Tag: Nazis

Here Comes Peter Cottontail

Easter, which really should be the highest holy day of Christianity–but it’s not. That would be Christmas, which again–really doesn’t make sense. But at least the date of Jesus’ birth is fixed–as opposed to how the day of his death floats.

I overslept again this morning and I suspect my exhaustion–which carried me through yesterday as well–has everything to do with the situation on Friday. Yes, I know I am being vague, but I also never am sure about crossing a privacy line for someone else. Essentially, I lost the entire day, and let’s just say that I am glad I am on anxiety medication because my mind would have exploded this past week, probably. But it was exhausting and draining, both emotionally and physically, and that all kind of caught up with me yesterday. I did get some things done–laundry and I did run an errand–but was completely worn out yesterday and had excessive fatigue. I feel better this morning than I did yesterday, but I also have a lot to do today and hope that I can manage somehow. I feel motivated today, which I didn’t have the energy for yesterday, and as soon as I finish this I am going to get cleaned up and finish cleaning the kitchen and dive into my day.

Sounds good, anyway.

It’s also a very bright and cheery day out there–it’s been cold since around the festivals–and I am hoping to cook out today, too. We spent most of the day relaxing with the television on. I did read some of Last Summer, too, which I am really getting into, and I think my next read will be an old Michael Koryta, The Cypress House. He really is one of my favorite writers, and I need to read more of his backlist as well as get caught up on recent releases. I pruned the books a very little yesterday, and we did watch some great stuff yesterday. We watched Quiet on Set Friday night, which was grim and creepy and horrifying, and then yesterday we watched Thanksgiving and moved onto Will Trent, which we’d been meaning to get around to but kept forgetting–it’s quite good. Thanksgiving was another holiday slasher movie, kind of clever and didn’t take itself too seriously (always a plus in a slasher movie) and I enjoyed–but it didn’t say anything new or do anything wildly clever or original. Quiet on Set, on the other hand, was deeply disturbing–which brings me to another point about the falsity of the right and it’s anti-queer lies about grooming and pedophilia. Every day I see pieces posted on social media about another male (sometimes with a female accomplice) convicted of raping and/or sexually abusing children…and getting off with thirty days in prison, or three months, or suspended sentences.

Where is all the outrage about THAT? Judges and juries giving light sentences for raping children? That’s how I know the right is all smoke and mirrors when it comes to these issues. They chose to attack a small minority and accuse them of not being safe around children, but where is there concern about all these religious figures, church leaders, your counselors, and COPS who are getting away with destroying children? Watching Quiet on Set made me aware just how hypocritical they are. If they really cared about children and keeping them safe, they’d go after actual people who, you know, commit the crimes and the disgusting sentences they get for said crimes. It’s hard to take any country seriously who doesn’t punish actual perpetrators of crimes against children, but instead accuses innocent parties while looking the other way when the criminals don’t fit their narrative.

I’m tired of liars using children as a bait-and-switch to come for queer people.

Sigh. It’s easy to get frustrated and fearful these days with the world in the state it is currently in; I take no pleasure in seeing my predictions about the rise of modern American fascism, made in the early 1990s, coming true in my twilight years. You see, I recognized the rhetoric of the right, and how they were using queer people as scapegoats for everything, in the decade as the same language and dialogues that Germans used on Jews and queers in the 1930’s, and I also saw, with the rise of Fox News, the further decline of the American system and way of life. We’ve never really achieved, as a country, the democratic utopia the founders strove for–but it seems like a significant portion of the country no longer sees patriotism as country over party anymore. The Divine Right of Republicans to run the country was part of the unholy marriage of conservatives and evangelicals that Reagan fostered as a Machiavellian scheme to retain power. The right has been smearing the left as communists since the fall of the Tsar in 1917–it’s still a slur they sneer today (communist, commies, socialists) while painting themselves, quite offensively, as the real patriotic Americans.

Sometimes I think I am thinking overly optimistic and that more and more Americans are beginning to see the tin god as precisely that; a golden calf they worship despite their Holy Book’s continued warnings about false gods, false witness, and liars.

And for the record, I have always believed that faith in religion should be shown by works, not words. Anyone can say they are a Christian and they love Jesus–it’s their behavior and what they do that truly matters.

And on that note, I am heading into the spice mines. Have a happy Easter, Constant Reader, and I may be back later.

Come Softly to Me

Sunday morning and as predicted, I didn’t get nearly as much done yesterday as I wanted to, but it was mostly about time more than anything else. I picked up the mail and stopped by Fresh Market, but then once I got home…well, there were chores still to be done (still have some more to do this morning) and I never did get around to writing anything besides blog entries yesterday, like a very bad Gregalicious. Today I have no choice, I have to write today…and I also have to drive out to the Apple Store in Metairie, and make groceries, both of which will be tiring. (I knew I’d regret putting that chore off until today, but at least it’s sunny out today; I think it’s going to be a rather lovely day out there.)

Sparky is always a problem for sitting at the computer as he always wants to sit in my chair–he will hang out and be obnoxious (right now he’s sprawled across the desk, his flicking tail brushing the keyboard as he knocks other things off…) and then jump into the chair the minute I get up for more coffee or anything, really. Heavy sigh, the joys of Big Spoiled Kitten Energy.

I did manage to watch Christopher and His Kind yesterday, which is Isherwood’s memoir about his life in Berlin during the rise of the Nazis, and it much more explicit than Isherwood’s earlier fictions about Berlin. During that “Staged Right” about Cabaret I watched the other night, he wrote it in reaction to the movie, to leave the record straight (as it were) about himself and his life; he hated that Cabaret made Brian/Christopher into a bisexual and that Sally was played by Liza Minnelli, when the actual Sally was marginally talented at best. It was an interesting film, but Christopher himself really came across as a bit of an asshole. There was also a lot of explicit sex, and there’s no question in watching this film about what his sexuality was, for sure. Matt Smith is simply stunningly beautiful, and Alexander Draymon as Caspar is just too beautiful for words. The two stories (Cabaret and Christopher and His Kind) are similar to each other, but I’m not really sure if a watcher didn’t know that both came from the same source, those similarities are simply base facts the story grew out of, and you might not even recognize them as the same story. I may need to revisit the books sometime when I have more time…as I recognize that a lot of the revisiting of fiction I talk about is probably never going to happen. But as always, I find rereading something as an easy way to shake off the not-reading mode I’ve been in for so long. We also watched the new BBC adaptation of Agatha Christie’s Murder is Easy yesterday, which we quite enjoyed…although I am waiting for the racists to complain since they cast a Black man in the lead.

So I started rereading Norah Lofts’ The Little Wax Doll yesterday, of which I remember very little of my original read back in junior high school (I read her novels about queens and royal women before moving on to her other novels, which was very definitely an eclectic mix), and find myself enjoying it a lot more than I did when I was twelve–I did enjoy it, but I am certainly seeing it differently some fifty years later. As a kid, I just read Miss Mayfield as a lonely spinster who spent most of her life working in Africa in her colonial “white savior” role with her best friend, who hopes to save enough money to buy a little place she and her “best friend” could retired to; now it’s screaming lesbians at me. The book was originally published in 1960, and of course there are the queer deniers who like to think we never existed in the world before Stonewall. The phenomenon of spinsters sharing a home was just a fact of life, and the British never really inquired much further than that–the British cold politeness.

And on that note, I am going to head into the spice mines. There’s a lot to get done today and I am feeling like I will be able to make some significant progress today. Wish me luck, and I may be back later. Happy Sunday, Constant Reader!

New World Man

I am up earlier than I have been since before the surgery (no, I don’t want a cookie–never been a cookie fan, even as a kid), and feel pretty good this morning. Yesterday was a pretty good day, over all. I didn’t really leave the house at all, but I worked on getting things more under-control around here–the kitchen has been a mess since the ceiling collapse, and the cabinets and drawers need some serious organizing–and also spent most of the day doing other chores around here, while thinking about getting back to work writing. The brace is still awkward to work around, but it feels like I’m getting more used to working with it on–and having a cleared and cleaned off desk surface also helps with that as well. I am going to run some errands this afternoon, but there’s not college football today to distract me or send me to the easy chair for the day, so I have little choice about blowing the day off, methinks, which is not a bad thing. I also did laundry and more dishes yesterday, and I have some other things I need to do here in the kitchen/office today as well. I also spent some time reading the second book in Raquel V. Reyes’ delightful Caribbean kitchen cozy series (Calypso, Cooking and Corpses), which is just as delightful as the first, and then…well, I fell down a Youtube/Twitter wormhole that was eye-opening and shocking before Paul got home from the gym and we watched this week’s Fellow Travelers, which, interestingly enough, kind of tied into the wormhole in some ways; as you may recall, just the other day I was talking about how these stories (Fellow Travelers), while sad and depressing, were necessary to remind people of how awful the past was for queer people not that long ago; we don’t have much of a societal memory for things that happened as recently as twenty years ago. There’s a large gap in our community that was created by the HIV/AIDS pandemic, so the oral traditions within the community of passing along our history was horrifically interrupted and many younger queers–and those that aren’t that young–have no way of connecting to the past, and don’t even know where to start looking.

During the shutdown I spent a lot of time in my easy chair making condom packs for the day job to justify getting paid for being at home–there were other job duties I could do at home, but mostly I made a shit ton of condom packs–and so I spent a lot of time looking through streaming apps on my Apple TV for things to watch while my hands worked. This was how I discovered the endless wormholes of Youtube video essays and documentaries; and of course, algorithms started suggesting other videos and channels of “influencers” similar to the videos I had watched and was finding on my own. Discovering Matt Baume’s delightful channel about queer rep in popular culture was a joy for me; he named sources for his information, was very clear about what was fact, what was unknowable, and what was his opinion–and since most of it was stuff that aired or happened while I was alive, it was a lovely trip down memory lane for me, reminding me of the few things that resonated with me growing up as a lonely queer kid and what shaped my views on what it was like to be a gay man in America. (Also, once I discovered there was such a thing as queer books and queer publishing, spent most of the 1990’s reading mostly queer stuff…and I’ve always been a voracious reader.) Anyway, watching Matt’s videos and subscribing to his channel shifted the algorithms, and I started getting other videos and channels suggested to me….and one of those belonged to a queer video essayist named James Somerton, and one of them–called Evil Queens and having to do with Disney–I don’t remember the actual name of the video, and he has since scrubbed his entire Youtube channel (more on that drama later)–and thought, interesting–a long time ago I read and reviewed a book called Tinker Belles and Evil Queens by Sean Griffin, but you can’t copyright a title and can you talk about queer coding and such in Disney and not use the words “evil queens”? Disney has always fascinated me, since I turned into a Disney queen after The Little Mermaid (I was never a big Disney kid; that waited until my adulthood and coming out, oddly enough), and Griffin’s book was so astonishing and good and insightful that I never forgot it. I watched Somerton’s video, and it all seemed incredibly familiar to me–and I did note he said some things that were wrong; mainly Gay Days/Gay Nights at Disneyworld were never official, Disney-sponsored events…which I know because I lived in Florida and used to go for Gay Day. I also thought it was odd that he left out how the Southern Baptists tried to boycott Disney to stop Gay Days…and were ground completely into the dust by the Mouse. But it didn’t fit the narrative of the video essay–how Disney queer baits us for money then betrays us by not giving us rep in their films1. I also thought it was weird that the book–which so much of the video’s content was dependent on for its facts; the stuff that was wrong I assumed was from Somerton himself–wasn’t credited for anything, or even mentioned as a companion reading piece to the video itself. Periodically, after that, Youtube would suggest other videos to me from him, and I’d watch them, mainly out of curiosity…and began noticing things.

Like how his entire video about queer coding in Hollywood film seemed incredibly familiar–like I’d read it all already in the uncredited The Celluloid Closet by Vito Russo, which had already been made into a documentary in 1996…so much so that I bought an e-book of it to see and yes, it was used almost word for word with no attribution. And some of his other videos…were not only offensive but just bald-faced lies, things he’d made up, or okay, let’s be fair–conclusions he drew were from cherry-picked facts and broad speculations made from those facts; it seemed, in his video on gay body image issues, that he took the old 1990’s term for gym and body culture (the “you have to be a ripped muscle god to have any sexual currency”), which was “body fascism”, and somehow extrapolated from there the bizarre notion that Nazis created body culture and American GI’s brought it back from Europe after the war…and even weirder, somehow we didn’t get it from the Soviets because they were so “bundled up” we couldn’t see their bodies. (Maybe he should have read Michelangelo Signorile’s Life Outside, which explored how body culture morphed into something even bigger after the advent of AIDS because a strong, muscular, defined body was the antithesis of the wasting most people dying from AIDS experienced at the time; fit body= not infected; seriously, dude.) He was also horribly misogynistic at times–he didn’t like lesbians, and he hated straight women, and was also borderline transphobic at times despite trying to champion transpeople? It was all very weird, but I would periodically put on one of his videos that sounded interesting, even as he made claims that didn’t make sense or was simply restating things I’d already read somewhere. I didn’t think much of it, but I was idly curious–the way I often am; periodically I think about influencers and how to write a crime novel around one, and Youtube influencers seemed like the way to go if I were going to do that, and so I always chalked it up to research…and sometimes, the wrong things he said would send me off in search of the actual facts, so it was kind of educational by reminding me of things I’d forgotten about.

Turns out, he plagiarized almost all of his videos, never credited or named sources unless called out for it (he took down the videos about Disney and queer coding and put them back up as “based upon” the books he literally was quoting verbatim); the scandal dropped this week–I only found out yesterday–with two other Youtube influencers making really long videos about the plagiarism and the harmful lies he was spreading, as well as the self-loathing, misogyny, and transphobia. I went down that wormhole yesterday, watching both videos–which were long as the crimes were plentiful–and now his Youtube channel is gone, completely. As I said, I didn’t put a lot of thought into it–but he had a Patreon, and his Youtube channel was monetized, which meant he was profiting from the work of other queer creators that he was plagiarizing and stealing, then playing victim when caught…until he was literally destroyed by these other two Youtubers this week. He was apparently making a shit ton of money–and you know, there’s the plot for an influencer crime novel.

It was very eye-opening.

But it extrapolates further to what I’ve been thinking about since starting to watch Fellow Travelers–dark and sad and depressing as these stories are, they are important because our history is always erased; how are queer kids supposed to feel pride and understand where we’ve come from and what we’ve fought for, if they never hear about it, can’t find it, and are never told? The kids I work with (with an age range from early thirties to early twenties) don’t remember how horrible HIV/AIDS was because they hadn’t been born yet or weren’t old enough to really pay attention before the cocktail and the new meds changed it from a fatal disease to a chronic one (with treatment). There’s SO MUCH bad information out there about sexually transmitted infections, and so little education, that it frightens me on an almost daily basis as I work with my clients.

Obviously, this is what I’ve been wrestling with lately, with myself and my own artistic work (yes, I am starting to think of myself as an artist, which I should have done all along); what responsibility do we have to the younger people who don’t know our history, the history I lived through? It’s part of the reason I started writing “Never Kiss a Stranger”, and set it in 1994; I wanted to show what gay life in New Orleans was like during the time when HIV/AIDS was still a death sentence, and the city was also crumbling and dying itself before the wave of renewal and gentrification that started before Katrina and kicked into high gear; who is going to write that story if I don’t?

And what responsibility do I have to current and future generations of queer people as an artist? Do I have any? Or is my only responsibility as an artist to myself?

Something to think about, at any rate.

And on that somber note, I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll probably be back later; I can never stay away for long.

  1. Uh, I guess he never saw the Disney documentary about Howard Ashman, who was partly responsible for the Disney animation renaissance and who died of AIDS before the release of the last film he completed, Beauty and the Beast; to date the only animated film to be Oscar nominated for Best Picture, and won three other Oscars, including two for Ashman? ↩︎

Out of Time

It’s today that I officially run out of time on this draft; tomorrow I need to get it emailed in. I think I’ll be okay; I wrote six thousand words yesterday and only have six thousand more to go before I can call it an official draft that I can send in with an email of apology and explanation. It’s fine, really, everything is fine. I am remarkably calm about everything these days. I’m not sure why that is, but I do like it, and am delighted that it appears to be becoming a theme for me in 2023. But I am very excited to get this draft finished and turned in–I think it’s eventually, with some work, going to be one of my better ones–but now I have the foundation and skeleton of the book finished; soon I will go in and do all the little touches and finishes that will turn it into something fun and readable for readers. But I still have more to write yet–there are two chapters left to write–and while I did get six thousand words down yesterday, I have to do another six in order to get it finished. Which is fine and do-able, of course. And it’s always nice to finish something right before a weekend away.

We watched more of The Recruit last night, which we are really getting into, so I am looking forward to seeing another episode tonight or maybe two? We shall have to see, of course. I was very tired after getting home and writing last night; last night’s sleep wasn’t as deep as my sleep has been lately, but that’s okay; I did sleep decently even if I did have to keep waking up. I have a lot to do tonight, as well–and I would like to get back to doing some reading. But once I have the manuscript finished, I can have my evenings after work free for a few days; I’m not planning on getting into the weeds on editing until I get back from Alabama. Hopefully that will give me the time to do some short story writing that needs finishing, as well. The kitchen is a mess, too–I really don’t like going away for the weekend with the house in a mess to come home to, but I don’t know if I’ll have the time to do anything about it in the meantime. And then of course it’s parade season again the next two weekends, and before you know it it’s Lent and it’s all over again for another year. The first quarter of the year in New Orleans is always a challenge…

Cindy Williams died yesterday–it took me a minute to remember that Penny Marshall had also passed away already–and of course, most of the commentary and posts defaulted to Laverne & Shirley, and why wouldn’t they? It was a highly rated–if sophomoric–comedy series for eight seasons on ABC, and it did make her both rich and famous. But the thing I always thought was kind of sad was that she was actually capable of a lot more than a slapstick lowbrow comedy on television (hey, she got rich from it, and it made a lot of people happy, too) because she’d given some really fine performances in very good films like American Graffiti and The Conversation (both of which I watched during my Cynical 70’s Film Festival; most people remember American Graffiti as a fun comedy about one Saturday night in 1962 in Modesto, California–but it was a lot darker and more serious than people generally remember. It also was set in 1962, not the 50’s, but it was in that weird aftermath period where the music was still very similar–the Beatles hadn’t crossed the sea yet–and until the Kennedy assassination, the early 1960’s seemed very much like a continuation of the 1950’s until everything changed. I always wondered what Cindy Williams may have made of herself as an actress in film had she not taken the Laverne & Shirley gig. And that Tuesday night ABC line-up was something: Happy Days, Laverne & Shirley, Three’s Company, SOAP, and Hart to Hart.

Ah, my teen years.

I recently rejoined the Horror Writers’ Association; I am not really sure why, to be honest. They sent me a “we want you back” email and I was talking to That Bitch Ford and I thought, sure, why not? You’re not really a horror writer but you ARE a writer who has written some fiction that could be classified as that and you’re always looking for new places to submit short stories and….so I did. I’d forgotten why I’d initially let the membership go, and it barely took a month for me to be reminded. There was a contretemps on the official Facebook page for the group, and then it just kept spiraling out of control with all the nastiness, bigotry, and hatred. As an author, I would always like to be seen as an author first and treated with the common courtesy that any author should expect from their peers, particularly in a nonprofit organization that serves them. But, as I have been reminded all-too-many times since Murder in the Rue Dauphine was sent out into the world, there will always be those people–in publishing, bookselling, reviewing, etc.–who will always define me by my sexuality and denigrate both me and what I write because of it. As I often say on panels when it comes to genre, the adjective gay trumps anything that follows: mystery, horror, science fiction, romance, etc. I am also very aware that gatekeeping in publishing–while on the decline–has always been there to keep the “undesirables” out. Seeing someone whom I didn’t know–and have no desire to know now–erupting on the HWA page and spewing hate-filled rhetoric, and then doubling-down by appearing on a white supremacist/Nazi’s podcast for several hours…well, you put on the SS uniform, it’s kind of hard to deny your complicity in the Holocaust after the war. And watching it all go down over the last few days reminded me of why I left the organization in the first place–the overt and covert bigotry in the organization.

And for the record, when you’re talking about diversity and you say but it has to be about the writing! that’s a dogwhistle people like me have been hearing for decades. What you are saying is the reason our genre is not more diverse is because the non-white non-straight writers aren’t good enough.

Yeah, that was all I needed to hear to know where I stood with HWA, and so when it was time to renew the next time, I just let it go.

And I am also incredibly proud of myself because usually my response to situations like this one–this most recent blow-up, and that comment all those years ago–is to say okay I have to get involved so I can fix this. I am very happy that instead my thought is, oh yes, this is why I let it lapse and will do so again. I’ve been fighting this kind of shit for decades, and frankly, I’m tired. I just want to focus on me for a while and let everyone else fix all the things that need fixing.

And on that note, I am heading back into the spice mines. Have a lovely Tuesday, Constant Reader, and I will check in with you again tomorrow, when Pay-the-Bills Day rolls around again.

All Down the Line

I did not want to get out of bed this morning. I didn’t sleep as deeply or restfully last night as I have been, but it was still a good night’s sleep–at least, one that wasn’t riddled with insomnia, so I’ll take it and be grateful. I mean, I don’t feel fatigued or anything. I’m still fighting this cold I caught in New York (the COVID tests have been consistently negative since my return, but I haven’t taken one this morning yet, either) which is miserable, and means I’ll probably continue masking at work. They lifted the masking requirement yesterday, which was kind of a surprise, but…making those kinds of decisions is way above my pay grade. I don’t know why people were so hateful and nasty about the masks, but I know I’ve kind of enjoyed not getting sick (other than COVID) over the last three years–which is why I hate this cold even more than I ordinarily would because I haven’t had one in three years.

Sigh.

I made more than quota yesterday, which was also nice–the deadline looms, which makes every word more important–and I hope to do so again tonight. I also managed to get some dishes done last night, some cleaning up around the kitchen, and even made dinner, which I rarely do on weeknights (mainly because Paul gets home so late, but yesterday was his work-at-home day, so he was here and it wasn’t an issue). I need to do some more dishes tonight and more clean-up/organizing around the kitchen. I have to do that signing event for two hours at ALA on Saturday at the Convention Center (which I keep forgetting about, like I keep forgetting about my doctor’s appointment tomorrow, which isn’t good or smart), so getting ahead of the game is better for me and I should take advantage of the writing being easy and write as much as I can when its flowing, right?

We also started watching Jack Ryan on Amazon Prime last night. I like John Kasinski, but have never been much of a fan of Tom Clancy’s. I did read The Hunt for Red October when it was the “it” book of the year, but didn’t much care for it and never went back to Clancy afterwards. It’s just not my thing. I preferred Alistair MacLean, to be honest–no one really talks about him anymore, but I read a lot of his canon; I think if there’s any one book he might be known for it’s either The Guns of Navarone or Where Eagles Dare. My personal favorite was the one whose name I cannot recall right now, but it was about a lifeboat full of people escaping Singapore in December 1941; their ship is torpedoed and sinks, and they are trying to make it to Australia. South by Java Head! I also enjoyed Circus and Bear Island. I’ve been meaning to revisit MacLean again now that I’m an older and more sophisticated (!) reader, just as I’ve been meaning to revisit Robert Ludlum (the actual Ludlum) in the last few years. I’ve also been meaning to revisit Helen MacInnes–her The Salzburg Connection is one of my favorite espionage thrillers (you can never go wrong with Nazis as your villains, seriously). I’ve also wanted to reread Ian Fleming for the first time since I was a teenager as well; I think I would appreciate the books more than I did then. Anyway, we weren’t terribly engrossed by Jack Ryan and I don’t think we’ll be continuing with it.

This morning’s COVID test is negative, as I had suspected and hoped, so I know this is just a cold. Is it annoying that I still have it? You bet your ass it is. I can’t believe I used to get colds and think nothing of it and just went about my day and business like it was nothing. Clearly, I am out of practice with being ill. I don’t think it’s just me, either; I finished off my DayQuil yesterday so it was on my list on the way home from work and they didn’t have much in stock–either DayQuil or NyQuil, and none of the extra strength kind I always use. Supply chain issues? One thing I’ve really been noticing over the last year or so is how empty the shelves in the grocery stores are, and things that I used to pick up regularly without concern sometimes aren’t there. I don’t know if this is a New Orleans issue–it really became noticeable after Hurricane Ida, and the stores here never have seemed to bounce back from having to toss all that food back then–or if it’s across the board, but it’s strange and one of those things that makes you wonder about how serious the decline of the American democracy actually must be. (It also goes to show how spoiled we are–do other countries even have supermarkets? They didn’t in the village in Italy we vacationed in all those years ago–and I never saw one in either Florence or Venice, but wasn’t looking either. Or is even thinking that part of American exceptionalism? It’s hard to know anymore.)

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader!

Come On

Yesterday was World AIDS Day, something I didn’t mention on yesterday’s blog because well, it was early in the morning and I literally forgot about it until I got to work yesterday morning (I probably should have prepared a post ahead of time to memorialize and commemorate those we lost; next year–I will put it on my calendar so I won’t forget).

To be fair, I was also all aglow from that terrific review Oline Cogdill gave A Streetcar Named Murder (you can still preorder! Release date is 12/6!). And this morning, I am the guest blogger over at The Wickeds, talking about orange cones and a particularly vexing New Orleans problem, the perennial and pesky potholes.

I slept really well last night, not alighting from the arms of Morpheus until seven thirty this morning. I felt absolutely like a lag-a-bed, a lazy swine, for sleeping so late when my eyes opened to see the red digital numbers glowing in the morning light. I’ve been getting up at five or five thirty all week, so was kind of wondering whether or not I’d sleep late this morning. (I did wake up at three, but went back to sleep almost immediately.) Today I am working from home. I do have some errands I must do at some point, and there’s data to enter and so forth, and oddly enough I feel rested this morning. Usually on Fridays I am a bit worn down from the week, low energy and so forth (which makes the data entry perfect as a job duty for the day), but I don’t feel that way this morning. I don’t feel like I can conquer the world, but I do feel like I can get some things accomplished today. The sink is filled with dirty dishes and of course, there’s always laundry (it never ceases to amaze me how much clothing Paul and I can dirty up all week). I was also very tired when I got home from work last night. Paul didn’t come home until after I groggily climbed the stairs around ten to go to bed, so I spent much of the evening with Scooter purring in my lap while I watched some documentaries on Youtube. James Somerton has a great new one about gay body culture and its origins in Nazi Germany (!), and how the ubermensch Nazi culture of the perfect body was brought home by GI’s after the war. It was fascinating–and it’s been something that’s been on my mind a lot lately (well, over the last few years since the pandemic started) as I’ve looked into gay history and have thought about writing historical gay noirs set throughout the twentieth century (Chlorine, Peplum, Obscenity, Indecency). Watching the Somerton documentary reminded me of Michelangelo Signorile’s Life Outside, which spent some time examining gay body culture, and 2001’s The Adonis Complex, which was a look at the development of male body culture that couldn’t be taken seriously as they erased the gay male experience completely (by not mentioning or acknowledging its existence) which completely invalidated almost everything they wrote about in the book; you cannot talk about male physical perfectionism and only talk about straight men. As Somerton points out in his video–being in good physical condition as a male after your teens used to be a tell about not being straight, as I also mentioned recently on here (when I was talking about using pictures other than of shirtless men).

I don’t always agree with Somerton, but I always enjoy his videos. They make me think, even when I agree with him, and I do enjoy hearing different perspectives.

Progress on the book is being made. It’s been slow going this week, but I am hopeful to make all kinds of progress this weekend. I do have some errands that must be done this weekend, not the least of which is making groceries, and of course I’ll have to watch the SEC Championship game since LSU is playing Georgia, but the loss last week took most of the urgency out of this game, so I can just watch and not mind how it turns out. As I said the other day, finishing the regular season at 8-3 with a trip to the conference championship was something I couldn’t have imagined in August or September–so it’s wonderful to see LSU relevant again after the tragedies that were the last two seasons. Who knows what the future may hold for the Tigers? But it’s nice to be competitive again with the big boys. Like I said, last summer I would have never believed LSU would beat Auburn, Florida, and Alabama this season, yet here we are. GEAUX TIGERS!

I need to get my act together today. It’s been nice (seriously) getting up this week when I wake up; I’ve loved having that extra hour (or half hour, depending on which day it was) to get things done before heading for work. And while I was tired in the evenings when I got home, realistically I was able to get some things done in the evening as well. I need to check my to-do list and clean some, as already mentioned; I also have errands to do and I want to get some work on the book done as well as some more Blatant Self-Promotion posts. The book comes out on Tuesday officially, which is terribly exciting.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader!

The Dealer

Sunday morning in the Lost Apartment and I am feeling a bit bleary-eyed this morning. I slept magnificently last night; I didn’t want to arise from the nest of blankets in my comfortable bed this morning in the least. But arise I did, because there are things I must get done today and staying in the bed for a longer time than usual would not help accomplish anything except, you know, more pleasure of sleep.

We did finish watching Black Bird last night, which was an interesting show based on a true story and executive-produced by Dennis Lehane; in which a cop’s son turned bad gets a chance to get his sentence commuted if he goes into a prison for the criminally insane and gets a serial killer–whose appeal might earn his release–to confess to him. It was quite entertaining and more than a little intense, but I do recommend it. I don’t think it needed to be six episodes–I think it felt a little padded here and there to get to six episodes, which seems to be the American minimum/sweet spot for mini-series. We also started watching Five Days at Memorial, which is…interesting. It’s a dramatization based on a book and the true-life experiences of those who were trapped there after Katrina and the flooding; one thing that was absolutely spot-on was how everyone kept lapsing and calling the hospital “Baptist” instead of “Memorial”–the hospital had been bought out by Tenet Health and renamed in the years before the storm; it was a New Orleans thing as to how long it would take for the new name to catch on; I was still calling it “Baptist” to the point that even the title of the series took me aback; I actually did wonder before we started watching, was the name of the hospital Baptist Memorial and we all just called it Baptist? Mystery solved.

I did run my errands yesterday–it didn’t feel quite as miserable outside as I thought it would–and actually made dinner last night…meatballs in the slow cooker, but I also made them differently than I usually make slow-cooker meatballs, the recipe I donated to the Mystery Writers of America Cookbook; I added sour cream to the recipe, for one thing, as well as some other spices and vegetables in the sauce. They turned out really well–quite tasty, actually–and as I sliced bell peppers, celery and onions yesterday while the roux bubbled and browned, I remembered oh yes, I love to cook; I just never get the opportunity to do so anymore. Our work and sleep schedules are now completely out of sync, and the only time I ever cook anything is on the weekends. Today I do need to make things to take for lunch this week–the meatballs will only stretch so far, and I am starting the week in the office on Monday instead of Tuesday this week. I am also having Costco delivered this afternoon as well. I also need to get to work on my second-pass page proofs for a Streetcar today; they are due on my birthday, ironically, but I’d rather get them out of the way today. I also want to get some writing in today, if I am lucky and motivated; I need to start getting more focused and less concerned about other things and issues as well as getting distracted, which is getting easier and easier all the damned time. I know there’s medication for ADHD, but unfortunately it can also act like speed–and the last thing in the world I need is to take something that will make it harder for me to fall asleep.

Yeah, definitely don’t need something to keep me awake longer. (Although every night before I go to bed now I start drifting off to sleep in my easy chair, which is so fucking lovely you have no idea.)

I’ve been reading some non-fiction lately; my mind hasn’t been clear or steady enough to continue reading fiction–a malaise that has come and gone since the beginning of the pandemic in 2020–so I’ve been focusing more on non-fiction when I am reading lately. I’ve got a really interesting book called Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History by Yunte Huang, which is absolutely fascinating. I loved the Charlie Chan movies when I was a kid (neither knowing nor comprehending how racist they were, not to mention their “yellowface” aspects)–again, the influence of my grandmother–and I read some of the Earl Derr Biggers novels when I was a teenager. I am really interested in getting into the meat of this book, since the character was beloved but is problematic in our more enlightened time; can the stories and the character be reclaimed from the morass of stereotyping and cultural colonialism the books and films were steeped in so deeply? Reading the introduction to the book yesterday did again make me feel like gosh, I wish I was educated enough in criticism and the writing of non-fiction to produce this type of work; there are any number of books and writers and characters I would love to explore and dissect and deconstruct. But alas, I do not have that background or education, nor do I have the necessary egotism/self-confidence in my own intellect to believe that I could come up with anything interesting or constructive or scintillatingly brilliant to say that hasn’t already been side (although I have an interesting take on Rebecca I would love to write about someday). I’d love to write about the heyday of romantic suspense and the women who hit the bestseller lists throughout the 50’s-80’s writing those books (Whitney, Stewart, Holt being the holy trinity); deconstructing the themes and tropes and tracing their evolution as the role of women in society began to change during the decades they wrote their novels.

I also bought an ebook about the children of Nazis, which is something that has always fascinated me; how did and have Germany and Germans dealt with, and continue to deal with, their horrific and genocidal past?

Obviously, as a Southerner, I am curious to see how one deals with a horrific history.

And on that note, I am heading into the spice mines. Y’all have a lovely Sunday, and I will check in with you again tomorrow.

Beauty and the Beast

Holiday Monday, which is celebrating Juneteenth (if you want to know more about the holiday, this is a great place to start). It’s hard to believe, and more than a little sad, that it took until recently for this to become a federally recognized holiday. Honestly.

Better late than never, I suppose–which is hardly any consolation, really.

But it’s nice to have another three-day weekend (I can’t remember which holiday we gave up for this one at my dayjob, but we only are allowed no more than eight holidays for some reason), and I slept late again this morning. The cappuccino yesterday morning had no effect on my sleep, so I am having another one this morning, which is lovely. I really do love the way they taste; I just wish making them wasn’t so complicated and dirtied up so much stuff. I made Swedish meatballs yesterday afternoon and that mess still needs to be cleaned up as well. Heavy sigh. What can I say? I got caught up in watching television once the meal was ready and stayed in my easy chair until it was time for bed. We watched the new episode of Becoming Elizabeth, which isn’t bad but it’s not overly compelling either–which is weird, because the period between Henry VIII’s death in 1547 and Elizabeth’s accession to the throne in 1558 was very fraught and very dangerous (Anya Seton brilliantly captured this period in her seminal novel Green Darkness, which I highly recommend along with the warning “it’s quite long”); but it’s not really translating to the screen very well in this production. I also spent some more time with John Copenhaver’s marvelous The Savage Kind, which I hope to do again today.

We also started watching an amazing show on Netflix that originally dropped in 2020 and whose second season was endlessly delayed by the pandemic (I checked it out on-line as we watched) called The Defeated starring Taylor Kitsch as a Brooklyn homicide detective who is “loaned” to a small precinct in the American sector of Berlin in 1946 to help rebuild their station along American police standards; which is a challenge. None of the people working as cops there have any experience in being police officers; some are young boys while the majority are women. The Germans aren’t allowed to have guns, so they have an “arsenal” where they keep their bedposts and other wooden sticks; the Russians are horrible; and Kitsch himself is looking for his brother, a soldier with mental problems who’s gone AWOL and whom Kitsch suspects is targeting and murdering Nazis. It’s extremely well done–think Babylon Berlin but only in another twenty years–and it also asks a lot of ethical and moral questions that really don’t have answers. The woman who runs the station, is the “superintendent” or captain of the squad–wasn’t a Nazi but her protestations about “we weren’t all Nazis” have the same credibility of a prisoner at Angola claiming innocence: no one admits to being a Nazi once the war was lost, after all. At one point she says, very poignantly, “The war is over and the entire world hates us because of what we did, or allowed, and who can blame them?” This seems particularly poignant given the current political climate in our country; I know it seems extreme, but I’ve seen other people comment on Twitter and other social media about how they feel sometimes like “they are living in Weimar Germany and it’s just a matter of time.”

I know I’ve certainly felt that way at times.

We also watched a classic old Bette Davis film, The Letter, which I’d realized I’d never seen yesterday so I pulled it up and started watching. I had read the original short story by Somerset Maugham a few years ago for the Short Story Project, and enjoyed it tremendously. The story is told from the lawyer’s point of view, while the movie certainly shifts the focus over to Leslie Crosbie, wife of a Malaysian rubber plantation owner, who shoots and kills a man she accuses of trying to rape her. Everyone believes Leslie…but you see, there is this letter that exists that contradicts her story, and the more lies she tells, the less her lawyer believes her–although he ultimately pays a blackmailer to get the letter back so she escapes conviction. In the story it’s all from the lawyer’s point of view; she’s merely the wife of a friend he is taking on as a favor, and he doesn’t know her well…but as he (the lawyer) discovers the existence of the letter and recovers it, he slowly begins to see through her lies and to see her as she really is. He doesn’t expose her–he allows her to escape her punishment–but he confronts her with the letter after the verdict and she confesses everything…only to return to her loveless marriage at the rubber plantation. The story and the movie both are steeped with the Imperialistic and racist overtones of the time the story was written and the film made; the ending of the movie is different than that of the story because of course, for the Hays Code of the time she couldn’t be seen as not being “punished” for her crime; she is murdered at the end by the Eurasian widow of the man she killed (his marriage to this mixed-race woman is what sets the tragedy in motion) during a party celebrating her verdict. There was one scene in particular that really made me shake my head: after she has told her story of being almost raped and committing murder to protect herself, she makes dinner for her husband, a friend of the family, and the local police magistrate and they sit around eating and talking about things like nothing’s happened. As we watched this season, Paul–who had no idea of what the movie was about–said, “Oh, he didn’t try to rape her, did he? She’s a cold-blooded killer.” GREG: “It’s Bette Davis, what do you think?”

Although it did make me think about false accusations of rape again, which is one of the myriad of reasons women generally tend to not be believed about being assaulted. There’s probably a really good essay to be written about that.

I also wrote yesterday, which was really lovely. I managed to get the first chapter of that manuscript written; I plan to look at it again today and tweak it a bit. I have a lengthy errand to run–must go over to the North Shore–and when I get home, I plan to write for a while before retiring to my easy chair with my Copenhaver book (I am really enjoying it, y’all) before we finish watching The Defeated (y’all, it’s really good). I’m not sure if what I wrote yesterday is actually any good or not; it remains to be seen, I suppose, and let’s face it, I am not (nor have I ever been) the best judge of my own work. But we shall see today, I suppose. It felt good to be creating again and it felt good to be finishing something, even if it’s just a shitty draft. I’d like to be able to get a lot more written today, if I can…

And on that note, I am heading into the spice mines. Talk soon, Constant Reader!

It’s So Hard For Me to Say Goodbye

That isn’t really true. At least not completely, at any rate. I have walked away from a lot of people in my life, nearly all of them toxic in one way or another (in some cases, multiple ways). It sometimes takes me much longer to get rid of toxic people than it might–I will inevitably always excuse behavior, because I always think I deserve on some level to be treated like garbage (thanks, homophobic world in which I grew up! Hugs and kisses!) and so I always take the blame whenever there’s an issue.

But I do inevitably wake up, the proverbial scales falling from my eyes, because that toxic behavior will eventually continue until I’ve been pushed too far, and then–you’re dead to me. Literally. I mean, when you’ve pushed me that far there’s really nothing to discuss, and your behavior has to be pretty heinous, repeatedly, for me to walk away. It also means you’ve probably apologized for that behavior several times before–but you don’t change that behavior, and I no longer want to deal with it.

In other words, when the aggravation you provide outweighs whatever pleasure I get from knowing you–and I’ve also reached the point where I no longer care what you think about me, or what you say about me to people we both know, it’s time for you to go. PAST time for you to go.

I slept very well last night, which was marvelous. I stayed in bed an extra hour after waking up this morning, napping on and off until the call of the coffee became simply too strong to ignore anymore. The coffee also really tastes good this morning, which is weird–it’s not like it could be stronger or anything, since I have a Keurig and every cup is theoretically the same, the only difference being the kind of roast or whatever I use–do you call different kinds of coffee flavors, even though they have flavored coffee? I actually like Starbucks brand, to be honest–their French and Italian roasts, Cafe Verona, and Sumatra, as well as Folger’s Black Silk, and some generic store brand darks aren’t bad, either. I usually alternate between them all morning so as to never get burned out on a taste I like. But for some reason–the rest? –the flavors are more noticeable this morning. I knew–or was pretty certain–I was going to sleep well because I got very tired at the office yesterday afternoon. I felt fine all day, but right around three o’clock I hit the wall and was very exhausted. I came straight home from the office, did some chores around the house, and then retired to my easy chair to watch some World War II documentaries on Youtube before switching over to Ukraine war coverage on MSNBC. The eerie similarities between this conflict and the start of World War II are, while not exact, still troubling: Russian takeover of Crimea=Nazi takeover of the Sudetenland (a brazen land grab the rest of Europe allowed to “keep peace”); the invasion of Ukraine=invasion of Poland (but it’s not going as well and as easy for Putin as it did for Hitler, obviously). The US armed and loaned money to the Allies for over two years before being drawn into the conflict; we are currently supplying and loaning money to Ukraine.

And while Putin and his “intelligence” clearly underestimated the resistance and will of the Ukrainian people, they also didn’t count on Volodymyr Zelenskyy becoming, in the face of one of the greatest crises any leader can face, the true heart and soul of his country. Talk about rising to the occasion! We all like to believe we would stand up in the face of such a crisis…but would we?

Today is my work-at-home Friday. There is data to enter, condoms to pack, and chores to be done around the house. I need to finish editing a manuscript, I need to work on a short story and perhaps edit a few more, and of course there are the general weekend errands that need to be run. It’s kind of gray outside today, and the forecast is for really horrible weather later this evening–tornados and high winds and heavy rains–so tonight is going to be the perfect night to curl up with the new Alex Segura novel. I am saving it as a reward for getting everything done this weekend that I need to get done; although I will probably crack it open to get started tonight. Yay!

And on that note, tis time for me to head into the spice mines. Y’all have a great Friday, and I will talk to you again tomorrow.

Take a Chance on Me

I got my boosters shot yesterday; other than some arm soreness, I seem to be okay–no gills have developed, no wings, and no scales–but the day is young. The weather here turned very cool yesterday, which was incredibly lovely; fall and spring are so divine here, it makes us forget the swampy hell of the summer every year. Yesterday wasn’t a bad day; I managed to get a lot of work-at-home duties done, while watching Foundation (I am all in on the show now) and then started, of all things, Peacock’s original series adaptation of Dan Brown’s The Lost Symbol (more on that later). I have quite the busy day ahead of me now; lots of work at home duties and as always, the Lost Apartment is a disaster area. I am actually up much earlier than I have been getting up on my non-going-into-the office mornings, and it kind of feels good. The light outside is different than it has been–another indication that the world’s turning has shifted and daylight savings is looming on the horizon (next weekend)–and it’s a nice morning here with my coffee here in my kitchen-office.

The house was power-washed this week, and despite the fact we’ve been living here on this property since 2003, I had always thought under all the accumulated grime from the air here (our air quality is something I try not to think about very often, but it’s hard when you see how much of it gets on your car and windshield) the house was painted a pale blue; turns out it is pale coral. Who knew? They also power-washed the concrete sidewalks around the house; the difference is very startling. I am taking the power-washing as a hint that the apartment needs an even deeper dive cleaning. There’s no LSU game tomorrow (thank God, really; I am dreading the Alabama game next week), so I have the entire day free. There are some good games airing, but there’s no need for me to sit in my chair and spend the entire day watching college football, either. There is a Saints game on Sunday–Tampa Bay and Tom Brady–but that’s late enough for me to watch so I can get things done during the day; and a 3:25 start time is also a nice time to call it a day on everything else I am doing around here.

I haven’t started Scott Carson’s The Chill yet, either; ironically I got a copy of his new release. Where They Wait, this week (as well as a copy of Lucy Foley’s The Guest List), so I should probably crack the spine of The Chill at some point today. Scott Carson is the name Michael Koryta (one of my favorite authors) uses now to write horror (he used to write it under his own name. Not sure why the switch/rebrand, but probably has something to do with Koryta being branded for top notch crime fiction; seriously, check out his work if you haven’t. I recommend starting with The Prophet, and if you’ve not read Megan Abbott’s Dare Me, they pair together very nicely).

I also really, really need to write this weekend. I need to write a lot. I also have to do the page proofs for #shedeservedit, but they aren’t due until a week from Monday, and I think the more time I take away from that manuscript the better job of proofing I will do on it. I am a shitty shitty shitty proofreader, which is probably why there are more mistakes in my finished books than there should be in anyone’s printed books. But at least there’s time for me to let them sit and percolate before I jump on them; I am usually so heartily sick of any book at the proofreading stage that I don’t pay as close attention as I might. On the other hand, it’s also entirely possible that I am being too hard on myself, which is something of which I am frequently guilty. No one is as hard on me as I am on myself. At some point in my life I pretty much decided if I was super-critical of myself, other people’s criticisms wouldn’t hurt me as much as they had before–and it became deeply engrained into my psyche, and it’s actually more damaging to me than accepting criticisms from others.

Many years ago I decided to stop being unkind to writers and their books on my blog. If I read a book I didn’t care for, I wasn’t going to dis it on the Internet–because I don’t want to hurt anyone’s feelings, primarily, and I am not always highly receptive to negative nastiness about my own work. (I tend to say “I’m not the right audience for this book” now.) I didn’t want to be become like those professional reviewers who hate everything, and make their reviews about how smart the reviewer is and how bad of a book they are destroying in print. At the time I made that decision, I also decided there were two exceptions to my rule: Stephenie Meyer and Dan Brown. What was my small voice, after all, in the chorus of critics and readers worldwide who loathe their writing? It did strike me as hypocritical from time to time, and so I stopped even doing that. They are, no matter how much success and money they have, still human beings with feelings, and there’s a sense that mocking and insulting their work, no matter how small my platform or voice, is just piling on.

Having said that, I will admit I greatly enjoyed The Da Vinci Code when it was released, enough so that I went back and read the first Robert Langdon novel, Angels and Demons (which I actually thought was better). It was a great ride, and I already had some familiarity with the idea of the Christ bloodline, having read Holy Blood Holy Grail at some point in the 1980’s, with its outlandish (if interesting) claims that were eventually turned out to have been based in a great fraud. It combined a lot of things that tick off boxes for me: treasure hunt based in history, actual historical events, the Knights Templar, the Cathar heresy, the Crusades, and of course, making the Catholic Church the great villain of the story (the only better villains are Nazis, really). Was it greatly written? I honestly can’t say now, it’s been so long since I read it. But I did read The Lost Symbol, his follow-up, when it was released and absolutely hated every word of it. I tried to read the next, Inferno, and gave up after the first chapter. I’ve never watched any of the films–although now I am thinking it might be interesting to do so. When I saw the Peacock was adapting The Lost Symbol, I actually (thank you, faulty memory) thought it was the Brown novel I hadn’t finished. After I got caught up on Foundation but still had at least another couple of hours’ worth of condom packing to do, I decided to try The Lost Symbol. Even as I watched the first episode, none of it seemed familiar to me, and it wasn’t until they mentioned the painting “The Apotheosis of George Washington” (that may not be the actual name; but it’s the painting in a government building ceiling where it looks like Washington is being greeted into heaven as a god) that I began to suspect that I had actually read the book; by the time they descended into the tunnels below the city and met the Architect of the Capital I thought, oh yes I did read this and didn’t much care for it. But the show itself held my attention–it’s an adventure story, after all, and Ashley Zukerman was very well cast as Langdon. I look forward to continuing watching it–at least while I wait for the new episodes of everything else we are currently watching to be loaded for streaming.

And on that note, it’s time for me to head into the spice mines. Have a lovely Friday, Constant Reader–I’ll come back tomorrow to check in.