Sunday morning the Gregalicious slept late, and I feel good this morning. I stayed up late to watch Saturday Night Live return, and wasn’t terribly impressed. Our Internet also kept going in and out all day, which was annoying, especially during football games. The three games I primarily watched–Kentucky-Mississippi, Auburn-Oklahoma, and Georgia-Alabama, were all excellent games–and I also switched over to LSU-South Alabama periodically, but it was also a blow out so didn’t need to watch much. Still unsure how this season is going to shake out for everyone, which makes it interesting. I think there’s a lot more parity in the conference now, once you get past the clearly best teams this year (right now, I am going out on a limb and saying it’s Alabama and Texas, both teams LSU has to play in Baton Rouge this year) I think everyone is pretty equal for the most part, with the usual suspects (Mississippi State, Vanderbilt) in the basement. Kentucky almost beat Georgia last week and did beat Mississippi yesterday; Georgia almost beat Alabama, and that Auburn-Oklahoma game came down to the wire. The Saints play at noon today, which is cool, playing the Dirty Birds in Atlanta.
I did manage to get some things done during the games; I cleaned the downstairs bathroom thoroughly, I ran some errands in the morning (mail, Fresh Market, car wash) and then came home to start watching football. I also read, while in my chair, both We Have Always Lived in the Castle by Shirley Jackson and The Stepford Wives by Ira Levin (more on both later), so hope to start the new Gabino Iglesias at some time today, most likely during the Saints game. Jackson and Levin are excellent writers whom I deeply admire, with completely different styles but evoking the same feelings when you read them. I also managed to get most of the dishes finished yesterday, with whatever I used yesterday as the only dirty dishes left in the sink–and that will take about two minutes, tops. I had thought about delaying my trip to make groceries until tomorrow, but now that I am up I think I’ll go ahead and do that this morning and get it out of the way.
I also want to work on the kitchen a bit today, and I also want to get the floors worked on again. Sparky tears up the rugs all the time when he’s running around like a demon to burn off some of his Big Energy, and the longer they are messed up the worse they get messed up. I also have some other posts I need to get done this morning before I leave to make groceries; and the longer I let them sit there unfinished, the more likely it is they’ll continue unfinished. I have a particularly spicy one about transphobia that I’d love to get done at some point so I can Substack it (and attract more of the bigots and Nazis there), and of course, there are any number of others unfinished as well. Heavy heaving sigh. I also have three book reviews/reports to write–I’ve now finished The Price by Armen Keteyian and John Talty; an arc of We Are Watching by Alison Gaylin, and Everybody Knows by Jordan Harper, and I need to get those done sooner rather than later as well. I also have some emails I need to answer as well as some to generate.
Sounds like a to-do list to me, doesn’t it? I also need to clean up the mess around my desk. But the key is not to get overwhelmed by the length of the to-do list, and just start marking things off. I also need to work on the Scotty Bible today, but I can also see that I am starting to think in the old bad anxiety/stress markers by overwhelming myself with so much to do already. Next weekend I have an eye appointment, so I can order new glasses, and my doctor’s appointment is coming up. I am probably going to meet Dad in Alabama weekend after next, and will probably go up to Kentucky later this month. How exciting!
And on that note, I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and hope everyone in North Carolina and Tennessee are okay.
Tuesday morning and staring down a brand new day; the week is passing every so slowly but that’s fine, you know. I slept really well last night, but was kind of slow to waking up this morning. The coffee is going down pretty well so far, and I do feel rested this morning; much more awake than yesterday, but not lively as of yet. Yesterday was a nice day, if a very busy one at the office; I suspect that is going to be the case again today. I think I’ll just come straight home from work tonight. I didn’t do much of anything when I got home from work yesterday, other than finish watching Monsters before going to bed relatively early. The kitchen is a mess and disaster area, so I need to get that taken care of tonight when I get home; tomorrow I can do the mail and the grocery store if I need to. Fascinating, right?
I did manage to do very little writing last night–Chapter Six proving to be a bit more difficult than Five was–but that’s okay; I was tired and not really operating on all cylinders, either. I was horribly lazy, too. When I came downstairs this morning to the kitchen I was horrified that I left it like that overnight, knowing I wouldn’t be able to do anything about it until after work tonight. The sink has dirty dishes and there’s stuff all over my counters. I didn’t even make the chicken salad, which I will absolutely have to do tonight. The refrigerator also needs to be organized. Sigh. And I’m sure there’s another load of laundry already, too. Heavy heaving sigh. This is why I need to get this shit completely done on the weekends.
I also didn’t do my daily German lesson yesterday, either, which is a total shame because I was on a rather long streak with it. Some of it is coming back to me, which makes the lessons somewhat easier; I remember a lot of vocabulary words–or they come back at least when I see them on the screen. Our plan is to go to Amsterdam and Germany at some point; I’d rather like to see Berlin and the German Museum where the stolen head of Queen Nefertiti–which belongs in Egypt–is currently housed. I don’t want to be fluent, but at least be able to speak somewhat coherently to the locals. So, definitely have to do it tonight, for sure.
I also discovered something chilling about my last name yesterday–I may have been aware but my mind had forgotten–but the Nazi Master Race theory? Die herrenvolk. Yikes. I’ve always assumed herren meant men–it’s on every men’s room door in Germany, Austria and Switzerland–but it also means lord…as well as master. Double yikes. It was definitely unsettling to be slapped in the face with a reminder (if I knew it once) of what herrenvolk means….triple yikes and gross.
I also didn’t get to read last night. I managed about six or seven hundred words written on the book, and Sparky really wanted me in my easy chair–he’s always super needy on Mondays after having us both home all weekend, and was climbing me while I fed him–so I obliged. He’s such a sweet baby, and he was in bed with me again this morning when I hit snooze for the first time. He’s not as docile as Scooter, and isn’t nearly as manipulative as Skittle was, but he’s a sweet baby doofus who’s gradually getting more calm than he was when we first got him. And I love how he’s always waiting at the door when I get home–he hears the gate close. Paul says he’ll be upstairs asleep on the bed and will suddenly pop up, jump down and run down the stairs…and he knows it means I’ll be coming through the front door in a moment or two. He still likes to ride on my shoulders, too.
It does look as if that tropical system off the Yucatan is going to form and head for the Florida panhandle, as there’s a cold front coming in from Texas to Louisiana which will push it that direction–which of course is always subject to change right up until the eye wall comes ashore. It’s projected to be arriving sometime Thursday afternoon. I wish everyone on the panhandle and in the path of said storm luck and a speedy recovery from the destruction, which will be minimal, fingers crossed.
I enjoyed Monsters, and so did Paul. He doesn’t really remember the Menendez case as well as I do–of course, back then I was a potential crime writer, so all big crimes interested me for a while until there was so much coverage I got sick of the cases. I honestly don’t remember the incest stuff, which apparently the real brothers are really bothered by; but I also had that sense when it was going on from somewhere, that there was incest beyond the paternal molestation and rape, and according to the show, Erik testified to molesting his brother with a toothbrush? One of the final episodes is more focused on Dominick Dunne, and frankly, I’d love to see a series where Nathan Lane plays Dunne; he deserves an Emmy for that episode alone. I’m going to think about the show a bit more before writing about it, of course–it needs digesting–but the acting was top notch, as almost always in a Murphy series; the actors playing the leads are very impressive…and will probably be seen in a lot of Murphy shows as he likes to work with the same people over and over again.
And on that note, I’m heading into the spice mines. I do have a ZOOM meeting tonight at 6, and will be trying to clean the kitchen before that gets started. I may be back later, I’m never really sure how that goes, you know? If not, I will see you on the morrow, Constant Reader.
I’ve always1 been interested in Weimar Germany, and Berlin during that period particularly. My interest grew, obviously, as it became more and more aware of how tolerant and progressive the period was; one of the first periods of true freedom for queer people in history. I’m sure there was still homophobia, but the culture and intelligentsia of the period were more interested in examining and studying queerness than eradicating it. This was part of what the Nazis sneeringly referred to as “decadence2” and opposed; everything began changing (for the worst) after 1933.
Sometimes I wonder if the more time passes after the fall of Berlin in 1945 and new generations come along that are farther away from the horrors of the second World War also make it seem less real and more history? It was very recent history when I was a child. My paternal grandfather served in the Pacific theater in the south Pacific, people on the street where we lived in Chicago when I was a kid was chock full of veterans and war refugees, people who lived through the war in Europe. A friend’s father had numbers tattooed on his forearm, and wasn’t Jewish, just an ethnic undesirable. We watched documentaries about the war and the camps as far back as I can remember. There was also an amazing PBS documentary that aired all the time–it was a series, The World at War. War fiction and non-fiction were still being published, still new, and still horrifying. I was a teenager when I read Herman Wouk’s definitive war novels, The Winds of War and War and Remembrance, which became mini-series in the 1980s and I still think should be required reading for US History classes. (Granted, the two books are about three thousand pages long in total; it would take most students the entire class year to read them both, but putting a human face on the war by showing it through the eyes of people who were living through it has always been the best way, in my opinion, to teach history; by putting the students into the place and minds of the people who did experience it.) Anyway, clearly the history of the period isn’t taught correctly in this country else we wouldn’t be facing the rise of fascism here not even a hundred years after defeating it so thoroughly in the 1940s3.
Liebestrasse4was suggested to me by Kindle Unlimited after I read Sins of the Black Flamingo, and I’m always up for a compelling queer story. My German isn’t good anymore, but I could read the title of this as “Love Street,” and given the nervous way the two embracing men are looking around, I gathered it was a Weimar Republic story.5
How could I pass that up?
And it didn’t disappoint.
It is, as always, both heartening and disheartening to see how open and inclusive Berlin was in those years leading up to 1933; how queer people could be open and live their best lives. Sure, there was oppression–there always has been and probably always will be–but it was easily skirted and just part of the risk expressing yourself has always held for queer people (I was explaining to a co-worker the other day how freeing going out to gay bars used to be for all of us, an escape from the stifling heterosexual world we are all trapped in, all the while knowing a police raid could, at any moment, possibly destroy your entire life.)
Leibenstrasse has no happy endings. Queer lives didn’t have them back then as a general rule, and those who managed it somehow didn’t broadcast it, either–because that would have ruined the happy ending. The main character is a deeply closeted American businessman, one of those alpha sharks we are always taught to respect, admire, and aspire to be–but he’s single, dodging all attempts to avoid being set up with women and dates, parrying all commentary about his private life–and finally decides to take an opportunity to go to Berlin to look for business opportunities for his company as well as to establish the company in Berlin. He does this not only to escape the stifling world he is living in, but also because he’s heard about the freedoms in Berlin, and that is very appealing to him. The story is cast several years after the war, with him returning to Berlin again, and remembering that lost time, and falling in love with an anti-Nazi gay activist and becoming a part of his circle. He gets arrested, and fired, from his company, and decides to go back home to escape the coming Nazi storm. He wants his love to come with him, but he wants to stay in Germany and keep fighting the Nazis…and they lost touch. Is his love still alive? DId he make it through the Nazis and the war?
Or did he die in one of the camps?
It’s a very heavy subject, and it is also one I would love to see more fiction and non-fiction about; how do you handle the guilt for fleeing and leaving your great love behind to potentially die horribly? What does that say about you?
This was an excellent read, and the art is also fantastic. Highly recommended.
Always is an interesting word choice; obviously I didn’t come out of the womb with an interest in Germany between the wars. But as I grew up and became more and more aware of the period, the higher my interest. ↩︎
Decadence, sin, sodomy: it’s all the same thing, so you see why it’s irritating when modern American fascists lie about the Nazis to fool people into thinking they don’t, you know, share beliefs and values with the most disgusting and horrific political ideology of all time. ↩︎
Or maybe not. There’s always been a pro-fascist element in this country–look up “America First 1940” and see what comes up. They were pushing for us not to enter the war at all, or if we did, our natural ally was Hitler against the Soviet Union because communism.↩︎
In actual German, it would be spelled with a scharfes s, but I don’t know how to make that symbol on here…ß! There it is! ↩︎
I recently bought a copy of Stephen Spender’s novel of the time, The Temple, and intend to reread Isherwood’s Berlin Stories and Christopher and His Kind.↩︎
Good morning, Sunday, how are you all doing? I’m feeling pretty good. Yesterday was a pretty good day. I took four boxes of books to the library sale and was thus able to pretty much finish the overall of the living room. I also worked on the filing, finished the laundry room, and got the kitchen back under control. I do have to spend some time this morning working on the work space here, but I feel like I have the apartment back for the first time in years. I feel very accomplished, not going to lie. There’s still more to do, but at least it doesn’t look like the abode of a hoarder who hasn’t seen the floor in years anymore. There’s still another book purge to come, of course, and there’s the boxes on top of the cabinets that need to be removed as well. I think most of it is paper, too; I don’t think I have that many copies of my own books still in boxes anymore–but I’ve also kind of decided that I can dispose of the vanity book case soon, too. If I can clear out enough other spaces, I can box up my books, carefully archiving and labeling them, and store them in places where I have books that can be donated; and then I can pick up all the stacks of books off the floor and store them in bookcases.
I’m feeling very ambitious about the apartment this year, can you tell? And it was marvelous to come downstairs to an uncluttered and more spacious living room this morning. There are just a few more bits and pieces to get done today down here–things to put away and so forth–and then I can vacuum the entire downstairs! HUZZAH!
I slept late again this morning, much to Sparky’s dismay, but now I am up and my coffee is tasting magnificent this morning. I do have to make a grocery run today, which means organizing the fridge and so forth this morning, too, so I know what we need as well as make room for it. I am resisting the temptation to stock up the freezer–part of being prepared for hurricane season, empty your freezer and don’t fill it with anything other than things you’ll use right away; there’s nothing more frustrating and maddening than throwing away a lot of food after a power outage in the summer–which isn’t easy because yet another mental issue for me is food anxiety; I am always afraid we won’t have food in the house and I won’t have money to buy more (I think Mom was the same way, which is why there was always so much food in her house). I’ve always been this way; living paycheck to paycheck when you don’t make a lot of money can be very scarring for the rest of your life. Maybe some day I’ll get over it, but at least I recognize that it’s an actual thing now and can resist it.
Also, no need to stock up on anything fresh, as everything spoils quickly here in the heat, too. It’s amazing how quickly bananas will ripen here in the tropics, you know.
I am hoping to get some writing done today, too. Tomorrow I am going to get the mail and go to the gym on the way home from the office, and hopefully that will start a real streak of me going to the gym. My arm actually looks better than it did, which is yet another reason I really need to get into the three times per week habit again, even if I’m not doing heavy weights just the exercise itself will help my metabolism. I am getting closer to two hundred pounds and my goal weight (I remember back in the aughts when that was my goal weight to build up to; now it’s a weight loss goal. Sigh. The ironies involved with being gay never end until you’re in the grave.
I read a comic book yesterday; it was a Comixology original and it was quite good. Liebestrasse was the name of it, and it’s main character is a very closeted gay businessman returning to Germany in 1952 and remembering the Weimar times there, when he moved there for work and lived openly as gay and fell in love…as the Nazis were rising. I may give the comic its own entry, but then again I may not. Gays in Weimar Berlin always interest me (especially these days, as the similarities between now and then are even more sharply drawn), but the stories never end happily–how can they–and it’s all really just another version of Goodbye to Berlin, which is a seminal work in queer canon, methinks. I also got a copy of Stephen Spender’s novel of the time (he, Isherwood, and Auden were all friends in Wiemar Berlin) The Temple, which I am also looking forward to reading at some point if I can ever get all my reading caught up (it’s never going to happen, and I really need to stop deluding myself that it will). I’ve always been interested in that time, once I learned about the queer freedoms, and I started clocking the similarities in the 1990s…even coming up with a book idea about the fall of democracy in the United States, when dissidents, queers, and racialized people were imprisoned in “relocation centers.”
Of course, I’ve been saying this for years and no one has ever listened…and here we are.
Chilling thoughts for a Sunday morning, am I right?
And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may be back later; stranger things have happened, after all, and continue to happen.
I really wish I had discovered rugby players years ago. I actually would have loved to have played, too.
I first became aware of this movie from commercials on television, and it looked very weird to young Greg. I had no idea what the movie was about, other than it was a musical; starred Liza Minnelli; also had the gorgeous Michael York in the cast; and seemed to be set in old pre-Nazi Germany. It also came out in the same year as The Godfather, which sucked all the air out of the year when it comes to film. I had also read that book that year because of the movie…which also got me interested in Marlon Brando, which is a whole other entry. (Not to mention the sex scenes, which were really confusing in a lot of ways…especially Lucy Mancini’s over-large vagina.) But Liza was everywhere that year, too–every talk show, had her own special “Liza with a Z”, magazine covers and newspapers and periodicals like you wouldn’t believe.
I had no clue what the plot was, other than decadence and debauchery?
I remember asking a friend that year if she knew what Cabaret was about–her parents were European immigrants from after the war; her father was Czech and mother German–and she told me her parents had seen it and her mother said, “It’s all about homosexuals”, which naturally got me incredibly interested in the movie. I finally saw it several years later when it aired on television, but everything queer was sliced out of the movie and it was disjointed and didn’t make a lot of sense, so I thought well, that was shit, how did it win all those Oscars?
Because of course, all the queer stuff has been excised from the movie; the movie was basically castrated and to me, seemed like nothing more than a vehicle to move the movie along to the next musical number–many musicals are like this, so I really didn’t understand what the big deal was about this one.
A few years later, I caught the original uncut version on HBO…and have been a fan ever since.
Cabaret never should have been sold to television for airing because it had to be gutted to make it ready for prime time. I only hope no one involved with the film saw that version of it, but it really was a desecration.
By the time I saw the movie as Bob Fosse originally intended it to be seen, I had become aware of the source material: Goodbye to Berlin by Christopher Isherwood, an autobiographical novel about his experiences in Weimar Berlin and witnessing the rise of the Nazis–and how their malevolence was poisoning German society and culture. It had been adapted for the stage by John Van Druten as I Am a Camera (which is the opening sentence of the second paragraph of the book), and the play was also filmed, starring Julie Harris, who may have played Sally on stage, too. I Am a Camera was adapted into the musical Cabaret, but significant changes were made from the stage version of the musical in adapting it for the screen–and the screen adaptation also wound up causing the stage version to revised, remodeled, and reinvented as well. (And to make things even more confusing, Isherwood later wrote a memoir about that time period in Berlin called Christopher and His Kind, which was also filmed.)
I had not seen the earlier film, nor had I read the book when I saw the uncut version of Cabaret.
And you really couldn’t go wrong casting Michael York in the 1970s. Stunningly handsome, and that velvety voice that just dripped syrup.
I mean, really. I think this is from Something for Everyone, which is a great, little-known queer movie also starring Angela Lansbury! (There’s a watchable version uploaded to Youtube, but the sound and picture quality isn’t great.)
I rewatch the film every now and then. I went through an Isherwood phase in the late 90’s/early aughts, when I read everything he wrote, and I enjoyed them all. And when I see some political movements today (hello, MAGAts!), Cabaret is never far from my mind.
It’s astonishing that the film was even made, given that homosexuality was still considered a mental illness in 1972, and the film didn’t judge. It simply presented these alternative sexualities as normal, and while the times themselves weren’t normal, there was also a very strong sense that the Weimar period–which is endlessly fascinating, which is one of many reasons I love Babylon Berlin so much–that filled the German political vacuum between the wars wasn’t very different from the twenties everywhere else, either; a time when the society and culture rejected the old, more conservative times that led to the first war, and everyone just wanted to have a good time because so much was misery. (I often wonder how much the American Stock Market crash of 1929 had to do with the rise of fascism in Germany; it was the economy, after all, that really caused the problems, and wasn’t the global economy heavily impacted by the collapse of Wall Street? We never realize how what happens in our country affects the rest of the world, because the United States is just as narcissistic as the convicted felon the Republicans are running.)
But the underlying message of Cabaret is one that is hard to miss: that living in your own bubble and ignoring the world outside is precisely how garbage like the Nazis rise to power…the assumption that someone else will do something to take care of it, and we’ll just keep having fun. In the late 1980s and early 1990s I thought we as a country we’re headed down that path; the unholy marriage between the right wing and evangelical christianity (I will never capitalize that C because cults don’t deserve that respect) certainly made it very clear to me that there was a very large segment of the American population that would be more than happy to put all racialized people and queer people into death camps. (I even started toying with the idea for a novel about that very thing; I still think about that idea A LOT, and even more so since 2016–which is also when I started rewatching Cabaret again on a more regular basis. Cabaret, and Bob Fosse’s vision of what it should be, was very powerful; and it changed the face of what movie musicals looked like and could be, and has influenced stage and screen musicals ever since. It’s a stunningly shot film, and now I can say that I understand why Fosse won the Oscar instead of Francis Ford Coppola for The Godfather; both films are masterpieces, but Cabaret was more “showy,” and that always wins over diligent and detailed craft.
And no, the movie isn’t “all about homosexuals”–even though there’s a minor character who is a trans woman; the main character is gay and bi-curious, and Max, Sally’s other love interest, is also bi and sleeps with them both cheerily. That was VERY avant-garde attitude to have in a 1972 Hollywood movie made for American audiences.
I wonder how seeing it on the screen in 1972 might have impacted me? But I also can’t imagine my mother and sister sitting through it, either.
Cabaret is a must-see if you’re interested in queer film–or great American cinema, for that matter. And I will judge you for not seeing it. In fact, I’m doing that right now.
I did get tired yesterday afternoon, but I think it was more from malnutrition somehow than anything else. My breakfast and my lunch did notfill me up1, and after I had lunch I did feel like my batteries were starting to run down a bit. It was, all in all, a good day for the most part. I did make it through the workday. I ran errands after work (got some things for Sparky from Chewy, and the last batch of new shirts arrived); started organizing the draft blog posts to determine which can be combined (same topic started on different days, months, years) and which can be finished and which can be deleted; I finished the revision of “Passenger to Franklin” (and I think it’s much much better now); and started getting my (delayed and extended) taxes together. Ideally, I can get that done this week and to my accountant by Friday so that will be one thing more that’s been hanging over my head like the sword of Damocles out of the way. Huzzah! I also took a look at “When I Die,” and while this one is going to take a lot of fucking work, it’ll be so much better when I finish it!
I slept well last night, and my coffee is rather delicious this morning. It was cold yesterday morning when I left for work–surprisingly so–but it warmed during the day so my car was very hot when I got into it after work. It’s going to get warmer consistently later in the week–I still can’t get over it being eighty-eight last Friday, it’s only April for Pete’s sake–which means it’ll probably be hot and sunny as I visit graveyards with Dad the weekend after next. I was thinking last night, as we watched Vigil (it’s terrific, highly recommended), that I’m almost in a good place again for the first time in almost ten years or so. My stress levels are way down, my moods generally are good and even, and I don’t have flashes of anger anymore (mostly while in my car). Other idiot drivers are still annoying, but don’t send me into a rage anymore. Now, it’s more like I get annoyed, say very calmly, “yes, you’re an asshole who can’t drive” or “yes, you are so much more important than all the rest of us”, but as I said, it’s calm–and I can absolutely live with that.
I got a short story rejection email yesterday, and I was completely ambivalent about it. The problem is you’re never sure if the story just doesn’t work for them or if the fact that the main character is gay was a problem for them. Sure, the rejection had the standard form please submit to us again, but…yeah, not so much. This is what straight white cisgender people don’t get, with all their whining about “merit”–the only people who they think actually earn their careers are straight white cisgender people, after all–because you can never be certain that it’s the story that they didn’t like enough or whether homophobic concerns come into play: our readers might get mad at is if we shove queer down their throats or we don’t want to become known as the queer crime publication and every other iteration of that you can imagine…any excuse not to publish a queer writer. Many years ago, I decided that I would never allow suspicions of homophobia affect my writing career, and I would always assume it was the story that was the problem. But…you have to wonder. When a magazine only buys your work when you send them things with straight main characters (twice) but rejects everything with a gay main character or even a gay theme, you have to start to wonder.
And given how few of the magazines that actually pay well for short stories (or pay at all) there are and how little queer work they actually publish…you begin to wonder. You don’t want to believe it’s homophobia or homophobic concerns, but here we are, you know. The stories I am working on now aren’t really crime stories, they’re more supernatural/horror stories, but I do think “The Last To See Him Alive” is not only a good story but it’s written really well. I need to revise it and edit it, of course, but it’s in really good shape already which is pleasing. “When I Die” needs a complete overhaul, but that’s fine. It’ll be a better story for it when it’s finished. And while these stories I am working on could complete the collection, this morning I am wondering if I should include horror in this book or not.
I really do not understand these new state laws (here in Louisiana we got one, too) allowing people to drive their cars into protestors, something which inbred morons Tom Cotton of Arkansas and eternal bitchboy Josh Hawley of Missouri are all about. Nothing says leadership like telling people to kill or injure other people. As always, these kind of Nazi-lite fascistic laws come to you courtesy of the Republican Party and MAGAt. I personally am looking forward to driving my car into a crowd of Trump protestors and hitting the gas pedal, frankly. When I saw this on social media yesterday, I responded with Never thought I’d see the day when the Kent State massacre would have fanboys, which prompted some responses which, of course, made the most sense: they had them at the time. I was too young to remember the right-wing response to the Kent State shootings, I just remember being appalled that the National Guard murdered four students on a campus, and I have always viewed it as a disgrace and a tragedy…but of course the right did not see it that way–just as they backed William Calley as a hero after the My Lai massacre in Vietnam. Even I–who have always known how vile and unpatriotic the right in this country is and always has been–didn’t think they were that callous and awful.
They are, they always have been, and they always will be.
The thing that always amuses me about this is the “patriots” of the right always forget that the only reason we exist as a country was because of mass protests….which led to a revolution. So, by that way of thinking, the most patriotic thing you can ever do is protest, really. Remember the Tea Party, the seeds that grew into MAGA? Remember the stolen election of 2000? Remember how Reagan dismantled and changed (and ruined) Social Security? The only reason there’s an issue with it now is because of Reagan, St Ronnie of the Right. The Republicans are the party of Joe McCarthy, Richard Nixon, Ronald Reagan, Henry Kissinger, and people like Cotton, Marjorie Taylor Greene, Josh Hawley, and Matt Gaetz are their heirs.
Remember back when I was thinking about starting to read and study poetry? I got a great recommendation from a dear friend at S&S of where to start–Mary Oliver’s Why I Wake Early–and I’ve been paging through it randomly, reading poems here and there, glimpsing fragments, and I think I’m slowly starting to come to an understanding of poetry I never had before. I am not going to review poetry on here as I am nowhere near knowledgeable enough and I don’t want to make a fool out of myself self-teaching and coming to what regular readers of poetry already understand from studying it. It’s a wonderful education, and one I kind of wish I had started earlier. Ah, well.
I also decided to postpone reading the Paul Tremblay and take it with me to Kentucky to read. Instead, I’ve decided to reread a book I don’t remember much of–Suicide Notes by Michael Thomas Ford. He published a sequel this past year that I would love to read, but not remembering the first one was a problem, so I decided to go ahead and reread it. I don’t talk about Ford much, but he really is one of the most underrated queer writers of our time. He can basically write anything (a blessing and a curse, as I know all too well), and he does it extremely well. Rereading the first chapter last night pulled me back into the story effortlessly, and the voice is so compelling and hauntingly real…and likable. I’m looking forward to reading more of it.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll probably be back later.
I also ate dinner late on Sunday night, which I usually don’t do and am sure that had something to do with it, but given I don’t really get hungry all that often it was kind of cool. ↩︎
Easter, which really should be the highest holy day of Christianity–but it’s not. That would be Christmas, which again–really doesn’t make sense. But at least the date of Jesus’ birth is fixed–as opposed to how the day of his death floats.
I overslept again this morning and I suspect my exhaustion–which carried me through yesterday as well–has everything to do with the situation on Friday. Yes, I know I am being vague, but I also never am sure about crossing a privacy line for someone else. Essentially, I lost the entire day, and let’s just say that I am glad I am on anxiety medication because my mind would have exploded this past week, probably. But it was exhausting and draining, both emotionally and physically, and that all kind of caught up with me yesterday. I did get some things done–laundry and I did run an errand–but was completely worn out yesterday and had excessive fatigue. I feel better this morning than I did yesterday, but I also have a lot to do today and hope that I can manage somehow. I feel motivated today, which I didn’t have the energy for yesterday, and as soon as I finish this I am going to get cleaned up and finish cleaning the kitchen and dive into my day.
Sounds good, anyway.
It’s also a very bright and cheery day out there–it’s been cold since around the festivals–and I am hoping to cook out today, too. We spent most of the day relaxing with the television on. I did read some of Last Summer, too, which I am really getting into, and I think my next read will be an old Michael Koryta, The Cypress House. He really is one of my favorite writers, and I need to read more of his backlist as well as get caught up on recent releases. I pruned the books a very little yesterday, and we did watch some great stuff yesterday. We watched Quiet on Set Friday night, which was grim and creepy and horrifying, and then yesterday we watched Thanksgiving and moved onto Will Trent, which we’d been meaning to get around to but kept forgetting–it’s quite good. Thanksgiving was another holiday slasher movie, kind of clever and didn’t take itself too seriously (always a plus in a slasher movie) and I enjoyed–but it didn’t say anything new or do anything wildly clever or original. Quiet on Set, on the other hand, was deeply disturbing–which brings me to another point about the falsity of the right and it’s anti-queer lies about grooming and pedophilia. Every day I see pieces posted on social media about another male (sometimes with a female accomplice) convicted of raping and/or sexually abusing children…and getting off with thirty days in prison, or three months, or suspended sentences.
Where is all the outrage about THAT? Judges and juries giving light sentences for raping children? That’s how I know the right is all smoke and mirrors when it comes to these issues. They chose to attack a small minority and accuse them of not being safe around children, but where is there concern about all these religious figures, church leaders, your counselors, and COPS who are getting away with destroying children? Watching Quiet on Set made me aware just how hypocritical they are. If they really cared about children and keeping them safe, they’d go after actual people who, you know, commit the crimes and the disgusting sentences they get for said crimes. It’s hard to take any country seriously who doesn’t punish actual perpetrators of crimes against children, but instead accuses innocent parties while looking the other way when the criminals don’t fit their narrative.
I’m tired of liars using children as a bait-and-switch to come for queer people.
Sigh. It’s easy to get frustrated and fearful these days with the world in the state it is currently in; I take no pleasure in seeing my predictions about the rise of modern American fascism, made in the early 1990s, coming true in my twilight years. You see, I recognized the rhetoric of the right, and how they were using queer people as scapegoats for everything, in the decade as the same language and dialogues that Germans used on Jews and queers in the 1930’s, and I also saw, with the rise of Fox News, the further decline of the American system and way of life. We’ve never really achieved, as a country, the democratic utopia the founders strove for–but it seems like a significant portion of the country no longer sees patriotism as country over party anymore. The Divine Right of Republicans to run the country was part of the unholy marriage of conservatives and evangelicals that Reagan fostered as a Machiavellian scheme to retain power. The right has been smearing the left as communists since the fall of the Tsar in 1917–it’s still a slur they sneer today (communist, commies, socialists) while painting themselves, quite offensively, as the real patriotic Americans.
Sometimes I think I am thinking overly optimistic and that more and more Americans are beginning to see the tin god as precisely that; a golden calf they worship despite their Holy Book’s continued warnings about false gods, false witness, and liars.
And for the record, I have always believed that faith in religion should be shown by works, not words. Anyone can say they are a Christian and they love Jesus–it’s their behavior and what they do that truly matters.
And on that note, I am heading into the spice mines. Have a happy Easter, Constant Reader, and I may be back later.
Sunday morning and as predicted, I didn’t get nearly as much done yesterday as I wanted to, but it was mostly about time more than anything else. I picked up the mail and stopped by Fresh Market, but then once I got home…well, there were chores still to be done (still have some more to do this morning) and I never did get around to writing anything besides blog entries yesterday, like a very bad Gregalicious. Today I have no choice, I have to write today…and I also have to drive out to the Apple Store in Metairie, and make groceries, both of which will be tiring. (I knew I’d regret putting that chore off until today, but at least it’s sunny out today; I think it’s going to be a rather lovely day out there.)
Sparky is always a problem for sitting at the computer as he always wants to sit in my chair–he will hang out and be obnoxious (right now he’s sprawled across the desk, his flicking tail brushing the keyboard as he knocks other things off…) and then jump into the chair the minute I get up for more coffee or anything, really. Heavy sigh, the joys of Big Spoiled Kitten Energy.
I did manage to watch Christopher and His Kind yesterday, which is Isherwood’s memoir about his life in Berlin during the rise of the Nazis, and it much more explicit than Isherwood’s earlier fictions about Berlin. During that “Staged Right” about Cabaret I watched the other night, he wrote it in reaction to the movie, to leave the record straight (as it were) about himself and his life; he hated that Cabaret made Brian/Christopher into a bisexual and that Sally was played by Liza Minnelli, when the actual Sally was marginally talented at best. It was an interesting film, but Christopher himself really came across as a bit of an asshole. There was also a lot of explicit sex, and there’s no question in watching this film about what his sexuality was, for sure. Matt Smith is simply stunningly beautiful, and Alexander Draymon as Caspar is just too beautiful for words. The two stories (Cabaret and Christopher and His Kind) are similar to each other, but I’m not really sure if a watcher didn’t know that both came from the same source, those similarities are simply base facts the story grew out of, and you might not even recognize them as the same story. I may need to revisit the books sometime when I have more time…as I recognize that a lot of the revisiting of fiction I talk about is probably never going to happen. But as always, I find rereading something as an easy way to shake off the not-reading mode I’ve been in for so long. We also watched the new BBC adaptation of Agatha Christie’s Murder is Easy yesterday, which we quite enjoyed…although I am waiting for the racists to complain since they cast a Black man in the lead.
So I started rereading Norah Lofts’ The Little Wax Doll yesterday, of which I remember very little of my original read back in junior high school (I read her novels about queens and royal women before moving on to her other novels, which was very definitely an eclectic mix), and find myself enjoying it a lot more than I did when I was twelve–I did enjoy it, but I am certainly seeing it differently some fifty years later. As a kid, I just read Miss Mayfield as a lonely spinster who spent most of her life working in Africa in her colonial “white savior” role with her best friend, who hopes to save enough money to buy a little place she and her “best friend” could retired to; now it’s screaming lesbians at me. The book was originally published in 1960, and of course there are the queer deniers who like to think we never existed in the world before Stonewall. The phenomenon of spinsters sharing a home was just a fact of life, and the British never really inquired much further than that–the British cold politeness.
And on that note, I am going to head into the spice mines. There’s a lot to get done today and I am feeling like I will be able to make some significant progress today. Wish me luck, and I may be back later. Happy Sunday, Constant Reader!
I am up earlier than I have been since before the surgery (no, I don’t want a cookie–never been a cookie fan, even as a kid), and feel pretty good this morning. Yesterday was a pretty good day, over all. I didn’t really leave the house at all, but I worked on getting things more under-control around here–the kitchen has been a mess since the ceiling collapse, and the cabinets and drawers need some serious organizing–and also spent most of the day doing other chores around here, while thinking about getting back to work writing. The brace is still awkward to work around, but it feels like I’m getting more used to working with it on–and having a cleared and cleaned off desk surface also helps with that as well. I am going to run some errands this afternoon, but there’s not college football today to distract me or send me to the easy chair for the day, so I have little choice about blowing the day off, methinks, which is not a bad thing. I also did laundry and more dishes yesterday, and I have some other things I need to do here in the kitchen/office today as well. I also spent some time reading the second book in Raquel V. Reyes’ delightful Caribbean kitchen cozy series (Calypso, Cooking and Corpses), which is just as delightful as the first, and then…well, I fell down a Youtube/Twitter wormhole that was eye-opening and shocking before Paul got home from the gym and we watched this week’s Fellow Travelers, which, interestingly enough, kind of tied into the wormhole in some ways; as you may recall, just the other day I was talking about how these stories (Fellow Travelers), while sad and depressing, were necessary to remind people of how awful the past was for queer people not that long ago; we don’t have much of a societal memory for things that happened as recently as twenty years ago. There’s a large gap in our community that was created by the HIV/AIDS pandemic, so the oral traditions within the community of passing along our history was horrifically interrupted and many younger queers–and those that aren’t that young–have no way of connecting to the past, and don’t even know where to start looking.
During the shutdown I spent a lot of time in my easy chair making condom packs for the day job to justify getting paid for being at home–there were other job duties I could do at home, but mostly I made a shit ton of condom packs–and so I spent a lot of time looking through streaming apps on my Apple TV for things to watch while my hands worked. This was how I discovered the endless wormholes of Youtube video essays and documentaries; and of course, algorithms started suggesting other videos and channels of “influencers” similar to the videos I had watched and was finding on my own. Discovering Matt Baume’s delightful channel about queer rep in popular culture was a joy for me; he named sources for his information, was very clear about what was fact, what was unknowable, and what was his opinion–and since most of it was stuff that aired or happened while I was alive, it was a lovely trip down memory lane for me, reminding me of the few things that resonated with me growing up as a lonely queer kid and what shaped my views on what it was like to be a gay man in America. (Also, once I discovered there was such a thing as queer books and queer publishing, spent most of the 1990’s reading mostly queer stuff…and I’ve always been a voracious reader.) Anyway, watching Matt’s videos and subscribing to his channel shifted the algorithms, and I started getting other videos and channels suggested to me….and one of those belonged to a queer video essayist named James Somerton, and one of them–called Evil Queens and having to do with Disney–I don’t remember the actual name of the video, and he has since scrubbed his entire Youtube channel (more on that drama later)–and thought, interesting–a long time ago I read and reviewed a book called Tinker Belles and Evil Queens by Sean Griffin, but you can’t copyright a title and can you talk about queer coding and such in Disney and not use the words “evil queens”? Disney has always fascinated me, since I turned into a Disney queen after The Little Mermaid (I was never a big Disney kid; that waited until my adulthood and coming out, oddly enough), and Griffin’s book was so astonishing and good and insightful that I never forgot it. I watched Somerton’s video, and it all seemed incredibly familiar to me–and I did note he said some things that were wrong; mainly Gay Days/Gay Nights at Disneyworld were never official, Disney-sponsored events…which I know because I lived in Florida and used to gofor Gay Day. I also thought it was odd that he left out how the Southern Baptists tried to boycott Disney to stop Gay Days…and were ground completely into the dust by the Mouse. But it didn’t fit the narrative of the video essay–how Disney queer baits us for money then betrays us by not giving us rep in their films1. I also thought it was weird that the book–which so much of the video’s content was dependent on for its facts; the stuff that was wrong I assumed was from Somerton himself–wasn’t credited for anything, or even mentioned as a companion reading piece to the video itself. Periodically, after that, Youtube would suggest other videos to me from him, and I’d watch them, mainly out of curiosity…and began noticing things.
Like how his entire video about queer coding in Hollywood film seemed incredibly familiar–like I’d read it all already in the uncredited The Celluloid Closet by Vito Russo, which had already been made into a documentary in 1996…so much so that I bought an e-book of it to see and yes, it was used almost word for word with no attribution. And some of his other videos…were not only offensive but just bald-faced lies, things he’d made up, or okay, let’s be fair–conclusions he drew were from cherry-picked facts and broad speculations made from those facts; it seemed, in his video on gay body image issues, that he took the old 1990’s term for gym and body culture (the “you have to be a ripped muscle god to have any sexual currency”), which was “body fascism”, and somehow extrapolated from there the bizarre notion that Nazis created body culture and American GI’s brought it back from Europe after the war…and even weirder, somehow we didn’t get it from the Soviets because they were so “bundled up” we couldn’t see their bodies. (Maybe he should have read Michelangelo Signorile’s Life Outside, which explored how body culture morphed into something even bigger after the advent of AIDS because a strong, muscular, defined body was the antithesis of the wasting most people dying from AIDS experienced at the time; fit body= not infected; seriously, dude.) He was also horribly misogynistic at times–he didn’t like lesbians, and he hated straight women, and was also borderline transphobic at times despite trying to champion transpeople? It was all very weird, but I would periodically put on one of his videos that sounded interesting, even as he made claims that didn’t make sense or was simply restating things I’d already read somewhere. I didn’t think much of it, but I was idly curious–the way I often am; periodically I think about influencers and how to write a crime novel around one, and Youtube influencers seemed like the way to go if I were going to do that, and so I always chalked it up to research…and sometimes, the wrong things he said would send me off in search of the actual facts, so it was kind of educational by reminding me of things I’d forgotten about.
Turns out, he plagiarized almost all of his videos, never credited or named sources unless called out for it (he took down the videos about Disney and queer coding and put them back up as “based upon” the books he literally was quoting verbatim); the scandal dropped this week–I only found out yesterday–with two other Youtube influencers making really long videos about the plagiarism and the harmful lies he was spreading, as well as the self-loathing, misogyny, and transphobia. I went down that wormhole yesterday, watching both videos–which were long as the crimes were plentiful–and now his Youtube channel is gone, completely. As I said, I didn’t put a lot of thought into it–but he had a Patreon, and his Youtube channel was monetized, which meant he was profiting from the work of other queer creators that he was plagiarizing and stealing, then playing victim when caught…until he was literally destroyed by these other two Youtubers this week. He was apparently making a shit ton of money–and you know, there’s the plot for an influencer crime novel.
It was very eye-opening.
But it extrapolates further to what I’ve been thinking about since starting to watch Fellow Travelers–dark and sad and depressing as these stories are, they are important because our history is always erased; how are queer kids supposed to feel pride and understand where we’ve come from and what we’ve fought for, if they never hear about it, can’t find it, and are never told? The kids I work with (with an age range from early thirties to early twenties) don’t remember how horrible HIV/AIDS was because they hadn’t been born yet or weren’t old enough to really pay attention before the cocktail and the new meds changed it from a fatal disease to a chronic one (with treatment). There’s SO MUCH bad information out there about sexually transmitted infections, and so little education, that it frightens me on an almost daily basis as I work with my clients.
Obviously, this is what I’ve been wrestling with lately, with myself and my own artistic work (yes, I am starting to think of myself as an artist, which I should have done all along); what responsibility do we have to the younger people who don’t know our history, the history I lived through? It’s part of the reason I started writing “Never Kiss a Stranger”, and set it in 1994; I wanted to show what gay life in New Orleans was like during the time when HIV/AIDS was still a death sentence, and the city was also crumbling and dying itself before the wave of renewal and gentrification that started before Katrina and kicked into high gear; who is going to write that story if I don’t?
And what responsibility do I have to current and future generations of queer people as an artist? Do I have any? Or is my only responsibility as an artist to myself?
Something to think about, at any rate.
And on that somber note, I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll probably be back later; I can never stay away for long.
Uh, I guess he never saw the Disney documentary about Howard Ashman, who was partly responsible for the Disney animation renaissance and who died of AIDS before the release of the last film he completed, Beauty and the Beast; to date the only animated film to be Oscar nominated for Best Picture, and won three other Oscars, including two for Ashman? ↩︎
It’s today that I officially run out of time on this draft; tomorrow I need to get it emailed in. I think I’ll be okay; I wrote six thousand words yesterday and only have six thousand more to go before I can call it an official draft that I can send in with an email of apology and explanation. It’s fine, really, everything is fine. I am remarkably calm about everything these days. I’m not sure why that is, but I do like it, and am delighted that it appears to be becoming a theme for me in 2023. But I am very excited to get this draft finished and turned in–I think it’s eventually, with some work, going to be one of my better ones–but now I have the foundation and skeleton of the book finished; soon I will go in and do all the little touches and finishes that will turn it into something fun and readable for readers. But I still have more to write yet–there are two chapters left to write–and while I did get six thousand words down yesterday, I have to do another six in order to get it finished. Which is fine and do-able, of course. And it’s always nice to finish something right before a weekend away.
We watched more of The Recruit last night, which we are really getting into, so I am looking forward to seeing another episode tonight or maybe two? We shall have to see, of course. I was very tired after getting home and writing last night; last night’s sleep wasn’t as deep as my sleep has been lately, but that’s okay; I did sleep decently even if I did have to keep waking up. I have a lot to do tonight, as well–and I would like to get back to doing some reading. But once I have the manuscript finished, I can have my evenings after work free for a few days; I’m not planning on getting into the weeds on editing until I get back from Alabama. Hopefully that will give me the time to do some short story writing that needs finishing, as well. The kitchen is a mess, too–I really don’t like going away for the weekend with the house in a mess to come home to, but I don’t know if I’ll have the time to do anything about it in the meantime. And then of course it’s parade season again the next two weekends, and before you know it it’s Lent and it’s all over again for another year. The first quarter of the year in New Orleans is always a challenge…
Cindy Williams died yesterday–it took me a minute to remember that Penny Marshall had also passed away already–and of course, most of the commentary and posts defaulted to Laverne & Shirley, and why wouldn’t they? It was a highly rated–if sophomoric–comedy series for eight seasons on ABC, and it did make her both rich and famous. But the thing I always thought was kind of sad was that she was actually capable of a lot more than a slapstick lowbrow comedy on television (hey, she got rich from it, and it made a lot of people happy, too) because she’d given some really fine performances in very good films like American Graffiti and The Conversation (both of which I watched during my Cynical 70’s Film Festival; most people remember American Graffiti as a fun comedy about one Saturday night in 1962 in Modesto, California–but it was a lot darker and more serious than people generally remember. It also was set in 1962, not the 50’s, but it was in that weird aftermath period where the music was still very similar–the Beatles hadn’t crossed the sea yet–and until the Kennedy assassination, the early 1960’s seemed very much like a continuation of the 1950’s until everything changed. I always wondered what Cindy Williams may have made of herself as an actress in film had she not taken the Laverne & Shirley gig. And that Tuesday night ABC line-up was something: Happy Days, Laverne & Shirley, Three’s Company, SOAP, and Hart to Hart.
Ah, my teen years.
I recently rejoined the Horror Writers’ Association; I am not really sure why, to be honest. They sent me a “we want you back” email and I was talking to That Bitch Ford and I thought, sure, why not? You’re not really a horror writer but you ARE a writer who has written some fiction that could be classified as that and you’re always looking for new places to submit short stories and….so I did. I’d forgotten why I’d initially let the membership go, and it barely took a month for me to be reminded. There was a contretemps on the official Facebook page for the group, and then it just kept spiraling out of control with all the nastiness, bigotry, and hatred. As an author, I would always like to be seen as an author first and treated with the common courtesy that any author should expect from their peers, particularly in a nonprofit organization that serves them. But, as I have been reminded all-too-many times since Murder in the Rue Dauphine was sent out into the world, there will always be those people–in publishing, bookselling, reviewing, etc.–who will always define me by my sexuality and denigrate both me and what I write because of it. As I often say on panels when it comes to genre, the adjective gay trumps anything that follows: mystery, horror, science fiction, romance, etc. I am also very aware that gatekeeping in publishing–while on the decline–has always been there to keep the “undesirables” out. Seeing someone whom I didn’t know–and have no desire to know now–erupting on the HWA page and spewing hate-filled rhetoric, and then doubling-down by appearing on a white supremacist/Nazi’s podcast for several hours…well, you put on the SS uniform, it’s kind of hard to deny your complicity in the Holocaust after the war. And watching it all go down over the last few days reminded me of why I left the organization in the first place–the overt and covert bigotry in the organization.
And for the record, when you’re talking about diversity and you say but it has to be about the writing! that’s a dogwhistle people like me have been hearing for decades. What you are saying is the reason our genre is not more diverse is because the non-white non-straight writers aren’t good enough.
Yeah, that was all I needed to hear to know where I stood with HWA, and so when it was time to renew the next time, I just let it go.
And I am also incredibly proud of myself because usually my response to situations like this one–this most recent blow-up, and that comment all those years ago–is to say okay I have to get involved so I can fix this. I am very happy that instead my thought is, oh yes, this is why I let it lapse and will do so again. I’ve been fighting this kind of shit for decades, and frankly, I’m tired. I just want to focus on me for a while and let everyone else fix all the things that need fixing.
And on that note, I am heading back into the spice mines. Have a lovely Tuesday, Constant Reader, and I will check in with you again tomorrow, when Pay-the-Bills Day rolls around again.
Queer and Loathing in America 