Tag: John Wayne Gacy

Hurtin’ (on the Bottle)

Monday morning and back to the spice mines with me this morning.

Well, the office, at any rate.

It’s very chilly in the Lost Apartment on this first day of December, which also means it’s the start of my Noirmas Season project. Huzzah!1 I also slept deeply and well yesterday, after a day of rest and not really doing a lot. I was very low-energy yesterday, which didn’t surprise me. I’ve always been tired the day after driving home from Kentucky, which is why I always have given myself a free day before I have to go back to the office. So being low-energy wasn’t a “still not well completely” reaction, but rather a normal one, which was an enormous relief. Sparky was also very needy all day yesterday, sleeping in my lap or insisting I go sit in my chair to provide a lap for him–he’s so sweet. He was kind of distant at first when I got home, too, but eventually forgave me and starting showering me with attention. But yes, I spent most of yesterday in my easy chair too tired to read, and watching news videos and getting caught up on everything I’d missed while on that Internet sabbatical I took. I had to clean out an unbelievable amount of emails, and I also have a lot to read and respond to at some point this week.

The coaching carousel finally stopped spinning yesterday, with Tulane’s coach going to Florida and a directional Florida university’s coach going to Auburn, with the big story of the day being Lane Kiffin deciding to leave Mississippi in the lurch and come to LSU. (Mississippi elevated their defensive coordinator to head coach–not interim, but head coach.) There was a lot of negativity about this, as there should have been. He is leaving his team with a 11-1 record and a play-off birth, so their fans are pretty bitter and angry2. Mississippi hasn’t had a shot at contending for a national title since at least 2003, and they made the 12 team play-offs before LSU, which no one would have thought possible as recently as five years ago. I’m ambivalent about the whole situation, to be honest. Mississippi fans have a right to be angry and they also have a right to hate him; he left them in the lurch before the play-offs to go to an archenemy. LSU-Mississippi is a trophy game every year, and they hate us and have for decades. The difference between this hire and the Brian Kelly hire back in 2021 is that Louisiana seems to have instantly embraced Kiffin, whereas Kelly was never completely accepted, and even after winning the division in his first season–a good start–LSU never saw that level of success again. I’m willing to give Kiffin a chance, just as I was willing to give Kelly (someone I didn’t like or respect) a chance. He did a great job at Mississippi–not an easy task–and three consecutive ten win seasons there is nothing to sneeze at. LSU is a brand (more on that later) much more so than Mississippi, with no disrespect intended; it’s just a fact. An undefeated LSU team, for example, will always be ranked higher than an undefeated Mississippi team–which is completely unfair–but that’s how this all seems to work these days. (Miami and Notre Dame, for example, have the same record but Notre Dame is ranked higher–and Miami beat Notre Dame. Your guess is as good as mine.)

Yesterday morning I finished listening to Fever Beach, and have lots of thoughts about it. It reminded just how important it actually is for funny writers to use their talents to skewer and satirize politicians and the state of the country. I have wondered myself about how much of the current world situation I should put into my Scotty books, and if so, how to handle it. My readers, of course, probably are more left than right; I cannot imagine how anyone could read that series and believe Scotty and his family are conservatives. I don’t remember if Fever Beach was considered controversial when it was published, and once it got started I wasn’t sure how I felt about it and the approach he was taking, but once I started laughing out loud (which happened quite a few times while listening) and got into the spirit of the thing. Mocking them is really the best way to handle them–and really, we should have never stopped calling them weird last summer.

We also finished watching the John Wayne Gacy series, Devil in Disguise, which was incredibly well done. I appreciated the focus on the families and loved ones on the victims, along with the trial stuff and backstory. This, Ryan Murphy, is how you do a serial killer mini-series. You don’t glamourize the killer. We then watched a documentary called The Carman Family Murders, which was interesting, sad, and horrifying all at the same time. (I think we’re going to make Sundays our “true crime documentary” nights.)

Tonight after work I need to make some groceries and order some to be delivered (or maybe I can order them all for delivery? Hmmm). I need to put the dishes away and finish the load of laundry I started last night (fluff and fold is all that’s left to do). I need to clean out my inbox and start thinking more about working on Chlorine. I also got the edits for new Scotty I have to get done, and I have another chore to do as well.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll be back tomorrow!

  1. Note to self: find my copy of The Postman Always Rings Twice tonight. ↩︎
  2. Again, who can blame them? There are people in Louisiana who’ve never forgiven Nick Saban for returning to college football at Alabama. ↩︎

Polk Salad Annie

That may be the name of the song, but I always thought it was “poke salad,” because you used pokeweed to make it. But I’ve also always had hearing issues, and have misheard (and mis-said) things almost my entire life before learning how wrong they were! The funny thing is, before the hearing aids, I was kind of ashamed of being unable to hear so I would never ask someone to repeat themselves; now that I have them, I have no problem with that? Strange, isn’t it?

I have to pack tonight when I get home because I want to get an early start tomorrow morning. I don’t like driving after dark, and with the time change it’ll start getting dark between four and five, and I lose a time zone hour once I cross the Georgia state line for a brief moment before catching I-75 in Chattanooga. I hope to sleep well again tonight, since the drive will most likely be exhausting. This is my first lengthy drive since being sick, and so I guess it will be indicative of how my recovery is going, won’t it? Plus, leaving early might help with traffic along the way. I can even load the car for the most part this evening as well, which is cool. I don’t know how much I will be here while I am up north this week, so bear with me; you may not see me again until this coming Sunday morning. I will miss the games on Sunday, but I can always check scores on my phone and I may get home in time to catch the tail end of Auburn-Alabama. LSU is at Oklahoma, so who knows how that will go and which team will show up in Norman. I don’t have a lot of confidence or hope in a team that just beat Western Kentucky by only three points at HOME. (It was actually kind of sad, especially for Senior Night. What a disaster this season turned out to be for my Tigers. Sigh. But I said they were overrated at the beginning of the season and guess what? I was right.)

I spent some time yesterday going through my journals to mark pages with Chlorine notes, and there were a lot. I only got through about five of them, but there was a lot of interesting notes and information and ideas for the story, and for the main character’s back story. I know, I know, I’ve been threatening to write this book for almost a decade, but one of the things I came to realize yesterday looking at the journals is how erratic my creative mind is and how all-over-the-map it can be. My journals serve many purposes; I like to write long-handed, for one thing, and somehow the mind-hand connection frees my mind to wander and create free-style, and it always works. It’s also kind of interesting to see how past novels and stories have developed. Sometimes I’ll write a story or a chapter fragment in long hand; the long hand freestyle thing has always worked for whenever I am stuck on something. I also learned a lot going through the journals looking for Chlorine notes; both story and character and situations. I also realized yesterday that the reason I’ve never really worked on it seriously was because I was very tied to that opening scene, and the original story I developed; but now I have realized that there was an enormous hole in the plot that cannot really be fixed without revising and rewriting the entire first three chapters, which I’ve been trying to fix and polish for years when it couldn’t be fixed; spending some time immersing myself in the book, by writing in my journal, has opened the entire thing up for me and I think I should be more than ready to get a first draft done by the end of the year. I’m actually excited, rather than intimidated, about writing it! I think feeling better physically, emotionally, and mentally has helped a lot, too. I spent a lot of time these past few years thinking that I might retire from writing…nah, I just wasn’t 100%!

I am also very excited to start listening to Laurie R. King’s O Jerusalem tomorrow in the car! It’s longer than the drive, so I am going to take the book with me to finish reading, along with my Donna Andrews novel to read while I am up there so I can listen to either her Christmas audiobook from last year, or A Letter of Mary by Laurie on the way home on Saturday. I am hoping to rest and relax and read and spend some nice time with Dad and my sister. It’ll be cold, of course, but I am not dreading it the way I usually do. I think I’ve finally made peace with colder weather? I blame this past January’s blizzard, really. It reminded me how nice it is to be safe and warm inside while the snow is coming down outside. Very, very cozy, and maybe the weather is kind of worth it for that kind of comfort? The older I get, the more I appreciate comfort. (Note to self: get new sheets.)

We watched some more of the final season of Solar Opposites, which I’m not enjoying as much as I did the earlier seasons…but I also watched them all in a binge, so was a lot more vested and it’s hard to get back into it after so long. It’s still insanely clever, though. We also watched Family Plan 2 so you don’t have to (the first one was cute and clever; the second went back to the well and it doesn’t play as well the second time around) and I have to ask again, how is Marky Mark a movie star? (I prefer to use his name from when he was a trouser-dropping “recording artist.”) He has no range at all, and all the promise he showed as a young actor in movies like Boogie Nights has been lost into a charmless “character” he plays over and over and over again, in action flick after action flick. Basically, he just shows up and cashes the paycheck. I do like Michelle Monaghan, though. It played while I was going through my journals; Paul kept falling asleep. Then we watched Devil in Disguise, and seriously? This is how serial killer mini-series or limited series or whatever they fuck they call them now should be done. Not glamorous, not visually beautiful, and the sexiness of the cast isn’t highlighted, but rather buried under period hair and clothing. The really get that 1970s accurately; it was almost triggering. I also liked that they aren’t glamourizing Gacy and are focusing, not just on him, but on selected victims and telling their stories along with his. (We had to stop watching the latest Ryan Murphy Monster season.)

I feel good this morning. I didn’t want to get up, but that wasn’t from wanting to sleep more, it was the warm comfort of the bed I didn’t want to leave. I am not tired or sore, and my hip joints feel pretty good, too. I am not in the clinic today, but I have an awful lot of things to get caught up on before I head home this afternoon, and a lot to do when I do get there, too. I’ll just have to avoid Sparky’s wiles and the lure of the easy chair–or remind myself to get up after resting and get it all done so I can leave tomorrow morning and not be concerned about coming home to a disaster area Saturday.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I’ll be back before I leave tomorrow morning.

Rock This Town

As Constant Reader is aware–because I am nothing if not repetitious–I spent ages two to nineteen in the midwest, and the last five of those in rural Kansas. I’ve blogged endlessly about it, have written several books set there, and often blame (some of) my emotional scarring on the experience. It’s one of the reasons that stupid fucking song from earlier this year (“Try That in a Small Town”) was so ridiculous and offensive; yet another tired round of ammunition from people who equate cities with evil and rural life with purity and goodness–to which I always say “Someone’s never read Peyton Place, let alone lived in a small fucking town.” Big cities certainly don’t corner the market on crime and sin and lawlessness; small rural communities can be just as vile and horrible as any metropolis.

Shirley Jackson didn’t set “The Lottery” in Times Square for a reason.

There’s an entire essay to be written about the moral rot of the Bible Belt and rural America–and make no mistake, rural America is every bit as corrupt, sinfully evil, and dangerous as the worst neighborhood in any big city–but this is not the time, as I am here to talk about this marvelous novel I read very quickly last night.

“Can you see me?” Cole yelled over to them. He was standing on the south shore of the reservoir, barefoot and facing the water. He looked like he was thinking, but Janet knew better. The scrunch in Cole’s expression came from trying to keep his belly in a six-pack.

“I’ve got you,” Victoria yelled back as she framed her brother. She was using his phone and struggling with the device. “How do you zoom on this thing?” she asked as she shuffled to the edge, not looking at her feet and focusing on Cole. Janet could see a pink stamp of tongue at the corner of Victoria’s mouth as she tried her best to get the shot her brother wanted.

“You’ve got to be in portrait mode when you go live.”

Janet meant it as a polite pointer, but as the words came out of her mouth, they sounded like a dig. SHe didn’t mean it to be a dig, but she couldn’t help it, either. Her tone was why people thought she was such a bitch. Her tone and that she kind of was. Whatever–it was fun to watch the sheep quiver.

I don’t remember how Adam Cesare and his y/a horror thriller Clown in a Cornfield first came to my attention; if it was a suggestion from a website or if I saw someone talking about it on social media or I don’t know where, but I am very glad it did. The book is absolutely right up my alley–young adults, horror, small town Midwestern America (you know, “the REAL America,” right, Sarah Palin?), and terrifying clowns. I’ve never been afraid of clowns–although many people are, and I can respect that. The white greasepaint, the garish hair and eye make-up, the clothes–it’s not hard to see how something intended to entertain children (remember, fairy tales in their original form are horrifying) can easily become something that is absolutely terrifying. John Wayne Gacy, notorious serial killer who preyed on children, worked as a clown for kids’ parties–which is very unsettling, and of course, who can ever forget Stephen King’s masterclass of clown horror, It? Killer clowns have become kind of a cliché…but they still work.

Clown in a Cornfield works on its basic surface level–it’s a scary story that reads quickly and raises the adrenaline and is chockfull of surprises and twists; like the novel version of a slasher movie. (Something I’ve always wanted to do, frankly.) It takes place over the course of a couple of days, and is set in the small dying town of Kettle Springs, Missouri, where main character Quinn Maybrook and her father have just moved from Philadelphia; it’s hinted early on that the tragic death of her mother is why they moved during her senior year: a fresh start in a wholesome rural small town in the REAL America…which turns out to be all too real. The town is dying because the corn syrup processing plant shut down, and the town is losing population. The above few paragraphs are from the prologue–which sets up the rest of the book. There’s a tragic death at the reservoir that day, which changes the kids and changes the town–as though they’ve finally crossed a line they were dancing very close to the edge of and there isn’t any turning back.

The willful and wild teens of the town have planned a surprise during the Founders’ Day parade which Quinn witnesses when the prank goes haywire, and she learns there’s a lot of anger directed at the town’s teenagers–the kids from above who have a Youtube channel where they film themselves playing pranks on people around town–and the idea is that the pranks have become dangerous and the kids are out of control. The next night there’s a party out in a cornfield, and that’s when the corn syrup company’s mascot, Frendo the Clown, shows up with a crossbow and the body count starts to rise.

I really enjoyed this book. It was well written and works very well on all of its multiple layers, from the basic story which is well paced and exciting, to the layers of social critique, satire, and politics that it also manages to be. I found myself caring about the main characters and rooting for them, and while I saw one major surprise coming way ahead of time, there were a lot of other shocks and surprises along the way that made up for the telegraphing.

There’s also a sequel now, and I am looking forward to the second installment. I think you’ll like it, too, Constant Reader, so give it a whirl–thank me later.

True Faith

Saturday morning and I am about to head back out to Metairie; I just got an email that my computer is repaired and ready for pick-up! This is very exciting, obviously–I am terribly relieved to not have to buy a new one–and I am excited to have a desktop computer again. Hurray for a big screen to make up for my failing eyes! I am also going to be dropping off books later today at the library sale, and donating beads to ARC of New Orleans; the living room is slowly being dragged back from hoarder’s hell and starting to look functional and bearable and usable again, which is incredibly lovely. I managed to hang one of the laundry room doors by myself yesterday; this morning I’ll also be rehanging the other door, clearing up more space and opening up the living room even further.

We finished watching The Crime of the Century last night–quelle surprise, disgusting piece of shit Marsha Blackburn helped pass a bill gutting the DEA’s ability to investigate and punish drug companies for lying to the public, reminding viewers again she’s always been trash and a cosplay Christian without a soul–and the documentary is further evidence that our country and our system has been corrupted and is broken. It’s more than a little infuriating to know that so many people have died and/or become addicted thanks to the complicity of our elected officials, and there is never any accountability for corporations or the rich. Back in the 1990’s I used to simply shake my head and thin we are becoming very similar, as a nation, to 1780′ France and the last days of Czarist Russia and when it comes the second American revolution will be far worse than either of those revolutions, which were widespread and incredibly bloody…I hope I don’t live long enough to see it or experience it, quite frankly. I had an idea–when don’t I have one?–back then for a book about a dystopian future after the collapse of our government and society; dystopias aren’t so much in vogue anymore, but it’s still a valid idea and concept, but it’s been foremost in my brain lately.

We also started watching Halston on Netflix last night, and it’s quite fun; definitely worth watching for the acting, and Ewan MacGregor is fantastic in the title role. I’ve actually been thinking about the 1970’s a lot lately; not sure why I’ve been going down this nostalgic trip down memory lane, but I have been and so Halston kind of plays into that for me. It has everything to do, no doubt, with my idea to write a book about a suburban serial killer, a la the Candyman/Gacy, called Where the Boys Die; I’ve been looking up things (classmates.com has copies of my high school yearbooks even; mine were lost years ago) all over the place when I get bored and when I don’t feel like reading or writing. What will eventually happen with that, I don’t know–if anything–but I realize this morning that I haven’t been writing much this month–I’ve definitely been off, if not my rocker, but my game. I kind of have been ever since my desktop computer ceased functioning properly; I don’t think getting my computer back is going to be some kind of magic cure-all, but it should be a start.

After I dropped off the computer at the Apple Store and while I was waiting for my next appointment, I stopped at the Barnes and Noble on Veterans’ to kill time. I can’t remember the last time I set foot in a B&N; obviously it was pre-pandemic, but it was much longer ago than that, obviously. It was a bit strange to be in such a public space (the Apple Store opens two hours before the rest of the mall, so walking through the almost-deserted halls and past all the closed stores had a sort of Night of the Living Dead feel to it–I know that’s probably not the right zombie/Romero film, but I’ve actually never seen any of those so sue me) but B&N was more confined and had more people–it was still pretty empty, but it was a strange experience. But it was lovely being in a bookstore–I resisted the urge to spend hundreds of dollars and limited myself to a lovely, inexpensive B&N edition of The Iliad and The Odyssey–and it was also interesting to walk around looking at books and seeing so many friends on the shelves, tables, and end-caps. The MWA handbook, How to Write a Mystery, was prominently displayed on the NEW RELEASES shelves, and I found myself examining books and just enjoying being around books.

Speaking of which, I started reading Robyn Gigl’s By Way of Sorrow, and am enjoying it. I need to get it finished, though, so I can read From Here to Eternity on my trip next week (yikes, I leave on Thursday).

So, my plan for today is to get my computer set up again, rehang the other door, run those errands and swing by the grocery store as well. With all of these other things taken care of, I also intend to clean today so tomorrow I will have the day free to answer emails, do some writing, and go to the gym….then it’s three days of work and the trip to Kentucky, and then before I know it, May will be ending and it will be June. #madness.

And on that note, I need to get cleaned up so I can head out to the Lakeside mall. Happy Saturday, Constant Reader!

Candyman

I moved to Houston in the spring of 1989, basically to put the past into the rearview mirror and get my shit together. A fresh start was called for, my parents lived there, and so I shipped some stuff and whatever I couldn’t check as luggage or carry on was thrown away. It wasn’t what I wanted to do, but rather what I needed to do; I was on a horrible downward spiral of depression and self-loathing and I didn’t see any way to break that cycle while remaining in California. So I boarded an early morning flight and moved to Houston.

I knew relatively nothing about the city. I knew it was in Texas and was a major port, but it didn’t appear to actually be on the Gulf Coast (I would later learn that the Houston Ship Channel was how the city had become a major port), it was big, they had a baseball team (the Astros) and a pro football team (at the time, the Oilers) and a basketball team (the Rockets) and the Astrodome was there. Anything else I knew about the city came primarily from reading Thomas Thompson’s Blood and Money–still one of my favorite true crime books–but admittedly, that wasn’t much. That book had been published fourteen years earlier, and one thing that is very true about Houston, and remains true, is that it changes all the time, sometimes very quickly.

I liked Houston, but as always, whenever I’ve moved there was some severe culture shock. Texas is most definitely not California…and I had never really driven on major highways in a city before. I was soon to learn that it was impossible to exist in Houston, for the most part, without spending time on highways. I was also kind of taken aback by the amount of gun racks in the back windows of pick-up trucks, and was also amazed at the size of some of those trucks. It was a weird, interesting, sprawling city, and I had no idea where anything was or how to get around or how to adapt…but I learned. I liked it there, and it was there, at my first job (selling natural gas, of all things) that I first heard about Dean Corll. I don’t remember how it came up in conversation–maybe a serial killer had been caught, I don’t remember, it’s lost in the mists of time–and she told me about Dean Corll–and even brought me a copy of a book about the killings–Mass Murder in Houston, by John K. Gurwell. It was very short–it was one of those quick books about true crimes that was cobbled together undoubtedly in a hurry to capitalize on the notoriety, but the one thing that always stuck with me was that one of the ways he and his accomplices would torture the boys was to insert glass rods into their penis and break it off.

After I returned the book, I never really thought much about Corll again, until we watched the Mindhunter series on Netflix. In one of the episodes the FBI guys interviewed Wayne Henley–and that reminded me. Paul had never heard of Corll, and the show reignited my interest in him, so I ordered a copy of Jack Olsen’s The Man with the Candy: The Story of the Houston Mass Murders. But I was in the midst of something–probably writing another book or who knows what–and so I simply shelved the book and forgot about it….until we watched The Clown and the Candyman…and I hunted up the book and started reading it.

In his canary-yellow house on shady Twenty-seventh Street in The Heights, a worn-out section of Houston, Fred Hilligiest got up long before the sun. A gaunt, wind-dried man of forty-nine, he striped streets for the city of Houston no weekdays and ran a small painting business in his spare time. This morning he had to be on the job at five; the Gulf sun would catch him soon enough and sear another layer of brown into his deep-lined face, as dark and dry as old parchment.

Dorothy Hilligiest, a radiant, pudgy woman with china-doll hands and a small voice to match, saw her husband off and began to work through a list of chores. In a few days, the family would being its annual vacation to the riverside town of Kerrville and there were still errands to run–to the bank, the car wash, the grocery, the hardware store, to Sears for the last few pints of paint to finish trimming the windows. The Hilligiests worked on their house endlessly, landscaping and painting and decorating till the little bungalow gleamed like a model home on its corner lot. The fact that The Heights was generally considered run-down did not discourage the Hilligiests. A family could live in only one house at a time, and theirs was more than adequate. Others had weakened and lost heart, but Fred and Dorothy, deeply religious Catholics, intended to complete their ordained task of raising a family within these familiar walls.

Two children were already married and gone; three sons and a daughter remained, and by the time Mrs. Hilligiest returned from her first batch of errands in town, they were up and babbling about the vacation to come. It was May 29, 1971, Memorial Day weekend blazing hot in Houston. There was talk among the three boys about going to the pool at the Bohemian lodge to perfect a few strokes they would use later at the river. On the previous year’s visit to Kerrville, they had met a couple of young water nymphs who had impressed and outswum them; this year would be different.

David, the family’s blond-haired court jester and jazz drummer, called a friend to suggest a swim, but the friend was busy. By lunchtime, David still had not been able to round up a swimming companion for himself–being thirteen, he did not relish accompanying his younger brothers–and he ate his customary skimpy meal, a hot dog and a glass of root beer. As usual, Dorothy Hilligiest worried about him. He was a small boy with delicate features, five feet three inches tall and not yet a hundred pounds in weight, and he ate like a gerbil. “Don’t worry,” Fred Hilligiest had told his wife. “He’s as strong as a li’l ol’ bull.” Sometimes the boy earned a dollar an hour working for his father’s striping company and pulled a man’s load without complaint.

Like Blood and Money, one of the strengths of this book is its focus on the city of Houston as a character. He also picks a couple of families who lost their sons to Dean Corll and his accomplices, tracing their suffering from the day their child goes missing out of the blue to the discovery of the bodies. It’s hard not to feel sorry for them, and Olsen does a great job of exploring what they went through without being exploitative, as well as their shock and surprise that the Houston police aren’t in the least bit interested in looking for their sons, telling them their child clearly just ran away. (This is a common thread through a lot of the serial killer documentaries and stories from the late 1960’s through the mid-1970’s; the assumption that missing kids just ran away because a lot of that was going on within the youth culture of the time–San Francisco, of course, being a primary destination for the lost kids running away. It’s also why the serial killers got away undetected for so long; the cops dismissed the concerns of parents–you can almost see the knowing smirk on their faces as they listened to parents insisting their child wouldn’t have run away.) That actually is haunting; the incredible suffering the parents must have gone through, knowing their child didn’t run away and being turned away by cops.

Olsen also explores Corll’s background–his many-times married mother, his own aversion to actual gay men despite his own sexuality–he wasn’t into going to gay bars or meeting other men of his own age, always being interested in young boys and children (his victims were of all ages, but I don’t think any were younger than twelve; I’d have to check to be certain though). There aren’t any answers here, though; why did he become what he did? How did he somehow convince two young men (Wayne Henley and David Brooks) to not only be accomplices but to lure in victims? Did Henley and Brooks tell the whole truth, or did they push most of the blame off on Corll?

I’ve been wrapping my mind around this horrible story since watching The Clown and the Candyman, and reading this book is currently an inspiration for an idea that is developing in my own head for a fictional approach to telling this story. I can see telling it from two directions, actually; which could also make for an interesting book, or two completely separate ones entirely.

It’s also weird that Corll is so completely unknown to most people these days; Gacy stole most of his thunder, and there haven’t been any books about Corll published, new scholarship or investigative reporting, in decades.

Too Late

Hey there, Friday, how you doing?

A thunderstorm woke me up around six this morning, as one has the last three days or so, as well as a downpour. It has since stopped raining since I got up–well, at least it’s not a deluge as it was when it woke me up; now it’s just kind of sprinkling–and again, this makes me rather happy that I don’t have to leave the house today. I do need to make groceries and get the mail, but this can wait until tomorrow if need be; or after I finish working today if the weather has cleared up.

Last night I finished reading The Man With the Candy, and the story continues to fascinate me–and the dead boys haunt me. It’s amazing to me also how little there is out there about the case–John Wayne Gacy, being caught alive and tried, essentially erased Corll from the public imagination. Had there been 24 hour news channels in 1974, there would have been so much coverage it would be impossible for the Candyman story to so utterly and completely disappear from the public consciousness; I only know the story because I lived in Houston about fifteen years after Corll was killed, and people in the city still remembered. The book will get its own review post at some point–it’s very well done–but I also can’t help but wonder if all those boys would have been murdered had society not been so homophobic at the time….but I suppose I can talk about that when I write about the book.

We also started watching an Oxygen documentary series about Aaron Hernandez last night, another case that has long fascinated me. While I always tend to reserve my sympathies for the victims, Hernandez never really had a chance, given his abusive childhood, his sexual molestation as a child, his homophobic father and then becoming a professional athlete in an incredibly homophobic sport (well, almost all the professional and amateur sports have a certain level of homophobia built into them as part of the toxic masculinity so rampant in our country as well as the systemic homophobia we still fight to this very day); not to mention all the brain damage he sustained playing football. It’s hard not to feel some sympathy for him, despite his crimes; how different would his life have been had his father not been an abusive homophobe, had he not been sexually molested, and had the society and culture he was raised in been so horrifically homophobic, forcing him to play the toxically masculine role of the stud athlete?

I suppose that’s the case with so many criminals, though–had it not been for this or that, perhaps they would have had a productive life that benefited society.

Speaking of toxic masculinity, yesterday while making condom packs I watched a Mike Nichols film from 1970, Carnal Knowledge, starring Jack Nicholson and Arthur Garfunkel (of all people; I’m curious how he wound up being cast in this). The opening sequences, with the two men playing roommates and best friends named Jonathan and Sandy respectively, was kind of amusing; it’s easy to forget that as recently as the 1970’s it wasn’t uncommon for actors to play high school or college students when they were clearly way too old (see The Way We Were); but it’s also difficult to find actors young enough to play them as college students while looking enough like them to be believable as well as being able to act as well as the stars. My prime away takeaway from this movie was, well, anyone who ever wonders why the Women’s Movement was necessary and needed should just watch this movie. To say that it hasn’t aged well is a MAJOR understatement; and while it seems the entire point of the movie (and this may just be my modern reading of it) is to point out how societal expectations and sexual mores of the time not only punished women but also poisoned men with toxicity. The movie opens with the two men at a mixer when an incredibly beautiful young Candace Bergen arrives; both are interested, but since Sandy “saw her first” she’s his for the taking (boom! not even five minutes in and we are already exposed to the sexist, misogynist notion that a young woman belongs to a man she’s not even met because he saw her first…no consideration whatsoever to what she may want or need) and she reluctantly begins to date him, although it’s fairly obvious she doesn’t really feel anything for him. We never get any understanding of her or who she is, nor do we get any sense of why Jonathan pursues his best friend’s girlfriend or why she sleeps with him. He eventually demands that she choose, and she chooses Sandy. We then follow the two friends through the years, as Jonathan becomes even more toxic and distant, unwilling to get married and unwilling to commit to any woman; Sandy’s marriage ends in divorce and he begins seeing another woman whom Jonathan also pursues, eventually convincing Sandy to “swap” with him; at this point Jonathan is living with Bobbie (played by Ann-Margret; a really terrific performance) a model/actress who moves in with him and quits working and slowly begins to crumble emotionally–he’s also abusive; we never actually see him strike her, but the verbal and emotional abuse is horrific. Sandy goes into the bedroom only to find Bobbie has overdosed on pills…which finally gets Jonathan to marry her. The next scene we see, they are already divorced and he is living alone; Sandy is visiting him with his new girlfriend (a very young Carol Kane), who is horrified by who Jonathan is and his attitude towards women–he shows them a slideshow of every woman he’s been involved with, calling it the Ballbuster Show; Susan (Candace Bergen) briefly appears on the screen and he quickly clicks past her. Appalled by him, the Kane character leaves, and the two old friends go for a walk. Sandy talks about how she is teaching him how to love and how to love himself, and that he hopes cynical Jonathan can find someone who will teach him the same lessons. Jonathan scoffs, and the final scene of the movie shows him going to a prostitute, Rita Moreno, with the hopes that she’ll enable him to get hard this time–impotence has been an issue for him going back to college, which is apparently caused–the script infers–by his inability to be vulnerable or to connect emotionally with women. And that’s all, folks; credits roll.

This definitely fits into the Cynical 70’s Film Festival; it’s probably one of the darkest films I’ve ever seen when it comes to relationships between men and women. Perhaps that’s what Nichols and screenwriter Jules Pfeiffer were trying for; I certainly hope so, as that was the end result. There were several times while watching that I couldn’t help but think, this is a Rona Jaffe novel only from the men’s perspective rather than the women’s, which just goes to show how fucked up we were as a society back in those “good old days” of the 1950’s conservatives keep wanting us to go back to–no fucking thanks, for the record.

And on THAT note, tis off to the spice mines with ME. Have a lovely Friday, Constant Reader.

Touched by the Hand of God

Sunday morning, and I am swilling coffee and eating coffee cake and trying to wake up. I slept very well again last night, and am starting to feel more…normal, whatever that means for me, since I am anything but normal. I have things to get done today, but the apartment is starting to feel like home again for the first time in a while (since everything went haywire week before last). The laundry room is mostly reassembled, and the book shelves in there look neat and tidy and organized, which rather pleases me. The living room is….well, the living room. I am always going to have too many books in my house (even typing that a voice inside my head was shrieking you can never have too many books what are you talking about?); but I am developing a certain heartlessness as I continue to fill boxes with books for the library sale. At some point, I am going to have to start going through the boxes of books on top of the kitchen cabinets and the ones in the storage attic, and my goal is to have cleaned out not only the attic but the storage unit I’ve rented for far too long.

We finished the first season of Very Scary People on HBO last night, concluding with the two-parter on Jim Jones (we skipped Gacy–have seen enough of him lately already–and Aileen Wuornos, because we watched one on her already recently) and will be moving on to season two probably this evening. I am way behind on Superman and Lois–mainly because it’s something I started watching without Paul and so, rather than trying to get him caught up, I am just going to continue watching without him (I always, inevitably, have to fill him in on super-hero backstory and so forth anyway in most cases, though I think he knows enough Superman lore–doesn’t everyone, really–that he wouldn’t need explanations in this case).

I’ve started–sort of–working on Chlorine this weekend, mostly free hand and mostly in my journal, mapping out backstory and so forth for the main character, and I’ve also started working on the backstory for the body in the surf, and the plot–which was kind of amorphously planned in my head, but yesterday I started nailing down specifics in the plot. It’s going to be kind of fun to write, I think–I always think that going into a manuscript; ever the optimist–and while it’s very tempting to use real people as characters, I think I will make the ones who actually are on the page and participating in the story fictional, but mention others–Joan Crawford, Bette Davis, Errol Flynn, etc.–in passing. I know the studio is going to be fictional–tempted as I am to use Fox or MGM–and I also know I need to sprinkle in some of the conservatism that reigned then, as everyone was afraid of Communists and having to testify in front of HUAC in Washington; it was the time of ‘the lavender scare” (also the title of a terrific history of the period and this very thing, by David Johnson; I highly recommend it) and so homosexuality was also driven even further underground because we were seen as security risks, particularly if we worked in government since it put us at risk for blackmail by Communists (I touched on this briefly in my story “The Weight of a Feather”, collected in Survivor’s Guilt and Other Stories).

I also worked on getting organized yesterday. I did a lot of filing, and took a lot of books off my desk and replaced them with ones I’ll be using for research and background for this book. I kind of feel like I already know my main character (even though I couldn’t remember his name yesterday as I wrote notes in my journal); he grew up in Kansas, was caught by his father in a “compromising position” with his high school basketball coach in the tiny little town he grew up in and was forced to enter the military at age 17–going into the Navy and serving in the South Pacific, where he found other men like himself, and thus became familiar with the underground gay community within the military, as well as in Honolulu and Los Angeles (on leaves). After mustering out in 1946 he comes to LA to become a movie star, is discovered by a Henry Willson type agent, and at the start of the story his seven year control with Pacific Pictures is coming to an end, they aren’t going to renew his contract, and he is in fact being sacrificed to a tabloid in order to protect another client, a rising star the tabloid was going to out–loosely based on how Henry Willson sold out Rory Calhoun and Tab Hunter to Confidential to save Rock Hudson; but unlike them, my character’s agent has a plan for him: a long-term contract to work with an Italian film company making sword-and-sandal epics.

It’s a great set-up, and one that I hope to not let down…right now I am feeling confident that I can write this and it will be amazing; of course, once I start the doubts and imposter syndrome will start creeping in and I will spend most of my time wondering what the hell I was thinking to try to write such a thing in the first place.

I couldn’t have picked a better career path for a neurotic, could I?

I also lined up all the potential short story calls I am interested in submitting to, matched them up with an in-progress story that fits their call (or at least what does in my mind; I am really not that great a judge of these things, in all honesty) and need to plan out when to reread and when to rewrite. It’s very strange; now that I am coming out of the exhaustion from the writing of the two books back to back I am amazed at how light I feel; I don’t feel that oppressive burden nor the stress that comes from carrying it. I know both manuscripts need work and I need to revise and rework and edit one last time with each, and there’s a deadline for the first for sure–but I am going to put that off until next weekend, when I have the time to sit and go through Bury Me in Shadows from beginning to end, making notes, making corrections, and so on and so forth to get it polished into a diamond…or as close to one as I can get one of my books.

So, I am going to spend the rest of this morning swilling coffee and trying to finish reading The Russia House. I love LeCarré; he is such a terrific writer I can get lost in his sentences and paragraphs forever–but I find myself not loving the plot or the characters in this one, which is why it’s taking me so long to get through this one, I think. He also does an excellent job of taking me back into that 1980’s world/mentality of the Cold War and the collapse of the Soviet Union–that halcyon time when the fear of nuclear annihilation began to fade somewhat but at the same time the worry of what would fill the vacuum created by that collapse was almost nearly as intense (it didn’t take long for conservatives to replace Communists with Muslims as the scary other from another part of the world determined to destroy us); not to mention the wondering if glasnost and perestroika weren’t real or sincerely meant; LeCarré does an absolutely amazing job with that cold intelligence paranoia.

And then, for something similar yet completely different, I am going to reread Dorothy Gilman’s The Unexpected Mrs. Pollifax.

I also would like to get back to the gym today; it looks absolutely lovely outside, and the walk will be lovely.

Until tomorrow, Constant Reader. Have a lovely Sunday!

Vicious Streak

I skipped posting yesterday because we had to have Paul at the hospital for his colonoscopy by 6:45 am. We were home by nine, but I was completely exhausted–undoubtedly in no small part by turning in the manuscript on Monday–so I decided to just kind of take the day off from everything. I read for a while, Paul and I finished season 3 of Mr. Mercedes, and then a Jeffrey Dahmer documentary, which was creepy as hell and then we found a weird docuseries on ID network in which convicted killers talk about their crimes….also creepy as hell.

Which could explain last night’s insomnia. I slept for about four hours straight through before waking up, and just kind of drifting the rest of the night before the alarm went off. I imagine I am going to be incredibly tired after work tonight; I was thinking about heading to the gym, but I am going to see how I feel when I get home tonight. I’ve not been to the gym in over a week–I correctly recognized going to the gym inevitably wears me out and unable to write (the voice of experience speaking in my head) and so I skipped until the book was finished. I should have gone yesterday, but again–was very worn out and tired for most of the day.

Sunday night as we finished watching The Clown and the Candyman, I kept thinking, some of these neighborhoods and suburbs sound familiar. Constant Reader may remember that I grew up in Chicago, and moved out to the suburbs when I was ten, where we remained for another four and a half years. I grabbed my iPad and typed in the name of our suburb, then asked for the distance between it and Des Plaines, which was Gacy’s stalking ground….and he was thirty miles away from where we lived. I don’t think he and his recruiters ever ventured that far outside their area, but it was still kind of scary and chilling.

I would have been the right age and the right type they were hunting for during the time they were killing.

I think subconsciously that’s why Gacy–and by extension Dean Corll (I’ve been spelling it wrong) in Houston–have always been so interesting in a macabre way to me; if we had lived in that neighborhood in Houston when Corll and his recruiters were killing, again, I was a bit on the young side for Corll when he started killing but would have just squeaked in before he was killed and the spree came to an end.

Yikes.

I also found my copy of Jack Olsen’s The Man with the Candy: The Story of the Houston Mass Murders, and there’s an idea about this story forming in my head for a future book…because of course. It’s been nagging at me since we started watching the Gacy/Corll documentaries; today between clients I will probably scribble down some notes for it.

My new espresso machine arrived yesterday, and I was able to use it this morning. It’s much simpler and easier to use than the previous one, and it works just fine. Huzzah! (It also takes up less space on the counter.) I also got an email that our new washer shipped yesterday, so it should be arriving on Friday. I am really looking forward to having everything in the apartment operational again–the electricians still haven’t come out about the fuse that keeps tripping, though. But the new washing machine will make me feel less like I’ve lost a limb, which is kind of how I feel about it now.

And now, back to the spice mines. Have a lovely Wednesday, Constant Reader!

Elegia

Ugh, Monday morning.

At least I finished the draft of the book yesterday, so huzzah! It’s probably still a big old mess, and a whole lot of revision and rewriting is going to be required by my ever-patient and long-suffering editor, but it’s fucking done. And I have to say, in addition, that I’m kind of glad to be done with that manuscript, at least for now, and at least it’s in some sort of shape that makes sense and is hopefully fixable.

The espresso machine is still not making cappuccino shots, still only making an espresso shot despite having enough water for the larger shot; apparently just turning that extra water into steam. The new one should arrive today, so this morning will be the last time I have to use this old, no longer properly working one. I’ve also learned my lesson from the debacle of last Wednesday as far as how to drink the proper amount of caffeine this morning. What I should do is not make another and simply swing through the Starbucks drive-thru at St. Claude and Elysian Fields and pay a ridiculous amount of money for one of their lattes with a shot of vanilla in it…but as it also still causes me physical pain to pay that much money for one, I will most likely repeat the enormous mistake of last week and wind up over-caffeinating. I’ll be sad to get rid of this espresso machine; it was cheap and served me well for seven years almost, but I am really looking forward to using the new one, and seeing what it does.

I have tomorrow off so I can take Paul to his colonoscopy. Big excitement, right? At least I can take The Russia House with me to read while that’s going on. We don’t know what time his appointment is for; he has to go get a COVID test today, and once they get the result will call to let him know what time he needs to come in tomorrow morning (or afternoon; it could be at any time). Our new washer is also being delivered this Friday, and now of course I am stressing about how they are getting the old one out and the new one in. I’ll probably go ahead and remove the laundry room door on Thursday, as well as taking out the bottom shelf and everything on it to make as much room for them in the tight space as possible. I keep telling myself they’re used to this sort of thing and not worrying; after all, they were able to deliver and install the original one, weren’t they? And we’ve had three dryers delivered and installed over the last sixteen years, so I am probably worrying about nothing, right? Right? But so many things have been going wrong around here for so long–this weekend, we kept blowing a fuse in the kitchen–which is worrisome, especially since the last time it blew yesterday it wouldn’t flip back, and it was hot to the touch, so I let it sit for about two hours and then tried again. It worked that time–the kitchen lights are still on this morning (it’s also the same fuse the refrigerator and dishwasher are on, so I’ve not been able to. use the dishwasher as the fuse goes every time) so here’s hoping the guys can come out today and replace the fuse or figure out the problem with it so it will stop tripping.

We finished watching The Clown and the Candyman yesterday, as they tried to make the connection between the two notorious serial killers and the John Norman pedophilia ring, and as I watched and listened, I kept thinking to myself this sounds like where that QAnon pedophile conspiracy theory probably got its start–which doesn’t mean that it’s not based in some kind of fact; the QAnon conspiracy theory might actually be grounded in some kind of reality–which doesn’t, of course, mean what they are saying on those message boards and so forth is true, either. But it was interesting, to say the least, and the parallels and possible connection between these two mass murderers is fascinating to contemplate. And of course, the entire time I was watching I was scribbling down notes and ideas for stories and so forth. We also finished watching Resident Alien last night, which was exceptionally clever and rather well done; I am assuming last night’s final episode we watched was the season finale because the end was the perfect cliffhanger.

Fun!

I’ve also fallen behind on Superman and Lois, and with this draft of the book finished, I should be able to get back on track with everything else that I’ve fallen behind on–groan, my email inbox alone–and I have to do some tweaking of Bury Me in Shadows, which I am hoping to get to work on this coming weekend. I kind of want to take this week to kind of chill and relax and get a handle on everything. I’ve never felt caught up at all at any time over the past year, which is terrible and drives me crazy; there’s nothing worse than feeling behind all the time and like you’re never going to catch up.

And on that note….tis back to the spice mines with me! Happy day after Easter, everyone!

Chemical

Sunday, and time for the final push on the book. I’m at the point in writing where I feel like my entire life has become subsumed by the book; that point where it has seized almost complete control of your brain and you are thinking in terms of when this is done I’ll have my life back. I am also at the point where I hate everything about it, am heartily sick of the story and the characters when I am not actually working on them, and also when I am questioning any and all of my life choices.

I had a socially distant drink (or two) with a friend in from out of town for the Easter holiday, and her mixology skills may have gotten me to switch my allegiance from vodka to gin when it comes to martinis. They are two very different drinks–I’d never particularly cared for gin when I’d tried it in the past, but the traditional martinis she made me yesterday were quite tasty. I did all the errands I had to do yesterday, including the laundromat trip I’d talked about–which was interesting, and I did get much further in The Russia House while I was waiting to switch clothes from washer to dryer and then to finish drying–and then I came home to work for a bit before the cocktail date. It has been quite a long while since I’ve had anything alcoholic to drink, and it was so nice and normal I wasn’t quite sure how to act. After I got home and made dinner, we watched the regional final (LSU qualified for the national semi-finals; they did better than they had the day before, but it was still a rather sloppy meet for them; they can do better and score higher than they have) and then it was on to watch another serial killer documentary series–The Clown and the Candyman (recommended by a friend on Facebook).

Gacy is the more famous of the two serial killers who targeted and tortured boys and young men; Gacy came after Dean Korll and is better remembered for some reason. I guess it’s the whole clown thing, but Korll was, I think, even more sadistic than Gacy and the whole candyman thing–he used to work in his mother’s candy store and gave candy away to kids. It’s kind of terrifying, really, to think about how things usually associated with children were twisted around by these horrible killers. It’s like if the ice cream truck driver turned out to be a serial rapist/killer (Stephen King kind of did this in Mr. Mercedes), or some other trusted person people felt safe having around their kids. This documentary touches on something the Gacy docuseries briefly touched on; that Gacy may have been involved with a nation-wide ring of pedophiles involved in sex trafficking boys. The similarities between the Korll and Gacy murders are eerie and creepy; the assumption has always been that Gacy kind of copied what Korll did, but what if they actually were connected in some way–which is even more terrifying to think about or consider. I’ve always wanted to write about Dean Korll; I heard about the mass killings in the Heights when I first moved to Houston back in 1989, and have been fascinated by the story ever since. I am really looking forward to watching the second half tonight….if I finish my book.

Speaking of which, I am so close to being finished!

So, when I finish this I am going to go back and read the previous drafts of these last two chapters–I don’t think there’s much to be saved from them, frankly, but hey, stranger things have happened–and get them reworked to fit the final narrative. It’s been quite a journey writing this book, frankly–going back all the way to the summer of 2015 when I wrote the first draft in a burst of energy and excitement that hot and fetid July in New Orleans. I’ve also been so horribly disorganized, computer wise, since the Great Data Disaster of 2018, when things started going haywire with my desktop computer and nothing has really been the same since (I’ve not really tried to organize my computer files since then, with so much to do and so much going on; one of the things I decided yesterday was to make sure that, with the manuscript finished and so forth, that I spend some time over the next month–when not revising Bury Me in Shadows one last time–getting all my files and so forth organized–it’s been an absolute bitch revising this manuscript because there are so many versions and so many drafts scattered throughout all my storage–iCloud, dropbox, back up hard drive–that I am never entirely sure I am using the most current version of any of it, to be honest; but it’s fine, really. I am pleased with this version of it, and if there exists better drafts of chapters I’ve been working on, oh well). It’s just so time consuming to go through everything, opening and reading files, determining where the right space for them is, and so forth.

Sigh. So much organizing to get done.

And on that note, I am heading into the spice mines. Happy Easter, and have a lovely day.