Tag: Jim Crow

Live to Tell

Work at home Friday, and all kinds of stuff to do and I simply have to stay focused today and all weekend in order to get everything finished that I need to get finished this weekend. It’s been a strange week, overall; the way the week after I turn in the final version of a book always is. I’ve also not had much down time for quite some time without something weighing on me; I’ve written two books since around 12/15 and of course, losing Mom. (I always worry about mentioning that every time I do; but I’m not really sure how and what I am supposed to feel or behave in this situation, so am working my way through it, okay?) I also worked on a short story during that time–two, actually; one I abandoned and another I revised and overhauled–and of course, I write this every morning. Some days I even do two entries. There are any number of saved drafts, too; ones about things I find outrageous, disgusting and deplorable, but want to be able to write more concisely and insightfully on those topics, primarily because I’m usually a bit foggy every morning when I start writing these; and while the drafts get written when I think about the subject (it can be any time of day), I generally don’t have the time to finish those drafts the way I want. Sometimes I go back to them and think, you are a whiny little bitch, aren’t you? And being whiny doesn’t move hearts and minds, does it? If anything, it hardens them more.

But it’s been a hot minute since I went what some of my friends call “full-on Julia Sugarbaker.” Don’t think that there haven’t been times I’ve wanted to, but I simply didn’t have the time to make certain that everyone I was saying was correct and sourced properly and so figured it was better to do nothing than do something wrong. Almost every day something happens or I see something that makes me apoplectic with rage–whether its the unabashed and unashamed racism, misogyny, transphobia or homophobia I see with far greater regularity than I should, quite frankly; there’s no excuse in 2023 for not knowing better than that; you choose to be a bigoted piece of shit asshole–but I try to calm myself and walk away from the computer or sign out of the infected social medium I am using and go do something else. There were other reasons, too; my day job is dependent on federal funding, after all, and I was also heavily involved in a national non-profit for a very long time. And while I feel no shame nor disgrace nor embarrassment about my beliefs and values, there was always the possibility that there could be fallout for the day job or my volunteer work. So I dialed myself back a bit–not completely, that could never happen in a million years; who I am is so deeply engrained in me that I can’t ever totally stop myself from making pointed observations about bigotry, hypocrisy, stupidity, ignorance, and false prophets. I also try to combat my innate natural selfishness every day, without as much success as I would like.

What happened in Tennessee yesterday was a disgrace and reeked of the end of Reconstruction and the rise of Jim Crow. Oh, look, another Southern legislature violated their oaths of office and their vow to defend and uphold the Constitution by expelling two Black men who disagreed with them. (The white woman, of course, got to stay,) It’s disgusting, and highly indicative of a political party with no ideas, no ethics, and no morals. All they have is an addictive thirst for power and a Fascistic mentality, a disgust for the Constitution and every principle this country was founded upon, and a need to tear down anyone who isn’t a cisgender white male in order to maintain white supremacy. The great irony is they consider themselves to be a “christian” party, when everything they do is not in the least Christ-like. I guess I missed the part of the Sermon on the Mount where Jesus beseeched everyone to give their money to the rich and powerful? To not help the poor and sick because their situation is their own fault?

Yeah, I missed that part, just like I missed the part where we should all give money to Joel Osteen the apostate, because he shouldn’t have to fly commercial. Let people starve and live under highway underpasses! Joel needs a plane! And if you send him money and pray hard enough, God will shower you with riches!

Um, isn’t the whole point of Christianity is that your reward comes in the afterlife?

But empathy and compassion have no apparent place in organized right-wing Christianity; they made a religion in their own image and it’s so hateful, disgusting, and abhorrent no one outside of Margaret Atwood could imagined its end game back in the 1980’s (and sadly, she was right). People today still don’t see the hypocrisy, the greed, and the amorality that many sects of Christianity have come to follow. How is Joel Osteen or any of his co-horts any different than the Renaissance popes? At least they patronized artists. (Barbara Tuchman’s The March of Folly is perhaps one of the best books about how the stupidity, venality, and short-sightedness of incredibly fail men leads to disaster, the section called “The Renaissance Popes Trigger The Protestant Reformation” is particularly apt.) Just as the billionaires of our time (Bezos, Musk, the Koch family, Zuckerberg, Gates) are nothing more than the modern versions of the Robber Barons of the so-called Gilded Age. It’s always the same thing, cycling over and over again with us as a society and culture refusing to learn the lessons the past is crying out for us to learn.

The truth, which my community has been screaming at the Democratic party, progressives, and liberals for decades, is that the far-Right is just as Fascist as Hitler and Mussolini and their end game much the same: do we really think they’ll stop at banning books and “don’t say gay” bills and erasing transpeople? Of course not. It never ends. They want to purge this country of anyone who doesn’t see the United States as a paradise for straight white men. Are there parallels between our modern times and oh, say the 1920’s and early 1930’s in Germany? There absolutely are; I started noticing this in the late 1980’s and early 1990’s; can we not forget that as recently as thirty years ago the Republican party was more than happy to let everyone infected with HIV just die? (Their reaction to the COVID-19 pandemic wasn’t much different, really.) They thought it was a good thing–and laughed about it–that gay men were dying.

They haven’t changed in thirty years. If anything, they’ve gotten worse.

They impeached Bill Clinton for lying about a blow job; but will defend the high crimes of the Trump family to the death. They claimed Bill Clinton didn’t have the “moral character” to be president, but voted for a lying con-artist who is not only a narcissist but a sociopath, who went through wives and mistresses and rape victims like Tom Brady carving up a defense in the Super Bowl. It always amazes me that the so-called party of family values is also the party of child rape, divorce, and adultery. The same people screaming about “groomers” to scapegoat drag queens and transwomen are actually the party filled with child rapists and kiddie porn enthusiasts. (Dennis Hastert, anyone?)

So, yeah, I’m probably going to start talking about these things a bit more. I am now sixty-one and I am sick and tired of right-wing garbage and trash and the Christian dystopia they seem to want us all to live in; where they decide what is sin and what isn’t (they of course can do as they please), who we can love and how to live our lives, all the while screaming about their fucking freedoms. It’s always funny to me that the progressive idea of freedom is live and let live, while the right’s is you have to do what we say and we’ll decide what’s right and wrong for you.

Kind of like a Renaissance pope.

And on that note, I am heading into the spice mines. Have a lovely Good Friday (I didn’t forget) and a nice Easter if that’s your jam; otherwise have a great day, okay?

Can’t Stop the World

Monday morning has rolled around again and I am up before the sun rises yet again. Neither brain nor body wanted me to get up and heed the siren song of the alarm, but there was no escaping the inevitably of getting up and heading into the office yet again. Yesterday was a mixture of days; I got things done in the morning but after making groceries, I was oddly tired and physically exhausted. I did manage to read a few more chapters of Cheryl Head’s marvelous Time’s Undoing, which is very good and I’m enjoying it a lot, even as I wince at the past sections set in 1929, at its unerring and accurate depiction of the Jim Crow South. I honestly, as a Southern man, see no problem with reading about Southern history accurately; and certainly, seeing Jim Crow through the eyes of people of Color is a reminder than no matter how bad I may have thought things were, it still wasn’t a reality I would have had to either face or deal with, and it was so much worse than I can ever imagine it–and I have a very vivid imagination. Yesterday’s exhaustion was unexpected and out of nowhere, particularly coming in the wake of two pretty good days and a good morning as well. But grief is sneaky like that, is never linear, and can literally come from nowhere. There’s also the issues involved with my bout of long COVID from last summer and how my energy levels have never really recovered from that, either.

And don’t even get me started on the memory issues.

I am hopeful for a good week; I know I’ll eventually start experiencing being tired from exerting myself at work; it’s interesting that someone with shyness issues like me has wound up working as a counselor–but one-on-one and with a purpose to the conversation makes it much easier than having a conversation with someone I’ve just met at a party. Small talk is literally my Kryptonite, and of course, being socially awkward is my lifelong jam.

I did rewatch Mildred Pierce last night on TCM after Paul went to the office, and once again I marvel at what a terrific film it was–melodramatic and over-the-top, for sure, but the addition of the murder rescued the movie from not working. I need to reread the book–it’s been a hot minute–but the one thing I’ve never really gotten from either is a sense of who Veda is and why she is the way she is; spoiled and rotten and manipulative. In order for Cain to get his point across about Mildred and her own obsession with mothering, Veda turns out to be horrible and one-dimensional; everyone sees that Veda is horrible except Mildred–obsessed with being the perfect mother and giving Veda everything, it’s also a smothering, all-encompassing kind of love that most teens would rebel against and struggle to get away from. I remember about ten years ago I wanted to write Veda’s point of view; either a retelling of the story from her point of view or a sequel to the novel (no murder, remember?) which picks up with Veda some years later, having parlayed her singing and musical talents into a film career. That’s one of the things I love the most about Cain’s work, really; so much can be read into it, and so many great ideas can be inspired by rereading his work. I’ve not read the entire Cain canon–that “never want to run out of books to read by any author” thing I struggle with–but I’ve read quite a bit. Chlorine is really my first real attempt to write a noir; I cannot wait to get back to work on that. It’s already been delayed for far too long, and once i get through these contracted books, Chlorine is going to be my focus.

Finally, right? LOL. But I do eventually get around to the projects I talk about writing for years, don’t I? I talked about the Kansas book for well over a decade before #shedeservedit saw print.

I think today is going to be a good day. I feel rested this morning, and I slept really well. The toe is still twinging; I am beginning to suspect it really is gout. I went to WebMD (which I always tell my clients not to do) and the list of foods to avoid? Everything I eat, basically. So, I am going to have to bite the bullet, schedule an appointment with my doctor, and get on with things, you know? I don’t why I’ve dithered and dicked around about this for so long, either. Just another thing I didn’t want to have to deal with so I kept kicking the can down the street, which isn’t wise. Nothing ever fixes itself, you know; a lesson I keep having to relearn over and over again. I also need to schedule an appointment with the hearing specialist, a dentist, and make an eye appointment while I am at it. Yay. But I need to start and keep up with all this routine maintenance, especially if I want to start going back to the gym in April. I also need to start doing push-ups, crunches, and stretch every day too. Maybe I will climb back on that horse this evening when I get home from the office; stranger things have happened in the past and will probably continue into the future as well. The kitchen is a mess, too; I made dinner last night, so when I get home tonight I’ll have to clean the kitchen again and maybe even get the rest of the straightening up taken care of as well. I am definitely going to be taking books to the library sale this coming Saturday, and I also want to wash the car this weekend and vacuum it all out. I also want to spend some more time with Cheryl’s book this evening. So, so much to do and work on and get done. I also have to start preparing for moderating panels for the two Festivals coming up in a couple of weeks…yikes.

And on that note, I am heading into the spice mines. Hope you have a lovely day, Constant Reader, and I will check in with you again later.

What a Shame

One of the great joys of being a voracious reader is discovering a new-to-me talent: a terrific writer capable of creating relatable characters; telling great stories using wonderfully constructed, lyrical prose; and illuminating experiences and lives that are vastly different from my own, using fiction as a method to not only entertain but educate.

Earlier this year, I had the great pleasure of reading Wanda M. Morris’ impressible debut, All Her Little Secrets, which I raved about in a blog entry. Of course, that was her book from last year, so I was very excited to get my hands on a copy of this year’s Wanda M. Morris novel, Anywhere You Run, and it does not disappoint in any way other than coming to an end.

I also had the pleasure of meeting Wanda earlier this year at Left Coast Crime, and she is as lovely a person as she is as a writer.

All four men passed around a bottle of Jim Beam as they peeled up State Route 19, giddy with excitement about what they’d do once they hog-tied those coons and got them to a tree. The engine revved as they hit the crest of the road, doing 80 mph. Getting pulled over was the least of their concerns because Olen’s cousin, Sheriff Bickford, was riding shotgun. Bickford had gotten a tip and rounded up the other three to head from Jackson over to Meridian and then north to Neshoba County.

Olen, sitting there in the back seat, threw back a swig and passed the bottle on, assuring the others they were doing God’s work. “The last thing anybody needs is for them to start votin’. Bad enough the goddamn government wants us to let ’em eat in our restaurants and sit beside us on a bus. If the Lord has meant for whites to mix with coloreds, he woulda’ made the coloreds a hell of a lot smarter. Either we stay all white or we die amongst ’em.”

A couple of the other men nodded in silent agreement.

Anywhere You Run is, in some ways, a kind of prequel to All Her Little Secrets, in that it gives us the backstory on some of the characters in the first novel. Set in the turbulent 1960’s, during the Civil Rights struggle in the old Confederate states and the resistance to racial equality from the Southern bigots, this may be one of the first novels I’ve ever read to show that time from the perspective of a woman of color? (There was a woman of color point-of-view character in William Bradford Huie’s The Klansman, but I’d need to revisit that book to make a comparison, but I know the visceral sense of being othered, of knowing there is no justice for you in this world and society, wasn’t as strong in the Huie novel as it is in this one.) I’m not going to go out on a limb and claim that as fact, but it is likely–and being Southern, and seeing the South of the time through this lens (remember, I was alive then, too, but my perspective was greatly different), was sobering. Morris brings the time to life with a vivid, powerful brush that makes it very clear what it was like to be a second-class citizen in a system designed to keep you there.

The story focuses on two sisters from Jackson, Mississippi–Violet and Marigold. Their parents are dead, as is their older sister, Rose; the two sisters are very different and on different paths, but they love each other very deeply and have a strong sisterly bond. Marigold has been working at a Civil Rights office in Jackson while having an affair with a married lawyer, come south for the summer to work on voting rights, and finds herself pregnant. SHe’s been seeing a man she doesn’t love, Roger Bonny, and decides to marry him and move north with him to Cleveland, leaving the Jim Crow South far behind her. Violet also wants out of Jackson and the book opens with her running–but for different reasons and in an entirely different situation. Violet was raped by a white man, and knowing there was no justice possible for a woman of color under these circumstances, kills him. She’s also been dating a white man, Dewey Leonard, who claims to be in love with her–and wants to run away with her and marry her in Boston. Violet doesn’t love Dewey, but she sees him as her ticket out of town. As the two of them flee, they are stopped by a cop once they’ve crossed the Alabama state line, and the fact Dewey has to act like she’s in his employ to save them both only convinces her that her plan to run away from Dewey the first chance she gets is the right one. She avails herself of the first opportunity that presents itself–ironically, at the same Birmingham Greyhound station where the freedom riders were attacked by a mob and police dogs–and catches a bus to a nowhere little town in rural Georgia–Chillicothe, which is very important in All Her Little Secrets.

But Dewey isn’t ready to let go of Violet, and hires a white-trash no account to track her down for him. He loves her and wants her back–but probably would be willing to let her go except for the wallet, which contains something that puts both Violet and Marigold’s lives in grave danger.

This is an exceptionally good novel, tightly plotted and highly evocative of the period Morris is writing about. It couldn’t have been easy, researching this painful past that we as a nation should be incredibly ashamed of; no writer is powerful or talented enough to truly bring the totality of the horror that was life for people of color in this country, particularly in the South, to life. But Morris does it beautifully; by focusing on how individual lives were affected and impacted, the implications of how truly horrible this time was on a macro level can easily be extrapolated. There are also slurs, accurate to the time and the characters using them, which are jarring to come across in the present day in the printed word.

But I’ve also heard those words used…not in a very long time, but seeing them in print I can hear them again vividly in my head, dripping with venom and hatred and contempt.

This book is fantastic, absolutely fantastic, and I urge you, Constant Reader, to start reading Wanda M. Morris.

O Come All Ye Faithful

I got my copy of the graphic novel Watchmen this week, and it’s way past time for me to read it; particularly since I’m loving the television series so much.

Then again, Regina King can do no wrong.

I did start reading Watchmen, and while not even halfway finished–not only am I hooked, but I am completely blown away by the story-telling…and the art is extraordinary. I can now see why it’s been talked about so much since its first publication. This is some epic story-telling, and even more amazing world-building. The storylines have layers and textures, the relationships between the characters, and the characters themselves are messy masses of contradictions and layers; it’s just simply mind-blowing how well this is done. The story itself, and how it’s structured, is also incredible. Watchmen not only lives up to all the hype–it surpasses the hype and deserves even more hype. The graphic novel is so stupendously good that it only emphasizes how incredibly well-done the show is–the show is a sequel to the graphic novel, some thirty years later.

And obviously, while it isn’t necessary for one to read the novel to watch the show, reading it does enhance the show tremendously.

I had also started reading Laura Benedict’s The Stranger Inside last week–just the first few pages, getting a taste for it, and it really grabbed me. Yesterday I read the first few chapters and am also greatly enjoying it. This has been an exceptional year for crime fiction, and may even go down as one of the genre’s greatest years.

I’m now up to Prohibition in Richard Campanella’s Bourbon Street, which was, quite naturally, an interesting time in New Orleans. I am pondering writing a crime series set during that time; the first woman police office, Alice Monahan–known as “Mrs. Officer”– worked during that time, and I think basing a series on her, dealing with everything going on in New Orleans and the country at the time; plus it’s a chance to explore the entrenched racism and misogyny of Jim Crow New Orleans.

Storyville is merely an added bonus.

Seriously, New Orleans history is so rich and vibrant, there’s material everywhere.

One of the reasons I wanted to write about Christmas in New Orleans in Royal Street Reveillon is because Louisiana’s culture is so rich and vibrant that it surprises me that we don’t have our own Christmas stories here. Sure, there’s The Cajun Night Before Christmas, which I love, but where are the other Christmas stories? As I mentioned the other day, I tried writing a Christmas fable once, “Reindeer on the Rooftop,” but it was so sentimental and sappy that it nauseated me. I tried revising it and making it more real and less sentimental for Upon a Midnight Clear, but I just couldn’t get anywhere with it. I did write one called “The Snow Globe,” which was more of a horror Christmas story, for an anthology that didn’t take it; I did get good feedback, and one of these days I’ll sit down with the story and the feedback and pull it together. Not sure where I’d try to get it published, but most likely it would go into my Monsters of New Orleans collection.

I just used the google to check, and I was correct: there are no hits on “New Orleans Christmas stories,” but broadening the search brought up an out-of-print volume called Christmas Stories from Louisiana, edited by Dorothy Dodge Robbins, and with quite an impressive collection of contributors. There are also some more listed here.

And wouldn’t a Hallmark Christmas movie set in New Orleans be amazing?

We even have a year round Christmas shop on Decatur Street, for Christ’s sake! (And don’t think it hasn’t crossed my mind to write a series around that Christmas shop, either.)

But all these stories, at first glance, are simply plays on traditional Christmas stories–nothing new or unique to Louisiana or New Orleans.

So, maybe it’s up to me to create one?

Hmmmm.

Perhaps that is just what I’ll do.

I mean, why don’t we have something terrifying, like the Icelandic Christmas cat?

Maybe there’s a Christmas rougarou story that needs to be written.

And on that note, I am heading back into the spice mines. I have been itching to write for days now, and I am going to spend the morning writing. Paul and I are going to stop in to see a friend who’s  been dealing with an injury this afternoon, and then it’s back home and to the computer. Tonight is the Heisman Trophy presentation, and I imagine we’re going to tune in to that in case Joe Burrow (GEAUX JEAUX!) wins that tonight–he’s already won every conceivable quarterback award under the sun over this past week. The kid is definitely an LSU legend…and then I can finally finish and post the lengthy post I’ve been writing throughout the season about him.

Have a lovely Saturday, Constant Reader!

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I’ve Had The Time of My Life

New Orleans is, of course, more than Mardi Gras; but whenever anyone mentions New Orleans, most people’s minds immediately go there.

It is probably the most famous thing about New Orleans, no matter how hard we try to convince outsiders that there’s more to the city that our annual bacchanal…Mardi Gras is always the default; so much so that the entire season is collectively (and incorrectly) called Mardi Gras; Mardi Gras is merely Fat Tuesday (mardi gras literally translates into fat Tuesday) and the rest of the season is Carnival. No matter how often you try to correct people, it never takes and so I’ve gotten to the point where I no longer correct people. It is what it is.

Likewise, people think of Carnival as a debauched event, and there is some truth to that–women do show their breasts for beads, and I’ve seen guys drop trou as well. However, I can also honestly say I’ve never seen that happen on the actual parade route on St. Charles Avenue; perhaps that happens down on Canal Street during parades, but it doesn’t happen in Uptown. I’ve only witnessed it happen in the Quarter–people on Bourbon Street displaying the required flesh for people up on balconies with a seemingly endless supply of beads, demanding boobs or butts or balls in exchange for a strand of beads. I’ve personally never dropped trou for beads–never will; why on earth would you when they are thrown with such reckless abandon from floats during the parades?

Like most New Orleanians, I had some vague knowledge of the history of Carnival in New Orleans; I knew that the theme song “If Ever I Cease to Love” came about because of a visit from a member of the Russian Romanov royal family in 1872; the Carnival colors of purple, green and gold were also in his honor. I knew that Comus, Momus, Proteus and Rex were the original krewes that paraded; that the flambeaux carriers originally were necessary to light up the parades in the darkness of the night; I also knew that the members of those original krewes–that still exist today, even if some of them no longer parade–were made of the city’s ruling class elites, and the krewes were offshoots of the exclusive Gentlemen’s Clubs in the city–the Boston Club, the Pickwick Club, etc.–that also still exist today.

But I didn’t know a lot about the history; I didn’t know much beyond what I would read in the annual Arthur Hardy’s Parade Guide, which I buy religiously every year. It’s easier, of course, now; there are parade apps that track the parades so you know where they are; whereas before you just had to stand on the route and wait, or (if you are lucky enough, like we are, to live close to the parade rout) listen for a marching band before heading down to the Avenue.

So I decided recently, since I’m reading a lot of New Orleans history, to read James Gill’s Lords of Misrule: Mardi Gras and the Politics of Race in New Orleans.

lords of misrule

The white men in jackets and ties were obviously out of their element. Normally, at this time of day, they would be preparing to leave home or office for a couple of drinks, lunch, and maybe a card game at their clubs. Now, on December 19, 1991, they shifted in their seats, returning hostile glances from a large contingent of black men and women in the packed basement of New Orleans City Hall. The city council was meeting in spartan surroundings while its regular chambers were being renovated, but the physical discomforts were nothing compared to the general psychic unease as everyone waited for the great debate on an ordinance to desegregate Mardi Gras parades and gentlemen’s luncheon clubs.

New Orleans is a Southern city, with all that entails and perhaps even more. There were slaves here before the Louisiana Purchase; both the French and the Spanish brought slaves to New Orleans and Louisiana. New Orleans didn’t hold out long as a Confederate city; it surrendered to the Federal navy fairly early in the war, and with that surrender, the Union plan to control the Mississippi was one step closer to fruition. Racism, Jim Crow, and all the horrible white supremacy that comes with those things were evident here; the Plessy v. Ferguson Supreme Court decision that established the horrific doctrine of “separate but equal” was a case that originated in New Orleans, and had to do with segregated railroad cars. Several years ago Mayor Mitch Landrieu and the city council finally agreed to remove the Confederate statues and other memorials commemorating the city’s racist past; General Lee no longer stands with his back to the North on his plinth in Lee Circle; the statue of General Beauregard outside the entrance to the New Orleans Museum of Art was removed, and the statue of Jefferson Davis on the neutral ground along Jefferson Davis Parkway was also taken down. Perhaps the most egregious memorial–the Battle of Liberty Place memorial–was also removed in the dead of night.

New Orleanians like to pretend that New Orleans doesn’t have that same vein of racism and white supremacy the rest of the South does; but it’s definitely there. It might have more a genteel veneer over it, but it’s definitely there. Orleans Parish is probably the most progressive parish in the entire state–but that’s also an incredibly low bar to set. The vast majority of people I know were in favor of the removal of the memorials, and whenever it came up on a local news website, the comments against the removal were almost inevitably from non-New Orleanians, and usually ginned up the standard Louisiana complaints about New Orleans: out of control crime, poverty, crumbling infrastructure. But all of those things were also true when the city was segregated and operating under Jim Crow; anyone who reads New Orleans history knows that the city was always a hotbed of crime and sin and debauchery.

Lords of Misrule opens with the attempt by the city council in 1992 to desegregate the krewes; my first-ever attendance at Carnival was a mere three years later, and people were still talking about it. The result was three old-line krewes (Comus, Momus, and Proteus) decided to stop parading rather than desegregate (there is a krewe now parading under the name of Proteus again; I don’t know if it is actually the same, original Krewe of Proteus or a newer krewe who took the name). Opponents of the ordinance claimed it would kill Carnival, which is now one of the primary economic engines of the city; nearly thirty years later we can attest that didn’t happen. Modern Carnival attendees don’t now about those krewes and they aren’t missed. But Gill uses this battle at the city council as a jumping-off place to examine the history of the racial politics in the city, and throughout, he uses Carnival–and how racist events in the city, such as the Battle of Liberty Place–to illustrate and illuminate that history.

It’s an enjoyable read, a little eye-opening in places, but a good read, and he also does an excellent job of exploring how Comus was not only  Confederate, but later, if not directly tied to, then definitely sympathetic to the Klan and the cause of white supremacy. Some of these civic leaders who would be, or had been, King of Comus or King of Rex also were leaders of the rebellion, the Klan, and so forth.

And it isn’t until the final chapters that any bias on the part of Gill becomes even remotely obvious; I got the distinct impression in the final chapters that Gill opposed the desegregation of the krewes–but he never comes out and says that; the final chapters simply read that way to me. I could be wrong.

But I do recommend it. It’s a good, interesting read, and sheds some important light on forgotten parts of New Orleans history.

Pop Muzik

Friday, and a new month. Rabbit, rabbit, and all that, you know.

Or did I mess that up by typing something else first?

I’m so bad at these things.

Anyway, it is now February, and Carnival is just over the horizon. Parades literally start three weeks from today. #madness

I am taking vacation during most of the parade season; the new office is too far for me to walk to and from, so I decided to simply take vacation and actually enjoy parade season for a change. I should also be able to get a lot done during those days–kind of like a mini-staycation (although I loathe that not-a-word and can’t believe I still use it from time to time). I also can’t believe the first night of the parades is in three weeks. THREE WEEKS.

Of course, as Facebook seems to remind me on an almost daily basis, Carnival is late this year. Usually at this time parades are rolling and the city is full of tourists and I am exhausted from walking and working and going to parades. So, yes, Carnival is later this year than usual and yet somehow…it still snuck up on me? Go figure.

I finished reading The Klansman last night, but as I did some things occurred to me–namely, for a book about the Civil Rights struggle and racism in Alabama, there sure weren’t many characters that were people of color. Yes, a book about civil rights and racism placed the white people at the center of the story. Admittedly, the book wasn’t aimed at or written for people of color; the audience was white people…but I can’t see racist white people in the 1960’s reading the book and not being outraged by its “sympathetic” depictions of people of color. The book also sports the trope of the white savior–the “good white man” who stands up for the people of color and therefore becomes a target of the Klan.

There’s a really good essay–and one I might try to write–about the arc from The Clansman (the horribly offensive novel that Birth of a Nation was based on; it’s actually available for free from Google Books) to Gone with the Wind to The Klansman and how Southern people and authors rewrote history to not just romanticize and glorify the Southern Cause in the Civil War, but also the Ku Klux Klan; and how those narratives have changed perceptions not only of the war and racism, and the South itself. The Klansman is an attempt to reverse that trend, but to expose racism in the Jim Crow South not as something romantic and necessary, but as an evil on par with the original sin of slavery itself.

William Bradford Huie (who also wrote The Americanization of Emily, The Revolt of Mamie Stover, and The Execution of Private Slovik) deserves a lot of credit for writing this book, despite its flaws. He was born and raised in Alabama, and still lived there when he wrote and published this book–which couldn’t have earned him a lot of fans in the state. I’ve read any number of books by white people that have attempted to talk about the Civil Rights movement–and there are always these heroic white Southern people who stood up to the Klan and fought for the rights of people of color at great risk to themselves and to their families; as well as pushing the narrative that the real racists in the South were the working class and poor whites, while the middle and upper classes wrung their  hands with dismay but didn’t try to do anything. I think that narrative is false; white people aren’t the heroes of the Civil Rights movement by any means. And while class certainly played a huge part in Jim Crow and the codification of segregation and racism into law; I find it really hard to believe that more financially stable white Southern people weren’t racists. I first encountered the class discussion in David Halberstam’s The Fifties (which I do highly recommend); but while I do believe the class discussion has merit–and discussion of class/caste in America is way overdue–I don’t think it completely holds water, or holds up under close scrutiny.

Ironically, Jim Crow and codified racism is part of the reason the South lags so far behind the rest of the country economically.

We continue to ignore class in this country at our own peril, quite frankly.

I am going into the office early today to get my four hours out of the way, and then I am going to go run errands so hopefully I won’t have to leave the Lost Apartment this weekend. I hope to get all the cleaning and organizing done today, and then I am most likely going to either read Walter Mosley’s Devil in a Blue Dress or Caleb Roehrig’s White Rabbit, which I am picking up at the library today. I also am going to tackle some Stephen King short stories this weekend, rereading Skeleton Crew. I need to get back to work on both the Scotty book and the WIP this weekend; I also want to do some short story revisions so I can send some more stories out for submission. I also have some other projects in the beginning stages I’d like to organize and plan out.

And on that note, ’tis back to the spice mines. Have a terrific Friday, Constant Reader!

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If Ever You’re In My Arms Again

Thursday! It’s hard to believe Christmas is just next weekend. But I mailed my Christmas cards last night on the way home from work (I am very proud of myself; I generally don’t do cards. But this year I not only bought them, but addressed and stamped them and put them in the mail. Not sure how this all came about, but there you have it.), before stopping at the grocery store, and there it is. I’m a bit worn out this morning, tired despite sleeping well (one lovely thing about colder weather is that I sleep better), but I don’t have a lengthy day today and tomorrow is a short one. I hope to start revising stories today while also working on the book some. We shall see how that goes.

I”m still processing the election results in Alabama the other night. I pretty much saw the whole thing as a foregone conclusion; I am from Alabama and my family is from there, and outside of my immediate family, almost everyone on both sides still lives there. I am very well aware of what the Roy Moore supporters are like, how they think, etc. I didn’t need to red Hillbilly Elegy–I did try, but it’s Appalachian apologia was so smug and frankly, wrong I not only put it in the donation pile but I also donated the cover price I’d spent to the Southern Poverty Law Center. (For the record, I think that book is a falsehood designed not only to fool liberals but to lure them into a false state of understanding; one that will hoodwink them into being fooled again and again. There was nothing true or profound in that book.)

I love Alabama in spite of not only itself but myself. The Alabama values the entire country saw on display during the Roy Moore campaign (a pedophile is better than a Democrat; the entire country is out to get us in a liberal conspiracy; we had no race problems here until Obama; Roy Moore waving his pistol at a rally; everything about Kayla Moore–from her teen pregnancy to  her adulterous affair to her divorce to her gold, diamond encrusted earrings she wore on every occasion to prove to everyone just how much more Christian she is than everyone else) are something I am well-acquainted with; I’ve dealt with that mentality my entire life and have tried, unsuccessfully, to wrap my mind around it for fifty-six years: a Christianity that has nothing to do with the actual teachings of Jesus; an almost fanatical belief that their belief and values are the only right ones and anyone who disagrees is in the service of evil; that Satan is very real and working his evil on the country and the world through the Democratic party; and an absolute, unwavering faith that they are going to Heaven and anyone who disagrees in the slightest way with the way they think is going to straight to Hell unless they repent and change their ways and believe what they do and get on board with their version of not just religion but politics. Religion and politics are very much mixed in the South, and don’t ever believe otherwise; they are used interchangeably to validate the other.

It has always been thus; thus is may always be. And don’t mistake it–this election was far closer than it should have been.

Maybe my outlook is a bit bleak, but the county where my family is from in Alabama went 76% for Moore. So I know whereof I speak.

A while ago, I talked about rereading To Kill a Mockingbird and having a lot more issues with it than I did when I originally read the book, back when I was ten or eleven. Don’t get me wrong, the central message of the book–racism is terrible and wrong–still comes through just as strongly as it did when I originally read it, and it’s still incredibly beautifully written. The problems I saw with it, though, went way beyond the notion or concept of the white savior; which Atticus Finch certainly was. Probably the most false scene in the book to me, and the most problematic, was the scene where Tom is in jail and the sheriff comes to get Atticus because those trashy Ewells have gotten some of the other trashy rural people in the county riled up about Tom’s alleged rape of Mayella Ewell; and they want to lynch him. When I originally read the book the horror of those terrible racists coming to exact an unjust punishment on Tom terrified me, and I was thrilled that the upright citizens of the town came to stand off against them and save Tom. Rereading that as an adult–well, every bit of it read to me as not only false but a-historical. Anyone who knows anything about the Jim Crow south knows that the sheriff wouldn’t have gotten some “good men” together to protect a black man accused of raping a white girl; the sheriff would have been one of them. All one has to do is read accounts of what happened to Emmett Till…and so many others, to call bullshit on this part of the book.

Not every white person in Alabama is, or was, a racist; an active member of the KKK. But those who didn’t stand up to those who were? The word we’re looking for is complicit.

I still haven’t read Go Set a Watchman, but I will at some point. I’m still amused at all the people, mostly white, who were so upset and horrified that their beloved Atticus Finch turned out to be a racist and a segregationist after all. I never once got the sense when I was reading To Kill a Mockingbird, even when I was a child, that Atticus wasn’t a racist; he was appointed by the court to represent a black man accused of raping a white girl–and he did, as he was an ethical lawyer, bound to to defend him to the best of his ability. He did so. Did that make him a better man than a lawyer who might have refused to take the case? Yes, it did. It also made him a better man than a lawyer who would have taken the case and botched it. But what also strikes me as false about this book was the judge who appointed Atticus, knowing he would do the best job possible. Really? Again, all you have to do is read accounts of Jim Crow justice in Alabama to know this is also false. If Tom Robinson wasn’t lynched  he most certainly would have been railroaded. He was found guilty despite the great job Atticus did in his defense, despite proving that Mayella Ewing’s testimony couldn’t have been the truth. That, indeed, seemed real and true to me. But the system in 1930’s Alabama trying to be fair to Tom? Bullshit.

Don’t get me wrong: To Kill a Mockingbird is still a beautiful book, and its message is a good one. But it’s also a fairy tale; a fiction that would have never happened in the time period in which it was set. I also can see why Harper Lee’s editor persuaded her not to publish Go Set a Watchman, in which Scout deals with her father being a segregationist, and write To Kill a Mockingbird, in which her father is a hero fighting prejudice and racism, instead. That was the book that needed to be published at the time; and it was a very savvy move. The book was a huge bestseller, has never been out of print, won the Pulitzer Prize, and was made into an Academy Award winning film classic.

This election, in which a small majority of Alabama voters, led by people of color, chose not to elect the racist homophobic evangelic Christian child molester, was a wonderful outcome on every level. akin to the Louisiana electorate choosing the Democrat over adulterous whoremonger David Vitter for governor. But is this is a sea change for the two deep red Southern states, both of which have a proportionally large evangelical Christian population who seriously believe there were no racial issues in their state until Barack Obama was elected president? Only time will tell–and progressives and Democrats have a lot of work to do in the meantime. A lot. But the South can be won back. It won’t be easy, but it can happen.

And now back to the spice mines.

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