Tag: Lori Roy

I’ll Take You There

I know a place, ain’t nobody crying…

I love the Staple Singers. I think the fact I was always drawn to great female singers when I was growing up was one of the first clues what my sexuality was going to be. Why precisely was I drawn to the women singers? I can’t answer that any more than I can answer why I was such a fan of the great women stars, like Crawford and Davis and Stanwyck and Hepburn. I definitely wanted to be one of the Pips singing and dancing behind Gladys Knight.

But I am one of the few, if not the only, gay men who doesn’t like The Wizard of Oz.1

I wrote 1300 words on a short story yesterday, but kind of got stuck. I know how I want to end this story, but I am a little stuck on the middle of it–where I always get stuck. So, I am going to stick a pin in it and work on revising something else; I usually solve problems in one work when I’m working on another, odd as that may seem (and last night, as we finished off The Survivors, I figured out the next part of the story; see how that works sometimes?). I was tired yesterday, too. Not sure why that was, but I did go by the mail on the way home (where my copies of Lori Roy’s The Final Episode and S. A. Cosby’s King of Ashes were waiting for me; huzzah!) and after we finished The Survivors, I did chores and got some things organized and ready for tomorrow. It was super nice coming downstairs to a clean kitchen this morning. My coffee is pretty tasty, too.

We had a marvelous downpour last night, along with some truly lovely thunder and lightning. I love rain, I really do, and as I sat in my chair watching the end of the show last night, I couldn’t help but feel so snug and comfortable and warm. There’s just something about rain that makes me relax and feel so content; years ago I used to listen to that “forest rain” CD to fall asleep, and I always fell into a deep one. I also realized that I write about the rain a lot. I love writing about rain; the short story I am working on is at about two thousand words now, and it’s raining in the story. It rains throughout the entire Scotty book that I also need to get back to writing once my creative muscles have regained their fitness and are strong again.

I also am feeling better. I am a little tired this morning, and yesterday I did hit a wall at work yesterday afternoon (but I also got all of my work done and so am on top of everything again, huzzah), and I did sleep well last night (thanks, thunderstorm!), but this morning feels like a Wednesday morning; I’m awake and alive but a little bit tired. But I just need to get through today and tomorrow before getting to sleep late (of my alarm kitty will allow it) on Remote Friday. I am not actually wishing my life away, the way I usually do; that’s another thing that has changed for me mentally since the height of the illness. I still haven’t made a to-do list for this week–so I need to do that today. I also need to make some calls about my treatment plan for this colitis; I spoke to my GI specialist’s office yesterday and he’s fighting with my insurance to get the infusions covered (because they of course declined to cover that, but the shots for the rest of my life they are fine with). Sigh. I knew it was too good to be true. Louisiana Blue (aka Blue Cross/Blue Shield) isn’t really much better than United Healthcare; deny defend depose. I am sure my specialist will win this fight, it’s just insane that an insurer can decide arbitrarily, without examining me or my chart, what treatment options are best for me over the recommendations of the person who correctly diagnosed me and put me on the road to recovery.

This country is so seriously fucked, and broken, because that’s the end result of capitalism. For-profit models do not improve service or keep costs down, the way the Right keeps insisting that the “market place” works and is therefore the best possible option because otherwise SOCIALISM! Yeah, well, you know what doesn’t happen in socialist countries? People don’t die from not having access to health care.

Are we great again yet? Asking for a friend.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll see you here again on the morrow.

  1. Thinking about it now, I only watched it one time when I was a kid and maybe the flying monkeys scared me? Plus our television was black and white, so there was no difference between Oz and Kansas. I also only watched that one time and never again. ↩︎

Hell is for Children

Being Southern hasn’t been as difficult for me as it is for most Southern people, when it comes to forgetting the past and not taking pride in a heritage that includes racism and bigotry and enslavement. Some of the earliest lessons I learned about life in these United States was that I was one of the few people who started recognizing something that I wouldn’t know the name for until I was much older: cognitive dissonance. What I was being told at home was different from what I was being taught in school, and even that, while better balanced, was “patriotism good rah rah rah U!S!A! U!S!A!” all the time, nonstop. I began wondering about how much of an American “hero” Christopher Columbus really was, as all he brought to the New World was genocide, slavery, disease, centuries of oppression and looting the resources of the Americas. I started dealing with more cognitive dissonance as I got older and began seeing the flaws in white American supremacy, the contradictions and conflicts, and I had to think and reconcile all of these differing opinions. As I got older, resolving those cognitive dissonances required abandoning the education I got as a child about our country and its history because it was drenched in white supremacy and American exceptionalism and, well, lies to make white people feel better about themselves1. Reading and studying history made me look at modern Christianity askance–your religion has always been bloody, intolerant and cruel; but I’m supposed to believe the faith that slaughtered non-believers gleefully has changed and learned the errors of its ways?

Likewise, the Civil Rights Movement was in full swing when I was a child, and saw I watched the marches and the horror of the violence on the news. I didn’t understand nor believe the so-called religious justification for bigotry–my view of Christianity was markedly different from what I was learning in Sunday school for sure–but as someone blessed with white privilege I was also oblivious to a lot of what the Black community has dealt with throughout our bloody and horrific national history. My beliefs and values have never stagnated or been chiseled into stone; I appreciate gaining new perspective and examining my own internal biases and prejudices, and changing my mind predicated on the new perspective.

There are some things, however, I will never change my mind about: bigotry and prejudice are evil and have no basis in anything except vile ignorance and emotion.

The “we need diverse books” movement on-line was absolutely wonderful, because it gave me an easy opportunity to find books by diverse authors that either didn’t exist before or did and weren’t given much of a push. I loved the expansion of the crime and horror genres to include these characters and themes and stories; I love their fresh perspectives on society and culture and yes, the genres themselves. Books by S. A. Cosby, Kellye Garrett, Rachel Howzell Hall, Tracy Clark, Cheryl Head, and other racialized authors have not only been revelatory, but so strongly written and brilliant that it’s pushing other authors to better their own work to keep up. I’ve also been reading a lot of non-fiction about the civil rights movement and the history of prejudice and racism in this country, informing not only myself but with my own work, as well.

And in a class almost by itself is Tananarive Due’s The Reformatory.

Robert Stephens held his breath and counted to three, hoping to see Mama.

Some mornings his nose tickled with a trace of talcum powder or Madam C. J. Walker’s Glossine hair grease, and he felt…something hovering over him, watching him sleep. His groggy brain would think…Mama? If he gasped or sat up too quickly, or even wiped the sleep from his eyes, it was gone like a dream. But sometimes, when the June daylight charged early through the thin curtain and broke the darkness, movement glided across the red glow of his closed eyelids like someone walking past his bed. He felt no gentle kisses or fingertips brushing his forehead. No whispers of assurances and motherly love. Nothing like what people said ghosts were supposed to be, much less your dead mama. That morning he was patient, counting the way he’d practiced–one one thousand, two one thousand, three one thousand–and slitted his eyes open.

A woman’s shadow passed outside of the window above him, features appearing in the gaps between the sheets of tinfoil taped across the glass. In a white dress, maybe. Maybe. Moving fast, in a hurry.

“Mama?”

This book is a revelation. It is without question one of the most powerful books I’ve read in I don’t know how long.

I knew it was going to be a hard read, because I knew what the book was based on. I also don’t remember when I first became aware of the horrors of the notorious Dozier School for Boys in Florida, but it was a horror to be sure. I’ve read some novels based on that story (I loved Lori Roy’s The Disappearing) already, and so was familiar. Reading about enslavement and the Jim Crow South2 is inevitably a hard slog for me, and not just because of the white guilt it deservedly triggers; it just staggers me that in a country that supposedly is about equality and freedom such things could happen, be taken as normal, and changing the system is so violently opposed…a lot of racist Southerners see nothing wrong with that history and would like it to return, so these kinds of stories of American atrocities against its own citizens are incredibly important. The pen is indeed mightier than the sword, which is why repressive governments always go after journalists and writers; a well-told story that illustrates the injustice for the reader and humanizes it can change minds.

The Reformatory is about the Gracetown School for Boys and a young twelve year old Black boy who is sent there for absolutely nothing; an older white boy was sexualizing his older sister Gloria, and when young Robert stands up for her he gets a brutal shove, and he retaliates with a kick. Alas, the white boy’s father is wealthy and therefore powerful, and he wants this “uppity” behavior punished. In a joke trial that’s not even a trial, the corrupt racist judge sends Robert to the hell of the reformatory. Robert’s story doesn’t become about a search for his own justice, but the hell of surviving a place where boys die regularly but never of natural causes. Young Robbie has a gift, too–he can see ghosts–and there are a lot of ghosts there for him to navigate. Gloria’s story becomes about her desperate drive to get her brother out of there and correct the injustice. Their father was also a union organizer, and was falsely accused of raping and beating a white woman, so he fled north to Chicago. So, the boy in custody is also a pawn for the white power structure who really wants to get their hands on Robert Senior.

The warden, Haddock, is a sadistic predator who enjoys torturing and raping and murdering his charges. He also has a special need for young Robbie’s ghost seeing abilities, wanting to rid the campus of the ghosts of his victims. Due manages to make the horrors of that place absolutely real, with some of the most vivid and powerful images I’ve come across in a novel in years.

But the true horror of the book isn’t the ghosts at the school. The true horror is its horrific and realistic depiction of the Jim Crow south, and the lack of hope for change in the Black characters. It was about halfway through the book that I realized, as much as I was loving this book, that there was no happily ever after for Black people under Jim Crow, before civil rights. They might be able to escape a predicament, but there was no escape ever from the system.

Which is absolutely terrifying.

Definitely check this book out, and I am going to look for my next read from Due.

  1. Manifest destiny? I could write an entire book about that bullshit. ↩︎
  2. Someday I will dismantle To Kill a Mockingbird for the racist lie it is. ↩︎

I’m a Believer

Thursday and my last day in the office for the week, Huzzah! It’s been a pretty decent week, overall, which is pretty amazing and pleases me endlessly. Is it just me, or is this summer just swimming by? It’s almost mid-July already, holy crap. I’d fully intended to be further along in my book than I am, so I need to kick it up a notch. Now that I have most of the busy work done around the apartment, I don’t need to spend as much time on that on the weekends and can start focusing on getting back into a strong writing groove again. I’m spending a lot of time thinking about the book and developing the characters out further–I need to do some more work on that as well before moving on–so I am working, just not in the way that gets me closer to a finished first draft. A chapter a day for the rest of the month should do the trick, really, but that’s also a lot of writing to cram into a short period of time and I don’t know if I have the mental stamina to do that without burning myself out a bit.

I guess I need to stop being afraid to find out, right? Fear is such a useless emotion when it comes to living your life, really. Sure, if a spree killer is coming for you, you should be afraid–but you need to stay calm so you can think your way out of the situation. (I’ve always wanted to write my own take on a slasher movie; I have a couple of ideas that could be a lot of fun to explore.)

Yesterday wasn’t a bad day at all. I managed to make it through the entire day without getting tired or worn out. I came straight home from work between the rain storms (Beryl’s remnants are still plaguing us in New Orleans, but there was no flood warning last night, either) and we watched Presumed Innocent and more of Outer Range, which is very strange. There’s only one more episode and there’s no way they could possibly get everything wrapped up and explained in one, so it’s either going to be continuing into a second season and a lot is going to be left unexplained at the end of the series. It’s entertaining enough, and the acting is pretty good, so it’s involving us, but part of that involvement is “what the hell is going on?”

Not a way to end a first season or a mini-series, I’m afraid.

I was a bit tired when I got home yesterday, not going to lie about that. Not worn out must lie in chair all night doomscrolling social media while the television plays as background noise, but still fatigued. Today is my last day in the office for the week, so here we are at the end of another week with the weekend looming. I really need to get a to-do list together, because I know I am forgetting things I need to be doing. I think I am going to try to use this weekend to do a few things on the apartment, but get everything looming finished and caught up. I also want to finish Hall of Mirrors this weekend, so I can select my next read, and I have a pretty good idea of what that is going to be–it’s either the new Lori Roy or the new Wanda Morris–and of course I have some other blog posts I need to get finished. Ironically, I was already writing one about “the art v. the artist” re: the recent publishing community scandals when another broke yesterday, involving someone I know slightly and have always liked…so now I can write it from a more personal headspace. All of the scandals were surprises, but once the surprise wore off, it really wasn’t as surprising as I’d initially thought.

I also discovered yesterday that a short story I need to write isn’t actually due until December, so that was very good news. One of the things I need to do is also keep working on short stories. Maybe I’ll work on editing some this weekend; there are quite a few in progress and I really would like to get the collection finished and turned in. It can be very daunting sometimes when I think about all the things I have in progress and the fact that I am probably going to work on two of the more recent ones before I go back to anything else. I also think I am going to start working on the next Scotty book, too. I mean, what’s another thing to have on my plate, really? But I’ve written two at the same time before–going back and forth; when I’d get stuck on one I’d go work on the other, and by the time I’d get back to the original I wouldn’t be stuck anymore. It IS a lot to be juggling two books and a short story collection at the same time, but I have a lot of free time now, which I am still trying to get used to and wrap my mind around and figure out how to manage that time the most effectively I can–it is very easy to get sucked into doing nothing, particularly since I am so damned lazy and “a Greg at rest tends to stay at rest,” which has been true most of my life.

Ironically, I was writing a post about the “art v. the artist” argument this week in the wake of the last two authors outed as shitty people from the outside perspective of someone with no skin in the game (I’ve admired Gaiman’s work, but was never really vested in it; was aware of Munro but hadn’t read her; I bought a collection when she won the Nobel Prize), as has been the case pretty much always; I’d read the Harry Potter books as an adult so wasn’t vested in them, so that author’s descent into homophobic TERFdom wasn’t hard for me…but yesterday news broke about someone I actually do know and have worked with before, which means scrapping that post and starting over again. But even that acquaintance wasn’t much, and while I admired his writing successes, as I do with everyone, but I’d only ever read some of his short stories…so it’s again not something emotionally wrenching for me. So this brings a whole new perspective to it, and so I need to roll it around in my head a bit more.

Jesus, the world in which we live.

And on that horrific note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll be back probably later.

Sea Cruise

Work at home Friday, and here’s hoping for a great day, and even greater three day weekend. I will inevitably wake up on Tuesday morning, asking myself as I swill my morning coffee how did I waste three whole days? When you’re a Gregalicious, it’s ridiculously easy, you can trust me on that. I slept really well last night, which is great. I also slept in an extra hour and a half this morning, and so looking forward to finishing waking up over my coffee and see where the day leads. I have a work meeting this morning, and all kinds of things to get done for the job today. I also have all kinds of things I want to get done this weekend, so I guess we’ll see how productive I actually am. We shall certainly see. I’d like to finish my reread of Michael Thomas Ford’s Suicide Notes, and I am trying to decide what to read next. I’ve got the new Stephen King short story collection and a new queer horror anthology should be arriving at some point. I think my next read is going to be either Kellye Garrett, Lori Roy, or Angie Kim, but we’ll have to see what strikes my fancy when it’s time to start reading.

Paul was late getting home last night, so I spent most of the evening trying to get chores done; I did get the laundry done and I have another sink full of dishes to get taken care of, and I would really like this weekend to be utilized trying to get the apartment into some kind of decent shape. I may need to change the arrangement of the work space, too–last night I was sitting here and all I could think about was how closed in and claustrophobic I feel the way it is now; I thought this would make it better, but I was incorrect and I am not even sure what I was thinking, either. I guess I can just blame it on fog brain and depression or something, because I was clearly not in my right mind–and frankly, realizing this made me feel like myself again, which was unexpected yet lovely at the same time. Maybe I am right and it’s all cleared out of my brain and my chemistry up there is working properly again. One never knows, does one?

Louisiana’s descent into Gilead took a few extra steps this week, as our disgusting theocratic legislature passed laws making morning after pills and other abortion medications controlled substances. I’m not exactly sure precisely how long it will take a woman needing one to drive and get one–if Florida’s ballot initiative enshrines abortion into their constitution, not terribly far–but they’ve also passed bathroom laws to punish transpeople for needing to use a public restroom; Louisiana has learned nothing from the lessons of the civil rights movement (or losing the Civil War–by the way, they are putting some Confederate statues back up in some parishes, too). I am excited because Helena Moreno, who is on the city council, is running for mayor and she is all about women’s rights and queer equality. So, will New Orleans continue to hold out against the repressive government up I-10 in Baton Rouge, or will Lawless Landry try to come for the city? MY guess is he will try to come for the city; it’s never gone well for Louisiana before but Republicans never learn, they just stubbornly wait and try again. There’s going to be a massive brain drain, too–already there’s a shortage of OB/GYNs, and our infant mortality rate was already high. But never ever expect a Christian or a Republican to ever think anything through, because they never do and they don’t care about future repercussions from their bad policy.

It’s going to be interesting continuing to write the Scotty series while we have a governor and legislature trying to turn the state into a reactionary conservative theocracy…thanks again, corrupt Supreme Court; and thanks again to all third party votes from 2016. We tried to tell you it was about the Supreme Court, but no. So miss me with your third party bullshit this time around, too. And thanks again to Susan Sarandon, for all your work to ensure Democrats didn’t get elected to the White House in 2000 or 2016–the blood from this court’s decisions is on the hands of everyone who voted third party in both of those elections…which is how Alito, Roberts, Kavanaugh, Barrett, and Gorsuch are up there stripping our rights away from us–so miss me with your “I’m too progressive to vote Democrat but I’m an ally to marginalized people!” No, you’re not, and I hope your moral purity sustains you if we lose this election–and it is as bad as Project 2025 spells out in precise detail. An ally to marginalized communities would never throw their vote away as a protest–that ability comes from your fucking SMUG white privilege. In fact, that is the very definition of egomaniacal selfishness. How clear will your conscience be when the deporting starts, or if they round up queer people? Make a sign and beat your breast on social media? Fuck all the way off, and I hope you enjoy every minute of hell when you get there.

Definitely feeling a touch feisty this morning, don’t you think?

It was also very fun watching the LSU baseball game last night, as they defeated South Carolina to make it to the SEC semifinals last night 11-10. They’ve now beaten three top ten teams in a row in the tournament, setting them up very nicely for a post-season run as they try to make it two national championships in a row. I love the college baseball post-season, but I think I got really spoiled last year by that exciting title run LSU made and accomplished–and I know that jello-shot bar is hoping the Tigers make it back to Omaha this year.

And on that note, I am going to make another cup of coffee and start the dishes in the sink and laundering the bed linens. Have a great Friday, I may be back later as I am behind on posts, and if not, I will see you tomorrow morning!

Goodbye Baby

Ah, Sunday. I slept in this morning–almost all the way to ten o’clock, it’s like I don’t even know me anymore–but it felt good and I am awake and enjoying my first cup of coffee this fine morn. I did some errands and chores yesterday, which was great, and watched a lot of nothing on the television while I was playing around doing research on-line. I did finish reading Carol Goodman’s marvelous The Bones of the Story (more on that at another time), and spent some more time with the Scott Carson I started reading in Kentucky. There’s still a lot that needs doing around here, but it’ll get done and I still am a little worn out from the drive home, so maybe today’s not the day to try to be super-productive. I also spent yesterday trying to catch up on the state of affairs in the country and world (glad to see people still dragging the puppy slaughterer), which was depressing but necessary. I am way behind on my emails, which is something I will have to address (tomorrow). Heavy sigh. But one can’t hide in their unreality longer than one can and still be functional, can one?

Ah, well.

I also got a signed copy of the new Lori Roy novel, Lake County, in the mail yesterday, which was marvelous. She’s one of my favorite writers, and has been ever since I met her on a panel at Bouchercon a million years ago and then read her Edgar Award winning debut, Bent Road, which was incredible, and I’ve been loving her (and her work) ever since. Once I finish the two novels I am reading, I am digging into the new Roy. Huzzah! I have so many good books on hand to read–I still have the latest Angie Kim, among many others, in that stack on the end table in reach of my chair–that it’s hard to decide what to read next, and then books like the Angie Kim (and the Celeste Ng, and the Angela Crook, and the Jess Lourey, and on and on and on it goes) end up not getting read in an expeditious manner. I have certainly been enjoying all the reading I’ve been doing lately, and need to stay on top of it as much as possible.

The more I look into the suspicious death of Noah Presgrove, the more intriguing the story becomes. It is, as Carol’s latest title proclaims, ‘the bones of the story’; obviously I am interested in what happened the last night the young man was alive and how he actually died, but the basis of the story, it’s fundamentals (small rural town; corrupt local justice system; three day long weekend party serving minors illegally; and of course the battered naked body in the fetal position on the side of the road) make for a fascinating and interesting foundation for a fiction novel, exploring the bitterness and old hurts and feuds and nastiness in a poor, small rural town in Oklahoma (which I will probably change to Kansas, naturally), and peeling back the layers of deceit and resentments and lies and relationships is kind of appealing to me.

It’s also Mother’s Day today, my second without one, and I am not actively avoiding it today, either, the way I did last year. Last year it was still too new and too fresh for me to even be on-line much on that day, but this year is easier. Seeing Dad around Mother’s Day (since it’s always the weekend after Decoration Day, or The First Sunday in May) also made it easier. We talked about her a lot, and Dad told me a lot about their teens and the early years of their marriage, when they were very poor (I didn’t realize how poor we actually were when I was a child and a teen until many years later; living in Kansas kind of twisted that as we were considered well-off there), which made me smile a lot. Obviously, I will always miss my mom, but it’s not as painful to think about her as it used to be. That’s progress, and now I can remember her without recriminations about being a bad son or taking advantage of her kindness or disappointing her. I think that’s normal when you lose a parent or a loved one; you regret time not spent together and think about all the times you were a shitty person. But…I was also horribly spoiled by my parents, and they never stopped trying to spoil me even after I was an adult, because to them I was always their baby and since I didn’t have kids…well, they never stopped seeing me that way. Then again, it may just be a parent/youngest child thing.

And on that note, I am heading into the spice mines. I’ll be back later–I have soooo many entries to catch up on; the books I’ve read alone need to be discussed–but I am also not putting any pressure on myself about getting things done today as I am still in recovery mode from the trip. So have a great Mother’s Day, everyone; hug your mom for me and if yours is also gone like mine, I am giving you a big virtual hug.

comfortably numb

Lou Berney is not only one of my favorite writers, but he’s also one of my favorite people in this business.

I met Lou for the first time many years ago, because we shared a panel together at Bouchercon in Raleigh (the moderator was Katrina Niidas Holm, and the other panelists were Lori Roy and Liz Milliron; none of whom I knew before and have been grateful ever since that I not only got to meet them and become friendly but also because–even better–I discovered incredible new-to-me writers whose work I’ve been enjoying ever since). Shortly after this I read his novel The Long and Faraway Gone and was completely blown away by it; it won every conceivable award for crime writing the next year, and he followed it up with the completely different but just as fascinating and brilliant November Road several years later. I’ve yet to go back and read his earlier work, but plan to eventually–but I also like having them in reserve; Lou’s not nearly as prolific as I would like. I kind of think of him as a male version of Megan Abbott: brilliant, insightful, and exceptionally gifted writers with piercing perceptions into the kinks and flaws of character that make people human.

And Dark Ride is exactly what is promised in that title–a dark ride.

I’m lost, wandering, and somewhat stoned. This parking lot, when you’re in the middle of it, deems much vastr and more expansive than it does from the street. Or do I just seem much less consequential? That’s the question. One for the ages.

It’s July, hot as balls. I stare up. The sky, pale and papery, looks like it’s about to burst into flame.

How would you describe the sky to someone who’s never seen a sky? You’d have to explain how it’s different every day. So many shades of blue, of grat. And we’re not even talking about sunrise or sunset. Plus the clouds! How would you describe clouds?1

“You need some help?”

“What?” I say.

Some dude in a suit is about to climb in his car. He’s about my age, probably a couple of years out of college. With the suit and haircut, though, he’s all business. Me, I’m wearing board shorts, flip-flops, and a vintage faded Van Halen T-shirt I found for five bucks at Goodwill. I haven’t cut my hair in almost forever and I’m a minimum-wage scarer at an amusement park fright zone.

Jesus, what a fucking great opening. (Although I did wonder if any T-shirt costs $5 at Goodwill.)

Dark Ride has about the most unlikely main character you’ll ever meet in a crime novel–Hardy “Hardly” Reed–and that above paragraph is a master-class in character. In fifty-two words and two sentences, Lou Berney created a character that I absolutely, 100% know and believe is real. I’ve known any number of Hardlys over the years, and I can also certainly identify with being in your twenties and kind of drifting aimlessly, with no plan for the future other than you’re afraid of it and you don’t want the path everyone else seems to wnt for you that you know isn’t right.

The story opens with Hardly going to the city building of some unnamed city in the Midwest (since it’s Lou Berney, I’m going out on a limb and saying it’s probably Oklahoma City or Tulsa) to get a thirty-day continuation on paying a parking ticket. A tedious, horrible, day-disrupting chore that most of us have had to deal with at some point in our lives. Personally, I despise having to go to any city or state office for any kind of business, and feel pretty confident in stating that’s probably pretty much how everyone feels about that sort of thing. (Even worse is getting the camera fucking ticket in the mail.) Hardly is, by every definition of the word, a loser–despite being very likable and relatable; the kind of man whose relatives just sigh and say, “well, that’s Hardly” when they talk about him. But Hardly doesn’t have relatives. His mother died when he was a child and he would up in foster care–and even admits he and his foster brother, a successful rising architect, got very lucky with their foster family. But he came out out of it with no purpose, no sense of direction, and no goals or desires for life. He just does his minimum-wage job, lives in his shitty rented room, and smokes a lot of weed. So do most of his friends.

And the opening paragraph and that meditation on the sky and clouds? Such a stoner thing to do. (I’ve had some experience with cannabis–especially in my twenties, but that’s a story for another time.) So, why is this amiable, stoner loser the main character of this book? we soon find out. As he waits in line to get his continuance, he sees a woman with two very young children–and notices on both a pattern of cigarette burns on each child. Horrified, he looks for someone in authority to report this to–but no one seems to care. The woman and her children leave, and he manages to meet someone who works there who pointedly won’t tell him their names but that he needs to sign in, which makes him realize he can her name that way–Tracy Shaw. He finally calls CPS and makes a report over the phone. Relieved that he’s done his duty, he goes on with the rest of the day, which includes going to work at the crappy amusement park where he works (a fair played a major role in The Long and Faraway Gone, which makes me think at some point in his life Berney must have worked for an amusement park or a fair) where we meet his co-worker and friend, a mentally challenged 16 year old named Salvadore, who is one of my favorite characters in the book.

It begins, though, to bother him that CPS never calls him back with questions or for more information–he’s sadly still young enough to believe in the efficacy and efficiency of Authority–and it begins festering in his head. He’s worried about Tracy, but he’s even more worried about the kids, seven and six by his estimate, and how their lives are being shaped and ruined by the abuse. It keeps bothering him until he decides to do something about it, and what follows is a delightfully entertaining, beautifully written saga of someone who has been completely written off by society as a loser and a wastrel yet still manages to find the strength of character and moral purpose to try to save those kids, however foolhardy–and dangerous–it may turn out to be for him.

I’m not really sure how to describe the book, to be honest. I feel like “stoner noir” is the best fit, even though the cover calls it a thriller, I don’t know if that’s actually correct or not. Hardly’s sense of purpose, his sense that he’s the only person who cares about saving those kids, reminded me of a knight’s quest from classic literature; another time he reminded me a bit of Don Quixote tilting at windmills. I loved this book. I loved the main character, I loved the voice, I loved everything about this book–except the fact I didn’t write it.

Buy it, read it, cherish and love it–and thank me later.

  1. “Bow and flows of angel’s hair, and ice cream castles in the air” per Joni Mitchell. You’re welcome. ↩︎

Maneater

Thursday and my last day in the office for the week. I also decided to go in a half-hour later than usual and stay until five instead of four-thirty; alert the media! I know how hard it is to go on without knowing these minute details of my life. But it was cold this morning, and Tug woke me at the usual time–but curled up and went to sleep next to my head on my pillow once I hit snooze for the first time. Of course now that he’s awake and eaten and had some water, he’s all over the kitchen counters this morning knocking things off. He is particularly fond of pens and cigarette lighters–Paul is missing any number of them, and I’ve noticed he always make a beeline to any lighter lying around. Why the fascination with my pens and Paul’s cigarette lighters is a mystery for the ages.

I was tired when I got home yesterday. I had book mail yesterday (Tananarive Due’s The Reformatory, which is a horror writer’s version of the Dozier School for Boys in Florida, which I’ve already read two fictionalized versions already–Lori Roy’s and Colson Whitehead’s). I’ve not read Due before–my own fault, and no one else’s–but am really looking forward into digging into this one. I was also oddly tired by the time I got home; I felt fine when I left work, but after a couple of errands I was exhausted by the time I got home. The termite exterminator came by yesterday morning (the hole in the kitchen roof was partly rot and partly termite damage), and apparently Tug was fascinated by the Terminix man. I also watched another episode of Moonlighting last night–guest star was a very young, pre-China Beach Dana Delaney–(that’s another show I wouldn’t mind revisiting; does anyone else remember China Beach?) and I enjoyed it thoroughly. Paul and I then finished The Fall of the House of Usher, which was really quite good and very well done; I also had read a piece recently which stated that Mike Flanagan has placed Ryan Murphy and American Horror Story as everyone’s go-to horror television creator. I will even go further than this and say Flanagan’s surpassed him. There were, at best, three top-level seasons of AHS–“Murder House,” “Asylum” and the election one; but it would be hard for me to say than any Murphy season is superior to any of Flanagan’s work; Midnight Mass alone was so superior to any of Murphy’s seasons that it’s not even a fair comparison–and Murphy had Jessica Lange and all of those other amazing talents in his repertory company.

I also recognized yesterday that I’ve been in a bad place since somewhere around last Thursday. There have been moments this week where I’ve come out of it and gotten some things done, but it’s still there. When I came home yesterday I intended to finish laundry and the dishes, but Tug wanted a lap bed and I gave in, figuring I wouldn’t be there for very long. This was incorrect; he slept there for several hours and since I was tired AND comfortable, I didn’t disturb him and just stayed there, watching Youtube documentaries about the Holy Roman Empire and how it slowly but surely divested itself of its association with the Papacy; Charles V being the last emperor to be actually crowned by a pope. I’ve also been reading The Rival Queens, which is marvelous–it’s a history of Catherine de Medici, Queen of France and her daughter Marguerite, Queen of Navarre–known to history and literature as Queen Margot (which is also the name of the Dumas book about her). I’ve always wanted to write a suspense/intrigue novel set during that time period, and having to do with Catherine de Medici’s Flying Squadron–women who were trained spies and seductresses in her employ. Margot herself is fascinating–and both women would be in my history The Monstrous Regiment of Women about all the women who held power in the sixteenth century. Margot was as equally fascinating as her mother, and pretty much lived her life the way she wanted…which of course made her notorious. But the French, surprisingly enough, loved their princess with the loose morals–and the arrangement between her and her husband, Henri King of Navarre (eventually Henri IV of France) where they lived apart and took as many lovers as they could handle was also surprisingly modern for a royal couple.

I am hoping to spend some time with Lou Berney’s Dark Ride this weekend. Lou has become one of my favorite writers and favorite people in the crime fiction community over the years, ever since that fateful panel at Raleigh Bouchercon where I met and made some new friends who also are amazingly talented. (I think Lori Roy has a book coming out soon, too–huzzah!), and I also want to make a plan to stick to for getting things done this weekend. The LSU-Alabama game is Saturday night, so that will require me to do some strategic planning. I just hope for a good game. Obviously my preference would be for LSU to win–that’s always my default–but as long as we don’t get humiliated I am good with a close and/or exciting game–emotionally exhausting as that will be. I know my anxiety was involved in this funk I’ve been in for longer than I think I’ve been dealing with it–me thinking it started sometime late last week is laughable in its naivete–but I need to get some things done and underway before i get derailed with the surgery. Nineteen days from today I will go under the knife. YIKES.

Which reminds me, I need to review my medical file and see what they say about the recovery period, or if it’s mentioned at all. And sometime before then I am going to get my teeth! Huzzah!

And on that note on this cold Thursday morning in New Orleans, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I’ll be back later, okay, for some more blatant self-promotion.

Sweet Music Man

Thursday and my last day in the office for the week. Yay, I think. I have to get up early and go see my new primary care physician tomorrow morning–I fired the last one for a multitude of reasons I will probably go deeper into in a future post–but I also have to fast for that because I am having blood work done, which means no coffee, no nothing other than maybe water tomorrow morning. I think as long as I sleep well, I’ll not leave a body count behind in my wake on the way to and from the appointment. I am also going to be making a go-cup of coffee that I will be taking with me and you can best bet I’ll be slugging it down once the blood has been drawn.

I slept well last night, which was lovely because I was definitely running down my batteries by the time I got home last night. By the time I’d done a load of laundry, emptied the dishwasher and reloaded it, I was more than ready to collapse into my easy chair. I did some minor writing last night–a few hundred words or so, nothing much other than to be able to say “I wrote some fiction last night”–but that’s okay. I’m getting back into the saddle again gradually, and soon I’ll be clocking three thousand word days again. We watched this week’s The Morning Show last night, and I have to say, it’s an exceptionally well done show. The ensemble itself is incredibly star-powered, beginning with Jennifer Aniston and Reese Witherspoon as the two primary leads, and the excellent job of the casting director manages to work its way down from the stars all the way down to the bit players–Shari Belafonte Harper is actually a member of the cast, but has very few lines and is rarely on camera, but it’s always nice to see her when she pops up on screen, to be honest. It’s very smart and very well-written, as are most shows on Apple Plus–let’s not forget we wouldn’t have Ted Lasso without Apple Plus.

Ironically, I was also watching shorter and longer videos on Youtube before Paul got home and went down a “Calvin and Hobbes” wormhole of videos about the greatest comic strip of all time. I always loved Calvin and Hobbes, and have all the collections, including the massive coffee-table sized one that contains every strip ever published. I was very sad when Bill Watterson ended the strip on a high note, and I’ve always loved his artistic integrity about not selling out to film or television or merchandising (I would have definitely bought a Hobbes plushy back in the day), as well as his decision to end the strip and take it out on top. (I was also a big fan of “Doonesbury”, “Bloom County”, and of course “The Far Side”.)

Anyway, watching a few documentaries on Youtube about “Calvin and Hobbes” mentioned how much emotional depth the strip had; how it could not only make you laugh but make you think as well as tear up sometimes…and I realized that Ted Lasso, like Schitt’s Creek, was also like that. Calvin and Hobbes were both so fully realized as characters in the strip–as well as his parents, and the other occasional characters that showed up, too–that you cared about them, just as you do the characters on Ted Lasso and Schitt’s Creek, which is why character is so important when it comes to story-telling. People will only care if the characters seem like actual real people to them, and once they care…well, you’ve got them, don’t you?

Maybe I should revisit my massive Calvin and Hobbes collection, too.

There are some good games this weekend in college football, but my primary concern is, as always, the LSU game; they’re hosting Arkansas in Death Valley and we’ll get yet another chance to see how good the Tigers are–but we also don’t know how good either Mississippi State (trounced last weekend) or Arkansas yet are this year; the test will always be how the Tigers do against Auburn, Alabama, and Florida–and there’s also no telling how good Mississippi is this year, either–they play Alabama this weekend, so we’ll get an idea of how the Tide is rebounding and how good the Rebels are. Everyone is writing Alabama off, and maybe it’s simply been burned into my brain throughout the course of a long lifetime of being a college football fan,…but you can never take the Tide for granted or ever completely count them out. They have that “brand” recognition that somehow manages to get them the win in close games; the luck always seems to magically appear every time they need it, only deserting them in the one game they may lose per year. They’re in the same position that LSU is in; already one loss early and therefore cannot lose again if they want to win the conference and the national title. College football is certainly more interesting this year than it has been since 2019, at any rate.

I want to be able to drop books at the library sale this weekend, wash the car and clean out the inside, and hopefully go to the SPCA and get a new cat. I also need to clean the house more–at least try to keep up with it the way I did when Paul was out of town earlier this summer–and get some writing done. I also need to do some reading. I want to finish Shawn’s book because I also just got my copy of the new Lou Berney, Dark Ride, which I am really looking forward to; I’ve been a big Lou Berney fan since we were on a panel together all those years ago at Bouchercon in Raleigh, and his work never disappoints. (That panel in Raleigh was definitely one of the highlights of my paneling career as a crime writer; Katrina Niidas Holm was the moderator; the other panelists were Lou, Lori Roy, and Liz Milliron. Nice, right?)

So, tonight when I get home from work I am going to do some more laundry, unload the dishwasher and clean the kitchen, and then I am going to either write or curl up with Shawn’s book.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

You Must Love Me

Many years ago, at a Bouchercon in the far distant past, I was lucky enough to be assigned to a panel with several strangers. It was Raleigh, and I don’t remember what the panel was about–other than none of us on the panel actually wrote what the topic was about–but it ably helmed by Katrina Niidas Holm. That was the weekend where I was lucky enough to meet both her and her husband, Chris. Also on the panel were Liz Milliron, Lou Berney, and Lori Roy. I always intend to read my co-panelist’s work before panels, so I can talk to them intelligently about their books–but it’s not near as pressing as it is when I moderate, and this was one of those years where I was busy and simply didn’t have the time. The panel was marvelous. I had the best time, and I loved everyone on the panel. I have since gone on to read their work and have become a besotted fan of all three of them, really.

My first Lori Roy novel was Bent Road, which won her (deservedly) the Edgar for Best First Novel. I absolutely loved it, and made sure I got the next two as well. (At the Edgars following the Raleigh Bouchercon, both Lou and Lori won Edgars; her second, also making her one of the few authors to win Edgars for Best First and Best Novel.) I’ve read everything she’s published since then, but have never gotten to the second novel (an Edgar Best Novel finalist) or Let Me Die in His Footsteps, her second nomination for Best Novel and her second Edgar win. I don’t remember why I decided to finally read Let Me Die in His Footsteps, but I am very glad I did.

It’s really quite marvelous.

Annie Holleran hears him before she sees him. Even over the drone of the cicadas, she knows it’s Ryce Fulkerson, and he’s pedaling this way. That’s his bike, all right, creaking and whining. He’ll have turned off the main road and will be standing straight up as he uses all his weight, bobbing side to side, to pump those pedals and force that bike up and over the hill. In a few moments, he’ll reach the top where the ground levels out, and that front tire of his will be wobbling and groaning and drawing a crooked line in the soft, dry dirt.

They‘re singing in the trees again today, those cicadas. A week ago, they clawed their way out of the ground, seventeen years’ worth of them, and now their skins hang from the oaks, hardened husks with tiny claws and tiny, round heads. One critter calls out to another and then another until their pulsing songs made Annie press both hands over her ears, tuck her head between her knees, and cry out for them to stop. Stop it now. All these many days, there’s been something in the air, a spark, a crackle, something that’s felt a terrible lot like trouble coming, and it’s much like the weight of those cicadas, thousands upon thousands of them crying out to one another.

Annie has known all morning Ryce would be coming. It’s why she’s been sitting on this step and waiting on him for near an hour. She oftentimes knows a thing is coming before it has come. It’s part of the curse–or blessing, if Grandma is to be believed–of having the know-how.

Let Me Die in His Footsteps is set in rural Kentucky, with a dual timeline–the present in the book is 1952; the past is 1936. Both timelines feature two sisters, one normal and the other with the “know-how.” In the present, Annie is the sister with the know-how while her sister Caroline is normal and pretty and sweet and pretty much beloved. The 1936 section focuses on Caroline’s mother, Sarah, and her sister with the know-how, Juna. It is soon made clear in the present day that something terrible happened back in 1936, something whose repercussions are still being felt to this present day of 1952. Annie isn’t Caroline’s sister, but rather her cousin; Sarah is Caroline’s mother while Juna was Annie’s. Juna also had a bad reputation around the county, having played a pivotal role in the 1936 tragedy. The book opens with Annie reaching her ascension; the halfway mark between sixteen and seventeen, when she is supposed to look down into a well at midnight, where she will see the face of the man she is going to marry. Annie sneaks out of the house late at night to go next door and peer down into the Baine family well; there’s trouble and tension between the two neighboring families…dating back to 1936. All the Baine sons are long gone; the only one left is old Mrs. Baine, who sits out on her porch with a shotgun in case of her worthless sons try to come home. Caroline follows Annie and sees someone in the well; Annie sees no one. But after the look into the well, they discovered Mrs. Baine’s dead body in the yard…and all the secrets and lies from 1936 start to not only unravel but impact 1952.

We’re never really sure what the “know-how” is, or if it’s just an old wives’ tale, a superstition. The rural south in both 1936 and 1952 were dramatically different than modern times; the rural areas weren’t as exposed to television or films or the newspapers, really and the old ways still held sway. I can remember being told about someone with the sight that everyone was supposed to stay away from in rural Alabama when I was a kid; those kinds of superstitions and beliefs still exist in some of these more backward rural areas. But one thing I truly appreciate about Roy–who often writes about poor rural Southern people–is that her writing isn’t what I call “poverty porn”; her characters are very real and this just happens to be their situation. The Hollerans have a lavender farm, having eschewed tobacco in the recent past after Grandpa Holleran died from lung cancer. Lavender infuses the novel almost from the very first page. I love the smell of lavender, although I would imagine fields and drying houses filled with it might be a lot. The story plays out in a slow burn, terrific build to the end, and all kinds of secrets from the past must be dealt with in order for the present-day characters to get on with their lives.

Roy is such a good writer that it almost takes my breath away. She uses a distant third person point of view, one in which we don’t really get inside her character’s heads that much, so the reader has a kind of distant remove from the characters, but it really works. Her work reminds me of Faulkner without the racism, and of other great Southern writers. Her novels are very smart, with a lot of depth and emotional honesty that resonates with the reader, compelling us to keep reading.

Highly recommended; Let Me Die in His Footsteps clearly deserved to win the Edgar for Best Novel.

Hopefully there will be a new Lori Roy soon, because all I have left of her canon is her second novel, Until She Comes Home, which was also an Edgar finalist.

Cherry-Colored Funk

Memorial Day Monday, and here we are. Ordinarily I would already be at the office and working, instead I find myself resting and at home and up later than usual swilling coffee. Ironically, after having such a terrible day on Saturday, I rallied for a marvelous Sunday. The Cox guy was much earlier than scheduled (and we now have a modern, working, full strength and much faster modem; our old one was the one we got when we moved back into this apartment in 2006, I think? We must have had wireless because there was no way to get a line up to Paul’s computer, right?), and even before he arrive I managed to get back on track with the book and tear through a significant section. I am feeling a bit more confident about the book as I go; it’s taking shape nicely and it’s super nice to be cutting out extraneous bits. It’s also interesting to see how often I repeat myself, or explain the same thing repeatedly in chapter after chapter. I also finished reading Lori Roy’s Let Me Die in His Footsteps, which was marvelous (more on that later) and I picked out my next read (more on that later). It was a nice day, really, over all, and I couldn’t have been more smug and self-satisfied as I took myself up to bed last night had I tried. I also managed to relax some. We finished watching a true crime documentary called How to Create a Sex Scandal, which was utterly horrifying, moved on to the new Shazam movie (which was terrible, really terrible) and then started watching this insanely funny animated series called Chicago Party Aunt, which is so much funnier than I ever could have dared to dream. I slept well and woke up earlier than expected this morning, but I decided to go ahead and get up anyway.

I am so relieved about the new modem, you have no idea. And because the cords are longer, it no longer has to sit on the end table; it can reach to sit on top of the bookcase behind my easy chair, so Scooter won’t be knocking it off the table anymore. (Yes, not only was our modem old as dirt, it was regularly knocked off the table by Scooter. That thing really took a beating, and it’s a miracle it lasted as long as it did). My computer and the Apple TV do seem to be much faster, which is also always a lovely plus. And being up this early means I can get this finished and spend some time in my easy chair reading That Summer Night on Frenchmen Street by Chris Clarkson, which I am really looking forward to enjoying before I start work for the day. There’s also a bit of a mess in the apartment from things having to get moved around and so forth, so I will need to do some touching up around here today while I work on the book. And of course, tomorrow it’s back to the spice mines for a shorter than normal work week, which is cool.

I also feel a slight bit out of sorts this morning. I’m not sure what it is; if it’s getting up early or what, but nothing a shower and a shave can’t take care of, I am sure. I also need to start archiving files to make more room for new files. I suppose a lot of stuff in the filing cabinet can be moved into an archive of sorts; I am beginning to wonder if I really do need to keep all this shit. Of course, I could just scan old contracts and so forth and dispose of the physical copies at some point. Do I really need to keep short story contracts from twenty years ago? Probably not, and likewise, I don’t think I need tax returns that are over seven years old, either. I’ve become such a pack rat, which is really not in my best interests or the best interests of the apartment, for that matter. Maybe the goal for the rest of the year is to slowly but surely get rid of all this paper. And of course I can always stand to shed more books.

Last night I was scrolling through my Kindle app on my iPad and realizing what a plethora of treasures are there in my app. I am a sucker for those ninety-nine cent or dollar ninety-nine sales on ebooks; I generally will buy the ebook copy of something I have in a print copy so I can happily donate the print copy once I’ve finished reading it (I still prefer to read in a physical form). There’s also all kinds of great research materials in there, too. At least ebooks don’t take up a lot of room in the Lost Apartment, you know? I also, through cleaning more thoroughly, have come across a lot of my COVID masks–I’d been wondering where they’d all gone; and I only found like five of them; I had many many more. I suppose I can throw the majority of them away, although I may take to wearing one again during cold/flu season in the clinic. I’ve only gotten a cold/flu once during the past three years, and it was kind of nice, you know? That was due to the masking and constant hand-washing, and I’ve allowed myself to go slack on that.

All right, on that note I am going to bring this to a close so I can head into the spice mines for today. Have a lovely Memorial Day, Constant Reader, and I’ll check in with you again later.