Tag: Murder by the Book

The Power of Goodbye

At 3:00 pm, Saturday, January 14th eastern time, I officially (and symbolically) turned over my gavel as Executive Vice President of the Board of Directors of Mystery Writers of America.

It’s going to take some getting used to, methinks.

As you get older, your perspective changes on things when you look back. I’ve never been one to look back at my past–I’ve always tried to focus on the present and the future–but once I hit sixty, it was inevitable. January 20th this month is the twenty-first anniversary of the release of my first novel, Murder in the Rue Dauphine, and with the closing of this chapter–my service to MWA–it’s hard not to look back and remember.

When I was first published, my mystery writer friends kept urging me to pursue mainstream markets and join mainstream organizations. A lot has happened since 2002: Lawrence v. Texas still hadn’t been decided so my sex life was still a crime; “don’t ask don’t tell” was still in place; and it’s not like you could get married to your same-sex partner when our sexuality was criminalized. That was a completely different world and society and culture than the one we currently live in. For one thing, for a gay mystery author, there were queer newspapers and magazines and bookstores. It was entirely possible to make a living and a career for one’s self outside of the mainstream–and this situation developed because of the mainstream’s rejection of most things queer. There had been some queer publishing booms, but I came in at the tail end of the last one–as all the New York publishers had started canceling queer imprints and slowly but surely removing queer writers from their lists. I decided that I would try to arrange signings and appearances at mystery bookstores as well as queer ones, and that was a lesson in homophobia I’ve never forgotten. One mainstream bookstore actually hung up on me after nastily cutting me off to say we don’t carry those kinds of books in our store–some variation of which I heard from all of them except one (which is why Murder by the Book in Houston will always hold a place in my heart). A friend bought me a membership in an organization as a gift (I won’t name it) but it was made abundantly clear to me that mainstream spaces weren’t welcoming or safe for a fledgling queer writer, so I didn’t bother joining any others or going to any mystery conferences–my concerns were always poo-poohed by straight mystery writer friends, which now, in reflection, was a kind of gaslighting, but I was inevitably always proven right (it’s always nice to be told you’re “nobody”). But when I emerged from the haze of the aftermath of Hurricane Katrina and the wreckage it made of my life, publishing had significantly changed, as had the rest of the world. The queer stores were closing, and our newspapers and magazines were shuttering–as were some of our publishers. I took a look around and thought, what am I going to do now?

I took a deep breath and joined Mystery Writers of America. Within a year I was asked to run for my chapter board, and then was asked to run for chapter president, which would also give me a seat on the national board. I remember going to New York for my first board orientation, staying at the Roosevelt Hotel–I always loved staying there; it made me feel like an author the way I only really feel when I am in New York, to be honest–and walking into the room where the meeting was being held. I had already met MWA staffer Margery Flax (at the time administrative director, now Executive Director), who had made me feel not only welcomed but like I belonged, which was something I had only rarely ever felt outside of queer publishing. I remember being awestruck that I was in the same (proverbial) room where it happened; the same board meeting that giants of our genre had attended in the past. I was stunned when a beautiful woman asked me if the seat next to me was taken and I was like oh my god, that’s Harley Jane Kozak! (I knew her from my long addiction to daytime, but also from other films she’d done.) I sat there quietly, overwhelmed, absorbing it all, and that night at dinner I had the thrill of sitting next to Jess Lourey, and as we talked over dinner we became friends–something that has lasted to this day; I will always love Jessie–and over the next four years I slowly found my voice and began taking on more and more responsibilities. It became a huge part of my life, and I kept working, as is my wont, to try to achieve equity for everyone in MWA, specifically with the goal to make queer writers feel welcomed and a part of the organization as a vital part of our community. I made a lot of friends that I cherish to this day, and it felt very weird when my time there was finally up and I stepped away. Being involved with MWA, and making friends in the organization (which led to making even more friends in the genre) was what got me to start attending our genre conferences, getting involved and being more active in the community, and becoming better known than I was before.

It would have been easy to give up after the collapse of queer media and outlets. Mystery Writers of America gave me hope that my career could and would continue, and that the best part was yet to come.

So one can only imagine my surprise when four years after I left the board I was asked to return and serve as Executive Vice President (basically, chairman of the board). I was thrilled, flattered, and honored, particularly for being the first openly gay one in the history of the organization. What better way, I thought, to let queer writers know they were welcome than by being in a leadership position? There was admittedly some hubris involved in saying yes–the making history thing, for one, as well as thinking I could handle all that responsibility while maintaining a full time job and a full time writing career. I will never regret saying yes; the only regrets I have are the mistakes I made (there were plenty) and not having as much time to devote to the office as was needed so I could get everything done that I wanted to get done while I served. But I am not going to focus on the regrets, ever; instead I shall take pride in the things we were able to accomplish.

And now, it’s over. I could have served five years total, but bowed out after three. Were we still living in the same world we were in when I was initially approached in the fall of 2019, I probably would have stayed for the full five. But we’re not living in that same world–the pandemic that shut down the world within two months of my taking office overwhelmed every aspect of my life, from day job to running errands to my writing and publishing career to helping to oversee the operations of the organization. (I like to joke about how I was not only the first gay EVP in history but also the first EVP to cancel the Edgar banquet) Navigating an organization through the unknown waters of a pandemic and a changing world, where there was no previous experience to draw from was challenging, especially since I had to worry about my day job, adjust to working from home on some days and helping with the COVID testing at our office, exposing me to something that could quite possibly kill either Paul or myself every day I was there. The years between 2020 and now are all kind of blurry to me now; sort of the way everything from the Katrina evacuation through about 2009 is either a blank or blurry.

It’s going to take some getting used to, and it’s going to take a while before it sinks in that it’s no longer my responsibility.

I wouldn’t trade the experiences–both good and bad–for anything. Even though sometimes it was stressful and disruptive, and there were times when I got incredibly frustrated because I was very short on time and in the middle of a book that I needed to focus on, it’s going to be weird for me for awhile. It was very weird checking my emails this morning and seeing that there were none with (MWA) in the header line. I worked with some great people and made some friends–at least I like to think so, their mileage might vary–that I would have never made had I not served. I learned a lot about myself, and strangely enough I also think serving somehow has made me a better writer somehow; I know the work I am producing now is vastly superior to the work I did before I served. I know I have a stronger sense of the genre after my total of seven years of service.

The hardest part, I think, is going to be remembering that I no longer have anything other than an opinion and that I am now just one of the many members.

Thanks to everyone I served with, the membership, and the community. I no longer feel like an outsider looking in at the community, and maybe, just maybe, I made a small difference.

I can live with that.

Homeward Bound

So, when Ellen Byron was preparing to interview me for our live stream event from Murder by the Book, she sent me some questions to prepare myself with. They were good questions, actually, and I thought that taking time to answer them when I can think about the responses would be an excellent BLATANT SELF-PROMOTION post.

So, without further ado, here we go!

What inspired your book? Series premise and the specific story?

That’s an interesting story, actually. I had been toying with the idea of writing a cozy for a long time–I’ve always liked them–but never was sure I could do it; there were rules, after all, and I’m terrible about following rules, always have been. Several friends have been encouraging me for years to do it, but I always hesitated. It was (I thought) outside of my comfort zone, and while I would toy with ideas here and there, none ever came to anything. My partner’s office is near a costume shop, and he’d had to go in there one day for some reason or another, and as is his wont, he struck up a conversation with an employee about the costume business, how they made money, how they stayed open all year, etc etc etc. He’s very curious. Anyway, that night I mentioned to him that someone had yet again suggested I write a cozy, and he wasn’t sure what one was, so I gave him a thumbnail overview, and he said, “Oh, you should do a costume shop” and proceeded to tell me about his conversation with the shop employee. I agreed it was an interesting idea, and stowed it away in the back of my head for future reference, and would think about it now and then, come up with characters and a community for the main character to be a part of, and so on. But at the same time I kept thinking New Orleans wasn’t the right place for a cozy series–basically looking for ways to fail instead of reasons to succeed, which is the underlying theme of my life, really–and so it went. An editor I’ve worked with before was interested in the idea of my writing a cozy series, so I wrote up a proposal and sent it off. They liked it, but couldn’t sign it, and recommended I take it somewhere else, so I did. It evolved from a costume shop to an antique shop during the process of me signing a contract with Crooked Lane; they liked everything about my idea except for the shop itself, so I had to change that. I went down to Magazine Street and walked for a block, writing down every kind of shop I saw, and sent the list in–and we all came to an agreement about the series being structured around an antiques business. As for the story, well, I wanted to talk about and explore the gentrification of New Orleans that has been ongoing almost this entire century, and how real estate has just exploded around here. (It still staggers me that our rent was $450 when we first moved here; the lowest rent I’ve seen advertised in our neighborhood is around $1500 for less than thousand square feet. Our original apartment now rents for $2500 per month now, which is insane.) What happens to Valerie–the fear of a new tax assessment pricing her out of her house–actually happened to a friend of mine; and the prices just seem to keep going up all the time. You can’t even buy a condo in my neighborhood for less than $350, 000 now–the asking prices for houses in the neighborhood are completely insane. Every time I see a new listing in the neighborhood for half a million dollars or more I think, we really should have bought when we moved here–but home-ownership is New Orleans isn’t something Paul or I have ever been terribly interested in. Termites, tornados, hurricanes, floods, black mold–no thanks! But man, what a return on our investment had we bought in 1996!

We both write series set in New Orleans. Why do you find it so inspiring? Especially when you’ve lived in so many other places?

I’ve lived all over the country–we’re from Alabama, and I’ve lived in Chicago on the south side, the suburbs, Kansas, Fresno, Houston, Tampa, Minneapolis and then New Orleans. New Orleans is the only place I’ve ever been to where I felt like I belonged, where I fit in; where I didn’t seem like the eccentric one. New Orleans embraces its eccentrics and doesn’t judge them, and I like that. I knew that first time I came here on my birthday in 1994 that if I moved here all my dreams would come true. And they have, which has been kind of lovely. And no writer could ever exhaust the inspiration New Orleans provides. I’ve written fifteen books set here and countless short stories at this point, and haven’t even scratched the surface. I’ve never written about the music scene here, for one glaring example, or restaurants or the food industry or…you see what I mean? There’s not enough time in my life to write everything I want to about New Orleans.

Tell us about your protagonist. Where did the inspiration for her come from?

My sister never had any interest in going to college or having any kind of career other than being a wife and mother. She was a straight A student and had numerous scholarship offers, but had little to no interest. I used to always think she had wasted her potential, but gradually came to the realization that she has the life she always wanted when she was growing up, and has never missed having a career outside of the home–so rather than feeling bad about her lost potential, I should have been happy that her dreams came true. I started thinking about that more, and thought that would make a great starting place–a woman like my sister who wasn’t really very interested in college but went because it was expected of her…only to fall in love, get married, and drop out when she had twins. I really like the idea of a woman who’s not yet thirty, who wasn’t really sure what she wanted from life and then sidetracked to wife-and-mother, but with her kids now off to college and her husband having died…what do you do for the rest of your life when you’re a widow at thirty-eight and your kids have left for college? And the more I thought about her, the more I liked her and wanted to write about her.

Why did you choose the Irish Channel as the neighborhood?

My Scotty series is set in the French Quarter, and the Chanse series was set in the lower Garden District (where I’ve always lived and always default to it for that very reason), so I wanted to do something different this time out. Before I moved here, I had friends who lived in the Channel and I loved their house and I loved their neighborhood. I had already started writing a novella set in their old house, and I thought, why not use that same house for this series? The Channel did used to be considered a bad part of town, too, when we first moved here (so was the lower Garden District, which we didn’t know), and so I thought the gentrification issue would work better there than in my neighborhood. That part of the Channel is one I used to spend a lot of time in. As my character mentions in the book, I used to hang out at the Rue de la Course coffee shop at the corner of Magazine and Harmony–it was where I would meet friends for coffee. I’m still bitter it closed.

Similarities in our series: both widows, both have family mysteries, both live in the Irish Channel, you have jokes about potholes, I have a plot point about them. Let’s talk about NOLA’s potholes.

Oh, the potholes! Ironically, an active one ate one of my car tires a few weeks ago. Usually, if I am going someplace and have to turn around, there’s usually room for me to make a U-turn or I can turned into a driveway and turn around. This particular day the bar on the corner had reopened after being sold, closed, and renovated for a few months. So, there were cars everywhere, including blocking the driveways, and I thought, fine, I’ll just go around the block, which I hadn’t done in years. Because I hadn’t done that i years, I forgot there’s a massive pothole right when you make the turn so you have to jog left to avoid it. I hit the pothole, hard, and when I did, I thought oh that’s not good and as I continued driving I noticed the car was pulling to the left–which was the tire that hit the pothole. Sure enough, it was flat. It had a nail in it, and I happened to hit the pothole perfectly so that the nail dragged, tearing a hole in the tire. So, yes, New Orleans is a city of potholes–all different shapes, sizes, and depths. When the streets flood the water hides the potholes, and if they are really deep…the one on our street (which is reforming after being filled in and paved over for like the fiftieth time) ate a pick-up truck when that end of the street flooded a few years ago, so our street was blocked until the water went down and a tow truck could get in.

You have a Nolier than thou joke – I have OhNo!LA, an app that’s a runner in the book.

I wish I could claim credit for that joke, but I stole it from Bill Loefhelm, another New Orleans crime writer when we were on a panel together talking about writing about New Orleans and the need to get things right. He responded to a question about accuracy by saying something like “Yes, you really don’t want to set off the Nolier-Than-Thou people” and it still makes me laugh whenever I think about it because it’s so true! In all honesty, I am one of those people–nothing is more infuriating to me than reading something set in New Orleans that doesn’t get it right–but I’ve loosened up some as I’ve gotten older. I was even wondering if that was still a thing while I was writing this book…but since it’s come out I’ve seen any number of locals posting reviews and comments about “how (he) got New Orleans right” so it is still a thing. (And I’m glad and grateful people think I get ir right.)

How would you say your past experiences and jobs in life inform your writing?

I always say that life is material, as is every experience you’ve had. I’ve had so many jobs over the years and have been fired so many times I can’t keep track of them all anymore. But I also had a huge variety of jobs–fast food to retail to food service to banking to insurance to an airline to being a personal trainer to managing a health club to being a magazine editor to my present job working in an STI clinic as a sexual health counselor. Whenever I am creating a character and need a job for them, I inevitably fall back on one of my experiences. The main character in The Orion Mask worked at an airport–I’ve written a lot of characters who work for airlines–and so I try to get away from my own experiences once I catch myself doing it again. I have always had jobs that required interaction with other humans, so I’ve gotten to observe a lot of human behavior. I’ve written about high school students in Kansas (where I went to high school). I’ve written about fraternities because I was in one (hard as it is to believe now). I played football in high school, I’ve written about football players in high school. The only places I’ve lived that I’ve not written about are Chicago, Houston, and Tampa (I have written about Florida, but just the panhandle, where I spent of time as a kid).

I read a blog post where you talked about your relationship with the city. How has it morphed over the years and where does it stand now? It sounded like doing promotion and writing about the city reignited your love for it. What’s your writing process? You write in different genres. Is the process different?

As sad as it is to admit, it’s very easy when you live here to start taking New Orleans for granted. As I said before, I usually am so focused on what I am doing–work, writing, errands, chores, etc.–that I don’t pay much attention to my surroundings as I should (I think we are all guilty of this to some degree). About a year before the pandemic, my day job moved. I had worked in our office on Frenchmen Street for well over ten years–right across the street from Mona’s, in that block between Decatur and Chartres, so I was a block outside the Quarter five days a week, and we also used to do a lot of testing in the French Quarter gay bars and passing out condoms during Carnival, Southern Decadence, and Halloween. So I used to spend a lot of time in and around the Quarter. It was lovely–I could go to the Walgreens or the Rouse’s on Royal and there was a bank branch on Chartres Street, too, by the Supreme Court building. Anytime I didn’t have anything in the house to pack for lunch I could just walk into the Quarter and get something not only amazing but inexpensive. I used to walk past where Scotty lives all the time. After we moved into our new building in the 7th Ward, I don’t go into the Quarter much anymore. So I was starting to feel a bit disconnected from New Orleans already before the pandemic shut everything down. But I realized when I started doing promo for this book that I am not disconnected from New Orleans. I’ve just lived here so long that I don’t take as much note of the unusual or the weird as I used to–it’s become normalized to me. I’ve acclimated. It’s still just as weird and wild and crazy here as it always has been, it just doesn’t strike me as weird and wild and crazy the way it used to. I need to take more walks and spend more time exploring the city and checking things out. I don’t know if all the hidden places I used to take friends to eat in the Quarter are still there, either. Maybe after Mardi Gras…

Tell Me

Friday and a work-at-home day, except for the morning department meeting I have to attend in person, which means I didn’t get to just roll out of bed, wash my face, brush my teeth, throw on some sweats, and get a cup of coffee just before nine…no, I have to be there at nine. I’ll run a couple of errands on my way home, which spares me from having to leave the house on Saturday; I may order groceries for pick-up on Sunday, but I don’t need to decide that right now.

This week wore me down and wore me out. I didn’t sleep terrific all week long to begin with, then of course it was one thing after another to have to deal with. But it’s Friday and I am relatively unscathed, methinks; I slept really well last night and think that could again be the case tonight. I was completely worn out when I got home from work last night, so I collapsed into my easy chair and watched a lengthy James Somerton video on Youtube called “What Ever Happened to Good Taste?”, which was about camp classic films, beginning with All About Eve before cycling through Whatever Happened to Baby Jane?, Mommie Dearest, and the drag queen road movies of the early 90s, The Adventures of Priscilla Queen of the Desert and To Wong Foo, Thanks For Everything, Julie Newmar. (I must confess to being enormously disappointed that Showgirls didn’t make the documentary; it is, after all, an all-time classic.) Paul got home shortly after I finished watching (it was two hours long) and we watched another episode of Welcome to Chippendales, which could have been just a movie and not a series I think; there’s a lot of padding out of the story to stretch it out into a mini-series. I have a lot to do this weekend; one of my tasks for today is of course a to-do list for the weekend. I need to get caught up on the book, I need to get caught up on a lot of things, and I want to finish reading Wanda Morris’ marvelous latest work. Perhaps after I get home from the meeting at the office this morning and get through my work-at-home chores today, I can spend some time with Wanda’s book and finish it. I am going to run some errands on my way home from work today, too–hoping that I won’t have to leave the house much this weekend so I can get things done.

My arm continues to get better every day, so I think it is something that didn’t necessarily require the emergency room costs or a forced-onto-the-schedule doctor’s appointment. It means I won’t be able to start back to the gym this weekend as I’d planned–I like to start going again before the new year when everyone’s resolutions crowd the place to within an inch of its life come January–but I cannot lift weights with this arm, which pretty much eliminates every upper body exercise. I could, I suppose, go a couple of times a week and simply focus on legs–but the weight plates would be a problem, too, you see. So, that’s going to have to go back on hold until my arm feels better.

I was very surprised and pleased yesterday to see that a couple of Instagram users did “reels” talking about A Streetcar Named Murder, and I have to confess this week–shitty as it was personally–has been a really terrific week for me professionally. It certainly was a good one for my writer’s ego, for sure. The outpouring of support and appreciation for my book from the cozy reading and writing community has been quite nice, rather unexpected, and I am enormously appreciative and grateful for it all. In some ways, it’s kind of validating; over the past few months I’ve really come to understand that I have an enormous chip on my shoulder when it comes to my own writing, and have tried unpacking that a bit. (I’ve spent quite a bit of time since turning sixty in the wake of a global pandemic unpacking my behaviors and the events that occurred that shaped those behaviors.) How different would my life have been had I gotten support and encouragement when I was younger? Had people taken my ambitions and desire to write seriously rather than dismissively? I honestly don’t know, can never know, will never know–the great pleasure of human life is you can never do anything more than speculate about how differently a shift in something, even a very small minor one, can alter the course of a life and a career.

The other night, before my Murder by the Book event with the marvelous John McDougall and my very dear Ellen Byron, John asked me “Now that I’ve read your book, Greg, I have to ask–why did it take you so long to write a cozy? Why haven’t you been doing this all along?” and my answer was “I really don’t know.” It absolutely gave me pause, and has lived rent-free in my brain ever since Tuesday. Why did it take me so long to write a cozy? I still don’t have an answer that makes any kind of sense. Let me see, I’ve always read them, always appreciated them, and have always done my best to fight the stigma attached to them by some elitists who need to feel better about themselves by looking down on a subset of other writers. I hate that, particularly because I know how it feels to not be taken seriously or be respected by your peers (there’s that enormous chip on my shoulder again).

But despite all the difficulties encountered during the time of its writing, I really enjoyed writing A Streetcar Named Murder. Sure, it was hard, and sure, I had to make myself do it (like always), but when I finally held the finished copies in my hands, I was incredibly proud of it. I have always said that I want to always be challenged by what I am writing, that I don’t ever want to fall into a familiar pattern of writing that feels like painting by the numbers (which is why I ended the Chanse series), which is incredibly easy to do. Writing a cozy presented me with a challenge, and yes, it was hard and yes, it was outside of my comfort zone. But I created likable, believable characters and an interesting story, with new situations and paradigm/life shifts that all played out throughout the course of the story. Now that it’s out in the world, it is an interesting question as to why I never tried to write one before, or even why I believed that I couldn’t write one in the first place.

And in some ways, it’s almost like starting my career over again. I am finding a new audience. I didn’t center queer characters and stories. I just wrote about New Orleans again but from an entirely different perspective, and it was enjoyable.

And I am proud of the book, and of myself. It feels weird to say that, but at the same time it also feels good to say it.

And on that note, tis back to the spice mines with me. Have a lovely Friday, Constant Reader, and I’ll check in with you again tomorrow.

Carol

I have to go to the West Bank this morning to buy two new tires for the car. An active pothole destroyed my driver’s side front tire the other day, and so I need to get at least one new tire, probably two so their wear pattern will match. The tires are supposed to be good for 50k miles; I don’t even have 30k on my car yet, which makes this even more frustrating. Perhaps this is my punishment for writing about potholes the other day on the Wickeds blog, with “The Orange Cone”? I may have angered the pothole gods, and they must be appeased to the tune of several hundred dollars.

Ah, well, there’s nothing to do but go whip out a credit card and pay for new tires. At least I can take Wanda Morris’ Anywhere You Run with me to read while I wait for the tires to be mounted and put on the car.

I was very tired yesterday when I got home from work. I didn’t sleep well Monday night (did better last night, frankly) and so was already tired going into the day. I was monitoring my blog post at Mystery Lovers’ Kitchen so I could reply to everyone’s comments, and they were keeping me occupied between clients and the end of my shift. When I got home, I had a few hours to make the kitchen presentable before going live with Ellen Byron and Murder by the Book, which was a lot of fun. Paul came home as we were wrapping it up, so we could watch another episode of Victoria’s Secret: Angels and Demons, which moved on to the Epstein/Ghislaine Maxwell connection to Victoria’s Secret, and it seems as though human trafficking and models being pimped out by their agencies might very well have been happening in the industry before Epstein, from the looks of things. B

But the event went really well–it was nice seeing John from the store again, and he said very nice things about my book beforehand, including “After reading it and liking it a lot, I have to ask, why did it take so long for you to write a cozy?” which I thought was the highest compliment I could ever receive. There have been times that I have felt like a carpetbagger in the subgenre; poaching in territory not my own. But one thing I will say about the cozy subgenre–the authors and readers are incredibly kind, supportive and welcoming to new authors entering their territory. It’s been lovely seeing all the support from other cozy writers and readers on social media in the weeks leading up to the book’s release, and it’s also something I’m really not used to, to be honest. I don’t want to make it sound like I haven’t had support from colleagues and readers before–because that wouldn’t be the truth–but this entire experience, from the announcement of the contract to the cover reveal to the release, has been so incredibly lovely and affirming that like John, I wonder why it took me so long to join the ranks of the cozy writers? Ellen and I did agree on camera that my Scotty series was a more of an edgy cozy series that breaks some of the rules (profanity, sex, violence and blood on the page) than anything else; Scotty may be a licensed private eye but no one ever hires him–he just stumbles into bodies and mysteries all the time through no effort of his own.

Christ, I am so behind on my Scotty book. Heavy heaving sigh.

(Even in the midst of self-promotion, I can always feel guilty about the progress of whatever it is I am working on at the moment.)

After I get the tires put on the car and paid for, then it’s off to the office to finish my work day. This week has been a weird one; sick on Monday, flat tire, promotional events, book launch, and now a morning spent at the car dealership. Not exactly how I saw the week going Sunday morning while I was drinking coffee and planning ahead–which is another great example of ‘man plans, the gods laugh”–and now today is even Pay-the-Bills Day and I didn’t really notice because. well, I need to get to the dealership this morning and buy new tires…all the while hoping the spare makes it to the West Bank intact. (It’s supposedly good for fifty miles and I haven’t gotten anywhere close to that kind of mileage since changing the tire.)

But life always has a habit of interfering with your best laid plans, doesn’t it?

And on that note, I am hopping into the shower and heading over to the West Bank. Wish me well, Constant Reader, and that it’s quick and easy to get in and out. Fingers crossed, at any rate.

It’s All Over Now

Well, it’s Tuesday morning and all I have to say about that is good. Monday was a dreadful day, and the less said about it the better. I woke up feeling ill, and it was just all downhill from there. The only good thing I can say about yesterday was I got to spend the entire morning lying down, covered up in blankets, reading Wanda M. Morris’ Anywhere You Run, which is fantastic. I didn’t get to finish reading the book–hopefully that glorious day will come soon–and losing yet another day of work on the book was quite a savage blow. Tonight after work I have to do an on-line event for Murder by the Book with the always delightful Ellen Byron, which will leave me exhausted as those things always do, so tonight is pretty much out. Heavy heaving sigh. But at least college football is over, which frees up my entire day Saturday, which is nice. And I feel well this morning–I knew taking Claritin and resting all day (sort of) would stave off the coming sinus infection (but I’ll take another one today just to be on the safe side). We also started watching the Victoria’s Secret documentary–I think it’s called Victoria’s Secret: Angels and Demons–because the owner of the company was weirdly involved with Jeffrey Epstein? It’s interesting enough. I vaguely remembered the collapse of the brand–and who knew there were so many other stores, all belonging to the same person? Remember Structure?–but I didn’t remember that there was an Epstein connection.

Oh! I am also guesting at Mystery Lovers’ Kitchen, with my slow cooker meatball recipe. Today is also the official release day for A Streetcar Named Murder, so happy release day to me!

It still seems a bit weird to me to have this book out in the world at long last. It feels like I’ve been waiting for this release date for a very long time, and now it is here. Will people like it? Will people buy it? Will my regular readers like this completely different (not really, but you know what I mean) type of book from me? Naturally, I hope so; I’ve been really surprised and delighted by the unexpectedly and overwhelmingly positive response to the book thus far. I’m not used to it.

But just as it occurred to me the other day that my perceptions of New Orleans have changed–i.e. that all the little oddities and eccentricities that used to amuse me and give me things to write about now seem commonplace and normal to me now–I think my perception on my writing has also started changing a little bit–which is really lovely and nice and long overdue. I’ve talked about this before–the dichotomy of how I was raised to always be humble and never, ever brag about myself–and how its really the exact worst way to raise any kind of artist. Being an artist (or writer) is difficult enough with those constant self-doubts and “do I really know what I am doing here” and everyone’s favorite, Imposter Syndrome. If you don’t know what Imposter Syndrome is, consider yourself very lucky. For me, it manifests itself in “I’m really just faking it and don’t really have any insights because I literally don’t know what I am doing, but as long as I can keep fooling people I’ll keep going until they realize the Empress has no clothes.” My perception of my own writing and my own work is slowly starting to shift–yes, Constant Reader, after twenty-odd years and over forty books, etc etc etc, I am starting to feel some confidence in my actually work. Rereading A Streetcar Named Murder the other week–I had to do so because I’d forgotten a lot about the book in the meantime, so I could do some more Blatant Self-Promotional blog entries–and realized it wasn’t, in fact, terrible but was actually an enjoyable read. (This may not seem like much to you, Constant Reader, but for me this was huge.) I do think that this book, along with my last three (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit) is some of the best work of my career thus far. And when I was rereading the old Scottys to prepare me for writing the new one, I was impressed with them rather than wincing. I think maybe I’ve managed to flip the “editorial” switch off when I read my books again? So rather than rereading them and catching errors or thinking oh I could have said this or that better, I read them as they were and for what they are. It was definitely some major progress, methinks, towards a better mental attitude for me, not only for my work but for my life in general.

It only took me over sixty-one years to start getting there.

A lot of it, I think, comes from my determination to not take myself seriously, which probably goes back to my childhood. I know the self-deprecatory shit comes from a mentality of if I make fun of myself I can beat everyone else to it which was a self-defense mechanism I developed to shield myself from being mocked, made fun of, and insulted by other kids. I can’t claim it as a gay experience because I would imagine every queer kid’s experience is different and there are probably some who never were bullied, were never made fun of, were never the butt of everyone else’s jokes as an easy target because I didn’t fit the societal image of what a little boy was supposed to be. I think I was seven or eight the first time someone called me a fairy? (At the time, I didn’t realize they meant fairy as in Tinkerbell and not ferry as in a boat that conveys cars over water; I couldn’t understand the ferry reference until a few years later when it was accompanied by such lovely terms as fag, faggot, femme, homo, cocksucker and so forth; when I was conditioned to be ashamed of myself and of who I was, through no fault of my own….and well, if I make fun of myself I can head them off before they go down that road.) This of course presupposed that people were going to make fun of me or call me names–and I can now see how toxic and self-destructive that actually can be. You should never default to the idea that other people will make fun of you.

You can see how that mentality can be damaging to a writer.

I carried a lot of baggage into this career that I should have discarded a long time ago.

I am, if nothing else, always a work in progress.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.

Chains of Love

Thursday morning coming at you like a burning ball of pitch hurled at the city walls from a catapult by the invading Huns.

I did two entries yesterday, neither of which was blatant self-promotion (I know, right?); one was my regular entry for the day and the other was…well, it was a really old entry I started writing a long time ago, about my love for Superman and how that actually began when I was a kid. I never finished the post–there are about thirty post drafts that I will someday finish, even though some of them are now YEARS old–but when the news broke about Superman’s bisexuality this week, I knew it was time to finish it and put it out into the world. I also knew when I read that piece of shit’s post on Medium that I was going to conclude by mentioning it, and taking a few nasty digs at his sorry, pathetic, will-die-alone-and-unmourned self. Was I perhaps more petty and mean-spirited, even perhaps nastier, than I usually allow myself to be on here over the last twelve or so years? Probably. Am I sorry? Not in the fucking least.

I woke up this morning at five, as I am wont to do every morning, and moaned a little softly to myself, well, at least I have another hour before I have to get up and then it hit me: It’s Thursday, fuckwit, you don’t have to get up before the sun comes up today, and thus happily burrowed back into my blankets and went back to sleep for a bit. It was lovely, frankly; I feel very good this morning and very alive and ready to get to it. I have a bunch of trainings I have to do on-line today around the condom packing and the data entry (the data entry website was updated, one of the trainings is on that); there’s laundry to do; files to file and an inbox to empty; Leg Day to get through; and of course the apartment is, as always, an utter disaster area. Typical Thursday, really, when you think about it. Yesterday was actually relatively lovely, for the most part; my piece on my favorite Gothic inspirations went live on Crime Reads’ website yesterday, and received an absolutely lovely response–and the afore-mentioned Superman blog piece I did yesterday also got a lot of attention and shares, which was also very nice. The event with Murder by the Book went well for the wonderful John McDougall, our wonderful host and moderator, and I really enjoyed listening to David R. Slayton talk. (I am reading his White Trash Warlock and really, it’s quite marvelous; do yourself a favor and pick up a copy.) Paul had dinner plans last night with friends, so I had the apartment to myself for most of the evening; by the time he got home we were both already exhausted–doing public things always drains me on all three levels (physical, emotional, intellectual) and so we both went to bed relatively early.

So, Bury Me in Shadows is out into the world, and it really was a nice, somewhat soft, release; one of the things I hate about the business side of being a writer is the self-promotion. I was raised in the worst possible way when you want to become a writer; I don’t know if my reluctance to promote myself and push myself on people is inherent, or if it was something I was trained from childhood to have. I was always told if you do good work, let others decide rather than telling them; if the work is good it will speak for itself. That doesn’t really work in this business, and while I am always comfortable to talk about books and writing publicly, I am not very comfortable with talking about myself or my own work or trying to convince people to read/buy it; I can sort of do that kind of thing on here because, well, it’s written and I am not speaking in front of an audience or for a camera. It’s always difficult, and I never think quickly enough to come up with good answers for the questions. I also tend to ramble and get sidetracked and go off on tangents when I talk–as anyone who has ever had a conversation with me in person can easily and happily attest to–which, when you are sharing the stage with another writer, isn’t a good thing. So, with much thanks to John and Murder by the Book for setting the entire thing up and for hosting, and to David for being so gracious and fun to chat with; and I will add my deepest apologies for my feral self and my incompetence at presenting myself as a competent publishing professional.

I also suppose I am far too old to get better at it, as well.

I also got my copy of Best American Mystery and Suspense Stories 2021, edited by Steph Cha and guest editor Alafair Burke–you know, the one where I am mentioned in the back for my story “The Dreadful Scott Decision” from The Faking of the President, as “other distinguished work”, which is still an enormous thrill (I may still be picking up the book and opening to that page and marveling at the appearance of my name there)–which I am very excited to start dipping into again. My Halloween Horror Month hasn’t exactly worked out the way I had planned; too much other stuff going on, the release of a book, so on and so on and so on–but that’s okay. Things happen, life happens, and things get thrown off track, but I do always believe things work out the way they are supposed to in the end.

And on that note, I am going to get some things done before it’s time for me to start the endless rounds of training courses and meetings I have to attend virtually today. Have a lovely Thursday, Constant Reader, and I will talk to you again on the morrow.

Oh L’Amour

Well, we made it to Wednesday again, Constant Reader, and it’s Pay-the-Bills Day. Huzzah!

Yesterday was a very good day, overall–maybe a little too low energy for what all I need to get done, but I really cannot complain. I was a little distracted for most of the day–the inability to focus was almost Olympic level, seriously–but I’ve certainly had worse days. Paul was late last night–board meeting–so I sat in my chair with the purr-kitty in my lap and watched Youtube documentaries about a historical woman who has always fascinated me since I read about her in a biography of Charlemagne: Irene of Athens, the only woman to rule as Roman Emperor (she took the title of Emperor rather than Empress) in Constantinople. She was ruthless and cruel–she had her own son blinded for daring to challenge her for power (it was his throne)–and she was later sainted by the church for her belief in and promotion of icons; after several emperors, including her late husband, violently opposed as idol worship. (Icons are images of holy figures, whether paintings, statues, etc.; despite the 1054 schism, both Orthodox Christians and Catholics continued to worship them. The Eastern Roman Empire (forever branded as Byzantine by western Europeans, to deny them the Roman title which they felt they inherited rather than the actual, continuing Roman empire based in Constantinople) is fascinating to me; the court intrigues and palace revolutions; the murders and conspiracies and plots would make the basis for great historical novels. It’s very strange to me that we don’t have more of those, really; an indication of how the West has very determinedly erased and forgotten the East.

We watched the latest episode of Only Murders in the Building, which we are continuing to greatly enjoy; and it’s also nice to see Steve Martin and Martin Short both working on something high quality. I’m sorry there’s only one more episode; but I am sure it’s successful enough that they’ll try to do a second season–which is rife with the possibility of enormous disappointment, but could also have a lot of potential. (Obviously, there can’t be another murder in the same building.)

I slept really well last night–at any rate, without checking the Fitbit (which, seriously–if I feel rested, is there any need to actual check the sleep statistics? Probably not) I think I had a really good night’s sleep; I certainly feel more rested and a-rarin’-to-go than I did yesterday–which, granted, was a pretty low bar. But feeling rested rather than tired really makes a difference; my fuse is much shorter when I am tired, and it’s also much easier for me to give in to meh I don’t want to deal with this now…which is definitely not a good thing. But tomorrow is a work-at-home day and I can sleep later, there’s also a lot less stress when I am working at home, and I have a lot of trainings to get done tomorrow while I am at home, which will certainly make the time pass a lot easier. I didn’t go to the gym last night because I felt so drained; I cannot go tonight because of my event tonight at Murder by the Book, click here to register!

So, I will go after work tomorrow. It’s Leg Day anyway. Sigh.

Bury Me in Shadows had a lovely release day yesterday, which wasn’t easy because a shit ton of new books by terrific authors dropped either yesterday or on Monday: The Savage Kind by John Copenhaver; Death at Greenaway by Lori Rader-Day; Tara Laskowski’s The Mother Next Door; and of course, the newly launched Best American Mystery and Suspense 2021, edited by Steph Cha and guest editor Alafair Burke (yours truly made the “other works of distinction” list in the back of the book; cannot wait to get a copy–the stories included sound fucking fantastic). Yeah, that’s a lot of noise at the same time–it’s easy to see how my book could get lost in all the noise and thunder there. It’s going to be a lot of fun talking to John at Murder by the Book tonight, along with David Slayton (whose Trailer Park Trickster also dropped yesterday; so much goodness out there in such a short period of time!); I just hope I don’t, as always, talk too much and babble like a moron.

And on that note, I am going to head into the spice mines. Have a lovely Wednesday, Constant Reader, and I will see you again tomorrow.

Sometimes

Tuesday morning and so far so good. Yesterday was a relatively easy day at the office, really; a lovely way to start off the week, actually. I felt rested for most of the day, and had a relatively easy time getting home as well, which I wasn’t expecting; traffic lights in the Central Business District are still out or blinking, including the one at Poydras, which is the main artery of the district–which makes the drive a bit challenging. There wasn’t much traffic yesterday on my way home, so that intersection where I cross Poydras (Loyola) wasn’t as horrific as it has been in the past.

And tomorrow is payday; I had quite literally forgotten! Paying off the car has changed my life so dramatically for the better, Constant Reader, you have no idea. Before paying off the car, I would have been counting down the days to pay day, wondering how much I’d have left to buy food with, wondering if I would have enough to pay for everything. Not having that kind of extreme financial stress, like I’ve been experiencing for the last four years plus, has been literally absolutely lovely for me. I don’t know how people do it–and then buy another car right on top of paying off the old one, or trading one in before its completely paid for and…yeah, I will never understand the joys of having all that extra debt hanging over my head. It’s one of the reasons I’ve never wanted to buy a house or a condo or anything; the thought of being saddled with debt for the rest of my life like that absolutely curdles my blood.

And yes, I am quite aware that I still have to pay for housing anyway, that I am essentially throwing the rent money away every month that I could be “investing” in property, and all the rest of those financial security memes I’ve been told since I was a child. But I am not a fan of debt of any kind, quite frankly. I hate debt, hate it hate it hate it, and my next financial goal is to pay off the rest of the debt I am still carrying, which has become a bit easier since the car has been paid for. I don’t regret buying the car–I still love the car, and will for a long time, no doubt–but I am not sorry the debt is gone.

I didn’t think I slept very well last night–it seemed to take forever for me to fall asleep–and yet I still feel rested this morning. My Fitbit tells me that the majority of my sleep last night was “light” sleep, and I didn’t get the correct percentages of “REM sleep” or “deep sleep”. I imagine what this means is this afternoon I will run out of steam and get tired; that seems to be the case once the caffeine wears off. Ah, caffeine; such a harsh mistress you are.

Today is the official release day for Bury Me in Shadows (or it was yesterday; I’m really not sure how I still have a career, honestly) so there’s one more Blatant Self-Promotion post to come; I’ve been working on it since the weekend, and I hope to get it right and posted today. Tomorrow night I have the launch event at Murder by the Book in Houston (virtual), and I am doing a diversity panel for a library through Sisters in Crime (chessie chapter) this coming Monday. I know, two virtual events in less than a week, who am I? I also realized yesterday I had never posted the BSP post I’d written Sunday morning, so it went up yesterday instead.

I’m really not very good at this blatant self-promotion thing, and sometimes I wonder if it’s a mental thing; defeating myself before I have a chance to be defeated by the rest of the world. It would make sense, wouldn’t it?

I rewatched Scream 2 last night while I was waiting for Paul to finish working and come downstairs, and rather than switching to something else when he came down about halfway through the movie he was fine with just watching it through to the end–we’re both big Scream fans–and oddly enough, no matter how many times I’ve seen these movies they still work and are enjoyable. Greater horror minds than mine have dissected these films, how meta they are, and so forth to death; nothing I could say could possibly lend anything to the discourse already. But I do enjoy them more than most slasher/horror movies, it seemed fairly appropriate for Halloween, and since I have Peacock, which has all the Halloween movies streaming available, I may spend the rest of the month watching every Halloween movie; there are actually some I’ve not seen. And what better films for the Halloween Horror Film Festival than the Halloween series? (And if I can squeeze in a Scream or two, why not?) I didn’t write very much of anything yesterday and am not terribly happy about that, to be honest. I felt a bit tired when I came home from work yesterday–I stopped to pick up a few things on the way home–and tonight I have to go to the gym, since I can’t tomorrow. I did pull up Never Kiss a Stranger and started revising and re-ordering the story somewhat–beginning with the removal of about 2000 words at the beginning that might not be as necessary as I had originally thought; they can go further back in the manuscript than where they were originally placed, if used at all–so that was something, but I was tired and Scooter really wanted to nap in my lap in the easy chair and it was all so much easier to just give into the tired and relax with a purring kitty in my lap…yeah, it’s a wonder I get anything done around here at all.

And yesterday the current Superman–Jonathon Kent, son of Clark and Lois–came OUT. Superman is gay! * (That sound you just heard was any number of homophobes screaming about their childhoods being ruined.) I didn’t see it yesterday–I just saw the piece in the New York Times shared on Twitter–and will read it later this morning between clients. But this is quite thrilling, and that they timed the announcement for National Coming Out Day? Thank you thank you thank you, DC Comics.

Yesterday I also got a PDF file from an anthology I contributed a reprint story to; I had literally completely forgotten about it (my memory is completely worthless these days) and I never recorded it on my “out for submission” spreadsheet either; so my system completely failed. It happens, of course, and more regularly than I would prefer, to be completely honest. Anyway, it’s a gay erotic vampire anthology from Lethe Press called Blood on His Hands, and the story I gave them to reprint is my old “Bloodletting” story; which was originally written as a sequel story to my novella Blood on the Moon, and eventually became the first chapter of my Todd Gregory novel Need. I’ve not reread any of my vampire stuff over the years, and so last night, while I was trying to figure out to watch before settling on Scream 2 I spent some time revisiting this story. It isn’t bad, actually; I was very pleasantly surprised. (I often am pleasantly surprised to read something old of mine and see that it’s not terrible, or a steaming pile of shit…I really do need to stop being so hard on myself when it comes to writing; even as I started moving bits and pieces of Never Kiss a Stranger around last night I found myself thinking, “oh, this is good” or “this needs to be punched up some”–but “this is good” thoughts far outnumbered “fix this”, which was most pleasing to me. I have another story in another anthology coming out later this year–the story is “A Whisper from the Graveyard,” but I cannot think of the name of the anthology; I think it’s Pink Triangle Rhapsody? It really is a wonder I have a career of any kind in this business….

And on that note, I am heading into the spice mines for the day. Have a lovely Tuesday, Constant Reader, and I will see you tomorrow on Pay-the-Bills-Day.

*Well, bisexual anyway, but he has sex with men and that’s more than enough for me. It’s a huge step for DC Comics and super-heroes in general; it’s fucking Superman, not some supporting cast super-hero most people have never heard of who only appears in some team-up books; it’s SUPERMAN!

Maybe Someday

Well, we managed to survive Monday, did we not, Constant Reader?

Always a plus, don’t you think?

Yesterday morning I got up without much of a problem—but I really need to stop checking my Fitbit every morning to see how well I slept; it’s rather silly, actually, and doesn’t change whether I feel rested or not when I do get up. I went to the gym Sunday afternoon (why do I always forget how good it feels to stretch and work out?) and am hoping to have the energy to go for Leg Day after work tonight. This month—looking ahead—is going to be a bit on the crazy side: I have an on-line training for work; I’m doing a library event in the evening this coming Monday; my book drops officially next week; I’m doing an event with David Slayton (author of White Trash Warlock) with Murder by the Book on the 13th; and I am having a colonoscopy on the 21st. Woo-hoo! That’s me, living large everywhere I turn around. And then it’s Halloween, and then it’s November, and I am taking two trips: one to New York/Boston (for Crime Bake), and to visit my family for Thanksgiving (note to self: buy plane tickets and make arrangements for New York/Boston trip). After that, it’s pretty much just Christmas and New Year’s, and suddenly it’s Carnival again—not sure what it’s going to look like, to be completely honest, or how much I plan to be involved or participate with it. I will also be doing some traveling in the new year—New York again in January, Birmingham in February, Albuquerque for Left Coast, whenever that is—and here’s hoping the pandemic has calmed down and/or finally ended by then. PLEASE? Is it too much to ask?

There really is something to be said for doing things that were normal before the pandemic again. I do think going to the football game Saturday night, which I was so concerned about—and I wasn’t entirely comfortable around all those people—helped reset my brain a bit; I felt so much better about the world and life and everything in general when I woke up Sunday morning—after the first cup of coffee cleared some of the bleariness away—and Sunday night, after watching two more episodes of Midnight Mass (which is extraordinary, by the way; you should watch, Constant Reader—the writing and acting and production values are truly stellar—I had no problem going to bed and sleep. I did hit snooze a few times yesterday morning, as always—the alarm is set fifteen minutes ahead; which may seem kind of dumb to me at times (what good does it do you if you always remember its fifteen minutes fast?) but I do like to gradually wake up and acclimate a bit before I throw aside the covers and put on my morning pre-shower attire of LSU sweats, socks and house slippers. (Note to self: need a new pair of LSU moccasins to wear around the house)

I was also fairly productive yesterday, which was most pleasing to me. I did start getting sleepy and tired in the afternoon while at work, but powered through. I got a lot of emails taken care of, paid some bills, and spent a lot more time than I probably should have on Twitter being amused about the Facebook crash. (although I did find myself more than slightly amused at how often I would automatically start to go to the Facebook tab on my browser before thinking sorry, Dave, I’m afraid I can’t let you do that right now)

Old habits die hard, and it does kind of bother me that it’s become so habitual for me to check Facebook. (We pause briefly now to look back and remember the days of MySpace, with a bit of nostalgic fondness)

Honestly.

But I am getting better organized, and working more efficiently these days than I have for, oh, say about the last two years, give or take? I am also—now that I no longer feel the need to spend all day Saturday glued to the television watching college football—going to start cleaning projects, weekend by weekend, until I have gradually cleaned the entire apartment. Ambitious plans, to be sure, but it’s not like I haven’t done it before. And included in this is cleaning out the crawlspace above the laundry room; there’s a lot of stuff up there that can probably be donated—boxes and boxes and boxes of books that I most likely will never look at again because they are in boxes in the crawlspace. The ultimate goal for me would be to not only clean out the crawlspace but clean out the storage unit—there’s room in there now, but there could be a lot more. (There’s also a chance that things in there got ruined during Ida as well—I know at some point since I rented the unit some water got in there somehow, because a couple of boxes had gotten wet and were thus ruined and needed to be thrown out.) I was also thinking about the whole “keeping my papers to have them archived somewhere”—which I really need to either do, or throw them in the garbage because they take up so much space—because what really is going to be interesting is the electronic files; those may not show the notes I’ve made on manuscripts themselves for edits and so forth, but you can trace the progression of the writing and rewriting through each different version of the story/book/file. (And of course, I am rolling my eyes at myself for thinking any future scholar of queer mysteries from this time period would be interested in me and my work. Ten years after I am dead, cremated and my ashes scattered in the various places I want them scattered, I won’t be remembered, and I am perfectly fine with that.) I mean, it’s interesting to me to look through because it triggers memories long dormant in a corner of my brain, but I honestly cannot imagine being the subject of anyone’s dissertation or thesis; unless someone wants to look at my stuff as a reference to gay white male life in New Orleans before and after Hurricane Katrina.

Ah, well.

I also realized I’ve been writing this for quite some time and haven’t mentioned Bury Me in Shadows yet, and I was going to try to talk about this book a bit every day as a bit of a tease to encourage people to buy it. It really is a wonder I have a career, isn’t it?

So, if you’ve stuck with this entry so far, let me promise you this: tomorrow I will talk about Bury Me in Shadows. You’ve been warned.

Until tomorrow, Constant Reader.

Squeeze Box

I didn’t write a goddamned thing yesterday.

I did a podcast interview yesterday; Eric Beetner and S. W. Lauden very graciously invited me to be on their Writer Types broadcast, which I had been on briefly before–they’d gone around on Saturday afternoon at St. Petersburg Bouchercon to talk to people, and they caught up to me in the bar where I was drinking with Chris Holm, his lovely wife Katrina Niidas Holm, Stephanie Gayle and I don’t remember who else was around at the time (read: drinking in the bar). I was impressed with the questions they asked me; usually interviews tend to be rather softball and don’t require me to actually think a whole lot. But the questions they asked me put me into a reflective mood, and I kind of spent the rest of yesterday thinking, and remembering. My career as a published author of fiction (I don’t say writer because I started in publishing as a journalist in 1996; and while I continued to write for newspapers and magazines until around 2003 or so, I never really considered myself–and still don’t, to this day–a journalist).

When I started out all those years ago, it was possible to be a gay writer of gay mysteries and stay cloistered away from the mainstream mystery community. There were gay bookstores, newspapers, and magazines; those no longer exist and the publications that do aren’t really interested in books–at least ones that aren’t written by celebrities. I got some local press in the Times-Picayune, thanks to the divine (and still missed) Diana Pinckley and Susan Larson, but I was able to build my career entirely within the gay community. I don’t think that career path is possible for anyone today; I have no idea what to tell young gay writers just starting out nowadays because they can’t do what I did, back in the day–the bookstores I used to always do appearances at (Outwrite in Atlanta, A Different Light in West Hollywood and San Francisco, Lambda Rising in DC and Baltimore, Oscar Wilde in New York, and I forget the names of others) no longer exist. Talking to Eric and Steve, I remembered those days when I used to show up to signings in a baseball cap and shorts and a tank top; and I kind of missed it. I’ve not done a book signing in an actual bricks-and-mortar bookstore since Rebecca Chance and I both appeared at Murder by the Book in Houston, which was either 2012 or 2013? But book signings aren’t as effective a promotional tool for a writer like me, in a niche market–but going to conferences and appearing on panels gets me more bang for my buck and exposes me to a lot more potential readers than appearing in a store ever would. I would love to do another signing at Murder by the Book; John McDougall and McKenna Jordan are two of my favorite people in this business and I have friends in Houston as well…but then I worry about all the trouble a signing would be for the store and worry no one would show up to make it worth their while to have me in the store.

Plus, I have a new car so the drive over wouldn’t be terrifying the way it always used to be.

Well, newer car. I guess now that I’ve had it for two years it’s not really a new car anymore.

Ah, well. As you can tell, Eric and Steve sent me down memory lane. Who knows what blog entries that might lead to?

And now back to the spice mines.

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