Tag: Netflix

All The Beautiful Worlds

I would not describe myself as a big comics fan. I love them, still have a strong attachment to them and their characters, but I am hardly an expert–not even close.

I started reading comic books when I was very young–I remember all the iterations of Archie, Millie the Model, Little Dot, Little Lotta, Sugar ‘n’ Spice, etc.–and eventually moved into the world of super-hero comics (while still greatly enjoy the horror/suspense/mystery comics as well–The Witching Hour, House of Secrets, House of Mystery, Chilling Tales, etc.). I stopped reading them regularly when we moved out to the suburbs–they were harder to find in our little developing suburb when we moved there–and it wasn’t until we moved to Kansas several years later than I got back into comics again. I was always a DC kid; and the few years I’d been away saw some dramatic changes made to the DC Universe–trying to modernize and update them; the 70’s were a very weird time for Wonder Woman–and then, again, when I moved to California I stopped reading them again. A friend in college brought me around to them again, this time also introducing me to Marvel. When I moved to Houston, my nephew was really into comics, and so I started reading them again with him, and continued buying them for several years. This was post-Crisis and the first massive reboot of DC, so as I was going through the racks at a comics shop in Houston one day I saw The Sandman.

The post-Crisis reboot of DC had changed some of the comics, and the heroes (this was always my favorite version of Starman, Will Peyton) changed as well. But…I wasn’t prepared for The Sandman.

I’d never heard of Neil Gaiman before, but it was this comic book series that turned me into a fan. The incredible imagination involved in creating this bizarre mythology, of the Endless siblings who epitomized some aspect of the human experience–Dream, Death, Desire, Despair, Delirium, Destruction, Destiny–and of course, the main character of the book was Dream of the Endless, master of the Dreaming, where all humans go when we sleep, and he controls our dreams, creating both Dreams and Nightmares. The story line of “The Doll’s House” especially was fantastic and enchanting; it was one of the few comics (along with the Will Peyton run as Starman) where I went back and bought the back issues because I wanted to read them all. (I’ve also gotten some of the all-in-one collections of the stories, including “The Doll’s House.”)

I’ve always loved this comic run. and have always regretted never finishing it; I stopped buying comics before the series ended. The prospect of a film version never interested me much because I didn’t see how it could be done, plus it would inevitably be a disappointment; the comics were visually stunning, the characters and stories so layered and complex I didn’t see how any of them could be condensed into a two-hour film, and the expense of recreating the brilliant and beautiful images contained within the books seemed insurmountable. The announcement of a Netflix series didn’t inspire confidence; I didn’t care for, or finish, the adaptations of two Gaiman novels I loved, American Gods and Good Omens, which to me was an omen that The Sandman would be disappointing as well. I also wasn’t sure if Paul would like it, or that it would be so difficult to follow without knowing the source material he’d pester me with so many questions I wouldn’t be able to follow it myself.

Constant Reader, I couldn’t have been more wrong about anything as I was about The Sandman adaptation.

First of all, it’s very closely adapted to the comics, at least as how I remember them. My memory isn’t what it used to be, of course, and so I couldn’t really remember much about it other than he was Dream, aka Morpheus, and he was lord of the Dreaming and had six siblings. It was also kind of an anthology series, with stand alone issues as Morpheus visited human dreams or was forced to sometimes interfere with them. (I also always thought he looked like Robert Smith, the lead singer of the Cure) So as each episode unfurled before me, I would start remembering things. I remembered that out of all the Endless, Death was actually the kindest and most compassionate, who saw her job as necessary and thus wanted to appear as a kind friend and companion to the dead to ease them through the transition (I have always thought that was brilliant). I remembered the story of him being captured and trapped by humans, and that the Dreaming had been damaged and decayed by his absence and he needed to rebuilt his world as well as capture his creations who’d escaped into the Waking World…and of course, the appearance of the dream vortex which could have destroyed everything, and how that played out.

It is such an excellent adaptation that some of the scenes in the show are perfect recreations of panels in the books themselves; I found myself smiling in recognition, visually the scene in print as well as on the television screen before me. The show is also beautifully written and perfectly cast, from Tom Sturridge as Dream himself (I don’t know how he did the voice, but its other-worldly yet beautiful at the same time; one of the things I loved the most about The Sandman is how Gaiman made everything, no matter how terrifying or scary or steeped in fear, beautiful; beauty can also be terrifying and The Sandman expresses this better than anything I’ve ever seen or read before) to Gwendoline Christie’s chilling turn as Lucifer to Jenna Coleman as Johanna Constantine (a gender switch from the comics) to my personal favorite, Vivienne Acheampong as Lucienne. It’s a terrific cast, including an Emmy-worthy supporting turn by John Cameron Mitchell and of course, break out star Boyd Holbrook as the Corinthian.

I highly recommend it; its smart and funny and clever and intelligent and beautiful, the set and art design and costumes are first rate–and the cinematography is breathtaking.

I absolutely loved it, and so did Paul–who watched in utter spellbound silence and didn’t ask a single question.

I cannot wait for season two.

(Oh, and the show is queer and gender-bending AF, for the record.)

I Miss You

And here we are on a lovely humid Saturday morning in the Lost Apartment. I overslept this morning, or rather, slept later than I had intended or wanted to, but seriously, I’m learning to accept these things as messages from my body that I need more rest. I felt weirdly tired most of yesterday, despite the good night’s sleep; it kind of felt like my body never completely woke up, although my fevered brain was working properly. My body just felt like it would have preferred to stay in bed for the rest of the day. On the way home from work I stopped and made some groceries; today I’ll run uptown and get the mail, making a stop at the Fresh Market for fruit, vegetables and berries on my way home. I may order a Costco delivery for this afternoon (or tomorrow) as well; I haven’t really decided. I started doing some shopping on their website yesterday, but we really didn’t need as much stuff as I would have thought we needed going into their website. (Some of the stuff I wanted wasn’t available, either; which was annoying to say the least–but that would probably also be the case were I to actually go there in person, as well) I also have a library book to pick up today while I am out and about in the humid air of an August Saturday. Huzzah?

I hope I can stay motivated today and get to everything I want to get to this weekend; the jury, of course, remains out at this point.

But if I don’t, I don’t. The world won’t stop turning, after all.

We watched They/Them last night, and it was interesting. It was billed as a horror film, but I really didn’t feel like it was a horror movie rather than social commentary using horror tropes, if that makes sense? The young queer actors playing the kids at the conversion therapy camp were terrific–so were the older cast (Kevin Bacon, Anna Chlumsky, Carrie Preston)–but the movie never quite gelled as being anything more than a clever idea. A “slasher” movie with “they slash them” in the title I bet made the people around the creative table very excited. And maybe I went in expecting a little too much from it, I don’t know. But it really says something about us as a society that this is the first time we’ve ever seen a horror film rooted in the real-life horror of a reparative therapy camp; they are such real horrors that it’s hard to clear your mind to watch the film objectively; obviously, everyone involved with running the camp are the real monsters, etc. and Paul figured out very early on who the killer was–I didn’t bother trying to figure it out, because the identity of the killer (or killers) in these movies, Scream series notwithstanding, really isn’t a big Scooby-Doo reveal or the point of the films. Ultimately, while the film was actually well done, if you want to see a better send-up of slasher flicks, much as I hate to say it, the latest season of American Horror Story was probably better than They/Them, but at least They/Them is mercifully shorter than any season of AHS. Watch it for yourselves and make up your mind; it does bring up some interesting things to think about.

We then watched the first two episodes of a Netflix true crime series The Most Hated Man on the Internet, about Hunter Moore and his horrific revenge-porn site IsAnyoneUp.com. It’s a horrible story–we stopped before the third and final episode, in which Moore is finally arrested and charged–but riveting and hard to stop watching. The story is primarily told through the eyes of his victims–women whose intimate photos were posted on his website–and its yet another compelling example of how women can so easily be dehumanized and devalued by men and society as a whole. It’s a pretty disgusting story, as these kinds of stories so often are, but I think people do need to watch it. It’s pretty frightening how successful a sociopath can become in this country, and a stinging indictment of our society as a whole. Tonight I am excited to start watching The Sandman–one of the greatest comic book series ever done; I hope it translates well to the new medium (I really didn’t care for other Neil Gaiman adaptations, American Gods and Good Omens, even though I loved the books they were based on). There’s a lot of good stuff dropping this month, too–yes, I will watch House of the Dragons because I’ve missed Westeros since Game of Thrones ended, and I am not ashamed to admit it, either.

Just glancing around my home office as I swill coffee and swim up from the depths of Morpheus (see what I did there?) induced sleep, I can also see that there are a lot of odds and ends that need doing around here as well. I am hoping to get some writing done today–I want to really start digging into the Scotty book this weekend, and of course I need to work on some short stories and so forth. I went ahead and bit the bullet and submitted a story yesterday. I don’t think they’re going to accept it, to be honest, but that’s okay. They certainly can never accept it if I never send it to them for consideration, can they? It never gets any easier, either, the longer I do this: the minutes-long debate with myself before I hit the submit button. I hate that I still have so little confidence in my skill as a writer and I am this far into it, which means that confidence will probably never come along; it’s not like one day I will wake up with an entire new mindset and brain…plus, I think the insecurity is a driver in keeping me writing, frankly, which is in and itself probably more than just a little bit neurotic.

Nothing ever really changes around here, does it? I suspect that this blog–going back now seventeen years or so–is nothing more than an endless log of neuroses and insecurity and self-loathing. (A little voice in my head just shouted, and that will be your legacy!) I was also looking at the saved drafts in my folder–entries that I wanted to write but decided I needed more time to think about before posting, and in many cases they are unfinished–and thinking I should spend some more time actually finishing and posting them. While the blog has always been intended primarily for me–it’s a warm-up writing session at best, at worst it’s some writing I do every day to keep my hand in–there’s no reason I can’t use the blog for other purposes; like publishing an essay about something that I care about, or a personal essay built around something that happened to me. I don’t trust my memories, as I’ve often mentioned here (I sometimes think that if I were ever to start writing memoirs, it would have to be called False Memories or Memory Lies), and so writing about personal experiences is something I have always been highly reluctant to do. There are any number of things I could write personal essays about, but everything is entirely subjectively MY opinion, which makes it a bit harder for me to think anyone would even care to read them. I am not known as a great thinker or as an intellectual; far from it, in fact, and there’s quite literally nothing I can think of to say about anything that would be clever or insightful or meaningful.

Then again, that could just be the Imposter Syndrome speaking again, too.

Heavy heaving sigh.

And on that note, I am heading into the spice mines. Have a lovely Saturday, Constant Reader, and I’ll check in with you again tomorrow, okay?

Planets of the Universe

Sunday morning in the Lost Apartment and I slept really well again last night. I feel really rested now that I am over the virus, and the absence of the brain fog (which I feared was simply another sign in the inevitable decline of age) has been simply wonderful. I made groceries yesterday, taking advantage of the “order on-line/pick-up when you get there” systems which are marvelous and I will probably continue to use going forward. I do have to run an errand at some point this morning, but it isn’t really much of anything and it shouldn’t be an issue. I did manage to read some more of Sandra SG Wong’s wonderful In the Dark We Forget, which I am going to spend some time with this morning as well, and I am going to try to write and get some other things organized today. I did make some progress yesterday on things, but I also kind of took it easy on myself. I don’t want to overdue my recovery and potentially relapse–I’ve heard this is a thing, and that one must carefully dip one’s toe back in and slowly reenter the water slowly after getting over this monstrous thing. So, although I really want to just dive in headfirst and work on things all day today, I think I am going to continue to take it easy. Monday is usually my work-at-home day, but I think I am going to actually go into the office tomorrow–I’ve not been in for well over a week–and so it just kind of makes sense to me to go in. I don’t have to see clients tomorrow, for one, and so it’ll just be an easy way to ease back into going to the office as well.

We finished watching Special on Netflix, which was interesting and poignant and funny, and then watched a wonderful documentary about Showgirls, You Don’t Nomi–if you’re a Showgirls fan than you’ll really enjoy You Don’t Nomi (I also read It Doesn’t Suck, the academic book about it from a few years ago as well; it made me think about writing my own essay about the movie–because, of course, I think I should write about everything at one point or another)–and then started watching Chucky on Peacock, which was a lot more fun and better done than I would have thought. I didn’t expect the main character of the show to be a fourteen-year-old gay kid, which makes it a LOT more interesting than I would have originally thought. I’d never seen any of the Chucky movies–but I have a basic idea of what they were about, and I don’t think–at least not so far, but we’re only an episode in–you need to go back to watch the movies to pick up on things you can’t enjoy the series not knowing.

I also need to make a to-do list, update when my bills are due for August on my calendar, and of course, try to get some cleaning and organizing done around my home office workspace. Heavy heaving sigh. It never really ends, does it? LOL. It’s also been raining a lot this weekend–torrential downpours, with minor street flooding–but it looks sunny and very warm out there this morning. It also occurred to me last night that I’ve not had an entire week off from work in the last twelve years other than our trip to Italy in 2014 (eight years ago), so part of this slightly weird disconnect I’m feeling from everything probably has something to do with that. I am not, however, going to allow myself to get stressed out by how behind I am or how much work I have to get done. That doesn’t help and also causes paralysis of a sort. No, the thing to do is make a list, get everything organized as everything needs to be organized, and just start getting things done.

Step one is to get all this mess sorted and put away, which is what I am going to do right now before I put away the dishes. Then I’ll start working on my lists.

So I think I am going to head into the spice mines this morning. Have a lovely day, Constant Reader, and I will check in with you again later.

After the Glitter Fades

Well, I never thought I’d make it here in Hollywood…

That’s the opening line of today’s title, lifted from Stevie Nicks’ classic song from her debut solo album, Bella Donna, which is from beginning to end one of my favorite albums (and one I need to listen to more). But it’s an unusual work-at-home Friday for one Gregalicious, and I have data to enter as well as other things to do for the day job while I am here at home today–and I am going to take a break later on to get my brake tag, wash the car, and pick up the mail–all of which will be super fun in the heat advisory. Woo-hoo!

It is amazing what a difference not getting up to an alarm at six makes. I woke up at six on my own, and went back to sleep for about another hour and I feel absolutely marvelous and rested this morning, which is a good thing. I have a lot to do today–data entry, some errands (odious ones, at that)–but I feel like if I can stay focused, I have the energy to get through the day preparatory for going into the weekend relaxed. I do have an eye appointment in Metairie tomorrow (sigh), but I think I may treat myself to an Atomic Burger or something since I have to go out there. Paul will be gone–he has his trainer in the late morning and then either rides the bike at the gym for the rest of the day, or goes to the office (he’s working on yet another grant)–so I hope to get home from that appointment and do some more writing. I’ve been working on this draft I’d hoped to have finished by the end of the month (ha ha ha, I am 750 words into Chapter Two), but a good push over the weekend should have it in good shape by Monday–or so I hope at any rate.

I also sent out early, unfinished copies of A Streetcar Named Murder to some author friends who all graciously agreed to read it for potential cover blurbs; this is a weird part of this business that I am not entirely certain I completely am comfortable with–never have been, and generally I just skip this part and just reuse the ones I asked for and have gotten over the past twenty years, but since this is something entirely new for me I thought it was probably better to start from scratch. Which, of course, is nerve-wracking; it’s always nerve-wracking to have something you’ve written in the hands of people you deeply admire and respect. Fingers crossed.

We watched some more of First Kill on Netflix, which is an interesting take on the original romance story on Teen Wolf, only the couple are lesbian teenagers, and instead of a werewolf, the “monster” half is a vampire. It’s clever and interesting and has really funny moments; it’s also some interesting world-building as it seems to be creating its own supernatural mythology–also interesting. We then watched two episodes of Maya Rudolph’s new show on Apple, Loot, which is really funny; Rudolph and the rest of the cast are great and the writing is as well. Highly recommended; more to come as we watch more of each show.

I also hope to finish reading The Savage Kind this weekend–I just keep falling further and further behind on my reading, but coming home after work in the heat, and running errands in it after a long day at the office, has had me brain-dead when I get home and I just can’t focus on reading anything. I hate that, and I kind of blame the pandemic for the shortening of my attention span and how much easier I lose focus than I used to back in the day.

And on that note, I am heading into the spice mines. The kitchen is a disaster area that needs cleaning before I start doing my data entry and get going on my work day, and none of this stuff is going to do itself, so it’s on me as always. Heavy heaving sigh. But happy Friday, everyone!

Leather and Lace

Wednesday and pay-the-bills day. Huzzah?

Note to self: at least you can pay the bills without worry. Not everyone can say that, chuckles.

We were in a heat advisory yesterday and I haven’t acclimated to the summer yet. I ran errands after work yesterday, and was exhausted by the time I got home. Paul had worked at home yesterday, so shortly after I got home we started watching television–we started The Ipcress File, which is extremely well done, but Paul wasn’t enjoying it as much as I was, so after three episodes we switched over to First Kill, which isn’t bad but is essentially the same set-up, kind of, as the original storyline of Teen Wolf, only with vampires. There’s a family of vampires and a family of monster-hunters; naturally the hunter daughter and the vampire daughter–both of whom need to get their first kills (hence the title)–are attracted to each other, which sets up an interesting twist on the usual Romeo and Juliet type romantic tragedy. It was entertaining enough to keep watching, even if it is the same essential story as the Scott/Allison romance from the first seasons of Teen Wolf, without the homoeroticism.

I also got my first page pass copy of A Streetcar Named Murder yesterday; I gradually read my way through yesterday to get a sense of the book now and see if it all coalesced; I think it did and it reads very well. I did see a lot of mistakes–missing words, typos, etc.–that are going to need to be corrected, so I will spend some time with it this weekend taking notes of those issues so they can be corrected in the final edition. I am starting to get excited about the book’s pending release (December) rather than terrified; I also have to go blurb-shopping for it, which is my least favorite (well, one of my least favorite) things to do as a writer. I have a pretty healthy list of people to ask, so here’s hoping some of them say yes to me. Fingers crossed, everyone!

I didn’t write or read yesterday when I got home from work–Paul, as I said, was at home and running errands in the late afternoon/early evening heat/humidity had essentially worn me down–and as such, the kitchen is a complete disaster area this morning again. The dishwasher isn’t working again–it is full of water in the bottom, which probably means that a mouse has eaten through the hose one more time–but I honestly don’t mind washing the dishes by hand; I always do anyway before I load them in the dishwasher anyway (that’s another quirk you can blame on my mother), but it’s great to have the dishwasher racks as a place for the dishes to dry so it doesn’t take up my limited counter space (which I have to clean off completely when I get home from the office tonight). I do need to both read and write tonight; I hate this yearly adaptation to the heat. But you do eventually get used to opening the front door and stepping into a sauna, or leaving the office and sitting in my car that has been out in the sun all day and feels like a preheated oven when I get in–the buckle of my seat belt was too hot to touch yesterday so had to use my shirt to grip it. Madness.

I also got some great stuff–yes, more books–in the mail yesterday. I meant to take a picture of them for social media but…no clear space on the counters. Heavy heaving sigh. I also want to make a cucumber salad recipe I saw on the New York Times cooking section; my avocados have ripened and now I have to worry about them turning before I use them. So, when I get home tonight I need to do some laundry, put some dishes away, clear off the counters, make cucumber salad, do some writing and then some reading. Hopefully I’ll have time to get all this done this evening.

And on that hopeful note, I am heading into the spice mines on this “Pay the Bills” Day–and I should probably, you know, pay the bills.

Talk to you tomorrow!

Beauty and the Beast

Holiday Monday, which is celebrating Juneteenth (if you want to know more about the holiday, this is a great place to start). It’s hard to believe, and more than a little sad, that it took until recently for this to become a federally recognized holiday. Honestly.

Better late than never, I suppose–which is hardly any consolation, really.

But it’s nice to have another three-day weekend (I can’t remember which holiday we gave up for this one at my dayjob, but we only are allowed no more than eight holidays for some reason), and I slept late again this morning. The cappuccino yesterday morning had no effect on my sleep, so I am having another one this morning, which is lovely. I really do love the way they taste; I just wish making them wasn’t so complicated and dirtied up so much stuff. I made Swedish meatballs yesterday afternoon and that mess still needs to be cleaned up as well. Heavy sigh. What can I say? I got caught up in watching television once the meal was ready and stayed in my easy chair until it was time for bed. We watched the new episode of Becoming Elizabeth, which isn’t bad but it’s not overly compelling either–which is weird, because the period between Henry VIII’s death in 1547 and Elizabeth’s accession to the throne in 1558 was very fraught and very dangerous (Anya Seton brilliantly captured this period in her seminal novel Green Darkness, which I highly recommend along with the warning “it’s quite long”); but it’s not really translating to the screen very well in this production. I also spent some more time with John Copenhaver’s marvelous The Savage Kind, which I hope to do again today.

We also started watching an amazing show on Netflix that originally dropped in 2020 and whose second season was endlessly delayed by the pandemic (I checked it out on-line as we watched) called The Defeated starring Taylor Kitsch as a Brooklyn homicide detective who is “loaned” to a small precinct in the American sector of Berlin in 1946 to help rebuild their station along American police standards; which is a challenge. None of the people working as cops there have any experience in being police officers; some are young boys while the majority are women. The Germans aren’t allowed to have guns, so they have an “arsenal” where they keep their bedposts and other wooden sticks; the Russians are horrible; and Kitsch himself is looking for his brother, a soldier with mental problems who’s gone AWOL and whom Kitsch suspects is targeting and murdering Nazis. It’s extremely well done–think Babylon Berlin but only in another twenty years–and it also asks a lot of ethical and moral questions that really don’t have answers. The woman who runs the station, is the “superintendent” or captain of the squad–wasn’t a Nazi but her protestations about “we weren’t all Nazis” have the same credibility of a prisoner at Angola claiming innocence: no one admits to being a Nazi once the war was lost, after all. At one point she says, very poignantly, “The war is over and the entire world hates us because of what we did, or allowed, and who can blame them?” This seems particularly poignant given the current political climate in our country; I know it seems extreme, but I’ve seen other people comment on Twitter and other social media about how they feel sometimes like “they are living in Weimar Germany and it’s just a matter of time.”

I know I’ve certainly felt that way at times.

We also watched a classic old Bette Davis film, The Letter, which I’d realized I’d never seen yesterday so I pulled it up and started watching. I had read the original short story by Somerset Maugham a few years ago for the Short Story Project, and enjoyed it tremendously. The story is told from the lawyer’s point of view, while the movie certainly shifts the focus over to Leslie Crosbie, wife of a Malaysian rubber plantation owner, who shoots and kills a man she accuses of trying to rape her. Everyone believes Leslie…but you see, there is this letter that exists that contradicts her story, and the more lies she tells, the less her lawyer believes her–although he ultimately pays a blackmailer to get the letter back so she escapes conviction. In the story it’s all from the lawyer’s point of view; she’s merely the wife of a friend he is taking on as a favor, and he doesn’t know her well…but as he (the lawyer) discovers the existence of the letter and recovers it, he slowly begins to see through her lies and to see her as she really is. He doesn’t expose her–he allows her to escape her punishment–but he confronts her with the letter after the verdict and she confesses everything…only to return to her loveless marriage at the rubber plantation. The story and the movie both are steeped with the Imperialistic and racist overtones of the time the story was written and the film made; the ending of the movie is different than that of the story because of course, for the Hays Code of the time she couldn’t be seen as not being “punished” for her crime; she is murdered at the end by the Eurasian widow of the man she killed (his marriage to this mixed-race woman is what sets the tragedy in motion) during a party celebrating her verdict. There was one scene in particular that really made me shake my head: after she has told her story of being almost raped and committing murder to protect herself, she makes dinner for her husband, a friend of the family, and the local police magistrate and they sit around eating and talking about things like nothing’s happened. As we watched this season, Paul–who had no idea of what the movie was about–said, “Oh, he didn’t try to rape her, did he? She’s a cold-blooded killer.” GREG: “It’s Bette Davis, what do you think?”

Although it did make me think about false accusations of rape again, which is one of the myriad of reasons women generally tend to not be believed about being assaulted. There’s probably a really good essay to be written about that.

I also wrote yesterday, which was really lovely. I managed to get the first chapter of that manuscript written; I plan to look at it again today and tweak it a bit. I have a lengthy errand to run–must go over to the North Shore–and when I get home, I plan to write for a while before retiring to my easy chair with my Copenhaver book (I am really enjoying it, y’all) before we finish watching The Defeated (y’all, it’s really good). I’m not sure if what I wrote yesterday is actually any good or not; it remains to be seen, I suppose, and let’s face it, I am not (nor have I ever been) the best judge of my own work. But we shall see today, I suppose. It felt good to be creating again and it felt good to be finishing something, even if it’s just a shitty draft. I’d like to be able to get a lot more written today, if I can…

And on that note, I am heading into the spice mines. Talk soon, Constant Reader!

She’s Not Just Another Woman

Well, yesterday was actually quite lovely. I slept extremely well Thursday night and of course, the Anthony Award nominations turned my week around when the news broke that night (I still can’t believe Bury Me in Shadows is nominated TWICE), and I did spend a lot of yesterday trying to thank everyone for their congratulatory tweets, posts, comments and emails–I can’t think of anything lovelier than having to say thank you to people for their kindness–AND then Netflix renewed Heartstopper for an additional two seasons, which warmed the cockles of my cold, dark little heart. I wasn’t able to get as much done as I would have liked–but I did get some important thinking done, and today I am really going to start working on my edits. When I got home from work yesterday I did a lot of cleaning and organizing in order to get it out of the way before the weekend, precisely so I could focus on my edits. We spent the evening, once I’d made dinner (Swedish meatballs over egg noodles, if you were wondering) watching this week’s Under the Banner of Heaven and then one of the two new episodes of Hacks before we turned in early for the evening. I slept marvelously again last night, and feel very rested and a-rarin’ to go this morning. I do have some errands to run–nothing major that will take me away for long; I need to get the mail and put gas in the car–and then I can settle in for a day of editing and writing, which I am strangely looking forward to doing.

It was a rollercoaster of a week, ending withe incredibly pleasant high of having two Anthony Award nominations for the same book–still having trouble wrapping my mind around this, to be honest; I don’t know if it’s ever happened before–but I am not the only person with more than one nomination. Tracy Clark is nominated for Best Novel for Runner and for Best Short Story; S. A. Cosby is nominated for Best Novel (Razorblade Tears), Best Short Story, and Best Anthology for Under the Thumb. I feel confident no one’s ever been nominated for three Anthonys in the same year, as well; Shawn just keeps breaking down barriers with his extraordinary work. The nominations list is also one of the most diverse I’ve seen in all my years in this business, which certainly also bears remarking on.

As always, I still have a ridiculous amount of work to get done; but now that I am all rested this morning and feeling great about things, I am not so worried or stressed about it as I was yesterday or earlier in the week (being tired is so unpleasant, and just opens to the door to stress and anxiety and depression); we will see, of course, how long that will last very shortly, won’t we? I have hopes–although I know going out into the blisteringly hot and humid day to run errands will suck the energy right out of me, sending me quite literally to my easy chair; but I can work in the easy chair–if I make myself do it, which I feel like I can do today. I don’t think I am going to make the deadline for that short story–its fine, really; I was thinking about it last night and realized working on it has been a way of pushing off getting the edits on my book finished because I just can’t face working on it again, but I am over it already. I still don’t know the middle of the story, and I can always finish it some other time and get it done and try to sell it somewhere. It’s a pretty good story–I just need to figure out the middle of it.

Sigh. I hate the middle.

But looking around the desk this morning, there’s things I need to put away and filing that needs to be done; I also got down my Scotty books (with the pages marked with sticky notes for each character’s history and background; this was the initial step to creating a Scotty Bible to make continuity easier for me) and have them stacked neatly on the right corner of the desk underneath some others I’ll be using for Chlorine research (should I ever get around to that, I am beginning to sense the slippage of time through my hot little fingers). This is always the first step of writing a Scotty book; gathering the copies of the old for references. I have the prologue-opening spoof of a more famous book’s opening selected and even written somewhat (A START!) and I am doing some research–I am going to pay homage with the book to two Nancy Drew mysteries (The Ghost of Blackwood Hall and The Haunted Showboat) in this plot/story, so I actually had to sit down and reread both books (another blog post there, but you’ll have to be patient, Constant Reader) this past week–more of a skim, really; just to get some feel for them again since I didn’t really remember as much of them as I would have liked–and yes, I have thoughts (hence the blog post which I’ve already started).

But as I said, I have edits to dig into today, and some filing to do before I run the errands, so it’s perhaps best that I bring this to a close this morning and head into the spice mines. Have a lovely Saturday, Constant Reader, and I will chat with you again tomorrow morning.

Stay Awhile

Another work-at-home Monday here in the Lost Apartment and I am not feeling especially motivated this morning. Granted, I’ve yet to swill down any coffee (which will undoubtedly make a significant difference) but I also have a lot to do. I wasn’t nearly as productive over the weekend as I would have liked to have been, so the to-do list still has many things to be crossed off of it. But I think the relaxation was necessary in some ways–I did make notes in my journal all weekend, and I did a lot of thinking about writing, and I do think that’s very important; as I mentioned on the Spirit of Ink the other day, it’s crazy to sit down to write something without spending some time thinking about what you are going to write first. There’s this sense, often reinforced by television and movie depictions of writers trying to write, that we simply sit down at the computer (or typewriter, depending on the time period) and then stare in in frustration at the blank page or document before finally giving up. I don’t know any writer who sits down without some idea of what they are going to be writing about when they sit down to start, and it occurs to me that not thinking about what you’re going to be writing before you sit down and start writing it is nothing more than defeating yourself before you even get started.

We wound up watching quite a bit of television over the weekend; Anatomy of a Scandal on Netflix with Siena Miller and Michelle Dockery was how we spent most of yesterday; it wasn’t bad but there was a massive plot hole in the center of it that, once we were aware of it (a surprise twist about halfway through) kind of undermined the story and the character who was committing the deception: it simply did not make any sense. Maybe in the book it was based upon it worked better, I don’t know; but it really undermined the impact of the show and its message; which purported to be about entitled men and the “boys will be boys” dismissal of sexual harassment and assault on women; the old “he said/she said” debate in which the woman is never truly believed in our justice system (or the British one, in this case; sad that both countries have the same issues with toxic masculinity and accountability for entitled male behavior, but not terribly surprising, since one country is basically the mother of the other). The acting was good, but I really didn’t see anything fresh or new to the story; we’ve seen this same story before numerous times: powerful man is accused by underling with whom he is having an affair of sexual assault after the affair ends; wife isn’t sure whether she should believe him or not; and endless surprising revelations from the pasts of everyone involved.

But I did get some things done, so the weekend wasn’t a complete and/or total loss, to be sure. I managed to get most of the dishes done (there’s still another load to put in the dishwasher and run) and most of the laundry, and I did manage to get some organizing done as well. As I already mentioned I got some writing (or thinking about writing) done; I also did some important on-line research for not only my next Scotty but for a sequel to A Streetcar Named Murder if they want one; if they don’t, the research will certainly come in handy for something else. I also did find a couple of submission calls I might, if I have the time, cobble something together for–but the deadlines are very tight, and I don’t have anything in pristine-enough shape to turn in for the calls, either, which would mean needing to find the time to revise and rewrite stories for both, or at the very least trying to figure out which stories might work in either case. I’ll need to review the calls again with an eye to looking at what is in the files.

I also finished reading Carol Goodman’s The Lake of Dead Languages, so Ellen Byron’s Bayou Book Thief is up next for me. I am interviewing her at Blue Cypress Books this coming Sunday, so it’s best that I be prepared to talk to her about her new series don’t you think? I think a week–despite everything I have that needs to get done this week–is more than enough time to make sure I can read the book and be sort of intelligent-sounding while we are at the store. I’m not terribly worried; Ellen is witty and wise and warm and a great story-teller, so I know she’ll run with the ball every time I hand it off to her.

And on that note, this isn’t getting anything crossed off my to-do list, so I’d best head back into the spice mines. Have a lovely Monday, Constant Reader, no matter what it requires you to do.

If You Let Me Down Let Me Down Slow

One of my favorite lines from All About Eve is not, actually, one of the more popular or famous (infamous?) ones. It comes when Margo and Karen are stranded in the car on the way to the train station so Margo can make her curtain; they’ve run out of gas and Lloyd has gone for help (Margo doesn’t know Karen has drained the tank deliberately to punish Margo for–well, for being right about Eve all along), and they start talking. Margo turns on the car radio and music plays, and Bette Davis makes a patented Bette Davis sneer-face and turns it off, snapping, “I despise cheap sentiment.” I love that line, and use it whenever it feels appropriate.

I do feel it important to say that I don’t despise all sentiment, just the cheap, sappy kind. I used to love It’s a Wonderful Life, frankly, until I started really thinking about its message and how truly dark it actually is; now I love to fuck with people who still love it by called it the darkest Christmas noir ever put on film. But The Princess Bride and Disney’s Beauty and the Beast are still two of my favorite movies; and earned sentimentality, that arises from strong character development and a good story, still moves my heart and can make me cry a little bit.

Yes, I cry at movies and television shows; there are even songs that make me tear up a little bit, too. I know I project that I am deeply cynical–probably because, well, I am deeply cynical. People and systems have disappointed me far too many times for me to have a glowing opinion of humanity as a rule; my friend Victoria often accuses me of being a misanthrope–to which I always reply, “And I’m not wrong to be.” I do prefer to believe that most people are decent at heart, but there are just so many examples on the other side of the scales that it’s very hard to keep believing in the kindness of random strangers. (Just look at our current society and what is going on in the world even as I type this.)

So, I went into Heartstopper not expecting an awful lot. It looked cute from the brief previews I’d seen, and so I knew already it was about two teenaged boys falling in love and their friend group. I’ve often been disappointed by queer representation in films, television shows, and sometimes in books as well; I figured, despite the enormous popularity of the graphic novels this show was based on, that this would yet again be the case.

Boy, was I ever wrong.

I can honestly say I can’t remember the last time I was so completely charmed by a television series with gay characters–if ever. I have always been harshly critical of fictions targeted toward queer youth for any number of reasons; the primary one being a serious lack of authenticity in the ones I’ve read and/or watched. Some of them were so blatantly unrealistic I couldn’t even get past the third page, and even the ones I managed to hold my nose and get through were incredibly problematic and disappointing. I never got into Love, Victor because it seemed…well, phony to me. I can’t give any examples of why I reacted that way to the show, and believe me, I wish I could have watched more of it so I could (I may go back and do so at some point). So when I saw the first previews for Netflix’ Heartstopper, it looked adorable…but as I said, didn’t get my hopes up. I checked into it before watching and learned that it was based on a series of graphic novels that started as web cartoons, written by Alice Oseman, and I thought, well, be supportive and give it a chance. We were just coming off season 5 of Elite, which had thoroughly shocked and surprised me with the amazing storyline and arc they’d given the character of gay Patrick (who literally stole the entire season out from under the rest of the cast; it was a stunning performance by Manu Rios), and the thought that I might have another terrific show with gay characters and a romance was too much to pass up on. So, the Saturday before we went to New York, Paul and I queued up Heartstopper and…

We were both enchanted.

Heartstopper is just so sweet and lovely I felt my Grinch heart grow three sizes while watching it.

I even happy-cried several times per episode; so it’s like Ted Lasso and Schitt’s Creek in that way, but it also touched me deeply. I kept thinking, over and over again, how marvelous this show was; how beautifully written and acted and produced–and how lovely this would have been for fifteen year old me to have seen.

It’s like I don’t know who I am anymore.

It really is just so damned sweet and charming.

The queer rep I’ve seen in y/a novels–romance or not–has generally not been satisfying or engaging; I tend to raise my eyebrows and roll my eyes a lot–if I can even make it all the way through. But this….this was different somehow. Maybe because the actors playing the roles were the actual age they were playing? They just looked so young and innocent and sweet….which was perfect for this kind of show, really. It does make a difference when teenagers are played by teenagers, as opposed to actors in their twenties.

Charlie is the main character, who was accidentally outed by one of his friends the previous year and has suffered some bullying, which has left a few marks on his psyche. But it’s a new school year, some older boys put an end to the bullying, and he’s starting over in a way. On the first day of class he finds himself sharing a table in Form (what I guess we would call homeroom) with Nick, the big star of the school’s (Truham) rugby team. As they continue sitting next to each other, they slowly but surely start becoming more and more friendly with each other; enjoying each other’s company, etc. Charlie is also involved in a toxic relationship with Ben–who will meet him privately to make out, but only on his terms and when he wants it, and is also seeing a girl–that Charlie is trying to get out of. Ben tries to force himself on Charlie one day… Nick stops it, and then their friendship blossoms even more, with more texts and Nick proving himself to be a really good friend to Charlie, who is also developing a crush on Nick.

Nick is also starting to have feelings for Charlie that go deeper than “being mates”–so we see him looking stuff up on line about being gay.

Kit Conner, who plays Nick, plays the role so pitch-perfectly–the confusion of having feelings you’ve never had before, which upsets your entire worldview and everything you think you know about yourself (it wasn’t my experience, personally, but I’ve heard this from countless others) and being terrified to express it; afraid of what will happen when you admit it to yourself and start admitting it to others, and what it all means. He’s falling in love with Charlie, but what precisely does that mean?

His mother is brilliantly played by Olivia Colman, who is just such a treasure. One of the sweetest scenes in the entire show is after she’s met Charlie, and she comments on the friendship, “You’re more you when you’re around him. You’re different around your other friends. With Charlie, you’re you.”

Yes, it brought tears to my eyes–especially watching the emotions of what she means being processed in Nick’s mind and the lovely smile when he realizes that Charlie really sees him…and what THAT means.

It was also lovely seeing their relationship develop and blossom and grow–and that everyone is supportive and excited for them for the most part (yes, there’s some homophobic bullying, but not as much as one would expect, but it’s also dealt with strongly and doesn’t really hang over the show, either). There’s a young lesbian couple as well whose development and growth mirrors that of Nick and Charlie; a wonderful young trans character who has left the boys’ school and is now at the girls’ school, and a burgeoning romance for her as well–which I hope develops more in the next season.

But most importantly, the show is about acceptance and the sweetness of falling in love for the first time–and the usual obstacles that keep our adorable young couple apart aren’t heavy drama, and their suffering is more along the line of does he really like me? Am I his boyfriend?

It’s sweet, and adorable, and charming. As I said, I happy cried any number of times throughout the show…and the soundtrack is fantastic.

In fact, I am so obsessed with Heartstopper that the day after we watched I bought all four graphic novels and read them the following afternoon.

The show follows the books pretty closely, but they are just as adorable in the graphic novels as they are on the show. The graphic novels take a bit of a darker turn in the last couple of volumes than I would have liked, but the dark stuff is handled not only optimistically but in the same charming, loving, kind way the rest of the story is told.

The covers for the series so far

Highly recommended. I am probably going to rewatch, too. It made me all warm inside, and shows like that–Schitt’s Creek and Ted Lasso and now Heartstopper–are necessary, especially in these dark times in which we live. Thank you, Alice Oseman, for the books, the story, and the characters. Highly recommended.

I could write about this show and the books forever, and may write more later…but I am going to go ahead and post this now.

Amos Moses

Sunday morning and I slept in again, which was marvelous. I fell asleep in my chair last night while watching television, which makes me think that no matter what time I arise, ten is now my bedtime, and I am not really sure how I feel about that, to be completely honest. I welcome the good sleep, though, and the rested and refreshed feeling I’ve been experiencing in the mornings. Yesterday was a good day; I didn’t get nearly as much done as I wanted, but c’est la vie; such is life, and I did get things done. I worked on the kitchen, did some cleaning, working on my CV a bit more (more on that later), and laundered the bed linens (clean bed sheets and blankets always make sleep feel better for some reason I choose not to question). I did a load of dishes, cleaned some things out of the refrigerator that needed cleaning out, and organized some.

We rented Spider-Man: No Way Home yesterday and yes, I do think it was the best live action Spider-Man film (barring Spider-Man: Into the Spider-verse, which was animated). The young cast (Tom Holland, Zendaya, Jacob Batalan) are absolutely pitch-perfect; the concept of the story was actually good; and it was a sweeping epic that caught us up in the narrative. I hate to think this might be Tom Holland’s last go round as Spidey, frankly; I adore the kid, and have ever since his Lip-Sync Battle performance doing Rihanna’s “Umbrella” (that was what got me into the theater to see Spider-Man Homecoming, which I didn’t care much about seeing before that clip won me over, and these three Tom Holland outings as my friendly neighborhood Spider-Man are my favorite Spidey live-action movies), and I hope this isn’t the end of this cast in these roles. I don’t know how the franchise can go on now, given the events of the movie, but in some ways it’s very true to the original comic books–Peter being alone and friendless. Tom Holland is also one of our best young actors; I’ve loved him in everything I’ve seen him in, even if the film itself was flawed. I’m sure he’s destined for a long and successful career, and he certainly has the money and success to focus only on projects that interest him as an actor; kind of like Daniel Radcliffe and the other kids from Harry Potter.

It would be a lovely place to be in as an actor, I would think.

After that, we switched over to Netflix to watch Heartstopper, a young adult gay romance series from Britain (with Olivia Colman in a very small party) and coming on the heels of season 5 of Elité, it was marvelous to see a love story between gay teens actually played by teens who weren’t perfect looking and beautiful. We deeply enjoyed this show, which was just incredibly sweet and adorable; how can you not fall in love with main character Charlie? How can you not empathize with him being mocked and bullied, yet despite this remaining first and foremost an incredibly kind and caring young man who loves his friends and wants to protect the people he loves from suffering the way he has suffered? It was apparently a graphic novel first, which was a bit of a surprise (I may have to go looking for it now; I definitely would read the novel if there was one) but a very pleasant one. It didn’t have any of the falseness or inauthenticity of other queer young adult fictions I’ve read and/or seen before; there was also lesbian representation as well as a very well rounded and developed trans character. It was so remarkably well done…I cried a couple of times. Rugby star Nick’s struggle to understand what he was feeling, and how to express himself in ways he’d never learned or thought about was also remarkably touching to see. I defy anyone to watch Heartstopper and these wonderful teens and not want to do everything in their power to protect them from hate and bullies–of which there is far too fucking much in the world, and has roared back lately thanks to the right wing hate machine. (It’s also been horrific watching people who consider themselves “allies” betraying us at every opportunity and turn…I’d forgotten how that felt, and frankly, I’ve cut people out of my life for far less than this…more on that later; I have been trying to compose a Julia Sugarbaker entry for several weeks now about the vicious political attacks on my community lately, but it’s not easy to do so without swearing vociferously and shredding people–mind you, they deserve it with both fucking barrels, but reason and logic is the best way to battle bigotry and hatred and garbage human beings.

I reserve the right to experience righteous anger and express it, though, because sometimes it is absolutely fucking necessary.

It’s weird that we’ve spent the weekend with superhero films, watching The Batman on Friday night and Spider-Man last night; we also started watching Severance last night, which I was also enjoying–my falling asleep during the second episode was more a result of my being tired more than anything else; I am going to rewatch it this morning while Paul sleeps–and there are several other shows I want us to get watching. We leave for New York on Tuesday, though–tonight and tomorrow night will be more about me packing and getting ready to head for the airport on Tuesday more than anything else; our flight is around noonish, I think–I need to double check, especially since I have to check us both in tomorrow–so we have time to drop Scooter off at the kitty spa before we have to head for the airport. (One of the things I need to do today is make sure I have everything I need, paperwork wise, for the trip–the car service from LaGuardia, the discount parking coupon for USPark, the confirmation number for the flights and the hotel)

Today I need to work on my story some more, do some more things, and get everything together that I need to get together before we leave town.

I’ve been updating my CV lately (something I’ve not done since 2009, and it wasn’t even really complete then) because I am doing a favor for a colleague (whom I also consider to be, at the very least, a friendly acquaintance) which requires me having an updated CV. As I was adding short stories, essays, articles, books and anthologies to the list, I began to realize why precisely people refer to me as prolific (which I always just smile and shrug off). The damned thing is already seven pages long, and I’ve not included everything–old books reviews, author interviews, columns, etc.–and there are some things I wrote for websites that I am no longer able to locate or remember (if it’s not in print, the chances I won’t remember it expand exponentially) and really, it doesn’t need to be that exact for this purpose; but it does make me think I really do need to, at some point, make sure every single thing I’ve ever written is included in my CV. I mean, it already looks impressive; I can only imagine how long it will be once it is as complete as I can make it. I mean, I wrote a fitness column every two weeks for IMPACT News and later for Window Media, for at least four years. That’s well over a hundred columns right there…not to mention all the book reviews I used to do. I think I have produced millions of words over the course of when I first started writing professionally all the way back in 1996 in Minneapolis, which was really when my writing career began; so I’ve been at this now for over twenty-six years, which is kind of amazing, really.

And perhaps it’s best for me to head into the spice mines now, so I can get a jump on the day. Have a happy Sunday, Constant Reader, and I will chat with you again tomorrow.