What is a cozy mystery without one? I don’t know because I’ve never read one that didn’t have a strong sense of community in it, but for me, the depictions of community is one of the primary draws of cozies.
As I have mentioned before, the vast majority of cozies are generally set in small towns, small communities where everyone always seems to come together, everyone knows everyone, and there’s an undercurrent of caring about others that makes them cozy and comfortable to read. I was worried at first about setting one in New Orleans, to be honest; New Orleans is many things to many different people, but I’ve kind of always seen New Orleans as a darker city than most, and that darkness that is always out there on the periphery of the bright sunshine, no matter how cheerful you might be or how lovely of a day it is. Part of it is the history here–New Orleans was a center of the slave trade, after all, and you don’t get much darker than human trafficking–and of course, the city has always been a major port…and ports aren’t exactly known as sedate places. There has always been a lot of crime here, and you really can’t go anywhere in New Orleans without overhearing people talking about the “crime problem” and shaking their heads at the decline of Western civilization as we know it down here by the riverside.
So, how can I write a light, breezy novel about a city that is so dark?
The key was community, of course. New Orleans is a city, but it’s also a city of neighborhoods, and always has been. Generations of families passed homes and property down to their children and their children and so on. “Where’d you go to high school?” was a question asked because the answer told the asker lots of things. Private school or public? What neighborhood did you grow up in? And as I thought more about it, I realized my lonely block in the lower Garden District has that sense of community to it. Neighbors look out for neighbors. We’ve lived in the same place since either 2002 or 2003; I’m never really sure I can remember when we moved onto the property; those years between moving back here in 2001 and Katrina are kind of blurry for me. But we’ve gotten to know our landlady pretty well as well as some of our neighbors; others have come and gone over the years but we always all end up down at the corner for parades during Carnival, catching throws and hanging out and having a good time.
And I realized I could do the same for Valerie.
In A Streetcar Named Murder I only introduced the reader to a few members of Valerie’s community in the Irish Channel: her best friend and neighbor Lorna; the gay couple next door in one side of a double and one’s mother, Mrs. Domenico, on the other side; and her friend Stacia who lives further down the street. I also mentioned there were a couple of houses being used as Air BnB’s, which may play a part in a book should the series get picked up. I had learned my lesson from the failed Paige spin-off series years ago; the mouthy, brash and snarky best friend cannot be the main character, but the book/community needed someone like that in the book. The main character has to be kind–but there’s always a more colorful secondary character necessary to say the funny and borderline mean things in place of the main character.
This is where Lorna comes in.
Lorna is very colorful indeed, and was a lot of fun to create. She’s married to an airline pilot who is often gone for long stretches of time (his name is Jack Farrow; since he’s a pilot she calls him Captain Jack Farrow). She’s British, speaks multiple languages, is fiercely intelligent and doggedly loyal. She also writes lusty romance novels that are huge bestsellers under the name Felicity Deveraux. Lorna is a great best friend who is also always up for anything, and naturally, she has a huge imagination and a big personality. Interesting and fun as Lorna is, I don’t think I would ever write about her as the main character because, like Paige, she would need to be toned down and I don’t really want to do that to her.
It is Lorna’s ambition to join a Mardi Gras krewe that actually puts Valerie at the scene of the crime in the book. See how that works?
But her neighborhood isn’t her only community, either; there’s a community around Rare Things, the antiques store she inherits–Randall Charpentier, her new boss; Dee, her co-worker; and of course the people who are in and out of the shop–the hot guy from an outer parish who repairs and refinishes furniture, for one–on a regular basis. If it becomes a series, I can flit the cases back and forth from her neighborhood to the store and vice versa; there are all kinds of plots and stories I can tell that could come from both.
And there’s still another community that Valerie belongs to that was only touched on in the first book–the parents’ group at Loyola High (it doesn’t exist in real life, folks, but it’s based on Jesuit), the Cardirents. This is how Valerie knew the victim in this book; they were both in the group, with a fraught history (which is more fraught than Valerie ever knew).
So, yes, it is possible to create the sense of community a cozy mystery requires in New Orleans; New Orleans, in fact, is ripe for it.
And on that note, I will sign off here. More blatant self-promotion to come, no worries on that score!
Writing a cozy set in New Orleans seemed, at first, to be a little daunting.
One of the key tenets of a cozy is the sense of community one gets while reading it (see Donna Andrews’ Meg Langslow series for the perfect example; I love Caerphilly, Virginia, and enjoy revisiting twice a year to see how everyone is doing), and it took me a moment to readjust my thinking from “community means a small town” to “no, you moron, anything can be a community; and you can certainly find community in New Orleans.” And then I remembered Leslie Budewitz’ superlative Spice Shop series, which is set in Pike’s Market in Seattle. Seattle is a city, just as New Orleans is; and sure, it might be easier to just invent an entire new fictional small town to set a cozy series in, but if anything, there’s more sense of community in New Orleans than I’ve ever felt in other cities…and it was really about creating a community around my character, Valerie, and picking a neighborhood for her in which to live took me a while as I weighed pros and cons; the only thing that was definite was she was NOT going to live in the French Quarter (there’s a throwaway line where she thinks about how long it’s been since she’s been to the Quarter, and maybe she and her two best friends should arrange to have dinner at Galatoire’s or Antoine’s–yes, I used two of the better known restaurants in the city and the Quarter for the examples, but I also knew I could mention them without needing to explain them to the reader). I did go back and forth about the Marigny or Bywater, but finally decided to put her into a neighborhood that did not flood during Katrina, which narrowed the choices dramatically.
New Orleans is a city of neighborhoods, and those neighborhoods used to be so distinct that knowing what part of the city someone lived would automatically create some assumptions–just as how the ever-popular question of where’d you go to high school used to be another way to connect with someone you’ve just met–there are any number of differences between those who went to Newman or Jesuit or Holy Cross or Ursulines or Ben Franklin or Warren Easton or McMain Magnet. New Orleans is a small enough city that chances were, you’d also know (or ar related to )someone else who’d gone to that high school at the same time, or you also knew other people who lived in their neighborhood. Obviously, the French Quarter is perhaps the most famous neighborhood in New Orleans, followed by the Garden District, working down through the Marigny, the Bywater, Mid-city, Gentilly, Lakeview, Broadmoor, etc. (With the gentrification of the city over the past sixteen or so years, realtors have also started creating new neighborhoods–which can be confusing. For example, they are trying to rebrand the Central Business District–the CBD–into SoMa, South of Market, which makes no fucking sense whatsoever as there is no market for the area to be south of; I often will have someone mention one of these new neighborhoods by name to me and I have no idea what they are talking about. They are also trying to rebrand the 7th Ward as the “new Marigny”…good luck with that.)
Scotty lives in the Quarter, and Chanse lives in the Lower Garden District–I’ve also written a lot of stories set in that neighborhood, which is also where I’ve always lived, and is quite distinct from the actual Garden District–I used to joke that we lived four blocks and three decimal points from the Garden District. So having done those neighborhoods already extensively, I wanted to pick a new place for Valerie to live and for me to write about.
I’ve always kind of been partial to the Irish Channel, although we’ve always lived in the Lower Garden District (distinct from the Garden District). I wrote one book about the Irish Channel already (aptly titled Murder in the Irish Channel), and of course, when I needed a place for Valerie to live, I decided the Channel would be the perfect place for her. Twenty years or so ago there will still blighted and crumbling houses in that neighborhood just waiting to be purchased, renovated and gentrified. The stretch of Magazine she lives near used to be one of my favorite parts of the city–I met any number of people for coffee at the Rue de la Course that used to be there, I used to really enjoy the Semolina’s restaurant as well as the Middle Eastern place whose name I can’t remember now (Byblos? it was the last restaurant meal in New Orleans before Hurricane Katrina), and of course I sometimes shopped at the A&P or the Walgreens–before I realized Prytania and Tchoupitoulas were the easiest and quickest ways to get uptown; I wasted a lot of time stuck in Magazine Street traffic back in the day. Our friends Carrie and Lisa used to rent half of an enormous Victorian house near Third and Constance; I loved that enormous, drafty and dusty old house (it’s actually where my main character in my in-progress novella Never Kiss a Stranger lives), and was very sorry when they moved further uptown. Paul and I used to have a lot of fun looking for costumes and other home decor in the numerous thrift shops on Magazine; the one for St. Vincent de Paul (at the corner of Robert and Magazine, which eventually closed and became a Vitamin Shoppe; I don’t think the space is currently in use) was amazing. They used to sell handmade wooden tables and bookcases, made by monks in a monastery somewhere in northern Louisiana, and this furniture was not only solid, but it was inexpensive. We still have the bookcases and tables–one of them is my desk, the other is Paul’s–and I don’t think we spent much more than a hundred dollars on the two tables and the four bookcases. We must have bought that all after we moved back here after the year that should be forgotten; we didn’t move much furniture there or back.
But oh, how I would love to get some more of those bookcases. They are sooooo solid…
Plus, putting Valerie in the Irish Channel gives me the opportunity to write about St. Patrick’s Day–which I’ve never done with either of my other series–at some point in the future.
The Irish Channel obviously takes its name from the fact that many Irish immigrants settled there when they came to New Orleans. The Historic Landmarks Commission defines its boundaries as Jackson Avenue to Delachaise Street and Magazine Street to Tchoupitoulas. However, the New Orleans City Planning Commission defines the boundaries of the Irish Channel as these streets: Tchoupitoulas Street, Toledano Street, Magazine Street, First Street, the Mississippi River and Napoleon Avenue.
See what I mean about how confusing the city can be? We can even properly define the boundaries of our neighborhoods. I’ve always considered the Channel to start at Jackson (as does the Garden District proper) and end at Louisiana; with the other boundaries Magazine and Tchoupitoulas.
But I did think having her live so close to Louisiana Avenue–between Seventh and Harmony–would put her right smack dab into the heart of that neighborhood and in walking distance of practically anything she might need. I wanted her to be able to be able to do her errands most of the time on foot, because that also (in my mind) cemented the sense that it was a neighborhood and a community, if that makes sense? And once I’d picked where she lived, I was able to start building her community around her.
Who dat? Who dat? Who dat say dey gonna beat dem Saints?
I am a very proud member of Who Dat Nation, and have been since we moved here in 1996. I never really paid a lot of attention to the NFL before moving to New Orleans; I vaguely was aware of who was good and who wasn’t–and I knew very certainly that the Saints had routinely been one of the worst football teams, consistently, in the league since they were formed in 1966. You couldn’t not be aware of how hopelessly bad the Saints were, year in and year out. I always root for underdogs–a particularly American trait, I might add, which is another good essay topic (how we always root for underdogs, especially in our entertainment–film, television, books–but in the real world we either look the other way or actually pile-on. We all feel bad for poor bullied Carrie White in Stephen King’s Carrie and hate the cruel kids…but how many of us ever stood up for some kid being bullied in school? My experience as the bullied is NONE.)–and so I always wanted to see the Saints somehow turn their program around. Paul and I always watched the games–or had them on–when they aired; there were many times the games were blacked out locally because they didn’t sell out the Superdome.
Three things were inevitable in New Orleans: hot summers, termites in the spring, and the Saints would suck in the fall. When we first moved to Louisiana LSU was also in a downturn slump; some seasons they’d win, some they’d lose, but they were rarely, if ever, in contention for the conference title. I had a Saints ball cap and a Saints T-shirt, of course, but I was an idle fan of theirs for a very long time.
As with so many other things, my attitude towards the Saints was completely changed by Hurricane Katrina.
It was the best of times.
It was the craziest of times.
Well, what it really had to be was the end times, which was the only logical explanation for what was going on in the city of New Orleans.
Pigs grew wings and nested in the branches of the beautiful love oaks everywhere in the city. Some thought the pilot light in hell had gone out, so that icicles hung from the noses of shivering demons in the realm of the dark lord. Others started watching the horizon for the arrival of the Four Horsemen, for surely the Apocalypse must be coming. Surely the earth was tilting on its axis. Maybe aliens would land in Audubon Park, or the Mississippi River would start flowing backward.
Anything and everything was possible, because the Saints were winning.
People who don’t live in the South don’t really understand how important football is down here. Football is more than a religion in the Deep South. I’m not sure what it is–my mom claims it’s because the South lost the Civil War–but it’s true. On Saturdays, when the colleges play their games, the entire region comes to a complete halt. People live and die by their teams–whether it’s LSU, Ole Miss, Alabama, Auburn, Florida, Georgia or Tennessee–and how they face on Saturday. I myself grew up cheering for the LSU Tigers–even though attending Vanderbilt was a family tradition on my mother’s side. Whenever Papa Fontenot gives me crap for dropping (well, flunking is probably a more accurate word) out after my sophomore year, I give him a withering look and reply, “Maybe I’d have done better at LSU.
That always shuts him up.
I don’t think even the Saints organization knew how much the team actually meant to New Orleans until they tried to move the team after Katrina.
Everyone knows the Superdome was damaged by Katrina and the aftermath. I’ll never forget driving back into the city in either late September or early October and seeing it as I came around that curve in I-10 just past Metairie Road and the cemeteries; I wrote in Murder in the Rue Chartres that it resembled a half-peeled hard-boiled egg. One of the saddest things for me about seeing the wreckage of the Lost Apartment was finding my beloved Saints ball-cap lying on the rug in the living room and consumed by black mold. It seemed so symbolic of everything that had happened to us and our city.
Obviously, the Saints had nowhere to play home games and arrangements had to be made. Some games were played at Tiger Stadium in Baton Rouge, others in San Antonio–and San Antonio made it very clear they would be more than happy to give them a permanent home.
It felt like the Saints organization was not only stabbing New Orleans in the back, but the entire state. I know I took it very personally; the city had supported and loved that team through decades of mediocrity if not outright suckage, and now when the city is at its lowest point, they’re going to move to San Antonio? But the NFL wasn’t having it–Tom Benson always made it seem like it was his decision, but the NFL was committed to New Orleans and wouldn’t let the Saints leave. The Dome was renovated and fixed in record time; the season tickets for 2006 sold out for the first time in years, and the new Saints–with our new coach and quarterback–debuted on Monday night football against the hated Atlanta Falcons. I wasn’t even aware of it, I was paying so little attention to everything going on around the country and world, to be honest. I ran my errands that day and noticed Saints flags were everywhere and people were wearing Saints jerseys and there was this strange sense of excitement in the air. Paul and I were living in the carriage house and we only had this tiny little black-and-white television, but we watched that night. And when Steve Gleason blocked that punt and the Saints recovered in the end zone–we both cried as we jumped up and down and screamed. (Everyone remembers the punt, but the entire game was amazing from beginning to end.) People call the blocked punt “the moment Louisiana healed,” and maybe they were right about that…but all I knew was for the first time in over a year we had something to be excited about, cheer about, and be proud of–and the Saints made it all the way to the NFC title game, so close to making it to the promised land of the Super Bowl.
I’ve been a rabid Who Dat ever since (2005 I also switched my first college allegiance from Auburn to LSU, but that’s a story for another time.).
And that magical season when the Saints not only went to, but won the Super Bowl? I had to write about it. I had never lived in a city that won a championship before, and let me tell you–it was insane in New Orleans that season, insane–as were the play-offs and the Super Bowl. I cried when Tracy Porter picked off Peyton Manning in the fourth quarter and ran it back for a touchdown to ice the game, and I cried again when the clock ticked to zero and the impossible had finally happened: the Saints had won the Super Bowl. It was so noisy that night; cars were honking their horns all night long, the streetcars rang their bells non-stop, and people were just chanting and cheering all over the city. We could hear the crowd at the bar on the corner, we could hear our neighbors, it was just insane and celebratory. Paul and I to this day have regretted not getting dressed and heading down to the Quarter to see it all; when will that ever happen again? The Saint may win a Super Bowl again, but it will never be the first time ever again.
I remember later that spring a friend asked if I thought the Saints would be good again the next year, and I just smiled. “I don’t know and I don’t care. All I know is we finally won the Super Bowl and I can die happy, and I think a lot of us feel that way.”
The Saints are New Orleans, and New Orleans is the Saints. (I also am a little disappointed in myself for forgetting that A Streetcar Named Murder is actually set during football season; I didn’t mention it once and that’s a significant flaw in the book, honestly.)
So I decided to write another Scotty book, set it in that period between the Saints winning the NFC Championship and the Super Bowl so I could document that time, and I also decided to bring the other side of his family–the Bradleys–into the mix and give him a cousin who actually was on the Saints team and kind of a dick.
It was around this time, when I was planning or writing the book, that same-sex marriage was in the news a lot. Several suits were winding their way through the courts, and public opinion–thoroughly anti-queer in 2004 when it was on the ballot on a lot of states–was starting to swing back the other way. There was an incident at a beauty pageant when Miss California (her name escapes me now) was asked by Perez Hilton (who shouldn’t be judging anything, frankly) about same-sex marriage. She had to say she was against it, and even apologized, saying “I’m sorry, it’s how I was raised!” as the crowd began booing and jeering. She didn’t win, and I actually felt like it was kind of a shitty question to ask, but on the other hand, California had passed Prop 8 in 2008 (which was kind of the catalyst for the public opinion change, I believe). I also have always believed the old “it’s how I was raised” is a copout for bad or unpopular opinions–most white people are raised racist, after all–and questioning and reevaluating values and beliefs you were raised with is part of the maturation process of becoming your own person. But I was willing to cut her a break–she was young, it was a “gotcha’ kind of question, and kind of unfair–until she doubled down and decided to became the Patron Saint of Homophobia, following in the pumps of another runner-up pageant queen who became the face of hate and bigotry, wrapping it all up in religion and “concern for children”: yep, the hateful old bitch Anita Bryant herself, may she burn in hell for all eternity. She didn’t last long–its hard to paint yourself as a martyr for family values when you’ve been caught sexting (and recording yourself masturbating to send your man–and that was the end of that. I decided to make the reigning Miss Louisiana a homophobe who got that question at Nationals and is now dating Scotty’s cousin the Saints player–and he brings her to Christmas, with the end result that she gets slugged by Scotty’s mother and their family storms out.
And the night the Saints win the NFC championship, she’s murdered.
It was fun because I got to involve a megachurch in Jefferson Parish (there actually is one), and a sordid history of her own that the beauty queen was keeping secret for her own reasons–(coughs LESBIAN coughs) and even got to bring some more past characters back into the mix, like Emily who worked at the Devil’s Weed, and I had a lot of fun with this look into the other side of Scotty’s family (the one I am working on now also deals with another branch of relatives).
And I got to write about the Saints winning the Super Bowl, which was even more awesome. This was the book where I really thought I was done with Scotty. The year after it came out, at the next Saints and Sinners, was when I was asked if I would do another Scotty book; this was when I made my famous reply, “if I can figure out a way to include Mike the LSU Tiger, Huey Long, and his deduct box into a book, I will write another Scotty book.”
Of course, later that night it hit me like a 2 by 4 across the forehead, and I made some notes that eventually became Baton Rouge Bingo.
Rock on, gold dust woman, take your silver spoon and dig your grave…
It’s FRIDAY, FRIDAY, got to get down it’s Friday! I love getting to sleep a bit later–I still wake up originally at the usual ungodly hour, but it’s nice to feel comfortable and then relax some more into the bed and the blankets. It looks like tropical depression nine is on its way to becoming Hermine, and has Florida in its path. I hate the feeling of relief that comes when you see the storm track models don’t come near Louisiana because you’re essentially wishing disaster, misery and grief on other people–nothing like hurricane season to realize how selfish you really are–but horrible as it is, it’s also understandable.
I really do need to address that in a book at some point. I know I’ve done hurricane novels and stories before (it amuses me to no end that, as per my entry the other morning, my first Katrina writing was a porn story, “Disaster Relief,” in which the main character has sex with his FEMA inspector), but I still want to do one that takes place in town after everyone has evacuated and the city is practically empty. I’ve had that idea for a long time (it was going to be the fourth Scotty, shelved after Katrina for obvious reasons) and I think that eerie sense of waiting and calm with the city practically empty would make or an interesting setting and backdrop for a crime novel. I could be wrong, but I definitely want to try it sometime.
We watched some more of Dahmer last night, and the show is probably the most disturbing thing I’ve ever seen. I appreciate the lack of romanticization of our lead character the monstrous cannibal serial killer, and it almost feels like a documentary. Evan Peters is absolutely stunning in the lead role (I see another Emmy in his future) and it’s compulsively watchable even as it is difficult to watch. The actor playing his father is also fantastic. I cannot imagine what it would be like to be raised in the environment Dahmer was raised in, with his mentally unbalanced mother and the fraught marriage between them, as well as how cold, self-absorbed, and monstrous his mother was. It’s no wonder he turned out the way he did–and clearly, not everyone is cut out to be a good parent (something that is always left out of the pro-life arguments, I might add; they gloss over the truth that so many people aren’t fit to be parents and just how many children are warped, abused and even murdered by parents who shouldn’t be parents).
I also started rereading some of my erotica last night, the Todd Gregory novel Every Frat Boy Wants It, and was highly amused to discover/remember how well I did my assignment in the writing of my first erotic novel: it’s pretty graphic and sexual right down to the very opening of the book. The book opens with the main character, Jeff Morgan, having a very intense and explicit sexual daydream about his high school crush…only to find out he was in a summer school class in college. He then meets a classmate, Blair Blanchard, who belongs to the fraternity and they become friends. Blair is also gay (Jeff is still kind of closeted) and gets Jeff to join the same fraternity. It’s a sexual coming of age story, set in a fraternity house at the fictional California State University-Polk (Polk being my stand-in for Fresno) and Blair shows Jeff the ropes of being gay–and since Blair’s parents are movie stars, he can provide entrée for Jeff into the glittering worlds of West Hollywood and Palm Springs and the entertainment industry. There’s a lot of sex in the book–a lot–but I only got about a third of the way into it before setting it aside for the moment as my brain tired out a bit (yesterday wasn’t a tiring day, but it was also one where I felt like my rest of the night before only recharged the batteries to the amount they’d been used the day before, so I wasn’t tired but also wasn’t motivated much) and dove into some Youtube videos about history and war.
I’m hoping today to get back to work on the book. Chapter Three is a hideous mess, which makes the first two chapters also questionable, so I am going to spend some time today trying to repair the mess as well as try to restructure the first three chapters so they flow better. I’d like to get a couple more chapters written this weekend, but it’s also going to depend heavily on whether I can get this chapter pulled back together–along with the earlier chapters–to flow the way a Scotty book should flow. I am also going to try to reread Who Dat Whodunnit this weekend as I work my way back through the series (it is enormously helpful) and I may even try to get started on writing that Scotty lexicon (which isn’t the word I want, but it’s the only one I can think of right now) but it has, even if I don’t get that done or started, been very educational rereading the series, of recapturing that mentality of anything goes/anything can happen and Scotty will always remain unflappable in the face of whatever insane story I throw him into the middle of, which makes him so much fun to write. I also want to get back to reading my Donna Andrews novel, so I may spend some time after work today in Caerphilly and then will most likely spend some time there the next two mornings over my coffee; there really is nothing like reading something over your morning coffee–which reminds me, I also need to reread My Cousin Rachel this weekend too. So, kind of a busy weekend for one Gregalicious as always–and of course, I need to run errands and so forth as well. Woo-hoo!
And on that note, I am heading into the spice mines. May your Friday be as lovely as you are, Constant Reader, and I will talk to you again either later today or tomorrow morning.
I am up amazingly early for a Sunday morning, but that’s okay. I have a lot of things to do today; I didn’t get as much done yesterday as I could have, but I am not allowing the things that derailed me from my productivity. I did get things done yesterday–laundry needs folding this morning, and there are dishes to put away and so forth–and I also was able to get some writing done yesterday, which was marvelous and lovely. The Scotty book is still kind of a sloppy mess, and I am not really sure what to do with Chapter Three quite yet–or how to write it–but I am going to try the old “start writing and see what happens” trick with it today. I also went over another project I am working on, and realized that it was much easier to fix than I had originally thought, quite frankly. So, once I get my coffee swilled down this morning and this posted, I am going to get cleaned up and dive into the writing. I think spending the entire morning writing should help get some things crossed off the list and should move me ahead somewhat.
I just checked Margaret Orr’s Twitter for updates on storms. One of the systems in the Atlantic has increased its possibility of getting organized, but most likely not until it’s north of the Bahamas, which has me thinking it’ll keep moving north in the ocean. The one in the Caribbean Sea also has increased its percentage of forming, but it’s most likely going to stay in the south and menace Mexico and the Yucatán. No word thus far on the other system in the Atlantic, but I only saw one tweet before reporting back. Oops, my bad; I misread her tweet and didn’t take as good a look at the map she shared before I came back here. The other system is the one north of the Bahamas with a low degree of development possibility; the one with a 70% likelihood of anything happening looks like it’s heading for Puerto Rice and/or Florida, and thus into the Gulf of Mexico.
Oh, and embiggening the map, there’s another system forming off the Cape Verde Islands. So, there will be a lot of storm tracking in the coming weeks. Our favorite September past-time in New Orleans. Hopefully, we won’t have to evacuate at any time in the coming weeks…and come to think of it, the freezer is a little on the full side, so maybe I should try working on getting that emptied out over the next few weeks–cooking things that are in there, at the very least, without refilling it until times are a little more settled. I’d hate to have to throw everything in there away again. That would completely suck.
Today marks seventeen year since that frantic morning we tried to be organized in our panic to leave while we still could; that day is etched in my memory even if the details are sketchy in my head. (To be fair, the memories and details were already difficult to remember in the days immediately thereafter, as I watched out lives wash away.) It looks like it may be a sunny day today without rain, at least it’s clear out there this morning. I also feel like I slept very well this morning, so we’ll see how the rest of it goes. I am going to have to make a to-do list, of course, and then make sure that everything that needs to be on it is, in fact, on it.
Last night, after we finished our work for the day, Paul and I settled in and binged W. Kamau Bell’s docuseries We Need to Talk About Cosby on HBO MAX. It was interesting, maybe one of the most interesting “artist vs. the art” conversations I’ve ever seen illustrated out in this manner. It’s certainly one of the most complex, and we as a society have had a lot of these discussions over the past decade…but it’s very easy to dismiss Roman Polanski’s art (I make the distinction of “art before the child rape” and “art after the child rape” with him, which clears both Rosemary’s Baby and Chinatown for me, and I know it’s probably a deeply problematic differentiation) and contributions than it is to write off Bill Cosby’s and the cultural and societal change his career had on the country as a whole, not to mention, as the documentary pointed out, how The Cosby Show was dedicated to showing, every week, Black excellence on our television screens in a way that was rarely ever seen before–if at all. (We’ve been bingeing documentary series lately like they are going out of style, probably because they’re easier to follow for my exhausted and overheating brain at the end of the day than a series.)
Obviously, my heart goes out to his victims, but while my sympathies lie with them entirely, the question of the art–which meant so much to the Black community–does remain. I don’t know the answer to that question–whether it’s Cosby or Polanski or any of the other abusers who created great art. I see the points on both sides of the discussion/argument/debate. But if the point of a documentary is to get the viewer to reflect on the questions raised, Bell’s docuseries certainly succeeded. Highly recommended.
And on that note, I think I am going to head into the spice mines for now. Have a lovely Sunday, everyone, and I will check in with you again tomorrow.
Tuesday morning and I am awake, swilling my coffee and trying to think of what all needs to be done this evening when I get home from work. The weekend wasn’t nearly as productive as I would have liked…but it was also my birthday weekend so I am cutting myself some slack here (I know, it’s like I don’t even know myself anymore). I slept well last night, which is lovely, and am feeling awake this morning and not in the least groggy; I could easily go back to bed (which was enormously comfortable this morning) and sleep for a few more hours, but this morning that’s simply not in the cards. I have to get ready for the spice mines here in a moment, but I am just going to sit here and enjoy my coffee for another moment or two here before getting going. My coffee tastes rather good this morning, always a nice sign that it’s hitting the spot, and who knows what this day will bring? I am hoping for the best, as always; a smooth easy day at the office where things go the way they are supposed to, and then a stop on the way home to get some incidentals at the Fresh Market. The office space is a bit of a mess, but hopefully it won’t take long for that to get rectified.
I am also at a crossroads with a couple of projects, where I am trying to resist the urge to go back and fix what I’ve already done so I can move on with the next chapters. I think I am going to have to just go back and fix those chapters because, at least with the Scotty, it’s definitely keeping me from moving into the next chapter. The opening of this book has to be just right, or else the rest of the book will not work. And maybe–just maybe–I should go ahead and do the prologue, which is usually one of the last things I write (primarily because I am having trouble right now giving backstory in the first two chapters which is kind of necessary–since the prologue isn’t written–but I also need to know how I do the backstory so I know how much (or how little) to say in the text of the novel itself. I was having a bit of despair over the weekend over the state of the book, but just talking it through here this morning is helping clear things up in my head a bit–you see how that works? This is one of the reasons I always say the blog is really, at its most basic, intended for me to talk about things and my life and talk them through and maybe get some clarity in my brain once it’s talked through.
Ugh, August in New Orleans. I don’t know if it actually does get nastier, weather-wise, here in August or if it’s just being tired of the excessive heat going on months now. It rained again yesterday and overnight, and literally walking outside the air is so hot, damp, and heavy it feels like sitting in a steam room. Just stepping out the front door sucks the energy and spirit right out of you. I did manage to run my errands yesterday successfully–I skipped a couple of the errands, like returning the library books and stopping by Fresh Market, which I pushed off till today for after work which I will undoubtedly regret when I get off work and it’s rush hour traffic as I drive uptown on Claiborne Avenue–but it is what it is, and really, yesterday I wasn’t in the mood to run all over New Orleans in the rain and/or the heat/humidity and said fuck it, tomorrow at least I’ll already be out of the house.
Probably not the smartest or best reason to make a decision about running errands, but don’t judge me until you’ve lived here through a summer.
But it’s Tuesday morning and time to go back into the office and handling my patients again, which is a pleasure; I honestly enjoy interacting with my clients, in all honesty, and while it’s not the same as it used to be back in the olden days, I still like to believe I am making a difference in their lives, helping them reduce their risks of getting an STI.
We started watching a documentary about Woodstock 1999–a shitshow if there ever was one; and of course, knowing what’s going to happen makes watching the episode about the planning and the first day and the bright and high-minded mentality of those who organized it (I forgot there had been one in 1994, also a shit show but everyone wasn’t on the Internet yet so it didn’t get as much exposure as 1999 did)–the mentalities of young people in 1999 were significantly different than those they had in 1969; the world, the culture, society and civilization were dramatically altered and changed during that thirty year period. To me at the time, I just remember thinking this is some nostalgia that needs to remain nostalgia–kids nowadays aren’t about tearing down the Establishment and peace and love and harmony anymore; all you have to do is watch MTV’s programming to see this is going to draw that spring-break, party party party fratboy mentality and that is a completely different vibe than 1969. I inevitably was proven correct, but we only got through the first two episodes last night and there’s one left–which is the “all hell breaks loose” episode.
(Writing this reminded me to check the Hurricane Center. There’s still a system out there in the eastern Atlantic, but still not anything to be concerned about. Late August is always a tricky, stressful time for hurricane season–partly because of the Katrina anniversary, but we’ve also had at least three other hurricanes right before Labor Day since then as well, including last year’s delight, Ida.)
I did read some more of Gabino’s book, but it’s so powerful and well-written that the pain and suffering literally comes alive viscerally on the page, and I literally can only take a chapter or so at a time before it gets so intense I have to put it down. The book is brilliant and sad and wise and heartbreaking, and I can’t help but think things for the main character are going to continue to get worse. I think this is probably going to be one of the best books of the year–the writing is gorgeous yet raw as an exposed nerve at the same time–but it’s probably going to take me longer to read it than usual.
And on THAT note, I should probably head into the spice mines and start getting ready for work. May your Tuesday be as joyous as it possibly can, Constant Reader.
Monday rolls around, and it’s a work-at-home Monday. I’m not sure how many work-at-home days we still have left to us in the future; it’s going to feel very odd going in five days a week after all these years of limited in-the-office time. Ah, well, the more things change and all that. Life is always about change, really; which does make you wonder about people who inevitably fall into ruts. I can rarely get into a rut (can’t spell routine without r-u-t) because everything is always different. When I worked for Continental, they used to always tell us “the only constant in this business is change”, and I realized that also applies to life. Things are changing around us all the time. No two days are really the same–certainly not at my day job–and therefore the only rut I ever feel like I’ve ever gotten myself into is just the actual work week; but the tasks and duties are never the same even if the schedule is the same. Every client is different, every testing/counseling session is not the same as the one before or after, every book or story I write is different and the process of writing each is always different.
It rained pretty much all weekend, which gave the outside air a feeling of oppressive heavy dampness whenever I stepped outside of the apartment all weekend. It was a lovely and relaxing weekend, too. I am not pressed, nor did I press myself to get things done, which was also kind of nice, quite frankly. We watched House of the Dragon last night–I kept thinking, “ah, this story is based on the Pragmatic Sanction which led to the War of the Austrian Succession”–and it wasn’t bad. You could tell they don’t have that Games of Thrones sky’s-the-limit budget; some of the CGI wasn’t great and you could tell they didn’t really have crowds or lots of extras in some scenes that required them. We’ll keep watching, of course (the entire time I was thinking, why doesn’t the uncle marry the niece? The Targaryens weren’t above incest–and in fact, many royal marriages in European history were uncle/niece; looking at you, Hapsburg family) but I don’t think it’s going to have the same “must-watch” feel to it the way Game of Thrones did–which was “must watch as soon as its available.” It’s not bad, by any means. It’s just on a smaller scale than Game of Thrones was, and that’s not necessarily a bad thing.
I read some more of Gabino Iglesias’ The Devil Takes You Home, which is incredibly well-written and powerful as an exposed nerve, with an intense depiction of suffering and pain and agony, and how that changes a person. It’s very emotionally heavy and packs a very powerful punch in those first few chapters. I’m looking forward to reading more of it, but it’s also not something you can gulp down in a few sittings. The language is too lyrical and beautiful yet stark; I feel it needs to be read slowly, so you can enjoy all the beauty and power of the language being used to tell this very dark story. I doubt seriously that the book is going to leave me feeling uplifted and happy–I don’t see how it could; but it may be a story about redemption and coming back from a very dark place…yet somehow I don’t think that’s where Gabino is coming from with this exceptional work. Getting inside that level of grief is difficult. I can’t imagine how hard it was, as a writer, to go to such a horrifyingly dark place–and that’s the FIRST FEW CHAPTERS. Sheesh.
I do have to take time from my workday today to run some errands–I ordered groceries, need to get the mail, need to drop off library books–so I am hoping it’s not going to be horrifically miserable outside today the way it was the weekend. There’s a tropical system in the Atlantic off the Cape Verde Islands heading this way–well, west at any rate–to keep an eye on. The Katrina anniversary looms, and we’ve had several storm systems around the same time numerous times in the years since 2005. I certainly hope that isn’t the case, as it could affect our trip to Bouchercon, but I think we were back home last year from Ida around the same time we would need to be leaving for Minneapolis (I could go back and look it up on the blog, I suppose, but Ida wasn’t a good time and it’s still a bit raw for me to want to actually do that just yet); any way, it’s not something I want to deal with again this year.
And on that note, I am going to head into the spice mines. Have a lovely Monday, Constant Reader, and I will check in with you again tomorrow.
Sunday morning in the Lost Apartment and I am feeling a bit bleary-eyed this morning. I slept magnificently last night; I didn’t want to arise from the nest of blankets in my comfortable bed this morning in the least. But arise I did, because there are things I must get done today and staying in the bed for a longer time than usual would not help accomplish anything except, you know, more pleasure of sleep.
We did finish watching Black Bird last night, which was an interesting show based on a true story and executive-produced by Dennis Lehane; in which a cop’s son turned bad gets a chance to get his sentence commuted if he goes into a prison for the criminally insane and gets a serial killer–whose appeal might earn his release–to confess to him. It was quite entertaining and more than a little intense, but I do recommend it. I don’t think it needed to be six episodes–I think it felt a little padded here and there to get to six episodes, which seems to be the American minimum/sweet spot for mini-series. We also started watching Five Days at Memorial, which is…interesting. It’s a dramatization based on a book and the true-life experiences of those who were trapped there after Katrina and the flooding; one thing that was absolutely spot-on was how everyone kept lapsing and calling the hospital “Baptist” instead of “Memorial”–the hospital had been bought out by Tenet Health and renamed in the years before the storm; it was a New Orleans thing as to how long it would take for the new name to catch on; I was still calling it “Baptist” to the point that even the title of the series took me aback; I actually did wonder before we started watching, was the name of the hospital Baptist Memorial and we all just called it Baptist? Mystery solved.
I did run my errands yesterday–it didn’t feel quite as miserable outside as I thought it would–and actually made dinner last night…meatballs in the slow cooker, but I also made them differently than I usually make slow-cooker meatballs, the recipe I donated to the Mystery Writers of America Cookbook; I added sour cream to the recipe, for one thing, as well as some other spices and vegetables in the sauce. They turned out really well–quite tasty, actually–and as I sliced bell peppers, celery and onions yesterday while the roux bubbled and browned, I remembered oh yes, I love to cook; I just never get the opportunity to do so anymore. Our work and sleep schedules are now completely out of sync, and the only time I ever cook anything is on the weekends. Today I do need to make things to take for lunch this week–the meatballs will only stretch so far, and I am starting the week in the office on Monday instead of Tuesday this week. I am also having Costco delivered this afternoon as well. I also need to get to work on my second-pass page proofs for a Streetcar today; they are due on my birthday, ironically, but I’d rather get them out of the way today. I also want to get some writing in today, if I am lucky and motivated; I need to start getting more focused and less concerned about other things and issues as well as getting distracted, which is getting easier and easier all the damned time. I know there’s medication for ADHD, but unfortunately it can also act like speed–and the last thing in the world I need is to take something that will make it harder for me to fall asleep.
Yeah, definitely don’t need something to keep me awake longer. (Although every night before I go to bed now I start drifting off to sleep in my easy chair, which is so fucking lovely you have no idea.)
I’ve been reading some non-fiction lately; my mind hasn’t been clear or steady enough to continue reading fiction–a malaise that has come and gone since the beginning of the pandemic in 2020–so I’ve been focusing more on non-fiction when I am reading lately. I’ve got a really interesting book called Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History by Yunte Huang, which is absolutely fascinating. I loved the Charlie Chan movies when I was a kid (neither knowing nor comprehending how racist they were, not to mention their “yellowface” aspects)–again, the influence of my grandmother–and I read some of the Earl Derr Biggers novels when I was a teenager. I am really interested in getting into the meat of this book, since the character was beloved but is problematic in our more enlightened time; can the stories and the character be reclaimed from the morass of stereotyping and cultural colonialism the books and films were steeped in so deeply? Reading the introduction to the book yesterday did again make me feel like gosh, I wish I was educated enough in criticism and the writing of non-fiction to produce this type of work; there are any number of books and writers and characters I would love to explore and dissect and deconstruct. But alas, I do not have that background or education, nor do I have the necessary egotism/self-confidence in my own intellect to believe that I could come up with anything interesting or constructive or scintillatingly brilliant to say that hasn’t already been side (although I have an interesting take on Rebecca I would love to write about someday). I’d love to write about the heyday of romantic suspense and the women who hit the bestseller lists throughout the 50’s-80’s writing those books (Whitney, Stewart, Holt being the holy trinity); deconstructing the themes and tropes and tracing their evolution as the role of women in society began to change during the decades they wrote their novels.
I also bought an ebook about the children of Nazis, which is something that has always fascinated me; how did and have Germany and Germans dealt with, and continue to deal with, their horrific and genocidal past?
Obviously, as a Southerner, I am curious to see how one deals with a horrific history.
And on that note, I am heading into the spice mines. Y’all have a lovely Sunday, and I will check in with you again tomorrow.
Saturday in the Lost Apartment and all seems to be well. I slept late as I had planned–maybe a bit too late, but I also stayed up late to finish doing the laundry (it’s such an exciting and always oh-so-glamorous life I live here in the Lost Apartment. I have to run some errands a little later on–mail, make groceries, prescriptions, library–and some things to do around here to touch up and clean a bit. I want to do some writing and reading today as well as just relax and enjoy the day a bit. We finished watching The Sandman this week, which was incredible–I think everyone can enjoy it, frankly, and it’s so creative and smart and visually breathtaking; a sweep of technical Emmys would be incredibly well-deserved; but it’s also a fantasy show built upon a mythology that originated in the DC Comics super-hero world, so it probably won’t be taken as seriously by the Emmy voters as it should…but then again they were also all about Watchmen (which was, frankly, superb), so you never know. Game of Thrones didn’t do too badly with the Emmys, either. Regardless, The Sandman is brilliant and I highly recommend it.
We also started watching the new show on Apple+ by Dennis Lehane, Black Bird, starring Taron Edgerton, which is also really good and Edgerton really is enjoying the role he plays. (Paul and I decided that he and Tom Holland need to make a movie together where they play brothers; Edgerton is what Holland would look like were he not so baby-faced boyish looking…or they could easily pass for brothers.) Edgerton, who is very handsome and has an amazing body, also looks like he’s been buffing up his body, too. (I think we first noticed him in Kingsman…I also think he’d make a terrific Nightwing if they ever make a Nightwing movie, which they really need to–I was distressed to see the latest HBO MAX news that Titans will probably be cancelled, which means DIck and Kori need to get together this final season soon to be airing.) We blew through the first three episodes quickly; I am also thinking we need to watch Five Days At Memorial–it’s getting to be Katrina anniversary time, woo-hoo–which will undoubtedly be difficult to watch (that period is a very dark time, obviously, and reliving it, even through the guise of entertainment, is always difficult) but probably necessary.
Since watching It’s a Sin last year (or whenever it was it was released) opened a floodgate of sorts in my mind. I know I’ve mentioned here before that I had always, since about age thirty-three, chosen to focus on the present and the future and never look back. It always seemed counter-productive, and I had finally come around to the acceptance point of realizing that everything that has happened in my life–whether macro or micro–inevitably set me on the path that led me to where I am today, and as long as I am happy, did the past really matter? What was the point to having regrets, to wishing I had something differently? Doing anything differently would have changed my path, and direction, with absolutely no guarantee that I would either be happy–or have survived this long. I am sure there are many many alternative timelines for me that had me dying in the 1980’s or 1990’s, which is always a sobering reflection and one I always have to keep in mind. I am alive because of every decision I’ve made and every heartbreak and crisis and problem and bad thing that has ever happened to me, and I kind of like my life and who I am. I am aware of my flaws (probably not as aware as I could be) and I know what my strengths and weaknesses are as a general rule; my biggest worry is that I delude myself periodically about anything or everything or something, and I really don’t like the possibility that I have blinders on when it comes to anything to do with me, my life or my career, while knowing it’s a strong one. I also know sometimes I probably take on blame for wrong that isn’t my fault (another reason Charlie in Heartstopper resonated so strongly with me was him constantly thinking everything was his fault and always saying “sorry”; I could absolutely relate to that as I’ve done the same most of my life and it is generally always my default on everything).
But as I have said, watching It’s a Sin, and being reminded so viscerally and realistically of what that period of my life was like–oh, they were so heartbreakingly young–did make me start looking back, remembering and reevaluating and, while perhaps not actually having regret, actually mourning everyone and the world and the life perhaps we all could have had if the homophobes hadn’t been in charge of everything back then. By not looking back I don’t think I ever allowed myself to heal, even though so much time has passed it’s all scar tissue now. But scar tissue is generally tighter than the skin it repairs; one is never quite as flexible as one used to be before the wounds became scabs and finally scars. Writing, as always, has been an enormously helpful tool for me to process experiences and feelings without tearing the webbing of the scar tissue again. That’s why I think writing “Never Kiss a Stranger” is important to me, and why the story haunts me so. Both Bury Me in Shadows and #shedeservedit both were enormously helpful to me, forcing me to deconstruct and evaluate and look at harsh bitter truths I’ve tried to avoid most of my life. So I think it may be helpful to watch Five Days at Memorial, because perhaps enough time has passed for me to look back without the full range of painful emotion the memories brought before.
Hilariously, after all that bitching yesterday morning about the health fair, it turned out much differently than I was expecting. For one thing, their scale clearly was wrong; it clocked me at 196 pounds. If that was accurate, then I have lost sixteen pounds since I last visited my doctor–two weeks ago (I weighed 212 at his office). As that is most likely not possible–especially since I’d moaned in disbelief when putting on my pants yesterday morning only to find them snugger than they were the last time I’d put them, so the notion I’ve lost that much weight in such a short period of time without trying is utterly ludicrous on its face, preposterous. But it did kind of make me smile a little bit and shake my head.
And on that note, I think I am going to head into the spice mines. Have a lovely day, Constant Reader, and hope it’s everything you hoped it will be.
Thursday and working at home today. Data to enter and condoms to pack; but at least I don’t have to go out in public today, which is a blessing both for me and the public when it happens. I decided to stop and make groceries on the way home from work last night, to make this possible, and it’s an absolutely lovely thing to contemplate that I was smart enough to think ahead so I can just work from home and not go anywhere today, other than to the gym later on. My body isn’t happy that I’ve not been to the gym in weeks, and it is most definitely letting me know of its deep disapproval of this conduct. I may not even lift weights–but stretching is definitely on the agenda. I need to really stretch every day, to keep my muscles from tightening and knotting, and all the knots and tightness and tension I am feeling this morning is yet another example of why self-care, particularly in trying times, is so absolutely necessary.
I also really need to get back to writing more regularly. I always feel better when I’m working, writing, than when I am not. You’d think after over twenty years of writing, this would be firmly imprinted on my brain: writing and creating are imprinted into your DNA and when you aren’t doing it, you’re making yourself miserable. I’ve always believed the the so-called trope of “writer’s block” is actually a symptom of depression; there’s something else going on in your brain that is preventing you from creating. (I cannot, as always, speak for writers other than myself; this is my belief and my experience. I’ve also come to recognize that I don’t want to do it mentality when it comes to writing for me is my own personal version of writer’s block–the depression and the imposter syndrome insidiously doing its work on my brain: why do something you love to do when you can not do it and feel bad about yourself and question your ability to do it?) There have been a lot of distractions lately–really, since The Power Went Out–and I need to stop allowing shit to take me out of the mindset that the most important thing to do in my free time from now until January is to write the fucking book.
The book is the most important thing right now.
I did spend some time revising the first chapter last night, despite having the usual “third day in a row up at six” tiredness last night. It felt good, as I knew it would, and spending some doing something I truly love really gave me a rush of sorts; I was able to sleep deeply and well last night, I feel very even and stress-free this morning, and some of the knots in my shoulders, neck and back seem to have relaxed this morning, and I feel rested, more rested than I have felt in quite some time. Untangling the thorny knots of problems in a manuscript–while forcing me to think and use logic and reason while being creative–is perhaps the best cure for anything I have going on at the time. Escaping into writing has always been my solace, going back to the days when I was that lone queer kid in Kansas, and it still works to this day.
It’s actually an interesting challenge for me–writing a book set in New Orleans that doesn’t center a gay man or any gay issues. (There will be queer characters–I can’t write anything without including some; sue me.) The book is also centered in a neighborhood with which I have some familiarity, but I obviously don’t know it as well as the Lower Garden District (where Chanse lives, and where Paul and I have always lived) or the Quarter (where Scotty lives); it’s the same neighborhood where my main character in Never Kiss a Stranger also lives, so I need to get more familiar with how it is NOW…I tend to always think of neighborhoods as they were not as they currently are; which means I need to go walk around and take some pictures and get a sense/feel for who lives there, what it’s like now, etc. This neighborhood used to be considered sketchy when I first started coming here/when we first moved here; the price ranges for rentals and properties now (well, every-fucking-where in New Orleans now) are hard for me to wrap my mind around. (When I was writing my first book, Murder in the Rue Dauphine, I made a reference to “million dollar homes in the Garden District; this was in the late 1990’s. My first reader–beta reader, they’d call it now–highlighted the sentence with the note there are no million dollar homes in New Orleans. The Internet then was not what it is now, of course, so I was surprised to look in the real estate listings in the Times-Picayune to see she was correct. Now, homes in neighborhoods that used to be considered ‘dangerous’ go for over $400k; I just looked at “houses for sale” on Zillow in the neighborhood I am using and was not in the least bit surprised to see that a house like the one my character lives in is listed for 1.15 million…which is actually a plot point I am going to use in the book. And while verifying this just now didn’t surprise me, per se, it did make me shake my head and wonder, who is paying this for a house in New Orleans?)
I don’t see how any working class people can actually afford to live here anymore, really. Sure, there are still neighborhoods that “affordable” when compared to the neighborhoods adjacent to the levees, but the fact that our original apartment, that we paid $495 per month for, now goes for $2100. And that’s something I think I should address in an upcoming book–whether in this new series, or in a Scotty.
I’ve also found myself going down wormholes about Louisiana and New Orleans history a lot lately; I’ve never been conversant in either other than the basics–Bienville arrived and set up camp; why English Turn is called English Turn; Spain takes over from France, and so on. Both city and state have a deep, rich and sometimes horrifying history; it’s little wonder the city is so haunted. So much ugliness, so much violence, so much criminal activity! (Which kind of thematically what I was exploring in Bury Me in Shadows–how the history of violence and ugliness in a particular area can poison it) It’s why I am always amused that the white-supremacists-who-don’t-want-people-to-think-they-are will always cry and whine about crime in New Orleans–when they haven’t lived here in decades and were part of the white flight when the schools were desegregated–they left because of crime, not because they didn’t want their kids to go to school with black kids, oh no! It was the crime! (But if you give them enough rope, they will always bring race into it eventually). New Orleans has always had a dark past, has always had high crime rates, has always had corrupt politicians…but the crime here is why they left…even though the white politicians were also always criminals, and there has always been a lot of violent crime here.
Anyway, I went into a wormhole the other day about the possible murder of Louisiana’s first Black lieutenant governor, Oscar Dunn–who may or may not have been murdered in 1871. What a great historical true crime book that would make, wouldn’t it? Post war, the racial tensions in the city, Reconstruction going on…and on the other hand, it could also make a great historical mystery novel as well! Yet another idea, yet another folder, yet another possibility for the future.
It never ends.
And on that note, tis time for me to head into the spice mines. Have a lovely day, Constant Reader!