Tag: Lisa Rinna

Stomp

And here we are at work-at-home Friday again today. I have an MRI scheduled at Tulane Institute of Sports Medicine this morning, but other than that I will be here at home, getting prepared for the refrigerator to arrive and doing other chores around my work-at-home duties. It was an exhausting week, both for me personally and for the world politically. I generally don’t comment on world events, primarily because I am at best a distant observer who depends on news reports and because I don’t feel informed enough to have an opinion. I do know that I abhor brutality and think all death is unnecessary, especially in the name of politics, religion, and racism. The situation in the Middle East–volatile for my entire life–is one without answer, I fear. I also remember how foolishly we all were for thinking the Camp David Accords would bring peace to the region. The only peace it brought was between Israel and Egypt–and that has lasted. I don’t have any answers, and I feel making comments that are uninformed without solutions does not add to the discourse nor move anything forward in a positive manner, so I just keep my mouth shut and hope for an end to the death and slaughter and trauma.

Yesterday was an exhausting day overall. Everything at the office was some kind of haywire in an almost “Mercury must be in retrograde” kind of way, and most of it went on while I was the only person there–which was kind of unsettling. It was also Mom’s birthday so my subconscious was already raw and on edge. But I worked through it, there wasn’t a body count, and I stopped to get the mail on my way home–where I picked up the Box O’Books for Death Drop (yay!) and my Ben Pierce Photography calendar “Beneath the Waters: Images of the Atchafalaya Basin Drawdown”. Ben Pierce is an extraordinary photographer of the natural beauty of Louisiana. I follow him on Facebook and often share his work because it’s so breathtakingly beautiful and evocative; and doesn’t Atchafalaya Basin Drawdown sound like a Scotty title? I’ve been meaning to look into what precisely that means and why they are draining the basin since he started sharing images from it earlier this year; I should perhaps put that on the to-do list? While I was waiting for Paul and playing with Tug (trying to wear him out, in all honesty; he was wired like a circuit party queen last night), who met the laser light/magical red dot for the first time last night. He soon figured out where it was coming from, but still chased it none the less, and eventually when I set it down it also became a toy so there’s no telling where it is this morning. I watched another episode of Moonlighting last night which didn’t seem to hold up as well as previous ones–too much speculation about Maddie’s sex life, which was completely untoward and bothered me–and I also got caught up on Real Housewives of Salt Lake City, which I’ve never really watched very much but started this season at the urging of friends. I’ve yet to watch the reboot of New York, either. I think there’s a blog entry I need to write about reality television shows like these, which I had already started after the completion of the most recent season of Beverly Hills. The out-of-touch narcissism of the SLC women still seems fun and funny to me, while the other franchises have kind of gone off the rails with repugnant behavior (looking at you, Lisa Rinna)–but I’ll save that for the blog post about reality television; which is why I don’t really talk about these shows much on here.

I also read some more of Riley Sager’s Final Girls, which I am enjoying–even if it doesn’t seem like it. One of the casualties of the pandemic was my ability to read quickly; I don’t know what happened, but it’s entirely due to my attention span and not the quality of the books I’m reading; look at how long it took me to read Shawn’s book, which was fucking brilliant. It’s going with me to Tulane this morning so I can read more of it, and then I am coming home to work for the rest of the afternoon. I slept really well again last night. I woke up at six (I do that every morning now, regardless) but the alarm was set for seven so I stayed in bed for another hour, which felt marvelous, really. I feel very rested and centered this morning–which is lovely after the chaotic yesterday I had–and am looking forward to the weekend. I have my to-do list, which is necessary; the refrigerator is being delivered tomorrow, so there’s no point in making groceries until after it arrives (so probably Sunday morning, most like); and of course there’s always, always, always housework to do. Boxes started accumulating again in the living room in front of where the bead chest sits (and the floor’s not terribly stable), so those have to go, and I can do some cleaning before the refrigerator is delivered (we currently have an 8 a.m. to 8 p.m. window, which I assume will change tomorrow morning). The LSU game isn’t until Saturday night, and I am not certain there are any other games of interest this weekend…which doesn’t mean I won’t have a game on all day from eleven a.m. on, of course; I most likely will. (Of course, I just looked, and yes, several games of interest–Notre Dame-USC, Alabama-Arkansas, Texas A&M-Tennessee, and of course Auburn-LSU.)

And on that note, sorry to be so brief but I think I am needing to get headed into the spice mines this morning. I may be back later, I don’t know; but stranger things have indeed happened, so one can never rule anything out. If not, for sure tomorrow morning. Have a terrific Friday, Constant Reader!

Royal Street Reveillon

Ah, reality television.

I am, and can be, remarkably naïve when it comes to some things. I literally will believe almost everything I am told because my default is never to assume someone is lying (unless they’ve proven themselves to be a liar before), so I actually believed, all those years I was watching The Real World, that the show was “unscripted” and the cast had cameras and microphones on them 24/7.

Then The Real World came to New Orleans–to my neighborhood, in fact–and the “gay one” got a job bar-backing at Oz (one of my favorite gay bars; and autocorrect tried to turn that into “barebacking”, which is an entirely different thing), and it wasn’t long before I realized that The Real World wasn’t, actually, “real.” I saw them any number of times walking from one destination to another to film, the camera crews not filming and just walking behind the cast; I actually watched them set up a scene in Oz and go through several takes, and so yeah, the luster and magic was gone for me. I think I may have watched another season or two after New Orleans, but reality television had also changed dramatically from when the first season of that show aired (and yes, I am aware that PBS’ An American Family was the first real reality-type show) and by the time I stopped watching that it wasn’t about kids learning to get along and learning from each other’s differences as it was about getting wasted, hooking up, and fighting.

You know, the formula Bravo quickly adapted to in Season Two of The Real Housewives of Orange County.

Viewers want conflict.

I never watched the Real Housewives shows, but usually on Sundays when it wasn’t football season Paul would come downstairs and fall asleep on the couch while I would either read or edit in my easy chair. I’d turn on the television for background noise, and it was just easiest to always park the channel on Bravo because they’d marathon something–originally Law & Order, then The West Wing or Inside the Actor’s Studio, which were fun for an occasional distraction but not enough of one to take my interest away from what I was doing. But Bravo changed, and those marathons eventually became one of the Real Housewives shows. I winced a bit, but again, background noise I didn’t need to pay attention to–it all seemed so exploitative and, well, awful–that I couldn’t see myself ever watching regularly. So I began to slowly recognize who they were–all the gossip site pop-ups and so forth on social media also covered them extensively–and even know something about them. I didn’t want to ever become a regular viewer, didn’t think I ever would.

And yet…

I originally tuned into The Real Housewives of Beverly Hills to see Kim Richards, whom I remembered as a child star when I was a kid–from Nanny and the Professor to Escape to Witch Mountain to Tuff Turf–and was interested to see how she turned out, what happened to her…and just like a soap opera back in the day, I was soon tuning in every week. Some other friends turned out to be big fans of both Orange County and New York, so I started watching New York so we could talk about it (my antipathy to Orange County would be a subject for another essay at some other point), and there was no turning back after that.

I still primarily only watch New York and Beverly Hills with any regularity (although Atlanta is always a favorite), and there have been times when I’ve thrown up my hands in disgust with what was actually going on with the season and stopped watching (I stopped watching Beverly Hills during the “let’s out Denise Richards as bi!” bullshit, for example, and never did finish the season); but I am still absolutely fascinated by the concept behind these shows. Is any of it for real? How much is set up and scripted? It becomes very easy to get sucked into the shows–they are highly addictive; they remind me a lot of soaps as they are very high on petty drama and melodrama, feuds and fights and arguments–and how much of what we see is actually not audience manipulation on the part of production, the network, and the editors. (Women often claim to have “gotten a bad edit”–which always makes me think about The Real World–that show really started everything) I find myself getting emotionally sucked into the petty dramas too–which often spill out into the social media world and the endless blogs that dedicate themselves to reporting on these shows–and there are times when I think, well done, production! I would have never guessed you could ever show me a side of this horrible woman that would make me sympathetic to her.

Because while the women may manipulate and scheme and plan and script things, the primary people being manipulated by production are the audience and the line between reality and “reality” often gets so blurred that it’s hard to tell what is real and what isn’t.

Take, for example, this current rollercoaster of a season of The Real Housewives of Beverly Hills. Before the season started airing there was gossip flying around the Internet about their Aspen trip and a meltdown by a supporting cast member in her second year officially on the show–Kathy Hilton, older sister of OG cast member Kyle Richards–that supposedly went “really dark”…only for the season to start airing and the behavior of other members of the cast (Lisa Rinna, Diana Jenkins, Erica Girardi) being far worse than any of the rumors floated about Kathy’s “meltdown.”

Again, a subject for another time, perhaps once the reunion episodes have aired.

Anyway, I had always thought that a Real Housewives type show, set and filmed in New Orleans, would make the excellent backdrop for a crime story, particularly because of those blurred lines between reality and “reality”…so I used it for one of those e-novellas back in the day. After they were taken off the market, I kept thinking about how I wasted the background of a reality show on a story no one can access anymore and so that original story eventually morphed into Scotty VIII, Royal Street Reveillon.

I fished the last olive out of my almost empty glass and popped it into my mouth. I glanced at my watch as I chewed it, and moaned after swallowing. “There’s nothing like a good martini,” I said, glancing around the bar and getting our server’s attention.

“Do we have time for another?” My nephew Taylor finished the rest of his sazerac and looked at me hopefully.

“I take it you liked it.” I replied, not even trying to hide my smile. “But no time for another unless we want to be late.”

This was Taylor’s first time at the Sazerac Bar. He’d turned twenty-one just a few weeks before Thanksgiving, and since we were going to a party at the Joy Theater, I thought I’d treat him to a sazerac in the bar where they were invented. I personally don’t care for the drink—give me gin or vodka any day of the week—but everyone in New Orleans is required to try a sazerac at least once.

And now I could rest easy, having done not only my civic duty but treated Taylor to a New Orleans rite of passage.

I’d also wanted him to see the Roosevelt Hotel’s Christmas decorations. The Roosevelt was one of the grand old hotels of the city, and their lobby decorations are truly spectacular. Since we were going to a party at the Joy Theater—a mere block or so from the hotel, I thought, why not kill two birds with one stone? This was Taylor’s second Christmas with us, and I wanted to do it right. We’d already done Celebration in the Oaks at City Park, and I’d loved seeing the beautifully decorated ancient live oak trees through a newbie’s eyes.

I know it’s corny, but I love Christmas.

I love everything about it. I love decorating my apartment. I love picking out presents that are one hundred percent perfect for the person and carefully wrapping it up in beautiful paper, topped with a bow and twining ribbons around the box. I love picking out a tree, and the wonderful smell of pine that permeates everything inside once it’s delivered. I love getting the boxes of ornaments down from the storage closet and adorning the branches with them. I love tinsel and opening a new box of icicles for the branches. I love Christmas cookies and cakes and pies and turkey and celebrating and spending time with people I love.

I even love carols—although I do think that September is a bit early to start playing them unless the intent is to drive people to homicide by December.

While I kept the original backstories of the Grande Dames of New Orleans cast as I had in the original, I changed a lot because I didn’t want those few who had read the original to know the ending. I also wanted to do some fun things with the story, adding in another murder that was completely unconnected to the primary story as well as yet another deep personal dilemma for Scotty that doesn’t get resolved in this story, and trying to keep track of all the crazy things I had going on–as well as the complicated and complex backstories and threads of different subplots; I added another murder for the main story and I wanted to make it a bit more topical, so I added an element of “me too” to the story (in all honesty as I write the current one I wish I hadn’t done this because I can’t just drop it, either, like it never happened), and I found myself having fun with it. This was by far the most complicated and layered Scotty book since probably Mardi Gras Mambo, and this was one I felt very contented about when I turned it into the publisher. Even revisiting it now, as part of the prep for the current one, I kind of am proud of myself for it.

I also set it during Christmas season in New Orleans because I love New Orleans at Christmas-time. It’s one of the few times of the year where I don’t mind that it gets dark so fucking early–because New Orleans has put on her Christmas face and it’s absolutely delightful. One of the things I love most about this crazy city is how everyone here takes decorating so seriously–so seriously they decorate their houses and windows for everything. Jackson Square is stunning with the big red bows tied on the lampposts guarding the gates, as you can see in the gorgeous cover my publisher gave my book (and perhaps the thing about it that make me happiest the most is that one of the lamp’s light is out–just like it would be in real life) and the lights and…sighs happily.

I did think, for a time, about ending the series with this one, but I left the personal story hanging yet again which meant there would be another one–and I honestly don’t know what happened that it took me so long to get around to writing another one, but here we are.

Keep on Loving You

My friend Laura often says there’s no such thing as a guilty pleasure; that we should embrace anything and everything that provides us with entertainment because life is so damned fucking hard that we such take our joys and pleasures wherever we can find them and to hell with feeling guilt about any of it. It’s a wonderful theory that I’ve tried to adapt, but yet….somehow my reading and viewing choices inevitably make me feel guilty about some of them. I mean, when most writers-to-be were reading Faulkner and Hemingway and Barry Hannah and that other one–ah, yes, Raymond Carver–with an eye to Writing The Great American Novel, I was reading Harold Robbins and James Michener and Sidney Sheldon and any number of “trashy” novels.

My tastes have always skewed low, I’m afraid.

Take, for example, the Real Housewives shows.

Yet…something has changed.

I used to watch all the shows religiously, but finally I hated Teresa Guidice so much–and the fact that she kept her job after going to jail–pushed me away from watching New Jersey. I tired of Nene Leakes and her antics, so put Atlanta on the back burner; never watched Dallas or started Salt Lake City, and while I enjoyed Potomac, never could seem to remind myself to watch. I had eventually gotten to the point where I was only watching two: New York and Beverly Hills, but these current seasons of each have me wondering why do I still bother?

I bailed on the previous season of Beverly Hills before it finished–I had little to no interest in watching Brandi Glanville’s desperate attempt to gain relevance and get back on the show by slandering Denise Richards, and watching the rest of the cast gleefully torturing Ms. Richards over something that could have actually affected her custody struggle with her insane ex, Charlie Sheen was really not the kind of trash television I enjoy watching. I also really started hating Lisa Rinna, whom I’d always enjoyed before, to the point where all I want to do when I see her face is change the channel–let alone how grating the sound of her voice has become.

And while I did watch New York all the way to its bitter end last season, I found myself not really caring about their return this season, and yes, it took me awhile to get interested in even giving them another shot. I was actually of the mindset that, with all the things going on in the world and the pandemic and all, giving these women any more of my time was a waste, and have begun to think that the entire idea of these shows has run its course. In a time where a pandemic is killing people, anti-vaxxer ignorance is making things worse, and the country is being ripped apart over a significant part of the nation’s inability to look beyond themselves and have empathy for people being systemically oppressed…it’s hard to shut that reality off and enjoy the “reality” of spoiled, privileged women wasting their lives arguing over petty bullshit–particularly ones that are so self-absorbed to such a high level of narcissism that it really begs, if not for them to be institutionalized, but at the very least kept away from other human beings for the protection of society as a whole.

And that bothers me. Why has my opinion about these shows changed so dramatically? Is it the pandemic and all the racial reckoning we’ve been dealing with as a country and as a society? Or have I simply outgrown them?

It’s also occurred to me since I wrote about them in a (very thinly) veiled way in my last Scotty book–renaming the series The Grande Dames–that I can really no longer justify watching anymore. I definitely try to subscribe to Laura’s mentality about guilty pleasures, but as I have watched this season’s episodes of both shows, I find myself bored and not enjoying them so much. All shows tend to have a natural tendency to become less interesting the longer they run, and reality shows are no different from their scripted brothers and sisters. These shows are rather like soaps–that comparison has been made before by a lot of television and cultural critics (including the horrible Camille Paglia, which proves the old adage about stopped clocks)–which is why soaps regularly wrote characters out and brought in new ones to try to stay relevant and fresh. The night time soaps eventually ran out of steam–popular characters couldn’t be let go, and how do you keep the villains and heroes fresh when they continually have to make the same mistakes, over and over again, as the stories eventually end up repeating themselves?

I do think that’s what is happening, in my mind, with the Real Housewives…they’ve run their course, the long-running characters’ awful behavior and mistakes get repeated, over and over again, with every new cast member, and it’s hard to watch people behaving the same way for decades and never really learning and growing from the experiences. I guess that isn’t why people watch these shows–for character growth and development–the key to their popularity is how awful the women actually are, and how lacking in self-awareness…but having spent most of my adulthood shedding toxic people from my life as soon they make their toxicity known, it’s weird to watch shows for years about people who are primarily toxic at their core, with few, if any, redeeming qualities. But a show about a bunch of lovely women with money who are decent and do good things with their money wouldn’t be interesting to watch, either. It’s the conflict we watch for, I suppose, and the bad behavior, and deciding who’s right and who’s wrong and being entertained. And sometimes these shows are painful to watch as they go to really dark places occasionally–as I was watching New York yesterday, I found myself thinking about one character–who is clearly in a very bad place and when she drinks too much she blacks out and her behavior is horrifying–and wondering why no one in production, or no one else in the cast, is stepping up and trying to get her the help she so obviously needs?

But this out-of-control behavior drives ratings, I suppose, and that leads to the next question, is it okay to watch these women, who hunger for fame and attention, debase themselves and allow themselves to be debased for our entertainment?

I think that is what is driving my current discomfort with watching–and also driving why I am questioning having ever started watching them in the first place.

I also suppose as long as I continue to watch I can’t really criticize the shows, but I suppose I can critique them as well as the reasons why I watch them.

I also have a real problem with this season’s Beverly Hills primary story; the Erica Girardi/Erika Jayne “was she complicit in her husband’s fraud” story, playing out in real life as we watch how it played out when the story first broke…doesn’t sit well with me. Her decision to continue being the cold-hearted snake she plays on the show on social media–with not a bit of concern for the victims of her husband’s fraud; instead claiming martyrdom/victimhood for herself–will inevitably turn up in court when it comes to that; I cannot imagine what the fuck her lawyers are thinking letting her still have access to her own social media or not advising her to keep her fucking mouth shut while in front of the cameras is, at the very least, legal malpractice. If she even showed the least, smallest bit of concern for her husband’s victims…as opposed to making it all about her and what she’s “lost” (sorry your Sugar Daddy can’t steal more money to buy you jewels with)…I could be sympathetic….but yeah, go fuck yourself, grifter.

But given the state of our society and culture, it wouldn’t surprise me in the least if the grifting Girardis get away with their crimes. But if there’s no reckoning of any kind for her, and she remains on the show…I won’t be watching in the future.

At least the Giudices on New Jersey were white collar criminals who just didn’t pay their taxes. The Girardis–and Jen Shah on Salt Lake City–belong behind bars.

And maybe–maybe it’s time we stopped celebrated bad people behaving badly on television. I don’t know. But I am terribly disappointed with the producers for seeing ratings, instead of suffering. IMAGINE being one of Tom Girardi’s victims and watching her play victim? It turns MY stomach, and I am not one of their victims.

I don’t know. Maybe I can find joy in these shows again. But for now…I really don’t see how I can justify watching another season of either.