Tag: Mary Stewart

Avalon

Many years ago, Anya Seton published a terrific historical novel set in pre-1066 England and titled Avalon. The title was a throwback to the female lead character’s bloodline; she was descended from King Arthur and thus part of the English royal family. I loved Anya Seton (Green Darkness remains one of my favorite books to this day)–it’s been a while since I’ve revisited her work, but maybe I should…her books are soooo long, though! Anyway, Avalon is an island from the Arthur mythology…I suppose this is where I admit I’ve never read anything about King Arthur other than the Mary Stewart novels, but I enjoyed those so much I never really felt much of a need to read anything else Arthurian1. For those of you who missed the 1980s, Roxy Music recorded an album titled Avalon, and the title song was gorgeous…as is the entire album, which I’ve been listening to lately. It still, for the record, holds up.

The tropical system turned out to be not much of anything here in New Orleans, but it was rough where it did rain and flood. Yesterday–which was supposed to be the worst of it–was gorgeous for most of the day. After work, we did go to Costco and then I had dinner with a good friend at Saba, which was lovely. My Lyft drivers in both directions were pretty great, too–which was very lovely. The meal was terrific, and I allowed myself a single cocktail–A Dionysus Revival, which was an interesting mix of tequila, cucumber, and mild ancho chili; it was delicious. I also did chores yesterday around working, and the kitchen–which still needs some work–looks so much better this morning than it did yesterday morning, and that makes me very happy this morning. NO DISHES!

I hope to have a good day today, I have some errands to run around noon (mail, make a little groceries), but other than that I am home for the day. We’ll probably watch some more of America’s Sweethearts later, too. I’m not entirely sure why this show fascinates us both so much–there’s definitely a camp quality to it–but it just sucks us in every time we start watching. We, of course, are old school–we used to watch this on TNN when it was called Making the Team, and you can tell Netflix spends more money on the show than TNN ever did. My coffee is tasting marvelous this morning, Sparky let me sleep a little later than usual, and I feel very good this morning. My sinuses are behaving and I don’t have the headache that’s plagued me for the last couple of weeks. I’m also going to spend some time with the new Megan Abbott and my other current reads. Tomorrow we are going to go see Superman, which I am absolutely looking forward to seeing. Reader, there will be a newsletter about my almost life-long love of the character.

I am also hoping to get some writing done today as well. It’s about time for me to get back in the saddle again–and every day that passes when I don’t climb up on that horse again is time slipping through my fingers. It’s creeping up on football season, too–which is going to make it harder to be productive on the weekends, like it always does. I need to clean off my desk and do the floors here in the kitchen, which will be my housework for the day; and I’ll pick up in the living room later on.

Such an exciting life I lead, right?

And on that note, I am heading into the spice mines. Have a lovely Saturday, Constant Reader, and I will check in with you again tomorrow morning.

  1. I did watch Camelot–we saw it in the theater when I was really young. I tried rewatching it during the pandemic, but couldn’t get through it. I’ll never understand why they didn’t cast Julie Andrews as Guinevere, since she’d played it on stage. ↩︎

It Ain’t None of Your Business

I woke up this morning with congestion and post nasal drip, which isn’t much fun. It’s been a while since I’ve had sinus issues, and it occurs to me that this bout might have something to do with my compromised immune system. Great! Another lovely side effect of my illness and its treatment…but of course, as always, it could be worse. (Theorem: bad situations can always be worse.) The Flonase is kicking in now, and I feel a lot better already. My coffee is delicious, and the coffee cake is quite tasty (chocolate marble swirl, if you must know(

I was tired when I got home from work, but I had a very productive day at the office and managed to get everything done that needed to be done for the end of the fiscal year. (Much worse for my supervisor than for me, and I do try to make it easier for her, but there’s only so much I can do.) She’s on vacation next week, which leaves me in charge–I’ll worry about that when Monday rolls around again; the last thing I need is to worry about work over this holiday weekend. I did run some errands on my way home, and managed to get some things done around the apartment as well, but there’s more to do as always. I’ve got some laundry going right now, and it’s also “wash the bedding” day, too. Paul’s planning on going to the gym this morning when he gets up, and then we’re going to probably go see the latest Jurassic movie as a treat to ourselves. Just before bed last night I started writing a post about the holiday, and the signing of the Declaration of Independence, and how I don’t really feel particularly proud of my country anymore after yesterday’s passage of the heinous legislation that takes us back to pre-FDR days…which was such a great time in our history for the poor and the working and middle classes. I’ll probably finish it this morning and post it–else I’ll have to save it for another time, and is there a more appropriate time to look back as well as to mourn for the country?

There’s the added plus that being critical of the administration will no doubt get me on a list, if I’m not on one already just for being a gay creative with socialist beliefs and values.

Ironically, we streamed a movie last night which was a fun, enjoyable watch–Heads of State, starring John Cena and Idris Elba and Priyanka Chopra, with Jack Quaid in a hilarious supporting role. It’s a silly premise, and it’s an action-adventure movie which opens with Air Force One being shot out of the sky above Belarus, and the President (Cena) and the British Prime Minister (Elba) escape with parachutes and have to get back to civilization to save the NATO Alliance, while trying to figure out who is the insider who helped set up the attack on Air Force One and sent assassins to finish them off. Lots of action, lots of funny situations and dialogue, and a very charismatic, likable cast made it a lot of fun to watch. It’s not going to ever make AFI’s Top 100 Films of All Time list, but it was a terrific diversion for the evening. I did stay up later than usual–the whole 4th of July entry thing, which may actually be better for the newsletter than the blog…decisions, decisions. It’s cloudy this morning, but according to the weather there’s no chance of rain for the weekend, which is a bit disappointing as I love the rain, but what can you do?

I want to finish reading Summerhouse this weekend, and make headway on The Crying Child and Sing Me a Death Song, too. My next read is going to be Megan Abbott’s El Dorado Drive. and will probably do another Jay Bennett for y/a and the next reread will be maybe something by either Mary Stewart or Phyllis A. Whitney, as I love them both and I want to write more about them both. I also want to get some writing done this weekend, as well. I don’t feel tired this morning, which is a nice thing, and Sparky isn’t demanding either my desk chair or my lap (yet, at any rate) so I am going to work on the kitchen a bit this morning while having Youtube on so I can get caught up on the insanity of the world (someone really should write a series of essays about where we are as a nation and what led us here and call it As the World Burns) which will inevitably make me angry and/or depressed and will spoil the rest of the day and maybe I’ll just not do that? There are always LSU highlight videos, after all.

In other exciting news, I found Go Ask Alice on a streaming service, and Paul and I agreed that a rewatch for the first time in fifty years could be campy fun; it was a message-oriented made for television movie based on a fraudulent “diary” novel that hit you over the head with its message and probably was the first real ABC Afterschool Special (I knew the book was bullshit when I read it, and was only eleven, but it fooled a shit ton of people).

And on that note, I have dishes to wash and laundry to fold, so I am going to bring this to a close and open the 4th of July draft to work on while doing the chores. Have a lovely holiday, Constant Reader, and I’ll be back shortly!

Adorable out actor Brandon Flynn, whose career is really taking off.

It’s the Same Old Song

Monday morning and back to the office with me today. Huzzah? Why not? Yesterday was a low energy day, alas. I didn’t sleep as well Saturday night as I did on Friday, and I think all the shopping and running around depleted all of my batteries and I needed to have a down day to recharge. I also think I overdid it. I don’t feel so great this morning, but it’s my Admin day so I think I can push through and make it. At least there’s a three-day weekend looming on the horizon; and yes, I am going to spend most of it resting, reading, and relaxing. I always get impatient with recovery and try to speed it up, which isn’t very smart. And I’ll have everything delivered; no grocery shopping for me for a while. I am also seeing my doctor Wednesday morning, so I can get some tips on eating and rest and so forth.

I spent most of yesterday in my easy chair, getting caught up on Hacks and The Studio (we also started MurderBot, which is interesting), and I don’t really remember much of last evening–an indication of how tired I was–and I didn’t sleep that great last night, either. Ah, well, these are the challenges that make life interesting.

I had a great ZOOM meeting with my editor yesterday–the book has now been pushed back and will be out in January, sorry, Scotty fans, just a little longer to wait–but I feel a lot more confident that once I am through with this recovery thing I’ll be able to whip it into something I can be proud of and Scotty fans can enjoy. I think my next read–as I try to get my brain unclouded and able to read again–will be a Vicki Barr Stewardess1 kids’ mystery that I’ve not read yet–The Silver Ring Mystery. At least I can use this foggy brain situation to my advantage and get those newsletters about kids’ mysteries done. I may even reread some old Gothics, too–my Kindle is filled with Phyllis A. Whitney and Mary Stewart classics–not to mention all kinds of other things I could reread. There’s also some great history books in there that I can dig into as well. I just never really think about reading on my iPad.

The house is also a mess; I was too tired to do the dishes last night after I made dinner and so left them, hoping I might get to them this morning. But alas and alack, I was much too tired to do so once I was up and so left them for tonight. It doesn’t take much to fill up both sinks, you know, which inevitably makes the kitchen look terrible. I also need to do the floors and the windows, get the filing done, and clean up my workspace. Slowly, slowly, slowly, of course, while taking breaks and resting so I do not wear myself out completely again. I have to swing Uptown to get the mail on the way home tonight–my box grater should be delivered today–and at some point, yes, I need to reorganize the pantry and the cabinets. I’m just going to make a to-do list without a date on it and see how that all goes.

And on that note, I am heading into the spice mines. Have a great Monday, and I’ll check in with you again later or tomorrow.

  1. Don’t @ me, that is what the series is called. ↩︎

That Song Is Driving Me Crazy

Friday, and after I get my work at home duties finished, it’s time to head up to Alabama. It’ll be nice seeing Dad again, and I will be listening to Paul Tremblay on my way to and fro; Survivor Song, in case you were wondering. I’ve almost finished all of his canon, which means the last book will be saved until his next new one drops, so I won’t be out of his work to read (I know, it’s silly to do this, and maybe I’ll finally stop holding books in reserve because I don’t want to be out of that author’s work to look forward to *coughs* Daphne du Maurier *cough* Mary Stewart *cough* Shirley Jackson *cough*)1. I think I am going to have some down time while up there, so I can possibly get some reading of the new Gabino done as well. (Dad is doing some things with the other survivors from his graduating class2.) I did wind up sleeping in a little later than I intended, but I was very worn out by the time I ran my errands and got home from everything. I relaxed last night once I was home–Paul was at an event and didn’t get home until later (we watched this week’s Agatha All Along and the season debut of Abbott Elementary)–with Sparky (who was a demon cat for a lot longer than usual) and got caught up on the news while resting and waiting for Paul to get home. I feel a bit more rested this morning, but I have to drive for between five and six hours tonight, so I worry that I’ll be super tired when I get there tonight. We’re having a cold spell (for us) and the temperatures are very fall for us. Next week it’s going to be in the fifties at night, with highs in the seventies during the day. Woo-hoo! The season of sweat appears to be behind us at long last.

I saw hints and rumors that the same area in the western Caribbean that spawned both Helene and Milton might be looking to hatch up another one of these accelerated storms that will follow the same approximate path, which is horrifying; Nadine will be the name3. What a horrible season–and I also can’t help but remember former patterns, in which New Orleans and Louisiana got slammed pretty hard the year after Florida got hit four times in one year. (I always look for patterns, because on a deep level I find patterns very soothing)

I did do some work on writing last night; I started looking through the new Scotty to see where I was already wrong on things (I have always based his grandparents’ home in the Garden District on one specific house; I was writing it from memory, but in reviewing a lot of the photos I took of the house at one point, I saw my memory had been faulty and incorrect. I need to have some things wrong, of course, so people won’t know the actual house (or so the owners can’t sue me for having people murdered on their property), but it cleared up some confusion in my brain about what I was writing, and so I will need to go in and fix that. I think that’s my project for the next week; revising and correcting the chapters I already have finished, while also preparing a cast list and an outline as I go. I also have to come up with a synopsis and cover text and marketing copy for it; so those are all things I can work on over the next week. I also have to finish revising that short story for the anthology whose deadline is the 15th; I think I know how to really make the story finally work after all these years…and if they don’t take it, I can put the revised version in my new collection. I love that for me, and I also figured out what story I am going to write for another anthology I’ve been asked to contribute something to; and I also want to write something for another anthology whose due date is November 1–so I’d best get cracking on that, don’t you think?

I was starting to feel a bit overwhelmed and stretched pretty far this past week–lots of things to do, more pressure at the day job (and it’s temporary, Mary, so get over yourself), a messy home, a trip to take and another to plan, and of course my own pressures from deadlines and writing. That’s not even taking into consideration the existential crisis facing us in this upcoming election–blocking and avoiding all legacy media has been wonderful; their corrupt betrayal of the American public since 2015 (if not sooner; I am pretty sure they didn’t report on Obama fairly, either) has rendered them forever meaningless in my eyes. I am not nearly as stressed about any of this as I usually am. I am sure that’s partly the generalized anxiety disorder being medicated properly, and the other was a conscious decision. The deletion of Twitter has been probably the best thing I’ve done for my mental health since deciding last year to get the right medications for that (properly diagnosed at sixty-two at long last). It has freed up so much time–I thought of myself as a casual Twitter user, but now that I no longer have that wretched app, I am seeing that I used it a lot more than I ever thought, so breaking that wretched addiction and walking away from it for good was incredibly wise. Paul isn’t on social media at all, and he is much happier without it than I was with it all this time.

But now that I’ve had a good night’s sleep and got some extra, I am feeling good and like I can handle everything. I am not going into the office on Monday–I have some appointments so took the day off–so I am going to be able to get the house worked on some and run some necessary errands on that day to prep for the week. I’m going back to Kentucky later this month for a longer visit, but I’ve not really figured that out just yet, either.

And on that note, I am heading into the spice mines so I can get my work done and head north. Have a great Friday, Constant Reader, and I’ll be back tomorrow–and if not, definitely Sunday after I get back to New Orleans.

  1. There are also a couple of Agatha Christies I’ve not read–Death in the Air and Murder in Three Acts. ↩︎
  2. Yes, I can hear how grim that sounds once I started typing it out, but it’s accurate. How else to say it simply? They all graduated sixty-three years ago (and yes, I was born three months after my parents graduated), so they are all at least eighty-one–and much as modern medicine has extended longevity, they are also the last generation that was encouraged to smoke, along with all the other unhealthy ways they loved. Imagine cooking with lard, for one. ↩︎
  3. IMPORTANT CORRECTION: It was fake news. There’s nothing there right now, but it’s possible and any potential path of something that doesn’t exist is obviously incorrect. Sorry for including this, but I did say it was a rumor. ↩︎

Yesterday Once More

I have sung the praises of Carol Goodman and her fantastic novels numerous times here on this blog; literally to the point that I have begun to wonder at times whether or not I have said certain things about her work before. I know I always bring up Dark Shadows and the great Gothic writers of my youth that I loved; give me a dark brooding mansion and a sinister legend of murders and ghosts and I am in my favorite place. But it does get repetitive, and that will hardly convince you, Constant Reader, to pick up one of her books (you won’t regret it), will it?

So, this time around, rather than talking about her Gothic sensibility, this might be a good time to look at this most recent read of hers in a different way.

“I’m just having trouble getting back on track.”

Nina Lawson isn’t the first student this semester–or even the first today–to attribute their academic woes to a deviation from some metaphorical track. As Dean of Liberal Arts, I’ve heard every excuse, sob story, and tragedy over the course of the last two years. But the image, coming as it does at the end of a long day at the end of a very long year, jolts me as if we’re both on a train that has suddenly jumped off the rails into an abyss.

To give myself time to craft a response I look down at Nina’s folder. I see that she comes from Newburgh–a small city about an hour south of campus–that she did well in her public high school even after her classes went remote in March of her senior year, and she’s earned the Raven Society writing scholarship to Briarwood on the basis of a short story she wrote in high school. There’s a note in my assistant’s meticulous handwriting that Nina had to defer admission for a year to help her single, out-of-work mother with the bills. She has a work-study job in the financial office and an off-campus job at a local restaurant. No wonder she looks tired, I think, gazing up at her. Her light brown skin is mottled with acne. She’s slouched in a zippered sweatshirt, hood up, eyes swollen and bloodshot, lips raw and chapped. “I wish you had come to see me sooner,” I say in my firm-but-gentle voice. “The withdrawal deadline passed six weeks ago.”

“Someone told me it had been extended,” she says, not looking up.

This opening scene establishes several things: the book is going to be set at a prestigious small private college; the school has an excellent creative writing program; and our main character is getting a little jaundiced and world-weary in her position. The “I’ve heard it all before” is a problem for people in these kinds of jobs, and often occurs in education–the weariness and suspicion that students are lazy and just don’t want to work eventually becomes so engrained that they have a closed mind before the student even starts talking. I’ve experienced this myself any number of times–this past week I related two experiences I had in school where I was basically called a liar by an educational authority figure only to get an apology later when I was proved to be telling the truth to my dad, which ended with an airy “teachers never believed me, ever”–which probably explains why I never really got into school the way other smart kids did. But fortunately, Nell gives Nina the withdrawal permission, because she thinks something else is going on with Nina and she wants to help her (which was lovely to read), but Nina won’t open up to her. Briarwood is getting ready to open it’s new Writer’s Center, and there’s a big celebratory party coming up–as well as a bad winter storm–and that night, at a traditional ceremony where the students carry candles up the side of a mountain, there’s an accident and Nina falls into one of the ice caves…and when she is rescued, the skeleton of a young woman is found–which triggers Nell’s memories of being a writing student twenty-five years ago, the friends she made in the program, and the secrets they’ve kept ever since.

Which means the book is also a dual-timeline novel, which is one of my favorite tropes in crime novels (any novels, really); the book is also a master class in how to do a dual-timeline novel. Part of Goodman’s skill is taking those young, wet-behind-the-ears college students and evolving them as they make their way through their college years, as well as who they’ve turned into in the intervening years. There’s not a single false step in any of the character development, which isn’t easy when you’re juggling any number of characters.

And in the present day timeline, Goodman pays homage to several classic crime novels–particularly Christie’s And Then There Were None, which was delightful. She also made several references, throughout the book, to MARY STEWART, who I often think of as Goodman’s literary godmother…and with the past story, there’s some real The Secret History stuff going on, too. The Stewart references aren’t for the terrific suspense novels she wrote, but the equally terrific Arthurian saga she created (The Crystal Cave, The Hollow Hills, The Last Enchantment, This Wicked Day), which I should revisit sometime.

The suspense and tension continues to build, and with everyone trapped on campus by a winter storm–and characters start dying, one by one…the suspense almost becomes unbearable as the secrets and lies from the past finally come home to roost in the present.

(I will say that when I started listening to the book, I thought to myself if this were a Gothic novel this is who the killer would be–only to be correct! But the motive wasn’t what I thought it was…)

The Bones of the Story is well-written, with great language, terrific tone and style, and very literate and smart…so another feather in the cap of the divine Carol Goodman.

Down by the River

My appreciation of all things Gothic is at least partly due to the old soap opera Dark Shadows, which I watched as a child and has crept its way into my work, my reading, and the majority of my entertainment consumption ever since. I have always loved anything with a touch of the Gothic in it, and spent my teen years (and a lot of my twenties and thirties) loving and consuming Gothic fiction. The post-war style of Gothic literature, marketed primarily towards women, was being done by authors whom I loved like Phyllis A. Whitney and Victoria Holt and others (while Mary Stewart’s work was also considered Gothic and featured many of the tropes of Gothic fiction, I consider her books to be Gothic-adjacent, and I will probably explain that better and in more depth at another time) and I couldn’t get enough of them. Holt and Whitney, to me, were the two best at this subgenre, and when Gothics stopped being published in such great numbers, I was disappointed and mournful.

Which is why I love Carol Goodman’s books so much. Her books have that Gothic feel to them, are beautifully literate in their prose and structure, and they are also incredibly smart. The books also cover art, education, and the classics; every book is filled with classical references that inevitably make me feel smarter for reading them.

The Drowning Tree is no exception.

The river feels wider from the shallow boat, the humpbacked hills of the Hudson Highlands looming like the giants Dutch sailors believed dwelled there.

“Just put the water behind you,” he says.

I can’t see the man in the boat behind me, and I don’t want to risk my precarious balance turning to see him.

“You’re been through the drill,” he goes on.

And I have. Six weeks practicing in the indoor pool under the watchful eye of the kayaking instructior, tipping myself into blue chlorinated water and rolling up again, gasping, into the humid air, all in one long in-drawn breath. I’ve practiced it until it’s become second nature, but it’s one thing to turn over in the clear, warm pool water and another to imagine myself hanging upside down in the cold gray water of the Hudson, trapped in the currents…

“This is where the current is most dangerous,” the voice says. “The Dutch called it World’s End.”

Like many of Goodman’s novels, this book is set in the Hudson Valley and there’s also an institute of higher learning–Penrose College–involved. Our main character here, Juno McKay, runs a stained glass restoration business in the same town where she went to college and grew up; she also lives in the building that houses her glass works. Her best friend from college, Christine, is coming back to the college to give a lecture into her research into a stained glass window at the college that Juno’s company is in the process of being restored. But before the lecture, Juno sees Christine arguing with the school president, the most recent Penrose, and afterwards when they have drinks together before Christine catches her train back into the city, Juno gets the impression that somethings’s going on with Christine–and then she is found, drowned in a creek along the shoreline of the original Penrose estate, near a sunken sculpture garden, in a scene very reminiscent of the scene in the stained glass window Juno is restoring. IS there a connection? Was it an accident, or was it murder or suicide?

Like any intrepid heroine in a Gothic novel, Juno is soon drawn into the mystery Christine was looking into–what happened years ago, between the first Penrose, his wife and her half-sister? How many secrets does the abandoned estate (very Nancy Drew, too–it reminded me of The Clue in the Crumbling Wall a bit) conceal? What secrets did the original Mr. Penrose, an artist and painter, conceal in his paintings and art and stained glass windows? Briarwood, a local mental institution, also comes into play as well; years ago, Juno’s ex-husband tried to kill her and their infant daughter by drowning them in the river. They survived, but his mental health did not and he’s been in Briarwood ever since. The pattern of three from the past with Penroses and the half-sister also seemed to play itself out with Juno, Christine, and Juno’s ex-husband, pulling the reader into all these complicated skeins and twists and turns, until the book comes to an extremely satisfying end with all secrets revealed and life back to normal at the end.

What a great read, and a great example of why I love Goodman’s work so much.

Close Enough to Perfect

I don’t remember when and where I first met Tara Laskowski; my memory has become a sieve over the years and the bout of long COVID in the summer of 2022 didn’t help much, nor did any of the things that have gone on for the last three or four years. But I’ve liked her from the very first–I love that she loves Halloween and centered one of her books arounnd it–and when I read her debut novel, I became a big fan. She, along with Carol Goodman, are killing the Gothic suspense novel genre, which has always been one of my favorites ever since I was a kid and discovered Mary Stewart and Victoria Holt and that Phyllis A. Whitney also wrote books for adults. She followed up her sensational debut One Night Gone with the Halloween book, The Mother Next Door, and it was also magnificent.

So I really was looking forward to her third novel, and Constant Reader, it did not disappoint.

Ever since Zack told me about The Weekend, it’s all I’ve been able to focus on. Most people would naturally be at least a little nervous to meet their significant other’s family for the first time.

But most people aren’t dating a Van Ness.

“Earth to Lauren.” Zach snaps his fingers, grinning over at me. He left work early to get on the road sooner and didn’t have time to change, so he’s still wearing his suit, purple tie slightly askew but knotted even after hours of driving.

“Sorry,” I say, tugging the ends of my hair. “Zoning out.”

“You look like I’m driving you to your death,” he says, then grabs my hand and squeezes. “Don’t worry. I promises it’ll be fun. Even if my family’s there.”

This is a great opening, and it sets up the story perfectly. Our sympathies are immediately with Lauren. Laskoswki has put her into a situation we can all relate to: the terror of meeting your partner’s family and the discomfort that comes with it, the self-doubt, the need to be liked and accepted. Zach is a Van Ness, too, and while we aren’t really certain what that means yet, it’s important and stressful enough so that Lauren, in communicating her thoughts and feelings, thinks it bears mentioning and we should understand how she feels. It works, and that outsider feeling (and haven’t we all felt like an outsider at some time? See Saltburn) keeps the reader’s sympathies with Lauren completely.

But there are three more point of view characters–two other women, one a Van Ness by blood and the other by marriage–which is always a difficult feat for an author to pull off, but making those voices distinct and clearly different from each other is what makes the book work. Harper, Zack’s sister, is harsh, tough, cold and vindictive. She runs her own beauty company and blog, VNity, which is struggling. Elle is married to Harper’s twin brother Richard, who oversees the vast Van Ness holdings, and like Lauren, has some serious “pick me” energy too; she joined the Van Ness family and has wiggled her way into the family by asserting herself as well as trying to take over the role of family matriarch, as their mother is dead. Their mother, Katrina, was a tough woman who was hard on her children, but babied the youngest, Zack–which the twins have always resented. The retreat, this Weekend, is a celebration of the twins’ birthdays, with a huge party being thrown the Saturday night of that weekend, spent up at the Van Ness Winery, in the Finger Lakes section of New York.

So yes, that Gothic feeling is there almost from the start. The wide-eyed young innocent, coming to the big family estate in a remote part of the country (see also, Beware the Woman by Megan Abbott) into a situation where she’s not sure she can entirely trust her boyfriend. The house is filled with secrets, too–hidden rooms, secret staircases and passage ways–and a lot of sibling resentment, bitterness, and anger begins bubbling up to the surface almost immediately.

There’s also a fourth POV character, known only as the Weekend Guest, who hates the Van Ness siblings and is trying to bring the entire family down as a brutal winter storm bears down on Van Ness Winery…

What a terrific read! Get a copy–you can thank me later.

Say You Will

It really boggles my mind that it took me so long to get into listening to audiobooks. I think it was more of a sense that it didn’t count as reading if I wasn’t holding a book (or my iPad) in my hands and scanning the words with my eyes. I’ve never really liked being read to, either; and while I do enjoy live readings by authors of their work, those generally don’t last more than ten hours. I also worried that, as I do have ADHD and good writing always inspires me and floods my brain with ideas for new work for me or stuff that I am already working on (driving through Alabama, for whatever reason, always is inspiring to me), and it’s very easy to go back to where I was reading when inspiration hit. It’s not quite as easy to do this when you’re listening–I haven’t exactly mastered the rewind thing while driving at eighty miles per hour–so I am always afraid I’ve missed something. But…audiobooks in the car on long trips has literally changed my life and made the drives less irritating, boring and painful.

I have always had a taste for fiction that could be classified as Gothic; two of my favorite writers (Daphne du Maurier and Mary Stewart) were masters of the genre. I thought with the deaths or retirements of the major Gothic authors of the mid to late twentieth century that the style (or sub-genre, if you will) had fallen out of fashion (after it’s peak in the 1970’s and early 1980’s) and I missed them, terribly. What I hadn’t known was authors were still writing them, updating and reinvigorating the field…because the cover styles that always marked a Gothic novel (big spooky house, light in a window, creepy looking tree, woman in a flowing nightgown with long hair running from it and looking back over her shoulder in fear) were actually which became obsolete.

I am so glad I found Carol Goodman.

When I picture the house I see it in the late afternoon, the golden river light filling the windows and gilding the two-hundred-year old brick. That’s how we came upon it, Jess and I, at the end of a long day looking at houses we can’t afford.

“It’s the color of old money,” Jess said, his voice full of longing. He was standing in the weed-choked driveway, his fingers twined through the ornate loops of the rusted iron gate. “But I think it’s a little over our ‘price bracket.'”

I could hear the invisible quotes around the phrase, one the Realtor had used half a dozen times that day. Jess was always a wicked mimic and Katrine Vanderburgh, with her faux country quilted jacket and English rubber boots and bright yellow Suburban, was an easy target. All she needs is a hunting rifle to look like she strode out of Downton Abbey, he’d whispered in my ear when she came out of the realty office to greet us. You’d have to know Jess as well as I did to know it was himself he was mocking for dreaming of a mansion when it was clear we could barely afford a hovel.

It had seemed like a good idea. Go someplace new. Start over. Sell the (already second mortgaged) Brooklyn loft, pay back the (maxed-out) credit cards, and buy something cheap in the country. By country, Jess meant the Hudson Valley, where we’d both gone to college. and where Jess had begun his first novel. He’d developed the superstition over the last winter that if he returned to the site where the muses had first spoken to him he would finally be able to write his long-awaited second novel. ANd how much could houses up there cost? We both remembered the area as rustic: Jess because he’d seen it through the eyes of a Long Island kid and me because I’d grown up in the nearby village of Concord and couldn’t wait to get out and live in the city.

Isn’t that a great opening?

All of Goodman’s novels are unique, but tied together by that strong, literate authorial voice that makes starting to read (or listen) to a new one as comfortable as slipping into your house shoes; the word choices are marvelous, and the sentence/paragraph constructions are so intricate yet not impenetrable to the reader. Goodman’s novels usually have a central core that has to do with education and/or literature of some kind, and are inevitably set in either upstate New York and/or the Hudson Valley or the city itself; but there’s always a brooding, old building involved. The books are also smart and well-paced, and there is often a dual timeline involved, whether it alternates between past and present or does an entire time-jump to reveal the secrets and the truths bedeviling our heroine. Goodman’s heroines are likable, relatable, and understandable.

The Widow’s House focuses primarily on our main character, Clare Martin. Clare met her husband, Jess, in a creative writing seminar at a impressive university near Concord, where she grew up and she and Jess are currently looking for a house they cannot afford. Both were aspiring writers when they met; Jess wrote a debut novel that made a splash but is now ten years overdue on his second (aside: this always amazes me. I don’t think I’ve ever known a writer given an advance who then never delivered a manuscript for ten years or more without consequence, but this always pops up in novels about literary writers–Michael Chabon’s Wonder Boys comes to mind. Then again, most writers I know are genre writers and no crime writer could ever not deliver for ten years–I always feel horribly guilty when I miss a deadline and then it’s usually only an extra month that I need, not ten years. Maybe it’s different for those who write lit-ra-CHOOR) while Clare has buried her own authorial ambitions while working as an editor (and then a freelance one) to support Jess while he writes his book (I also would never let Paul go ten years without working while I couldn’t write so I could support him financially; I feel relatively confident the obverse is also true). The house their realtor is showing them at the opening of this book is called River House, but it’s also a site of many tragedies and deaths and madness, so much so that someone has taken a chisel and changed RIVER HOUSE on the gate column to RIVEN HOUSE. But the master of the crumbling old house is looking for caretakers to live on the property rent-free in exchange for upkeep work on the estate… but the master is the same writing professor in whose class they met–a professor Jess resents for trashing his debut novel in the New York Times, a review Jess is certain has kept him from breaking out as a major (best-selling) literary star. But the deal is too good to pass up, and Clare herself thinks moving there might help her restart her own writing…

Several of Goodman’s other novels tackle the world of the writer–The Stranger Behind You was a particular standout–and boy, could I relate to Clare’s fears and insecurities and anxieties about writing. To make matters worse, there also seems to be a ghost (or two, or maybe even three) at Riven House–but only Clare sees or experiences the haunting, to the point that she begins to question her own sanity. But why? Why would someone gaslight Clare, the wife of an underperforming novelist? There were some times in the book where Jess would be a bit of a emotionally abusive ass to her, and I would get a bit frustrated with her–a point I often had with the heroines of Victoria Holt and Phyllis A. Whitney–for subsuming herself and her needs and desires and dreams in service to his, and he doesn’t seem to appreciate it in the least. The ghost mystery has to do with tragedies in the path; the murder of an illegitimate child, the suicide of its mother, and madness and murder. Clare starts unraveling the mysteries from the past to get to the bottom of what is going on at Riven House–and there’s a marvelous, heart racing conclusion during a massive winter storm and power loss at Riven House, when Clare finally finds the truth and has to fight for her own life.

What a satisfying, thoroughly enjoyable read–which is what you always get from Carol Goodman. If you haven’t read her yet, START. Immediately.

You can thank me later.

Perhaps Some Other Aeon

Tuesday morning and heading out to Metairie for an appointment. I took the entire day off because I have no idea how long this might take or how I might feel after, so I figured it was better to not have to deal with clients. It’s nothing serious, and perhaps by being vague I am intensifying interest in what my appointment is; I’m just not comfortable talking about it just yet. Who knows? Tomorrow I might be here telling everything and more, always more than you could possibly want to know. Then again, you are here, after all.

I got some great work done on the book last night, and I am feeling most self-satisfied to the point where I can barely stand myself today. I hadn’t planned on using today to finish the revision when I asked for the day off, but how opportune this has turned out to be for me. When I get home, I can do some chores around here and then dive into the final two chapters of the book. Yes, I said the final two chapters. The end is clearly in sight, and the work I did today successfully pulled the story back in from some dead ends and subplots that were not absolutely necessary. I cannot wait to get home and finish it off this afternoon. But…we’ll see how it goes. One never knows when fate is going to throw a monkey wrench into your plans. (And what an odd phrase that is. I wonder what it’s origin was?)

We finished watching The Lake last night and it was quite fun and cute. I really like Justin Gavanis, and Julia Stiles is epic as Maisie the bitch no one likes and everyone fears. We also started watching the new Apple Plus Tom Holland series, The Crowded Room, which seems relatively intense and sad at the same time. But we’re intrigued and will most likely continue with it this evening. I also like Amanda Seyfried, and she’s the female lead.

I didn’t fall into a deep sleep last night but I rested, which is all that matters. I’ll hit a wall at some point this afternoon without doubt; but that’s okay. As long as I can get my work done once I’m back home from this appointment, that would be super great. I can also get some more chores around here done, too. Or I could get back to reading, if my brain isn’t too fried. Funny how reading used to be the thing for me when I was tired, to relax and refresh and reboot my brain, and now that I’m older I can’t focus enough to read when I’m tired. My reading has slowed down a lot this past year or so; the pandemic gave me a lot of time to read, but for the longest time I couldn’t. I did reread a lot of Mary Stewart novels to get me into reading again–I also reread some other marvelous older titles that I love, like Crocodile on the Sandbank by Elizabeth Peters–and that broke through that barrier to reading. Maybe I should do that again, once I get my current book finished reading? But I’ve also got some killer reads to get to–new books by Kelly J. Ford, Eli Cranor, Megan Abbott, and S. A. Cosby, with a new Carol Goodman and Laura Lippman coming later this summer. And then of course there are all the books I’ve got here that I haven’t read, because I am a book hoarder.

And I got the notes for the other manuscript I am trying to get finished and out of my hair as well. So, if I can get the last two chapters finished today, and write the epilogue, I can start doing the macro edits. I have a long lovely weekend ahead of me, thanks to the Juneteenth holiday, and of course the week after that I am heading to Alabama and Kentucky to spend some time with my dad. Their anniversary is–was–June 26th, so I am going to meet Dad there in Alabama for their anniversary and then we’ll caravan back up to Kentucky. And then we’re in July–another truncated work week for me–and next thing you know it’s Bouchercon and football season and then the holidays and the year ends and that, my dear Constant Reader, is how you run out of time and how quickly life shoots past.

And on that cheery note, I am going to head into the spice mines and start getting ready for this appointment. Have a lovely Tuesday, Constant Reader, and I’ll check in with you again later.

Flowers on the Wall

I love Carol Goodman’s work.

I don’t remember which of her books I read first; I am thinking it was The Sea of Lost Girls, but that may be wrong (probably is; my memory is for shit these days) but I DO know I first met her in person at the HarperCollins cocktail party at Bouchercon in St. Petersburg, and she’s just as marvelous as a person as she is a writer. Since then I’ve delved into her canon of brilliant books–have yet to come across one that is even slightly disappointing–and each one makes my fandom flame burn even more brightly.

And then in Minneapolis, over lunch with a few friends at that wonderful Irish pub near the hotel, I discovered the clincher: she is also a Dark Shadows fan. She even joked, “I’ve realized that most of my books are really about Barnabas Collins and Maggie Evans”–which made me think even more deeply about how much of an influence the show was on my own writing (Bury Me in Shadows owes a HUGE debt to the show). She has a new book coming out this summer, which is very exciting–I have that weird thing about never wanting to have read everyone’s entire backlist, so there’s always one more book for them to read without me having to wait to get my hands on it–and during my trip to Alabama for the First Sunday in May I listened to The Ghost Orchid, which was so good that when I got home that Sunday night, I grabbed my headphones and listened to the final thirty minutes of the book while unpacking and doing things around the apartment.

I came to Bosco for the quiet.

That’s what it’s famous for.

The silence reigns each day between the hours of nine and five by order of a hundred0year-old decree made by a woman who lies dead beneath the rosebushes–a silence guarded by four hundred acres of wind sifting through white pines with a sound like a mother saying hush. The silence stretches into the still, warm afternoon until it melts into the darkest spot of the garden where spiders spin their tunnel-shaped webs in the box-hedge maze. Just before dusk the wind, released from the pines, blows into the dry pipes of the marble fountain, swirls into the grotto, and creeps up the hill., into the gaping mouths of the satyrs, caressing the breasts of the sphinxes, snaking up the central fountain allée, and onto the terrace, where it exhales its resin- and copper-tinged breath out onto the glasses and crystal decanters laid out on the balustrade.

Even when we come down to drinks on the terrace there’s always a moment, while the ice settles in the silver bowls and we brush the yellow pine needles off the rattan chairs, when it seems like the silence will never be broken. When it seems that the silence might continue to accumulate–like the golden pine needles that pad the paths through the box-hedge maze and the crumbling marble steps and choke the mouths of the satyrs and fill the pipes of the fountain–and finally be too deep to disturb.

Then someone laughs and clinks his glass against another’s, and says…

“Cheers. Here’s to Aurora Latham and Bosco.”

“Here, here,” we all chime into the evening, sending the echoes of our voices rolling down the terraces lawn like brightly colored croquet balls from some long-ago lawn party.

“God, I’ve never gotten so much work done,” Bethesda Graham says, as if testing the air’s capacity to hold a longer sentence or two.

Carol Goodman’s books are, above and beyond anything else you might want to say about them, incredibly literate and smart. She reminds me of Mary Stewart in that way; Stewart’s novels, often dismissed as “romantic suspense” (don’t even get me started on that misogyny), were smart, clever and incredibly literate, with Shakespearean references and quotes and allusions to classical literature. Goodman’s works are also the same; Goodman’s background in classics scholarship is utilized in every one of her books but not in a way that feels intrusive or showing off. It’s all integrated into the story and not only moves the story forward but deepens and enriches the characters as well as the plot, which is not easy to do. Her books are often built around some sort of academic/intellectual backdrop, from boarding schools to small colleges to actual archaeological digs (The Night Villa is absolutely exquisite; superb in every way), and her heroines, aren’t pushovers (as in most “romantic suspense”) but strong and smart and driven, if haunted by their own insecurities and past failures. Goodman is also not afraid to cross the line over into supernatural occurances, either; the previous one I’d read had a touch of the woo-woo, as does The Ghost Orchid, but it’s not intrusive and it actually plays out so honestly and realistically that you don’t question it.

The main character of the book is a young woman named Ellis Brooks. Ellis is a young author-to-be who is working on a novel based on what is called “the Blackwell Affair.” She had already written and published a short story based on an old pamphlet she found; the book research makes her a natural to be chosen for a residency at Bosco, an old estate in upstate New York that has become an artist’s colony, sort of like Breadloaf, but for a much more extended stay and for fewer artists. “The Blackwell Affair” actually took place at Bosco, when the original mistress of the estate, Aurora Latham, brought an experienced medium named Corinth Blackwell to Bosco to hold seances to try to reach the spirits of her dead children–any number of whom were either stillbirths or died shortly after being born; she had four children who lived but lost three of them to a diphtheria outbreak the year before. Corinth Blackwell and the only surviving Latham child disappeared one night after a seance; hence “the Blackwell Affair.” As Ellis does her research and gets to know her fellow artists better, she becomes more and more aware that the past at Bosco doesn’t rest, and the untold stories of the past must be unearthed before everyone at Bosco can be safe.

Goodman is also a master of the dueling timeline; one in the past and one in the present, and weaves the stories together so intricately that I marveled at the mastery, as the present day characters wonder about something and then we get the answer in the past. There are so many secrets, so many lies, so many spirits; but as always with the best ghost stories, the past is finally laid to rest when the truth is exposed.

I loved this book, and it reminded me not only of Dark Shadows (knowing she’s a fan I’ll always see it in her work now) but also of Barbara Michaels’ best along with Mary Stewart. Can’t wait to dig into another Goodman novel!