Tag: Scotty

It’s All Over Now

Well, it’s Tuesday morning and all I have to say about that is good. Monday was a dreadful day, and the less said about it the better. I woke up feeling ill, and it was just all downhill from there. The only good thing I can say about yesterday was I got to spend the entire morning lying down, covered up in blankets, reading Wanda M. Morris’ Anywhere You Run, which is fantastic. I didn’t get to finish reading the book–hopefully that glorious day will come soon–and losing yet another day of work on the book was quite a savage blow. Tonight after work I have to do an on-line event for Murder by the Book with the always delightful Ellen Byron, which will leave me exhausted as those things always do, so tonight is pretty much out. Heavy heaving sigh. But at least college football is over, which frees up my entire day Saturday, which is nice. And I feel well this morning–I knew taking Claritin and resting all day (sort of) would stave off the coming sinus infection (but I’ll take another one today just to be on the safe side). We also started watching the Victoria’s Secret documentary–I think it’s called Victoria’s Secret: Angels and Demons–because the owner of the company was weirdly involved with Jeffrey Epstein? It’s interesting enough. I vaguely remembered the collapse of the brand–and who knew there were so many other stores, all belonging to the same person? Remember Structure?–but I didn’t remember that there was an Epstein connection.

Oh! I am also guesting at Mystery Lovers’ Kitchen, with my slow cooker meatball recipe. Today is also the official release day for A Streetcar Named Murder, so happy release day to me!

It still seems a bit weird to me to have this book out in the world at long last. It feels like I’ve been waiting for this release date for a very long time, and now it is here. Will people like it? Will people buy it? Will my regular readers like this completely different (not really, but you know what I mean) type of book from me? Naturally, I hope so; I’ve been really surprised and delighted by the unexpectedly and overwhelmingly positive response to the book thus far. I’m not used to it.

But just as it occurred to me the other day that my perceptions of New Orleans have changed–i.e. that all the little oddities and eccentricities that used to amuse me and give me things to write about now seem commonplace and normal to me now–I think my perception on my writing has also started changing a little bit–which is really lovely and nice and long overdue. I’ve talked about this before–the dichotomy of how I was raised to always be humble and never, ever brag about myself–and how its really the exact worst way to raise any kind of artist. Being an artist (or writer) is difficult enough with those constant self-doubts and “do I really know what I am doing here” and everyone’s favorite, Imposter Syndrome. If you don’t know what Imposter Syndrome is, consider yourself very lucky. For me, it manifests itself in “I’m really just faking it and don’t really have any insights because I literally don’t know what I am doing, but as long as I can keep fooling people I’ll keep going until they realize the Empress has no clothes.” My perception of my own writing and my own work is slowly starting to shift–yes, Constant Reader, after twenty-odd years and over forty books, etc etc etc, I am starting to feel some confidence in my actually work. Rereading A Streetcar Named Murder the other week–I had to do so because I’d forgotten a lot about the book in the meantime, so I could do some more Blatant Self-Promotional blog entries–and realized it wasn’t, in fact, terrible but was actually an enjoyable read. (This may not seem like much to you, Constant Reader, but for me this was huge.) I do think that this book, along with my last three (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit) is some of the best work of my career thus far. And when I was rereading the old Scottys to prepare me for writing the new one, I was impressed with them rather than wincing. I think maybe I’ve managed to flip the “editorial” switch off when I read my books again? So rather than rereading them and catching errors or thinking oh I could have said this or that better, I read them as they were and for what they are. It was definitely some major progress, methinks, towards a better mental attitude for me, not only for my work but for my life in general.

It only took me over sixty-one years to start getting there.

A lot of it, I think, comes from my determination to not take myself seriously, which probably goes back to my childhood. I know the self-deprecatory shit comes from a mentality of if I make fun of myself I can beat everyone else to it which was a self-defense mechanism I developed to shield myself from being mocked, made fun of, and insulted by other kids. I can’t claim it as a gay experience because I would imagine every queer kid’s experience is different and there are probably some who never were bullied, were never made fun of, were never the butt of everyone else’s jokes as an easy target because I didn’t fit the societal image of what a little boy was supposed to be. I think I was seven or eight the first time someone called me a fairy? (At the time, I didn’t realize they meant fairy as in Tinkerbell and not ferry as in a boat that conveys cars over water; I couldn’t understand the ferry reference until a few years later when it was accompanied by such lovely terms as fag, faggot, femme, homo, cocksucker and so forth; when I was conditioned to be ashamed of myself and of who I was, through no fault of my own….and well, if I make fun of myself I can head them off before they go down that road.) This of course presupposed that people were going to make fun of me or call me names–and I can now see how toxic and self-destructive that actually can be. You should never default to the idea that other people will make fun of you.

You can see how that mentality can be damaging to a writer.

I carried a lot of baggage into this career that I should have discarded a long time ago.

I am, if nothing else, always a work in progress.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.

Silver Girl

And now it’s Thursday, my last in the office day of this week and I surprisingly have made it through without much complaint. I am awake again this morning, not feeling particularly tired (I don’t think I slept that well last night, to be honest) but I feel better than I usually do on Thursday mornings, so I will take it.

Yesterday was a marvelous one when it comes to work. I managed to get some more work done on Mississippi River Mischief, and not looking at it for almost a week was the smart thing to do. I removed myself from the agony of forcing myself to write it and thinking it was completely crap, and was able to see it for what it is, while also realizing what I was trying to do with the story. I regained my confidence by stepping away from it and asking for an extension, and now I feel like not only will I get it done but it will be what I actually want it to be.

And then this morning, what do I see on my social media but this marvelous review from Oline Cogdill. Talk about a confidence boost!

Ironically, as I was writing another Blatantly Self-Promotional post last night after finishing working on my new book and I thought, you know, you should do what you never do and reread the book–which could help you come up with other blatant self-promotional post ideas. So, since Paul had a meeting last night, I curled up in my chair and opened one of my author copies of A Streetcar Named Murder, and I’m really glad I did. It may surprise you, Constant Reader, to know that one of the hardest parts of being a writer for me is promoting myself–there are many reasons for this, but the one I want to talk about right now is one in particular; I may circle back around to examining my discomfort with self-promotion later or save it for another post because it may take a lot on unpacking.

But for now, one of the reasons I find promoting myself to be difficult is usually I’ve almost completely forgotten almost everything about the book by the time it’s released. As I have said ad nauseum, I rarely go back and read something I’ve written once it is in print. And usually by the time the book has come out, I have written at least one more or am in the weeds writing another–for example, I am very deep inside of a new Scotty book (which is another New Orleans book, of course) which makes it even harder for me to remember details about the book being released. (I’ve also had to dig into some of the old Scottys for this one I am writing as well–and have been very pleasantly surprised rather than embarrassed and/or disappointed, which is always my fear about reading old work)

And…I liked it. I actually reread my book and liked it. I never cringed, I didn’t slip into editorial/critical mode (“why didn’t you word that better? What is up with this paragraph?” etc etc etc.), and I found myself actually enjoying the ride. Rather than being critical and self-deprecating and all of that shit I usually fall into when rereading my own work, I had a breakthrough of sorts. It’s only taken over forty books and over fifty short stories–even typing the first part of the sentence out makes me feel ridiculous, but it’s how my brain works–but I may have finally broken down the wall and achieved confidence in myself as a writer. It’s been a whirl, really. Last night after I finished reading I thought, “you know, you were really proud of Royal Street Reveillon, and over the last eighteen months you released Bury Me in Shadows and #shedeservedit and you were proud of them, too. And now you’re proud of this one already! Well done, you!”

ANd yes, pride goeth before a fall and I always find myself waiting for the next shoe to drop, but for now, I am going to relish and enjoy this feeling. I may wake up tomorrow and hate everything I’ve ever written again, who knows? But it feels good to take pride in my work, to finally be able to feel proud of what I’ve accomplished over the last twenty years instead of just shrugging it off.

I’ve written over forty books.

I absolutely should be proud of myself.

And on that high note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will talk to you again tomorrow morning before my work-at-home duties.

Running Through The Garden

Friday morning work-at-home blog!

I have data to enter and things to do today, Constant Reader. I’m leaving on Monday for Kentucky and will be gone for a week, so I have to seriously buckle down over the course of this weekend and get things done. It was cold here last night–in the thirties–and this morning the downstairs floor is cold beneath my feet, and the chilliest spot in the entire Lost Apartment is here at my desk. Heavy sigh. But that’s okay, I can deal with it. I have a load of laundry in the dryer, need to empty the dishwasher and refill it again–and of course the entire place from top to bottom is a complete disaster area. Hopefully I’ll be able to get the house under control as well as get all my work finished that I need to get finished not only today but over the entire weekend. Yesterday I was, not surprisingly, very tired when I got home from work. I did get some laundry folded and another load going, and yes, I loaded the dishwasher last night and stumbled around a bit in my tired state, but eventually Paul came home and we were able to watch the season finale of Half-Bad or The Bastard Son and the Devil Himself or whatever the hell you call it, which felt kind of anticlimactic, to be honest. I enjoyed the show, love the concept and the actors are very appealing–I am especially fond of Gabriel, the pansexual witch, to be honest–and we also watched a new episode of American Horror Story: NYC, which was kind of odd and weird, with a kind A Christmas Carol feel to it. I don’t know, it just seemed more like filler than anything else to me, and of course the AIDS allegory isn’t exactly subtle (why not just make it AIDS? The plague in the 1980s wasn’t horrible enough for a season of American Horror Story? Although AIDS in the first two decades would have been better suited for a season of American Crime Story….) but it is unsettling.

I’ve been doing, if you’ve been paying attention, the occasional Blatant Self-Promotional (BSP) entries for A Streetcar Named Murder, which has been kind of fun. I’m not sure what the next one will be–I’ve done the character, the store, and the neighborhood she lives in; I suppose the supporting cast should be next. I’ll figure it out at some point, I am sure; it’s not like the book drops until December 6th or anything–although I’ve been seeing pictures of already delivered copies on social media, which doesn’t make sense, but I’ve learned to not question things like that. It is what it is, and if people are already getting copies several weeks of release date, who am I to wonder the reasons why? Publishing is one of those businesses you never can completely figure out…because once you think you have a handle on something, it changes almost immediately.

I’m also looking forward to getting a handle on the current Scotty. I’ve been too tired from work this week to get as much done as I needed to get done, so this weekend is going to result in a big push. I have of course all the data to enter for my day job today, and I need to run some errands once I am finished for the day, but I remain hopeful that my energy won’t flag and I’ll be able to dive headfirst into the book this weekend without either having to force myself or for it to be like pulling teeth. As I have mentioned, the LSU game isn’t until the evening and it’s not really a big one; non-conference opponent, and of course I want them to win, but it’s Alabama-Birmingham (although I suppose completing the trifecta of beating Auburn, Alabama and UAB would make LSU state champions of Alabama again) and so there’s not the same urgency as there will be when we play Texas A&M the Saturday after Thanksgiving. What a wild, crazy and all-over-the-place college football season this has been…certainly nothing like I expected.

But I think the cold helped me sleep better last night than I have all week. I didn’t wake up super-early either; wide awake at seven, which is something I absolutely can handle, and feel very rested this morning. I did do one of those “oh you’re getting so old now” things this week–in which I turned my torso to do something here in the kitchen but did it at precisely the right angle to aggravate or irritate something, so now I am vaguely aware of some stiff soreness in my upper body. I can’t describe where exactly it’s located or how it feels, but it’s kind of like how when you have a respiratory thing going on and when you try to take a deep breath it feels tight? It’s kind of like that but not in my lungs, if that makes any sense. I’ll probably try to use the heating pad and the massage roller to work whatever the hell it is out before I leave on Monday morning.

I suppose the clock is ticking on Twitter, but I can’t really muster up enough energy to care much one way or the other. I use it, of course–I remember setting up the account because co-workers suggested that I should have one–and I go there periodically, primarily to waste time when I’m in line at the grocery store or the pharmacy or wherever; or when I am sitting in my easy chair at night with a purring cat in my lap while I am waiting for Paul to come home and I am watching Youtube videos on autoplay. Last night it kind of felt like high school graduation, as people were saying goodbye to everyone and it all had a touch of “signing the yearbook my senior year” to it all. I know a lot of people love Twitter, and I certainly had a lot of fun there over the years–primarily interacting with my friends and readers, mostly–but it’s also a horrific hell-scape with trolls lurking everywhere and nastiness for the sake of nastiness popping up every now and then. I find myself writing horrible responses to horrible people all the time before deleting them, and in some instances it’s too late–yes, you can delete tweets, of course, but that also seems kind of cowardly to me and besides, the Internet is indeed forever; I screen cap bad takes (aka “receipts”) all the time to save them just in case…and as I typed that even now I was thinking just in case? For what? In case I need to remind someone I don’t know of a bad take they had a few years ago? I have little to no desire to learn how to use a new social media service, so I am not migrating to another platform or any such nonsense; perhaps I will if and when the Twitter universe comes to a crashing halt. But while I’ll miss the interactions with my friends–and the opportunity to post that picture of me with the shocked look on my face everyone loves so much–I think I’ll somehow manage to survive.

And on that note, the dryer just stopped so I need to fold some laundry. Have a lovely Friday, Constant Reader, and I will talk to you tomorrow.

The Irish Channel

Writing a cozy set in New Orleans seemed, at first, to be a little daunting.

One of the key tenets of a cozy is the sense of community one gets while reading it (see Donna Andrews’ Meg Langslow series for the perfect example; I love Caerphilly, Virginia, and enjoy revisiting twice a year to see how everyone is doing), and it took me a moment to readjust my thinking from “community means a small town” to “no, you moron, anything can be a community; and you can certainly find community in New Orleans.” And then I remembered Leslie Budewitz’ superlative Spice Shop series, which is set in Pike’s Market in Seattle. Seattle is a city, just as New Orleans is; and sure, it might be easier to just invent an entire new fictional small town to set a cozy series in, but if anything, there’s more sense of community in New Orleans than I’ve ever felt in other cities…and it was really about creating a community around my character, Valerie, and picking a neighborhood for her in which to live took me a while as I weighed pros and cons; the only thing that was definite was she was NOT going to live in the French Quarter (there’s a throwaway line where she thinks about how long it’s been since she’s been to the Quarter, and maybe she and her two best friends should arrange to have dinner at Galatoire’s or Antoine’s–yes, I used two of the better known restaurants in the city and the Quarter for the examples, but I also knew I could mention them without needing to explain them to the reader). I did go back and forth about the Marigny or Bywater, but finally decided to put her into a neighborhood that did not flood during Katrina, which narrowed the choices dramatically.

New Orleans is a city of neighborhoods, and those neighborhoods used to be so distinct that knowing what part of the city someone lived would automatically create some assumptions–just as how the ever-popular question of where’d you go to high school used to be another way to connect with someone you’ve just met–there are any number of differences between those who went to Newman or Jesuit or Holy Cross or Ursulines or Ben Franklin or Warren Easton or McMain Magnet. New Orleans is a small enough city that chances were, you’d also know (or ar related to )someone else who’d gone to that high school at the same time, or you also knew other people who lived in their neighborhood. Obviously, the French Quarter is perhaps the most famous neighborhood in New Orleans, followed by the Garden District, working down through the Marigny, the Bywater, Mid-city, Gentilly, Lakeview, Broadmoor, etc. (With the gentrification of the city over the past sixteen or so years, realtors have also started creating new neighborhoods–which can be confusing. For example, they are trying to rebrand the Central Business District–the CBD–into SoMa, South of Market, which makes no fucking sense whatsoever as there is no market for the area to be south of; I often will have someone mention one of these new neighborhoods by name to me and I have no idea what they are talking about. They are also trying to rebrand the 7th Ward as the “new Marigny”…good luck with that.)

Scotty lives in the Quarter, and Chanse lives in the Lower Garden District–I’ve also written a lot of stories set in that neighborhood, which is also where I’ve always lived, and is quite distinct from the actual Garden District–I used to joke that we lived four blocks and three decimal points from the Garden District. So having done those neighborhoods already extensively, I wanted to pick a new place for Valerie to live and for me to write about.

I’ve always kind of been partial to the Irish Channel, although we’ve always lived in the Lower Garden District (distinct from the Garden District). I wrote one book about the Irish Channel already (aptly titled Murder in the Irish Channel), and of course, when I needed a place for Valerie to live, I decided the Channel would be the perfect place for her. Twenty years or so ago there will still blighted and crumbling houses in that neighborhood just waiting to be purchased, renovated and gentrified. The stretch of Magazine she lives near used to be one of my favorite parts of the city–I met any number of people for coffee at the Rue de la Course that used to be there, I used to really enjoy the Semolina’s restaurant as well as the Middle Eastern place whose name I can’t remember now (Byblos? it was the last restaurant meal in New Orleans before Hurricane Katrina), and of course I sometimes shopped at the A&P or the Walgreens–before I realized Prytania and Tchoupitoulas were the easiest and quickest ways to get uptown; I wasted a lot of time stuck in Magazine Street traffic back in the day. Our friends Carrie and Lisa used to rent half of an enormous Victorian house near Third and Constance; I loved that enormous, drafty and dusty old house (it’s actually where my main character in my in-progress novella Never Kiss a Stranger lives), and was very sorry when they moved further uptown. Paul and I used to have a lot of fun looking for costumes and other home decor in the numerous thrift shops on Magazine; the one for St. Vincent de Paul (at the corner of Robert and Magazine, which eventually closed and became a Vitamin Shoppe; I don’t think the space is currently in use) was amazing. They used to sell handmade wooden tables and bookcases, made by monks in a monastery somewhere in northern Louisiana, and this furniture was not only solid, but it was inexpensive. We still have the bookcases and tables–one of them is my desk, the other is Paul’s–and I don’t think we spent much more than a hundred dollars on the two tables and the four bookcases. We must have bought that all after we moved back here after the year that should be forgotten; we didn’t move much furniture there or back.

But oh, how I would love to get some more of those bookcases. They are sooooo solid…

Plus, putting Valerie in the Irish Channel gives me the opportunity to write about St. Patrick’s Day–which I’ve never done with either of my other series–at some point in the future.

The Irish Channel obviously takes its name from the fact that many Irish immigrants settled there when they came to New Orleans. The Historic Landmarks Commission defines its boundaries as Jackson Avenue to Delachaise Street and Magazine Street to Tchoupitoulas. However, the New Orleans City Planning Commission defines the boundaries of the Irish Channel as these streets: Tchoupitoulas Street, Toledano Street, Magazine Street, First Street, the Mississippi River and Napoleon Avenue.

See what I mean about how confusing the city can be? We can even properly define the boundaries of our neighborhoods. I’ve always considered the Channel to start at Jackson (as does the Garden District proper) and end at Louisiana; with the other boundaries Magazine and Tchoupitoulas.

But I did think having her live so close to Louisiana Avenue–between Seventh and Harmony–would put her right smack dab into the heart of that neighborhood and in walking distance of practically anything she might need. I wanted her to be able to be able to do her errands most of the time on foot, because that also (in my mind) cemented the sense that it was a neighborhood and a community, if that makes sense? And once I’d picked where she lived, I was able to start building her community around her.

But that is a tale for another time.

I love these kinds of double houses!

When It Comes to Love

If you follow me on social media you will know already that I got my box o’books of A Streetcar Named Murder this week. The book looks stunningly beautiful, seriously; I couldn’t be more pleased with everything about the book’s packaging. The cover is gorgeous; and stacked up together they look especially gorgeous, as you can see in these delightful images from my kitchen counter.

So, Greg, why did you write a cozy mystery?

The same reason I write anything–primarily because I wanted to, and to see if I could, you know. actually write one. I’ve always liked them–I love traditional mysteries, always have–and have always admired how authors pull off the crime aspect of the story. Sure, there’s a bit of an imaginative stretch required to read a series–how realistic is it that an every day citizen will continually get involved in the solving of a crime, through no fault of their own? But…no one bats an eye about the realism of private eye series, and let’s face it: private eyes involved in murder investigations are just as rare. They spend most of their time on insurance claims or, you know, infidelity. Likewise, police investigations are often very straight-forward, without the usual twists and turns and surprises a writer needs to include to keep the reader turning the pages. The Scotty series–despite him actually becoming a licensed private eye, fits more into the cozy genre than it does the private eye; for one thing, it’s funny, and for another, Scotty is never hired, he always stumbles over a body somehow–to the point that it’s almost a running joke in the series.

I had always wanted to write a mainstream series centered around a straight woman, to be honest. I mean, let’s face it, I’ve done that queer mystery, both series and stand-alones, and I always like to keep my work fresh and interesting for me–I cannot imagine the hell writing something that bores me would be. Early on, before I sold my first book, a major figure in the crime fiction world told me that every so often she wished she could write something else, but “all anyone wants from me is *series character*,” but very quickly added, “But I’m still grateful people want that.” I always remembered that–obviously, I still do–and so while I would be eternally grateful were I ever to achieve that level of great success, I tried to always diversify my writing so I’d never get bored. The Chanse series was very different from the Scotty series; the stand-alone novels are rarely set in New Orleans; and so on.

I’ve tried spinning off my Paige character from the Chanse series into her own series; I always liked the character and thought she was a lot of fun and could carry her own stories quite nicely. I still think so, but audiences didn’t respond to her when I did finally give her those own stories–but there could have been any number of reasons why that didn’t work. The books were marketed and sold as cozies–which I think was a mistake, because I didn’t write them as cozies. Sure, Paige was a single woman, working for Crescent City magazine and a former crime reporter for the Times-Picayune, which gave her some credibility as an investigator, but Paige was sharp-tongued and foul-mouthed. Had I known that the books would be marketed to the cozy audience, I wouldn’t have used Paige–she was too centered in my head as who she was for me to change her significantly in her own series–and would have simply come up with someone new. The books were also electronic only, and oddly enough, my readers tend to prefer to read me in print hard copies.

I had actually tried writing a cozy series before–I had this great idea for one, about an English professor at a university in a fictional Louisiana town on the north shore (based on Hammond); I called it A Study in Starlet and wrote a strong introductory chapter, trying to channel my inner Elizabeth Peters/Vicky Bliss; sarcastic but not bitchy, but it never got anywhere. I actually became rather fixated on my fictional Hammond (which I called Rouen, pronounced “ruin”, and I did want to call one of the books The Road to Rouen), which I may still write about at some point–I never say never to anything–but I am digressing. But I always had it in the back of my head that I should try writing a mainstream cozy at some point in my career. And this came about in a very weird way–it’s a long story–but I wound up pitching the idea I had to Crooked Lane and they offered me a contract, which was quite lovely. (Incidentally, I signed the contract electronically on the Friday before Hurricane Ida; the last email I got from Crooked Lane that Friday afternoon after signing the contract said you’re going to be getting some emails from the team next week so keep an eye out for them and welcome aboard! So, of course the power went out on Sunday morning…)

I originally was going to write about a costume shop. There’s one across the street from Paul’s office that has a showroom and an enormous warehouse; they do a lot of costume work for film, theater, and television, which seemed like a great backdrop for a series with all kinds of potential stories for the future. Crooked Lane didn’t like that, and asked me to come up with something else, so I walked down Magazine Street writing down the kinds of businesses I saw. An antique shop was one of them, and that was what they liked. My working title for the book was Grave Expectations, because it involved an inheritance, but they didn’t like that title either, and I reached back into my archives for a title for the original spin-off idea I had for launching the Paige series–I wrote like 100 pages of the first Paige book in 2004 and it never got used–and grabbed the title from it: A Streetcar Named Murder, and hence, the title was born.

And…I had three months to finish the book, as they wanted it by January 15th. And of course there was the power situation in New Orleans, and…

Heavy sigh. I will leave the rest of the story for another day and time.

I slept really well last night; woke up again at five and since it wasn’t the alarm yanking me out of the clutches of Morpheus this morning, I feel rested. I was very tired last night when I got home; I hit the wall around three yesterday afternoon and when I got home it was the easy chair for me. We watched more Big Mouth, and then I retired to bed around ten. I am working at home tomorrow, so am hopeful this will be a good weekend for writing. I do want to watch both the LSU-Arkansas and Alabama-Mississippi games this weekend–as they could determine who wins the SEC West for the season (and I cannot believe that LSU is in the driver’s seat; I was hoping for an 8-4 season and feared that was unlikely), but I also need to get caught up on my writing and everything. Yikes.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader!

Black and White

I don’t remember how old I was the first time I saw Robert Wise’s film The Haunting; all I do remember was it was late at night–in Chicago, one (maybe more) of the local affiliates always ran films after the news at 10:30; they also ran afternoon movies at 3:30 Monday thru Friday–which is where I got most of my education in classic Hollywood movies. But The Haunting was probably the most terrifying movie I’d ever seen; it wasn’t until a rewatch later in my life that I realized that perhaps the most terrifying and unsettling thing about the movie was you never saw whatever it was that was creating the happenings at Hill House–and they were never really explained, either. I had nightmares after watching it the first time, and those nightmares became recurring. To this day I am not comfortable climbing a metal spiral staircase…

One afternoon when we were at Zayre’s for whatever reason–we went there almost weekly, although I am not sure why–I found a copy of Hell House by Richard Matheson on the paperback racks. It sounded, from reading the back, similar to the movie that had scared me so when I was younger, and I couldn’t help but wonder if the movie was taken from the book? I bought it and read it–loved it, in fact–but while it was similar to the story of The Haunting, it was also different enough for me to be certain they weren’t the same. (Hell House was filmed actually as The Legend of Hell House, which was also a terrifying film–more on that later). It wasn’t until years later, when I was in a used bookstore in Emporia, that I stumbled across this:

It was only a quarter, and looking at the back I recognized the characters–Nell, Theo, Dr. Montague, Luke–and of course, the name of the haunted house–Hill House. I bought it and a couple of others, and I started reading at the first opportunity, and was completely mesmerized. It quickly became one of my favorite novels of all time–I already knew Jackson’s story “The Lottery”, because at some point in school I’d been shown the film (why was this appropriate school viewing? Imagine trying to show it to students today!) and in a Drama class we’d actually read the stage adaptation and even put it on for the school (I think I had one line in our production?). Reading Stephen King’s Danse Macabre also told me more about both Jackson’s writing and the Robert Wise directed film, which was my first exposure to Julie Harris; I also remembered that the opening of Jackson’s novel was used by King as an epigram in ‘salem’s Lot; he also dedicated a book to her “because she never had to raise her voice,” which is a very poetic way to describe the softly macabre writing style and voice she used in her works. I lost my original copy at some point during moves over the years, and I acquired another copy after we returned to New Orleans in 2001 from our brief, preferably forgotten interlude in Washington DC–and have made a point to reread it every year since.

And no matter how many times I reread it, I never tire of its haunting, terrifying beauty.

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Dr. John Montague was a doctor of philosophy; he had taken his degree in anthropology, feeling obscurely that in this field he might come closest to his truest vocation, the analysis of supernatural manifestations. He was scrupulous about the use of his title because, his investigations being so utterly unscientific, he hoped to borrow an air of respectability, even scholarly authority, from his education. It had cost him a good deal, in money and pride, since he was not a begging man, to rent Hill House for three months, but he expected to be compensated for his pains by the sensation following upon the publication of his definitive work on the causes and effects of psychic disturbances in a house commonly known as “haunted.” He had been looking for an honestly haunted house all his life. When he heard of Hill House he had been at first doubtful, then hopeful, then indefatigable; he was not the man to let go of Hill House once he had found it.

Dr. Montague’s intentions with regard to Hill House derived from the methods of the intrepid nineteenth-century ghost hunters; he was going to go and live in Hill House and see what happened there. It was his intention, at first, to follow the example of the anonymous Lady who went to stay at Ballechin House and ran a summer-long house party for skeptics and believers, with croquet and ghost-watching as the outstanding attractions, but skeptics, believers, and good croquet players are harder to come by today; Dr. Montague was forced to engage assistants. Perhaps the leisurely ways of Victorian life lent themselves more agreeably to the devices of psychic investigation, or perhaps the painstaking documentation of phenomena had largely gone out as a means of determining actuality; at any rate, Dr. Montague had not only to engage assistants but to search for them.

That opening paragraph alone is a masterpiece.

I parodied it for the beginning of one of my Scotty books–it gave me great pleasure to write the words New Orleans, not sane, stood by itself within its levees–and of course, this book was a pretty heavy influence on Bury Me in Shadows. The book reads almost like a fever dream, with its rhythms and poetries of language, and the story itself is as mysterious as one could possibly hope. The genius of Jackson is knowing that the biggest fear of all is the unknown; so we never know what is actually going on at Hill House–is the house actually bad, or just unlucky? The house’s history is bad and tragic from the very beginning, as we are told in Jackson’s spellbinding voice; who precisely was Hugh Crain, who built the house for his wife and family but never knew any kind of peace within its walls? What went wrong? Jackson never lets us know anything other than that the house is bad. Her primary point of view character is perhaps the must untrustworthy and unreliable of narrators, Eleanor Vance, Nell. Dr. Montague invited Nell because of a strange occurrence that happened when she was a small child; stones rained down on their house out of clear blue sky; her mother darkly blamed it on the neighbors (this also happened to Carrie White’s house when she was a little girl in Stephen King’s Carrie–in the newspaper write-up included in the book Mrs. White also blamed it on “the neighbors”), but other than that, Nell is pretty ordinary and small. She’s wasted most of her adult life taking care of her invalid mother; she’s now in her early thirties and living with her sister’s family, sleeping on the couch. She’s meek but capable of anger–she has a lot of anger and rage buried deep inside of herself–anger at the world, at the injustice of her wasted life, at the lack of a viable future; she has no prospects, no job, no friends, no nothing. The invitation to Hill House awakens a joy in her that she’s never known–she’s wanted somewhere. Her sister and brother-in-law refuse to let her take their mutual car; she gets up early and rebelliously takes the car anyway and heads to Hill House. As she drives she daydreams and observes everything along the road, making up a lovely fantasy for herself about living in a house with stone lions at the foot of the driveway; she stops for lunch and observes a little girl who refuses to drink her milk because she doesn’t have her special cup with stars on the bottom she can she as she drinks. Mentally, Nell urges the little girl not to give in, to not surrender to the injustice of not having her proper cup–as it will be the first of many surrenders of herself she’ll end up making throughout her life until she, like Nell, becomes invisible.

And then, hopeful and happy and excited, she arrives and gets her first look at Hill House:

The house was vile. She shivered and thought, the words coming freely into her mind, Hill House is vile, it is diseased; get away from here at once.

Which then gives Jackson the opportunity, as the next chapter opens, to describe Hill House:

No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until was destroyed.

Nell’s sanity, never the strongest, is affected deeply by the house–she both hates and loves it, separate parts of her nature begging her to flee while the other telling her she’s come home, to stay. The other three in the party–Dr. Montague, Theo the lesbian with some psychic ability, and Luke, due to inherit the house one day–become aware very quickly that the house is having an odd effect on her; they also hate and fear the house, but that welcoming feeling Nell experiences, that desire to never leave, is for her and her only. The rest of the book is quietly terrifying–the noises in the night, the realization that whatever is going on in the house has a sly intelligence of a sort–and the scene where Nell is terrified in the night and holds Theo’s hand…until Theo turns on the lights and Nell realizes she was across the room so whose hand was I holding? is one of the most horrifying moments in horror fiction. And then, the chilling, tragic end.

I also always see the house the way it was shown in the movie.

I also rewatched the movie while I was rereading the novel–not the execrable remake but the original–and it holds up just as terrifying and unsettling as it was the first time. Julie Harris is fantastic as Nell, fragile and frayed and slowly unraveling; in the movie isn’t not quite as left to the viewer as it is to the reader the notion that Nell herself is the one haunting Hill House; the house gains its power through her. (This was done beautifully in the Netflix adaptation, The Haunting of Hill House, which is loosely based on the book but updated and adapted and changed significantly; I thought the series was fucking fantastic and an excellent homage to both the book and the original film. You can’t improve on what came before, so why not reinterpret it? I know Jackson purists were outraged, but having seen the dreadful 1999 remake…yeah, this wasn’t that, for sure.)

Also, because of the movie, whenever I read the book I see it in my mind in black and white. The film wouldn’t work in color, either.

If you’ve not read the book, you really should. It’s a masterpiece on every level.

Behind the Mask

Saturday here in the Lost Apartment and Paul is coming home tonight. Huzzah! Also a big day in college football down here in the South, with Georgia-Tennessee this afternoon and LSU-Alabama tonight (and the good news for Florida and Texas A&M fans is one of them has to win the game, so one team’s losing slide will temporarily stop). I have things to do this morning, lots of things to do and many miles to walk before I sleep. Last night I was very tired when I finished my day’s work; and so repaired to my easy chair with Scooter in my lap and watched Low Country, a documentary series about the Murtaugh family crimes in South Carolina. Ironically, I started watching it because I vaguely remembered hearing about the story–wife and son murdered, father shot and wounded, etc.–but I did not know the back story to all of it, which this series provides a small window into; it really only covers the recent crimes, not the criminality of the family going back almost a hundred years–but as I watched, I started seeing similarities to the book I am writing now (powerful corrupt wealthy family that basically rules a rural area as their own duchy), and ideas and things to make my own book better started riffing through my mind. One thing that urban people never get about rural areas is how much of that sort of thing goes on, especially in the South. I am really going to have to go back and dig deeper with what I’ve already done, but I am confident I can get that all worked out this weekend and then get to work on the second half of the book next week.

I slept really well again last night. I started falling asleep in my chair once I finished watching Low Country–again, worth the watch, and yes, very shocking that rural counties in the twenty-first century are still so feudal, so undemocratic, so twisted that any one person or family can be so above the law that they essentially control the justice system in the region, to the point that they get away with murder–and so went to bed early. Scooter has started sleeping with me at night, purring and cuddling, and that also helps me sleep (Paul and I have agreed that Scooter’s super power is the ability to put anyone to sleep by cuddling and purring) and I woke up feeling very settled and relaxed and rested this morning, which is terrific since I have so much to get done today (as always). But I am going to do some cleaning this morning while I do some computer clean-up and so forth (ugh, my files are such a scattered and disgusting mess, it’s not even funny; I would be better about this, of course, if Macs didn’t have that search function) and don’t plan to go anywhere today. I’ve ordered groceries to pick up for tomorrow–I also have to air up one of my tires–and other than that, I don’t plan to leave the house tomorrow either. I need to get caught up and reorganized and all of that–the usual stuff I complain about on here every day. The week went by relatively quickly, too. I read some more of the new Wanda Morris novel, which I took to bed with me but I didn’t stay awake long enough to read more than a few pages–which were fantastic. I can’t begin to talk about how delighted and exciting it is to see new perspectives, new voices, and new stories from marginalized authors. I’m just sorry it took so long to get us to this point, but this was exactly what our genre needed.

My book’s official release date is rapidly approaching, and I am trying not to get over-anxious and/or nervous about it. I need to start pushing the book more, but I am not really certain how or what to do, to be honest. I’m excited about it, of course. The reviews have thus far been pretty favorable–other than that snarky Kirkus one, but even it didn’t bother me at all, and besides, they’re known for being snarky in their reviews and always have been; I guess that’s growth of a sort. Bad reviews don’t get under my skin the way they used to when I first started doing this, you know. I tend to stay away from Goodreads and Amazon reviews–therein lies the path to madness–but my skin has thickened a lot over the years and I know what my reactions will be and why put myself into a position of any kind that might emotionally unbalance me? God knows I don’t need any help in that direction, for sure.

I also watched another documentary about gay porn, Seed Money: The Chuck Holmes Story which was very interesting. Holmes was Falcon Studios, one of the bigger and more successful brands in gay porn for a very long time, and it did give me some ideas for future projects. I will probably, most likely, keep writing Scotty books until I die (for those of you who were wondering; the next one will probably be another Carnival mystery, French Quarter Flambeaux), but I may not write anymore young adult novels. It’s not that I don’t want to or have a lot of ideas for them, but my time is limited and I want to explore other writing options and genres within crime fiction. I really am feeling the desire to work on my queer historical noirs–beginning with Chlorine–and then moving on to cover other parts of queer history from the second half of the twentieth century. Obscenity would be about gay porn; Indecency would be built around Joey Stefano’s arrest in Tampa for public indecency…and of course there would be more but that’s the original trilogy I’d want to write. They wouldn’t be connected stories–the only commonality would be the fight against oppression and repression–but I think they would be a lot of fun. I have titles for others–Beefcake, Peplum, Physique–but don’t have stories to go with those yet (although I do introduce a Bob Mizer-like character in Chlorine who could drive one of them; Peplum would be, in some ways, a sequel to Chlorine–but it wouldn’t have to be, since I’ve not really decided on the end of that book yet, but one of the possibilities does leave the path open to a sequel.

And on that note, I am going to get to work on the chores and get cleaned up and get this party started. Have a lovely Saturday, and GEAUX TIGERS!

Stand on the Rock

Thursday morning and I slept really well last night. About time, right? But it’s amazing what a good night’s sleep makes, especially coming after two consecutive nights of insomnia. It’s lovely not to feel tired, you know? I was so tired when I got home from work yesterday that my eyes were almost crossing. I was too tired to think, too tired to write, too tired to do much of anything, so I just collapsed into my easy chair–Scooter actually slept in my lap all evening, and when I got up, he’d curl up in the chair again waiting for me to come back, which was very sweet–and then I watched the documentary God Forbid, which focuses on the Jerry Falwell Jr. pool boy scandal that ended Falwell’s career, from the pool boy’s point of view, which made it a lot more interesting.

It also explored how Falwell’s father led the evangelicals into politics and set us on the downward path that put our entire democracy into the peril it still faces today. The original Falwell was a monster–racist, homophobic, misogynist–and perverted Christianity for money and power. He isn’t the first to do this–look up “Father Coughlin” sometime–and maybe not event the worst (anything is possible), but the damage done to the fabric of the culture and society, predicated on the evangelical desire to make this a Christofascist nation (definitely not what the Founders wanted), by this man and his son may even prove irreparable in the long run. Who knows? Falwell Jr. was important to the election of Trump and the evangelical embrace of this thrice-married ungodly and unChristian wannabe dictator, too. And it got the evangelicals what they’ve wanted since Falwell Senior realized that open racism wasn’t a winning ticket–but abortion could be: the overturn of Roe v. Wade. Would Falwell have backed Trump if Michael Cohen hadn’t known about the sick sexual games the Falwells were playing with a young, naïve young man named Giancarlo Granda? It would make an epic crime novel, truly–I loved John D. Macdonald’s examination of a Midwestern megachurch, One More Sunday, which I really enjoyed.

I have had this idea for a crime novel built around a cult-like church for quite some time. When I was living in Kansas, there was a college in Emporia that was owned and operated by just such a cult-like church. The College of Emporia, a Presbyterian school, had gone bankrupt and closed in 1973. A few years later it was purchased by The Way International and transformed into The Way College of Emporia. The Way College was strange. Their campus was closed to outsiders and patrolled at night by armed guards. There was all kinds of gossip around the county about what went on there and the kinds of things they believed and did; the students always wore name-tags and travelled in pairs–and would often try to corner other young people and proselytize. When I was working at McDonalds, for example, I observed them do this to a girl who was cleaning tables in the lobby. They essentially waited until she was in a part of the place that had only one way out, and once she was back there cleaning tables, they blocked the way out to talk to her. They always had this weird look on their faces, too–their eyes always seemed either glazed or vacant or both, and they always had a zombie-like smile that didn’t reach their eyes. One of the many iterations of the Kansas book took place over two time-lines, one in the 1970’s and the other the present day; where the quarterback’s murder in a sex scandal in the 1970’s gave rise to a megachurch in the town. I have done some research in the Way International (they sold the Way College and its campus to Emporia State University sometime after we left Kansas) and even have a book written by someone who belonged and got out.,,so I would never say never.

Oh, and thank you, Brazil, for ousting your Fascist. Well done!

Unfortunately, my exhaustion last night means that I have fallen another day behind on the book, which isn’t good. But it was really out of my hands, to be honest. I was so tired I don’t even really remember driving home from work last night–which is NOT a good thing at all. But I am hoping that feeling rested and not being exhausted will make a difference tonight. I am halfway done–it’s planned to be twenty chapters, and I finished Chapter Ten on Tuesday–so tonight I am going to go back and reread and edit the first half of the book. It’ll take some serious work–the kind where I have to close the Internet browsers to avoid distraction–because some of the earlier chapters need to be moved around and rearranged; the order in which the story unfolds needs to be switched up a bit–and I need to outline the first half as well as make a character list and due a timeline. I also realized that my usual Scotty thing to do–parody the opening of a famous novel–doesn’t have to be a parody of a famous novel opening–and I’ve always wanted to write something that opened the way Dark Shadows did (“My name is Victoria Winters”), so why not do that? “My name is Scotty Bradley” or something along those lines. I wonder if Victoria’s opening monologue from episode one is on-line anywhere? Better add that to the list.

And on that note, Constant Reader, I am going to head into the spice mines. Have a great Thursday, and I will talk to you again tomorrow.

Isn’t It Midnight

Well, I jinxed myself by saying yesterday–either here or to someone at the office–that I hadn’t had insomnia for a long time. So, of course last night it returned with a vengeance. I stayed in bed, of course, drifting in and out of mild, light sleep most of the night, which wasn’t very much fun. I feel rested this morning, but I also felt rested yesterday and was really tired by the time the afternoon rolled around. I did get a lot of work done, too, which was super-great. I wrote a chapter of the book (a terrible one, but a chapter was written nonetheless) so progress was made–and the story is beginning to coalesce inside my head right now, which is also a very good thing. I am thinking I can get this draft finished by the end of the month and then spend November cleaning it the fuck up.

We continued watching A Friend of the Family last night, and yikes, what a situation this family found itself in. It’s very easy to judge them with the hindsight of the twenty-first century behind our reasoning, but the 1970’s were a vastly different time. In a small city like Pocatello and in a small community like the Mormon Church of the area–you’d never think you’d meet a sociopath in that environment, nor would you think about perverts or pedophilia or sociopathy in someone you’d met that way. And you never want to believe that your child was molested; so naturally in that time you would seize on any excuse to say that wasn’t the case. We only have one episode left, so I am curious to see how it all turns out. I don’t think they ever got any justice (which seems to be a rare thing indeed), and the fact that the man claimed he had the parents’ permission to take the girl to Mexico–where he married her, bigamously–even though the parents said it was a lie and the police basically took his side, is mind-boggling to me. (An adult can no longer take a minor out of the country without documentation, usually notarized, from the parents. A single parent taking a minor out of the country has to have documentation stating that the other parent is aware and grants permission; this was drilled into us at the airline…)

I also cannot imagine the guilt the parents lived with for the rest of their lives, either. Yet another reason I am glad to not be a parent, seriously. Never had any desire, and don’t miss it in the least.

It rained overnight, apparently, which could explain the insomnia; barometric pressure changes, particularly dramatic ones, can affect my sinuses and thus my sleep. My sinuses feel fine, but I also took a Claritin yesterday so that could be the answer. It’s feeling very muggy this morning, which is okay as our office is always super-cold in one area while temperate in another. I may wear a sweatshirt under my work T-shirt. (Is this stuff as fascinating to you as it is to me?)

Probably, since I’m boring myself I can’t imagine that I am fascinating or interesting you, Constant Reader.

I have errands to run on my way home. I am getting antsy, because I am expecting the finished box o’books for A Streetcar Named Murder to arrive at any time (probably will not come until November because I want them to come now, right?) and I am also expecting to get a contributor copy for an anthology I sold a story to–still waiting to get paid as well–so I actually have a vested interest in going to get the mail. Again, probably none of this will come until next month, but I am getting antsy and I am always impatient; something that can inevitably always be counted on is my impatience. I haven’t had a hardcover release in eighteen years or so, so am really looking forward to seeing how beautiful the finished book looks. I love the cover, and the entire thing has been an absolute pleasure every step of the way once the book was finished, you know? I hope you’ve preordered. I am planning on turning this blog into a heavy promotion site soon for the book as well; I’m not really sure what I am doing so bear with me. I’m not exactly sure how to go about doing promotional entries here, either, but hey–it’s something new and different and why shouldn’t I talk about my book here, trying to get people interested enough to read it?

I also came to a hilarious realization yesterday on the current book as I was writing it, and thinking to myself, can you really bring this character back from Scotty’s past when you’ve already mentioned him earlier in the plot? Isn’t that kind of, I don’t know, contrived? And then I started laughing because I had completely forgotten what I was doing with this Scotty book–that no one will probably notice, as no one seems to ever notice what I am doing with my books, but that’s okay; I know and that’s all that matters, right? Anyway, I remembered what the entire point of writing the book was yesterday and now that I’ve actually remembered what I was doing–an homage to Nancy Drew/The Hardy Boys style of crime novels–of course this all will make sense. Besides, the point of the Scotty series is their utter preposterousness; it’s not reality and it doesn’t claim to be; they never have. I also kind of worried because of some similarities to Streetcar–namely, an old family feud no one remembers the root cause behind–but then I laughed at myself yet again. I’ve written over forty books and over fifty short stories at this point in my life; inevitably I am going to repeat plot points and themes.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader.

Everywhere

Saturday morning in the Lost Apartment and all is well this morning. I slept in a bit (I also went to bed later than I usually do, so I slept about the same amount, really) and feel rested and relaxed this morning, which is always a nice, pleasant thing to feel. I didn’t get much work done on the book yesterday (355 words, all of them bad except maybe “Scotty” and “Frank” and “Colin”) but that’s okay; I feel a lot less stressed and a lot less pressured this morning about everything that needs to be done now. The stuff all needs to get done, of course; that hasn’t changed, but I am not feeling as much stress about it as I was feeling yesterday.

I read more of ‘salem’s Lot last night while I was waiting for my friend Ellen Byron (buy her books! Bayou Book Thief is amazing!) to text me to meet her for a drink. I picked her up at the Sazerac House (Canal and Magazine) and it had been quite a while since I drove down that way in the evening, and yikes. SO much traffic, so many people everywhere. I’m still not used to pedestrians in the CBD at night, even though the area hasn’t been a ghost town at night in years, but then we swung around and came up to have drinks at St. Vincent’s, which has been renovated and redone and remade and turned into a boutique luxury hotel right here in the heart of my neighborhood. I’ve posted some pictures of the place when I was doing my walks through the neighborhood last year; it’s even more beautiful inside than I imagined. These weekend is Tulane Homecoming, so there are a shit ton of people in town (that’s actually what brought Ellen to New Orleans, in fact; she is an alum) for that, and of course the people from Mississippi here for today’s LSU game in Baton Rouge (Geaux Tigers!). It was lovely to sit and have a drink and talk about writing and books and this crazy business we are in; she’s an absolute delight (buy her books!) and I look forward to the next time I get to see her.

But this morning I realized how utterly I am failing at reading. October is winding down; Halloween is a week from Monday, and I still haven’t finished my reread of ‘salem’s Lot, let alone done my annual Halloween reread of The Haunting of Hill House or getting caught up on the horror novels in my TBR pile. I’ll spend some more time with Mr. King this morning before I run my errands–I have to go get the mail and I have to stop at the grocery store because I want to make white bean chicken chili tomorrow, and have nothing I need for that–and I am debating whether I want to grill burgers today or not. The LSU game is on today at 2:30, and of course Skate America is airing this weekend (yay for figure skating!) so I’ll have to write around those times.

The reread of ‘salem’s Lot is a lot of fun, actually; I am really enjoying this revisit of the book and seeing why I enjoyed it so much the first time around. King wasn’t STEPHEN KING yet when he wrote and published it, so I am sure it didn’t get the kindest reception from critics of the time; particularly when you take into consideration what they considered to be great writing back then. I don’t remember when it was that the Literati changed their mind on Stephen King, but I do remember how he wasn’t taken seriously as a writer by them for a very long time (he writes horror! He’s too prolific to be a real writer!), and some of his best work was already behind him by the time he got the anointing he deserved for a very long time. I mean, he had quite a run, and quite a varied one at that, before he finally published a book I didn’t like (The Tommyknockers, for the record) and it seemed an aberration as he seemed to climb back on the horse and right the saddle in the next one after that. I love how many points of view he uses in ‘salem’s Lot, giving us little glimpses of fully realized characters and their lives to show us human beings so that when they actually wind up becoming vampires, you do feel a sense of loss. Many of these minor characters are objects of sympathy, while others you just kind of shrug when the vampires come for them and think, well, you were a shitty person anyway, oh well, this is justice of a sort. The scene where Mike Ryerson has to finish burying the coffin of Danny Glick is one of the most terrifying scenes I’ve ever read, and it still holds up today. I like how King gets into the point of view character’s head and gives them a voice–which is still King’s, but different from the other voices he uses–and that sort of structured stream of consciousness is something I really like and enjoy reading; I sometimes use that style in my own writing.

(I started to write something self-deprecating, but am proud of myself for catching it and not doing it. Progress.)

And on that note, I am going to head into the manuscript and do some cleaning before the errands are run. Have a lovely day, Constant Reader, and I will check in with you again later or tomorrow.