday. Today I feel better–I don’t think I slept that great, to be honest, but this morning I feel fairly well rested. Not I can conquer the world rested, but rested. This is a good thing. I don’t have to do anything outside of the apartment today other than go to the gym after I am finished working at home, and I am going to relish that. I have some data entry to do, condom packs to make, and there are also some other on-line trainings for the day job coming due–annual things we are required as a health clinic to take, like HIPAA, blood borne pathogens, biohazard, etc. (In all honesty, my favorite is the emergency training one–what do you do if there’s an electrical fire? What do you do if there’s a regular fire? What do you do if a patient collapses? I don’t know why that’s my favorite, but for some reason it is.)
Yesterday was spent mostly with on-line trainings for the day job; there was time, however, for some condom packing duties before LEG DAY at the gym (and yes, my legs are tired today. But good tired, not bad sore). I decided to keep going with my attempts at a Halloween Horror Film Festival, moving on to Friday the 13th, Part III. (turned out I must have watched the second part last October and completely forgot; my memory has now moved from sieve to a garbage disposal that clearly eats and grinds up each memory before spitting it out, forgotten) What. A. Shitty. Movie. The first one had a kind of “so-cheaply-made-it’s-kind-of-charming” feel to it, but each film cost more money…but the quality didn’t improve. The acting and writing is so incredibly bad, it’s easy to see why audiences started rooting for Jason as a kind of anti-hero; those who are about to die are such shitty, one-dimensional characters, played by actors who’d be lucky to get a supporting role in a bad dinner theater in Sarasota, Florida, you kind of enjoy watching them die horribly. I don’t know that I have the stomach to handle yet another entry in that endless series of sequels; maybe I’ll switch to the Halloween movies. Those, while equally small budget at first, are at least better acted, written, produced, and directed than their counterparts about Jason Voorhees. Paul came home rather late and had some work to do, so we watched the latest episode of Titans, which I really enjoy but this season, while interesting, is dragging a bit.
It also makes me terribly sad that this is a Friday without a new Ted Lasso.
I also need to get back to work on my writing; I got distracted with all the book promo stuff and so forth and well, now I am behind yet again. What else is new, right? When am I not behind on everything? Yes, it makes me crazy, which is partly why I am alway teetering on the edge of a complete breakdown, without question. I’ve been feeling very good about myself lately–which always makes me suspicious. My piece on Gothics for Crime Reads was well received, so was my piece on Superman posted here the other day, and Bury Me in Shadows also appears to be getting a good reception. My royalty statement came the other day and was significantly higher than I was expecting, which is always welcome news…and of course, I need to make a new to-do list. I also have some filing that needs to be done, and the apartment always needs cleaning. I do think our mouse is gone, though. Last week he was very noisy one night–Paul thought it sounded like death throes–and we haven’t heard him since. Scooter also doesn’t stare at the cabinet under the sink and the dishwasher anymore, either, which is the more likely sign that the mouse is gone at last. It’ll take me a while before I am comfortable turning the dishwasher on without putting a towel across the floor in front of it, though–the little bastard chewing through the hose is going to take me a while to get past.
I may also prune the books a little bit this weekend; the books can always be pruned, and I may even get a box of them down from the storage crawlspace today to go through–I really do need to clean out the crawlspace–and the night time lows this weekend may even dip in the high fifties; it’s definitely October in New Orleans. I think next weekend I may drive around taking pictures of Halloween decorations. One of the many things I love about this city is how so many people go all out decorating for holidays–I love the mansion on St. Charles with the annual skeleton theme–plus, A Streetcar Named Murder is set in early October. LSU plays Florida tomorrow at eleven in the morning (!), and I’ll have the game on but I doubt I will watch it from beginning to end. This has been a horribly disappointing season for LSU football–people are calling for the coach to be fired, as it looks like they’ll have their first losing season this century (!)–the last time that happened was 1999, which led to the firing of then coach DiNardo and the hiring of Nick Saban, which rescued and turned the program around to the point they won the SEC in his second season and a national title in his fourth. LSU fans have become very spoiled this century, but it’s been a very good run these last twenty or so years: four SEC titles and three national championships; only Alabama has done better during this run, and that’s a pretty high standard.
And on that note, I am heading into the spice mines. Data ain’t gonna enter itself and the condoms won’t pack themselves, either. Have a lovely Friday, everyone, and I will check in with you again tomorrow.
Queer and Loathing in America 