Tuesday and feeling a bit better after the wasted weekend (I wasn’t wasted, but rather wasted the weekend; but I need to stop looking at it that way and realize both my body and my brain wanted, and needed, rest). I wrote another chapter last night and am back into the book; here’s hoping it will last and I’ll keep writing as more time passes. The work wasn’t great, but it’s done and it’s fixable. This weekend I am going to have to really dive into things for sure, and I am hoping this week I’ll be able to keep up with the kitchen and everything else so I don’t have to spend a lot of time doing that this weekend and instead can dive headfirst into writing and reading.
I stopped to pick up a few things on the way home from the grocery store last night, and then once I was home I emptied the dishwasher, bonded with Sparky a bit, and then sat down to work. Sparky wasn’t especially fond of this idea–he’s not fond of anything I do that doesn’t involve either providing a lap for him to sleep in, filling his food bowl, or playing with him. I do think we’re going to have to make a Costco run this weekend at some point–we’re running low on some things–and there are some other things I need to order for delivery this weekend, too.
But I am happy I am writing again. I’m sorry I didn’t have the time or energy to edit “Passenger to Franklin,” which I was writing for the Chessies chapter’s next anthology; but it wasn’t ready to be submitted and had I done so, it would have been rejected anyway. The nice thing is this anthology–themed around urban legends–provided two short stories for me–“When I Die” and this one; both of which need editing, and both of which I think are going to be terrific stories and perfect for my collection, too. I have found the voice for “Passenger,” which was missing in the first draft, and “When I Die” needs to be revised so I can make the main character gay; it works better that way, especially with an unrequited crush on his wealthier roommate. I like the idea of them visiting the graveyard at Frenier as kind of a fraternity prank; the rich roommate thinks it might be a fun thing to do to all the pledges, and the one they take out with them into the Manchac Swamp is a pledge who looks up to both of them, in a smarmy way the main character doesn’t necessarily like–and we see a personality change come over him as they cruise through the swamp at night. (I also need to look up boats, and sometime I have to drive out to Laplace so I can take the old highway and see what that’s like so I can write about it some more. The college and town I am writing about on the North Shore is fictional, of course; but Frenier and the swamp are real.
And both legalizing cannabis and protecting abortion are now on the ballot in Florida, which makes me absolutely giddy with joy. This is very good news for the Democratic Party and really bad news for trash like DeSantis and that ghoul Rick Scott; I would hope it means a huge turnout which always is bad news for Republicans–that’s why they are always screaming about “voter fraud” and trying to suppress people’s right to vote; free and open elections generally aren’t good for Fascists.
After I got my word count for the day, Paul and I settled in and started watching Apples Never Fall, which we are really enjoying. It’s based on a book by Liane Moriarty (also the author of Big Little Lies and a few others; I’ve enjoyed everything of hers that I’ve read thus far) and I like how this is playing out so far. It’s so nice having Paul home in the evenings again–I’d forgotten how much I just enjoy our down time together in the evenings.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I may be back again later; one never knows.
Thursday last morning in the office this week blog. I get to go in a little later because I have to stay until five tonight; and of course tomorrow morning I have PT at the ungodly hour of seven a.m. Gah. But it’s okay, really. I slept super well last night–probably the best night’s sleep of the week–and I finally got my keyboard for the iPad yesterday: huzzah! It works beautifully, too…which is the last excuse I had for not getting any writing done (or as much as I would like). Now I have a functional laptop and a functional iPad for writing anywhere in the house, which is kind of fun. I can get my iPad in the morning and write in bed if I want, or I can take the laptop up there, or…so many plethoras of options, and NO MORE EXCUSES.
Oh, I’ll still make excuses, of course, to get out of doing the day’s writing. And I did do some yesterday–I wrote about seven hundred or so words on “Passenger to Franklin” (an Agatha Christie title homage that really pleases me far more than it probably should)–but very little of anything else other than watching Part II of The Real Housewives of Beverly Hills reunion (Kyle Richards remains a disgusting piece of shit bitch who doesn’t need to be on my television screen anymore). I then spent the rest of the evening watching the news (or clips from the news) and despairing further about the future of the country and grateful again that I am old. It’s about the only benefit to being old, really, and not having children: the future isn’t really my problem, but at the same time, I also don’t want the adults of the future to have to deal with a destroyed and/or increasingly hostile and damaged planet, either, because I am not a monster. Sometimes I think I worry about the future more than people who actually do have kids, or are young.
I watched a really interesting conversation between Rachel Maddow and Nicolle Wallace last night–and they were both right: the Republican Party of today wants to eliminate our democracy and set up an authoritarian state where they are always in charge and they can get rid of everyone they don’t like. Sound familiar? See Berlin, 1933. It’s scary to contemplate, and even scarier to realize The Handmaid’s Tale was actually very prescient. I became worried about authoritarianism coming to the US during the Reagan years and what followed, when the Republican party became convinced that they had a divine right and mandate to always be in power. As I watched people get subsumed by Fox Propaganda in the 1990s (when the character assassination of Hilary Clinton truly began), I saw it for what it was: definitely not a news organization, and it’s partisan nature had everything to do with the rollback on rules about what is and isn’t news…during the Reagan administration. It’s astonishing how little people think about the recent past, or even try to put the present in the context of the recent past.
Let alone thinking about the older history, which no one knows1. Then again, I am from a part of the country that proudly claims hatred and bigotry as their heritage, so maybe knowing history might not help as much as I would like to believe.
Heavy heaving sigh.
Those who don’t know history are doomed to repeat it.
I’m doing a panel for a Sisters in Crime chapter on-line event this weekend, do tune in to any or all of the antics this weekend. It’s called Murderous March, and it’s being put on by the Upper Hudson Sisters chapter, and you can register to view the panels here. My panel is at 2:30 eastern, it’s called “It Was a Dark and Stormy Night,” and is being moderated by the wonderful Richie Narvaez. My co-panelists are the amazing Carol Pouliot, Edwin Hill, Tina Bellegarde, and M. E. Browning. It should be a pretty good time, I think.
And on that note, I think I’ll head into the spice mines. Have a lovely day, Constant Reader, and I’ll probably be back later.
I didn’t want to get up this morning–Tug the kitten also has the same superpower that Scooter had, which was lulling us both to sleep somehow; he fell asleep in my lap last night while we were watching television so I, too, fell asleep. There’s really nothing like a nice warm little kitten sleeping in your life for calming purposes. Scooter was also an anti-anxiety holistic medication for me, so it’s nice that Tug (still not sure about that name, but it may change to Tiger) works the same way with his little purring engine. He’s so cute! I’m glad we rescued him and I’m glad we got a kitten–because I’d forgotten how adorable kittens are. It’s so cute watching him practice being the Big Cat Hunter and pouncing on his toys after sneaking up on them. He also remains completely fearless, which is great. I’m glad he already feels so at home here in the Lost Apartment.
I also recognize that this is turning into a kitty stan blog, which is very understandable given that we have a new kitty.
Yesterday was a relatively relaxed one at the office. I’d forgotten that I’d been filling in for someone who was out on medical leave for the last two months, and that he was coming back to work yesterday. I was mentally prepared to spend the day working with clients and doing my other duties around the appointments, which is what I’d been doing for the last two months all four days in the office. I’d literally forgotten that Monday was my catch-up day in the office when I usually took care of all the things I started doing between appointments for the last few months because I no longer had Mondays free to catch up on everything. It’s going to take me a moment to get used to this again, but it was nice. I left the office and came home and just immediately collapsed into my chair. I’d intended to spend some more time with the Riley Sager book, but for some reason didn’t pick it up and instead spent the evening doom-scrolling through social media while Tug slept in my lap and I waited for Paul to come down. We started watching a new show on Apple, Inside Man, which had an exceptionally good cast led by David Tennant, and opens with Tennant, as the vicar, getting caught up in a very bad situation due to him not only being the vicar but having to think very quickly on his feet–a member of his flock, who has a horribly abusive and vile mother–pressed a flash drive onto him as his mother was coming for a visit and she “always” found his private stuff. When Tennant’s son’s maths teacher (see what I did there?) arrives and opens her laptop, the flash drive gets connected to her computer and the son claims it’s his, covering for his dad while not knowing what was actually on it–which was child pornography. This puts Tennant into a quandary of faith. It’s not his son’s kiddie porn, but ethically he cannot say where it came from; and the show ends with her locked in the basement and knowing that he’s going to have to kill her because he can’t let her go. It’s very interesting–there’s also a side story with a reporter the teacher encountered on the bus and two men on death row (one of them played by Stanley Tucci) who are also somehow connected to the same reporter. It’s very cleverly done, the interweaving of stories based on random encounters, much as they occur in real life.
I worked on a short story yesterday but of course it’s one I don’t have a market to send it on along to for submission, rather than either of the ones that are being specifically written and/or revised for actual calls–because of course that’s what I always do. I’m beginning to feel like I am falling behind on the publishing of short stories I’ve written, but the truth is it’s just my anxiety spurring my brain along. I’ve published two short stories this year, “The Ditch” in School of Hard Knox and “Solace in a Dying Hour” in This Fresh Hell, two stories of which I am really proud and also skate along the edge of supernatural horror. I don’t think I write actual horror, but more suspense with supernatural occurrences in them. I don’t do jump scares or anything like that, but rather mine are told with mood and setting more than anything else–and of course, voice. I’m also stuck on this story anyway–as always, in the second act–and so will move on to the stuff that, you know, actually has a market/call to send them into. I need to work on my story for the Bouchercon anthology, due by the end of the month, and I also have one for my Sisters chapter anthology that I’d like to get finished and turned in as well. (I love my Sisters chapter, by the way.)
Sigh. Being a writer can be quite a joy sometimes. It’s no wonder so many of us drink to excess.
Tomorrow I am getting a sonogram to see if I have the same heart defect my mom had. She had arterial tortuosity syndrome, which, if you follow the link to rarediseases.org, is described thus:
Arterial tortuosity syndrome (ATS) is an extremely rare genetic disorder characterized by lengthening (elongation) and twisting or distortion (tortuosity) of arteries throughout the body. Arteries are the blood vessels that carry oxygen-rich blood away from the heart.
I don’t remember which artery it was, but I think her femoral artery came out of her heart and inside the chest cavity, instead of being straight it was twisted into a candy-cane shape, which meant when it clogged, it was an extremely complicated procedure to put a stent into it; and when the stent clogged, it was too complicated to put another one in…and then she had the massive stroke and died in hospice. The key words in that paragraph from rarediseases.org are “extremely rare genetic disorder”, with an emphasis on genetic. My maternal grandfather died in his sleep in his forties, and we really don’t know why. Obviously, this is concerning for me, and the fact that my former primary care doctor’s attitude was “we’ll worry about that when we have to”–which, while making sense since nothing can be done about it, isn’t reassuring from a medical professional–and I’d frankly rather know if I have something wrong that could eventually kill me. Since bad cholesterol clogs your arteries, the fact that the cardiologist immediately put me on stronger medication than I had been using for the last fifteen years kind of told me that my primary care wasn’t paying much attention to that, either. It made sense, right? If my bad cholesterol is close to the amount that is concerning, and the medication I am taking isn’t doing more than keeping it from going into the danger zone, maybe give me something stronger after fifteen years? Malpractice doesn’t actually have to be malice; it can also be carelessness.
And yes, I am very aware of the irony of the fact that part of my job entails encouraging my clients to strongly be advocates for themselves with their health care–practice what you preach, right? But I’d been feeling dissatisfied with my primary care provider for quite some time now, and this stuff from this year was the last straw for me.
And on that cheery, uplifting note I am heading back into the spice mines. Y’all have a great Tuesday, all right?
I have really come to love Bouchercon, and it’s always a highlight of my year.
Things have seriously changed for the better.
Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski
Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.
When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.
And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.
It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.
I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.
Should be considered a gift.
A fucking GIFT.
(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.
But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.
I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.
Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)
I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).
And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!
And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.
That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.
Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.
I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.
I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.
Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.
And like water wearing down a stone, we have to keep relentlessly pushing.
(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)
I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.
Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.
So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?
Masculinity is something I’ve always felt I viewed from the outside.
It’s very strange; for someone who doesn’t look back very often and has a rather healthy disdain for nostalgia, for some reason since the pandemic started, I’ve been revisiting my past a lot. I don’t know, perhaps it was triggered by having dinner with an old friend from high school a while back (which also inspired me to write a horribly dark short story); or perhaps it’s because of short stories or novel ideas I’ve been toying with, but lately, I’ve been thinking about my past much more so than I usually do, and what it was like for me growing up. I wrote a Sisters in Crime quarterly column several years ago about the first time I realized, once and for all, that I was indeed different from everyone else–it centered the first time I heard the word fairy used towards me as a pejorative, as well as the first time I was called a faggot. I’ve also been examining and turning over issues of masculinity inside my head for quite some time (most of my life). #shedeservedit was itself an examination of toxic masculinity and how it reverberates through a small community when it’s allowed to run rampant and unchecked: boys will be boys. Some short stories I’ve published have also examined the same subject.
What can I say? My not being the American masculine ideal has played a very major part in shaping my life and who I am; how could it not? I used to, when I was a kid, pray that I’d wake up the next morning and magically be turned into the kind of boy I was supposed to be, the kind that every other boy I knew–from classmates to cousins to everything I watched on television and at the movies.
Society and culture have changed in many ways since I was a little boy who didn’t fit so easily into the conformist role for little boys; roles for male and female were very narrowly defined when I was a child, and children were forced into conforming to those roles almost from birth. Boys were supposed to be rough and tumble and play sports and get dirty and like bugs and frogs and so forth; girls were supposed to be feminine and play with dolls or play house, wear dresses and mother their baby dolls. Boys weren’t supposed to read or enjoy reading (but I was also supposed to get good grades and be smart), and that was all I wanted to do when I was a kid. I used to love Saturdays, when my mother would go to the grocery store and drop me off at the library on her way. I loved looking at the books on the shelves, looking at the cover art and reading the descriptions on the back. I loved getting the Scholastic Book Club catalog and picking out a few books; the excitement of the day when the books I’d ordered arrived and I could go out on the back porch when I got home and read them cover to cover. I was constantly, endlessly, pushed to do more “boyish” things; I played Pee-wee baseball (very much against my will), and later was pushed into playing football in high school–which I hated at first but eventually came to love…which just goes to show, don’t automatically hate something without trying it. But yeah, I never loved playing baseball. I was enormously happy when we moved to Kansas and I discovered, to my great joy, that my new high school didn’t have a team.
One less traditionally masculine thing for me to participate in was always a bonus.
The things that I really wanted to do weren’t considered masculine pursuits, and as a general rule I was denied them as much as possible. My parents forbade me from reading books about girls–Nancy Drew, the Dana Girls, Trixie Belden–which, quite naturally, made me want them more (my entire life the best way to get me to do something is to tell me either not to do it or tell me I can’t do it…either always makes me want to do it). Oddly enough, when my reading tastes became more adult–when I moved from children’s books to reading fiction for adults–they didn’t seem to care that I was reading books by women about women quite so much as they did when I was younger; either that, or they gave up trying as they finally saw me as a lost cause–one or the other; I don’t know which was the actual case. Maybe my embrace of football in high school overrode everything else suspect about me. It’s possible. My family has always worshipped at the goalposts…and I kind of still do. GEAUX TIGERS!
I spent a lot of my early life trying to understand masculinity and how it worked; what it was and why it was something I should aspire to–and never could quite wrap my mind around it. The role models for men always pointed out to me–John Wayne, etc.–never resonated with me; I always thought they were kind of dicks, to be honest. The whole “boys don’t cry, men never show emotions, men make the money and the entire household revolves around their wants and needs” shtick never took with me, and of course, as I never had any real sexual interest in women…the whole “locker room talk” thing was always kind of revolting to me, because I always saw girls as people. It probably had something to do with the fact that I was more likely to be able to trust girls than boys; I had so many boys decide they couldn’t be friends with me anymore because at some point other kids calling me a fairy began having an negative impact on their own lives all through junior and senior high school (to this day, I’ve never understood this; why were we friends before, and what changed? It wasn’t me…I didn’t suddenly switch gears from butch boy to effeminate overnight) it’s little wonder I have difficulty ever trusting straight men…but in fairness, I have trouble trusting everyone. But I never quite understood the entire “boys are studs girls are sluts” thing, but I also never truly understood the dynamics of male/female attraction. Yes, I dated in high school; I dated women in college before I finally stopped entirely. And yes, I also have had sex with women, back then–but never really enjoyed it much.
In all honesty, I still don’t understand masculinity, at least not as it was defined in my earlier decades of life. I’ve never understood the cavemen-like mentality of responding with violence (no matter how angry I get, I never get violent); I’ve never understood the refusal to recognize that women are human beings rather than life support systems for vaginas and wombs and breasts; I’ve never understood the mentality that a man’s desires should trump (see what I did there?) bodily autonomy for women. No man has a right to a woman’s body, nor does any man have a right to tell a woman what she can or cannot do with her body. Maybe always being an outsider looking in and observing has something to do with my mindset, maybe my difference and always having mostly female friends most of my life is what shaped me into understanding these things.
I also mostly only read women’s books, to be honest. There are some straight male writers I read and admire (Ace Atkins, Bill Loefhelm, Michael Koryta, Harlan Coben, Chris Holm, Stephen King, Jeff Abbott and Paul Tremblay, just to name a few) but I really have no desire to read straight male fantasies that reduce women to caricatures and gay men, if they do appear, as stereotypes; but after I recently read I the Jury by Mickey Spillane, a comment someone left on my post gave me a whole new perspective on how to read such books from the 40’s 50’s, and 60’s; the perspective of reading these books as examples of post-war PTSD…and that opened my eyes to all kinds of questions and potential critical analyses; that the horrors of World War II and what the veterans saw and experienced shaped the development of the culture of toxic masculinity that arose after the war (not that toxic masculinity didn’t exist before the war, of course, but the war experience certainly didn’t help any and it most definitely reshaped what “being a man” meant). I was thinking about doing a lengthier critical piece, on I the Jury, along with the first Travis McGee novel, and possibly including Ross Macdonald, Richard Stark and possibly Alistair MacLean. There’s certainly a wealth of material there to take a look at, evaluate, and deconstruct–and that’s not even getting into Ian Fleming and James Bond.
I’ve also always found it rather interesting that Mickey Spillane was Ayn Rand’s favorite writer. Make of that what you will.And on that note, I am off to bed. The last two days have been long ones, and tomorrow and Sunday will also be long days. I’m planning on driving back to New Orleans on Sunday–timing it so I get back after the parades are over so I can actually get home–regardless of what happens here. It’s not been an easy time here, and I am very tired.
It’s a rainy gray morning here in New Orleans–which explains a little further why I didn’t want to get out of bed this morning, as there is nothing more comfortable than being buried in blankets in a warm bed while it rains outside. Scooter was even snoring when I finally decided I couldn’t be a lag-a-bed much longer. I have writing to do–so much writing to do–and of course, the kitchen is an utter disaster area this morning. I’ve also been so focused on getting the writing done that I didn’t order groceries for pick-up today; which I may do once I am finished with this entry. I am going to Alabama on Friday for Murder in the Magic City as well as Murder on the Menu in Wetumpka on Sunday, so no groceries will be made this coming weekend. I could just order something for pick-up either Thursday night or Friday morning before I leave; but I will make those decisions after I’ve had more coffee and my brain is a little less bleary. I also need to make the decision as to whether I am going to go to Malice Domestic or not. I mean–how many times am I actually ever going to be an Agatha finalist? I won’t win, but it was very kind of the attendees to nominate me–and I did have a great time the last time I went. Decisions, decisions. It’s going to boil down to money, but I think I can take the money out of savings safely without concern for disaster later. And of course, I have lots of points on Southwest to take care of the airfare.
The ALA event I went to yesterday was smaller than the ALA’s I am used to; I’ve been twice before when it was here in New Orleans. Once was after Hurricane Katrina (I was thinking 2006, but it may have been 2007) and I actually read at their Friday night event that time; the other was years later when I signed in the booth for Sisters in Crime. I didn’t get rid of many books–I don’t even remember which book it was I was signing and giving away–but I know there was so little interest in the gay New Orleans writer’s books that I basically was helping out in the booth, breaking down boxes and setting out more books, and helping the other authors by opening books for them to sign–they started calling me Booth Boy, and it was quite fun. But yesterday I signed fifty copies of A Streetcar Named Murder to give away (along with a bookmark with a download code for the audiobook) and got rid of every last copy in fifteen minutes. It really does make a difference when you aren’t giving away a queer book, which deep down in my heart of hearts I already knew, but it also made me kind of sad at the same time to see that I was right. (It was one of the rare occasions when being proved right gave me no pleasure or satisfaction.)
I have a lot of writing to do today. I didn’t make quota yesterday, which means the quota is even higher now for today and even more unlikely for me to make. It’s fine, actually; I am going to make the deadline of Wednesday. It’s a mess, of course, as they always are at this stage, but I already know what I need to do to fix it, which is making the finishing even harder than usual because I am itching to go back and revise and fix it before finishing it, but that’s simply not going to work. Instead, I am going to write this and then worry about getting it revised. (Which isn’t easy, I might add.) I did spend some time with Abby Collette’s book, which I am really enjoying, and also watched some of the US Figure Skating Championships yesterday–the men’s short program and the ice dance final. The men’s final is this afternoon, but I’ll record it to watch later this evening. All of the current shows we are watching have new episodes available (Servant, Mayfair Witches) as well, but I would imagine once Monday rolls around we’ll be back to Paul not getting home from the office until after I’ve gone to bed or am starting to get ready for bed.
I feel good about everything this morning, to be honest, and it’s remarkable how calm I am about this pending deadline particularly given how far behind I am right now. I still haven’t completely adapted to the freedom from volunteering yet–I still have that subconscious unsettling feeling that there’s more I should be doing before I remember oh yeah there’s nothing besides the book that you need be worried about right now which is always kind of lovely and nice–and relaxing. I know I’ve said it before but I am really really happy that I am still able to write in the amounts that I’ve always been used to when writing–I now remember that I wrote the 98,000 or so words of the first draft of #shedeservedit in thirty days one hot July summer month; and I am still capable of doing that, clearly. I need to focus once I get both of these current manuscripts revised and I can get an incredible amount of writing done this year, which is always fun.
And on that note, I am going to clean up some of this mess before curling up with Abby’s book for a while before I start my writing journey for the day. Have a great Sunday, Constant Reader.
If I live to see the seven wonders, I’ll make a path to the rainbow’s end…
It’s 49 degrees here in New Orleans this morning–it could have been worse, and was predicted to be worse–so I can’t complain too much. It’s chilly inside the apartment this morning, but I have on my sweats and a stocking cap and feel okay. I didn’t want to get out of the warmth of the bed this morning–who can blame me–but I do feel somewhat rested this morning, which is always an enormous plus. I managed to not feel exhausted yesterday, so I managed to reconfigure Chapter Five so it is no longer a steaming pile of crap and now feel like I can move on to Chapter Six. Huzzah! Progress, Constant Reader, we are making progress at long last and it feels marvelous. We also watched this week’s Reboot (seriously, y’all, this show is hilarious and marvelous and you should be watching) and started the new season of The Vow on HBO–remember the NXIVM cult? They got a second season, which is going to be interesting as it covers the trials and has interviews with some of those higher-ups who pled guilty…but I am not seeing the cult leaders who finally woke up and brought them down as heroic, frankly. I have mixed feelings about them, to be honest; when they finally turned they really turned, but they were also involved for years and recruited lots of people–especially women–to the group, so I don’t know. There’s something to be said for atonement, I suppose, which is one of those esoteric philosophical questions about crime and punishment and our legal system (I’ve always felt conflicted, for example, about the sex offenders’ registry; I totally get why the neighborhood should know a convicted sex offender has moved into the neighborhood but at the same time it feels like a continuation of their punishment–either you do the time and are rehabilitated or you’re not…this conflict of fairness in my mind is what led me to write my story “Neighborhood Alert”).
I actually listened to my Sisters in Crime podcast interview with Julie Hennrikus (I tend to avoid listening to recordings of my voice, as I don’t like how I sound) for a change, and started to wonder about this distaste I have for hearing my voice. I don’t sound to myself anything like I sound on recordings, so for one thing it’s jarring to my sense of self (“that’s what other people hear when I talk?”), kind of like photographs, and there’s a bit of an effeminacy to my voice, I think–or that I hear–that makes me uncomfortable–and as I listened last night (it’s an interesting conversation, and Julie is a marvelous interviewer) I began to wonder why I hate the sound of my voice so much. There’s nothing wrong with sounding effeminate, so why does it get under my skin the way it does? It makes little to no sense, and it’s definitely something to do with the self-loathing I developed as a child from being an outsider. But after I started listening, after a while I stopped cringing as my voice came out of the computer speakers and started paying attention. Julie is a marvelous conversationalist/interviewer, and I felt like I didn’t come across as a pompous and arrogant fool who doesn’t really know what he’s talking about, which is also a plus. (I’ve always felt that authors should be good interviews, since they are story-tellers; the interviewer’s job is to prod the subject into telling an entertaining story–which I think is another part of it; I tend to think my life and my writing processes and anecdotes aren’t terribly interesting, which again goes to the core of self-deprecation and humility that I am trying to break as it is not only counter-intuitive but it’s a bad quality for an author to have…I am always so afraid I’m going to sound arrogant and ungrateful that I tend to go too far the other way.)
But now that I am working on my aversion to hearing my voice, I can listen to the other podcast i recently recorded with Ricky Grove, about My Cousin Rachel, you can listen by clicking here if you like. I am actually now looking forward to listening myself–now that I am getting over my aversion to my own voice–and listening to myself more regularly will help me conquer that aversion, yank it out by the roots, as it were. Working on improving myself will clearly never stop until I breathe my last, will it?
I’m hoping to have a productive day, really. I feel rested, my brain isn’t feeling fatigued, and I feel more alert than I did earlier this week. I need to get some life-function things to do (make sure all bills are listed on calendar; remake my to-do list) and tonight after work I am hoping to be able to sit down and bang out Chapter Six, as well as perhaps read some more into ‘salem’s Lot while I wait for Paul to get home from work. I think I’ve pretty much decided not to make the trip to Boston for Crime Bake–flying back and two weeks later having to drive to Kentucky sounds exhausting and like way too much for me already–plus with the book deadline looming over everything, that makes it less promising to take a second trip before the deadline, alas–so it’s probably smarter for me to go ahead and cancel that trip…but I may keep the time off I’ve requested so I can work on the book. Hmmm, decisions, decisions. But I also need to be able to take time off to go to New York in January for my last hurrah for Mystery Writers of America…so who knows? Maybe I should just cancel the vacation requests and work? I don’t know. I hate making decisions because I am so certain that I will make the wrong one…
See how insidious that self-deprecating self-loathing thing is? It pops up everywhere. Why can I never make a decision that either makes sense for me or with confidence that I’m making the right one? Sigh, I don’t know and probably never will, I suppose.
And on that cheery note, I am heading into the spice mines. Have a lovely day, Constant Reader and I will talk to you again tomorrow.
Tuesday morning and feeling okay, I guess. Yesterday I had to do some incredibly tedious things at the office that literally made my eyes cross and completely exhausted me by the time I was finished, but the good news is that we got it done and praise the Lord and pass the ammunition, please. I cannot get over how tired I was yesterday afternoon, and I’d slept really well Sunday night, too. Go figure. My supervisor got me a cappuccino on her way back from going to the Office of Public Health to drop stuff off, which also could have been the reason I crashed so hard: the high from that caffeine rush was bound to wear off, and what better time than when going through endless forms looking for particular ones? Yeesh, that was exhausting. And of course after running errands on the way home, I was exhausted when I got home. I did some work on the book–very little–but my brain was essentially shut down and so I didn’t get very far, alas.
I was also too tired to read much when I repaired to my easy chair, so I read another chapter of ‘salem’s Lot, which also wasn’t easy given how tired my brain was. Paul worked at home yesterday, so he came down earlier than usual and we finished watching Diary of a Gigolo, which had a very interesting end. I think tonight we’ll probably move on to a A Friend of the Family, another series that shows how wretched the 1970’s kind of were.
I also had the great good fortune to be interviewed by Sisters in Crime Executive Director Julie Hennrikus for the Sisters podcast; it was a lot of fun but I don’t remember much of what we talked about, but you can certainly listen to it here, or wherever you download your podcasts! I’ve been doing the rounds of podcasts lately, which has been kind of fun and interesting–certainly more so than I usually do, which is practically never–and I’ve never quite grasped the whole podcast thing. I know people listen to them all the time (my supervisor listens to them on the way to work) but I don’t know if I will ever listen to one that I have been on–I really do hate the sound of my own voice, which is something else that should be unpacked in therapy–and maybe someday I’ll explore the world of podcasts more (it’s just one more version of technology I neither understand or comprehend and I really don’t want to learn more, you know what I mean?) but as always, when I have more time.
Constant Reader, I don’t think I will ever have more time…
But I did get some things done yesterday, which is a good thing–even if they were miniscule and not really helpful in the overall picture of how much I have to get done. But progress is progress, and getting rid of the little things can sometimes help in the overall context of getting everything done. The month continues to slip through my fingers and I keep hoping against hope I’ll have one of those great writing days where I write like a gazillion words so the book gets back on track. Ha ha ha ha, as if. But maybe today will be that day when it all clicks into place and the writing gets easier, as opposed to the tooth pulling it’s been like since I started writing this damned thing.
One thing I was noting when I was reading a chapter of ‘salem’s Lot was that this was one of the first times I remember reading about a main character who was a writer–I think this was before I read Youngblood Hawke–and I remember, as someone who didn’t know how to type properly, being amazed that Ben Mears not only was a writer but he wrote at his typewriter. This boggled my mind completely. My parents never let me take Typing in high school (even though I wanted to) because it was a class for, ahem, “girls” (yes, Virginia, I grew up in a time when high school classes other than Gym were gendered), like Home Ec, and it was also not seen as a “challenging” enough class that would help prepare me for college. (The irony that every paper I had to do in college needed to be typed did not escape me.) I tried writing at my typewriter a few times throughout the 1980’s, but it never really worked for me…it wasn’t until I started using a word processing program on the computer at one of my part time jobs that I actually started writing at a keyboard. I actually bought a word processor from Sears in 1991, and have used some sort of computer to write on ever since. It’s also interesting to me that authors used to write on typewriters and books used to be significantly longer. I already mentioned the expansive word count on this book–and imagining that King wrote the entire thing on a typewriter?
I really should stop complaining about writing, shouldn’t I? Or whenever I do, I should remind myself now imagine doing this on a typewriter and that would be the end of that.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader and I will talk to you again tomorrow.
I originally started writing Sleeping Angel in 1994.
That seems like such a long time ago, too. I hadn’t met Paul yet, was still working for that wretched airline at the airport, was broke broke broke and often ran out of money long before payday, and any kind of decent life for me seemed impossible. It was the next year I decided to snap out of the constant feeling sorry for myself, and instead of waiting for the world to come knocking on my door to make my dreams come true, that the only person who could make my dreams a reality was me, and that I needed to make the changes necessary to my life if I were going to become a writer for real–like stop dreaming about it and writing now and then, and start taking it seriously and writing all the fucking time, and trying to make it happen–which meant sending things out to try to get them published.
It’s weird how you forget things about books you’ve written until something out of left field reminds you of something. Julie Hennrikus, during our Sisters in Crime podcast interview, asked me about writing young adult fiction, and how I came to do that. The story is very simple, really; after discovering Christopher Pike and R. L. Stine and other young adult authors who wrote young adult novels that were either crime or horror or a cross of the two, I decided to take the book I was writing at the time–Sara–and write it as a young adult novel instead of as one for adults. It really didn’t take a lot, to be honest–I removed the framing device that firmly set the book back in the 1970’s–and turned it into a modern day story about teenagers (which it always was). After I finished Sara, I wrote another called Sorceress–and when I finished it, I began writing Sleeping Angel. I still didn’t have a strong grasp of how writing actually worked (which is kind of embarrassing when I remember how naive and stupid I actually was back then, but what did I know. seriously? Very little.) and so I never rewrote anything; I just printed them (I had bought a very inexpensive word processor that I loved, and wrote on) out and saved the originals. I was about half-way through Sleeping Angel when I discovered there was such a thing as queer crime novels…so I abandoned writing young adult fiction and started thinking more in terms of writing a gay private eye series…which eventually became the Chanse MacLeod series and Murder in the Rue Dauphine.
Flash forward another decade or so, and in the spring of 2005 I attended BEA and the Lambda Awards in New York. I lost twice that year (Best Gay Mystery for Jackson Square Jazz and Best Scifi/Fantasy/Horror for Shadows of the Night) and then on Saturday night I attended a cocktail party for the Publishing Triangle. (It was at this party that I met both Tab Hunter and Joyce Dewitt.) I also met a very nice man who was familiar with my work, and asked me if I had ever considered writing young adult fiction with gay characters and themes? I laughed and replied that I had two completed first drafts and a partial for another in a drawer back home; he then gave me a business card and told me he would love to take a look at them with an eye to publishing. I lost the card years ago, probably in the Katrina aftermath, but he was an editor for Simon and Schuster Teen, which was very exciting. I told him I would revise one and send it to him as soon as I finished Mardi Gras Mambo, which was at that point over a year overdue (I didn’t mention that part). This was exciting for me, as one can imagine; another opportunity gained by simply being in the right place at the right time, which has been the story of my career pretty much every step of its way. Once I finished Mardi Gras Mambo that August, I started revising Sara.
And then came Hurricane Katrina, and everything went insane for a few years, and I abandoned the attempt to rewrite Sara. There was just too much going on, I was displaced and finding it hard to get back into writing, and I just wasn’t in the right place emotionally to revise or rewrite a book. I’ve always regretted that last opportunity.
Flash forward another year or so and I casually mentioned to a friend this missed opportunity. What I didn’t know when I mentioned it (bemoaned it, really; I still regret this lost chance) was that she had been working for another publisher as an acquiring editor for young adult/children’s work. “Would you rewrite one of these for me? I’d love to pitch this to the company.” So….rather than Sara, I went with a rewrite of Sorceress, which had a teenaged girl lead character and I didn’t see any place to add queer content (I’d been adding that to the revision of Sara ) and sent it to her. Alas, before she had the opportunity to pitch it the line she acquired for was closed down and that was the end of that….until a few years later when she decided to start her own small press for juvenile/young adult fiction, and wanted Sorceress. I sent it to her, we signed a contract…and then I realized I needed to let Bold Strokes Books know I was doing this. I emailed them, and they replied, “You know we do young adult?”
Well.
I wrote back and mentioned I had two others collecting dust, and so I contracted both Sara and Sleeping Angel with them. I decided to do Sleeping Angel first–which is odd, as I didn’t even have a completed first draft; I don’t remember why I decided to do this, frankly–and so I started writing and revising.
The really funny thing–just looking at the cover for the book–is that the character name “Eric Matthews” was one I came up with when I was in college; I had an idea for a book set in my fraternity, and came up with three names for characters that were pledge brothers and friends: Eric Matthews, Chris Moore, and Blair Blanchard. I used Eric and Chris for Sleeping Angel (completely forgetting that I had already used those names in Every Frat Boy Wants It a few years earlier), so yes, even though the fraternity books I used were by “Todd Gregory”, I accidentally re-used the character names.
Whoops.
The original intent with my young adult fiction was to connect it all together, the way R. L. Stine did with Fear Street, and sort of how all of Stephen King’s work is as well. The three books I started with–Sara, Sorceress, and Sleeping Angel–were connected, and were the springboard from which the others would come–or were supposed to come, from. Sara was set in rural Kansas. The main character of Sorceress moved from rural Kansas to a small town in the mountains in California, Woodbridge, which was also where Sleeping Angel was set. The main character of Sara moved to Kansas from the Chicago suburb where the main character of Lake Thirteen was from, and so on. (Likewise, the main character from Dark Tide was also from the same county in Alabama where Bury Me in Shadows took place, and #shedeservedit was set in the town that was the county seat for that rural Kansas area where Sara was set.) I’d consciously forgotten that, but fortunately my subconscious still holds on to things the forefront of my brain doesn’t.
When I originally envisioned Sleeping Angel back in 1993 (or 1994, I don’t remember which), the concept I wanted to explore was something, a concept, that Dean Koontz had used in his book Hideaway–that someone was in a car accident and died, only to be resuscitated by the EMT’s. But when he came back to life, he brought back something with him from the other side that gave him a psychic connection with a serial killer. It was an interesting idea–I wasn’t using the serial killer thing–but I loved the entire concept of someone being brought back with something extra (which, now that I think about it, is also the entire conceit Stephen King built The Dead Zone around). I decided to keep the car accident to open the book in the new version, but the opening I originally wrote had to be tossed. I also came up with an entirely new concept for the book: what if you were in a bad car accident, but there was a dead body in the car who was NOT killed in the accident but had been shot and was already dead when the car crashed? And if the main character has amnesia….who killed the kid in the back seat?
And away we went.
He was driving too fast, and knew he should ease his foot off the gas pedal, bringing the car down to a safer, more manageable speed.
But he couldn’t bring himself to do it.
“Hang in there, buddy,” he muttered grimly under his breath, taking his eyes off the road for just a moment to glance in the rearview mirror into the backseat. What he saw wasn’t encouraging. Sean’s eyes were closed, and he couldn’t tell if Sean was still breathing.
The blood–there was so much of it, and it was everywhere.
He swallowed and took a deep breath, trying to hold down the panic. He had to stay calm. He couldn’t let the fear take over, he just couldn’t. He had to hold himself together. He had to get to town, to get Sean to the hospital before it was too late–if it wasn’t already too late.
Not a bad beginning, right? Pulls you right into the story.
I don’t remember what–if anything–I was expecting when Sleeping Angel was finally released (it actually wound up coming out before Sorceress, ironically); it had not even been six years since the right-wing homophobes had come for me for daring to accept an invitation to speak to high school students in a Gay-Straight Alliance. And now I’d actually dared to write a book about teenagers, for teenagers. The horror! But the book come out and there wasn’t even the slightest whisper of controversy about the “gay pornographer” writing a y/a book. It got really good reviews for the most part, people really seemed to enjoy it, and it eventually won a gold medal for Outstanding Young Adult Mystery/Horror from the Moonbeam Children’s Book Awards, which I’d never heard of but was kind of a big deal, or so I’m told. The gold medal was nice, too–very pretty (but it’s not the rock from the Shirley Jackson Awards–the smooth polished stone I got for being a finalist may be my favorite thing I ever received as recognition for my writing).
Well, this morning’s test was positive yet again; apparently with the new variants you can test positive for up to ten days. Yay? Jesus. I woke up feeling pretty good this morning–the fatigue and brain fog weren’t as bad yesterday as they had been on previous days, which I thought was a good sign that maybe this was going to be over very soon. And like I said, while I didn’t exactly spring out of bed this morning with a song on my lips and music in my heart, I felt better on rising then I have since this whole thing started. But if things stay true to form–at least how they’ve been since I first tested positive last Friday–in about an hour I’m going to hit the Wall of Fatigue and Fog. I’m trying not to think about how far behind I am getting on everything. Then again, maybe the worst of it is over and I’m sliding down the other side of Recovery Mountain. Who knows?
I managed to make it through a podcast interview with Julie Hennrikus, executive director of Sisters in Crime, last evening, and I don’t think I made too big of a fool of myself. I’m not sure when it’s going to be available to listen to–I won’t listen to it as I despise the sound of my own voice–but when it is, I will certainly be sharing the link everywhere. It was very kind of Julie and Sisters to have me on, and I always love the opportunity to talk about my favorite subjects–ME and writing and books. I babbled on inanely for quite some time–and I think she very kindly let me ramble on for longer than was scheduled–but as I said, ask me about me and I’ll never shut up.
Which is probably why most people never ask, right?
I started reading Sandra SG Wong’s In the Dark We Forget, and I am already hooked, just a few chapters in. The writing is very strong, and the concept of the story, at least as I understand it thus far, is quite intriguing. I did manage to read about fifty pages or so yesterday before nodding off for nearly two hours–the fatigue was strong yesterday–but the fog was lifting a little and not nearly as bad as it has been. We watched some more episodes of Condor last night, and I have to admit I was having trouble following the story–which is, to be fair, quite convoluted, intricate, and complicated–which might have been the fog. I also managed to get some chores done around here, but seriously I am very happy that my head managed to clear for the interview.
Ah, there’s the fog. No fatigue yet, though. I think I can handle the fog without the fatigue–at least the fog doesn’t make me feel like I need to take a nap every half an hour, which is a definite plus.
And there’s the fatigue. I knew it was too good to be true, and I also just realized–how funny–that I started writing this over an hour ago. So I guess I’m not as back to normal as I had thought when I first woke up, am I? LOL. I do often amuse myself with my lack of self-awareness and my ability for self-delusion. I guess I want to get over this quickly and so am ready to grasp any improvement as a sign that it’s finally past. But today I do feel somewhat better than I have since the first positive test last Friday. While I do feel some fatigue, it’s not as extreme as it has been, and the brain fog isn’t nearly as paralyzing as it was before. I guess the real test will be the ability to focus, won’t it?
I was also informed this morning that the new variants will result in positive test results for up to ten days. I guess I have one of the new variants, because we are on day six of this, and tomorrow will be the first full week of it. But I do think the worst has passed now, and it should be all downhill from here. And again–so lucky; this could have been so much worse, thank God for inoculations and so forth. The fatigue is starting to spread now–it’s almost weird how it starts in one place (usually, it starts with the brain fog) and then works its way through the rest of my body.
Christ, I have so much to do. I hope I can keep my focus together to get all of this stuff finished. I guess I can always just do the old “work on a bit until I am tired and then when I am not tired go back to it” system, which has worked before. I’ve also not ever been sick this long in quite some time, if ever. Ugh, stop whining, already and remember how lucky you are: you didn’t need to be hospitalized, fevers were mild and not long-lasting, no stomach upset of any kind, and best of all, no intubation. It’s been, for me, mostly unpleasant and time-consuming, neither of which are ideal. But also cannot be helped–but that resignation always feels like defeat to me for some reason, and I hate that about myself.
I don’t think I’ll ever live long enough to properly self-examine all of my neuroses, hang-ups, and issues. Probably for the best, and on that note, I’ll bring this to a close. Sorry for all the illness updating; hopefully soon we’ll be back to normal around here, Constant Reader–or whatever passes for it. Have a great Thursday!
Queer and Loathing in America 