Tag: Scotty

I Cried a Tear

Well, it’s back to the office Monday and I am feeling pretty good about the weekend. Did I get everything done I needed to get done? Of course not, I never do. But the house is in good enough shape that if I maintain it every night then next weekend I can move on to some further cleaning/organization/declutter project because I don’t have to start over catching up on the the basics yet again. I also made dinner last night for the first time in forever, actually cooking, and it was kind of nice and the meal was actually quite good. I also was creative this weekend, and maybe very little actual writing was done but a lot of planning and thinking about the projects and so forth that need to be worked on and I also had a lot of really good ideas. I started thinking about the projects in terms of what I was trying to do, what the point of the story was, and how best to get the message across to the readers while also telling a compelling story. This is the kind of thing I miss doing, and am usually so rushed with impending deadlines and so forth that I don’t have enough prep time before I start writing, if that makes any sense? It did to me, and I think that’s another reason I have Imposter Syndrome on a regular basis; I kind of leap blindly into the project and hope that it works out all right.

I slept very well last night and didn’t want to get up this morning (or at least out of bed, which was warm and comfortable), but as I swill this first cup of coffee I am starting to come to life and that’s a good thing. I am not patient-facing today–it’s my in-office administrative day, and I am pretty caught up on my work. The downstairs looks nice and neat and orderly this morning; there’s dirty dishes in the sink, of course, but that’s easily rectified. On the way home tonight I have to stop and get the mail and pick up a prescription. I am leaving for Alabama/Kentucky the week after next, and so that’ll be nice. I’ll take some books to read, and I imagine we’ll do some sight-seeing in Kentucky while I am up there this year. It’s nice visiting Dad, and seeing my sister. Mom’s death brought the survivors closer together, which is nice. They still live too far away for regular visits, but it’s nice to be closer to them both.

Overall, it was a nice weekend. I got some rest and recovery time, and feel much better this morning than I did any morning this weekend–which might be related to staying in bed longer–and we started watching a terrific new show last night called Vigil, which is from the same team that did Line of Duty, which was exceptional. Vigil, which isn’t something I thought I’d be too keen on–a murder mystery on a nuclear submarine that also includes international intrigue on top of the crime–but always trust people who’ve produced another show you liked, really; Vigil is superb (submarines absolutely terrify me–my claustrophobia would drive me insane within an hour of getting on board, and if it didn’t before, it would definitely happen once we submerged; this is why that novel The Chill by Nick Cutter was so unsettling–underwater in a submarine in the dark. No fucking thanks) and absorbing. I cannot wait to watch more of it tonight after writing and doing some more clean-up around here. My writing goals for this week are to make more progress on the book, finish revising “Passenger to Franklin” and “When I Die,” and get a good night’s rest. I also have some emails to reply to, as well as some others I need to generate. I did make progress on finishing some of these draft posts I’ve had in the files forever–some going back as many as four years (I wrote down my initial impressions of January 6, which I do need to finish since we are heading for another precipice)–and it’s nice to get some of this stuff cleaned out. I still have more drafts back there than needed; I think there are numerous ones that can be actually combined, since I started a related topic more than once, methinks–usually because something makes me angry or frustrated enough to forget oh yes, started something on this very subject several times already, maybe should combine them all into one.

I also want to finish the blog posts about my books already published. I am not sure where I left off–I know the last one I did was for Dark Tide, but I think I’ve already done The Orion Mask, which leaves Timothy because I know I did a lot of promotional posts for both Bury Me in Shadows and #shedeservedit. I’ve also already done the most recent Scotty books, too–I think I’ve covered that entire series already. I know the last Chanse book is still there in the drafts, too–I thought I’d need to reread it since it’s been so long since I wrote it, which isn’t a bad idea. I don’t really remember Chanse’s voice, and am not sure I can still hear it if I want to. I know I’ve written a Chanse short story since the series ended, and I have a Chanse novella in progress that went off track and needs to be steered back onto the tracks. I do have another idea for a Chanse book, but I am thinking he might just be a supporting character and I can center the book from another point of view, which could be interesting. See what I mean? My creativity has really come roaring back.

And on that note, I am going to bring this to a close and get cleaned up to head into the spice mines. I hope you have a lovely day, Constant Reader, and I’ll check back in with you again a little later.

Doesn’t look like he likes the photographer’s direction to “arch your back a little and stick your butt out”, does he?

Only You (And You Alone)

Ah, Thursday and my last day in the office for the week. Awesome. Yesterday morning I once again did the old “don’t leave the house until 7:30” again, and once again I wasn’t groggy or tired by the time I left the house. Bizarre how that minor shift in how my days are structured has created such a significant change to everything. I really need to remember to pay attention to routines before they become ruts, so I can change them and avoid said rut.

I did finish the first draft of a short story Tuesday night, and I am most pleased with it. I am writing it for an open call for an anthology, and I am very pleased that I got a first draft done long before the deadline. (I’m still bitter about missing the Chessies anthology deadline, for which I was working on three stories. Note to self: never write three stories for a submissions call because you think it sounds like a great idea. It is not, nor is it ever, a good idea.) Yay, me! I also decided to work on revisions of some other stories in progress; I am still struggling working on this book, but I’ve also decided I need to really immerse myself in it for at least one day so I can get a handle on this plot and figure out where it’s going and what needs to come in and what needs to come in so that I really feel like I have a grasp on the characters and the story. Those stories in progress are the first drafts I never got a chance to revise for the Chessie anthology, and all three will fit snugly into the end of my short story collection…so technically, if I can get the three stories whipped into shape, I can also go ahead and get the collection turned in. Huzzah! All three of the stories are actually ghost stories of a sort; “Passenger to Franklin” needs some serious revision, and so does “When I Die,” which is a terrific concept and really needs some work too. I think I can get one of my oldest and most beloved stories of my own whipped into shape and added into this collection as well, which just goes to show–never discard an idea or throw out a story because you’ll eventually come back to it someday.

I wrote out the opening paragraphs of the next Scotty, which I want to write this fall and hopefully get turned in around November or December. I am pretty pleased with the plot and story of this one, too, but I also need to spend some time brainstorming the plot and how it twists and turns around and turns out. I still haven’t dipped into my Paul Tremblay yet, and I think I may save it for Sunday morning reading over my coffee. Saturday morning I am going to reread/skim Death Drop so I can get a better feel for the current WIP and make sure I have the voice right, which I don’t think I do yet, which is also why I think I am having so much trouble writing it. It’s always a struggle for me to write a book when I don’t hear the voice of the character in my head, so I need to get it there ASAP.

I feel like I am making progress with my writing, even if working on the book is like pulling recalcitrant teeth.

I feel pretty good this morning, a little tired perhaps, which is oddly different that the past few weeks, when I was tired earlier in the week and felt more rested as the week progressed. This of course made no damned sense at all, but that’s okay. Few things in my life have ever made sense, and a lot of it probably is related to the anxiety and medications, as well as this week’s change in schedule. Last night when Paul got home we watched the first episode of The Sympathizer, which was very intense. I loved the book, and the new series is actually quite excellent–but more on that as it develops, obviously. I also managed to fold the laundry and do a load of dishes. I also picked up two new books, the new Scott Carson (aka Michael Koryta) and the new Alyssa Cole. I want to get some serious reading done this weekend as well as some cleaning and writing, and I also need to get my taxes completed this weekend and off to my accountant. An odious chore, to be sure, but a necessary one. I also have a lot of errands to do this weekend–we need to go to Costco, I need to make groceries, and of course there’s a shit ton of cleaning that needs to be done. I will need to work on reorganizing the freezer/refrigerator tonight in order to make sure there’s room for what we pick up this weekend.

And on that note, I am heading into the spice mines. Have a lovely Friday Eve, Constant Reader, and one never knows, I could be back later.

Drop Me Off In New Orleans

Ah, some more blatant self-promotion! I’ve done some on-line panels so far this year, which has been terrific. Here are the questions from one I did, turned into an interview so I can promote myself! I believe these questions were for a queer crime panel, and the credit for the questions goes to the one and only J. M. (Jean) Redmann; you can order her books here.

Why did you choose your characters and their professions? What drew you to them?

Hmmm. This is tough, because I have so many books and so many different main characters…I think I’ll stick to my two primary series to answer the question. I wanted to write about a gay private detective in New Orleans, and I wanted him to be a big man, a former college football player who may have been able to be a journeyman NFL player had he not been injured in his final college game. I wanted him to be uncomfortable in his gay skin, and the point of his journey throughout the series was to grow and learn until he was finally comfortable in that skin, and able to be loved and give it.

Scotty, on the other hand, was created as a stand-alone character and I wanted him to basically be the antithesis of Chanse; in which he had few if not hang-ups, was completely comfortable being a sexually active gay man with a snarky sense of humor covering an incredibly big and kind heart. He didn’t really need to grow much–he usually is the catalyst for other characters’ growth–but as he’s aged, I’ve really enjoyed his journey.

What attracted you to writing mysteries?

I always liked them. As long as I can remember, my two biggest reading passions were history and mystery, with horror/Gothics close behind. I would check anything out of the library with mystery, haunted, ghost, phantom, secret, or clue in the title. Then I discovered the series books–The Three Investigators, Trixie Belden, et al–and after that there was no turning back.

What does being queer/gay/lesbian bring to your story?

I think queer people have the outsider point of view down to an art form because that’s how we see the world–from the margins. The easiest way to critique society, the culture, and how people interact with each other is from a remove–and queer people see all of those things from a remove through no fault of their own. I didn’t have role models when I was growing up, at least to teach me how to be a decent adult gay human being, so I had to learn it all on my own for the most part. I’ve also been confused and mystified by American culture, philosophy, and society, because it wasn’t designed for people like me. When I came out, I was just at sea in the queer world as I always had been in the straight one, and I’ve never forgotten those experiences, either, and they also inform my work.

How do we deal with how the wider world deals with queer characters? Especially in these times?

It can be depressing, which is emotionally and psychologically dangerous. It’s bad enough experiencing homophobia, but then to immerse yourself in it in order to write about it? Even more horrific. Watching Pray Away this weekend made me furious with the ex-gay movement all over again; listening to queer people hating themselves and their desires in order to be at peace with God in some twisted way? But if God is infallible…this is the doctrine Christianity gets hung up on. They think we’re mistakes, but if their God is infallible, He had to have made us perfect and its willful sin or the devil whispering in our ears. This is their incredibly harmful and dangerous rhetoric. If God tests humans, perhaps he made queer people to test the faithful–and they are failing.

But they can never admit to that.

How do you deal with diversity? No author can be everything their characters need to be, how do you handle reflecting the wider world?

I write mostly about New Orleans, and beyond that, mostly the south with occasional forays into other areas of the country–upstate New York, Kansas, California–and you cannot write about a city like New Orleans realistically without having Black characters, period. New Orleans is a majority Black city. You also can’t write about the South without touching on the issues of race and a problematic history. I’ve always included diverse characters in my books. I don’t like to describe skin color, frankly, and most white writers do it in the form of food, which I find unsettling–do you want to eat them? Cinnamon skin, cocoa, cafe au lait, eggplant, dark chocolate, etc.–I’ve seen all of those used to describe skin color and it always makes me recoil because it’s so damned lazy. I don’t think I would ever write from the perspective of a Black character–there are plenty of Black authors who can do that more authentically, and given how most diversity pledges by major publishers also inevitably end up in quotas, I don’t want to take a spot from a Black creator. I do love reading work by racialized authors, but I would never try to write from that perspective.

How do you use setting? What does it bring to the story?

Setting is one of my strengths, I think, so I always use it to enhance my story. I am also very lucky in that I live in New Orleans, where anything can happen on any given day and you can never go too far over the top about anything–if anything, you have to tone things down to be believable. I think setting is important because it tells you so much about the characters–why do they live there, how has it shaped them, did they live somewhere else, how do they deal with the challenges, what annoys them, what do they love–and is an important foundation for your story.

How do your books start—not the book beginning, but the start of the process of writing the book. Where do the ideas come from and how does that coalesce into a book?

It usually is something I find interesting and I think I should write about that. Sometimes the ideas take years to coalesce and come together, sometimes they are immediate. The Scotty books inevitably begin with three disparate things I want to address in one book, and then I have to figure out how to combine them all into a story. The next Scotty’s prompts are evacuation, statute of limitations, and obsession. It’s coming together in my head enough that I think I’ll be able to write it this fall.

Once you’re writing, what’s your process? Outline? Write from start to finish?

I used to outline, but now I kind of have it in my head and then will only go back and outline when I am stuck, so I can see where I went wrong in the manuscript. I always write from beginning to end. I don’t know how people can write backwards! I’ve thought about trying it sometime, though.

What are the hard parts of writing for you? The parts you enjoy?

Definitely the middle. The middle is soul-destroying, and always triggers Imposter Syndrome. I also hate copy edits, but recognize them as a necessary evil.

I love the actual writing and revising and all of that. There’s nothing like putting down a good word count for the day, regardless of how bad those words might be. I think revising is magic: you take garbage and turn it into something terrific.

Which writers influenced you?

All of them, in one way or another. I especially love Shirley Jackson, Patricia Highsmith, Daphne du Maurier, and John D. MacDonald. Currently? Alison Gaylin, Megan Abbott, Laura Lippman, Michael Koryta, Alex Segura, Michael Thomas Ford, S. A. Cosby, Kellye Garrett, and Alafair Burke–there really are so many. I always take something away from everything I read, whether good or bad.

What are you working on now?

Right now I am writing a sequel to Death Drop, in the Killer Queen series. I also have a ton of short stories and novellas in progress, and I already have ideas for the next three or four (or more) books.

Any advice for newer writers?

Keep writing and keep believing in yourself, and keep reading.

Last words of wisdom?

If you want to be a writer, read Benjamin Dreyer’s Dreyer’s English and Stephen King’s On Writing.

Turn Me Loose

Sunday morning blog after an uneventful yet sort of productive day yesterday. Our Internet went out around one yesterday afternoon, and was essentially in and out (mostly out) until about eight o’clock last night. I did finish reading my book, which was superb (more on The Cypress House later) and I did get two more blog post drafts finished, which felt great. I ran my errands, cooked outside last night, and did some cleaning up around here as well. When it came back and we could watch television, we finished Pray Away and moved onto The Gentlemen, which we are really enjoying, on Netflix.

It was actually nice not having Internet, if odd–you never realize how much you depend on it until you don’t have it, seriously–because I was able to relax all day, instead of getting caught up on the news (rage-inducing, as always) or watching old LSU football highlights (always a joy) or finding new documentaries to watch. Pray Away was the final step in our “teenager abuse programs” watching, following The Program and Hell Camp, and what’s truly frightening is the gaslighting involved, for both kid and their parents–and that the troubled teen industry is still chugging along, abusing kids and bilking their parents of money. I’ve never wanted to do a conversion therapy story–I briefly touched on this in Baton Rouge Bingo and again in Royal Street Reveillon; that Taylor’s parents wanted to send him to one in Mississippi. I had also talked about a conversion therapy camp in Mississippi before in other works, some of them my Todd Gregory stuff, and maybe someday that will come to fruition in some way. Watching all these documentaries has put me in mind of how to write about one in a Scotty book or a stand-alone; there’s also another idea for a mystery/crime novel I’ve been thinking about a lot as I watched these horrific documentaries, only set in Kansas. (Oddly enough I find myself thinking about Kansas a lot more and more these days, not sure what that’s all about.)

I also was looking through books yesterday after I finished the Koryta to decide what to read next, and I was having trouble deciding; mainly because I have so many damned fine books to read in the TBR stack. I also ordered two more books yesterday morning–poems by Mary Oliver, recommended by the fabulous Carol Rosenfeld (me trying to learn more about poetry and start appreciating it) and the newest Scott Carson (which is a pseudonym for Michael Koryta). I think I am going to read The Pallbearer’s Club by Paul Tremblay (I’m a huge fan) while also embarking on a reread of Thomas Tryon’s The Other, which was probably one of the most influential books I read when I was a kid. I am still reading Rival Queens as my current non-fiction, and I am thinking that The King’s Assassin, the basis for the incredible new Starz series Mary and George (which you should be watching) and again, a period of history I’ve always been fascinated by, and watching the show has given me an idea about how I could approach another project that’s been in the files for almost two decades.

Today I intend to write and read and clean and organize for most the day, although I am sure once Paul gets up we’ll start streaming The Gentlemen again. I have some blog entries I also want to finish writing, and of course, there’s all kinds of writing that I need to get done today as well. I’ve been really scattered with my writing this year, and part of it has been an inability to focus on just one project with my usual laser-like focus, and that’s why I’ve not been able to get anything much done this year. This morning I feel more awake and focused than I have in a long time, which is great. Once I finish this and my review of The Cypress House I’ll get cleaned up, read for a bit, and pick up around here before focusing in on what I want to get written today. Being organized helps, and if I could simply manage to stay organized rather than just letting things pile up everywhere, I wouldn’t have to do as much cleaning and straightening and organizing as I always do on the weekends.

The Lefty Awards were presented last night in Seattle at Left Coast Crime, and I was very delighted to see the results this morning–Tracy Clark, Best Novel, Hide; Nina Simon, Best Debut, Mother-Daughter Murder Club; Naomi Hirohara, Best Historical, Evergreen; and Best Humorous, Wendall Thomas, Cheap Trills. I don’t know Nina, but the other three winners are friends, which is delightful, and I couldn’t be happier for Naomi, Tracy, and Wendall–who was on that Humor panel I had to step in to moderate at Bouchercon in San Diego last year, and was wonderful. Kudos to all winners and nominees!

And on that note, I am heading into the spice mines. Have a great Sunday, Constant Reader, and I will chat with you again later!

The hunky Alan Ritchson, starring in Prime’s Reacher, did an interview recently calling out evangelicals and Trump supporters, who got all in their feelings and have decided not to watch the show anymore. Sounds like ‘cancel culture’ to me. How woke!

Lonely Street

It’s been interesting watching the right backpedal as hard as they are currently doing in order to convince voters that they aren’t that kind of Pro-Lifer, when we know damned well exactly what they will do about abortion if given the chance. The way the right managed to convince everyone in the decades after Roe was decided that pro-choice was actually an unpopular position, and that the American people wanted either an outright ban or severe limitations. It has always infuriated me because I knew it wasn’t true; most Americans would never say it out loud–the true success of the right-wing noise machine right there; be loud and scream a lot and you’ll convince people (particularly the media, which is not only disgusting, but was also decades of journalistic malpractice visited upon the public, who trusted them) that you are a majority position. (NARRATOR VOICE: If you have to outscream and outshout people about a position, your position is probably not popular). South Dakota had a ballot initiative three times to ban abortion outright in order to let the voters decide. These initiatives weren’t covered much by the media, and you can be forgiven for not knowing this happened…but in 2004 when Turdblossom and W made gay marriage a scare tactic to drive conservative voters, that ballot initiative was trounced in South Dakota soundly. It was once again trounced in 2006, but the big story that year was Republicans losing Congress and our first female speaker. I kept pointing this out to people, and have long said that Democratic candidates and politicians should work to put abortion on every ballot so the people could decide, instead of these lunatics that keep getting put in state legislatures and governor’s mansions.

And pro-life is a very toxic and unpopular political position, as politicians and judges in Virginia, Kansas, Alabama, and other red states have since discovered. NONE of their policies are popular and liked by the general population; and I love that the Democrats are finally fighting as hard and as dirty as the Lying Evangelicals. They need to be exposed as traitors, charlatans, and cosplay Christians. This latest ruling in Arizona? The justices need to be taken out and horsewhipped if they like 1860 laws so fucking much.

And don’t think they won’t come for birth control and divorce. You can never believe they are ever finished with their grasp for power and control–as long as they are the ones in control. If they aren’t. they’ll scream about how their “freedoms” are being oppressed.

They. Will. Never. Stop.

Yesterday was a wild day here in New Orleans. I knew we were going to have terrible weather, and it was pretty bad. We were under a tornado watch until one or two, and of course we were having flooding rain all day, and the streets were flooded all over the city (on the other hand, it gave me the opening line for the next Scotty: It was August and the streets were flooding.). We didn’t have a lot of clients come in for testing (obviously); when I got to work, I got out of my car just as the rain started, and I was pretty much soaked through by the time I got into the building (my socks were damp all day, which was super-annoying). But I got caught up on my work stuff, our site visit was cancelled but I am glad I got everything caught up–and I am hoping now to be able to stay on top of everything instead of being lazy and letting things slide. I was very tired when I got home–the city had pretty much shut down, to the point that I could actually take the highway home at 4:30, and got home in five minutes–and managed to finish a load of laundry and do some dishes. We watched the Hell Camp documentary about how the kids sent there were tortured and abused, some being seriously injured and some even died, and parents are still sending their kids to these places! We then watched a German documentary series about a gay serial killer in Berlin (a German serial killer? Who’d have thunk it?), which was interesting and creepy and more than a little scary (I’ve always held that gay men are the perfect victims for serial killers, because they are used to going home with strangers or bringing one home), but it was fun to watch while wrapped in a blanket and listening to the rain. Not quite the enormous pleasure it is to read in that situation (I am really looking forward to getting back to The Cypress House this weekend.)

And on that note I am heading into the spice mines. May you have a lovely Thursday, Constant Reader, and I will probably be back here possibly later.

It’s Just a Matter of Time

Sunday morning and the last day of Saints & Sinners. It’s been a lot of fun, if tiring. I headed down there yesterday afternoon in a Lyft, hung out in our suite for a bit and practiced for my reading–I read my story “The Ditch” from School of Hard Knox, and I think it went very well. It was a terrific reading session; Rob Byrnes, Jean Redmann, Marco Carocari, David Slayton, David Pederson and one other person whose name I can’t recall off the top of my head; my apologies because I really enjoyed what he read.I then went back up to our suite and came back down for the anthology launch with Paul. Those readings were also fantastic–and I am looking forward to reading the book more than I already was. I am also the judge for next year, so I’ll be reading a lot of stories in the fall. That will suffice as my volunteer work for 2024, so don’t bother to ask; the answer will be no.

I started reading an old Evan Hunter novel yesterday, Last Summer. It was a book I’d always wanted to read when I was younger, and I was reminded of it sometime during the pandemic, so I got a copy of it and its sequel, Come Winter, from eBay and so I started reading it at long last yesterday. I’ve never seen the film, either; but I do remember Barbara Hershey and Richard Thomas (aka John-Boy Walton) starred in it. It also put me in mind of another trope from that era of publishing; books with teenagers as protagonists (and/or antagonists) were almost always set during the summer, and so many were set on coastal islands–this one, Summer of ’42, A Summer Place, etc. It of course makes sense; teenagers had a lot of free time to get into shenanigans during the summer, especially when they were on a vacation somewhere. I’ve actually fallen into that trope a couple of times myself–Dark Tide, Lake Thirteen–and numerous other stories I would like to tell at some point. I do like the idea of gradually getting rid of all this paper around here by digitizing or disposing of things that I’ll never get around to writing. I don’t want to start writing fast in a frenzied attempt to write everything I want to before I die–and there’s always new ideas, too. But i know I’d really like to eventually get back to that novel where I based the victim on Ann Coulter…hmmm, maybe that could be the next Scotty. That’s actually a very good idea. Hmmmm.

It’s so nice to be around writers. It really is a balm for my soul. I did write some yesterday morning, but I am not going to even try today. I am very tired–I’ve done a lot of walking this weekend–and of course having to be “on” is tiring. The truth is I am not at 100% yet, much as I want to believe that I am, and there’s nothing wrong with that. One exciting development of the weekend is that I experienced no stress, anxiety or stage fright for my reading yesterday. Not only was I calm and not sweating buckets, I was actually able to relax and enjoy the experience. I don’t think I’ve ever done that before? It was wild. I’ve actually been relaxed the entire weekend; I don’t believe I understood before how much my anxiety impacted me at events like this. Having a calm and quiet head is a lovely thing, and now that the creativity has come back, I might actually start enjoying my life again.

I’ve also been spending a lot of time reminiscing about past S&S weekends, too; remembering how it all started, how much of it was done on a fraying shoestring because there was no money for it, and held in donated spaces at gay bars. It also used to be in May, so the weather was a LOT hotter. Paul and I used to always get the pool suite at the Olivier House for our home base, and people always used to wind up in our room later in the evening to drink and socialize and have a lot of fun. I couldn’t do that now–as it is, i stayed up past my usual bedtime Friday night and paid for it all day yesterday (legs are tired today, too). I also came up with a title for my memoir should I ever try to write one: Unreliable Narrator.

And LSU won the SEC women’s gymnastics championships last night in very dominant style. They weren’t as on as they usually are, and still set an incredibly high score and really have the potential to win the national title this year, too. And the US had a great outcome at the World Figure Skating Championships, winning two golds (men’s and ice dance) and a silver (women’s).

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll most likely see you tomorrow.

The Battle of New Orleans

Every once in a while, I need to remind myself of how much I love my home town.

I was thinking about this the other day. I think part of the malaise I’ve been experiencing lately has everything to do with my creative muscles being tight and unexercised for so long–and almost every time I manage to write fiction, it’s so exhausting and draining that I can’t write more, either. Monday got derailed early, and that night we had another torrential, street-flooding thunderstorm…and the kitchen roof started leaking again. I mean, it only does this during that kind of rain; but we have many downpours like that over the course of a year. That kind of kicked the malaise back up into higher gear–I just am so tired of having to deal with things like this over and over when all I really want to do is just go about my day, moving from A to B and getting things done and being productive. It all becomes so much, you know? The rise of queer hate to levels not seen since the 2004 election (may you roast forever on a spit in hell, Karl Rove), and it’s very tiring. It’s also tiring to think that I may be living in the last days of the American experiment with democracy, too–and the fact that far too many of my fellow Americans are just fine with that is kind of upsetting.

Such good Germans.

But I do love New Orleans, even if I have to remind myself of that from time to time. I do; there’s just something about this city that is in my blood, my DNA, and my being; I cannot imagine being happy anywhere else. I could exist somewhere else, of course, but I really don’t want to really just exist anymore. My blog is getting feisty again because I am feeling feisty again and pissed off about a lot of things. I’ve also been immersing myself in gay and queer culture again lately–Capote and Isherwood, anyone?–and remembering how hard life used to be for people like me (see Fellow Travelers and It’s a Sin), it invigorates my senses and intellect against injustice and unfairness as it always does. Recounting stories of my past recently as well as all the introspection I’ve been doing since losing Mom last year (and really, I started thinking about it more during the pandemic, and a lot of it was because of It’s a Sin) has me remembering things, how they used to be, and what New Orleans is like now as opposed to how it was when I first moved here all those years ago, or all the times I came to visit when I worked for Continental. The city is different now than it was then–sleepily crumbling away in the hot sun and heavy wet air–and I’ve been a bit resistant to those changes. I don’t like that it’s insanely expensive to pay rent or buy a home here now–one of the strengths of the city was how many working class people owned homes here, and that seems to be going away as the city continues gentrifying itself.

Monday I also gave a co-worker a ride home from the office, and since it was a torrential rain, I drove her into the Quarter and let her out at her door on St. Ann Street close to the corner at Dauphine. I honestly can’t remember the last time I drove through the Quarter, and I really don’t go down there much anymore other than for the TWFest/S&S. I took Dauphine out of the Quarter, and a lot has changed since the 1990’s, or even the last time I drove through. I think during the festivals this year I am going to explore the Quarter a bit more than I have the last few years, and hopefully drink in some more atmosphere. I’ve kind of felt a little phony writing the Scotty books lately, since I am rarely if ever down there now since my office moved, and have been telling myself I need to explore and take pictures again.

I was thinking Tuesday night when I got home from work that I was becoming as bad as all those locals who look back nostalgically for the past and the way things used to be. I also know I am glossing over what the mid to late 1990’s were really like here, as well as for us. New Orleans has changed and has never remained the same throughout its history, but the foundation of the city remains the same. I want to write about that time in New Orleans (“Never Kiss a Stranger”), so that’s it preserved forever, those days when the sodomy laws hadn’t been overturned yet, and when the gay bars always got raided in the weeks leading up to Decadence so that we knew they were “letting” us have Decadence; the people we thought were insane in state politics in 1996 are now running things and trying their damnedest to turn Louisiana back to 1860 and shoving their religion down everyone’s throats. My primary issue with still writing about the city has nothing to do with how much I love the city, or how I feel about things around here, but mainly because I don’t know what it’s like to go out on the weekends to the bars in the Quarter, or what it’s like for gay men in their forties here now.

So yes, I am looking forward to writing the next Scotty–and revisiting the Chanse series, as I’ve been doing, has me actually considering doing another Chanse story. I have two ideas for him, actually, but am not sure either is going to amount to anything.

And I will always love New Orleans.

Four to the Floor

Dream Lover: Monday morning back to the office blog; in which I had a productive weekend; finished a short story; figuring out what I need to do; thinking about being a Louisiana tourist; and back to the gym.

https://gregwritesblog.com/2024/02/26/dream-lover/ via @scottynola

Ah, the torturous path Murder in the Rue Ursulines took on its way to the book stores.

There was, if you will remember, a lot of turmoil going on at Alyson at the time. I had worked with a different editor for every Chanse book, and as I waited and waited and waited for an offer for the fourth book, my third editor was fired as the company reorganized its publishing arm yet again, with the end result that they didn’t make an offer on the book until they realized that the fall catalogue had been neglected during these transitions and they made the offer so long as the book could be finished in six weeks (I hadn’t started writing it yet) but I said yes on two conditions: I could work with an outside editor of my choosing, and the contract had to be for two books, rather than one–so I wouldn’t have to go through this again for the fifth book in the series. I kind of figured they wouldn’t meet my demands–but they did, of course, and then I had to write a draft of a book in six weeks.

Constant Reader, I managed it.

The original Alyson cover on the left; the Bold Strokes edition on the right.

“Chanse MacLeod to see Loren McKeithen,” I said to the pretty woman at the reception table. She looked to be in her late thirties, and of mixed racial heritage, her skin the color of a delicately mixed café-au-lait, her hair copper-colored. She gave me a wide smile. There was a wedding ring on her left hand, and a diamond tennis bracelet on her right wrist. Her nails were done in a French manicure. On her forehead was a smudged cross made of gray ash. I was tempted to ask what she’d given up for Lent, but decided against it.

“Have a seat, and I’ll let him know you’re here.” She gave me a smile, picking up her phone. “It shouldn’t be more than a few minutes.”

I nodded and took a seat in an overstuffed leather chair, picking up an issue of Crescent City magazine and idly paging through it. I was tired, probably way too tired to be taking on a new job. The aspirin I’d taken hadn’t kicked in yet, either. Every muscle in my body ached. I’d planned on spending my entire Ash Wednesday in bed, or lazing around my apartment, recovering from the overindulgence of the last five days. But Loren was a good guy, and threw me some work every now and then. So, I’d roused myself out of my post-Mardi Gras stupor and come to his office.

Besides, it never hurts to have a prominent attorney in your debt. You never know when you’re going to need one.

This story actually started out as a Scotty book, what I thought would be the fourth in that series, Hollywood South Hustle. This book was inspired by something that happened to me on my way to work one morning. When I originally went to work part-time at the NO/AIDS Task Force part time, I worked out of the CAN (Community Awareness Network) office on Frenchmen Street in the Marigny. Full time staff had free parking in a lot around the block on Elysian Fields; I had to find street parking in the neighborhood, which was never a guarantee. This particular morning I found a place to park over on Kerlerec, and as I was locking up my car a family on bicycles was coming around the corner at Chartres. The adults raised a hand in greeting and I automatically said “Good morning” pleasantly back to them with a smile, and it wasn’t until after they rode past that I realized it was Brad and Angelina and two of their kids; they lived a few blocks away. As I continued on my way, I smiled at the coolness of the moment and I thought Brad has hair the same color as Scotty and is about the same age and size as Scotty and he lives right around the corner and wouldn’t it be interesting if Scotty was walking past their house and someone shot at him, thinking he was Brad? And that would be the start of something. The more I thought about it as I walked, stopping at the little Vietnamese grocery to buy cigarettes, the more i liked it, and by the time I sat down at my desk the entire story was taking shape in my head.

And yes, instead of doing work that day (I didn’t have any), I wrote up the story, the idea, the title, and began the proposal. I also wrote the first chapter and over the rest of that week I wrote the first five, feeling like I was onto something. I polished up the proposal and the first chapters, while continuing to write, and sent it to Kensington, who held the option on the series. While i waited to hear back from them, never doubting for a moment they would exercise their option and take the book, I kept writing. It was incredibly easy, and I was clocking between three and seven thousand words per day.

The day after I finished writing the first draft, Kensington didn’t exercise their option and cut the series loose.

So, when Alyson came back to me with a book contract offer and a due date that was only six weeks out from signing the contract…I thought, I can just turn this Scotty book into a Chanse book, easy-peasy.

NARRATOR VOICE: It was not, in fact, easy.

Scotty books are not easily adapted into something else, particularly when the new adaptation is more serious than something meant to be farcical and funny and over-the-top crazy…plus, Chanse and Scotty are completely different physical types. I had to change a lot of things, which took the “looks like” gambit down from three to two–but I think that worked better with fewer people and I was a bit concerned that the previous Scotty had also involved three look-alikes…problem solved. But it was a lot harder to do than I originally thought (nothing is ever as easy I think it is when I am pondering what to do), and in retrospect, it probably would have been much easier to simply write something entirely from scratch, but why do things the easy way when I can make it much harder?

Murder in the Rue Ursulines did well; it sold well and got decent reviews, and I’ve always felt it wasn’t a proper follow-up to Rue Chartres.

But…here we are.

I Will Survive

Mom died a year ago today.

Sigh.

I didn’t sleep well last night, for the first time since getting the new night meds, and as I sit here blearily this morning drinking my coffee it occurs to me that anticipation of this day probably had a lot to do with it.

Yesterday was a nice day. I slept super-well and even a bit late, came downstairs, posted three blog entries throughout the day, and managed to get a lot done. I got some laundry done, cleaned out the sink and ran a load in the dishwasher, straightened up around my desk some, did some filing and organizing, worked on cleaning up computer files, and so came downstairs to a relatively clean kitchen. Huzzah! I also started making lists of things I need to write this year as well as the things I need to write this year. I am also trying to sort my short stories predicated on submission calls I’d like to send work to and establish some kind of timeline (just the remotest suggestion of one, knowing mood and energy levels will affect that and I won’t make all of them) for getting them done and keeping myself on track. I also want to finish this y/a novel that’s been languishing in the files for quite some time, and I even started thinking about Scotty X, Hurricane Party Hustle1 , which was kind of nice, too.

In other words, yesterday was one of the best days I’ve had since the surgery, and today will probably not be one of my better ones. I don’t feel grief-stricken or anything, but it’s still difficult. I’m glad I am meeting Dad in Alabama this weekend2. I feel good now that the caffeine is percolating through my veins and my body is responding to it. I don’t feel fatigued, but then again it’s also still early in the morning and I haven’t yet had the inevitable caffeine crash that will come this afternoon. I do have to make groceries again today (it really never ends), but I think after that I can just go straight home, which is great. Any other errands can wait until after PT on Friday, before I head up north to Alabama. I know I’ll be sad once I am around Dad, and it’ll be hard saying goodbye on Sunday and heading back south, but that is a lot easier than having to live in her house.

And really, I had my mother for sixty-one years. Thank God they started young, right?

We also watched The Last Voyage of the Demeter yesterday afternoon, and it was very entertaining, although it’s very hard to maintain suspense once you know it’s based on the captain’s log entries from Dracula, and the movie opens with the ship wrecked on the shore with no survivors. SPOILER. right? But it was a clever idea–I’m always a fan of expanding the mythology from books that weren’t addressed fully in the book, especially for movies and television (like Castle Rock and Chapelthwaite built out from the Stephen King universe), because I think it’s cool, it doesn’t take away from my enjoyment of the originals, and I’ve done some homage work myself (Timothy).

And on that note, I am heading into the spice mines. Have a lovely day!

  1. I’m not sure of this wisdom of this title, honestly. It was supposed to be the fourth Scotty, and I had sent the proposal to my editor the week before Katrina. Certainly, there’s a lot of superstition involved in that kind of thinking, but at the same time I feel kind of squeamish and may come up with something else. ↩︎
  2. I was thinking about my next Alabama book, too. ↩︎

The Second Time Around

…for Chanse, that is.

Oddly enough, the second Chanse was the fourth novel I published, and therein lies a tale.

Funny how with these earlier books there’s always a story, isn’t it?

So, I sold Murder in the Rue Dauphine to Alyson in September of 1999–but the pub date wasn’t until February 2002. I saw no point in writing a sequel to the book immediately; primarily because there was a nearly two and a half year wait between signing the contract and when they were able to schedule me in. So, I figured I had about a year and a half before I needed to get it finished (everyone told me it would be released a year after the first, and in all honesty, what was the point of writing two or three books while waiting for the first to come out so the others could be scheduled?), and so, with time to spare and a lengthy period of time to “waste”, I decided to start thinking about the “what ifs”–what if the book sells super-well and is popular? What if this isn’t just a one-off standalone and could be turned into a series? The more I thought about it, the more I liked the idea and I liked letting my mind roam.

So, what would I do if the series took off and I needed to write more?

Being creative and full of energy in my late thirties, and thrilled to death that now I wouldn’t die without having published a novel, I reread the manuscript and my analysis of who Chanse was and why he was who he was, and I started mapping out a personal journey for him, that lasted several books. He was a cynical loner, with a couple of friends, and he was still really not adjusted to being gay when the first book opens. He was estranged from his immediate family of younger sister and brother and his parents; he never returned to Cottonwood Wells after leaving for LSU. He’s ashamed of his family but he also knows they will never accept his sexuality, either, so it’s very easy for him to cut them off almost entirely. So, his journey was going to be like that of the main characters of the show Moonlighting; each case would teach himself something about life and himself, and he would grow from the lesson learned in each book. Each book going forward would have a life lesson for him (Rue Dauphine did as well; the lesson was ‘you can’t just trust someone automatically because they’re queer.’); and the one he’d learn in the second book would be about love and trust (the third would be about sacrifice, the fourth would deal with his family, the fifth would have him fall in love with someone else, the sixth would deal with him dealing with losing his best friend to her husband and realizing he does need other people, and the seventh, the swan song for the story, would find him ready to finally commit to someone and live with them, so the series would be seven books long).

Shortly after I sold the first book, I again learned that lesson myself–the case in the first book was inspired by a gay con artist who’d gotten involved with a non-profit here in the city and then blew out of town overnight, having stolen/embezzled a shit ton of money and leaving a pile of debts behind. I had written to a local color magazine for the gay community (I can’t remember the name!) about writing for them. I wrote something for them, and they hired me to be editor of the magazine, as the business was expanding and it would free up the founder to focus on the new directions while I ran the magazine. It was fun, I got to work with a lot of fun new friends, and…then it all blew up in our faces. It was very similar to the earlier situation–a gay con artist blows into town, makes a lot of promises, runs up a lot of debt and then it just blew up completely. Turns out the guy was a con artist with a record of credit card fraud, and he was on the FBI watchlist so yes, I did get interviewed several times by the local office of the FBI.

The second book, which had the working title Murder in the Rue Royal, was based on that story, but I had already been playing around with a stalker storyline, and then I realized how I could cross the two stories into one seamlessly and write the book. I managed to get another first draft finished when a two-book deal to write the Scotty series for Kensington and Alyson dropped the option for the second book, saying “two mystery series with a gay main character in the same city by the same author are too similar to each other”–which I took as a challenge to make Bourbon Street Blues and Scotty as different as I possibly could to prove them wrong. So, the manuscript went into a drawer and I started happily working on Scotty instead…and again, it was a stand-alone that morphed into a series.

This was the Insightoutbooks edition cover of Murder in the Rue St. Ann
This is the new cover the book got when Bild Strokes Books republished the book as an ebook.

I took a streetcar named St. Charles down to Canal, crossed the street and walked down to Royal.

It was eleven o’clock in the morning on one of those splendidly sunny September days that makes you glad to be alive. Taking the streetcar had been a good idea. The long heat of summer had broken, and the air was crisp and in the mid-seventies. The sky was that blue unique to New Orleans, with wispy white clouds scattered across its expanse. There was just a hint of cool moisture in the air. There were a lot of people milling around the sidewalks on Canal— a good sign for the tourist season. Canal used to be the main shopping drag of the city, with huge department stores like Maison Blanche and D. H. Holmes. Those were long gone. They had either gone out of business or fled to the suburbs— now it was mostly hotels, fast food, and Foot Lockers.

There were hopes that putting the Canal streetcar line back in place would stimulate a recovery for the street. So far, all the construction work had simply made the Quarter difficult to get to from uptown. Add to that the chore of trying to find a place to park that would get me a ticket in two hours or cost ten dollars, and I was kind of glad I was having car trouble—the streetcar down and a cab home was very simple.

Not that riding the streetcar didn’t bring its own set of aggravations.  If the cars ran on any fixed schedule, I’d never been able to figure it out. You could wait for one for half an hour and then three in a row, all packed to the gills, would show up. The streetcar ostensibly operated as public transportation, but was also a de rigeur tourist attraction. There was no way of telling when you’d be able to catch one with a place to sit. But when you did, it was nice to find  a window seat on a sunny day and enjoy the city clacking by.

So, when Alyson chose to drop the Chanse series after I signed with Kensington, Murder in the Rue Royal went back into a drawer, which was fine–it wasn’t a good book–and I moved on with my life. The advance for signing with Kensington paid for our move back to New Orleans from Washington, and moving back here was absolutely worth ending the Chanse series for, seriously. I still didn’t have an agent, but I’d been signed to book contracts by two publishers already, and I figured it might be easier now. We accomplished the move, get our new apartment set up on Sophie B. Wright Place, and started putting our lives back together. I don’t remember the timeline of how it came to be, but I was still working with Alyson on my first and second erotic anthologies (Full Body Contact and FRATSEX), so I was aware when my editor left and a new person, that I knew slightly, moved from assistant editor to senior editor. We were talking on the phone one day about Full Body Contact and she casually mentioned, “I don’t see your second Chanse book here on the schedule, what’s going on?” and I told her the story, “Oh for fuck’s sake, when can you get it done by?” and that became the second contract for Chanse.

So, after finished Jackson Square Jazz and turning it in, I broke out Murder in the Rue Royal (the title had already been changed on the contract to Murder in the Rue St. Ann; my new editor didn’t like the alliteration) from the drawer, blew the dust off it, and reread the manuscript. I looked at my timeline for the series, and saw that this was the one where he was supposed to fuck up his relationship, but I didn’t see it in the manuscript. I reread the first book, thought long and hard about Chanse and who he was at this point in his life and after several long days of musing it hit me, between the eyes: jealousy. Jealousy would be what fucks up his relationship, and it only made more sense to me that Chanse would be the jealous one. Paul had a loving, accepting family and was more secure in and of himself as a gay man and what he wanted out of life. Paul was considering becoming ground-based at the New Orleans airport so he could settle down and have more of a life with Chanse, which also has Chanse very alarmed and makes the jealousy even more intense….so what would be the thing that would set Chanse’s jealousy off? Something from Paul’s past that Chanse didn’t know but finds out about in the worst possible way?

I had had some issues, believe it or not, with stalkers over the years. I had always wanted to write about a stalker, so what if Paul had a stalker? Why would Paul have a stalker? And then it occurred to me that Paul had a past he wasn’t ashamed of, but had never mentioned to Chanse. Not out of a fear that Chanse wouldn’t understand, but mainly because he had no need to tell him because it wasn’t anything dark. He had done some nude modeling when he was younger and he had also done some soft-core wrestling fetish porn, which is where the stalker came from. And what if I could work the con man he’s been hired by was someone Paul knew from the soft-core fetish porn? What if the guy contacted Paul because he’d been getting threatening notes on top of everything else going on in his life? And what if Chanse ran into Paul when he was leaving the con man’s offices, which brings all this out about Paul’s past? What if it shook a jealous, possessive, insecure Chanse enough for them to fight about it? And what if Paul disappears after the con man is murdered?

That was something I could work with, and so I did.

I’ve always called Murder in the Rue St. Ann my most under-appreciated work. By the time the book had come out, Paul had lost his eye to the muggers and we were in recovery mode. I didn’t do much of anything to promote the book (other than a signing at Outwrite in Atlanta, where I signed all of my books until they closed), and it kind of came and went quickly. I felt it was the most unappreciated of all my books. Jackson Square Jazz had come out earlier in the year before Paul was attacked, and it sucked all the oxygen up that year intended for me–it was the Lambda nominee, not Rue St. Ann–and I didn’t pay much attention to the book after it came out, either. The ‘christians” came for me a few months after the book’s release as well, and then Katrina…so yeah, Rue St. Ann got no press, got no attention, but somehow still managed to sell well.

I did have the next one planned, Murder in the Rue St. Claude, which there was a proposal in for, but Alyson was also going through other, deeply concerning changes that showed how little the higher-ups knew about anything, let alone publishing. But that’s a tale for another time, I think.