Saturday morning in the Lost Apartment, and I am a bit tired. I went to the retirement party last night (note: it was not in the Bywater, but actually in Holy Cross, on the other side of the Industrial Canal; a neighborhood I’ve not been to in years. But then again, I’ve really not spent much time in the Bywater in forever either), and it was absolutely lovely. I enjoyed spending time away from the office with my co-workers in a relaxed environment, it’s been a hot minute (and not just because of the pandemic, either) and it was nice spending time getting to know them outside of a professional environment. I laughed a lot more than I thought I would, and stayed much later than I had planned–it was almost one in the morning when I finally rolled into the Lost Apartment, but was very delighted. I had a glass or two of champagne spread out over five hours (and they were very small), so was okay to drive, but have a bit of a headache this morning.
It feels more sinus-y then anything else as well, so I think once I take a Claritin that problem will clear itself right up.
Today I have a lot to get done; I need to get back on track with the book, I need to go to the gym (but continue to baby the left shoulder, which is still a bit sore this morning; note to self: Icy Hot), I want to finish reading A Caribbean Mystery, and I also want to finish watching Chapelwaite. I only have two episodes left, and despite that really slow burn first episode, it really picks up steam and starts going full blast, the pace picking up with every episode without losing the integrity of the story or the characters. It also has inspired me to write a sort-of sequel to Bury Me in Shadows–well, that’s not quite true; I’d always intended to return to Corinth County with another book, and but watching this show gave me the inspirational story spark I needed to come up with the story. I scribbled down a lot of notes yesterday, and while I need to focus on the current book, I am itching to get to this one sooner rather than later (a constant problem with this my writing career, which never seems to change despite my advances in age) but I definitely need to get to Chlorine next.
So, next year is going to be about Chlorine, another Scotty, and this second Corinth County book, which will start tying the threads of the county spread out over many different stories, both short, novella length, and novel, together. (Which was one of the primary reasons I was dreading writing such a book; tying these threads together was going to be difficult, but now i sort of know how to do it all; there’s one novella in particular that isn’t going to be easy to tie into the others, but I think I know how to do it now)…) And the novellas. And the short story collection. And the essays. And….yikes. Just typing all this out made me very tired.
I also had a rather scary moment this morning when I saw a headline about a fatal, catastrophic tornado (or rather, series of them) devastating Kentucky; I really wish the news would be less generic in headlines or click titles for articles about such things. The vast majority of states are actually rather large in size and scale, and while obviously I feel terrible for the residents of the state affected by this disaster, at the same time I was extremely relieved to go look at a map and see it was in western Kentucky, a significant distance from my family in eastern Kentucky. I understand the need for clicks and so forth is the on-line Internet business model, but still. Nevertheless, these tornadoes devastated a vast swath of that area, including Arkansas and Tennessee and I believe Missouri, and as someone who has lived through and dealt with natural disasters myself, I have nothing but the deepest sympathy for those who have lost loved ones as well as homes and property (the gulf parishes south of New Orleans are still struggling to recover from Ida, by the way). Please donate to the relief efforts if you can.
And on that note, I have an excess of emails to clean out, a kitchen office to organize and get ready, and a book to get back to writing, amongst many other things to do and they ain’t getting done the longer I sit here writing this. Have a happy healthy Saturday, Constant Reader, and I’ll check back in with you tomorrow with a progress report.
Hurricane Delta is moving ever closer by the moment to our shores. This is one of the worst parts–the inevitable waiting, the need to be completely flexible, and the need to be ready to pack up and get out of Dodge in a hurry if need be. In that regard we are luckier than most when it comes to natural disasters; we have warning so we can get out while there is still time. Tornadoes and earthquakes don’t give you those options; with tornadoes sometimes it’s merely a matter of minutes (those years in Kansas…); earthquakes give you no warning whatsoever. Hurricanes clearly trigger PTSD in me–and have, ever since Katrina–but I would still rather deal with them than tornadoes or earthquakes (been through those during my years in California).
Ugh, natural disasters. Earth’s way of reminding us how unimportant and insignificant we really are.
There was a thing going around Twitter the other day, reading something along the lines of : Fellow authors, creatives… do you think it’s wise to tweet your policital opinions using your author/creative twitter account, or should you keep politics out of your creative timeline? Do you think it might lose you followers, readers, even work, or hurt your cause?
It did make me think a little bit at first. I generally don’t talk about politics much about my social media, or here on my blog; but it’s not about worrying that I might offend and lose readers, for fuck’s sake. The funniest thing to me about that tweet was precisely how privileged it was, and how the person tweeting it didn’t even have the slightest clue about the place of privilege she was coming from.
Simply stated, any writers that are not cishet white heterosexuals has had their very existence politicized, over and over and over again. Two Supreme Court justices, just this very week, very nastily announced that they don’t think queer people are entitled to equality in the eyes of the law; no surprise it was dumpster fires Clarence Thomas and Samuel Alito. I would love to have the privilege of not having my existence, and my status as an American citizen, politicized and reviled and attacked by bigots and monsters masking their demonic tactics are “religious liberty”; and a little louder for those of you in the back: if your religion is teaching you to treat any other human being with anything less than empathy, understanding, and compassion, you are doing religion wrong.
Frankly, I don’t exactly see how I could possibly lose any readers who are homophobes or racists or transphobes or fire-breathing conservatives because they would never buy books by a gay man centering gay men and themes in the first place. These are the ones who don’t buy your books but will waste their lives away going on Amazon and looking for queer writers to one-star, with a sentence about “not wanting a political agenda shoved down (their) throat.”
Books by and about queer people are political by nature of their very existence–and this is something which we, like writers of color and any other underprivileged minority in this country do not get to have a choice. The personal is the political for us; it is very interesting to me to see how much privilege is on display in tweets like the one above; while assuredly the intentions of the tweeter were good and she was genuinely curious what other people thought on the subject–other straight white people, obviously. It is an interesting subject, after all; moral stances don’t pay the bills, obviously, and at what point does your survival outweigh your principles?
Some authors are big enough, and successful enough, to not have to worry about offending or losing readers–which is another kind of privilege; recently seen on display with J. K. Rowling, and previously seen with writers like Orson Scott Card, among others–while those writers who aren’t marginalized for something beyond their control and are barely scraping by, hoping their sales will warrant yet another book contract, trying to figure out how to get the word out about their books and sell more copies while balancing a day job and family and everything else, possibly cannot afford to alienate any portion of their reader base if they want to keep writing. I get that, I really do; part of the reason I am so productive (per other people) is a definite fear that at some point my writing career will end–although I have also come to realize that while my career as Greg Herren might end, I could always create a new name and start over again–but it would be really nice to have the kind of reality that makes asking that question even possible to consider. As a gay male writer who writes about gay men and their experiences navigating this country and this world, obviously my books make a political statement; just my existence makes such a statement.
I refuse to closet myself or my work for the convenience of making homophobes more comfortable.
Suck on that, bitches.
Anyway, a friend reminded me of a short story the other day, and it had been quite the hot minute since I’d read Ray Bradbury’s “The Whole Town’s Sleeping,” and so I thought, why not reread it for the Short Story Project?
So I did.
The courthouse clock chimed seven times. The echoes of the chines faded.
Warm summer twilight here in upper Illinois country in this little town deep and far away from everything, kept to itself by.a river and a forest and a meadow and a lake. The sidewalks still scorched. The stores closing and the streets shadowed. And there were two moons; the clock moon with four faces in four night directions above the solemn black courthouse, and the real moon rising in vanilla whiteness from the dark east.
In the drugstore fans whispered in the high ceilings. In the rococo shade of porches, a few invisible people sat. Cigars glowed pink, on occasion. Screen doors whined their springs and slammed. ON the purple bricks of the summer-night streets, Douglas Spaulding ran; dogs an boys followed after.
“Hi, Miss Lavinia!”
Isn’t that a lovely start? I have to confess, I’ve not read much Bradbury–I’m not even sure how I read this story in the first place, but I remembered it; there must have been a short-story collection I picked up somewhere and read that I don’t recall. I know that I read it sometime after I had read Night Shift by Stephen King; because when I originally read this story it made me think of his story, “Strawberry Spring,” both in its style, voice and content SPOILER: both are serial killer stories, and both are written in that same Norman Rockwell Americana type voice; look at this sweet, picturesque American community, isn’t it lovely and aspirational and oh, by the way, there’s a serial killer on the loose. Before rereading the story, all I could remember was that weird Rockwellian voice, the Americana of the depiction of the town, and the ending. I also remembered the suspense of the scene where Miss Lavinia, after walking her companions home after seeing the Chaplin movie, thinks someone is following her as she hurries home alone. I’d forgotten that she and one of her friends found the body of the latest victim on the way to the movie, and yet continue on; that was extremely weird, and I also remembered the wonderful twist of the final sentence of the story, once she has safely gotten home. The serial killer, The Lonely One, kills a woman every month–and yet, in this pristine little slice of Americana small town life, no one in the town seems to take the killer all that seriously, or worry all that much about becoming his next victim. The voice vs the content is a masterstroke of writing, frankly; and I must admit, I’m not really sure why I haven’t read more Bradbury. I remember reading Something Wicked This Way Comes–I also remember thinking recently that I should reread it–and Dandelion Wine, and there must have been a short story collection I read as well; but I never read any of the science fiction–my education in Heinlein and other science fiction greats is also sorely lacking (although I have read quite a bit of Azimov and of course, Dune). I think I’ve avoided the great science fiction writers of back in the day because the advances in technology in reality have made some of those stories probably obsolete–watching 2001 recently, along with Blade Runner, was interesting in seeing what major corporations of the time they were made are no longer around (Pan Am and Howard Johnson’s, for a few) that people of the time couldn’t possibly imagine wouldn’t be around in the future. Perhaps I’ll move Something Wicked This Way Comes closer to the top of the reread pile. I didn’t enjoy it all that much at the time–I was expecting something a little more Stephen King-ish–and with more of an adult, better read mentality, I might enjoy and appreciate it more. I am certainly intrigued by that voice, which is very similar to the one he used in the short story.
And on that note, tis back to the spice mines with me. Have a lovely and safe Thursday, Constant Reader!