Tag: Scotty

Whole Lotta Trouble

Be gay, do crime.

I don’t remember the first time I saw that phrase somewhere, and I don’t know where it originates from, but actually–being gay used to be a crime (and our “supreme court” seems determined to make that so again), so I’ve always wondered if that was where it started from. I do like the phrase, though.

I also don’t remember how Sins of the Black Flamingo came to my attention, but it did. I subscribed so as not to miss an issue, and intended to read it all in one sitting so I could write about it…but never got around to it, like a loser, and as I was looking through the draft entries for the blog the other day, I saw that I’d started an entry after reading the first issue…but never finished reading the book nor, obviously, finished writing the entry.

the book nor, obviously, finished writing the entry.

And since the main character is gay…what better time to finish reading it, and blogging about it, then during Pride Month?

It did make sense to me.

I’ve read comic books for most of my life (in fact, comics are why I bought an iPad in the first place), but I’ve also taken long breaks from them, so am neither an expert nor even a super fan (although I would love to do a crime novel set in and around a comic books store; which could be fun and comical). I remember comics I read as a kid, and have some vague memories of other times when I dipped into the comics world as an adult. My iPad is filled with comics that I’ve never gotten around to reading—but what a lovely long weekend reading them all would make! Or maybe just take the iPad with me on a trip and read comics the whole time?

Anyway, I digress. I do need to do a longer form essay about my comics history while stressing the importance of how little I do know about my beloved comics…maybe for Pride next year, since it would take some serious rereading and research to do properly…and it could tie into one of the books currently in progress…but I am getting away from the purpose of this post: Sins of the Black Flamingo.

I mean, isn’t this art amazing?

Comic books helped shape me and my tastes. The original DC superheroes I followed were still drawn as ideal men of the past, like the 40s and 50s, big with a  barrel torso, and muscular but not defined. DC Comics hadn’t really updated its characters from their early days much; but it was during my childhood at the end of the 60s and early 70s that they began modernizing their comic characters, their costumes, and how they looked—which I also noticed. This was also around the time that men’s bodies became more sexualized, and what was hot and sexy for men began to change. The women super-hero’s costumes also became more sexualized, as were their bodies (the Legion of Super-Heroes ALONE had some of the more revealing sexy costumes. Queer super-heroes (although why I never made the connection about Wonder Woman and the Amazons with their island of women only is a mystery to me) were non-existent and wouldn’t start showing up until the late 1980s and early 1990s—and it’s still a few and far-between kind of thing (the Will Peyton Starman run always seemed queer to me, which I’ll need to explore at another time).

So, you can imagine my delight to find this run with a gay burglar as the main character, who wears a costume and is extremely good at his job (I’ve always had a soft spot for burglars in fiction) and that was why I subscribed to the series. (Still shaking my head at how long it took me to finally read them all, and there was an pretty amazing cliff-hanger at the end of #1.)

But when I was a kid, the characters and story interested me more than the artwork, and even with my love of the characters and stories, I never followed either artists I enjoyed or writers, either. Which is probably not the best way to enjoy them, really; it was a friend who was an exceptional artist and comics fan in the 1980s who made me aware I should be paying attention to the artists and the writers…and I did find some extraordinary comics by looking for artists and writers of books from there on. The two I remember the most from that time are Todd McFarlane and John Byrne.

Sins of the Black Flamingo is self-classified as “occult noir,” which is a term I absolutely love and now can recognize that occult noir is something I absolutely love and probably write…and will most likely explore more in my own work going forward, since I now know what to call it, because supernatural never really fit in the same way and I don’t feel like the books I write are actually full-fledged horror, but occult noir? Oh, hell, yes.

Anyway, the Black Flamingo is the alter-ego of our hero, Sebastian Harlow. The Flamingo is probably one of the top cat burglars in the world (as you may know, I love cat burglars and originally made Colin one in Bourbon Street Blues), and Sebastian is this interesting combination of my two series characters, of all things; he looks and is built like Scotty, with the same approach to sex as he did before he met the boys, but has the dark worldview and cynicism of Chanse MacLeod…so naturally, I was going to be drawn to the character. IN the very beginning of Book One, he is hired to steal something from a right-wing museum—basically a museum dedicated to honoring white supremacy. It isn’t until he steals the item they’ve hired him to find that we learn the backstory behind the item…and a golem named Abel is brought to life, and Abel is hunky AF, I might add.

We also meet Sebastian’s close friend and ally, Ofelia, a Black witch—and yes, this is very much occult noir. The art is fantastic, and done by Travis Moore, with Tamra Bonvillain as colorist, Aditya Bidikar, and editor Andy Khouri, and Andrew Wheeler was the writer.I highly recommend this—if for no other reason than it’s a great gay story with an interesting main character, and who would have ever thought they’d see a gay circuit party within the pages of a comic?

I do hope there’s more adventures in store for the Flamingo in the future. Highly recommended.

You Make Me Feel Brand New

Sunday morning and Sparky let me sleep super late–I didn’t get up until after nine thirty–which kind of wasted more of the morning than I would prefer. I am going to make groceries today, so one of the things I really need to do is clean out the cabinets and the refrigerator. Yesterday I worked on the book for a while, worked on the filing for a while, and threw out a shit ton more files. I have one more filing cabinet drawer to do today, and should probably work on the book some more today. Yesterday was also very relaxing, and I spent most of the day from when Paul got up until bedtime hanging with him. We watched a series called Citadel from Amazon Prime, which was so twisty–I lost track of all the surprises as I was trying to keep track as the story became more and more complicated and twisted. We binged it all, then moved onto to Dark Heart, a BBC crime show which we are also enjoying. We’ll probably finish that today and perhaps watch a movie as well. For now, though, the plan is to work on files and my desk area before running to the grocery store before coming home to write and clean and so forth.

The excitement never stops.

But again, some of the files I stumbled over yesterday will help with some of my Pride posts, too–essays I’ve clearly been thinking about for a very long time, as there were files to be discovered about some of the subjects I am covering in them. I’ve obviously been pondering these longer entries/essays for quite some time now. So, I’ll need to actually combine those files before writing the essays, and there’s one in particular that I really want to get to before the turn of the month. (I cannot believe it’s nearly July already.) But time goes by like sands in the hourglass…LOL.

I am enjoying my coffee this morning, which is as always delightful. I love when it tastes good–some days it’s just coffee and other days it tastes amazing; I think it has to do with my mood, honestly–but I am also out of coffee cake and Jimmy Dean sandwiches so the only option for breakfast this morning is cold cereal, which is fine. I really do need to make that grocery run today, don’t I? This weekend has been lovely so far, I have to say, and I don’t have to go in tomorrow, which makes it feel more charmed, I have to say.

I was also reminded of projects that fit and start. I also found the secondary file for Hurricane Party Hustle, which reminded me that I’d started writing that Scotty book twice already. I wrote it as a proposal to turn in with Mardi Gras Mambo in August 2005, and then tried to start it again at some time during the aftermath of Katrina. I have yet to find that original, pre-Katrina idea, but part of what I am doing with this current version that I am planning is to use the pre-Katrina idea–it can work now, especially by using Katrina and her aftermath to make the story deeper and more complex, plus it will give me an opportunity to explore how it affected my characters, almost twenty years after the fact. I guess the idea, the smart idea, would be to write it and release in in August 2025, twenty years after Katrina in reality but only fourteen years in the chronology of Scotty’s life. I am also a little worried about revisiting the title and the original story because it’s so tied to Katrina in my mind, which is hubris and more than a little narcissistic. Nothing I do in the grand scheme of things is so important that my sins would bring a hurricane down on the city–and that’s not how anything works, any way.

The living room is starting to look better, and so is the kitchen. I am very pleased with myself this weekend, I have to say. It’s nice to have focus and energy and drive and to be feeling good and relieved about everything again. It’s nice, but it’s also one of those things that throughout my life I was worried about expressing or experiencing, since something bad happening is always inevitable. But now that I am older and properly medicated, I can see that I shouldn’t let the inevitable bad thing weigh on me. I should enjoy the times between bad things, and should appreciate those times all the more, so that’s the positive mindset I am slipping myself back into.

It’s not the bad things in your life that define you, but the key is how you react to them.

And on that note, I am heading into the spice mines for the day. No worries, I will definitely be back later with a Pride post, but have a lovely Sunday and I’ll be back to entertain you at some point later.

Behind Blue Eyes

So, in honor of Pride Month, I’ve decided to do things a little bit differently than I usually do when it rolls around every year. Usually, I’ll share book covers by queer authors that I either enjoyed or influenced me, either personally or professionally, in some way–or could be used for that hoary old cliché this made me gay. In a way, it’s a trip down memory lane for me, going back to my childhood, my teens, and twenties; places I am currently revisiting as I plan out The Summer of Lost Boys.

Thomas Tryon’s debut novel, The Other, is often heralded as one of the books (the others being The Exorcist and Rosemary’s Baby) that kicked off the horror craze of the 80’s and 90’s; Stephen King’s Carrie was released in 1974 and shifted the craze into four-wheel drive. I read this book when I was in the seventh grade, and it resonated with me in ways I didn’t fully understand or comprehend at the time. It drew me in, and fascinated me in ways I’d never been fascinated with a book before. Part of it was the transition I was making from reading kid’s books to more adult fare; I was already reading at a collegiate level by the seventh grade. (The Ken Holt series also resonated with me, as did the Rick Brant–which are getting their own entries.)

I wouldn’t learn until years later that Tryon was gay–although I should have known, were I more mature and gay wasn’t one of those things people didn’t talk about when I was a kid; it’s certainly there in his books–and then it made even more sense to me why the book resonated so much with me, why it intrigued me so much, and why I identified with it so much. Niles Perry, the point of view character, is a shy, reticent boy who mostly lives in his own head and world and doesn’t really interact a lot with people. He’s a nice kid who is always worried about getting in trouble and doing the wrong thing; his identical twin brother, Holland, is more of what we would now call a sociopath. But Holland has no fear, has no dread of consequence, and is more outgoing and adventurous; he’s more of a troublemaker and relishes getting revenge on people who’ve done him, in his mind, grievous wrongs. Niles loves his brother–adores him, wants to be like him, wants to be less timid–but is also afraid of him. He knows all Holland’s secrets and he knows everything that Holland does, and often he figures out Holland’s schemes and even tries to stop him…but Holland always outsmarts him, and leaves Niles to clean up his mess.

This brotherly dynamic–the closeness and the dominant/submissive relationship between the twins spoke to me. I saw myself as more of a Niles type than a Holland; shy and quiet and mostly keeping to myself–and always being drawn to flashier, more outgoing types as friends, to whom I was both devoted but also jealous of–a pattern I followed for most of my life. This is the same reason certain books drew me in as a teenager in most cases; A Separate Peace has that same underlying relationship theme–the flashier more outgoing more popular friend, and the quiet best friend content to live in his shadow but also being a bit resentful and jealous.

And then about two-thirds of the way through the book comes a plot twist that changes everything you’ve already read and processed and you have to see the book in an entirely new way–every time I reread it (which is every year or so since I got a hardcover copy off eBay), I try to find the clues to the twist in the first two-thirds, and they are there, but cleverly disguised so you don’t put it together until it’s literally revealed in such an incredibly powerful scene that just thinking about it–and its creepy conclusion–makes the hairs on my arm tingle a bit.

I didn’t have a brother, so I wasn’t sure about the brother dynamic Tryon explored so beautifully in the book; is that the way things work in real life between brothers? Probably not, as every set of brothers is different, of course. (I’ve rarely written about brothers, now that I think about it. Chanse has one who turned up in a short story and Scotty has Storm) But the relationship interested me, and it’s a trope that is often used in every style of fiction; two people, either siblings or close friends, one is more outgoing and daring and likes to take risks while the other is more nervous and afraid and namby-pamby, and that weird combination of love/jealousy that can often get involved in those stories.

It’s also a strong dynamic that can play out within gay couples, as well.

The Other is also written in a lyrical, beautiful, dream-like style; that lovely sense of remembering the past nostalgically, when everything was magic and the world seemed full of wonder.

I was paging through the book the other day and I began to realize that it’s impacted and influenced me as a writer far more than I had ever realized.

In the Mood

Someone really needs to do one of those music-themed crime anthologies built around either big band music, or the music of the Andrews Sisters; and In the Mood would be a great title for it, wouldn’t it? Don’t @ me, I’m not interesting in doing another anthology, thank you very much, praise Jesus and hope the creek don’t rise.

I was right; I got very mentally fatigued yesterday afternoon, and last night after we finished watching the second season of Euphoria, I was basically falling asleep in my chair. I’d swear we watched something else, too; oh yes, a stand-up comic special on Netflix, but I can’t remember the name of the comedian. I feel much more awake and alive today, which is a very good thing. I also feel a little bit behind this morning, and I am–not sure what that is about, but I am a bit off, too, I think, which is weird. But I enjoyed finishing the show–not sure if it’s coming back again or not, but the second season finale definitely wrapped everything up, so if it doesn’t the stories are pretty much finished for the most part. Zendaya was terrific–the whole cast, really; Paul and I were amused that the most level, centered and likable character on the show was Fez the drug dealer. Jacob Elordi is also memorable as sociopath Nate–casting beautiful people as monsters is genius, really.

I also didn’t write yesterday–the brain fatigue thing again, but at least this time it wasn’t the fog, you know? I do think I am starting to get back to normal, or what passes for it at any rate. It’s normal to be tired after not sleeping well. It’s normal to feel off after finally getting a good night’s sleep again. I was very tired when I got home, wasn’t I? I have some errands to run tonight, too–and tomorrow I am taking workout clothes for me to change into at work so I can go to the gym afterwards, see if this theory of changing at work and going directly there afterwards will work–we shall see, shan’t we?

One thing that I’ve been doing lately is submersing myself in the music of the 1970s, to help get myself more into the right space to write this book when I am ready to get started on it, and frankly, Top Forty music of the period–with a few exceptions–was awful and cheesy and terrible. So many novelty songs (“The Streak” by Ray Stevens jumps to mind, and there were so many others), so much cheese (Tony Orlando & Dawn, and so many other offenders), and some frankly terrible recordings surrounding the few gems that I don’t know how I listened to it growing up. But we did; both my sister and I always had our radios tuned into either WLS or WCFL for hours every day. I am trying to get the prologue to this finished this week, as well as revising another short story whose deadline is this weekend, and still really trying to get everything organized and sorted. I put some short story anthology call deadlines on my calendar yesterday, which was a nice start to get better organized, and I think, besides this book I want to finish, I am going to spend a lot of this summer trying to do more short stories. I also want to get the introduction to the short story collection finished by Monday, and a first chapter of the new Scotty done.

But my immersion in music of the early 1970’s–and other pop culture aspects of the time; television was also mostly garbage back then, too; thanks censors–also led me back around to listen to the eponymous first album by Boston in the car over the last two years, and it still holds up. It’s quite excellent, although I suppose it would be considered excessive nowadays; as rock music pushed boundaries in that decade and became more orchestral, especially in the second half of the decade. There’s not a song on that album that’s not a bop (in modern parlance), and it also put me in mind of other favorite albums from throughout my life–and making a list of them. I’ve always had a soundtrack album for my life, and revisiting music always brings back a lot of memories. Listening to the Billboard Top 100 of 1973 (awful as it was) made me remember other things–like Romper Room, Captain Kangaroo, Bozo’s Circus, and Ray Raynor’s show; the Saturday morning cartoons; and the horrible variety shows that were everywhere back then and finally died out in the early 1980’s. I really want this book to be good, and I’m going to have to go to a very dark place to write this book, too, and make it as real as possible…which is why I am immersing myself in the early 1970s. I am also reminding myself I can change things in the suburb to fit my writing needs; it doesn’t have to be exact, just as Bury Me in Shadows didn’t have to be correct about the homeplace. (My mind can be very annoying at times.)

But I feel good this morning, both mentally and physically. After work tonight I need to get the mail and make some groceries (not much, just a replace some things run) and then it’s home to write, possibly make dinner, and finish some chores. I am going to head into the spice mines now, so have a lovely Wednesday, Constant Reader, and I will be back probably later.

Take a Message to Mary

Sunday!

I slept well again last night, which was lovely. I did get some things done yesterday, which was great–but making groceries yesterday wore me out. But I did get the dry cleaning dropped off, and made some terrific progress on the apartment. And of course, the LSU-South Carolina semi-final of the SEC baseball tournament…in which LSU fell behind 8-0 in the early innings, only to come back and win 12-11 in the tenth inning and earn a spot in the championship to play Tennessee. The game is on at one, and I’ll be there in my easy chair promptly at two to watch the game. Yesterday’s game was wild–one of the wilder LSU games I’ve seen–but served as yet another reminder of how exciting (and hard on the heart) being an LSU fan can be. I have to run an errand this morning, but I also want to do some writing before the game as well as some more cleaning.

Hilariously, yesterday as I left to run my errands I thought oh it’s pleasant outside today before getting into the car and seeing that “pleasant” in this instance meant 88 degrees! Utter madness, and another example of how we adjust to the heat here. I had some more thoughts about the writing yesterday, so even as I didn’t get any writing done yesterday, a lot was incubating in my head and goddamn it that counts! We also watched this week’s servings of Hacks, and the season finale of Abbott Elementary, and two episodes of Euphoria, and man those kids are seriously fucked up. I want to watch Dune today–Zendaya and Timothée Chalamet, woo hoo!–which is three hours long (and a challenge to not seem that long, for sure) after the baseball game, but we’ll see. I think Paul is planning on not doing much of anything today, so he’ll be napping occasionally on the couch all day once the game starts, and we’ll see how that all goes. I also have some cooking to do today–well, food prep anyway; I want to make watermelon soup and chicken salad for Paul to snack on–and later on today I think I’ll probably cook out, maybe even during the baseball game as “tailgate adjacent”–or I could order pizza and cook out tomorrow, as is traditional for Memorial Day. That’s a definite thought, and I do need to order some things from Office Depot; maybe I could do that and order the pizza, take the car and get both at the same time? That could be a bit fun, and a definite possibility. But pizza for a baseball game rather than burgers and hot dogs on the grill? Not entirely sure there…but tomorrow IS Memorial Day, and maybe U Pizza won’t be open tomorrow? Or–I could order it from Midway on Freret and go pick it up in the car? I just don’t know; decisions, decisions.

But I also think today is going to be my first day on the way back to physical strength and stamina and so forth. I am going to use my back massage roller thing today, and the massage gun I got for Christmas with the money Dad gave me; I may even stretch out and shave my head and everything before I get cleaned up this morning. It doesn’t, in fact, hurt anything to stretch every day, or do some crunches to get the blood pumping in the morning. I am going to the gym tomorrow with Paul–another reason for getting the pizza today–for the first time in weeks, and this will be the start of a new workout regimen for me, that I hope I can stick to despite the misery of a New Orleans summer–and this is really the perfect time to start writing another Scotty book that takes place over the summer, too; I can absolutely relate to the misery the boys will be experiencing in the book from the heat. I am also a bit excited, to tell you the truth, about writing another Scotty; I do love the characters a lot. I also think today is the day to sit down and make a writing plan for the rest of the year, so I can stay on track.

Excellent plan, Gregalicious. May this ambition I am feeling carry me through the rest of the day and the rest of the weekend. I also have some emails to answer, and some correspondence to take care of, which is peculiar to be sure; who writes letters anymore? But I am disputing charges and things with my insurance and some other nightmarish nonsense, and I have to write those things out. (Blue Cross Blue Shield of Louisiana is garbage, and with Janky Jeff Landry running Louisiana, they’ll probably get a lot worse now that all branches of state government are controlled by Christofascists, trying to take the state back to 1860.) On the other hand, being a writer comes in handy for these letters, as does have a mostly logical brain that isn’t swayed by emotion–when I can control it, and usually, in writing things like this I can be very coldly analytical and brutal at the same time. (I have yet to ever write a complaint letter that did not bear fruit; they usually surrender than trying to use corporate-speak to tell me I am wrong, because they can’t answer all of my questions.)

And on that note, I am heading into the spice mines. Have a lovely Memorial Day Eve, Constant Reader, and I will check in with you again later.

So Fine

Well, I got all my tax stuff done yesterday and uploaded into my accountant’s portal and that’s the end of that shit for at least this year now. I don’t know why I always hate doing this; it’s not fun, to be sure, but it never takes super long and it’s such a relief when it’s done…praise Jesus. But that put me into a mood–not sure if it was depression or what, but I wasn’t exactly in the greatest mood after finishing. Not a bad mood, by any means, but just a kind of weird funky malaise of some sort. It didn’t help that it was raining and gloomy all day. I had to run errands after work (in the rain), made it home and just sat down for awhile and took a red pencil to “When I Die,” and there was a lot of deleted material. That also kind of made me feel not so great, either–even though a lot of the deletions had everything to do with switching the story from about two couples to three young men. Paul and I watched two more episodes of the Dead Boy Detectives, which is really quite good and we are enjoying it a lot. There’s some queer subtext going on with the show, but nothing truly overt other than the Cat King.

I woke up this morning to the news about Tulane calling out the cops and campus police to break-up a protest for Gaza on the campus last night…and they brought out horse cops. The irony that the cops only get called or try to break-up protests by progressives on college campuses doesn’t escape me, but no one ever cares about Nazi marches or things like what happened in Charlottesville not that long ago. I always hear people complaining about how college students and the young don’t vote, don’t get involved, etc etc etc. Well, now they are engaging in world affairs, and they really don’t like seeing genocide on their screens. So, I guess it’s about what they chose to be interested in? And I don’t think having them arrested or the police physically assaulting them is going to change their minds? It always bothers me whenever I see the police attacking protestors. It’s definitely a free speech issue, and of course with memories of Kent State lingering in my mind…I just don’t like it. If the protestors aren’t being violent or damaging property (remember, the police’s job is to protect property, not people), what’s the harm? Don’t come for me, either–I also feel Jewish students have the right to feel safe on campus and of course there’s no place for anti-Semitism anywhere in American society, but spare me the pearl-clutching from the right–you know, the people who believe there were good people on both sides in Charlottesville? I had read that the students had closed down St. Charles Avenue for a little while the other day–again, an annoyance to drivers, nothing terrible or serious or revolutionary in any way–and was kind of pleased. Apparently, Tulane’s president feels that the protestors aren’t students for the most part (the old “outside agitators” thing, thank you, George Wallace for that terminology), but again, I despair. I also despair at the people who think the protestors should be shot and killed, which…seems unconstitutional in ways you don’t have to be a lawyer or a legal scholar to recognize. The fear that the crowd might become uncontrollable or violent isn’t a justification for denying the students their First Amendment rights.

Again, property not people, and the sooner most white Americans wake up from their lifetime of brainwashing about what the role of cops actually is the better. And I say that as a crime writer. I don’t like the notion that the cops are above the law, can violate it with impunity as well as the legal rights we all share in theory. I was thinking about this lately, about how most crime writers never delve into police corruption or never really challenge the notion that the cops are the good guys when all too often their frail humanity gets in the way. I’ve thought about this a lot since the original police brutality protests about innocent Black people being murdered by the cops–at his point there are so many I can’t remember them all or what actually got the country riled up in the first place. I have taken to thinking that I write a lot of copaganda; my police officers–always supporting characters and never the lead–are honest, hard-working, not corrupt, and can be counted on.

I do not feel that way in real life. I have had an idea for a book about police corruption in New Orleans for a really long time now; the problem (for me) is that it’s a Venus story, and I don’t think I necessarily have the chops to write from the perspective of an older Black woman cop nearing retirement. I’ve wondered how I could turn it into a Chanse or a Scotty book, where Venus hires them to look into a case that’s been written off; I had wanted to call it Just Another Random Shooting, but if it’s a Chanse or a Scotty I have to stick to the title scheme I started with. Or I could spin off Jerry Channing, my true crime writer, who has appeared in several of my books already and who I’ve wanted to write about for quite some time.

Interestingly enough, my hearing aids haven’t been working that great lately and I was beginning to think I’d have to take them in again for repair…but last night after I got home from work, both ears popped (a pressure thing) and this morning my hearing aids feel like they are turned up way too loud! I had to turn them down. Today I can hear my fingers clicking on the keys, I could hear Sparky whining for treats upstairs, and so on. I feel pretty good this morning and it looks like it’s going to be another beautiful (borderline too hot) day today after the gloom and rain of yesterday. Huzzah!

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I may be back later, stranger things have happened!

I’ve Had It

Yesterday wasn’t the best. Oh, nothing bad happened, it was a kind of meh day. I felt mentally refreshed but physically tired when I got up, and as the day went on the tiredness of my body seeped into my brain and my creativity. By the time I got home from work, I was too tired to do much of anything creative. I put away dishes and did another load as well as finished a load of laundry, and dozed off in my easy chair for about an hour before Paul got home. The nap didn’t really help, but I did sleep super well last night and feel rested all over this morning. This is a good thing, as it’s Pay-the-Bills Wednesday again, and today I am going to try to finish my taxes and get them off to my accountant.

So, yesterday was kind of a wash for me. I didn’t try to force anything, mainly because I didn’t have the will or the need. This morning I am feeling good and awake and my mind is already bouncing all over the place. Since getting up this morning I’ve come across an interesting news story that could tie into a fun Scotty book, have had some thoughts about my next book to write, and more ideas about how to make “When I Die” better. See, this sort of thing can’t be forced; I can make myself write but if my mind isn’t feeling creative and bouncing all over the place, it’s absolute torture that needs to be completely revised from the first word to the last. The rewrite of “When I Die,” for example, is going to be an almost totally word for word revision; the concept and setting are there, but the characters need to be changed and more depth added to the new ones that wasn’t there in the first draft, and that pleases me. I am also extremely pleased with “Passenger to Franklin.” I do need to polish it some more, of course, and make it prettier and tighten up the ending a bit–it seems abrupt to me, but I could be wrong. But I feel pretty good this morning, so here’s hoping for a nice, successful day without stress and/or irritations or aggravation. I will make groceries on the way home and swing by the mail, and hopefully Paul will be home early enough for us to watch another episode of Vigil.

I was talking to another writer friend last night about the business and it provided me with some definite food for thought about my future. I was already thinking about trying something different–I feel like I’ve gotten a bit stagnant with my work, and so I need to start pushing boundaries and trying some different things. I think I definitely want to try writing a gay romance novel, something I’ve thought about for quite some time, and I may try to branch out in other ways. I still definitely want to get these books on my list to get out of the way done, but I like the idea of writing a romance and stretching that way. I was even pondering the possibility of rebooting the Chanse series, but not using the same pattern of titles. I like the idea of revisiting him and seeing where he is now–is he any wiser or happier? But I don’t know. It doesn’t feel like going backwards–always a concern–and I also think it would be far more of a challenge to write a Chanse book now than it was ten years ago when I ended the series originally.

The release of the French Quarter Stabber on parole also had me going down some wormholes yesterday between clients. The French Quarter Stabber was a teenager who murdered three or four gay men in the 1970s; there was some serious homophobia and undoubtedly some self-loathing involved there. I think it would make for an interesting exploration of who he was in fiction, but it might also make an interesting true crime novel–something I’ve never really considered doing, but it could be a fun project to research and work on between other projects–particularly how these murders were handled by the local press and police in the same decade that saw the Upstairs Lounge fire/mass murder, and how that did or did not change in the few intervening years.

And again, suburbanites and North Shore racists: remind me of precisely when New Orleans was the idyllic crime free city? Because my brief researches into the past show a city that was always a hotbed of crime.

Anyway, the Stabber’s story will easily fit into a project I already have in progress that just needs a lot of revision and rework, but I love being able to pull this new research into a project where it will fit snugly and perfectly. Yay! Obviously, I am feeling a lot better about things this morning than I did yesterday. I wasn’t down or depressed or anything yesterday, but it was a low energy day which had a lot to do with my blood sugar, something I’ve been trying to be better about. When I don’t eat, my blood sugar drops and I don’t have any energy. I don’t think this means that I am pre-diabetic or anything, but just another thing about getting older I need to pay more attention to than I have before. Sigh. It never ends.

But today I feel like my life is very much the art of the possible this morning, and I am going to ride that wave like a surfer on Oahu’s north shore. So…I should probably head into the spice mines and start paying some bills. Have a lovely Wednesday, and I will most likely be back later.

I Cried a Tear

Well, it’s back to the office Monday and I am feeling pretty good about the weekend. Did I get everything done I needed to get done? Of course not, I never do. But the house is in good enough shape that if I maintain it every night then next weekend I can move on to some further cleaning/organization/declutter project because I don’t have to start over catching up on the the basics yet again. I also made dinner last night for the first time in forever, actually cooking, and it was kind of nice and the meal was actually quite good. I also was creative this weekend, and maybe very little actual writing was done but a lot of planning and thinking about the projects and so forth that need to be worked on and I also had a lot of really good ideas. I started thinking about the projects in terms of what I was trying to do, what the point of the story was, and how best to get the message across to the readers while also telling a compelling story. This is the kind of thing I miss doing, and am usually so rushed with impending deadlines and so forth that I don’t have enough prep time before I start writing, if that makes any sense? It did to me, and I think that’s another reason I have Imposter Syndrome on a regular basis; I kind of leap blindly into the project and hope that it works out all right.

I slept very well last night and didn’t want to get up this morning (or at least out of bed, which was warm and comfortable), but as I swill this first cup of coffee I am starting to come to life and that’s a good thing. I am not patient-facing today–it’s my in-office administrative day, and I am pretty caught up on my work. The downstairs looks nice and neat and orderly this morning; there’s dirty dishes in the sink, of course, but that’s easily rectified. On the way home tonight I have to stop and get the mail and pick up a prescription. I am leaving for Alabama/Kentucky the week after next, and so that’ll be nice. I’ll take some books to read, and I imagine we’ll do some sight-seeing in Kentucky while I am up there this year. It’s nice visiting Dad, and seeing my sister. Mom’s death brought the survivors closer together, which is nice. They still live too far away for regular visits, but it’s nice to be closer to them both.

Overall, it was a nice weekend. I got some rest and recovery time, and feel much better this morning than I did any morning this weekend–which might be related to staying in bed longer–and we started watching a terrific new show last night called Vigil, which is from the same team that did Line of Duty, which was exceptional. Vigil, which isn’t something I thought I’d be too keen on–a murder mystery on a nuclear submarine that also includes international intrigue on top of the crime–but always trust people who’ve produced another show you liked, really; Vigil is superb (submarines absolutely terrify me–my claustrophobia would drive me insane within an hour of getting on board, and if it didn’t before, it would definitely happen once we submerged; this is why that novel The Chill by Nick Cutter was so unsettling–underwater in a submarine in the dark. No fucking thanks) and absorbing. I cannot wait to watch more of it tonight after writing and doing some more clean-up around here. My writing goals for this week are to make more progress on the book, finish revising “Passenger to Franklin” and “When I Die,” and get a good night’s rest. I also have some emails to reply to, as well as some others I need to generate. I did make progress on finishing some of these draft posts I’ve had in the files forever–some going back as many as four years (I wrote down my initial impressions of January 6, which I do need to finish since we are heading for another precipice)–and it’s nice to get some of this stuff cleaned out. I still have more drafts back there than needed; I think there are numerous ones that can be actually combined, since I started a related topic more than once, methinks–usually because something makes me angry or frustrated enough to forget oh yes, started something on this very subject several times already, maybe should combine them all into one.

I also want to finish the blog posts about my books already published. I am not sure where I left off–I know the last one I did was for Dark Tide, but I think I’ve already done The Orion Mask, which leaves Timothy because I know I did a lot of promotional posts for both Bury Me in Shadows and #shedeservedit. I’ve also already done the most recent Scotty books, too–I think I’ve covered that entire series already. I know the last Chanse book is still there in the drafts, too–I thought I’d need to reread it since it’s been so long since I wrote it, which isn’t a bad idea. I don’t really remember Chanse’s voice, and am not sure I can still hear it if I want to. I know I’ve written a Chanse short story since the series ended, and I have a Chanse novella in progress that went off track and needs to be steered back onto the tracks. I do have another idea for a Chanse book, but I am thinking he might just be a supporting character and I can center the book from another point of view, which could be interesting. See what I mean? My creativity has really come roaring back.

And on that note, I am going to bring this to a close and get cleaned up to head into the spice mines. I hope you have a lovely day, Constant Reader, and I’ll check back in with you again a little later.

Doesn’t look like he likes the photographer’s direction to “arch your back a little and stick your butt out”, does he?

Only You (And You Alone)

Ah, Thursday and my last day in the office for the week. Awesome. Yesterday morning I once again did the old “don’t leave the house until 7:30” again, and once again I wasn’t groggy or tired by the time I left the house. Bizarre how that minor shift in how my days are structured has created such a significant change to everything. I really need to remember to pay attention to routines before they become ruts, so I can change them and avoid said rut.

I did finish the first draft of a short story Tuesday night, and I am most pleased with it. I am writing it for an open call for an anthology, and I am very pleased that I got a first draft done long before the deadline. (I’m still bitter about missing the Chessies anthology deadline, for which I was working on three stories. Note to self: never write three stories for a submissions call because you think it sounds like a great idea. It is not, nor is it ever, a good idea.) Yay, me! I also decided to work on revisions of some other stories in progress; I am still struggling working on this book, but I’ve also decided I need to really immerse myself in it for at least one day so I can get a handle on this plot and figure out where it’s going and what needs to come in and what needs to come in so that I really feel like I have a grasp on the characters and the story. Those stories in progress are the first drafts I never got a chance to revise for the Chessie anthology, and all three will fit snugly into the end of my short story collection…so technically, if I can get the three stories whipped into shape, I can also go ahead and get the collection turned in. Huzzah! All three of the stories are actually ghost stories of a sort; “Passenger to Franklin” needs some serious revision, and so does “When I Die,” which is a terrific concept and really needs some work too. I think I can get one of my oldest and most beloved stories of my own whipped into shape and added into this collection as well, which just goes to show–never discard an idea or throw out a story because you’ll eventually come back to it someday.

I wrote out the opening paragraphs of the next Scotty, which I want to write this fall and hopefully get turned in around November or December. I am pretty pleased with the plot and story of this one, too, but I also need to spend some time brainstorming the plot and how it twists and turns around and turns out. I still haven’t dipped into my Paul Tremblay yet, and I think I may save it for Sunday morning reading over my coffee. Saturday morning I am going to reread/skim Death Drop so I can get a better feel for the current WIP and make sure I have the voice right, which I don’t think I do yet, which is also why I think I am having so much trouble writing it. It’s always a struggle for me to write a book when I don’t hear the voice of the character in my head, so I need to get it there ASAP.

I feel like I am making progress with my writing, even if working on the book is like pulling recalcitrant teeth.

I feel pretty good this morning, a little tired perhaps, which is oddly different that the past few weeks, when I was tired earlier in the week and felt more rested as the week progressed. This of course made no damned sense at all, but that’s okay. Few things in my life have ever made sense, and a lot of it probably is related to the anxiety and medications, as well as this week’s change in schedule. Last night when Paul got home we watched the first episode of The Sympathizer, which was very intense. I loved the book, and the new series is actually quite excellent–but more on that as it develops, obviously. I also managed to fold the laundry and do a load of dishes. I also picked up two new books, the new Scott Carson (aka Michael Koryta) and the new Alyssa Cole. I want to get some serious reading done this weekend as well as some cleaning and writing, and I also need to get my taxes completed this weekend and off to my accountant. An odious chore, to be sure, but a necessary one. I also have a lot of errands to do this weekend–we need to go to Costco, I need to make groceries, and of course there’s a shit ton of cleaning that needs to be done. I will need to work on reorganizing the freezer/refrigerator tonight in order to make sure there’s room for what we pick up this weekend.

And on that note, I am heading into the spice mines. Have a lovely Friday Eve, Constant Reader, and one never knows, I could be back later.

Drop Me Off In New Orleans

Ah, some more blatant self-promotion! I’ve done some on-line panels so far this year, which has been terrific. Here are the questions from one I did, turned into an interview so I can promote myself! I believe these questions were for a queer crime panel, and the credit for the questions goes to the one and only J. M. (Jean) Redmann; you can order her books here.

Why did you choose your characters and their professions? What drew you to them?

Hmmm. This is tough, because I have so many books and so many different main characters…I think I’ll stick to my two primary series to answer the question. I wanted to write about a gay private detective in New Orleans, and I wanted him to be a big man, a former college football player who may have been able to be a journeyman NFL player had he not been injured in his final college game. I wanted him to be uncomfortable in his gay skin, and the point of his journey throughout the series was to grow and learn until he was finally comfortable in that skin, and able to be loved and give it.

Scotty, on the other hand, was created as a stand-alone character and I wanted him to basically be the antithesis of Chanse; in which he had few if not hang-ups, was completely comfortable being a sexually active gay man with a snarky sense of humor covering an incredibly big and kind heart. He didn’t really need to grow much–he usually is the catalyst for other characters’ growth–but as he’s aged, I’ve really enjoyed his journey.

What attracted you to writing mysteries?

I always liked them. As long as I can remember, my two biggest reading passions were history and mystery, with horror/Gothics close behind. I would check anything out of the library with mystery, haunted, ghost, phantom, secret, or clue in the title. Then I discovered the series books–The Three Investigators, Trixie Belden, et al–and after that there was no turning back.

What does being queer/gay/lesbian bring to your story?

I think queer people have the outsider point of view down to an art form because that’s how we see the world–from the margins. The easiest way to critique society, the culture, and how people interact with each other is from a remove–and queer people see all of those things from a remove through no fault of their own. I didn’t have role models when I was growing up, at least to teach me how to be a decent adult gay human being, so I had to learn it all on my own for the most part. I’ve also been confused and mystified by American culture, philosophy, and society, because it wasn’t designed for people like me. When I came out, I was just at sea in the queer world as I always had been in the straight one, and I’ve never forgotten those experiences, either, and they also inform my work.

How do we deal with how the wider world deals with queer characters? Especially in these times?

It can be depressing, which is emotionally and psychologically dangerous. It’s bad enough experiencing homophobia, but then to immerse yourself in it in order to write about it? Even more horrific. Watching Pray Away this weekend made me furious with the ex-gay movement all over again; listening to queer people hating themselves and their desires in order to be at peace with God in some twisted way? But if God is infallible…this is the doctrine Christianity gets hung up on. They think we’re mistakes, but if their God is infallible, He had to have made us perfect and its willful sin or the devil whispering in our ears. This is their incredibly harmful and dangerous rhetoric. If God tests humans, perhaps he made queer people to test the faithful–and they are failing.

But they can never admit to that.

How do you deal with diversity? No author can be everything their characters need to be, how do you handle reflecting the wider world?

I write mostly about New Orleans, and beyond that, mostly the south with occasional forays into other areas of the country–upstate New York, Kansas, California–and you cannot write about a city like New Orleans realistically without having Black characters, period. New Orleans is a majority Black city. You also can’t write about the South without touching on the issues of race and a problematic history. I’ve always included diverse characters in my books. I don’t like to describe skin color, frankly, and most white writers do it in the form of food, which I find unsettling–do you want to eat them? Cinnamon skin, cocoa, cafe au lait, eggplant, dark chocolate, etc.–I’ve seen all of those used to describe skin color and it always makes me recoil because it’s so damned lazy. I don’t think I would ever write from the perspective of a Black character–there are plenty of Black authors who can do that more authentically, and given how most diversity pledges by major publishers also inevitably end up in quotas, I don’t want to take a spot from a Black creator. I do love reading work by racialized authors, but I would never try to write from that perspective.

How do you use setting? What does it bring to the story?

Setting is one of my strengths, I think, so I always use it to enhance my story. I am also very lucky in that I live in New Orleans, where anything can happen on any given day and you can never go too far over the top about anything–if anything, you have to tone things down to be believable. I think setting is important because it tells you so much about the characters–why do they live there, how has it shaped them, did they live somewhere else, how do they deal with the challenges, what annoys them, what do they love–and is an important foundation for your story.

How do your books start—not the book beginning, but the start of the process of writing the book. Where do the ideas come from and how does that coalesce into a book?

It usually is something I find interesting and I think I should write about that. Sometimes the ideas take years to coalesce and come together, sometimes they are immediate. The Scotty books inevitably begin with three disparate things I want to address in one book, and then I have to figure out how to combine them all into a story. The next Scotty’s prompts are evacuation, statute of limitations, and obsession. It’s coming together in my head enough that I think I’ll be able to write it this fall.

Once you’re writing, what’s your process? Outline? Write from start to finish?

I used to outline, but now I kind of have it in my head and then will only go back and outline when I am stuck, so I can see where I went wrong in the manuscript. I always write from beginning to end. I don’t know how people can write backwards! I’ve thought about trying it sometime, though.

What are the hard parts of writing for you? The parts you enjoy?

Definitely the middle. The middle is soul-destroying, and always triggers Imposter Syndrome. I also hate copy edits, but recognize them as a necessary evil.

I love the actual writing and revising and all of that. There’s nothing like putting down a good word count for the day, regardless of how bad those words might be. I think revising is magic: you take garbage and turn it into something terrific.

Which writers influenced you?

All of them, in one way or another. I especially love Shirley Jackson, Patricia Highsmith, Daphne du Maurier, and John D. MacDonald. Currently? Alison Gaylin, Megan Abbott, Laura Lippman, Michael Koryta, Alex Segura, Michael Thomas Ford, S. A. Cosby, Kellye Garrett, and Alafair Burke–there really are so many. I always take something away from everything I read, whether good or bad.

What are you working on now?

Right now I am writing a sequel to Death Drop, in the Killer Queen series. I also have a ton of short stories and novellas in progress, and I already have ideas for the next three or four (or more) books.

Any advice for newer writers?

Keep writing and keep believing in yourself, and keep reading.

Last words of wisdom?

If you want to be a writer, read Benjamin Dreyer’s Dreyer’s English and Stephen King’s On Writing.