Tag: Never Kiss a Stranger

Sweet Mary

Preparing for a workshop on writing sex scenes is not as easy as one might think. And of course, I have to do it today since the workshop is tomorrow morning, but I am going to have to do it around appointments and driving all over the metropolitan area of the city and it looks like we’re going to be having a shitty weather day on top of it all. Huzzah. I did sleep in this morning–I suspect my Fitbit, which I am not so sure I trust anymore is going to tell me that I didn’t sleep well (oh, there was some thunder!) and in just now checking the weather I see we are going to be having thunderstorms during the entire time I will be out dashing around the city. Huzzah.

Heavy heaving sigh.

Last night after Paul and I got home, I finished (I’d started the night before while I was waiting for Paul to come home) watching the first episode of The Real World New Orleans: Homecoming, or whatever it’s called. We used to watch The Real World religiously; I think we stopped watching during the Austin season, and never went back. But we were very excited back in the day when the New Orleans show was announced, and of course, even in those pre-Internet days stories about the cast and the filming used to break in the newspaper. They also were living in the Belfort mansion, which isn’t far from where we lived then (and now), but in the years since it’s turned into a boutique hotel. (The owner–mentioned but not by name–used to work out at my gym.) I am not sure where the house they are living in for this taping is, but I think it’s on Esplanade Avenue; I don’t recognize it from the exteriors. I never really had put a lot of thought into the shows before it filmed here–but once it started, I started to understand that “reality television” wasn’t really reality. They weren’t on camera 24/7, like the show claimed, and they also set up shots and maybe there wasn’t a script, per se, but it wasn’t “real”–we used to see the cast walking around the neighborhood, followed by a film crew that wasn’t filming them. They also filmed in places we knew; Danny the gay one worked as a bartender in one of the gay bars (I want to say Oz? I could be wrong, it’s been over twenty-odd years), and of course we used to see them and the signs on the doors of businesses announcing that the show would be filming there, the time they would be filming, and being present inside during those times meant consent to being filmed unless you advised the crew otherwise (those people who are pixilated out in background scenes didn’t give consent). The “job” the cast did while here was to produce a talk-type television show on local public access which began airing while they were still filming; Paul and I actually caught it by mistake flipping through the channels, and as we watched it, we both said, “Oh, this isn’t going to go over well here”–they were being hypercritical of the city, and yes, as you can imagine, it didn’t go over well. Places began denying them the right to film there, they were criticized everywhere–from all the local newspapers to all the local media–and they eventually had to apologize in order to get places to let them film. (I actually kind of felt sorry for them–they were kids, for Christ’s sake.) The reunion show is weird to watch–again, they were going to places I recognized (the drag show was at the Bourbon Parade, the dance club above the Pub), but it’s also weird to see how they look now, who they’ve become, and hear their stories about the impact being on the show had on their lives.

Then Paul came back downstairs and we watched the first two episodes of the new Queer as Folk, which was filmed here and is also set here. New Orleans is a beautiful city, and that’s one thing the producers and editors decided to play off; the show is beautifully filmed, and they made sure they showed off the city’s beauty at every opportunity they had. It was kind of choppy at the start–uneven, but first episodes when you’re launching a new series often are; it is the rare show that pulls off the first episode perfectly, especially when there’s a large ensemble cast. I love the cast, by the way; it’s mixed and diverse and displays a broad spectrum of the community, as opposed to the original (with its focus on white cisgender men, with the token lesbian couple thrown in just for fun). Paul and I watched the original primarily to be supportive; we knew it was a groundbreaking show and we needed to support it so networks would see there was value in queer programming, but neither of us were really fans of the show itself. It was very earnest, very ABC Afterschool Special and preachy when it came to important topics; and then would veer off into the ridiculous. For me, it was this weird mix of a Very Special Episode and silliness, and it is virtually impossible to do both. Daytime soaps make it look easy, but it’s not that easy to do–we always kept saying, “they need to either decide if they want to be a serious drama or gay Melrose Place” (obviously, we were hoping they’d go the Melrose Place route), but it seems like this reboot–despite the shaky opening–is off to a good start. We will continue watching, and hoping for the best (my supervisor at my day job filmed with the show; he does drag as Debbie with a “D”–his outfits and lewks are fucking amazing, so I am also hoping to see Debbie on the show)–and as Paul said, (and is why I’ll keep watching that awful Homecoming show) “at the very least, the city looks beautiful.” Babylon, the queer bar in the show, was actually in the neighborhood of my old office; it sits on the corner of Frenchmen Street and Chartres, and that neighborhood you see in the show isn’t the Quarter but the Marigny (I miss my old office on Frenchmen Street). We will probably continue watching it tonight, and I am kind of oddly looking forward to it. I am definitely here for all the queer rep on television lately, even as the trash continues to come for us and our rights.

Yes, I said trash, even though the word hardly expresses my deep, abiding, and utter contempt for those who hate me and my community and wish us dead.

And there’s the rain.

AND the obligatory flash flood warning came right after it started, of course.

Heavy sigh.

I did work on “Never Kiss a Stranger” yesterday some; it’s now about twenty-four thousand words, for those who are keeping track. I am really liking the story and I am really enjoying working on it, for those who were wondering. It’s nice to be writing again and enjoying it–it’s been weird this past year how that has gone; but I’ve also come to recognize that I have had periods of my life where I was going through depression and didn’t realize its extent until it had passed. I feel like I’ve been experiencing at the very least low-key depression since March 2020–the kind where I am tired all the time, not sleeping well, and even when I look back at that period, I’ve either forgotten everything and what I actually can remember…it’s through a bit of fog, with darkness around the edges…and I’ve not really been enjoying writing since March 2020, if I’m going to be honest. I am enjoying it again–good thing, since it’s compulsive for me and I always will do it, regardless of how I feel about it–but my writing has always been a source of joy for me, and having that not be the case has been very unpleasant. I’ve really not been finding much joy in anything since March 2020, but I also feel like I’ve kind of turned a corner, somehow–my brain snapped or something and it snapped back into the place where it should have been all along.

And on that note, best get ready to head out to Metairie in a thunderstorm in flash flood conditions. Woo-hoo!

Talk to you tomorrow, Constant Reader.

The Wedding Song (There Is Love)

Thursday morning and my last day in the office of the week–tomorrow I took the day off for miscellaneous appointments and things (and yes, a trip to Metairie is required, sigh) which will be nice. I don’t have to get up super-early to go, for one thing, so I can allow myself to sleep in a bit, and then I can leisurely enjoy my coffee throughout the morning before it’s time to head out there. I am also going to stop at Costco on the way back home, so it’ll be a big day for one Gregalicious. I imagine by the time I get home I will be hot, sweaty, crabby and ready to spend the evening inside with the air conditioning.

Such an exciting life I lead!

I slept really well last night–an enormously pleasant surprise, given the questionable sleep I got the previous two nights–but according to my Fitbit, it was yet another bad nights’ sleep. I am beginning to think my Fitbit doesn’t know what it’s talking about when it comes to my sleep, you know? I feel rested and a bit groggy this morning, which hopefully the coffee will take care of (fingers crossed) but I will say yesterday I felt a bit out of it for most of the day. I didn’t get nearly us much accomplished as I’d intended when I got home from the office last night–I didn’t really do much of anything, to be honest. I wrote for a little while before retiring to the easy chair, where I fell into a spiral of videos about French history, which is always fun for me. When Paul got home we watched Obi-wan Kenobi, which I am really enjoying, on-line haters be damned, and the little girl who plays Princess Leia is fantastic–it’s completely believable she would grow up into Carrie Fisher’s Princess Leia, and props to Disney Plus for pitch-perfect casting. The show is also doing a really great job of filling in some gaps in the story of Star Wars, too.

Today hopefully will be a good one. I want to get some more writing done–for whatever reason, “Never Kiss a Stranger” is finally taking shape the way I want it to, although now I am worried that its going to wind up being far too long, and far too melancholy, than I want it to be. Its a melancholy story, really, so that’s probably a really good thing, but…I don’t suppose melancholy is the right mood; I am thinking I want to go for a Daphne du Maurier tone (which I love); I don’t want to call it gothic either, but if you’ve read du Maurier you know what I mean. Hmmm, perhaps I should dip into her collection Echoes from the Macabre again, to get a better sense of what I am talking about here…that is actually a really good plan, now that I think about it.

You can never go wrong rereading du Maurier.

One thing that is interesting/kind of fun about writing this novella is that it is set in a place that no longer exists–New Orleans in 1994. I was talking to some of my younger co-workers (ha ha ha, they’re all younger now, I am the old man of the department by a LOT now) about how different New Orleans was when I moved here in 1996 than it is now; and I was thinking about that some more last night. Gentrification hadn’t really gotten started in the city yet; it was a crumbling, dying city whose glory days were in the past. The Lower Garden District was considered a bad neighborhood back in those days; we moved in just as it was started to regenerate…but there was still a crack house next door, and of course the Camp Street on-ramp to the Crescent City Connection was still there, about fifty yards of concrete climbing into the sky and just ending (if you ever watch the Brad Pitt/Tom Cruise version of Interview with the Vampire, there’s a scene when Louis–Pitt–leaves a movie theater in New Orleans that is showing Tequila Sunrise. That was the Coliseum Theatre, which was closed but still there when we moved into the neighborhood. It burned to the ground a few years later. Anyway, as Louis/Pitt walks out, the camera pans back and shows a highway on-ramp with cars going up–that was the old Camp Street on-ramp, still in use when the movie was filmed but not when we moved here two or three years after the movie’s release). I also imagine that on-ramp, when it was still connected to Highway 90, was a bitch for traffic in the neighborhood, since the bridge backs up all day now; I imagine there were times when that ramp backed up all the way down Camp to probably the Garden District. Where it was now is a lovely neutral ground that separates Camp and Coliseum Streets, beautifully designed and landscaped so it seems like a perfect extension of Coliseum Square. That’s why I want to write about that time period, when gay bars still occasionally got raided by the cops, when there were still two bathhouses in New Orleans, when many of us could only be openly gay when we went to the bars in the Quarter on the weekend, and how frenetic and wild and crazy those weekends were; all the gay bars in the Quarter were packed every weekend, and of course, deeply closeted gays from the surrounding areas–the rural parishes and Mississippi–would come into the city so they could let go and be free.

But even that wasn’t a guarantee of anything, either. Death stalked the gay bars back in those days–another reason I want to write about that time–and you couldn’t really trust the cops and sometimes it was dangerous to walk back to the lower Quarter or Marigny where you’d parked your car. There was this weird sense of being an outlaw; despite the Lawrence v. Texas decision there’s still a sodomy law on the books here in Louisiana, and once this Supreme Court gets to decide Lawrence v. Texas was wrongly decided (because make no mistake, this Supreme Court is definitely going to dial us back to 1900, and it wouldn’t surprise me if they decided to take the right to vote away from women, too), once again my sex life will become an enforceable crime in Louisiana yet again.

Sigh.

Well, writing that last paragraph certainly made me melancholy. Too bad I don’t have time to work on the novella before heading into the office. Have a great Thursday, Constant Reader! I will chat with you again tomorrow morning.

Here Comes the Sun

Wednesday and yet another edition of Pay-the-Bills Day (woo-hoo?). Another fairly restful night of sleep, one more day to get up this early this week, and before I know it, it’s the weekend. Huzzah!

Yesterday wasn’t a bad day. I wasn’t tired until late in the afternoon, and I stopped at the grocery store on the way home from the office (Christ, the price of everything has so dramatically increased!) and then came home to do a load of dishes and finish the laundry I’d started the night before. Paul was home late from the office–we watched an episode of Why Are We Like This, which is a very weird show about three young people that are friends and kind of awful, but it had some funny moments. I think it’s an Australian show? It was short, and that was really the point–Paul got home too late for us to watch a show that lasted an hour, and I think we’re all caught up on hour-length shows anyway–and then it was off to bed with me. I did work on “Never Kiss a Stranger” again last night–I got the sinking suspicion I was making the story too long again, but I don’t care; the whole point of a novella is you have more room than you do in a short story. I also spent some time cleaning up my CV–it’s still not entirely up to date, but I really don’t want to get that box down from the attic with all my newspaper and magazine articles stored inside, so I can make it up to date–but at least now the short story section is accurate and in date order (I may still be missing some; you never know, and there are so many! I also discovered that I have at least two stories in print that I do not have electronic copies of; that’s not great).

I also got my schedule for Sleuthfest next month in Fort Lauderdale; which is great. I am looking forward to attending–even if it’s going to be ridiculously hot in Lauderdale when I am there–and there are going to be some great people there for me to see. I am hoping, as always, to get inspired while there by listening to great writers and fun people talking about books and writing.

It did occur to me last night that spending this week (and this week only!) working on “Never Kiss a Stranger” might not be the best use of this “in-between books” week, but I don’t really care. The fact that I finished significant edits on a book–edits that had me apparently so stressed that I felt tired all the time as well as defeated (more writer insanity, really)–and was able to write any fiction almost immediately thereafter is a miracle in and of itself; but I do know I need to get my shit together with short story submissions and writing for anthology calls. A task, perhaps, for this weekend. I am actually looking forward, though, to not having anything to work on or do–oh, crap, I forgot about my workshop on Saturday morning, so much for having a weekend free…but at least that doesn’t mean having to write anything much. And it won’t kill me to get up early on Saturday and drive out there.

Or will it?

According to my Fitbit, my sleep hasn’t been great the last two nights, yet I have felt rested and relaxed every morning when I get up. It doesn’t make a whole lot of sense, of course, but as long as I don’t feel fatigue–mentally, physically, emotionally–I call that a big win. I’m also waiting for the final approval (or more edits) for “Solace in a Dying Hour”–fingers crossed that it’s an acceptance; as a general rule anthology editors don’t ask for a revision unless they are planning on using the story (not always true; one anthology editor made me rewrite a story three times only to end up not using it–and I will never, under any circumstance, submit to that editor again; she also lied to me about the reason for not using the story–apparently she thought I was a rank amateur who has never published much; imagine telling someone who has won awards for editing anthologies–and certainly more awards for editing that this particular fucking editor–a bald-faced lie to excuse their thoroughly unprofessional conduct, and if it wasn’t a lie…well, you are a fucking shitty unprofessional editor. Then again, we’ve already ascertained that she’s an unprofessional piece of shit, haven’t we? Not even a ‘sorry I made you work so hard on this story I’m not going to use, here’s a token payment as an appreciation for what I put you through.’)

I guess my segment on Great Day Louisiana aired yesterday? It was supposed to at any rate; I never heard one way or the other; I just did a search of my name on their website and nothing came up, which is also fine. I always hate seeing and/or listening to recordings of me–I’ve always wanted to transcribe the character workshop I did for Sleuthfest ten or so years ago but it would also require me to listen to my voice as I transcribed–transcription also takes forever–for hours on repeat and I think I would rather drink bleach to wash down a salad of broken glass than listen to my own voice over and over again.

All right, that’s enough tedium for today. Sorry to be such a bore! And I am off to the spice mines.

Don’t Knock My Love

I turned the edits in yesterday and let out a huge sigh of relief. I think I fixed everything that needed fixing, and I think the book is much better now than it was when I actually turned it in (editors are so worth their weight in gold; good ones, anyway).

I feel more confident now about my writing than I have in a long time, to be honest. I feel more confident about life in general, for that matter. I’m not sure what happened, or what caused the change…but I know once I got over being tired from the Kentucky trip, I’ve felt better on every level–emotionally, physically, and mentally. And I hope it lasts.

I also didn’t realize how much stress that turning that revised manuscript in would release from my shoulders. Deadlines are stressful, especially when you have a horrible habit of missing them, and the last couple of months haven’t been the easiest for me on multiple fronts. But when I started working on the edits more deeply this past weekend, I became much calmer than I’ve been in a long time, relaxed, even, which really felt strange. The weekend overall was a pretty good one, to be honest. I didn’t sleep as well last night as I would have liked, either, but this morning feel rested, at the very least. It also feels like I’ve not been into the office in a very long time, which is strange–I mean, I was just there on Friday–but it’s still weird. But even so, this past week was a lot less stressful and tense than I’ve felt in a long time. I am not sure what that’s all about, but I am going to take it as a win.

We watched more of The Boys and Obi-wan Kenobi last night, and are now all caught up on both shows. (I didn’t know Amazon Prime was doing the same, release one episode per week, streaming thing; I don’t remember having to watch The Boys by the week in previous seasons, but my mind has literally become a sieve these days and it’s entirely possible. The ability to binge has seriously affected my memory and how I watch television; it seems completely alien now to have to wait a week to watch another episode of something…let alone having to watch everything that way. How on earth did we used to do that all the time? It’s amazing how easy it is to retrain your mind after a lifetime of doing things one way.) I am really enjoying both shows. I like that The Boys will go places Marvel and DC won’t with their take on super-heroes, and I am really loving Obi-wan Kenobi. I don’t know what the whiners on social media are complaining and/or bitching about, other than it being the usual misogyny and racism. “Oh, no, we have a Sith who is a black female!” Get over your fucking self. Sorry you can accept alien creatures without qualm but get your tiny little nut-sack in a froth over a black woman. The horror of it all! You must have really hated the adaptation of Foundation.

I also wrote nearly three thousand new words of “Never Kiss a Stranger” last night; I decided working on it would be a nice palate-cleanse between finishing the last book and starting the new Scotty. I’m still not sure I am writing it the correct way–novellas are a whole new thing for me, and the structuring is also a new concept for me. But I like what I am doing with it thus far, and while it doesn’t have to be anything, it could just as easily be something I just tinker with from time to time when I feel like it, I am also enjoying it a lot. It’s set in the summer of 1994, and my main character has just retired from the military after twenty years and moved to New Orleans. He’s a gay man who has spent twenty years hiding who he is, and now he has the ability to live his life the way he pleases–so writing about unshackling oneself from the enforced bondage of the military closet is, in some ways, like just coming out of the closet. He doesn’t regret his time in the army, not in the least; he would have stayed in had he not learned he was on a purge list before “don’t ask don’t tell” goes into effect. But I like the idea of exploring how experiencing that freedom for the first time in his life, at almost forty, feels…because in many ways his socialization as a gay man is somewhat stunted; it had to be, because of the military. It’s nice to bring up these things–as well as HIV/AIDS–in a historical piece (sad that 1994 was almost thirty years ago at this point and counts as a historical. This is also my sly way of working some politics into the story, as well. When Peter interviewed me for the Three Rooms Press website as the “featured author of the month,” one of the things he asked about was politics…the truth is my existence is political through no choice of my own, as I told Peter, and I would like nothing more than to just be left alone so I can focus on my writing. I’ve not been active politically for a while–I still vote, and make the occasional donation to a candidate I believe in–but as a gay man in the United States in 2022, the right wing likes to use me and my community to whip up their base of Christofascists, and this year it is particularly ugly.

I also think my work kind of stands as political statements on their own. Let’s look at my last two books, shall we? Bury Me in Shadows examined the generational damage caused by institutionalized racism and homophobia; #shedeservedit was an examination of how toxic masculinity and systemic misogyny damages our young people. Yes, they were crime stories, and yes, I like to think they were entertaining reads–but each had a point that I was trying to make through the story and the characters and what they were facing. I started doing an entry this weekend about the Scotty series, from beginning to its most recent (since I am about to embark on writing a new one)–mainly because there was a song on the list I am using for post titles called “Watching Scotty Grow” and really, was there ever a better title for a post looking back through the years at the Scotty series, its ups and downs and journey from an idea I had one afternoon to getting a contract to write it and going from one publisher to another…and yet Scotty continues to endure.

Well, that’s enough for a Tuesday morning. Have a lovely morning, Constant Reader, and I am heading into the spice mines.

Woodstock

June first, and the start of Pride Month. I should probably wax poetic about the long struggle for civil rights for queer people–one that I pretty much spent my entire life witnessing (I was eight at the time of Stonewall; I don’t remember seeing any news coverage of it, but it gradually seeped into my consciousness through osmosis or something) and a lot of years participating in at some level. I sometimes wonder if I could have done more, or fought harder, or been better about it in some ways; if I could have done something more that could have caused a greater impact or advanced the cause more quickly in some way. I imagine that’s probably my own issue more than anything else; I always feel like ai should do more.

I slept pretty well last night, and I think I am starting to get caught up on that. I felt better yesterday, but got tired relatively early in the day and of course, had errands to run after work (I cannot be the only person stunned at how much the cost of groceries has gone up, can I?), and then came home to make dinner (I was very hungry, which was unusual but cool as I am usually not hungry after work), and then Paul and I watched another episode of The Little Drummer Girl, a John LeCarré adaptation we’re enjoying, if not completely certain we are following the story completely. I’ve not read much LeCarré; only The Spy Who Came In from the Cold, which was amazing and yes, I am well aware I need to read more. (I also would like to read more Eric Ambler, for that matter, and there’s some Robert Ludlum I’d like to revisit as well.) I’ve not decided what to read next, to be honest; probably something older is most likely; I have a couple of old suspense novels from the 1960’s I’d like to read, and they are short, which makes them even more appealing. I also downloaded another book to listen to on my phone; I am hoping that I can listen to it while doing chores around the house and/or walking to the gym (which I hope to start doing again). I have an eye appointment on Saturday in Metairie (yay) but maybe after I am finished with that and after running a couple of errands, can walk over to the gym Saturday afternoon and start working out and stretching again. I can feel that my muscles need to be stretched (badly) because it’s been so long…

But I do feel better today, like I am finally over the trip.

I am behind on everything, but that undertone of being tired never helps in that regard; when I am tired (exhausted) I always look at everything I have to do from a perspective of oh I will never be able to get caught up and feel defeated. The trip of course was a disruption, and now I have to piece together the many things I was doing and working on before I drove north. But with some clarity–sleeping well helps–I should be able to get that taken care of this morning as well as starting the incredible chore of clearing out my inbox, which has been out of control for quite some time. (Hell, everything has been out of control for quite some time.)

I’ve been reflecting about my gay life a lot lately–primarily because one of my many many projects are set in the past, which requires me to remember things from my life from way back when (“Never Kiss a Stranger” is set in 1994 New Orleans; another project is set in the mid 1970’s in the Chicago suburbs) and while I certainly wouldn’t ever want to go back in time–no matter how awful things seem to be in the present day, they were definitely worse in the past–it’s kind of nice to think back to what many people consider to be “simpler” times. The fact is the times weren’t actually simpler, we were just simpler and certainly more naïve. Maybe that’s just me projecting–always a possibility–and the cynic in me, when people talk about “simpler times”, always wants to say, “what you really mean is you want to go back to a time when you didn’t have to think about social issues because they didn’t really intrude into your life.” It’s very easy to not care about, or notice, things that don’t affect you–which is where the term “woke” came from, if you were wondering or have complained about it before–but (at the risk of making you think of campfires and “Kum-Ba-Ya”) we kind of are all in this together, and is it really so terrible to care about other people and how they are treated?

Apparently, a lot of people think the answer to that question is yes.

Anyway. I don’t think people will ever stop disappointing me. (For that matter, I don’t think I will ever stop disappointing myself.)

And on that note, I am heading into the spice mines. Have a lovely June 1st, Constant Reader.

I Feel the Earth Move

I indulged myself by staying in bed until almost nine this morning–I know, right? I woke up at three and again at five (like every other night this week; this is a trend in my sleep that I am not liking all that much), but stayed in bed. Now that I am up, it’s gray and wet and gloomy outside; maybe it was rain that kept me in bed. What is it about rain and being safe and dry and warm that feels so comforting? I wish I knew. I am also trying to decide this morning over my coffee whether I want to leave the house today. I should swing by the mail and maybe make some groceries and get gas for the car; I also need to get my taxes together, work on my short story, and some other things. I also want to spend some time with Chris Holm’s Child Zero today (and this weekend). I should also brainstorm some more plot ideas for the two books I’ll be working on this year, and once I get this story in some sort of shape I want to go back to “Never Kiss a Stranger” and “Festival of the Redeemer” and some other stories. I had pretty much decided to use April to do clean-up on some things–finishing stories etc–and now it is April; how delightful is that? I can hear thunder, which makes leaving the house seem even more undesirable; I’ve not checked today’s weather. Paul is seeing his trainer today, and instead of going to the office immediately after he’ll be coming home. I think we might (I might) rent Spiderman No Way Home today; we started watching Death on the Nile last night on Hulu but bailed on it when the first ads popped up in mid-scene; at least on a broadcast network, they plan where the commercials will go so a character won’t get cut off in mid-sentence. I am really starting to dislike Hulu’s services for streaming; I remember trying Youtube TV and hating it because it’s interface was useless and difficult to navigate. I really would prefer not to go back to cable under any circumstance; I despise Cox with every fiber of my being. The great irony was the reason I chose Hulu in the first place for a streaming service was because their interface was intuitive and incredibly easy; so naturally they keep changing it and making it less user friendly. (Although to be honest, I was only interested in watching Death on the Nile in order to see Egypt; there’s no way this newer version can possibly top the original with Angela Lansbury, Bette Davis, and Maggie Smith.) Instead we turned over to Netflix and dove into the second season of Dark Desire, which got us caught up in the story immediately.

We wound up going to Costco last night after Paul got home from work to get it out of the way. I also had to take Scooter to the vet for his biannual senior kitty workup–dropping him off and picking him back up later–and I think the Costco trip wore me out. Why is Costco so tiring for me? I hope someday to have a better understanding of that. And we spent a lot of money but it didn’t seem to me like we got as much stuff as we usually do? I don’t understand–will probably never understand that, but I suppose it’s prices going up everywhere that is to blame.

Ooh, it just got darker, which means storm a coming. Ah, there’s the thunder. And it lasted quite a while, too….I suppose I should check the weather.

Ah, rain all morning and then sunny the rest of the day. That I can live with. It also solves the problem of what to do about the errands–run them today or wait? The mail can wait until Monday; there’s no rush to getting it, after all, and I could always just run to the Rouse’s in the CBD to pick up the few things I do actually need. Decisions, decisions.

Ah, there’s the lightning and the rain and even more thunder. I may have to turn on a light, it’s gotten so dark.

I do love New Orleans rain; I’ve never lived any place where it rains the way it does here. I mean, it fucking pours down here, coming down so hard and fast that the drains (and pumps) take a good while to catch up with it. I own about twenty umbrellas as a result of being caught in the rain unexpectedly; it can also go from hot, humid and not a cloud in the sky to a torrential downpour with street flooding in a matter of minutes. Although this doesn’t seem like one of those street-flooding monster storms; this seems more like a oh the greenery needs watering kind of rains. Doesn’t mean it can’t turn even uglier as I sit here typing, but hey. It’s still one of those chill damp mornings where curling up under a blanket with my coffee sounds vastly more appealing than any of the other dreadful things I need to do today–dreadful might be a bit harsh, but unpleasant certainly doesn’t miss the mark nearly as much.

So on that note, I am going to get another cup of coffee and head over to my easy chair to spend an hour with Child Zero–I’ll figure out the rest of the day when that hour is up.

Have a happy Saturday, Constant Reader.

Stoned Love

It’s Ash Wednesday and before dawn as New Orleans crawls out from under and returns to what passes as normal around here–which by the standards of everywhere else, ain’t normal.

I’m kind of glad to see it over this year. I’m sort of glad we had it–it felt like a return to normalcy of a kind, even if I didn’t feel excited about it or participated in it much–but I’m also happy it’s over. I feel very weird having been essentially trapped inside the house for the last six days or so, with small windows of opportunity here and there to run necessary errands and get things done. I spent a lot of the time tired–I’m not sure what that’s all about it, but “low energy” has been a thing around here for quite some time–and last night I went to bed at nine. I did submit a story to that magazine that asked for one–I finally gave up on “Parlor Tricks” yesterday morning–it literally was like pulling teeth–and instead edited what. I have on “Never Kiss a Stranger” down to about 4000 words, tacked on an ending, and turned it in as “To Kiss a Stranger (Summer of 94)”. I doubt they’ll use it–hell, I may never even hear back one way or the other; professionalism when it comes to short story submissions, with some exceptions, seems to have gone the way of the dodo over the years–but at least I tried. I now also am wondering if this story needs to be a novella or not; slicing all that extra stuff out of it felt really good, and while the ending wasn’t necessarily stuck (that can always be fixed, of course), the story itself wasn’t bad in its trimmed down state. Which naturally puts me on the horns of a dilemma: keep it as a short story and fix the ending, or leave it as a novella and finish revising/writing it?

Or…why not both?

We finished Toy Boy last night (I keep calling it Boy Toy, which is incorrect) and….not as good or as interesting as the first season, alas. By the time the final episode rolled around I realized I hadn’t been paying as close attention as I did during the first season and thus had literally no idea what was going on in the finale–which ended remarkably well, given how dull the season actually proved to be–and set up the next season quite well…which means we will probably watch the third season, if there is one. Paul’s late night schedule and Carnival has thrown me off on everything we watch; I don’t remember what series that are currently airing that we were watching–but it should show up on my up next on Apple TV.

At least I can hope.

I also have to pay the bills today–always a joy–and probably should go back to the gym tonight. I’ve not been since Wednesday night–Friday was one of those horrible low-energy days where everything was sore and achy; going to Muses Thursday night, even briefly, was undoubtedly a mistake. And I also need to start digging out from under because I am so far behind now I don’t even know what’s what. I know I have a story due sometime in April that I need to start writing; I need to get caught up on my MWA stuff and the anthology I am editing; and I need to start a significant final revision edit of my book coming out in December. So first things first: make a to-do list, go through my notebooks and look through my notes about pending things that need addressing, and try to get my energy levels high and stop allowing myself to feel defeated before I even try.

And on that note, tis off to the spice mines with me. Have a lovely Ash Wednesday, Constant Reader, and I will talk at you tomorrow.

My Favorite Things

And so we have reached the last day of 2021 at last (it’s still hard for me to wrap my mind around the fact that it has been 2021 for a year; 2022 is going to seem even stranger, methinks). I’m on a holiday, so there’s no work for the day-job to be done today, but there’s plenty of other things that need to be done. I need to work on the book some more, I need to clean, I need to run some errands, and I’d also like to do some reading. It’s a lot, I know, and who knows how much I can or will actually get done around here? Yesterday I did data entry, made condom packs and rewatched the original Clash of the Titans (starring a very young Harry Hamlin and his nipples; seeing this in the theater made me a Harry Hamlin fan for life) while I did so. I also was able to pick up two boxes of home COVID-19 tests (the day-job procured you them for the staff as a preventive measure, which are apparently like gold these days.

It was a very challenging year in many ways. I suspect that if I looked back at a list of my goals for the year, two of the most key things–getting an agent and finishing Chlorine–would not be able to be checked off the list. My faulty memory–I keep, for one thing, conflating the last two years as one and the same mentally–has something to do with it. I know I wanted to write more short stories in 2021, and I don’t know that I succeeded at that. I know I had a couple of stories of which I am very proud come out this past year (my first ever attempt at writing a Sherlock Holmes story for one), and of course I finished writing two books while trying to finish yet a third under contract, and trying to get Chlorine done.

I always feel sort of weird at the end of the year when I compile my favorite things (books, movies, television) because I never limit myself to things that were new to the year, but rather new to me during the year; I am always so woefully behind on everything I read and watch that it doesn’t seem fair to leave off things that didn’t debut in 2021. Besides, it’s always kind of fun, I think, to remind people of things they themselves might have missed and forgotten about. But when I started thinking about all the books I read this past year, I would have sworn that I hadn’t read this much, or that I couldn’t have possibly read this many books–and I know I am also forgetting some, and these are the ones that stand out enough to be remembered. My favorite reads of the year were, in no particular order, The Turnout by Megan Abbott; The Collective by Alison Gaylin; Dream Girl by Laura Lippman; The Gift of the Magpie by Donna Andrews (I read three or four Andrews novels this past year, and loved them all, frankly); Velvet was the Night by Silvia Moreno-Garcia; Jar of Hearts by Jennifer Hillier; Razorblade Tears by S. A. Cosby; A Beautiful Crime by Christopher YBollen; Yes Daddy by Jonathan Page-Ramage; The Other Black Girl by Zakiya Dalila Harris; These Toxic Things by Rachel Howzell Hall; Invisible City by Julia Dahl; and By Way of Sorrow by Robyn Gigl. I also read a lot more cozies than I generally do, which were quite fun–I highly recommend checking out Leslie Budewitz, Vivien Chien, Sherry Harris, Ali Brandon, Miranda Harris, and Carolyn Haines, among many others–my TBR pile is nothing if not a treasure trove of terrific reading–and I am hoping to get even more reading done in the new year as well.

As for movies, I also watched a lot of movies. I saw a lot of classic cinema of the past I’d never seen before–my Cynical 70’s Film Festival had some marvelous entries this past year–as well as revisited some favorites. I greatly enjoyed Dune, which I thought was incredibly well done, and Shang-Chi and the Legend of the Ten Rings was a great super-hero film, with just the right amount of spectacle, humor, and humanity to ground it in enough reality that an audience could relate to it. I don’t remember any other new films that we saw in this past year, but I am sure there were some–the direct-to-streaming/limited theatrical release model for the pandemic ensured that I saw some things much sooner than I probably would have otherwise–but give me a break, I am still on my first cup of coffee after a lovely and deep night’s sleep.

Television again is something a bit blurry for me; the lines between 2020 and 2021 also blurring a bit here. I know we loved Mare of Easttown, Ted Lasso (a true gem of a show), The Mandalorian, Elité, Superman and Lois (probably the best version of Superman since the first two Christopher Reeve films), the original Gossip Girl (which is winding down now with a last season that is rather disappointing, alas), Hacks, One of Us is Lying, Cruel Summer, and Only Murders in the Building, which was also a jewel. But maybe my favorite show of the year was HBO’s It’s a Sin, which was not only well done, but powerful and thought-provoking. I had debated whether I wanted to see it or not; entertainment about HIV/AIDS, particularly about the height of the plague, has never sat well with me–either pandering nonsense or heavy-handed. The gold standard for me has always been Longtime Companion, but after watching I had to say It’s a Sin belongs up there. It was hard to watch at times–and I realized that the reason was the characters were all the same age that I was when it all started, which was a big part of it–but it also made me acknowledge and understand any number of things about myself and my past; namely that I had never grieved, just going numb at one point and deciding to keep moving forward and not think about anything. Watching the show brought back a lot of memories which, while painful at times, was necessary and needed.

I also spent time writing and working on two novellas, “Festival of the Redeemer” and “Never Kiss a Stranger”; one thing I really want to be able to do in the new year is get the novella collection together as well as another collection of short stories. Lots of plans for the new year, including a new Scotty novel I’ve been itching to get to, and another stand alone, in addition to Chlorine. I was able to visit my parents twice this past year, and I was also about to make it to New York and then Boston for Crime Bake, which was simply marvelous. I have lots of travel plans for the new year that I am hoping new pandemic variants aren’t going to jettison–I really do want to be around writers again, seriously–and over all, the year wasn’t as terrible as it easily could have been (2022, do not take this as a challenge). I got a new computer, paid off a lot of debt, and over all, I have to say, all things considered, 2021 wasn’t altogether terrible. I wish I had been more productive, but I also wish that every year.

And on that note, this next chapter isn’t going to write itself, is it? Have a lovely New Year’s Eve, Constant Reader, and I’ll talk to you next year!

Joy To The World

The day after Christmas is always a bit on the weird side.

I decided to take yesterday off from the world, not looking at emails or social media or even trying to work. I mean, it was Christmas, and yes, I am behind on everything but sometimes recharging is necessary and needed and shouldn’t be questioned. Paul got me some lovely gifts, which was nice, and I made pulled turkey breast for dinner. We spent a lovely day basically hanging out together and enjoying each other’s company, which is all anyone can really ask for Christmas. Of course, that means I need to make up for yesterday today with the writing and the spice mines and I have to go back to work tomorrow (another short week, though, which is kind of nice); heavy heaving sigh. But the year is winding down and before you know it, it will be 2022; one week from today will be the second of the new year. Very weird, very weird indeed.

But while i may not have been typing words to put on paper, I was thinking about the book some more, and I have a very good idea of the proper direction to take it, so today when I get cracking (after getting properly caffeinated, of course) I should be able to bang out some work on it. I also was thinking about some other things–whenever I let my mind wander creatively, it’s never just about the current project; I just let it go in the directions it wants to go rather than where I want it to go, which is probably why I have so many folders filled with ideas and partials and incomplete things–but I also find that trying to rein in my creativity and focus it when it’s free-styling is inevitably a mistake because it just doesn’t work that way, alas; any attempt to control it inevitably means shutting it down completely. So while it can be tiring as my mind pinballs from bumper to bumper and flipper to flipper, sometimes it comes up with some serious gold, and therefore it’s all worthwhile.

Or at least so I think. I can never be completely sure, you know. I am rarely, if ever, the best judge of my own ideas and work.

But I am looking forward to diving back into the book this morning, and cleaning up the mess I left behind in my kitchen while preparing dinner last night. I am probably going to make sautéed shrimp tonight to serve over baked potatoes–a highly fattening dish I save for rare occasions (the recipe calls for bacon grease, butter, and heavy cream, in case you were wondering) and post-Christmas sort of sounds like the right night for that to be happening. Not sure what I will do for New Year’s next weekend–although I strongly suspect we will be finished OG Gossip Girl at long last by the end of that weekend. We are well onto season five now, with only season six’s half-season left when we finish out this one–and then we’ll have to go looking for something new to binge-watch. (We also have some shows to finish watching–The Sinner, for one, and of course there are some new shows that dropped while we were indulging ourselves in Gossip Girl) I also want to finish reading Vivien Chien’s book–I’m enjoying it a lot, but for whatever reason right now I am not in a reading phase, which is bitterly disappointing, but I am sure it also has to do with home-stretching the new manuscript–and I also found some more I need to put back in the TBR pile as I cleaned out a box of books from the storage space (I am still looking for those old journals, by the way; I want them for “Never Kiss a Stranger” research because those journals include the time period when I first began visiting New Orleans, and I’d like to remember things I’ve probably lost to the mists of time and old age that stand out from that time period; like trying to remember songs that played in the gay bars at that time since my character works in one).

It really does bother me that I have literally no idea where I stored those journals. I remember finding them, and I cannot believe I just put them back into a box and away again.

Which wasn’t really very smart of me. I know I didn’t want to go through them at the time–I really rarely enjoy revisiting old diaries and so forth because it’s more than a little embarrassing to read how immature I was, or how easily my feelings were hurt–in other words, what a drama fucking queen I used to be back in the day; but I wrote all those things down, at the very least, to try to process the feelings and why I felt the way I did without ever admitting things that I didn’t want to admit to myself were true; self-deception used to be a major factor in life, and essentially seeing how I deluded myself into thinking things isn’t exactly highly appealing to me at this time (or any time, for that matter)…but it would also be interesting to take a look at ideas I had for stories and books from back then; music I was liking and listening to; and of course my dreams that were expressed on those pages; even the books I was reading at the time.

And isn’t that always the way, really?

I also started, the other day, going through my old blog entries from earlier this year to remember what I was reading and what I was watching. I don’t really see much point in making a list of favorite reads and watches from the year; I would inevitably forget something that I really enjoyed, and it was a year of truly terrific reading for me. I read a lot of great books this past year, and we watched a lot of great television shows as well. It’s also an interesting journey is seeing what books I wanted to write this past year and never got around to doing; I never finished writing Chlorine’s first draft, or Where the Boys Die, or a new Scotty (the idea for which switched around an awful lot during the year, I might add; going from Twelfth Night Knavery to French Quarter Flambeaux to Mississippi River Mischief over the course of the second year of a pandemic) and so many short stories thought up and begun yet never finished…this, you see, is why I scoff when people say I’m prolific; there are so many pieces I’ve started writing but have never finished.

And on that note, I should probably head back into the spice mines for the day. Have a lovely Boxing Day or day after Christmas or Sunday or whatever meaning you might have assigned to this day.

In My Arms

Thursday and working at home today. Data to enter and condoms to pack; but at least I don’t have to go out in public today, which is a blessing both for me and the public when it happens. I decided to stop and make groceries on the way home from work last night, to make this possible, and it’s an absolutely lovely thing to contemplate that I was smart enough to think ahead so I can just work from home and not go anywhere today, other than to the gym later on. My body isn’t happy that I’ve not been to the gym in weeks, and it is most definitely letting me know of its deep disapproval of this conduct. I may not even lift weights–but stretching is definitely on the agenda. I need to really stretch every day, to keep my muscles from tightening and knotting, and all the knots and tightness and tension I am feeling this morning is yet another example of why self-care, particularly in trying times, is so absolutely necessary.

I also really need to get back to writing more regularly. I always feel better when I’m working, writing, than when I am not. You’d think after over twenty years of writing, this would be firmly imprinted on my brain: writing and creating are imprinted into your DNA and when you aren’t doing it, you’re making yourself miserable. I’ve always believed the the so-called trope of “writer’s block” is actually a symptom of depression; there’s something else going on in your brain that is preventing you from creating. (I cannot, as always, speak for writers other than myself; this is my belief and my experience. I’ve also come to recognize that I don’t want to do it mentality when it comes to writing for me is my own personal version of writer’s block–the depression and the imposter syndrome insidiously doing its work on my brain: why do something you love to do when you can not do it and feel bad about yourself and question your ability to do it?) There have been a lot of distractions lately–really, since The Power Went Out–and I need to stop allowing shit to take me out of the mindset that the most important thing to do in my free time from now until January is to write the fucking book.

The book is the most important thing right now.

I did spend some time revising the first chapter last night, despite having the usual “third day in a row up at six” tiredness last night. It felt good, as I knew it would, and spending some doing something I truly love really gave me a rush of sorts; I was able to sleep deeply and well last night, I feel very even and stress-free this morning, and some of the knots in my shoulders, neck and back seem to have relaxed this morning, and I feel rested, more rested than I have felt in quite some time. Untangling the thorny knots of problems in a manuscript–while forcing me to think and use logic and reason while being creative–is perhaps the best cure for anything I have going on at the time. Escaping into writing has always been my solace, going back to the days when I was that lone queer kid in Kansas, and it still works to this day.

It’s actually an interesting challenge for me–writing a book set in New Orleans that doesn’t center a gay man or any gay issues. (There will be queer characters–I can’t write anything without including some; sue me.) The book is also centered in a neighborhood with which I have some familiarity, but I obviously don’t know it as well as the Lower Garden District (where Chanse lives, and where Paul and I have always lived) or the Quarter (where Scotty lives); it’s the same neighborhood where my main character in Never Kiss a Stranger also lives, so I need to get more familiar with how it is NOW…I tend to always think of neighborhoods as they were not as they currently are; which means I need to go walk around and take some pictures and get a sense/feel for who lives there, what it’s like now, etc. This neighborhood used to be considered sketchy when I first started coming here/when we first moved here; the price ranges for rentals and properties now (well, every-fucking-where in New Orleans now) are hard for me to wrap my mind around. (When I was writing my first book, Murder in the Rue Dauphine, I made a reference to “million dollar homes in the Garden District; this was in the late 1990’s. My first reader–beta reader, they’d call it now–highlighted the sentence with the note there are no million dollar homes in New Orleans. The Internet then was not what it is now, of course, so I was surprised to look in the real estate listings in the Times-Picayune to see she was correct. Now, homes in neighborhoods that used to be considered ‘dangerous’ go for over $400k; I just looked at “houses for sale” on Zillow in the neighborhood I am using and was not in the least bit surprised to see that a house like the one my character lives in is listed for 1.15 million…which is actually a plot point I am going to use in the book. And while verifying this just now didn’t surprise me, per se, it did make me shake my head and wonder, who is paying this for a house in New Orleans?)

I don’t see how any working class people can actually afford to live here anymore, really. Sure, there are still neighborhoods that “affordable” when compared to the neighborhoods adjacent to the levees, but the fact that our original apartment, that we paid $495 per month for, now goes for $2100. And that’s something I think I should address in an upcoming book–whether in this new series, or in a Scotty.

I’ve also found myself going down wormholes about Louisiana and New Orleans history a lot lately; I’ve never been conversant in either other than the basics–Bienville arrived and set up camp; why English Turn is called English Turn; Spain takes over from France, and so on. Both city and state have a deep, rich and sometimes horrifying history; it’s little wonder the city is so haunted. So much ugliness, so much violence, so much criminal activity! (Which kind of thematically what I was exploring in Bury Me in Shadows–how the history of violence and ugliness in a particular area can poison it) It’s why I am always amused that the white-supremacists-who-don’t-want-people-to-think-they-are will always cry and whine about crime in New Orleans–when they haven’t lived here in decades and were part of the white flight when the schools were desegregated–they left because of crime, not because they didn’t want their kids to go to school with black kids, oh no! It was the crime! (But if you give them enough rope, they will always bring race into it eventually). New Orleans has always had a dark past, has always had high crime rates, has always had corrupt politicians…but the crime here is why they left…even though the white politicians were also always criminals, and there has always been a lot of violent crime here.

Anyway, I went into a wormhole the other day about the possible murder of Louisiana’s first Black lieutenant governor, Oscar Dunn–who may or may not have been murdered in 1871. What a great historical true crime book that would make, wouldn’t it? Post war, the racial tensions in the city, Reconstruction going on…and on the other hand, it could also make a great historical mystery novel as well! Yet another idea, yet another folder, yet another possibility for the future.

It never ends.

And on that note, tis time for me to head into the spice mines. Have a lovely day, Constant Reader!