Thursday, last day of work this week and I get to leave at two thirty. Huzzah! Holiday Weekend Eve, I suppose this is. I slept well and feel rested this morning, which is good. We’re slow in the clinic today and the way my hours worked out, I get to leave around three this afternoon, too–which is also pretty cool and a lovely way to segue into the holiday weekend. Huzzah! I was able to come home directly from the office yesterday, too, and managed to empty the dishwasher to get a leg up on the chores I’ll need to do this weekend. I did manage to get a newsletter out yesterday, which you can read by clicking here. It’s about my reread of Margot Douaihy’s Blessed Water (relisten?) on my trip last weekend, and I really need to finish reading Lev Rosen’s Rough Pages, which I started listening to on the drive back and got to Chapter Eight before getting home and turning off the car. I feel pretty good this morning, which is nice. I know we’re slow today in the clinic, and I definitely need to do a lot of paperwork today–I’m behind again, and our site visit will be coming up soon, either next week or the one after–so I have plenty to keep me occupied at the office today, which is fine with me. I get to leave around two, so the day is going to fly past. I don’t think we’re in a heat advisory today (I’ve not seen anything on line or on my phone so far1) and according to the “forecast,” we’re getting some thunderstorms this afternoon right around when I will be leaving, so that’s great. Since I am leaving so early today, I am thinking about running some errands so I won’t have to do anything tomorrow–but on the other hand, I could just have some things delivered, which is easier still.
Something to think about, at any rate.
Last night we watched this week’s Maximum Pleasure Guaranteed, which I don’t see anyone talking much about, which is a shame. It’s really good and I am enjoying it. After that, we caught up on the news but I was falling asleep in my chair so I went to bed shortly after nine and slept deeply and well, only getting up once in the middle of the night before going back to a very sound sleep. I’ve not been very productive this week, but that was because last weekend’s truncation was mentally fatiguing, I guess. I’ve not had much creative thought this week, and I need to get back into the saddle again, I think. Reading tonight and possibly trying to write too should be helpful, and tomorrow I think I will try to be as productive as I can be so I can use Saturday as a holiday and just rest and watch movies and read. I have another newsletter I need to get out tomorrow, and another one to write this weekend (or when I finish Rough Pages). I also want to write one for the holiday, and talk about the difference between the Bicentennial and this 250th disgrace we are witnessing as taxpayer money disappears into a massive grift, like everything MAGA touches. If you can’t capitalize on the stupidity of your cult, why bother having one?
I also need to be even kinder to myself. Of course I am going to be drained emotionally and mentally when I come back from visiting my mother’s grave!
Oy. The depth and totality of my utter and complete obliviousness is really astounding at times.
I saw a debut author had apparently lost their mind on social media and starting doxxing–and encouraging her followers to go after some book club that didn’t like her book. Way to end your career as it’s just getting started. Yes, when you’re new that sort of thing absolutely stings and hurts, and it makes you worry if people will read the review and not read your book. It doesn’t matter in the long run–how many one-stars has James Patterson or Dan Brown gotten? And how has it slowed them down? The answer is not at all. You can’t embrace good reviews while being upset by bad ones, and nothing is a faster trip down the lane of complete and utter insanity than letting reviews get under your skin. I know I used to when I was new, and maybe one will sting when I come across it, but I don’t comment, I don’t bring attention to it, and I dismiss it and don’t even think about it again. I remember one bad review for my first book., and I use it as an example because the end result of that review was me making Scotty being even gayer than I had originally planned…you think Chanse is a stereotype? I”ll show you a fucking stereotype!
And interestingly enough, Scotty–the biggest gay stereotyped character ever written by a gay crime writer–has never been called one by a reviewer.
This is why I no longer read reviews, and have never ventured into the shark-infested waters of Goodreads.
The on-going war between New Orleans and Baton Rouge continues. It’s interesting living under the state’s version of racist homophobic MAGA fascism. I also believe our pos shit Attorney General (who may appear under a slightly different name in the next Scotty book) should be stripped of her law degree because she refuses to abide by either the state or federal constitution and consistently thinks she somehow has the right to tell New Orleans what it can or cannot do; our state Supreme Court all has their head up the Governor’s flat crusty unwashed ass, too and SCOTUS? Not much better.
Sigh. Happy upcoming 4th of July weekend to you, too. And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader and hang in there; resist resist resist. I’ll be here again tomorrow morning, without fail.
I love this drone shot of canoers on a bayou in the Atchafalaya Swamp. Ben Pierce is a great Louisiana landscape photographer; check out his website. I always get his calendars.I would love to write about the Atchafalaya swamp someday and its Cajun history.
I stand corrected; we are in a heat advisory until (or if) the rains come. ↩︎
Home again, home again. It’s hot as Satan’s taint here in New Orleans–Alabama was cool and lovely in comparison and it was hot as fuck up there–I was drenched in sweat getting the car unloaded; something was going on in the ‘hood yesterday because I had to park at Coliseum Square and walk back, which exhausted me and so I just collapsed into my chair and sat there for a bit before showering and relaxing for the evening. We got caught up on Maximum Pleasure Guaranteed, which is absolutely delightful (Tatiana Maslany never disappoints; how she didn’t win an Emmy for every season of Orphan Black is yet another example of how wrong they often are) and then a few episodes of Citadel. I slept in this morning a bit, which was also nice, but I feel a bit worn out this morning. I slept very well last night, too. I did sleep well in Alabama, and I am glad I got to spend time with Dad; even if it was so brief. I didn’t do much of anything up there other than hang out with Dad and sleep, but it was nice.
I was very lucky with my parents for the most part.
The drives up and back were lovely and uneventful. I listened to Margot Douaihy’s marvelous Blessed Water in the car, and got to chapter eight listening to Lev AC Rosen’s Rough Pages, which is also excellent–for the record, queer crime writers are consistently knocking it out of the park, people, what are you doing? READ them. On the way up I stopped in Ellisville to get gas an they had a Jack’s (their hamburgers are good good good so you’ll go back back back for more more more) so I ate there. New development on the drive up–my legs stiffened on both drives, making walking when I got out more difficult than it needed to be, but that can also be chalked up to Greg is now so fucking out of shape it’s like he never worked out in his life ever. I stopped at the Love’s at Mile 24 in Mississippi and brought Arbys home for dinner. Paul very kindly washed the bed linens yesterday so I came home to fresh and clean bedding, which was so marvelous. I slept for almost eleven hours last night, and I cannot remember the last time I did that. I feel a bit rung out this morning, but that’s the sleep hangover and some muscle tightness in my legs. Gee, Greg, why don’t you just stretch?
I am oft times oblivious and clueless.
I’m not sure if I am going to do any writing today; like I said, I feel a bit worn today, so I don’t know how that is going to play out. I do need to do some work on the kitchen and living room, too, and some laundry. A rest day to do absolutely nothing would have been lovely, but if I get it all done quickly–and focus–I can get it all under control in a couple of hours…but I really want to get back to reading Rough Pages. I’d like to do my essay on Blessed Water today, but that’s going to depend on my energy levels and how much I can get done around the house, too. I am going to at least finish the chapter I started in the car yesterday and possibly another.
One of the nice things about these trips is they enable me to disconnect from the world’s insanity and get some perspective on things. (The “State Fair” is another humiliation for him and the country; the Lyon County Fair back in Kansas had higher attendance (and better rides and activities)…a county fair. State fairs are a bigger deal than this “national” one. I can’t seem to remember Gerald Ford making the Bicentennial about him, or him coming up with an “alternative” Bicentennial he could make money from…but Republicans in the 1970s put country before party nor were they a insurrectionist movement looking to install fascism back then….these Republicans would have let Nixon serve out his second term. All of where we are now is a result of Reagan, whose money and power above all else mentality began the tribalism, and brought us Newt Gingrich and the divine right of Republicans to rule.
Sigh. And catching up on the news after three glorious days makes it all the more surreal, you know?
And on that note, I am heading for the spice mines. Have a great day, Constant Reader, and I’ll be back in the morning. Stay cool!
Bayou sunsets are so gorgeous!I highly recommend they use this color next as the Reflecting Pool cycles through the Pride flag.
I slept in a bit this morning because I don’t have to leave until this afternoon for Alabama. It’s a short trip; I’ll drive home on Saturday morning, hopefully feeling refreshed and reinvigorated and inspired. Spending time in the home place always inspires me somehow, makes me itch to get back to my keyboard or scribble in my journal. I’m going to listen to Margot Douaihy’s Blessed Water in the car as a reread so I’ll be primed for the third Sister Holiday novel. I am also taking Lev Rosen’s Rough Pages to read before bed both nights.
This has been an interesting week. I wasn’t terribly tired much after work, and I really didn’t have any trouble getting up all week, either–other than not wanting to get out of the bed’s warmth and comfort–but I even got up before the alarm all three days I had to get up. I stayed in bed longer this morning, but not to sleep–Sparky was being a sweet little purring cuddlebug, and who wants to leave that? Not I, said the deliriously happy cat dad. Sparky purrs a lot more than we think he does, because his purr motor is quiet; you can only hear it if he is sitting on you, or you can feel him purring when you pet/snuggle him. He really is a sweetheart, and very loving. He’s not fully a lap cat, like Scooter was. Sparky is more like Skittle, our first cat. Loving and sweet, but only on his terms.
I ran errands after work yesterday on my way home, picking up the mail and making groceries, but not much (it was still insanely expensive), came home and chilled out for a bit with Sparky while I caught up on the news. Paul came home and we watched more Citadel, which is very interesting and complicated and moves very fast, before retiring to bed for the evening. I feel pretty good this morning, too, rested and relaxed and centered, and it feels terrific, you know? I think I am finally recovered from everything, and I’d forgotten that it was possible to feel this good ever again.
It doesn’t help when medical professionals smile awkwardly and say, you’re just getting older and every time I heard that, all I could think was if this is how I’m going to feel for the rest of my life, I don’t want this.
Fortunately, that wasn’t the case. Although it hit me yesterday, as I spoke with a co-worker about my retirement plans, that I am casually talking about turning SEVENTY in a little over five years. It was kind of unsettling (freaks me out that Dad’s in his eighties, really) for a moment, but then I was like and so fucking what? Sure, it’s daunting; I don’t know what sixty-four is supposed to feel like, but now that I am back to (or almost at) 100% again, it actually doesn’t feel that bad. I don’t feel like I’ve wasted time–although I have, months if not years’ worth of wasted time–because I’ve also learned to know the rhythms of my body and my mind over the years, and when I do waste time it’s because of being tired in some way, either mental, emotional, or physical, and the down time is necessary for recharging.
Making peace with myself, and finally finding my own peace of mind, was actually kind of worth this entire miserable decade so far, actually. As awful as it was to lose Mom, I may not have known I had generalized anxiety disorder and sought help for it had she not passed. (I’d take the anxiety back though, for her to still be with Dad.)
So, some Kpop artist (Mark Lee) whom I’d never heard of decided to wear a Confederate flag shirt–definitely trying to break into the white American racist market, and when all hell broke loose, his record company tried to run some cover claiming it was a “vintage” shirt and no one involved with the photo shoot “knew”? Oh, fuck right off. That’ll play with the racists who would see it as a symbolic dog whistle–“hey, look, Cletus, I know he’s ASIAN but he hates the n-words too!” I don’t know if they actually knew how many flies were buzzing around this horseshit they dropped, but their “apology” was actually he’s just a cute young dumb boy, he didn’t know any better! He’s not from the US! He’s Canadian, he sure as fuck has seen that flag and knew exactly what it meant. It was a deliberate choice, and no one is going to convince me to infantilize a twenty-six year old man. Fuck him, fuck his record company, fuck his fans, and fuck anyone who supports the racist piece of shit. And if any of those excuses are true? Then he’s too fucking stupid to live a public life and deserves everything coming to him still.
Don’t even get me started on so-called “girl dad” Jimmy Fallon for platforming a rapist. He is also trash, and always has been, and he is worse than Jay Leno, which I didn’t think possible.
As for the San Francisco Bitchboys, they continue to pour gasoline on the flames. Hope you don’t need a new taxpayer funded stadium anytime soon! I always have tried to root for the San Francisco major league teams because it’s our community’s capital, but no more. I will buy a black candle, carve GIANTS into it, and light it every baseball season–just doing my small part to curse their future. May their streak of no World Series wins last as long as the Cubs’ streak. I hate to break it to you bitches, but the queers never forgive or forget. So fucking disgusting, and even more disgusting is their fucking cowardice and backtracking and whining about being called bigots. Well the truth fucking hurts, and you know, adultery made the top ten. Were they all virgins when they married? Have they been faithful to wives? If you want to talk sin, bitches, let’s fucking talk sin. How about taking the Lord’s name in vain? (Also a top ten sin.) What did Jesus say about performative faith? You’re not only shitty people but you are shitty Christians. Do you go to church every Sunday, despite games? Do you find churches when you’re on the road? Don’t fucking stand up there and judge sin unless you want your own counted. Judgment is God’s and God’s alone, you heretical blasphemers. Your faith is weak and performative, and I don’t have to accept or respect your hypocrisy. Have fun doing the backstroke when you get to hell, pigs, and I hope your careers all circle the toilet, and may the team always be more mediocre than it is now.
You’re losing because you have issues in your lockerroom, and these fucks are doing the dividing. Enjoy your new status as the MAGA Giants…which were abominations in your precious Bible, the children of angels mating with human women, the accursed nephilim. But then, I doubt any of these slack-jawed inbreds have read the Bible because it’s not written for children.
And on that note, I am really looking forward for this brief interlude this weekend. And on that note, I should probably start getting my shit together to head out today. I doubt I’ll be back here until Sunday, sorry! Til then!
I will never understand why some people don’t find gingers attractive. Look at this wrestler!
Monday morning and it’s back to the office with me today. It was a lovely weekend, and I had a nice day yesterday. I wrote–working on a short story, a newsletter, and most importantly THE BOOK–and did some things around the house but mostly took it easy. I also dipped into the book I am reading and was charmed instantly, as I knew I would be. We also started watching the new season of Citadel, but I barely remember the first one. It’s very action-packed and moves very quickly, and also has a very top-notch cast. I slept well last night and am feeling good this morning, honestly. The kitchen and apartment are a bit messy, but that’s okay. I am pleased with how this holiday weekend went, and looking forward to seeing Dad this weekend. I’ve still not picked out what I want to listen to in the car, and I didn’t get a newsletter sent out over the weekend, either.
Looks like we’re done with rain, at least for now. No rain for the entire week in the forecast, and I imagine Alabama is going to be miserably hot this weekend–and I must remember to wear a hat when I am outside. (And yes, they are having dangerous heat levels in Alabama, too; we’re currently in a heat advisory and I suspect this is going to be a long and miserable summer, and not just in New Orleans.) I have to try to get things in order since I am going away for a couple of days–nothing major or long, just driving up Thursday and back Saturday–but I hate coming home to a messy, disorganized house. I’ll try to touch up on things Thursday morning before I leave (planning on getting on the road around noon), and I doubt I’ll do much, if any, writing while I am gone. I probably won’t post here until Sunday morning, so prepare for a brief holiday from yours truly’s mad typing on here. I think I am going to listen to Margot Douaihy’s Blessed Water in the car going and coming. I blurbed it and read it in galley form several years ago, but all I remember (that illness memory issue again) is that I loved it–Margot is an exceptionally skilled artist–and I want to read the next Sister Holiday, so I am going to revisit it in the car so I can write about it as a Pride selection–and books like the ones Margot writes make me very proud to be a queer crime writer. (It’s been a while since I read the first one–which blew me completely away.)
And I am writing a noir, so it might be helpful to read one of the most literary noir writers of all time. It certainly can’t hurt.
I’m not sure about what I wrote on the book yesterday, if I am going to try to be completely honest. I feel like maybe I started down a possibly wrong path yesterday; but I could be wrong. It might be something that needs to go when it’s time for brutal edits, but I also think it’s important that my character actually have a kind of “safe space”–wouldn’t it make sense for a closeted gay actor in 1950s Hollywood to create a place where he can get away from all the lies and bullshit and Hollywood nonsense? I just worry it may soften him? Or…maybe this part can make how he is in the other parts of the book even more powerful? Living a constant lie is horrible and warps people (look at Lindsey Graham, for one prominent example), not to mention the constant worry about blackmail or another queer selling you out to save themselves–the closet makes people do horrible, horrible things, and that might be the underlying theme I am playing with here: the closet warps and twists people; fear can make you do some crazy-ass things.
And I kind of like that these kinds of thoughts are coming into my head. The loss of anxiety has helped enormously with that; I think I also used to write fast partly so my imposter syndrome wouldn’t have time to kick into gear and make me doubt myself. I like that now, when I question myself about my writing, it’s about choices and character and theme, rather than you’ve got a nerve thinking you can write something like this, which is what it used to be and was quite horrible. I’ve also recognized that I can’t really force it as much as I used to; I’m not sure what that means for my mental state and my tendency to self-deprecate, which was always so goddamned self-defeating (the thought process was if I am humble and play down what I do I can’t be offended by criticism because I am harder on myself than anyone else); that was always one of the biggest problems I had with coming up with coping mechanisms to protect myself from anxiety; it’s hard to explain how freeing it is to not have that making me tense and tightly wound all of the time.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will be back on the morrow.
An “allée,” aka a road bounded by trees or bushes. Spooky looking with the ground fog.
Monday morning and back to the office blog! I feel awake, but kind of not completely yet, if that makes sense? It does in my fevered brain, at any rate. I didn’t get as much done this weekend as I wanted to, but I did get some things done. I did some actual writing yesterday, and I did get some work done on something else I’m working on. Not a great weekend for productivity, but I feel like I can face the office this morning. That’s a plus, right? It’s always good to start off the week feeling refreshed and rested both physically and mentally, right? So I am not sorry the weekend was wasted, because it really wasn’t. Likewise, the writing isn’t very good, but at least I did some, you know? It was excruciating getting a thousand words down, but I did, and while it didn’t alleviate my mind about getting back in the writing saddle, it’s something.
Paul wasn’t feeling well yesterday, so last night we started watching the new Prime show Cruel Intentions last night, and it’s better than I was expecting. I am a big fan of the original story (the book was Les Liaisons Dangereuses by Choderlos de Laclos; obviously filmed as Dangerous Liaisons with Glenn Close and John Malkovich), so was curious how this adaptation would work. The remake of the story as Cruel Intentions, with Sarah Michelle Gellar and Ryan Philippe, set at an exclusive elite school for the rich, was quite excellent–so I was curious about the new version, which updates the story yet again, this time to an exclusive college’s Greek system. I love this story, and did an homage to it in one of my erotic novels–which I wish I could get a do-over on, to be honest. I may need to reread the book again at some point, too. I love my conniving nasty French nobles, you know?
One thing I’ve not remarked on yet–mainly because I keep forgetting every morning–is to mention the shockingly excellent news that four queer writers were included on Sarah Weinman’s Best Crime Novels of 2024 in the New York Times! Three of them–John Copenhaver (Hall of Mirrors), Margot Douaihy (Blessed Water), and Robyn Gigl (Nothing But the Truth) are friends; the other, Katrina Carrasco (Rough Trade) is someone I don’t know but have been aware of for quite some time. I actually blurbed Blessed Water, which is exceptional. I do want to revisit it in order to write about it, and I have yet to get to John’s book–and I am very behind on Robyn’s series. But how wonderful is this? Not just one, but four queer authors on an important Best of column in the paper of record (which I still haven’t forgiven for its crimes of the last decade at least)? When I was first starting in this business, we didn’t even dare to dream of that kind of outcome for our books; and Sarah is so smart and knowledgeable about crime fiction and the genre–she absolutely knows what she’s talking about. I always enjoy talking to her, and this is so awesome for the queer authors; it’s the first sign from the Times that queer work is just as valid as other crime fiction! So, thank you, Sarah!
And it’s nice to see some diversity of thought in that vile paper for a change.1
So, I am hoping to get this work done so I can get back to writing. I owe some short stories I need to get underway, I need to get back to work on Scotty, and I am also writing this other thing, too. I’m starting to feel like I’m lazy, more than anything else, and finding excuses not to work anymore. This shall not stand.
And on that note I am heading into the spice mines. May you have a Monday as lovely as you are, Constant Reader, and one never knows–I may be back later.
Screenshot
And no, this doesn’t mean I’ll resubscribe. I will never forgive them for their role in undermining democracy and the rule of law. ↩︎
Friday morning and I am up way early for PT this morning. It feels warmer this morning–it’s in the fifties–but it’s not cold in the Lost Apartment, which is nice. I haven’t slept well now for about two nights running. My sleeping pills are missing–I couldn’t find them last night–which means they were probably left out on a counter and Sparky the Demon thought “toy!” and now I have to really spend some time trying to find them. I’ll make it through today relatively okay, I suppose, since it’s a work at home day, but after PT I have a couple of errands and after that I’ll be home for the day. I did chores last night when I got home, so the kitchen isn’t messy this morning and once I get back. here, it’ll be relatively easy to get the downstairs back under control and launch into the weekend. I have events all day tomorrow on ZOOM for the Bold Strokes Book-a-thon, too. Paul didn’t get home until after I went to bed last night, so I spent most of the evening (after doing some cleaning, which was wise and I am very grateful that I didn’t blow it off) playing with Sparky and watching some television. I watched the new episode of Percy Jackson and the Olympians, which I enjoyed, and then watched some documentaries on Youtube about history–mostly Byzantine, with some French and Austrian thrown in for good measure before going to bed relatively early. I did rest–my body feels very relaxed–but my mind never really shut off completely or for long.
The Lefty and Edgar nominations came out this week, and I have so many friends nominated on either or both lists! It’s always such a pleasure to see friends nominated for awards. It’s also a great opportunity to pick out some more great books to add to the list. I am also delighted to see Rob Osler nominated for Best Short Story (a queer nominee with a queer story!) and there’s another queer story nominated for the Lillian Jackson Braun Award, a book I actually blurbed: The Body in the Back Garden by Mark Waddell from Crooked Lane, so yay for a gay cozy being nominated! It always does my heart good to see queer writers being recognized by the mainstream, which is the kind of progress we’ve been wanting to see for decades. The categories for both the Leftys and the Edgars are stacked this year, which just goes to show how deep the bench actually is in crime fiction–and so many great books that weren’t nominated for either.
I blurbed several books this past year that are coming out now, so I want to go back and reread those so I can blog about them–not only Mark’s book but the new Rob Osler, Cirque du Slay and the new Margot Douaihy, Blessed Water. I also haven’t started reading another book quite yet–I was dragging too hard every night when I got home, really, to do any reading or engage my brain as much as I would like.
I think I may need to read out of my genre next, perhaps some horror? Paul Tremblay? Elizabeth Hand? I have so many great books in my pile, which is a delightful problem to complain about, but the struggle is real. How do I decide what to read when there are so many great books waiting for me to escape into? Maybe I should try to read just the books currently nominated for awards? Heavy sigh. Decisions, decisions.
It looks like we are having yet another hard freeze this evening, so hurray for not leaving the house for the rest of the day once I get home this morning. Sheesh.
And on that note, I am going to get cleaned up and head to PT. Have a great Friday, Constant Reader!
I have really come to love Bouchercon, and it’s always a highlight of my year.
Things have seriously changed for the better.
Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski
Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.
When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.
And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.
It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.
I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.
Should be considered a gift.
A fucking GIFT.
(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.
But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.
I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.
Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)
I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).
And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!
And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.
That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.
Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.
I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.
I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.
Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.
And like water wearing down a stone, we have to keep relentlessly pushing.
(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)
I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.
Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.
So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?
This marvelous interview with the amazing Margot Douaihy dropped while I was in the midst of Bouchercon or preparing for it, so I always intended to share it around on social media (what a thrill to be name-checked by such an amazing new star in the world of crime fiction). Her debut crime novel Scorched Grace was so phenomenal that I still think about it from time to time; her New Orleans was so exquisitely and artistically rendered that it gave me pause–and also made me wonder if I’ve been coasting and not working as hard as I should. (I always think that when I read a work that blows me away–I should try harder.)
Yesterday was spent in my chair watching college football and making notes in my journal on projects that are upcoming or are currently in progress. Despite all the sleep (I slept for eleven hours Friday night, and again last night) I still feel a bit out of it and drained and tired; but I am going to take a shower in a little bit and I am sure that will perk me right up. I did read some more of Shawn Cosby’s newest book but those opening few chapters hit me right in the soul and it’s going to take me a minute to process it. I also posted like three or four entries yesterday, too–I finished turning John Copenhaver’s questions for the Outwrite DC panel into a Greg interview (I plan on doing the same with the questions from the Bouchercon panels because I can, mwa-ha-ha!), also finished my entry announcing Death Drop, and another one about how The Children’s Bible was one of my first sources for images of hot muscular men (thanks again, Golden Press, for those sexy illustrations! I didn’t even mention Samson), so I am making progress on getting these drafted blogs finished and posted.
I feel a little pain in my mouth this morning, so I rinsed with salt water and took my pain pills. Pain is draining and exhausting, even if you take something for it, so that’s why I think I was so behind the eight ball with everything yesterday–it’s certainly why I am sleeping so much and so deeply, for which I am eternally grateful. There’s no more bleeding, which is great, and I am trying out hot coffee this morning (caffeine deficiency may have played a huge part in the tired thing yesterday). All I ate yesterday was protein shakes and ice cream (Haagen-Dasz strawberry; today is vanilla bean) which was weird and not very filling; I am going to have to go buy yogurt and more ice cream tomorrow, methinks, and explore some other soft food options, like oatmeal. I am going to have oatmeal for breakfast this morning–I actually like oatmeal and am not sure why I stopped having it in the mornings–and then see if I can figure out some other things. I bought some soups, so maybe I can soften crackers in the soup too. I remember moving back onto solid foods was an issue the first time around, so I have to keep that in mind as I slowly start reintroducing solids back. I know I will miss this unashamed and unabashed deep dive back into ice cream. My face also never swelled up, which is another indication of how good my dental surgeon was. Well done and bravo, sir!
The highlight of the day yesterday for me was watching Coco Gauff win the US Open. How absolutely delightful, and how delightful to have a young American star again to root for. I love tennis, but there really hasn’t been anyone on the women’s side with a larger than life personality like Serena Williams, or just flat out charismatic and likable (like Kim Clijsters) to watch and root for in a very long time. I think the guard is also gradually changing on the men’s side, with the Federer/Nadal/Djokovic triume slowly retiring as they get older, and it’s fun to see rising young stars like Carlos Alcazar play, too.
As for football, well…the Alabama-Texas game was exciting to watch, if strange; I’ve not seen Alabama play that sloppy or poorly very often in the seventeen years or so since Nick Saban came to Tuscaloosa. I also can’t remember the last time Alabama lost so early in the year–which means a second loss ends any play-off hopes they may have unless they go on to win the SEC. To see Alabama lose in Tuscaloosa by ten points to a non-SEC team early in the season? Unthinkable. The conference is not off to a great start this year; Miami roasted Jimbo and A&M yesterday; LSU’s horrific loss last weekend to Florida State; Mississippi got super-lucky to beat Tulane yesterday; and the rest of the conference isn’t exactly off to a great start either–even Georgia hasn’t looked invincible in their two wins, despite the margin of victory. The SEC is due for an off-year anyway; we’ve literally won four national championships in a row (2019 LSU, 2020 Alabama, 2021-22 Georgia) with three different teams, which is something no other conference can say this century, and also doesn’t include Florida, who won two in the aughts (as did LSU: LSU was the first team to win two titles since championship games were implemented). The only teams not from the south to win national titles this century are Oklahoma and Ohio State, and Oklahoma might as well be a Southern state as it’s not really in the Midwest either. In fact, the only two Big Twelve team to win national titles this century–Oklahoma and Texas–are joining the SEC next year. I’m still not sure how I feel about the realignments and conferences being killed off, but…the sport has changed dramatically since I was a child and ABC held the exclusive right to air games. LSU blew out Grambling State last night 72-10, and looked much better than they had the week before in that embarrassing loss to Florida State; but there’s also a big difference between FSU and GSU. I guess we’ll get a better idea of what LSU is like once we play at Mississippi State next week, and we’ll see how well Alabama bounces back from this disappointment for them. Auburn did manage to hold off California last night (I went to bed), but I also think Florida lost their opener to Utah? Yes, they did, or maybe it was Oregon? Regardless, they lost. Pity. (I despise Florida, and will only root for them when they play someone I hate even more, like Tennessee.)
So, today I am going to take it easy one more time without feeling guilty for not doing anything productive. I am going to do some chores–emptying the dishwasher, maybe some filing to clean up the mess that is currently my desk situation, and the refrigerator needs cleaning up too–and repair to the chair to read Shawn’s book for a bit. I also am going to make another cup of coffee and perhaps some oatmeal, washed down by a protein shake. I don’t know if my heart and blood pressure can take watching a Saints game, but Paul will want to watch and there’s also the men’s final for the US Open today. And maybe I will finish some other blog posts. One never knows, really.
Have a lovely Sunday, Constant Reader–and if I’m not back later, be sure I’ll be back in the morning.
Several weekends ago, I did an on-line panel for Outwrite DC. The moderator was John Copenhaver (whom you should already be reading), and my co-panelists were the always delightful and intelligent Kelly J. Ford, Margot Douaihy, Renee James, and Robyn Gigl. The video is actually up on Youtube, if you would like to watch it. John’s questions were insightful and intelligent (as always), and the conversation was marvelous, inspiring, and fun; there’s nothing I love more than communing with other queer crime writers (or any writers, to be certain), and I always try very hard to not monopolize panels because I do have a tendency to talk too much–especially if and when I get going on a topic I am passionate about. So, I thought it might be fun to take John’s questions and turn them into a long form interview, for thoroughly selfish and totally self-promotional reasons.
The panel blurb claims that “queer characters are riveting and necessary material for crime fiction and how those stories can shape (and perhaps reshape) the landscape of contemporary crime fiction.” Do you agree with this statement—and why do the stories of queer characters have the potential to shape crime fiction?
I completely agree with this statement. Queer crime fiction has a very proud history that was never really recognized or appreciated by the mainstream crime writers, readers, organizations, and conferences. That is changing for the better.
New blood is always necessary for any genre–horror, romance, crime, literary fiction–because genres tend to stagnate after a certain period of time. The cultural shifts of the late 1960’s and 1970’s echoed in crime fiction, for example; you couldn’t write crime in those periods without addressing all the cultural and social shifts; Ross Macdonald’s later novels are a good example of this. The 1970’s saw a lot of anti-hero books being written. The private eye sub-genre had grown quite stale by this time, which was when the women really moved in and gave it a shot of adrenaline–Marcia Muller, Sara Paretsky, and Sue Grafton blazed that trail, and revitalized a sub-genre that had kind of lost its way. Queer writers and crime writers of color are currently doing the same to the entire genre. Voices and perspectives we aren’t used to seeing are now getting into print and changing how we see, not only our genre, but each other. Crime fiction has always given voice to societal outsiders and outliers; queer people and people of color are the ultimate outsiders and outliers in this country. Who better to tell stories of societal alienation?
Why did you choose your sub-genre? How do you think the sub-genre has influenced the types of characters you write?
Well, I write in several different ones. Chanse MacLeod was a straight private-eye series; Scotty Bradley was more of an amateur sleuth/humorous series, but he does have a private eye license in Louisiana. A Streetcar Named Murder was a cozy, with an amateur sleuth heroine who gets caught up in a family mystery. I’ve also done young adult and “new adult,” whatever that is (it’s been described as ages 16-25), and Gothics with a touch of the supernatural. I tend to write things that I like to read, and I have a varied reading taste. I started writing the Chanse series because I wanted to do a harder-edged private eye series with a queer twist and set it in New Orleans. I didn’t know about J. M. Redmann’s Micky Knight series when I started writing Chanse; would I have done something different had I known she’d already covered the hardboiled lesbian private eye in New Orleans? We’ll never know, I suppose. Scotty was meant to be a lark; a funny caper novel and a one-off. And here we are nine books later…
As for Streetcar, I had been wanting to try a traditional mystery with a straight woman main character for a long time. When the opportunity presented itself, I jumped in with both feet. I like trying new things and pushing myself. Having to follow the “rules” of a traditional cozy was a challenge–especially because I have such a foul mouth in real life. I love noir so am working on two different gay ones at the moment.
Why do you think amateur detectives are appealing? Do you think there’s a reason queer characters often find themselves in the role of amateur detective?
I think it’s because we all think we’re smarter than the police? We enjoy seeing a character we can identify with figuring things out faster than the cops, especially without access to all the evidence, interviews, and forensics the cops do. Murder She Wrote has been off the air for about thirty years and yet the books based on the show continue coming out every year. If we start out in mysteries reading the juvenile series–Nancy Drew and the Hardy Boys and Judy Bolton and all the rest were amateurs, so we always cut our teeth in the genre with them to begin with. Scotty is basically an amateur, even though he has a private eye license he rarely uses; he and the boys never get hired (although they kind of do in the new one, coming this November.)
Let’s talk about place. Greg, your books take place in the South. Why is place important to the crime novel—why is it especially important to the queer crime novel?
Place shapes who we are–not just as queer people, but as people in general. There are similarities between growing up in a small town in the Midwest and growing up in one in the South, but the differences are very marked. I’ve lived all over the country–pretty much everywhere but New England or the Northwest–and always felt, as a Southerner (despite no accent and not growing up there) like an outsider. Couple that with being gay in a time when it was still considered a mental illness, and you have someone always on the outside looking in. But I have that Southern pull to write about the South–although many would say that writing about New Orleans and writing about the South are not the same; like me, New Orleans both is and isn’t of the South, and I feel that very strongly. I’ve written books set in California and Kansas, even one in upstate New York, but I very much consider myself a Southern writer.
Place is even more important in a queer crime novel because place shapes the queer people so much. As a writer, I think one of my strengths is setting and place, and I think that comes from being very much a fan of Gothics growing up. Gothics are known for place and mood, and I think those are two things I do well.
All of you write wonderfully flawed characters. Sometimes, as LGBTQ+ writers, we feel the burden of representation and the urge to write only positive LGBTQ+ characters as an attempt to undo history’s (the dominant culture’s) demonization of us. Unfortunately, that can be limiting—even flattening. Clearly, you’ve all struck a beautiful balance with your characters. Talk a bit about how you approached this issue.
The flaws, to me, are what make the characters seem real. Nancy Drew and the Hardy Boys always annoyed me because they were so perfect; no one is that perfect, and anyone that close to perfect in real life would be irritating and insufferable. I am am quite aware that I am flawed (one of my biggest flaws is believing I am self-aware because I most definitely am not), but I am not trying to be perfect; I just want to be the best version of myself that I can be. By showing queer people with all their facets and flaws and failures and blind spots, we’re showing the reader that we are human; despite what those who hate us say or claim, we are human beings just like everyone else, just trying to get through life and do the best that we can. The villain in my first book was a gay man–and the entire book was a commentary on how we, as queer people, tend to overlook flaws and red flags from members of our own community. Just because someone is queer doesn’t mean they are a good person–and queers with a criminal bent do exist, and often take advantage of that sense of camaraderie we feel with each other, especially when we don’t know the person well. I tend to trust a queer person more readily than I will a straight person, and that’s wrong–which is why I think we feel so much more hurt when queer people betray us.
Speaking of the demonization of LGBTQ+ folks … Ray Bradbury of Fahrenheit 451 fame said, “There is more than one way to burn a book. And the world is full of people running around with lit matches.” What do you think about the current tactics to ban queer books from schools, libraries, and even bookstores in places like Florida, Arkansas, and Texas? Why are they targeting queer books?
This is, I hope, the last gasp of the homophobes who’ve never updated their hate speech in over fifty years. What the hate group “Moms for Liberty” are doing and saying is no different than what Anita Bryant said and did in the 1970’s, what Maggie Gallagher and her evil co-horts at the National Organization for Marriage repeated, then came the One Million Moms…all too often it’s the cisgender straight white women who are the real foes of progressive politics who fight to uphold a bigoted status quo. They always claim they’re concerned moms worried about their children–but are perfectly fine with them being shot up at school; working in a meat factory on the night shift at thirteen (have fun in hell, Sarah Huckabee Sanders, when you get there and French-kiss your Lord and Master Lucifer); or shouldn’t have the right to vote…they know better than a child’s actual parents, you see, about what the child needs or wants. Maybe they should spend more time with their own children than worrying about everyone else’s? Phyllis Schlafly, queen skank of the conservative right, ignored her own family while she embarked on her crusade to strip women of their rights and autonomy–all the while shrieking like a hyena into any microphone nearby that she was fighting progress to save the American family while selling some Leave it to Beaver-like nonsense as reality. I always felt sorry for her gay son. Imagine that as your mother.
As for why, it’s about control and power. I actually respected Anita Bryant more, because she truly believed all the vile, horrible, unChristian things she said and espoused. Most of the others, including the unspeakably vile and disgusting Moms for Liberty, are working a grift for money, attention and power. Hilariously, they’ve sold their souls in the worst possible way in the guise of family, religion and God; if they’ve ever actually read their Bibles, they need to work on their reading comprehension skills as they are both apostates and blasphemers who will spend eternity doing the breast stroke in the lake of eternal fire. Hope they enjoy it.
Sorry your husbands and children don’t love you, but who can really blame them?
What are you working on next? What’s coming up?
I have a short story in an anthology called School of Hard Knox from Crippen and Landru (and somehow got a co-editor credit for the book with Donna Andrews and Art Taylor); Death Drop, the first in a new series from Golden Notebook press, drops in October; and the ninth Scotty comes out in November, Mississippi River Mischief. I am writing a gay noir, and may be writing second books for the new series I started with Crooked Lane last year as well as a sequel to Death Drop, and have a couple of short stories I want to finish to submit to anthologies I’d love to be in.
I will spare you, Constant Reader, the trials and tribulations of my medical travails; I have to see another specialist, and we’ll leave it at that for now.
I also had to research whether either of these specialists he referred me to actually take my insurance (they do) and then get to hope they can see me at some point before this gets even worse and more difficult to take care of. I spent the rest of the day cleaning and trying to put this bullshit out of my head, because all it did was make me angry all over again and, unless I am putting that anger to productive use, it’s just wasted energy. But I’m glad I’m making progress on this at any rate, and I suspect that a doctor will be the murder victim in a book I will write at some point in the next few years. I also made an appointment on Sunday to get the hearing aids process moving along–it would be so great if I could get them before the trip, wouldn’t it?–and so at least soon I’ll be able to hear again, and in about a month I’ll be able to chew again. Yay!
Always look at the positive. Life doesn’t give you anything you can’t handle; it’s how you handle it that matters.
I took a shower to wash the blech of the day off me–it’s amazing to me how that always seems to work and put me into a better mood. The symbolism of washing the negativity off of me is actually effective and works to somehow reset my brain. I also had a great mail day–picking up the mail on the way home and made groceries, too–in which I got the ARC of the new Margot Douaihy Sister Holiday crime novel (her debut, Scorched Grace, is fantastic) and Duane Swierczynski’s short story collection Lush and Other Tales of Boozy Mayhem, which I am looking forward to digging into. Paul got home rather late last night, but we did have time to watch an episode of Turn of the Tide–but I think I actually have lost the thread of the plot. But it’s entertaining enough, still. I do want to start watching Ahsoka on Disney–I’ll try anything Star Wars; so far Boba Fett is the only Star Wars series we didn’t finish.
I’m still behind on talking about the Alfred Hitchcock Presents stories I’ve read lately; but yesterday at the specialist’s office I started reading Brett Halliday’s story “Pieces of Silver” from Stories to Be Read Late at Night, and it was an interesting tale, if dated, and more than a little bit guilty of racism. I’d not read Halliday before, but I’ve heard of him; I remember seeing his Mike Shayne novels on the wire racks at Zayre’s when I was a kid, and i have one of his books Hard Case Crime reprinted, but haven’t read yet. It’s a very typical tale of its time, though–complete with the colonialist mentality toward the indigenous people of Latin America. The story is set in Mexico, and is about an ugly American-type who has come to the region looking for oil. I will say the ugly American is the villain of the story and every step of the way Halliday is very quick to point out the classism, racism, and toxic masculinity of Thurston, the American–the way he treats the locals he hires to take him up river into the jungle; the way he ogles and wants the teenaged daughter of an American expatriate who married a local girl–but while there is absolutely no question that Thurston wound up getting exactly what he deserved…it’s very hard to be sympathetic to the author’s view of Mexico as a still wild, exotic and extremely primitive place; he certainly doesn’t view the Mexican working class with the same respect as Katherine Anne Porter. (On the other hand, I’ve always been bored by Porter’s Mexico stories–because even in them there’s still an element of the privileged white woman viewing the plight of the poor Mexican working class from her lofty perch at a safe distance.)
Reading this story only served to further emphasize to me how tricky this short story from the past that I am currently trying to revise and finish will be. Originally set in the Yucatan (I wrote it after I visited the Mayan ruins there), it was one of those Alfred Hitchcock Presents/ Tales from the Crypt kind of stories, but in reviewing the story as I wrote it, I fell into the trap Halliday did with his story–making the native people exotic and othered; mysterious and primitive. I am sure there are still poor people living in remote places in Mexico, but this isn’t the way to write about them. I’d been thinking of moving the setting of my story from Latin America (in this revision, I created a fictional country) to the Aegean–like there aren’t plenty of Greek myths to build the story around, make it seem real, and of course I can create a mysterious remote Greek island no one ever visits and no one would blink twice. I just haven’t been there myself, but I need to snap out of the mentality that I can only write about places I’ve been. It does help, of course, but…when you’re creating a fictional place, you’ve never been there. No one has.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.
Queer and Loathing in America 