Tag: Mississippi River Mischief

Sweet Time

And it’s New Year’s Eve.

I slept well last night but my blankets were all tangled up this morning, indicating the sleep was more restless than it has been for weeks. I also wasn’t in the mood to write my blog when I first woke up, so I decided to read, drink my coffee, and maybe have some breakfast before getting cleaned up. I usually write this over my morning coffee, and since I don’t reread or re-edit once it’s written, that could explain the run-on sentences, word repetitions, and occasional poor grammar no one ever points out to me. This blog began nineteen years ago (!!!) on Livejournal (the anniversary was 12/26), migrated over here in about 2016 or so, and still somehow keeps chugging along. It always surprises me that people read it, to be honest. It was always meant mainly for me, and was originally intended as a daily exercise to get me writing again. I guess it worked. When I started I had published four novels, a few anthologies, and some short stories. Nineteen years later, I’ve way surpassed that total, despite some fallow years in which I produced nothing.

I did some more picking up around here yesterday while watching football games. It was fun watching Mississippi beat Penn State, and don’t even get me started on the Florida State-Georgia game. I get the disappointment at not making the play-offs, but you also knew you were scheduled to play Georgia, another team disappointed in not making the play-offs, but instead of showing everyone that the committee was wrong and showing up to beat Georgia…and Georgia also had star players injured and over a dozen opting out and even more entering the transfer portal. This would have been a play-off game had either Auburn or Georgia beaten Alabama this year, but that’s how things go. Auburn went 13-0 in 2004 and wasn’t invited to the BCS title game. You don’t always get what you want in life or sport, and the question is how you handle that. If this was going to be the case, don’t accept the damned bowl bid. Your fans spent a lot of money to go to that game, and it was incredibly disrespectful to the team, the fanbase, and the university to show up and get embarrassed like that. After Coach O was fired in 2021, LSU went to its bowl game with 39 scholarship players and got trounced by Kansas State….but how does it appear in the record books? KSU 42, LSU 21. Twenty years from now when people look back at the history of college football and bowl games, it will read Georgia 63, Florida State 3. It’s a program and culture problem, and all the FSU fans apologizing for this disgraceful beating–do you quit when you don’t get a raise or promotion you worked hard for and feel like you deserved? The word for that is quitter…and for the record, Georgia played it’s back-ups, walk-ons and so forth in the second half and still beat your ass 21-0.

And if LSU went 12-0 and didn’t get picked for the play-offs…and pulled the same shit? Sure, I’d be angry about the play-offs but I’d also call out the Tigers for embarrassing the state and the university that way.

I’m really enjoying Danielle Arsenault’s Glory Be, and am savoring every word. What a fresh and unique voice! I have to say I am so glad I realized I needed to be better about my reading choices and should read more diverse writers. It’s been a great education for me as a reader, a writer, a person and a citizen. I’m still learning how to be better about race and gender and gender identity and sexuality; and I strongly encourage other readers to do the same. Crime fiction is so much stronger and healthier when it represents everyone, I think, and while I don’t consider reading diverse writers to be the total education I need on any social issues facing the country–I need to read more non-fiction and theory.

I rewatched The Birds yesterday after the football games, and it was pretty much as I remembered it. I’d only seen it twice before; originally as a child edited for television, when it frightened me so badly that I had nightmares (I was prone to them growing up) and for years could never see crows on a jungle gym or a wire without feeling uneasy and then again as a rental in college after I’d read the short story again and wanted to see how faithful the film was to the story. I didn’t care as much for it the second time around–the acting is really terrible and so is the script–but the suspenseful parts still held up and were scary. This third time around confirmed my second viewing; and I noticed some other flaws in the picture. Rod Taylor’s mother isn’t much older than he is, and why is there about a thirty year age gap between him and his sister? I think the short story is better than the film, but I can also see why people like it. I do consider it one of Hitchcock’s lesser films.

Since tomorrow is a day for thinking ahead and coming up with some goals for the new year, I suppose today should be a recap of sorts of this past year. It was, as I mentioned in a previous entry, a rather up-and-down rollercoaster of highs and lows with very little level ground in the middle. The recognition of mainstream award nominations for my work–even queer work–was a delightful surprise this past year. But even more important than that is I think my work is getting better. I had felt, some years ago, that my writing was becoming stale and that I wasn’t growing as a writer anymore; I’d become stagnant and that was one of my biggest fears. I wound up deciding to take some time away from writing books on deadline and write things just for me, things that I wanted to write but also wanted to take the time to do correctly. It was during this time that I worked on both #shedeservedit and Bury Me in Shadows in early drafts, and also started the novellas and working more intently on my short stories. I accepted the challenge of writing stories to themed anthologies, and produced some terrific ones of which I am really proud. When I dove back into series work with Royal Street Reveillon, I wanted to write something non-formulaic for the Scotty series. I also wanted to shake things up with Scotty a bit, as the series was getting a bit too comfortable and safe for me. Royal Street Reveillon certainly was neither comfortable nor safe, and neither was Mississippi River Mischief.

Bury Me in Shadows was not easy for me to write. When I went back to the book after setting it aside for awhile, I realized several things: I couldn’t ignore race and racism, I had to address the Lost Cause narrative, and I also had realized while doing more reading and research that the stories my paternal grandmother used to tell me about the Civil War and Alabama and the family were apocryphal stories you can turn up about almost everywhere in the rural South. The book wasn’t working, in fact, because I was trying to elide those issues because I was afraid of doing it wrong…so it pushed me to do better. And actually addressing those issues made the book easier to write. The same thing was true of #shedeservedit; I’d been working on this book in one form or another since I actually lived in Kansas. But again, I realized when I went back to it that what I was doing didn’t work because I wasn’t going there with toxic masculinity and rape culture because it wasn’t personal enough for my main character, and so I bit the bullet and made it more personal for him. It dredged up a lot of memories, some of them painful, but it also made the book better and stronger. I had been wanting to write a cozy for the longest time, and decided to try it for something different and new–and that became A Streetcar Named Murder. I was also very pleased with it, even though the deadline and the turnaround on it was a bit insane…but I still managed to take my time and turned it into something I was proud of when I got the final author copies.

My two releases of this year–Death Drop and Mississippi River Mischief–are also books of which I feel proud. I also published three terrific short stories this year: “Solace in a Dying Hour” in This Fresh Hell; “The Ditch” in School of Hard Knox; and “The Rosary of Broken Promises” in Dancing in the Shadows.

I think I’m settling finally into an acceptance that I am pretty good at what I do. I may not have the master’s or PhD in creative writing or literature of any kind; but I’ve never really wanted to be an academic writer. I never wanted to be Faulkner, but Faulkner did inspire me to interconnect novels and stories in my own fictional world (also Stephen King). I would like to do some non-fiction studies of genre and writers I enjoy, but in an accessible rather than academic way. Academics used to make me feel stupid and uneducated, and I also used to envy those writers who had that kind of background because I felt it made their work stronger than mine, or gave them insights into writing and building a novel that I’d never had, which made me and my work somehow lesser. But that wasn’t on them; that was on me. I was the one who felt inferior and lesser, not talented or good enough. That chip was on my shoulder and I was the one who put it there. My peers actually consider me a peer, and newer writers look at my longevity and my CV and are impressed by the prodigious output, if nothing else. I used to think all the award nominations were kind of hollow because I so rarely won; which was incredibly ungracious because some writers are never nominated for anything…but it doesn’t mean their work isn’t good. Now, I just find myself grateful to make a short-list of five out of all the possibilities for that slot, you know? I’m lucky, and I’m blessed.

I’ve reflected a lot on my life and my career this past year–Mom’s death had something to do with that–and I’ve identified, in many cases, why I am the way am by remembering the event that triggered the response in my brain of “okay, never want to experience that again” which led to so many self-toxic and self-defeating behaviors. But the bottom line of it all is I’ve finally accepted myself for who I am, have determined to stop self-deprecating, and take some pride in myself and my career and my life. I know the most amazing people and have the most incredible friends. I have a day job where I make a difference in people’s lives. I have an awesome life-partner, an enviable writing career, and I get to live in New Orleans.

Not bad, right?

(It’s Going to Be a) Lonely Christmas

Merry Christmas to those who celebrate, and if you don’t–well, happy Monday off!

Yesterday was not a good day. I woke up feeling like crap, and it never really got much better until later in the day, when I realized it had started raining during the night. It rained all day, actually, and I was so tired and dragged out and felt so terrible that I didn’t put it together until late in the afternoon–oh, this is SINUS related, because of the rain–and took a Claritin-D, which made me feel somewhat better. I also slept super good and slept in, too. I did manage to get some things done yesterday too–I finished reading Buried in a Good Book (more on that later) and started reading another one. We also finished watching both Looking the series, and then watched the wrap-up film (more on that later as well). I am going to pick out my next read, spend some time with it this morning, and at some point today we are probably going to watch Saltburn. I also have to put the turkey breast in the slow cooker (pulled turkey is quite delicious) and put dishes away, but I also have tomorrow off, so am not overly concerned about getting things organized and cleaned up. I worked on the books some more and pruned some more out, and started learning how to use the microwave–which does make a difference.

Christmas is usually when I started looking back on the year, and 2023 was a bit of a rollercoaster for me (they usually are). My personal life really sucked balls this past year, but it was a very good year for me professionally. The year started with me behind on two deadlines, but I managed to get both books finally finished and turned in, once I was able to turn MWA over to my successor, which was part of the delay on the books. In late January I injured my arm, and got misdiagnosed by my primary care physician. As we rolled into Mardi Gras, Mom had a massive stroke and I drove up to Kentucky to see her one last time in hospice. She didn’t really know me, she was pretty much unresponsive unless she was in pain, and it was rough. I drove home that Sunday, and she died on Valentine’s Day, so I had to drive up to Alabama that last weekend of Mardi Gras for the funeral. Not going to lie, it was tough losing my mother, and it’s been tough all year. I have sublimated most of my grief into worry about Dad, frankly. I went up and met him in Alabama for their anniversary, and we convoyed up to Kentucky, where I stayed for a week. I met Dad at my aunt and uncle’s place in Panama City Beach in October for their birthdays. When my primary care finally recognized what was wrong with my arm (torn biceps), I got referred to a orthopedic surgeon–but I needed a specialist. I had all my teeth removed finally in September, right after Labor Day, but didn’t get my new teeth until the week before the arm surgery, so was on a soft diet for two months which sucked….and then had to go back on it after the surgery because I couldn’t really cut up food. I also got hearing aids, which was great and has helped dramatically.

I also finally realized what the core mental issue was, thanks to a conversation with Dad–when I found out she suffered from generalized anxiety disorder and the light bulb went on over my head: that is exactly what is wrong with me, and all these years what I thought was “normal” because I didn’t know any different and I just always thought I was like Mom…yeah, I am like Mom, and all these years all I’ve been doing is treating symptoms and not the root cause. In consultation with my new primary care doctor, I weaned off the old medication and started treating the anxiety and the insomnia (anxiety related) properly, and it has made such an amazing difference in my life. I think more clearly, and I can analyze myself better. I’ve also started thinking about how most of my life I’ve tried to avoid confrontation (like Mom) and whenever something has happened that hurt me…well, I’ve tried to avoid those kind of situations again. My trust issues come from the anxiety and being hurt before, and I also realized that my socialization as a child was delayed and/or stunted because of being unable to control my brain. I had undiagnosed ADD as a child, and I feel pretty sure that’s carried over to my adulthood, as well. I couldn’t focus or concentrate because I didn’t know how to shut my brain off or keep it until control. The only time I could find peace, really, was reading or writing.

Professionally, I started off the year by getting nominated for a Lefty for Best Humorous for A Streetcar Named Murder, which was a very pleasant surprise. I debated going, but the timing was bad and with all the traveling I was having to do for family stuff, I had to conserve and preserve paid time off. This was followed up by an Agatha nomination for Best Children’s/Young Adult for #shedeservedit, and this time I did go. I lost to Enola Holmes, but I also became friends with Elizabeth Bunce (we’d been nominated together for an Anthony the year before) and Frances Schoonmaker, who was an absolute delight. I was nominated for three Anthonys at Bouchercon this year–Children’s/YA again; anthology for Land of 10000 Thrills, and Best Humorous for Streetcar again. None of those nominations ended with a win, but for me the nominations alone were the real win. I never ever thought I would be shortlisted for mainstream mystery awards, and what a delightful surprise.

I did publish two novels this year–a new series debuting with Death Drop, and the ninth Scotty, Mississippi River Mischief. I also got an (undeserved) editorial credit for School of Hard Knox, along with Donna Andrews and Art Taylor, for publisher Crippen and Landru–which meant working with my dear friend Jeffrey Marks. I have a story in the book, too–“The Ditch”–which was something I’d been working on forever. I also published two more short stories, “Solace in a Dying Hour” in This Fresh Hell, and “The Rosary of Broken Promises” for Dancing in the Shadows. I’m pleased with both stories, but I also need to get more. I have any number of incomplete projects that are nagging at me that I would like to finish in the new year. SO MANY PROJECTS.

But I feel good today, and very rested. I’d intended to take today as a do-nothing day, but I will probably do stuff because I am not really wired to not do anything all day.

And on that note, I will wish you happy holidays for the moment and head into the…well, not the spice mines, but perhaps a spice resort?

This Christmas

Saturday morning of a four-day holiday weekend, and I have so much to do today it’s not even funny. I did get some things done yesterday, but PT yesterday morning wore me out–I actually was on an endorphin high when I left Physiofit, which I’ve not experienced in a very long time. Of course it crashed in the afternoon, just as Paul and I dashed over to Costco to get my new microwave, which I am kind of excited about getting set up today and learning how to use over the course of the weekend. I’ve also cleaned out the old one, so it’s ready to be donated to the office so I can take it with me on Wednesday. I also got a check in the mail yesterday for the release of Mississippi River Mischief that I’d completely forgotten about. That was an extremely pleasant surprise. This morning I’m going to finish this and get the kitchen straightened up while drinking coffee…I don’t think there are any bowl games today that I care about, so I don’t think I’ll be having the television on. After I finish this, I am going to read for an hour before getting to work on the kitchen, and then after I get the mail today I am going to write while working on the apartment at the same time. The plan is to spend Christmas doing nothing at all other than relaxing. I have PT on Tuesday, and it’s also the last day of my holiday weekend, so I can get things done that day as well.

I also ordered myself one of those magic bullet things, so I can always have a protein shake smoothie at the office whenever I feel like not eating something unhealthy for lunch, or whenever there’s not a healthy option available. I want to eat healthier in the new year–not a diet, a correction to eating habits–because I really don’t want to gain back the weight I lost during the soft food diet and the surgery. I want to be healthier, and get back to the gym to work out once I’m cleared for it. I also know it won’t be easy, either. So, this year for Christmas I got some books, got my car insurance paid off, got a new microwave and a new battery-powered hand vacuum, and a battery-powered blender. Not bad, I don’t think. I also got a blank journal from a friend, and I really need to thank them.

People have already started their annual round-ups, and I am not sure I really want to do one. Professionally it was a terrific year, while it was a rather difficult one personally. I suppose it’s the Christmas thing, and for New Year’s you come up with resolutions (I prefer setting goals for the new year, myself, and no, I won’t explain that again now, because I inevitably do when I do the new year goal post). My already spotty memory is much worse now from the anesthesia for the surgery, but I’ve been told that effect goes away after a couple of months.

Last night we got caught up on Monarch: Legacy of Monsters, and then watched some episodes of Looking, which we are really enjoying. I am so disappointed in my people for not supporting this marvelous show about gay life in San Francisco in the early twenty-teens, and I am also disappointed I listened to the haters when it was airing and didn’t watch myself. Jonathan Groff is marvelous, and last night we got to meet Russell Tovey’s character, who is playing Groff’s new boss and I strongly suspect that he will be–despite his two-year relationship–Groff’s love interest. Not sure what we’ll watch tonight; perhaps I can spend some time this afternoon looking for movies to watch, although I am kind of interested in Rebel Moon, but Paul didn’t seem terribly interested when we were looking at previews yesterday. I do want to watch The Iron Claw when it’s available.

And on that note, I am going to bring this to a close. I slept in this morning and the coffee hasn’t kicked in yet, and I have a lot that needs doing today. Have a lovely day, Constant Reader, and I will probably see you again later today.

If We Make It Through December

I finally slept last night, and it felt amazing. I could have easily stayed in bed for another two or three hours, but that 9-to-5 is calling to me (well, 7:30-4:30, but you know what I mean). I was worried that I was getting sick–surgery recovery, medication changes, not being able to sleep, dehydration, occasionally feeling slightly feverish, and some occasional nausea (while eating, so I wasn’t eating as much, either. My COVID tests were always negative (still are, this morning), so I have to put it down to simply being exhausted from not being able to sleep, because this morning I feel good, if a bit sleepy. Everything was dragging ass last night when I got off work; but I made myself run the needed errands on the way home, and thus today I am really delighted to know that I can come straight home from the office and get caught up on some other things. I also did some chores, despite feeling like I was at death’s door by the time I got home. (And I am so glad I bought that wagon; it makes life so much easier and I will continue to use it even after the brace is gone and my arm is healed.)

Insomnia is the worst. I don’t know how people who have it chronically manage, seriously. One night is bad enough, but a couple of nights in a row is enough to completely derail me, so I cannot imagine having it every fucking night. I mean, it wouldn’t really take much to drive me over the edge anyway–I always have such a delicate grip on my sanity as it is, without having further contributing factors. I was too tired to read last night, so I figured doing chores was the right way to go with everything last night. I did think about the new book I am writing, so even though I didn’t add to my word counts yesterday, I did think about where the book needs to go, and thinking about what I am writing and puzzling out the plot and where the book needs to go next counts. We also finished Big Vape last night, which was really interesting and made me think about a lot of things, and started A Murder at the End of the World while we wait for Prime to drop season two of Reacher, which is finally launching this Friday (huzzah! I love Alan Ritchson, and have since he first appeared as Aquaman on Smallville), and of course the bowl games are also starting this weekend–but there really aren’t many this early that I care about watching; most of the bowls end up serving as background noise while I do other things–clean, prune the books, write in my journal, read, edit pages–but seriously, now that I’ve slept well for one night, I feel like I can conquer the world again, and I’ve not felt that way in a very long time. It’s a nice feeling, really.

This year has been, as I said, a rollercoaster that doesn’t seem to be coming back to the station any time soon, and this wild up-and-down ride this year has made me reflect on who I am, why I am who I am, and reset my brain and attitudes about a lot of things because once I realized oh this is why you’re like this and that and so forth I could dissect, and rethink those attitudes–a lot of which was childhood training about how to approach life, which I inevitably took to extremes. Be humble and don’t brag became self-deprecating to the point that I would think or say things about myself or my career that would be horribly offensive if said by someone else…because in my chemically-unbalanced brain, criticism won’t bother you as much if you preempt it, which is the same weirdly off mentality that led to the complete lack of self-esteem about my body and my looks and my intelligence and well, pretty much everything….which means that I was always looking for affirmation from others, and when it didn’t come, it simply confirmed the negative things I was thinking and/or saying about myself.

There’s nothing wrong in being proud of yourself; as my friend Laura says, “Sing out, Louise!” because the obverse of the way I think about negative commentary (“need to fend this off by beating them to the punch”) also works the other way–“If I don’t believe in myself, why would anyone else?”

And I am proud of myself, and the writing career I’ve somehow managed to blunder and stumble my way into. As the tarot card reader told me when we first moved to New Orleans twenty-seven years ago, I did become an author but it’s nothing like I ever dreamed of, imagined, or considered possible. I’ve written so many books, short stories, essays, book reviews, blog posts, and edited so many anthologies that I am not even sure how many there are now–and it’s even more than most people know, because there are pseudonyms I’ve never publicly claimed and books that were ghostwritten or work for hire under a veritable plethora of other names. I think my last six (!) books (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit, A Streetcar Named Murder, Death Drop, and Mississippi River Mischief) are some of my best work, and the last few short stories to come out (“The Rosary of Broken Promises”, “This Thing of Darkness”, “The Affair of the Purloined Rentboy”, “Solace in a Dying Hour”, and “The Ditch”) are also some of my best stories. I am very pleased with how I’ve grown and developed in my writing, and I want to continue to grow and develop and keep getting better. My biggest fear is that my best work is behind me and I’ll keep going, getting worse with every new project until finally no one is buying anything I write anymore. I’d still write, anyway–I’ll be writing on my laptop on my death bed, and they will have to pry it from my cold dead fingers–and probably self-publish or something.

And on that note, I am heading into the spice mines on this cold morning in New Orleans. Have a marvelous Wednesday, Constant Reader, and I’ll check back in later.

Walking to New Orleans

I really need to start taking walks around my neighborhood in the early evening to look at, photograph, and document the Christmas decorations. New Orleans loves holidays, loves costuming, and loves holiday-themed decor; everyone just goes to town for every holiday, and it’s one of the things I love about New Orleans. New Orleans always feels somehow more Christmas season-y than any place I’ve ever lived before, even though we very rarely have a white Christmas here (we did back in 2004); the only place that seems more Christmassy to me is New York–and that has everything to do with Miracle on 34th Street and Macys. When I worked for the airline I used to go to New York for a day every December and buy my mom an ornament from Macys–their Christmas floor was so amazing, always–but now I don’t work for an airline and Mom is gone, so that’s just another one of those nice but bittersweet memories now.

I’ve really been falling down on the job since the surgery about doing blatant self-promotion for Mississippi River Mischief; having major surgery within a few weeks of having two new books drop was perhaps not the smartest decision I have ever made. I always feel weird and uncomfortable doing self-promotion, anyway; I always think people don’t want to hear about this constantly and as you can tell, I’m not really good at it. I know I should be out looking for reviews that are positive and sharing them; but looking for positive reviews inevitably leads you to finding negative reviews, and at this point in time especially I have no interest in reading about how I’ve failed at my job. My books aren’t for everyone–but that doesn’t mean they suck, either. (If I don’t like a book I’m reading, I don’t finish it and I don’t talk about it; I simply say it wasn’t for me when/if asked.)

This enforced rest from the surgery has been an interesting time. I’ve read a lot–mostly short stories, some novels–and streamed a lot of things to watch, but I’ve also been going down a lot of wormholes in my own brain; trying to remember things with a memory that was already starting to fade a bit with age, but it accelerated dramatically after my COVID experience in the summer of 2022…I had already come to realize, recognize, and accept that my memories were faulty all along anyway; we always remember things differently than other people remember the same things because of who we are and how our minds work and how our experiences–and all those little things that make up our personalities and our perspectives–shape us into who we are. I like to paraphrase Joan Didion and say we tell ourselves lies in order to live–we don’t see ourselves as bad or as the villain in any given situation; we reshape events and remember them in ways that exonerate ourselves and push the fault onto others. Over the last years–pre-pandemic, I know that is the case if I can’t remember precisely when–I know I’ve been trying to look at occurrences in my own personal history and trying to be more objective about them all.

In some ways, that was where the story of Mississippi River Mischief came from; I wanted to deal with something from Scotty’s past that I’d brought up in one of the first books in the series (the long out of print Jackson Square Jazz, which hopefully will be available again in time for its twentieth birthday next year) and I’d always wanted to go back and reexamine that incident from Scotty’s past, with an older and much wiser Scotty reflecting on it and how it shaped and developed who he is–only to have it not be how he remembered it in the first place. It crossed my mind briefly while writing Royal Street Reveillon that “oh, the aftermath of this is a good place to deal with this thing from his past1,” and given how and why the underlying case in the new book comes to the Scotty and the guys, and what happened in the last book, this was the book where I had to go there and bring it all back. Yes, Jackson Square Jazz had been out of print since 2010, so the only way anyone could get it was from second-hand sources or libraries, so a couple of pages about Scotty’s past in an unavailable book–well, I did think for a while I wouldn’t have to dredge that up in this most recent book, but it didn’t take long for me to realize that I had to–it was cowardly not to deal with it and pretend I never wrote about it in the first place (especially since I’ve always intended for the book to be rereleased), and it fit in with not only the new story but what happened in the previous book.

And the fact that it was an extremely loaded subject made it all the more important that I address Scotty’s past–being seduced by his wrestling coach in high school–so that he could see it for what it actually was rather than what he remembered it as.

And the fallout will continue into the next one. (Yes, there are going to be at least three more, and I promise not to go four years between Scotty books again.)

  1. Sorry, I’m trying not to give spoilers on a book that is almost six years old! ↩︎

House of the Rising Sun

This is probably one of the most famous songs about New Orleans of all times, and of course, doing a deep dive into the history of the song–which began as an English folk song, of all things–was a pleasant way to spend a few hours. I heard the recording by the Animals when I was a kid, and honestly never cared very much about it. I always thought it was about a house of prostitution in New Orleans–Storyville, probably–but never gave it much more thought than that. But when I was looking for titles of songs about New Orleans to use for blatant self promotion for Mississippi River Mischief, it was kind of an obvious one. And when it came up on my list for this next post, I realized I didn’t really know very much about the song other than I didn’t care for it very much. It originated in the 16th century as an English folk song, and gradually evolved into an Appalachian folk song called “Rising Sun Blues” (great title, I may abscond with it, frankly) before finally becoming a folk-rock hit for The Animals in 1964 with its current name. (Musicologists suggests it’s thematically related to the old English folk song “The Unfortunate Rake,” per Wikipedia.)

I do find that kind of thing interesting, even if I don’t have any use for that information. (Although Barbara Michaels did a great job of using classic traditional folk songs and their history as the foundation for her underrated but marvelous novel Prince of Darkness–which I would love to revisit.)

If you were playing Family Feud and the question “what is New Orleans known for”, the top two answers would probably be Bourbon Street and Mardi Gras. This annoys the locals and the natives to no end; and it’s understandable. Boiling New Orleans down to those two things is incredibly reductive. But they are major facets of the city, and both are responsible for a lot of tourist revenue, which the parish, city and state desperately need because our state and local governments (all of Louisiana’s cities and parishes) are complete and utter failures. When we moved here in the mid-90s, New Orleans had a strong base of tourism, but it was nothing like now. Since Katrina the city’s primary focus has been building the city into a tourist destination, putting all of the proverbial eggs into that particular basket. The pandemic wound up killing businesses that Katrina couldn’t; the St. Charles Tavern at the corner at Martin Luther King didn’t survive COVID, as one example. (They had amazing fried mushrooms; we used to get them every once in a while as a delicious greasy breaded and deep-fried treat.)

When I first decided to start writing about New Orleans (much as I hate to say this, but New Orleans really IS my muse, and I love that I live in the neighborhood of the Muses here), one of the things I was determined not to do was use clichés about the city in my work. It wasn’t until my fifth novel that I wrote about Carnival/Mardi Gras, which is where most writers about the city inevitably start (cliché as it may be, you also cannot write about New Orleans without eventually having to write about it); I wanted to get more established as a writer before I went there. Part of the reasons the first two Scotty books were set around Southern Decadence and (to a far lesser extent) Halloween was because those were also important holidays for the gays here. I did address Bourbon Street with the first Scotty; I knew that title (Bourbon Street Blues) would tell anyone that it was a New Orleans story, so yes, I took advantage of a cliché there. But I also realize now that most of my New Orleans writings were very provincial in a way; I mostly write about the “sliver along the river”–the Marigny, the Quarter, the CBD, the lower Garden District, the Garden District, the Irish Channel, and Uptown. There’s way more to New Orleans than these neighborhoods–sometimes I send them over the bridge to the West Bank or out to Metairie; there was a very vivid post-Katrina scene where I sent Chanse out to Lakeview, but for the most part I’ve not done much about other neighborhoods here. The West Bank, City Park, the East, Gentilly; all of these rich and vibrant neighborhoods–as well as the diverse ethnic make-up of the city–are very fertile ground for someone writing about New Orleans. Generally, the neighborhoods I write about are the neighborhoods writers who don’t live here focus on because they are the better known ones.

And of course, I’ve rarely, if ever, touched the history of the city–and it is rich, compelling, and fascinating…and super dark.

That’s kind of why I wanted to move this recent Scotty out of the city and into one of the rural parishes not far from the city limits. I have fictionalized these parishes before–I try not to fictionalize New Orleans, but have no problem inventing parishes and towns in the rest of Louisiana. St. Jeanne d’Arc parish is loosely based on St. John the Baptist and St. Charles parishes, known as “river parishes” because they run along the river north of the city. Redemption, also an invention I’ve used in other books, is based on the “bayou parishes”–not along the river, but between the river and the wetlands/Gulf of Mexico; those are Terrebonne and Lafourche parishes. Louisiana is just as interesting as New Orleans, and also has an amazing and interesting history of its own. Of course, the next Scotty will be back in the city–his next few, if they go as planned, will all be within the city–but that doesn’t mean I don’t want to keep writing about Louisiana and my fictional parishes, either.

There really is so much material here I could never run out of ideas.

destination unknown

Thursday, and I am so relieved that the recovery is going well, and that I can actually start fending for myself. The brace isn’t rigidly locked anymore, and I have a lot more freedom of movement–plus I no longer need that wretched sling, which I hated, and I am no longer attached to anything. Granted, I haven’t been since last Friday, when the pain ball1 was removed Later this morning I am calling to make my first PT appointment, and another referral to follow up on as well. I also slept in my bed last night for the first time since the surgery. I was sleeping super-well in my easy chair, and was a little worried about going back to the bed (I will worry about anything, thanks, anxiety!) because I usually sleep on my left side–which is the bad arm–but I fell asleep lying on my back and shifted to the right side and back a couple of times, but other than that, I was dead to the world. I also slept for another ten hours last night, and I am thinking that I need to get this rest. My body is demanding it, and it feels marvelous to sleep so deeply and restfully–this is what I am always longing for most of the time….but I’m not going to start going to bed at eight once I am back to work because yeah, that would be terrible.

I took it easy yesterday after getting home from my appointment and a couple of errands. The temperature has turned cold (for New Orleans, don’t @ me), which always makes the apartment feel a bit more snug. I did some straightening up, took a long hot shower (still not easy, but so much better than before), and then curled up in my chair with Sparky and J. D. O’Brien’s Zig Zag, which I enjoyed very much (more on that later). I’m still trying to figure out a way to comfortably type with the brace, which isn’t as easy as one might expect. because the brace raises the hand so it’s not flush with the keyboard. It just feels awkward and so I need to find a position to type that doesn’t feel awkward–or I need to get used to it. I don’t know that I’ll have the brace on long enough to worry about Carpal tunnel syndrome, but you know me–anxiety always on the starting line waiting for the starting gun. We also finished watching Bodies, which I also highly recommend. It’s extremely well done, and very clever. If you liked Dark, you’ll definitely enjoy Bodies. I haven’t picked out my next read yet, but I have some incredibly delightful options to choose from. Yay! I love having a massive TBR-pile filled with terrific books by great writers. I am leaning towards Christmas Presents by Lisa Unger; I do want to read some holiday themed novels this Christmas season.

Christ, it’s Christmas season already. I may have to have my annual viewing of A Charlie Brown Christmas soon. I feel more like being in the holiday spirit this year. We haven’t decorated in years (and what little decorating we did was kind of half-assed, anyway) because the one thing Scooter would–in his long, comfortable life as a lap cat–actually spring into action against was the tree. That first Scooter Christmas was the last time we decorated, and I feel pretty confident that Sparky would see the tree as an amusement park, since everything is a toy to him and all he wants to do is play. I didn’t notice until the other day–and maybe it’s a recent development–but Sparky has some orange in his coat. It’s more obvious when he’s lying on his back, but we did end up with another orange cat, even though we didn’t realize it! The string of orange babies continues!

I was also thinking some more yesterday about being a writer–and the many different ways there are to be one. What is the difference between an author and a writer? Are authors artists? What is literary art and what is not, and who decides? Can genre fiction be art (of fucking course)? This was triggered by one of those things on one of the social media platforms where you were supposed to “quote text” my favorite books by women, and right off the top of my head I rattled off five great ones…and then I started remembering more, and more, and still more. I’ve read hundreds, if not thousands, of marvelous novels and short stories and essays and columns written by women. Why were those the five that popped up into my brain at first, why are they so implanted on my brain that I would come forth with these titles; any such list from me will always include The Haunting of Hill House by Shirley Jackson and Rebecca by Daphne du Maurier, and I will never apologize for that. Which left me with only four, and there were so many options. My mind immediately defaulted to four women writers I love, and then had to pick which of their canon was the best. Then I remembered a beautiful novel about friendship, love and loss that made me weep (Somewhere Off The Coast of Maine by Ann Hood) and thought, damn it, I loved that book and I want it on my list…and then started remembering all the others, the dozens if not hundreds, of other women writers whose works entertain, enlighten, and edify my life. There are so many great women writers, currently and in the past, who wrote so many amazing books that it would be hard to name them all, and I would certainly always forget scores of them. For some reason yesterday I was thinking about Taylor Caldwell–who used to write massive doorstopper books about rich people and industries, as well as interesting historical fiction. If remembered at all today, it would probably be for Captains and the Kings, but that wasn’t one of my favorites of hers–that would probably be Testimony of Two Men, which was about medicine in the late 1800’s and a courageous doctor who believed in modern breakthroughs rather than “we’ve always done it this way”–so of course the entire medical establishment was trying to ruin him as he bravely stuck to his principles and tried to modernize American medicine. I would probably hate it if I read it today for the first time–my politics, ethics, morals, and tastes have dramatically changed since I was a teenager, which was when I read Caldwell–but I do remember it fondly. And there’s Grace Metalious, who wrote Peyton Place; Jacqueline Susann and Valley of the Dolls; Jackie Collins and Hollywood Wives; any number of Agatha Christie novels–I mean, there have always been so many great women writers around. Does anyone remember Rona Jaffe? I’ve always wanted to reread The Best of Everything, and I think I have a copy of it somewhere. Then there’s the scifi/fantasy writers, too–Anne McCaffrey and The Dragonriders of Pern, Ursula LeGuin and A Wizard of Earthsea, the amazing Octavia Butler….as I said on whatever social media platform that was, I could sit here and name women writers who wrote books that I loved all day. Victoria Holt, Mary Stewart, Phyllis A. Whitney, Dorothy Eden, Susan Howatch…seriously. Maybe I should write a book of essays about women writers that aren’t remembered much today? ANYA SETON! How I loved Anya Seton back in the day–and all the crime women–Margaret Millar, Charlotte Armstrong, Dorothy L. Hughes, Mary Roberts Rhinehart, Helen MacInnes, Patricia Highsmith, and Mignon Eberhard, to start.

I bet no one else remembers Edna Ferber–and if they do, it’s for Giant and it’s because of the movie (many of her books became famous films: Cimarron, Saratoga Trunk, Show Boat, and So Big). Now that I think about it, I think she addressed race issues in both Saratoga Trunk and Show Boat….which may be worth revisiting. She was also a member of the Algonquin Round Table.

This entry sounds and feels more like me than the more recent ones have, doesn’t it? I am itching to dive back into the book this morning, after I pay some bills and do some other aggravating chores. I also have a prescription ready to pick up; so since I have to go to a Midcity pharmacy to get it, I may as well make a grocery run on Carrollton.

I didn’t realize what a difference sleeping in the bed would actually make, really.

And on that note, I am heading into the spice mines for the day. Have a blessed Thursday, Constant Reader, and I’ll check in with you again a little later, as I really need to do a lot more promo. OH! That reminds me, here is a lovely review of Mississippi River Mischief; check it out! That absolutely made my day–and reminded me that I need to do more self-promotion.

  1. I had a contraption attached to my left shoulder that dispensed a nerve-deadener to the arm, so I wouldn’t feel pain. It lasted for 72 hours, and by the time it was empty, I didn’t have any pain, which was great. I also had to carry it around in basically a fanny pack, so it was one more thing I had to drag around those stressful first 72 hours. However, if you are going to have surgery, ask for one. It was amazing. ↩︎

The One You Love

Tuesday and back into the office. My energy spurt after getting home from the pre-operation appointments didn’t last for very long, I’m afraid, and by the middle of yesterday afternoon I was groggy and tired; adrenaline crash from the anxiety rollercoaster, no doubt. We started watching Happy Valley, which is certainly a grim show (I said to Paul, “it’s like a British version of Mare of Easttown“–although obviously Happy Valley came first, but they are very similar in tone and mood: bleak). But the acting and the writing is first rate, and we both are really enjoying it. They called in some prescriptions for me that I’ll need post-surgery, but apparently in checking the CVS website, I have to call them about the pain pills. Terrific. It’s always such a joy trying to reach a pharmacy on the phone. But I have to swing by uptown to get the mail after work today, and so I might as well call so I can pick everything up on my way home from the office.

I am way behind on everything, but I feel a lot better about the post-surgery period. I don’t know how long it’s going to take before the pain goes away, but I imagine I am going to be in a painkiller stupor for at least a couple of days, at the very least. I’ve never really had the kind of surgery where you’re put under and cut on since I had my tonsils out when I was three or four. That’s not bad–going sixty years between surgeries–so I really have nought to complain about, but I kind of wish I had more experience with it so I knew what to expect more; it’s the not-knowing that really triggers my anxiety. Now I am wondering about putting on shirts with the arm-brace on; am I allowed to take it off to put on a shirt if I put it right back on again? Doesn’t the arm need to stay in the same position, even when I am showering? Heavy sigh. They did send me home with a packet of information to read over, so I’ll be doing that today as well. I also have to get the paperwork for my leave finished and turned into Admin today. Heavy sigh. I do have the letter from the surgeon that is required, and I think I have everything I need. (More anxiety, hurray.)

I also need to practice putting the brace on, too. The demonstration wasn’t enough to make me think oh sure I can do this easily on my own with a bent arm.

For the record, I tore my biceps muscle in my left arm back in January. For a number of reasons I am not in the mood to go into right now, I am now finally getting the surgery to have the muscle repaired. It’s a long and slow and painful recovery process; I need to wear the brace for at least three to four weeks, and then it’s physical therapy for months until I get the clearance that it’s all healed and working properly again. I got the distinct impression yesterday that it’ll take about a week for me to be weaned off the pain medications–again, that’s fine, what choice do I have? I don’t know how much, if any, typing I’ll be able to do that first week, and besides, if my brain is scrambled on oxycodone, I wouldn’t be able to write and/or create much anyway. But it didn’t sound like things were going to be as terrible or as worst-case as my mind always seems to want to come up with.

It was also a cold and wet rainy day yesterday; we’ve not had rain in quite some time–not nearly as much as usual in our tropical clime–so the whole day had that undercurrent and wet and cold that I’ve not experienced in quite some time (last winter, to be precise) and so that was also off-putting. I felt cold all day, was wrapped up in a blanket in my easy chair as I doom scrolled social media, watched some documentaries on Youtube (the wives of Charlemagne; the separation of power between the Church and the Holy Roman Empire; and the Black Death), and also caught an episode of Moonlighting, in which Maddie’s mother thinks her husband is cheating so David and Maddie investigate. I also saw some social media posts about Moonlighting not aging as well as I had originally thought, which was worrying. I have such fond memories of the show, and I’ve been enjoying rewatching it, and I thought I was paying attention to the “well it was a different time” things–but I didn’t really see the show as misogynist as I feared it would be, and there were other things that I was certain wouldn’t hold up on–casual homophobia? Casual racism? Casual misogyny? It was written and filmed in the same decade that gave us such great misogynist comedies as Porky’s, Sixteen Candles, and Weird Science (don’t @ me; I don’t make the rules), so how could it not be problematic on some levels today? I’m also a little disappointed that my rewatching didn’t somehow note the red flags (I actually posted at one point that I was surprised it wasn’t more offensive); but it’s also the classic set-up arrangement for old-style screwball romantic comedies–one prim and proper character, another who is spontaneous and always up for a good time and both learn from each other as they grow together into coupledom. I know there are some issues in the old movies too–but I still love them.

Perhaps that might make a good essay?

And today is the official release day for Mississippi River Mischief!

And on that note, it’s off to the spice mines with me. Have a great Tuesday, everyone!

Louisiana Saturday Night

There are few things more Louisiana than rooting for LSU…unless its rooting for the Saints, maybe. Southern people love their football, especially the college variety.

Paul and I have not been to a game since 2021, when our “never saw the Tigers lose in person” streak, which began with the Mississippi game in 2010, came to an end with the only loss to Auburn in Tiger Stadium this century. We managed to make it through twelve seasons without ever seeing the Tigers lose while we were at the stadium, which is a pretty good run.

Chanse was an LSU alum–he even played football there–and I think I’d idly mentioned in the first book that he’d been injured in the Sugar Bowl in the last game of his senior year, and never elaborated more than that on his past at LSU. I think there were some more reflections in the second book in that series, but I know I never brought it up again after the second book in the series. I have an in-progress Chanse novella, which is set on the LSU campus at his old fraternity, but I don’t know if I’ll ever finish the story of the fraternity murder. As for Scotty, his background was so vastly different from Chanse’s that I couldn’t really send him to LSU. Men in his family on his mother’s side all go to Vanderbilt; his sister Rain went to Baylor. Storm did his undergrad at Vanderbilt but went to Tulane Law. Scotty of course flunked out of Vanderbilt (his parents rebelliously chose UNO), but the whole family on both sides root for LSU.

And of course, Valerie’s twin sons go to LSU in A Streetcar Named Murder.

I also make the point that the murder victim–a cousin of Scotty’s–in Mississippi River Mischief, along with his wife and kids, went to LSU; the wife was even a Golden Girl with the marching band (the kids are current students there). I built an entire Scotty mystery around the kidnapping of Mike the Tiger, the live mascot who lives on campus (Baton Rouge Bingo) and while I’ve not really done a lot of referencing of LSU in the Scotty series since that particular book, that is probably going to change with one of the upcoming books in the series. I roughly have plans for three more–one set during the summer of 2019, while the boys are living in the dower house on Papa Diderot’s estate in the Garden District; another during the cursed Carnival of 2020, and then a pandemic shut down book…and that just might be the end of the series. It may not be–I will probably keep writing Scotty books as long as I can type and the synapses in my brain still fire–but I am not going to rule out ending the series, either. Depending on what happens with my surgery and my recovery, I hope to write the next Scotty this coming spring.

And there are some things from this current book I’ll have to deal with in the next as well–as well as Scotty’s grandparents and parents aging. I’m thinking the cursed Carnival book will deal with a death in the Bradley family and the fall-out from Papa Bradley’s will. (I’ve only really gone into the Bradley side of the family once; and there’s a lot to unearth and explore there.)

I’m also toying with the idea of writing a book from Taylor’s perspective, and there’s always that Colin book I’ve been wanting to write forever.

So, if you want the series to continue, it will help if you order a copy of it!

Dark Lady

The fortune queen of New Orleans, stroking her cat in her black limousine…

Ah, Cher’s 1970’s musical career. This one was always a big hit at Tea Dance at both Cafe Lafitte in Exile and the Pub on Sundays; there’s really nothing like a gay sing-along, is there?

I suppose being a fan of Cher as a child was kind of a sign? What is it about performers like Cher and Bette Midler and Liza Minnelli that draws young boys into their fandom who are going to wind up gay? Why was I drawn to actresses like Joan Crawford, Bette Davis, Barbara Stanwyck, Katherine Hepburn, and Doris Day before I knew I was gay? It’s something I’ve often wondered about–what is it about those women that draw us in like Formosan termites to a lit chandelier on a Monday night after Mother’s Day?

Ah, Formosan termites. That brings me around to today’s blatant self-promotional post for Mississippi River Mischief.

Isn’t this a cool, spooky looking shot? I took this out one of my kitchen windows one Sunday afternoon during a mighty New Orleans-style thunderstorm, and love how spectral and haunted-looking it turned out.

I still can’t believe that it took me this long to write about the swarming termites.

No one warned Paul and I about them, for the record. We had no idea that first May we lived here on Camp Street that the city was infested with swarming Formosan termites whose breeding season was the few weeks past Mother’s Day every May, and they are a scourge. We were swarmed, and had no idea what to do with them or how to handle the situation, or anything. We were running around the apartment spraying Raid everywhere, swinging at them with brooms, and they were everywhere. When the swarm finally passed, the apartment was filled with wings and corpses. It was horrible. We talked to the property manager, who apologized for forgetting to warn us–and the primary problem with the apartment on Camp Street (which was where Chanse also lived) was we had a very bright security light mounted on the front corner of the building–which drew them, and our apartment was right there. We learned to turn off everything that gave off light–including the television–when the first scout flew into the apartment, the mad dash around turning off everything, and then sitting there in the dark with maybe a couple of candles lit, waiting for the fury of the swarms to die down.

But that damned outside security light…ugh.

They are quite literally like one of the Biblical plagues of Egypt, and you see why the Egyptians constantly cried to Pharaoh to let the Israelites go.

But now that we live in the back of the house, we’ve been pretty insulated from dealing with them. Sometimes when I walk the garbage out in May, I can see a small swarm around one of the street lamps, but all the lights in the front of the house are off. We usually turn everything off if and when a scout flies into the television screen and immediately light candles and sit in the dark until we feel the coast is clear.

So when I started writing Mississippi River Mischief, I thought the best way to open the book was with the line It was the Monday after Mother’s Day and the termites were swarming. I posted this on Twitter, and local meteorological icon Margaret Orr replied “what a great opening line!” which kind of made my week (I am a big Margaret Orr fanboy) and helped me realize I was on the right track in writing something about New Orleans that rarely makes it into fiction. (Author’s note: That isn’t the opening line anymore; I added Scotty asking the guys a question about the renovation, and then after he talks, that’s where the line is. I just couldn’t get the prose to work with that as the first sentence; it read awkwardly, so I moved Scotty speaking up.)

Nature, and the natural world, is all around us here in New Orleans; the occasional alligator will sometimes lumber into the city limits; snakes and nutria and squirrels are all over the place, and of course there are the insects–the flying cockroaches (aka palmetto bugs), the swarming Formosan termites, the stinging caterpillars–peculiar to here. The tropical climate makes everything over-bloom and grow and expand and try to reclaim the natural balance of the region before it was settled. This is NOT the place for you if you have pollen allergies or have sinuses sensitive to the air pressure (I do); and I swear by Claritin-D for allergy and/or sinus relief (not the over-the -counter kind, but the kind you have to ask for at the pharmacy because you can make meth with it). OH–and the gecko lizards, always darting around and running up the side of buildings or fences or trees.

So, yes, since Scotty had finally bought the building he’s lived in all these years, I thought it was time to talk about termite swarms, as they would be an enormous headache for a property owner, and what better way to start a book where Scotty is now a landowner than with swarming termites?

And I remembered the buy link! Maybe I’m getting better at this.