Sunday morning in the Lost Apartment and I am exhausted again. Yesterday morning I was still a bit on the foggy side mentally, and kind of planned to just hang out all day until it was time to meet people at Lilette for dinner at seven. I settled in with my manuscript, turned the television onto college football, and got started. I had completely forgotten I’d agreed to meet folks for a drink in the afternoon. Once I got the reminder text, I leapt into action and got cleaned up, summoning a Lyft. I wound up also going to the Queer Crime Writers’ cocktail hour at the Ritz Carlton bar, and from there it was on to Lilette for dinner, which was amazing and a lot of fun. I am exhausted again this morning, but it’s not as bad as it was on Friday (thank God) despite getting home late and kind of overdoing it again. But again, I can just retire to my easy chair with the manuscript and my red pen and post-it notes so I can get moving on this damned thing.
LSU won in what was apparently a very sloppy game for the offense, only beating Louisiana Tech 23-7, or something like that. I’m not really sure about the games yesterday and how they all turned out, so I am probably going to have to watch a video about them this morning before I get to work on the manuscript. I also saw that Florida, LSU’s next opponent, lost to USF at home, which is not a good look for them or their hot-seated coach. So, will Florida be fired up to take that loss out on LSU, or will LSU clean up its act and bury Florida? It’s almost always a great game, regardless–rarely does one team blow the other out, no matter what their rankings or records.
There are some great games next weekend, though, so that will be a lot of fun.
I may do some chores later after I’ve read for a bit. This aching-joint thing is not fun, just so you know. In fact, I think I’m going to go rest for a moment before I finish writing this.
Okay, I am back. I am still very fatigued and foggy, but I sat for a while in my chair and watched some news and college football scores, and feel a bit better and more clear headed. My stomach is being a bit weird, but I am also due for my first injection tomorrow so maybe this isn’t the start of a relapse (the fatigue was worrying, despite what my doctor said), which was a relief.
After I do finish and post this, I am going to get a bit cleaned up and dive back into the reading with the USOpen men’s final on in the background–like it is now. I like both players (although I think Carlos Alcaraz is cuter), so just want to listen (and occasionally look up to see) great tennis.
I would also like to shout out to those who won Anthony Awards last night, and especially Curtis Ippolito (Best Short Story), K. T. Nguyen (Best First), Rob Osler (Best Humorous), and all the others I can’t think of right now. I met Ms. Nguyen at Noir at the Bar, and she’s delightful (as was her reading), and of course Curtis and Rob are friends–and Rob is a queer writer of queer mysteries, so huzzah for this groundbreaking win! MORE QUEER WINNERS, please!
And on that note, I am heading into the spice mines for the rest of the day. Have a lovely Sunday, Constant Reader, and I’ll be back tomorrow.
“We Are Family” is one of those songs from the disco era–the ones that still get played on oldies nights in queer bars and continues to live on. Obviously, it’s an iconic gay anthem–about our found families rather than the blood ones that so often want nothing to do with us–and it’s also really popular with sororities…at least it was back then. It’s a very joyful and uplifting song, lyrically, so it’s also fun to belt out at the top of your lungs. Disco was a really fun time for a gay boy in sparsely populated Kansas…it’s where my love of dancing really took off. The dance floor was, for many years, the only place where I felt free.
Yesterday was a decent day. We were very fortunate to not have any of that bad weather that was forecast, at least not here in the Lost Apartment. I’ve not checked on the storm toll throughout the rest of the South yet, primarily because I’ve not even finished my first cup of coffee yet. But I did see yesterday some horrific weather was happening throughout the South as the result of that storm cell yesterday, so I hope everyone got through it okay and is doing well this morning. Weather events are both terrible and terrifying. It’s kind of ironic that my current book I am writing is set during a weather event. But I feel rested this morning and I got up early (Sparky wasn’t quite as kind about letting me sleep later), and am about to start my second cup. I did okay yesterday. I was still mentally fatigued yesterday so wasn’t able to get a lot of creative work done, but managed some. I also did some chores and picked up around here, and walked to Walgreens in the morning to get butter, which I’d forgotten at the store on Friday (and I need a stick of butter for today’s dinner). Aside–Walgreens actually had stock. The one-two punch of Hurricane Ida and the pandemic dealt it a blow I didn’t think it was going to ever recover from; there were empty shelves everywhere, empty refrigeration cases, and you could never be sure they’d the one thing you needed–which happened more than once over the years since then. But I was very pleasantly surprised to see they had finally restocked, and they had things….not just the butter I needed but some other things I also needed and didn’t think they would have. NARRATOR VOICE: They did have those things, which was most pleasing to mine eyes.
This is delightful news–not quite “oh they opened a new Rouse’s in the CBD that’s actually on my way home” delightful, but it’s nice to know that I don’t have to get in the car to go get things necessarily anymore. I love when my life becomes more convenient.
I spent some more time with Moonraker yesterday, and it’s…something. There’s an unemotional distance in Fleming’s voice (he also uses the distant third person omniscient narrator style of writing, which I was trained so long ago not to use–I always use first or close third person, and it always surprises me when I read a legendary author’s work to find they use it), and there’s no sentimentality to it, either. The casual misogyny of the time is an eyeful, as well as the way Bond (and by extension, the secret service and the culture/society as whole) doesn’t really view women as people, but rather as almost ignorant children who need the guiding of a man). It’s also a good reminder that the Bond novels weren’t as over-the-top and tongue-in-cheek as the films1. The original novels definitely have a completely different feel from the movies, that is for damned sure. Fleming died around the time the first film was being made, so he never saw what Hollywood did to his characters and stories. I suspect he wouldn’t have cared much for them; the books are very cold. But it’s interesting to revisit it, and the similarities/prescience of Hugo Drax to Elmo Dusk are definitely eerie and make the book more compelling to read than it would have been a year ago.
Three out of four of the Lefty Awards last night went to friends–James L’etoile won Best Novel; Rob Osler won Best Humorous; and John Copenhaver won Best Historical–and two were openly queer writers writing about openly queer characters! Woo-hoo! The times, they are a-changing! There were also a number of other friends also nominated, so shout out to one and all the nominees and winners! Huzzah!
We did finish watching Running Point, which was a lot of fun and we greatly enjoyed it. We then watched the first three episodes of Adolescence on Netflix, which is disturbingly real. It opens with a 13 year old boy being arrested for the murder of a classmate, and the child is very definitely disturbed. We’ll finish that today probably, but I also have a lot of writing to do. We’ll see how everything goes.
And on that note I am heading into the spice mines. Have a lovely Sunday, all, and I’ll be back at some point.
Ayn Rand, in writing about “heroes” in film and novels, wrote about the early Bond films in an essay about art. I remember how much she loved Dr. No–really one of the only Bonds to be done as a serious film–and how much she hated Goldfinger.↩︎
Friday morning and I am up way early for PT this morning. It feels warmer this morning–it’s in the fifties–but it’s not cold in the Lost Apartment, which is nice. I haven’t slept well now for about two nights running. My sleeping pills are missing–I couldn’t find them last night–which means they were probably left out on a counter and Sparky the Demon thought “toy!” and now I have to really spend some time trying to find them. I’ll make it through today relatively okay, I suppose, since it’s a work at home day, but after PT I have a couple of errands and after that I’ll be home for the day. I did chores last night when I got home, so the kitchen isn’t messy this morning and once I get back. here, it’ll be relatively easy to get the downstairs back under control and launch into the weekend. I have events all day tomorrow on ZOOM for the Bold Strokes Book-a-thon, too. Paul didn’t get home until after I went to bed last night, so I spent most of the evening (after doing some cleaning, which was wise and I am very grateful that I didn’t blow it off) playing with Sparky and watching some television. I watched the new episode of Percy Jackson and the Olympians, which I enjoyed, and then watched some documentaries on Youtube about history–mostly Byzantine, with some French and Austrian thrown in for good measure before going to bed relatively early. I did rest–my body feels very relaxed–but my mind never really shut off completely or for long.
The Lefty and Edgar nominations came out this week, and I have so many friends nominated on either or both lists! It’s always such a pleasure to see friends nominated for awards. It’s also a great opportunity to pick out some more great books to add to the list. I am also delighted to see Rob Osler nominated for Best Short Story (a queer nominee with a queer story!) and there’s another queer story nominated for the Lillian Jackson Braun Award, a book I actually blurbed: The Body in the Back Garden by Mark Waddell from Crooked Lane, so yay for a gay cozy being nominated! It always does my heart good to see queer writers being recognized by the mainstream, which is the kind of progress we’ve been wanting to see for decades. The categories for both the Leftys and the Edgars are stacked this year, which just goes to show how deep the bench actually is in crime fiction–and so many great books that weren’t nominated for either.
I blurbed several books this past year that are coming out now, so I want to go back and reread those so I can blog about them–not only Mark’s book but the new Rob Osler, Cirque du Slay and the new Margot Douaihy, Blessed Water. I also haven’t started reading another book quite yet–I was dragging too hard every night when I got home, really, to do any reading or engage my brain as much as I would like.
I think I may need to read out of my genre next, perhaps some horror? Paul Tremblay? Elizabeth Hand? I have so many great books in my pile, which is a delightful problem to complain about, but the struggle is real. How do I decide what to read when there are so many great books waiting for me to escape into? Maybe I should try to read just the books currently nominated for awards? Heavy sigh. Decisions, decisions.
It looks like we are having yet another hard freeze this evening, so hurray for not leaving the house for the rest of the day once I get home this morning. Sheesh.
And on that note, I am going to get cleaned up and head to PT. Have a great Friday, Constant Reader!
I have really come to love Bouchercon, and it’s always a highlight of my year.
Things have seriously changed for the better.
Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski
Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.
When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.
And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.
It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.
I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.
Should be considered a gift.
A fucking GIFT.
(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.
But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.
I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.
Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)
I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).
And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!
And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.
That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.
Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.
I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.
I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.
Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.
And like water wearing down a stone, we have to keep relentlessly pushing.
(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)
I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.
Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.
So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?
Monday! Back to the office for the weekly routine! It took me awhile to fall asleep last night, but eventually Morpheus opened his arms and welcomed me into the Dreaming, although I don’t remember anything I dreamt last night. Yesterday was, over all, not bad. I’d slept fairly decently Saturday night, but had some trouble with motivation yesterday. I did write a little bit, but for the most part felt burned out and mostly tired for most of the day. The end of the month is nigh, of course, which is a bit of a trip–can it really be August already–and the year is slipping past. I have a busy rest of the year ahead of me, too–after Bouchercon I am having oral surgery, and I am trying to schedule a consultation so I can get my arm surgery scheduled before the end of the year. I’d prefer to do neither, but I am tired of mouth pain and am not sure how much longer I could last dealing with the pain from my teeth. I am just ready to be done permanently with mouth pain.
It was raining when I went to bed last night, so I imagine the sound of rain helped me fall into a deep sleep; if only we could have a thunderstorm every night when it’s time for bed. Paul is leaving Wednesday, so when I get home from work that night he won’t be here. I am kind of in denial about it, to be completely honest. I’m going to be excessively bored, undoubtedly, but the key is to make sure I utilize the time effectively rather than allowing myself to be bored, you know? I can always read something, there’s a lot of shows for me to catch up on that Paul’s not interested in–Superman and Lois, and I should finish Titans, and My Adventures with Superman–and there are other classic films I’d like to watch as well. I can also watch the television in the bedroom and read in bed every night if I so desire.
We did finish watching Last Call last night, which was terribly sad because of how the killer was able to get away with it–twice!–before they finally linked him to the gruesome murders, and the difficulties prosecutors had in determining jurisdiction. We had a serial killer in the aughts who was preying on gay men down in the bayou parishes of Terrebonne and Lafourche back in those pre-Katrina times; no one’s ever written about him as far as I know, and most of his victims were homeless and/or hustlers, so no one cared much about the victims (similar to what happened with the Jeff Davis Eight in the same time period–women with records for prostitution and drugs murdered and no one ever caught or prosecuted) but at least they did finally catch the Bayou Killer (that’s not what his name was; I’m not even sure they gave him one since no one cared about the victims), but what the primary underlying theme to both true crime stories is that the police, for the most part, didn’t care about the victims so they didn’t try terribly hard to find them justice.
Yet another example of the fraught relationship between my community and the cops.
We also watched the first three episodes of Gotham Knights, which was better than I was expecting. DC’s continuity is something I no longer understand, as there are any number of Batman children and Robins and so forth having accumulated over the years, so I am not really sure about how the cast of this show came together–Batman’s adopted son, who isn’t a Robin, is accused of hiring the Joker’s daughter and some sidekicks to murder Bruce Wayne/Batman for the inheritance. Now they–with the help of a young Black female Robin–have to clear their names and catch the real killers, which involves the Court of Owls. I have no idea what’s going on these days in the comics with the Batman family–but I will always think of them as the originals I grew up with: Batman, Robin, Batgirl, and Nightwing (my favorite).
I also spent some time reading Kelly J. Ford’s The Hunt, which I am enjoying a lot. Kelly really gets the Southern working class voice and setting perfectly, and of course, she’s very literate in the way she writes. The book is layered and textured, and captures that small Southern community feeling more perfectly than most writers I’ve encountered. The queers are doing some really great work in crime fiction these days, which is pretty amazing–with amazing new voices coming along, it seems, fairly regularly over the last few years. Kelly, John Copenhaver, Margot Douaihy, Marco Carocari, Rob Osler and PJ Vernon are all doing amazing work and getting mainstream recognition, which is even cooler. Rob’s Devil’s Chew Toy continues to wrack up award nominations for debut novel; he’s currently up for both the Anthony and Macavity, and was one of the finalists for the first ever Lillian Jackson Braun award. Well done, Rob!
I, of course, didn’t complete my ambitious plans for the weekend, and that was in no small part due to that little voice reminding me in my head repeatedly what are you going to do while Paul’s gone–and of course, it never takes much persuasion for me to procrastinate or to be lazy, so I would give in and go do something besides sit at the computer and write, which is of course terrible. But I also didn’t want to not spend time with Paul while he was awake, either, since he’s leaving on Wednesday. Sigh. It truly never ends.
And on that note, I am heading into the spice mines. Have as lovely a Monday as possible, Constant Reader, and I will check in with you again later.
Wednesday and Pay the Bills Day has rolled around yet again. Woo-hoo!
Yesterday I was working on cleaning out my inbox–an ongoing struggle, but it’s suddenly gotten easier lately–and around noonish an email from Left Coast Crime dropped in letting me know that A Streetcar Named Murder had been selected as a finalist for the Lefty Awards! I certainly wasn’t expecting anything like that to ever happen, so thanks to everyone who listed me on their ballot. It’s a tough category–the other nominees are Ellen Byron for Bayou Book Thief, Catriona McPherson for Scot in a Trap, Jennifer Chow for Death by Bubble Tea, and A. J. Devlin for Five Moves of Doom. Such a thrill, really, and to be nominated against authors for whom I have so much respect and admiration for their talents and achievements already? And so many other amazing nominees in the other categories as well–including lots of friends! Kellye Garrett, Alex Segura, James L’Etoile, Karen Odden, Laurie R. King, Gigi Pandian, Rob Osler, Eli Cranor, Wanda Morris, and Catriona again (nominated TWICE!!!!). I’m really sorry I won’t be going to Left Coast this year. I had a marvelous time last year, but it’s also the week before TWFest and Saints & Sinners, and there’s no way I could take that much time off so close together–let alone leave the week before the festivals. I’d come home to find the locks changed, seriously. So many amazing reads this past year on this list, and there I am, right there with some of my favorite people.
It’s always lovely to get recognized, of course. Award nominations are always a lovely pat on the back, and yes, while I often joke about always losing everything I am ever nominated for (I love pretending to be bitter and cynical about losing awards), it is indeed a great honor and a thrill and all those things they’re supposed to make you feel like. Being nominated for mainstream awards, like this and the Anthonys, was never in my thoughts or calculations (to be fair, I never think about awards when I’m writing something)–so yes, for the kid who used to give acceptances speeches to the mirror holding a shampoo bottle as a stand-in for an Oscar, it’s an honor and a thrill and a privilege. I mean, winning isn’t really in my control–anyone who’s ever nominated’s control–so I just look at it as a lovely nice job thumbs-up from the community and add it to my author bio.
I slept really well again last night and this morning I don’t feel tired or sore and my mind is completely alert–yesterday there was some residual fog from my trip still, and leftover exhaustion–but today feels absolutely great. I ran errands after I got off work yesterday–some books and other things came in the mail yesterday, including my Rainbow candles (a client gave me one for Christmas; I loved the smell, and then had to go searching on line to find more of them) and the leather-bound copies of Rebecca and Echoes from the Macabre by Daphne du Maurier as produced by the International Collectors’ Library (about time I got two really nice editions of two of my favorite books). I was terribly tired when I got home from work yesterday so I pretty much melted into my easy chair with Scooter asleep in my lap and just watched videos on Youtube (I went down a Rihanna wormhole for a good while–I’d forgotten how amazing her music was–while also looking up videos from Hadestown, whose score I’ve been listening to every since I got home; I cannot tell you how much I loved this show). I need to pay the bills today and get back to work on the book–I’m behind again and am really going to have to work my ass off to get it done by the end of the month now, no time for goofing off or anything other than a major push; I also have a short story to finish that I’ve promised to a friend for an anthology; that will be a nice creative and intellectual challenge to try to get finished around the book, too.
So, yes, Constant Reader, as you can probably tell I’m in a really good place this morning. My coffee is marvelous, I got a lovely pat on the back from the mystery community yesterday (“they like me! they really like me!”), and I am feeling great about my writing and my future. We’ll see how long this happy feeling and inspiration lasts, won’t we? I also think the cold or sinus thing that’s been going on with me since I flew to New York has finally been given the boot by my immune system, which is really nice. (I always feel terrible when I travel–part of it is the lack of sleep and the dehydration caused by the pressure changes required for flying; one of these days I’ll learn to drink water and replenish electrolytes when I travel instead of just drinking Cokes and coffee and alcohol; you’d think I’d know better by now but I clearly do not) But I feel like me again for the first time in what seems like a really long time, and it’s going to take some getting used to and adjusting again. (This weekend especially is going to feel weird as fuck, to be honest.)
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will chat with you again tomorrow.
And here we are, on the final day of the year 2022. Happy New Year, I guess? It doesn’t feel like the year is turning, but everything has felt so totally out of whack since the 2020 Shutdown that it’s not a surprise, really. As I sit here bleary-eyed with my coffee trying to wake up for another thrilling day of writing and cleaning, it seems very weird to look back to a year ago at this time. I was on deadline then, too–and was way behind on that book, too (A Streetcar Named Murder, for the record), but other than that I don’t remember what my mood was like or what I was thinking about going into the new year. We were still in the midst of the pandemic (that hasn’t changed–what’s changed is it isn’t news anymore and everyone seems to be pretending it’s all over), and I know I wasn’t exactly going into 2022 thinking oh this is the year I’ll get the coronavirus! That did happen, and my ten-day experience with COVID-19 was bearable for the most part. I just had intense and severe exhaustion as well as the brain fog, which hasn’t entirely lifted. I still have no short term memory, and am struggling to remember things every day–which has made writing this book more difficult because I can’t remember small details and things that are kind of important. I also think being so scattered isn’t much help in that regard; I’ve never been able to handle getting a grip on things and have felt like I’ve been behind the eight-ball for the last three years, floundering and struggling to keep my head above water, and never confident that I had a handle on everything. It’s been unpleasant, really; I prefer to be better organized and to have things under some sort of manageable control, and this constant feeling that I am behind and will never catch up on everything has been overwhelming, depressing, and damaging.
I read a lot of great books this year–I was going to try to make a “favorite reads of the year” list, but as I went back through the blog for the last year looking at all the books I talked about on here, there’s no real way for me to quantify what were my avorite reads of the year. I managed to read both of Wanda M. Morris’ marvelous novels, All Her Little Secrets and Anywhere You Run; Marco Carocari’s marvelous Blackout; John Copenhaver’s The Savage Kind; Carol Goodman’s The Night Villa, The Lake of Dead Languages, and The Disinvited Guest; Ruth Ware’s The Death of Mrs. Westaway and The Woman in Cabin Ten; Raquel V. Reyes’ Mango, Mambo and Murder; Ellen Byron’s Bayou Book Thief; Rob Osler’s debut Devil’s Chew Toy; Mia P. Manansala’s Arsenic and Adobo; Kellye Garrett’s Like a Sister; Alex Segura Jr’s Secret Identity; Laurie R. King’s Back to the Garden; Tara Laskowski’s marvelous The Mother Next Door; James Kestrel’s Five Decembers (which would be a contender for favorite read of the year, if I did such things); and of course several Donna Andrews novels as well. I am forgetting some great reads I truly enjoyed this past year, I am sure–I will kick myself later for not remembering I Play One on TV by Alan Orloff, for one example–but it was a year of great reads for me. I know 2023 will also be a great year for reading.
I also watched a lot of great television this past year as well, and again, I won’t be remembering everything and will kick myself later. If nothing else, it was a year of some amazing queer representation on television; this was, after all, the year Netflix not only gave us the wonderful, amazing, adorable Heartstopper but the equally charming and adorable Smiley (which you should watch, absolutely). It was also the year where Elité continued, but the shine is starting to go off the show a bit. I was very vested in their Patrick/Ivan romance, which they ended in this last season with Manu Rios, who plays Patrick, leaving the show at the end of the season along with his two sisters (spoiler, sorry), which was dissatisfying. I am looking forward to seeing what else Manu Rios gets up to in the future…we also enjoyed 1899, Andor, Ted Lasso, Sex Lives of College Girls, Peacemaker, The Sandman, House of the Dragon, Ozark, and so many other shows I can’t possibly begin to remember them all this morning. But I have no problem saying that without question my favorite show of the year was Heartstopper. Even just looking at clips on Youtube, or those “Ten Cutest Moments on Heartstopper” videos, always makes me feel warm and fuzzy when I view them. The soundtrack for the show was also terrific, with some songs so firmly engrained in my head with scenes from the show (one in particular, Shura’s “What’s It Gonna Be” always makes me think of that scene where Charlie comes running after Nick in the rain to give him another kiss, which is what was playing in the background). Wednesday was another highlight, a surprising delight when I was prepared to have my hopes dashed, and The Serpent Queen was also a lot of fun. We also enjoyed The Bastard Son and the Devil Himself, but it was cancelled after its first season, which was disappointing.
Professionally, it was a pretty good year in which I had three book releases: #shedeservedit in January and A Streetcar Named Murder in December, with the anthology Land of 10000 Thrills, thrown in for good measure in the fall. I sold some short stories that haven’t come out yet, as well as some that did this last year: “The Rosary of Broken Promises,” “A Whisper from the Graveyard,””The Snow Globe,” and “This Thing of Darkness” all came out in anthologies this year, with “Solace in a Dying Hour” sold and probably coming out sometime in the spring. I also sold another story to another anthology that will probably come out in the new year as well, and I still have one out on submission. In what was probably the biggest surprise of the year, last year’s Bury Me in Shadows was nominated for not one, but TWO Anthony Awards (Best Paperback Original and Best Children’s/Young Adult) which was one of the biggest shocks of maybe not just the year, but definitely one of the highlights of my career thus far. I lost both to friends and enormously talented writers Jess Lourey and Alan Orloff respectively, which was kind of lovely. I had been nominated for Anthonys before (winning Best Anthology for Blood on the Bayou and “Cold Beer No Flies” was nominated for Best Short Story), but being nominated for one of my queer novels was such a thrill–and to have it nominated in two different categories was fucking lit, as the kids would say. The response to A Streetcar Named Murder was an incredibly pleasant surprise; people seemed to genuinely love the book, which was very exciting and cool.
I traveled quite a bit this year as well–going to Murder in the Magic City/Murder on the Menu, Left Coast Crime, the Edgars, Sleuthfest, and Bouchercon. I went to Kentucky twice to see my family, which further fueled my love of audiobooks for long drives–on both trips I listened to Ruth Ware on the way up and Carol Goodman on the way back–and also did some wonderful podcasts and panels on-line, which was nice. We didn’t go to any games this season in Baton Rouge, but in all honesty I don’t know if I can hang with a game day anymore–the drive there and back, the walk to and from the stadium, the game itself–I would probably need a week’s vacation afterwards!
College football was interesting this season, too. This season saw the reemergence of Tennessee, USC, and UCLA to some kind of relevance again; the slides of the programs at Texas A&M, Florida, Oklahoma, Auburn, and Texas continued; and LSU turned out to be the biggest surprise (for me) of the year. Going into the season I had hopes, as one always does, but after two years of consistent mediocrity (with some surprise wins both years) they weren’t very high. The opening loss to Florida State was a surprise and disappointment, but at least the Tigers came back and almost made it all the way to a win. The blowout loss to Tennessee at home was unpleasant, certainly, as was the loss at Texas A&M. But LSU beat Alabama this season! We also beat Mississippi, so LSU was 2-2 against Top Ten teams this season–and I would have thought it would be 0-4. And 9-4 is not a bad record for a transitional year, with a new coach rebuilding the program. And LSU beat Alabama. The Alabama game will undoubtedly go down as one of the greatest Saturday night games in Tiger Stadium. It was incredibly exciting, and I still can’t quite wrap my mind around it or how it happened. It certainly shouldn’t have; LSU was simply not an elite-level team this past season, but what a job Brian Kelly did coaching in his first season in Baton Rouge. Did I mention that LSU beat Alabama this year? (And one really has to feel for Alabama, in a way; they lost two games by a total of four points on the last play of each game. Four. Points. That would probably be what I would call this season for Alabama: Four Points from Greatness. The LSU-Alabama game this year is definitely one of those that gets a nickname from the fan base, I am just not sure what it would be. The Double Earthquake Game? (The cheers when LSU scored in overtime and then made the two point conversion registered on the campus Richter scale) The Conversion Game? I don’t know what it will be named for all eternity, but it was an amazing game. I do think it also bodes well for the future for LSU. Will both LSU and Tennessee (which also beat Alabama for the first time in like fifteen years) be able to consistently compete with Alabama now? Has Georgia taken over as the SEC behemoth? Has the Alabama run ended? I don’t think so–they have an off year where they lose two or three games periodically (2010, 2019, 2022)–and they could bounce right back. next year and win it all again. You can never count them out, even in their off years.
As for the Saints, they swept Atlanta again this year, and that is enough for me.
I did write a lot this year, even though it didn’t seem like I actually did while the year was passing. I also worked on Chlorine and another project I am working on throughout the year, as well as the novellas, and of course, I was writing short stories and essays for much of the year. I also read a lot more New Orleans and Louisiana history, and I had tons of ideas for things to write all year long. I did make it to the gym on a fairly regular basis at the beginning of the year, but then it became more and more sporadic and after my COVID-19 experience, never again. I also injured my arm a few weeks ago–when I flex the bicep it feels like I have a Charley horse, so not good, but it doesn’t impact my day to day activities. I also had my colonoscopy at last this past year–the prep was horrific, and I am really dreading doing it again at sixty-five, should I make it that far.
Yesterday was a nice day. I was exhausted, and after my work-at-home duties were completed I did some chores–laundry, dishes–and I also spent some time both reading (A Walk on the Wild Side) and writing. I also watched the Clemson-Tennessee Orange Bowl last night before Paul got home from his dinner engagement and we watched a few more episodes of Sex Lives of College Girls. Today I am going to read a bit this morning with my coffee before getting cleaned up and diving headfirst back into the book. Paul has his trainer today and usually either goes to the gym to ride the bike or to his office to work for the rest of the afternoon, so I should be able to have some uninterrupted writing time, which will be lovely. And on that note I am heading into the spice mines. Have a happy and safe New Year’s Eve, Constant Reader, and I will check back in with you later.
When I was being interviewed for the Sisters in Crime podcast the other night, Julie Hennrikus (their marvelous executive director) asked me, through a series of interesting questions, to basically start tracing back my writing career and how it came to pass–in particular, the young adult fiction I write (for that part of the interview, at any rate) and so I was recounting how I had decided, in the early 1990’s, to try writing y/a horror/paranormal/crime novels, inspired by Christopher Pike and, to a lesser degree, R. L. Stine. This was the period when I wrote the first drafts for Sorceress, Sara, and Sleeping Angel…and when asked why I put them in a drawer and switched back to writing crime novels for adults (or trying to, at any rate) I remembered that it was because I had suddenly discovered that there was, in fact, such a thing as queer mysteries: mysteries written by gays and lesbians with gay and lesbian characters and gay and lesbian themes (there wasn’t much trans or bisexual or any other kind of queer crime fiction at that time–at least, not to my knowledge). I had known that queer fiction and non-fiction was a thing, but it was Paul who actually introduced me to writers like Michael Nava, Steve Johnson, and Richard Stevenson. When I lived in Minneapolis that bitterly cold winter of 1996, the Borders in Uptown Square (just around the block from our apartment) had an enormous gay/lesbian section that I visited every week, immersing myself in queer fiction and its history as well as exploring the new-to-me world of queer crime novels.
In the years since, I’ve watched the ups-and-downs of queer publishing, all while writing and publishing my own books. Queer crime is currently having a renaissance of sorts; new talents coming up with wonderful new titles and themes and stories that is very exciting to watch.
A good example of this would be Devil’s Chew Toy, by Rob Osler.
Half opening my good eye, I squinted up at the fluorescent tube hanging from the stained popcorn ceiling. The club’s manager had suggested the storeroom as a place for me to chill until my nose stopped bleeding. I appreciated the gesture. The idea was a win-win. It saved me from the pointing and whispers of the crowd, and getting me off the dance floor restored the party atmosphere typical of a weekend night at Hunters.
Despite the damage done to my face, the worst of the experience had been me being the center of attention for all the wrong reasons–embarrassing for most, excruciating for yours truly. Everyone who knew me would say I was quiet and reserved–perhaps to a fault. My latest ex has joked that my tolerance for thrill-seeking maxed out on the teacups ride at Disneyland.I’d brushed off the comment with a laugh, but in truth, the remark had stung. Being five foote four (rounding up) and weighing 125 (again, rounding up) makes one sensitive to such jabs. Add in the fact that I’m freckled and possess a shock of red-orange hair that that same ex had pegged as being the color of a Cheetos bag, and you understand why I make take offense.
“Damn, dude, you’re going to have a nasty shiner. Does it hurt?”
First of all, can I just say how lovely it is to read a queer novel that opens in a gay bar? It’s been a while since I’ve read one, and I honestly can’t remember the last time I read one that wasn’t published by a strictly queer publisher–which Crooked Lane, the publisher of Devil’s Chew Toy, most definitely is not. It was also nice to have the book open with such a bizarre and out of the ordinary experience–our main character, Hayden, was kicked in the face in a weird accident while trying to tip a really hot stripper, Camilo, who slipped and fell, ending with Hayden looking like he’s been in a fistfight. Hayden, who is a self-described “pocket gay” (from “oh you’re so small I could put you in my pocket and take you home”) and has low self-esteem, is more than a little surprised when the apologetic and gorgeous stripper offers to take Hayden home with him. Camilo is a very sweet guy and only wants to cuddle, and Hayden drifts off to sleep cuddled up with him.
But when he wakes up, Camilo is gone. Camilo also has a dog who needs to be taken care of, and then the police show up at the door looking for Camilo–whose pick-up truck was found, running, with the keys in it and the doors open, in a parking lot. There’s also the possibility that Camilo may have been involved in something shady–which Hayden, despite not really knowing the stripper, doesn’t believe for a minute. He also can’t just abandon Camilo’s dog–despite the fact his own apartment complex has a “no-pet” rule. So Hayden decides he needs to find Camilo, if for no other reason than to return his dog–and the story is off to the races. Hayden encounters all kinds of interesting queer folk while on his hunt for Camilo, makes some new friends, and we the reader get to know him a lot better (he’s very likable) as the story goes on, taking some surprising twists and turns along the way.
I greatly enjoyed this book. It’s very well written, flows nicely, and the plot makes sense–which isn’t always the case–but that comes as no surprise. Rob Osler not only debuted with this novel earlier this year, but his first publisher short story won the Robert L. Fish Memorial Award from Mystery Writers of America this past spring for Outstanding Debut Short Story.
I’m really looking forward to visiting with Hayden again, and am excited to read more of Rob’s work.
Friday. I am taking a personal day today so I can try to get caught up on some things that slid while I was gone and haven’t had the chance to do anything about. I have to head out to Metairie to pick up my new glasses, have another errand to run out there, and also have a prescription to pick up at some point. I also have to make groceries and go to Costco sometime soon; maybe today, maybe not. We’re supposed to get a lot of rain this weekend–it’s summer in New Orleans: hot, humid, chance of rain–and am thus hoping that I’ll be able to not only get a lot done but be able to read cozily under a blanket while listening to the rain in the background. I slept very well last night, and am just going to do some mild stuff around here before it’s time to go run the errands and get back home to firmly set nose to grindstone. I feel very well rested this morning, despite getting up before eight (I actually woke up at five, but was easily persuaded into going back to sleep for a few more hours), and am looking forward to a restful if productive weekend.
I was a little surprised to see that the last two episodes of Stranger Things are much longer than the previous ones; the series/season finale is two and a half hours long. So we watched the one and a half hour second-to-last episode before switching over to this week’s Loot. I guess we’ll finish watching Stranger Things tonight, but it was disappointing; I thought for sure we’d be able to finish it last night. Why do the last two episodes total four hours of viewing? It doesn’t make much sense to me, and again, I was rather disappointed, primarily because I am really enjoying this season and am looking forward to finishing the series. On the other hand, watching the series finale will take up all of our television time this evening, so we won’t have to make a decision about what else to watch tonight at any rate. Conundrums a’plenty here, aren’t there?
I also want to finish Rob Osler’s book Devil’s Chew Toy, which is charming but I’ve been too drained to look at this week. I’m not sure what I am going to read next–I have so many options, all of them good–and of course today I have to polish a short story since the anthology closes for submissions at midnight. I’d like to get the copy edits for the Bouchercon anthology out of the way once and for all–a goal for the weekend–and I am thinking perhaps for my next read I might read something horror rather than mystery; I can’t really decide and as usual, will actually go ahead and decide once I’ve finished the current read and see what appeals to me. I have such a plethora of riches here in the massive TBR stacks and piles it’s not even funny. (I am also resisting the urge to buy more books, doing which would not be a good thing. A lot of really good books are dropping right now, but I have to be strong and hold firm.) I think when I get home from my errands today I may just curl up in my easy chair and finish the book. I don’t want to give the impression I am not enjoying it; my brain is often fried after I get off work and do some writing and/or editing once I get home and all I am good for is watching something mindless, like Real Housewives’ Ultimate Girls’ Trip, which has been highly entertaining so far, until Paul gets home.
I also need to pick out a Tennessee Williams quote for the opening of Mississippi River Mischief.
I’m not very exciting or interesting this morning, am I? Sorry about that, I think my brain didn’t reset over night or something; it feels rather intellectually burnt out, if that makes any sense. It’s okay, most of anything that I’ll be doing today doesn’t really require my creative brain but rather the editorial side, yet it would be nice to get some new writing done–on the other hand, I am going to be out running around in the heat today, which is going to be tiring and exhausting and probably by the time I get home from it all, I’m just going to want to collapse into my chair and read, which is also fine. A very important rule for being a writer is to also be a voracious reader, and I’ve not exactly been voracious in a while. I didn’t read hardly at all, for example, at Sleuthfest–but on the other hand I was also doing a lot there and not sleeping well. (I also didn’t write much while I was there; I did get some writing done in the mornings but it literally wasn’t a good writing weekend for me, either.)
And on that note, I am heading into the spice mines. Another cup of coffee, another load of laundry, and some cleaning are in order for the next hour or so. Have a lovely Friday, Constant Reader!
And he is home in the Lost Apartment, swilling coffee after having a good night’s sleep for the first time since, well, last Tuesday night, really; I had to get up at five on Thursday, after all. I got home around nine last night; I got a ride to the airport many hours before my flight–which I don’t mind, as long as I have something to read and an Internet connection, I am more than capable of entertaining myself. The flight home was uneventful, I retrieved the car and there wasn’t any traffic to speak of on I-10 so the drive home was practically nothing. Now I have to adjust back to my normal reality, which is also fine–it can be very tiring and exhausting being at a conference for the weekend, but as I mentioned yesterday, I had a marvelous time. Sleuthfest is a lovely event (kudos to the Florida chapter of Mystery Writers of America, with an especial shout out to president Alan Orloff and chairs Michael Joy and Raquel Reyes) I’ve always enjoyed when I’ve had the opportunity to attend; I certainly hope it works out for me to go again next year. I met some new people and reconnected with others I’ve not seen since pre-pandemic (some of course I’ve met and seen since the pandemic started), and over all, it was truly a lovely weekend. I also managed to get some writing done over the course of the weekend, which is always a pleasant surprise when it happens.
But there’s also something quite lovely about being home, in my own desk chair drinking my own coffee and looking at my big desktop screen instead of the laptop. I have a million emails to get through and try to answer; data to enter for my day job; and at some point later today I have to run errands and finish re-acclimating to New Orleans and my usual, ordinary, day to day existence. I did manage to finish reading my friend’s manuscript (which I greatly enjoyed), as well as The Great Betrayal, and got about half-way through Rob Osler’s debut Devil’s Chew Toy, which I hope to finish this week. I have some stories to finish polishing to get out into the world this month, and I need to get back to the writing, of course. I’m also still a little reeling from how well my reading from Chlorine went at Noir at the Bar; yesterday people were still coming up to me to tell me how much they enjoyed it and how much they were looking forward to reading it when it’s finished. I suspect Chlorine might be the breakout book I’ve been waiting to write most of my career…it certainly seems like it, doesn’t it?
I am feeling a bit better about where I am at with everything and my writing, I have to say. That’s the lovely thing about events like Sleuthfest–writers with careers like mine often are operating in a vacuum. Sure, people say nice things to us about our work on social media or in Amazon or Goodreads reviews, but for the most part we don’t get many opportunities to engage with readers or other authors in person. I doubt, for example, that I will ever be so popular that my signings or readings or appearances will be ticketed events. It’s always possible, of course, but at this point hardly likely. having in person interactions with other writers and readers. Writing is different from other jobs; you mostly do it by yourself and it’s not like you have an office filled with other co-worker authors to go to every day. I never am overly concerned about how good of a job I am doing at my day job; I know my job inside out and I provide good care and education to my clients every day. But writing is an entirely different animal. You work on something by yourself for quite some time and polish it and edit it and rewrite it and you have no idea what’s going on with it–if it’s any good or not, because you’re not a good judge of your own work, and then you send it out and wait and wait and wait to find out if it’s any good or remotely publishable. And even then, you don’t get any feedback outside of your editor for months and months and months after you wrote it–and in some cases, by the time the book or story comes out, you’ve completely forgotten what it was about and who the characters were and so on.
Heavy sigh.
That’s why, at least for me as an author, going to events like Sleuthfest are so important. I need that reinvigoration every once in a while; it inspires me and pushes me and gets me back to feeling like an author again. It’s really nice.
But now I have to get back to reality–balancing day job with writing and volunteer work and keeping the house–and I know my next event will be Bouchercon in September, at the end of the dog days of summer and as football season once again kicks into gear. So for now, I am going to make another cup of coffee, put some things away and start doing some chores around here before I dive back into the duties of my day job. Have a lovely Monday, Constant Reader, and I will talk to you again tomorrow.
Queer and Loathing in America 