Queer people have been very effectively erased from history–and in the cases where it wasn’t entirely possible to erase completely the evidence, it was camouflaged (Hephaestion and Alexander loved each other like brothers!1)or queer kings had “favorites” rather than “lovers” (Edward II, Henri III, Louis XIV’s brother Philippe); so it’s there if you know what to look for. I’ve always loved history, and have always wanted to write historical queer fiction (the fun I could have with Henri III’s mignons!), but have always worried about doing the research, as it’s not easy to uncover information hidden or deliberately removed from the record. Queers–as the afore-mentioned historical figures’ existence proves–have alway been around, sometimes hidden in very plain sight. I don’t have the patience to do in-depth research, partly because I don’t really know how, or even where to start. I know, for example, there were gay bars in New Orleans long before Stonewall; our existence had to be known for it to be made against the law, didn’t it? I’ve done some queer historical short stories, always terrified I was getting things wrong (“The Weight of a Feather” and “The Affair of the Purloined Rent Boy”); and since writing and publishing those stories I’ve since found out things that would have been pertinent to the story. (This is also a big fear of mine about Chlorine, too, if I am being completely honest.)
I’ve read some gay historicals, some of which seemed a bit on the far-fetched side to me, but some authors–like John Copenhaver–do such a great job of it that it seems seamless and fresh and brand new. I love historicals, and always have; so there not being a vast plethora of them out there is kind of disappointing.
And then there’s Lev AC Rosen’s Lavender House.
I thought I’d have the place all to myself, this early.Like church on a Tuesday–no one but you and God–or in my case, the bartender. But there’s a guy and girl, high school kids or maybe just twenty, sitting at one of the booths in the back. They’re trying to keep their voices low, but he’s failing, getting angry. Something about weiner dogs. It’s weird the things people fight over.
He pounds the table and she whimpers a little. I sigh, feel my body shifting to get up. I don’t have to do this anymore. Hell, no one even wants me to. That’s why I was fired. But some habits you can’t break. So I put down what’s left of my martini, motion the bartender to pour another, and stand up and go to the back of the wrist, tight. Her arm is stretching like a shoelace as she tries to stand up. but he won’t let go. On her other wrist, she’s wearing a charm bracelet. Just a few charms: An eagles, that’s a mascot for one of the local schools, with “1950” under it, so she graduated two years ago. A book, so she’s a reader. And an apple. Teacher’s favorite, or she just really likes apples, maybe. Not enough life lived for many charms. Not enough to cover the bruise, either.
And this is the opening to Lev AC Rosen’s first Evander “Andy” Mills novel, Lavender House. The book dropped onto my radar when it was released; someone asked me if I had read it or not, which made me aware of it. I was also a little confused, because I already had a copy of Jack of Hearts, a well-reviewed (and often challenged) young adult novel…but the author names were just very similar (L. C. Rosen is on the spine of the latter, and yes, they are the same author, doing something like I do, switching up the real name slightly for a pseudonym. It was nominated for a lot of awards, and so I got a copy but never got around to it in the massive book dunes of my TBR pile. I got the follow-ups as they came out, always intending to get around to them at some point. I also have also had some really lovely email exchanges with him, and he seems like a lovely person on top of being a remarkably gifted writer.
Maybe it’s the 1952 setting, but this book made me think of Hammett and Chandler; kind of noir, kind of hard-boiled, but stronger influences (to me, at any rate) thn the Macdonalds and that first generation of writers influenced by the masters. The language and voice and tone are absolutely perfect for Andy.
This opening scene has Andy in a bar in the middle of the afternoon. He was just fired from his job with the SFPD when he was busted in a gay bar raid. His life is ruined, and he feels he has no future–and is also convinced as a “pervert” in 1952 (in San Francisco!) that he doesn’t deserve one. This opening chapter, when we see how much Andy hates himself, threw himself into his job, and kept living his secretive double life, it’s a horrible reminder of what happened to men outed by the cops in the horrible before times; Andy is planning on getting drunk and throwing himself into the bay to drown. Shortly after playing knight-errant for the young woman in the bar, another woman comes in–specifically looking for him. She has a job for him; investigate a strange death at Lavender House, a private compound for her family outside of the city. With nothing to lose and nothing else to do, Andy says “sure” and goes with her.
Lavender House is where a makeshift “found” family of queers live, covering for each other and having a place where they can be themselves, safe from prying eyes and blackmailers. This isn’t easy, because they are a family that owns a prominent soap company, Lamontaine Soaps. The dead woman, Irene, was the matriarch and the head of the company. She died in a fall from a small balcony in her working office, but her widow, Pearl, isn’t convinced it was a tragic accident. As Andy settles into Lavender House, the book switched into a hard-boiled more classic styled mystery, like Knives Out or Ellery Queen; a harder queerer Agatha Christie, if you will. There are lots of suspects, someone is tailing the family whenever they leave the grounds; everyone, it seems, has a reason to want Irene dead, despite their gratitude for her “rescue” of them from the horrifically homophobic outside world. This is a great mystery novel, with lots of clues and twists and turns, so you’re never entirely sure which direction it’s going, and the writing is so exquisite you want to reread the sentences, savoring the poetic music of the words and the rhythm of the language. Just marvelous.
But it’s also more than that–it’s also a window in our not-so-distant past, as a reminder of what gains we’ve made since then, and how dangerous it was to be queer not that long ago. It’s also about Andy letting go of his painful past, embracing who he is at last and being freed from the bonds of the puritanical society he lives in; better to be freely yourself than to hide from everyone. It’s always so much better and easier once you accept yourself and stop trying to fit in as something you aren’t. This is just the start for Andy, and over the course of the case as he becomes more and more comfortable in his own gay skin, the world becomes full of color for him.
I’m really looking forward to follow his journey. High recommended.
Brothers who liked to fuck each other, that is. ↩︎
Ah, Saturday. I have things to do outside the home–vaccinations, mail, groceries, book sale, possibly gym–and I am sure it’s going to be miserably hot outside. That’s okay, I am settling into my long weekend and just relaxing. Yesterday was great. I got the labs drawn, went to the office, came home and finished my work day, and then Paul and I ran errands. We picked up a prescription for him before heading to Costco, and even that was fine. We found most everything we were looking for, I got some new sweats and a book (The Seventh Veil of Salome by Silvia Moreno-Garcia) for my birthday, and then we came home. Paul listened along with me in the car to My Dad Wrote a Porno (he agreed it was hilarious and laughed out loud several times; I forgot to sync the phone when we left the pharmacy and headed to Costco, and he insisted that I put it on again! So, I synced the phone when we stopped at the next light and we laughed merrily as we drove around. It was quite fun, and very pleasant. It wasn’t even a hassle getting everything inside and put away, either.
We then had a very pleasant evening watching a Hulu show called Solar Opposites, an animated show which is basically the same premise as Third Rock from the Sun, but way crazier and much more irreverent and completely hilarious (we never really watched Third Rock, and maybe we should remedy that). I was in a very pleasant mood, and even was thinking about writing and the short stories I’m currently working on. I am hoping to get to spend some time with at least one of them today, and if not, well, maybe I’ll have some time to read.
I slept in this morning until nine, which felt wonderful and refreshing; I knew I was low-energy and tired all week and what I really needed was a lengthy night’s deep sleep. I was out, Constant Reader, and dead as a stone. It was rather nice, and I feel rather nice this morning as my brain returns from the depths of Morpheus. I’ve not paid much attention to the news as I could have; by the Democratic National Convention starts on Monday, so I will probably be spending next week watching that and the excitement around Vice-President Harris and Governor Walz continues to build and grow through November. I am a lot more hopeful about the future now–something I am still trying to stay grounded about. It’s going to be a struggle, and even after the voting is done, I seriously doubt MAGA is going to go away any time soon–but at least we have President Biden in the White House this time around. I still think there will be violence as MAGA expels its dying breath, but at least I have hope that we won’t have a useful idiot for Putin as the most powerful person on the planet anymore, praise Jesus.
Two friends had great news this week to share–John Copenhaver’s Hall of Mirrors was on Oprah’s summer reading list (may this sell a lot of books for him) and Alex Segura (aka one of my favorite people on the planet) not only launched a new Spiderman universe comic book he’s written, but he also announced he gets to write a run of one of my favorite comics, the very little known The Question. Yay, John and Alex! I am so happy for you both! I love when good things happen to great people, you know? I really do need to spend some time reading over these next few days–the terrific new books to read are always expanding my TBR pile and I have any number of books on hand that I definitely want to read. And what better way to spend my birthday weekend by doing two things that I really enjoy–writing and reading? Yes, I am planning on doing some writing this weekend. My birthday is simply going to be a relaxing, no pressure, don’t leave the house kind of day–my favorite kind, actually–and I am looking forward to that..although I do kind of want to see the new Alien movie. I also have an idea I’d like to tackle for my Substack–as I am beginning to try to separate the blog out from actual personal essays, which is what I want to post there. The news that the Vice-President worked at McDonalds in college made me think, hey, that was my first job, too and realized another thing I’ve never really talked about is my unemployability and all the shit jobs I’ve had. (For the record, I’ve had jobs I probably don’t remember; I worked at McDonalds, Wendy’s, Burger King, Arby’s, AM/PM, Toys R Us, a floral wholesaler, Marshalls, an insurance brokerage, Bank of America, a natural gas sales company, Continental Airlines, a travel agency, Lambda Literary Foundation, the YMCA, the queer community center, Harrington Park Press, and then finally NO/AIDS-Crescent Care. I also worked at numerous gyms as a trainer or teaching aerobics in there, and of course I was always writing for quite some time. I once wrote a short story about a kid who worked at McDonalds and had no moral compass, but I realized at some point I could never publish a noir story about a kid who worked there called “Quarter Pounders,” either.
But…I could use that title for an essay about working there, and I can adapt the story to another place to eat, a fictitious one.
And on that note, I am going to head into the spice mines for the moment. Have a lovely Saturday, Constant Reader, and as always, thanks for stopping by. I may be back later, one never really knows, does on?
Ah, Saturday morning. I have to make a brief errand run today, nothing major or horribly annoying, but it still means going outside. Tomorrow….tomorrow I am not leaving the house. We did all our errands last night, including a Costco run (we made it out for less than $300! It’s been years), and then we just hung out and watched television–the gymnastics Olympic team trials–and called it a night relatively early. I also managed to get some things done around the house, too–the bed linens laundered, the dishes put away and another load washed, cleaning up the kitchen–and was in a pretty good mood almost the entire day. I realized something else, too; I also bought the new car and took on all that additional monthly expense right around when Mom had her first stroke, too–so there was the Mom subconscious worry on top of monetary stress; something I hadn’t experienced in a very long time and I. Did. Not. Like. That. One. Bit. I am finally beginning to see a distant light at the end of a very long dark tunnel in that regard, but still. I don’t regret the car purchase; I am very pleased with the car and intend to hopefully keep it until I die. It’s hard to believe that I’ve had it now for almost eight years. That’s INSANE.
It was strangely cool and beautiful yesterday–granted, it was 86 degrees, but after the last few weeks it felt heavenly, and the damp in the air was cool not hot. I imagine that was the aftermath of Thursday night’s downpour, but regardless the reason it was lovely. The sun wasn’t out as much, either–there were a lot of clouds, so no endless punishing direct sunlight was also a pleasure to experience this close to the 4th. I am also going to have to keep watching Tropical Storm Beryl. Ah, hurricane season is already revving up for a long and busy summer.
I was also exhausted after we did the errands. I fell asleep in my chair for over an hour after getting back home, and the place is a mess. I was too tired when I got home from Costco (the last errand) to put everything away properly, and I’d also intended to do some work on the workspace, but…tired. I slept later this morning and feel better now that I am up and swilling coffee, but whew, it was hard to get up this morning and my joints all ached. The joys of being an elder, I suppose, but sheesh. I literally thought when I woke up (when Sparky woke me up) that I was too tired physically to get out of bed, but I got there eventually. I do have some errands to run today, but it shouldn’t take very long and then I can come back home and work on the house more. I also want to write this morning (and maybe this afternoon) and hopefully today I won’t get sidetracked or distracted.
The gymnastic trials were fun to watch; I always forget how fun it is to watch athletes trying to reach their dream goal of the Olympics–but of course the thrill of victory also carries with it the agony of defeat or worse, injury. It’s also hard for me to conceive that it’s an Olympic year and I’ve heard so very little about the Olympics (other than Parisians treating it all as a horror and inconvenience; I do sometimes think the Olympics will eventually die because they are too expensive to host) because naturally the election and the horrors that the Christofascists’ puppet SCOTUS are inflicting on our country are sucking all the energy and air out of the room.
I was too tired to make a Pride post yesterday, so I will definitely have to make up for it today by doing perhaps two? I am going to continue Pride through Independence Day, haters be damned, because Pride is about freedom and so is the 4th and therefore Pride should lead into a celebration of everyone’s freedom. And if straight people don’t like it, they can literally just fuck right off. I am so tired of being told how to behave and how to be an adult and how to “not upset the heteros” and you know what? Fuck the heteros and their delicate sensibilities. They’ve been tiptoed around and catered to more than enough, thank you very much. You know what offends me? Abused children, adultery, deadbeat dads, racism, transphobia, homophobia, and misogyny. Clean up your own fucking house before you come for queers, thank you very much. But it’s easier to blame us than take any responsibility for the messy world you’ve created, isn’t it?
And may no one else ever have to fear about their rights every election cycle–although SCOTUS has already delegitimized itself and we know they are coming for marriage equality at some point, too–and sooner than we think. And just remember–there is no divine right of Republicans to rule. How are they any different from the Jacobean Stuart kings of England? Claiming a God-given right, or a “divine mandate”, to be in power is hardly a Christian thought; Jesus said very clearly (if you believe the Bible) that his kingdom was not of this world, and coerced religious conversion isn’t what the Jesus I read about and studied would have wanted for anyone. (I still don’t believe that, if Jesus were real, that he was sent here to start a new religion, but rather to teach by example what a life devoted to good works and godliness looked like.
Funny how all they care about is the Word and not the Deeds.
Well, that got feisty for a bit, didn’t it? I guess I am more awake than I gave myself credit for! I also managed to finish reading Horror Movie by Paul Tremblay, which I really enjoyed (he is a masterful writer, and the language is superb). I am still digesting that book today, because it was a lot of ideas and intense creativity, which is why he’s one of my favorite writers and I am saddened to realize I am running out of his backlist to read, which means postponing reading more of him because I never want to be out of things to read by authors I really enjoy. I am planning on starting the new John Copenhaver today as well, which is exciting. I have quite a recent-release TBR pile–Kellye Garrett, Amina Akhtar, Angela Crook, Angie Kim, and Scott Carson, to name a few glittering names from the stack–and more just keep getting released every month. Sigh. I also need to do a book purge this weekend, too. Heavy heaving sigh. It never ends, does it?
And on that note, I am heading into the spice mines. Have a lovely Saturday wherever you are, Constant Reader, and I’ll definitely be checking back in with you later.
Good morning! How is everyone feeling on this day after the holiday? I feel good, actually, and very well-rested this morning and ready to get through my last day in the officer for the week, which feels kind of weird. I did some more thinking about writing yesterday, primarily how to structure the second chapter so we learn more about the main character’s past without getting bored, which is always the worry. I also cleaned up and did chores around here, so tomorrow I won’t be playing catch-up on everything heading into the weekend. I still have Monday off, which is going to be another lovely at-home day–and will shorten the week dramatically, which is nice.
Paul worked at home yesterday but rarely came downstairs; it’s weird how we can both be home all day and not see each other a lot. We need our plumber to come in and do some repair work; the sink upstairs isn’t draining, there’s an issue with the shower, and of course the garbage disposal/dishwasher situation needs resolving as well, which will be great to get all fixed now. Yay! It’s just a matter of when Randy has time to come out and work on it all.
I read for a while yesterday morning; Horror Movie is quite good, and am looking forward to spending some more time with it this weekend. I also should be reading queer writers this month, and it does not speak well of me that it took me this long into the month to realize and recognize that. Bad gay, bad gay! I will resolve that by reading the new John Copenhaver, and I may make July my Queer Reading Month. I also worked on one of my Pride posts yesterday but didn’t finish it. I’ll try to get another one done today–International Male catalogues would be a good one, especially since they are no longer in business; it’s an important part of gay male fashion history, isn’t it? I did spend a good part of the day watching old “what the 1970s were like” videos–pop culture and some news, mostly; but it’s nice to be reminded of things like old commercial jingles, or what fast food work uniforms looked like, and what movies/television shows were being released and were in the zeitgeist.
In other “Louisiana is becoming a Puritan dictatorship” news, our shitbird governor signed a bill requiring the Ten Commandments be displayed in every public school classroom in the state. Never mind that Roy Moore tried this shit in Alabama only to get slapped around for it by SCOTUS, but there’s no doubt in my mind that the Christofascists running that branch of the government would uphold this law. The idiocy of this, not only on a Constitutional level but a Christian one as well; it’s basically apostasy and everything Jesus warned about in the New Testament, but of course all the people who think they are decent human beings only because of a fear of going to hell are also into ostentatious displays of their faith–because it is so hollow no one will know they are Christians from how they behave and how they treat people, which is how you are supposed to bear witness.
Not to mention that they should believe that they have a new covenant with God through Jesus, and the Old Testament’s rules and edicts about behavior are the old covenant; so why would you show your devotion to Christ by displaying relics of the old one? Which Jesus had nothing to do with it? Again, it’s very hard to take Christians seriously when they don’t even understand their own faith, you know?
Not to mention there will be lawsuits–which Governor Landry “can’t wait” to be sued. Um, that’s Louisiana taxpayer money you will be using to defend these unconstitutional laws, and while his Bible-thumping is playing well with the racist cosplay Christians of the state, the ones who’ve never read or studied their Bible but do what their preacher says, I’m going to say his popularity will undoubtedly crest within the next two years and people are going to start turning on him, as they did with Bobby Jindal. Louisiana votes may not be the brightest bulbs in the chandelier, but they eventually see through charlatans who tell them what they want to hear and do nothing for them. Jindal and David Vitter both found that out the hard way.
And hilariously, they don’t even follow the Ten Commandments themselves. What is a cross if not a graven image? How many of them take the Lord’s name in vain (which isn’t saying god damn it or Jesus fucking Christ, but rather false prayer or using the Lord’s name for something false–like claiming to know God’s will)? How many of them bear false witness? How many of them honor their parents? How many of them condone or look the other way from adultery? And on and on it goes; in fact, placing the Ten Commandments in classrooms–indoctrination–is actually taking the Lord’s name in vain.
So many “christians” (like our governor) love to take the Lord’s name in vain and are in for a big shock when they reach the pearly gates and find out they were self-righteous, not righteous in the Lord.
And yes, I speak evangelical.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll check in with you again later.
John Copenhaver, one of queer crime’s latest (and brightest) stars recently (you should read his books, frankly; I am looking forward to his latest, Hall of Mirrors) wrote a brilliant essay on the concept of writing complex queer characters, and the artistic need to push beyond ‘gay is good’ messaging and not worrying about the question of role models which you can read by clicking here. I highly recommend it–it’s well thought, reasoned, and stylishly written, and the kind of thing I wish I could write.
But reading this essay made me think about my own work, the pressures I’ve had–either real or imagined–about representation and addressing social issues through the framework of queer people and characters, and made me think about the work I do from not only a creative view (which is how i always view my work) but from a cultural, political, and societal perspective. That’s not something I’ve ever really consciously done (“oh, let’s make this political“) but one thing I’ve never done is worry about how straight people might react to my work…primarily because it isn’t really for them that I write my books in the first place. If my work offends straight people that isn’t my problem, nor is their whining about how queer people see and perceive them…and it’s not like there aren’t millions of books designed as comfort reads for cishet white people. I’ve also never understood taking offense at a book. I’ve read plenty of books whose point of view I’ve neither understood nor care to; and I tend to not read anything that I think is going to either offend me or be antithetical to everything I read–I tend to avoid Westerns, international spy thrillers, and war novels, and mostly for the same reason I tend to avoid most cishet white male authors. Your work isn’t written for me, and I can’t imagine westerns to be not problematic1–likewise, I’m not interested in reading about toxic male he-men that are racist rah-rah-rah books to make white men feel better about themselves (you know who you are) and so I avoid covers that pretty much spell out to me what the contents are going to be–women who exist only to be beautiful sex toys, any gay characters are offensive stereotypes and usually die, and so on and so forth; I love my country in spite of its flaws, and that love is strong enough to bear critiques on our nation and the people who run it, so I don’t need to read fiction designed to make me thump my chest and scream AMERICA LOVE IT OR LEAVE IT at anyone who dares critique the country and its domestic and foreign policies.
If cishet white people enjoy my work, fine. If they don’t, well, as I said it isn’t intended for them in the first place.
first author photo
When I first dreamed of being a writer, it never occurred to me to write about gay characters or themes. I was a child, for one, and for another that child was terrified that anyone might figure out that I wasn’t one of the “normies”, and what I actually was inside was something they’d all view with contempt. When I was a kid I wanted to write a kids’ series, like Nancy Drew or the Hardy Boys, and even came up with multiple different ones that I wanted to write, and came up with a rather lengthy list of titles for the books (which I still have, because I’d still like to try this at some point before I die), and gradually moved on to wanting to write other styles of books as I got older and began reading more. My addictions to soaps, both daytime and nighttime, during the late 1970s thru the early 1990’s, had me looking at writing more about towns and large casts of characters, and I always wrote a murder mystery into my ideas for these Peyton Place type novels I wanted to write; I also wanted to write Gothic suspense novels, and Stephen King had me also wanted to write mainstream horror novels…and later on, I moved into wanting to write horror/suspense/crime novels for young people.
It wasn’t until I met Paul, and I found gay bookstores, that I realized I could write gay stories and themes and characters, and I decided I wanted to write gay crime novels, set in New Orleans, and so that’s what I set out to do, starting a novel called The Body in the Bayou, which I had already thought up as a series about a straight Houston private eye–so I made the main character gay and moved it to New Orleans. I threw out the first ten chapters within two weeks of moving here, and started over again.
Promo photo for my old training business
And then I found myself in the conundrum John talks about in his essay so brilliantly; is it okay to have queer characters be the bad guy? Do we have to write all of our stories and novels from a thematic viewpoint that ‘gay is good’? Do we as creators have a responsibility to the community to only present queer people as heroic, or can they be flawed or even bad?
Author photo from 2007
I’ve talked about this before–how the idea for the case in Murder in the Rue Dauphine came to me, and I also worried about how the book would be received because I was explicitly creating a case and a world where not all queer people were good people. It was inspired by a gay man who came to New Orleans, got involved in the non-profit world here, threw a bunch of money around, and then disappeared overnight as his house of cards was about to collapse, stealing a shit ton of money and owing everyone a lot of money. That was when I realized how we always are welcoming to other queer people and we can sometimes overlook red flags and warning signs because you’re working with another queer person. We tend to give other queer people the benefit of the doubt and more chances than we would a straight person…and I wanted to explore that in fiction. Shining heroes without feet of clay also aren’t fun or interesting to write about, either.
Gay isn’t always good.
Most recent author photo, and I definitely need a new one.
And we aren’t doing our readers any services by creating “perfect” characters, either. Neither Chanse nor Scotty is perfect (although Scotty’s definitely an idealized person, I have to admit, but he does have flaws and blind spots) and the main characters in my stand alones are often messy, sloppy people who need to get out of their own way sometimes. Those are the kinds of characters I like to read about–because they are human.
I also find gay criminality enjoyable to read. James Robert Baker’s books were like being slapped in the face; full of gay anger and revenge and bitterness about the homophobic world in which we all exist–but Baker’s messy characters are active; they want revenge on the world and by God they are going to get it. The Ripley books by Patricia Highsmith are magnificent. Christopher Bollen’s A Beautiful Crime was terrific with its messy gay characters perpetrating a fraud.
I think we relate to and enjoy messy criminal queers because they are so relatable to us. There’s no worse feeling than powerlessness, the inability to control your own destiny and life, and always wondering …is it because I’m gay? I’ve gotten angry about this any number of times during my life, and I have always wondered somewhat would this happen to a straight man? and the answer is always no.
But do read John’s article. It’s very well done and thought provoking, and I’m going to let it simmer in my head for a while longer.
Westerns would be a good discussion for another time, actually. ↩︎
Sunday morning and I slept late, which is fine, really. I keep forgetting that sleeping in on my days off isn’t a criminal act of any kind. After so many years of keeping myself overly busy and so I was always behind on deadlines and so forth, I’ve kind of gotten into the insane mindset that sleeping late is a waste of time that could be better utilized, writing or cleaning or reading. I do have some things I need to get done today–mostly running to the store to get the things i need to make a carrot cheesecake for a co-worker’s birthday tomorrow–but if i manage my day properly, I should be able to get things done.
I spent yesterday running errands, and trying to get things cleaned up around the house while dipping into two books–The Berlin Stories by Christopher Isherwood and Ode to Billy Joe by Herman Raucher. I ordered the latter from ebay after I started doing my research into Robby Benson for the post I made about the crush I had on him as a teenager; realizing the movie script and novel were written by Herman Raucher made me interested in reading the book, as well as wondering about Summer of ’42, and so I ordered copies of each. Billy Joe arrived yesterday, and I was curious about it. Usually novelizations were work-for-hire arrangements and the author used a pseudonym; some are better than others, of course, but just reading the first chapter of Billy Joe I can tell it’s head-and-shoulders above most novelizations, and it’s probably more thorough in telling the story than the movie was, which has me interested. I’ve also been thinking about The Berlin Stories lately, after watching the film Christopher and His Kind, and may revisit it again, too, for Pride Month; Isherwood is one of the literary gods of the gay canon, and the opening sentences of Goodbye to Berlin are perfect for parodying in the prologue to the next Scotty. I still have to finish my reread of Michael Thomas Ford’s Suicide Notes, and I think I’m going to bump the new John Copenhaver up on my TBR list. It is Pride Month, and I should immerse myself in queer lit for the month, don’t you think, Constant Reader?
I also want to write about Summer of ’42 at some point. Like The Other, it was an early read that was very influential on me, and one I often don’t think about when I do think about influential works I’ve read or make a list. I really do need to sit down and identify the books that really impacted me and the way I write; The Other, Summer of ’42, and so many, many others. I also want to write today; I didn’t really yesterday, but I did spend some time yesterday doing research; i.e. watching Youtube videos on the Oklahoma true crime story that fascinates me still, as well as ones that review the 1970’s and pop culture and what was going on those early years of the decade, which is when the book will be set. I think I am moving in a more historical direction rather than writing about the current day; Never Kiss a Stranger is set in the 1990s (1994, to be exact) and of course The Summer of Lost Boys is going to be set in either 1972 or 1973; I can’t decide which, although I suspect 1973 is going to end up being the winner when I finally have to decide.
We finished Under the Bridge last night, and it’s most excellent; I highly recommend it. Based on a true crime novel about the Reena Virk murder in Victoria, British Columbia back in the 1990’s, Reena was beaten badly by a group of girls–some she thought were friends–and then after the others left her broken and injured and bleeding along the river bank, a boy and a girl came back and basically, finished her off. The show reminded me a lot of Megan Abbott’s work; Abbott always writes about the mysterious world of female relationships, female rage and jealousy, and that’s what Under the Bridge does so beautifully. The acting is extraordinary; a real standout is Javon Walton as Warren, the young boy who kills Reena. Walton is very handsome in that young way, and I looked him up because the performance was so extraordinary, and turns out he also played Ashtray on Euphoria, who was one of my favorite characters on that show. Do watch it when you get a chance. I’m going to get a copy of the book now, too. Yay, more things to read! Just what I need!
We also started The Acolyte, but I was sleepy by the time it started and kept dozing off. No judgment on the show, I was just tired.
And on that note, I think I’ll head into the spice mines. I’ll probably finish the dishes this morning while making a grocery list, and then I’ll dash to the store and get gas. I may even finish one of these other Pride blog drafts, so have a lovely Sunday, Constant Reader, and I may be back later.
Thursday last day in the office blog, and how are you this morning? I slept really well last night again, and am a bit groggy with my coffee thus far but things are starting to clear up, which is lovely. Yesterday was a pretty decent day. I was tired when I get off work last night–I actually had to do walk-in testing yesterday as the clinic was slow, and I’d gotten so used to my regular clinic clients that I’d forgotten what it was like to do that, and it was a bit draining. I think that was because I was out of practice with it? Anyway, I ran some errands after work (my vacuum arrived!) and I also picked up my copy of John Copenhaver’s new book, Hall of Mirrors, which is a sequel to The Savage Kind, which I really enjoyed. Paul was late getting home, and of course Sparky was a terror last night. He turned off the power cord to the wifi, and took me a while to figure out that he’d committed such an egregious sin. Sigh. I even reset the modem. Gotta love a Big Energy Kitten.
I was also delighted to see a list of “must-read” queer crime novels for Pride Month, compiled by John Copenhaver, which included me and my Bury Me in Shadows, which was a lovely and delightful surprise. You can read that here. It’s a very impressive list to be included on, and I was enormously flattered and got a bit of an ego boost from it, in all honesty, and it kind of felt good. Writers live in so much of a vacuum, for the most part, and get so many blows–and those are what we remember–that when something nice like that happens, it’s always a delightful surprise and it makes my day. God, what amazing books I have in my TBR pile, and how on earth am I ever going to decide which one to read when I finish my current? It also occurred to me last night that maybe my recent disinterest in reading has something to do with still trying to find the voice for this prologue–I can never read when I am still in the weeds with something I’m writing, because I don’t want to try to mimic the voice I am reading with what I am writing, if that makes sense? I’m getting closer to the right voice, and hopefully this weekend I can get that all finalized and cleaned up once and for all. Paul is going to be at Pride all day Saturday, manning a table for Saints and Sinners, so I’ll be home all day by myself, which will give me lots of time to get things done. After I finish working tomorrow, I’ll run errands so I won’t have to over the weekend, and so if I get everything done on Saturday that I need to, I can enjoy Sunday with Paul streaming things all day. I’m very excited for this new Star Wars show on Disney….but then I am always excited about anything new and Star Wars.
I do feel a bit tired today–physically, not mentally–so I think after work tonight I am just going to come home and finish the chores. I started laundry last night, and I have dishes to put away. I still need to try to repair the garbage disposal, which I should try to do tomorrow night/afternoon after work. I also need to try to clear out my email inbox again–I have fallen behind on a discussion that I will need to catch up on–but I also think I am going to assemble the new vacuum cleaner when I get home and finish the other chores, and will then do a trial run on the kitchen rugs. My word, the exciting life I lead, right?
And on that exciting note, I am going to head into the spice mines for the day. I may be back later; you never know. Have a happy Thursday, Constant Reader!
Look at this shot–tell me wrestling isn’t soft core gay porn!
Up earlier than I’ve been since the surgery to go to physical therapy at nine this morning. I don’t mind getting up earlier, to be honest; I’ve been sleeping so much since coming home from the hospital I was actually getting worried that I may not ever want to get up early again. Six next week for work is definitely going to be an adjustment, but in some ways I am really looking forward to going back to the office and getting back into that routine. I slept well last night–Sparky of course was looking to be fed around five, but I went right back to bed. I think Sparky will work as my first alarm, before the actual alarm starts blaring at six. It feels a bit chilly this morning in the apartment, and I do need to shower before I head uptown for my appointment.
They finished the ceiling yesterday, thank heavens. All that is left to be done is rehanging the ceiling fan and painting, and I think that’s not going to happen until I am back to work. The roofing guys (I think they are construction of all types, actually) are super nice and helpful–you never know what you’re going to get with blue collar workers, but they didn’t seem to have any issue with Obviously Homosexual Greg; they even rigged a temporary fix for the soft spot in the living room floor–and shared with me that eventually they will be getting around to reinforcing the floor with steel so we never have to be worried about falling through the floor (one of the great and many joys of old homes in New Orleans), which is kind of a relief…although we had gotten used to that soft spot in the floor, I sure as fuck won’t miss it if and when it’s gone.
While they were working, there was naught for me to do except sit in my chair and read, so I finished Donna Andrews’ Let It Crow!Let It Crow!Let It Crow! yesterday, and greatly enjoyed it. (It really doesn’t feel like Christmas until I’ve read Donna’s annual Christmas murder mystery.) Paul also worked from home yesterday, so we got all caught up on Fellow Travelers last night, which is really quite excellent, if horrifically sad and tragic–but as I said to a friend in an email yesterday, these stories still need to be told–if for no other reason than to remind people that what conservatives and right-wingers call “the good old days” weren’t so good for anyone who wasn’t white or straight. The story is built around the Lavender Scare of the 1950s–we all know about the Red Scare, but not about the full throttle purging of queer people from government employ–and it was, indeed, a horrible time of lives being ruined and people committing suicide. A lot of the things that happen in the show (and probably in the book) really happened; I think they fictionalized some people so they could easily maneuver around their story without having to stick to facts or create a potentially false narrative.
And as someone who spent longer in the closet than he needed to, and spent so much time completely terrified that someone would find out and my life would be ruined–I can understand and relate to these characters completely. The closet punished everyone–and it certainly punished the wives and children of these closeted, terrified men. I actually wrote a story set in that time period called “The Weight of a Feather”–my first ever historical fiction–about a State department employee targeted by someone working for McCarthy for blackmail, and how he handles the situation. John Copenhaver also writes marvelous novels set in the DC of the fifties with queer characters, Constant Reader, so if you haven’t checked out his work you really should, especially if you are interested in the period and even if you aren’t; these stories are important and need to be known. He’s also a marvelous writer; I do envy and admire the way he bends and twists language to create images and story.
After PT today I have errands to run–prescriptions to pick up, groceries to make, the mail–but it’s all going to depend on timing. The postal service doesn’t open until ten, but I suppose I could swing over to Midcity and get my prescriptions and groceries and swing by the mail on the way back home; after all, other than the PT appointment I don’t have to be anywhere by a certain time. And since there’s not going to be anyone doing construction work in my workspace today, I should be able to get some writing done, too. I’m behind, as always, but I feel like a strong push over the course of the next few days before I return to work can get me right back on schedule. And I haven’t yet picked out my next read–turns out my Christmas reading isn’t going to work because I don’t have a lot of Christmas books in the TBR pile; Donna’s was the only other one I had on hand. I’m thinking I should read cozies, to keep my mind in that world since that’s what I am writing–but my word, I have so many great books to get to! A delightful problem to have indeed, right?
And on that note, I am going to get cleaned up and head into the spice mines. I need to make a grocery list, and I need to list everything I am going to do today, too, so I don’t forget anything. I paid the bills yesterday, so everything is caught up at least that I am aware of, and so that was quite a relief. Enjoy your Thursday, Constant Reader–I’ll be back later to write up my thoughts about Donna’s latest two mysteries at some point.
Well, it’s Thursday and my week at the office–a very shortened one–will be over this afternoon. Yesterday getting back to work was a challenge. I didn’t have a problem getting up in the morning–I didn’t sleep well the night before–but late in the afternoon I started feeling tired; the low energy from not eating real food is also a thing (I’ve literally lost nine pounds since last Thursday, and nine pounds in five days is not good. If I continue to lose weight at this rate, within two more weeks I’d be down to a weight I’ve not seen since the aughts… I do not recommend this diet to anyone), and I think I may go to bed a little earlier than usual tonight. We were busy at work yesterday and I also had to catch up all my work from the days I was out, but I managed to get it all done and it was indeed a lovely thing. I mailed some things at the post office, stopped and made groceries (more ice cream and yogurt), and then came home to a protein shake for dinner. Yay, more soft food.
I cannot wait to go to Five Guys when this is all over. And pizza. Mmmmm.
I slept well last night, certainly more deeply than the night before, so I feel better this morning. Tomorrow is the visit to the Tulane Institute of Sports Medicine (more on this later), and I also have my hearing aids follow-up appointment. We’re going to be busy at the office today, and I have to stay later than I usually do, which will be interesting. I’ve got a to-do list I need to finish, and hopefully I won’t be so tired when I get home from the office tonight; I’m coming straight home after work for a rare change in the routine. I’m still way behind on the housework and I really need to start writing again; outside of the blog (which counts; I no longer pretend it doesn’t count as writing–which is what I always do when I am not writing fiction: “count the blog!”) and emails I’ve not really written much of anything since getting back from Bouchercon. SO much for all that inspiration I had from attending and being in the company of writers! But I think I will be able to get to work on some stories that need finishing this weekend, and some need revision and polishing. I also need to get back to work on Muscles, and writing those proposals that need writing. I don’t have to make a grocery run this weekend, and I am probably going to have to have some things delivered over the weekend, but that’s fine. I paid all the bills yesterday, too. So, it may not have seemed as productive as perhaps I would have preferred yesterday to be, but I did get some things done that needed to be done.
And it would be so lovely to get some more of these short stories done, you know, and out on submission? I only have one story out on sub, and it’s been almost a year since I sent it in to them. I don’t know why it’s taking so long, but that’s also publishing for you. While I do appreciate the convenience of using Submittable, at the same time it makes me wonder how it works on the other side. I was thinking last night, and have been ever since the Anthonys, about writing a post about editing anthologies. I have done over twenty of them at this point–there aren’t many people who can say they’ve done more in the genre, frankly, although they weren’t all crime; most were erotica, and I ain’t apologizing for that. I think only a few were actually crime and/or horror, which is kind of surprising. You’d think I’d have edited more crime anthologies than I have, but that is not the actual case. I think I’ve only done five crime anthologies–the three Bouchercon ones, and the queer noir ones I did with J. M. Redmann (Jean). I also want to do some more self-interviews; I have the questions from two of the other Anthony nominee panels I was on–best children’s/young adult. and the marvelous questions Leslie Karst came up with for the best humorous category–and I can use them to do self-interviews like I did with the queer crime panel John Copenhaver moderated for Outwrite back in August.
I was a little surprised by the positive response to my post about conference homophobia endured and how things have gotten better since the bad old days when I first started going to the mainstream mystery events. I generally don’t bother with paying much attention to response to blog posts, in all honesty; I try not to think about people reading it because I worry that will trigger anxiety and make me think about what I can and cannot say because of worries about giving offense (I never really want to offend anyone accidentally; I do not care about homophobes, misogynists, and racists being offended by my blog because that’s a bonus for writing it. But one core tenet of my life is to never hurt anyone’s feelings through carelessness; I know what that feels like and frankly, carelessness is worse than deliberate offense, I think, because the person puts no thought into being careless, which means you’re not even worth thinking about or your feelings simply are irrelevant; I prefer planned hatefulness because as least thought and effort went into it, if that makes any sense at all. It does in my fevered brain). But it did get a rousing response. Why was it time to write it now? I’d been considering writing that post for a long time. It’s been sitting in my drafts since Pride Month, which was when I wanted to post it, to strike another blow against homophobia and homophobes, but got sidetracked by all the boycott bullshit. Then I was going to post it before Bouchercon–the morning of the trip actually, but couldn’t get it finished before i had to leave the house. Being at Bouchercon–and being around my Queer Crime Writers–made it seem even more important than it was before I left because I do not want my Queer Crime Writers to ever be made to feel the way I felt when I encountered the homophobia at Bouchercon. I do feel very protective and paternal of the group, which I know is infantilizing them; they are adults who’ve faced it before and will face it again, but I want to spare them the ignominy of being belittled and demeaned by colleagues and bigoted programmers. That was what I meant by my presence making a difference at these things over the years–if I was the lightning rod that drew the homophobia out so it made things easier for this new generation of queer writers, I can actually live with that. If some good comes out of my hard times for other people, that’s something I can get on board with, really. I’ve never considered myself a ground breaker; while I think I’ve accomplished some terrific things with my writing over the years, I don’t think future generations will be studying my work for insights into the time in which I lived and what it meant to be queer in the late twentieth/early twenty-first century. You never know, but I think it’s highly unlikely.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll check in with you again soon.
I have really come to love Bouchercon, and it’s always a highlight of my year.
Things have seriously changed for the better.
Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski
Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.
When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.
And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.
It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.
I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.
Should be considered a gift.
A fucking GIFT.
(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.
But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.
I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.
Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)
I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).
And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!
And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.
That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.
Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.
I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.
I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.
Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.
And like water wearing down a stone, we have to keep relentlessly pushing.
(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)
I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.
Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.
So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?
Queer and Loathing in America 