Ah, Sunday. I slept in this morning–almost all the way to ten o’clock, it’s like I don’t even know me anymore–but it felt good and I am awake and enjoying my first cup of coffee this fine morn. I did some errands and chores yesterday, which was great, and watched a lot of nothing on the television while I was playing around doing research on-line. I did finish reading Carol Goodman’s marvelous The Bones of the Story (more on that at another time), and spent some more time with the Scott Carson I started reading in Kentucky. There’s still a lot that needs doing around here, but it’ll get done and I still am a little worn out from the drive home, so maybe today’s not the day to try to be super-productive. I also spent yesterday trying to catch up on the state of affairs in the country and world (glad to see people still dragging the puppy slaughterer), which was depressing but necessary. I am way behind on my emails, which is something I will have to address (tomorrow). Heavy sigh. But one can’t hide in their unreality longer than one can and still be functional, can one?
Ah, well.
I also got a signed copy of the new Lori Roy novel, Lake County, in the mail yesterday, which was marvelous. She’s one of my favorite writers, and has been ever since I met her on a panel at Bouchercon a million years ago and then read her Edgar Award winning debut, Bent Road, which was incredible, and I’ve been loving her (and her work) ever since. Once I finish the two novels I am reading, I am digging into the new Roy. Huzzah! I have so many good books on hand to read–I still have the latest Angie Kim, among many others, in that stack on the end table in reach of my chair–that it’s hard to decide what to read next, and then books like the Angie Kim (and the Celeste Ng, and the Angela Crook, and the Jess Lourey, and on and on and on it goes) end up not getting read in an expeditious manner. I have certainly been enjoying all the reading I’ve been doing lately, and need to stay on top of it as much as possible.
The more I look into the suspicious death of Noah Presgrove, the more intriguing the story becomes. It is, as Carol’s latest title proclaims, ‘the bones of the story’; obviously I am interested in what happened the last night the young man was alive and how he actually died, but the basis of the story, it’s fundamentals (small rural town; corrupt local justice system; three day long weekend party serving minors illegally; and of course the battered naked body in the fetal position on the side of the road) make for a fascinating and interesting foundation for a fiction novel, exploring the bitterness and old hurts and feuds and nastiness in a poor, small rural town in Oklahoma (which I will probably change to Kansas, naturally), and peeling back the layers of deceit and resentments and lies and relationships is kind of appealing to me.
It’s also Mother’s Day today, my second without one, and I am not actively avoiding it today, either, the way I did last year. Last year it was still too new and too fresh for me to even be on-line much on that day, but this year is easier. Seeing Dad around Mother’s Day (since it’s always the weekend after Decoration Day, or The First Sunday in May) also made it easier. We talked about her a lot, and Dad told me a lot about their teens and the early years of their marriage, when they were very poor (I didn’t realize how poor we actually were when I was a child and a teen until many years later; living in Kansas kind of twisted that as we were considered well-off there), which made me smile a lot. Obviously, I will always miss my mom, but it’s not as painful to think about her as it used to be. That’s progress, and now I can remember her without recriminations about being a bad son or taking advantage of her kindness or disappointing her. I think that’s normal when you lose a parent or a loved one; you regret time not spent together and think about all the times you were a shitty person. But…I was also horribly spoiled by my parents, and they never stopped trying to spoil me even after I was an adult, because to them I was always their baby and since I didn’t have kids…well, they never stopped seeing me that way. Then again, it may just be a parent/youngest child thing.
And on that note, I am heading into the spice mines. I’ll be back later–I have soooo many entries to catch up on; the books I’ve read alone need to be discussed–but I am also not putting any pressure on myself about getting things done today as I am still in recovery mode from the trip. So have a great Mother’s Day, everyone; hug your mom for me and if yours is also gone like mine, I am giving you a big virtual hug.
I have really come to love Bouchercon, and it’s always a highlight of my year.
Things have seriously changed for the better.
Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski
Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.
When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.
And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.
It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.
I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.
Should be considered a gift.
A fucking GIFT.
(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.
But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.
I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.
Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)
I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).
And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!
And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.
That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.
Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.
I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.
I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.
Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.
And like water wearing down a stone, we have to keep relentlessly pushing.
(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)
I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.
Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.
So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?
Labor Day Monday, and time to readjust from “Greg Herren Author” back to my everyday life here in New Orleans. There’s really nothing like your own bed–but the bed I had at the Marriott Marquis in San Diego was probably the most comfortable bed I’ve had in a hotel to date. I had trouble sleeping the whole time I was there, but the bed was so comfortable that I always slept some and always managed to feel, if not completely rested, but at least recharged. But oh what a lovely time it was!
I flew home yesterday from San Diego, where I’ve been since Wednesday. My apologies for being lax in posting while I was away, and I hope you didn’t miss me too much, Constant Reader. But it was also nice being in a bubble for several days practically cut off from the outside world. I didn’t write a single email since Wednesday morning; I only deleted junk. I didn’t write anything, nor did I read anything once I’d checked into the hotel. But what a marvelous time it turned out to be. I love going to Bouchercon–it’s a marvelous escape from the everyday and being around writers (so many writers!) and readers (so many readers!) and it’s just so much fun. There are so many marvelous people in this business that I so rarely get to see in person, and I never have the opportunity to spend time with everyone that I would like to.
There’s also this weird thing about Bouchercons. You can go the entire time without seeing some of your friends who are there; and you never seem to bump into them. Last year in Minneapolis I hardly ever saw Christa Faust, and even then only in passing or from across a very crowded room. This year I bumped into her almost every time I turned around, and it was an absolute delight because I adore Christa. You also get to make new acquaintances and discover new writers, too. I love debut authors! It’s always amazing to find new authors and make new friends, see old friends–and yet there were so many people I only saw fleetingly in passing, or didn’t see at all. But it was incredibly lovely, really. I resisted temptation in the book room (some of the collectible booksellers had some old editions of the kids’ series–including the super-rare ones no one’s heard of–but I knew if I bought any books I’d have to pay to have them shipped home, and so that extra step was enough to trigger my laziness (and miserliness–I can be extravagant to a fault when I really shouldn’t be) to step in and say, no, you don’t need more copies for your collection even if you can replace some damaged ones with ones that look pretty new for a reasonable price. And I don’t regret not buying those books, either. (I will probably get the ones by new acquaintances, though.) I also had four tickets to get free books in the book room, so I picked up Death by Bubble Tea by Jennifer J. Chow; Her Last Affair by John Searles (who I interviewed for Lambda Book Report back when his first novel came out, and that leads to a great story I will save for another time); The Quarry Girls by Jess Lourey (whom I adore); and one other that I can’t remember, and I can’t seem to find it this morning. Oh, well. Mindy Carlson, who was on the panel I moderated, gave me a copy of her debut, Her Dying Day (which has the best ever opening!) when I ran into her in the lobby on my way to the airport. I can’t wait to read it!
I finished reading Kelly J. Ford’s marvelous The Hunt on the flight home to Dallas yesterday, and then moved on to Laura Lippman’s Prom Mom, both of which are superb. I am almost finished with the Lippman, and when I am finished with this I am going to my chair so I can finish it.
I am pretty much taking the day off from everything and resting. I had planned on going to the grocery store–I still might; it depends on how I feel later–but I am going to relax today. I did get home last night in time to watch LSU embarrass itself on national television last night, but it’s okay. It’s nice to have any expectations for the season gone after the first game, and now I can watch the national title race with idle curiosity while watching LSU get through it’s season with no expectations from them. I was very concerned that they were being over-hyped (everyone seemed to forget that after the big win over Alabama last year, we barely beat Arkansas and lost to Texas A&M before being embarrassed in the SEC title game by Georgia), but this is yet another example of when being right isn’t what you want and brings absolutely no satisfaction–Cassandra was hardly smug as Troy burned around her, after all. I am exhausted, despite the fantastic night’s sleep I got last night, so I think resting up is indeed the way to go for today. We have shows to catch up on, after all, and maybe I’ll even splurge on a movie.
It was a wonderful time. I love my friends in the crime fiction community, and I love that I am sort of known in it now more than I was? I had several people come up and ask about my books, or tell me how fun I am to watch on panels, but I am also beginning to think that I need to be maybe a bit more professional when talking about my own work on panels. Something to ponder as I move into the adulthood of my career (it turned twenty-one this year, after all, which is staggering). I am inspired, reinvigorated, and ready to prove myself worthy to be a part of the community again. I want to get back to my writing and dig into it and keep going and do really good work. Reading Kelly and Laura’s books are inspiring because they remind me to work harder, do better, dig deeper, and aspire for greatness more. I have broken down the barrier that was keeping me from reading novels, or at least was making me unable to focus, and now I hunger to read more. Once I finish Laura’s book I am moving on to S. A. Cosby’s new one, with Alison Gaylin’s marvelous new take on Robert Parker’s Sunny Randall series. (I will never stop marveling that I am friends with, or at least know, my writing heroes.)
And definite shout-outs to all the people who won Anthonys this year, and were nominated. It’s surreal to me to see how many nominees are friends; and it’s absolutely lovely to see that. Only a few winners weren’t friends–and how can you not be happy for friends to get recognition? I adore Catriona McPherson and S. J. Rozan; how delighted was I to lose to writers whose work I’ve admired for years and how thrilling to be in the same category with them? I don’t know Nancy Springer, the other to whom I lost, but I love Enola Holmes. And Kellye Garrett and Wanda Morris are not only incredible writers but wonderful women I am very proud to know. I love Barb Goffman, who has always been so kind and lovely to me ever since the first time I met her. I don’t know Martin Edwards, but from all accounts he is a very kind and lovely and generous person, and I share the TOC of School of Hard Knox with him. The Debut winner, Nita Prose, wasn’t there and I don’t know her, but I do have her book The Maid, and I hope to read it before the end of the year.
So no, I didn’t win any of the Anthonys I was nominated for. What a fucking honor for a gay man to be nominated for three (mainstream, MAINSTREAM not queer-specific) Anthony Awards in the same year for three different books, for anyone, really. I think the only other person to ever be up for three in the same year is S. A. Cosby (and what amazing company to be in, right?); others have been up for two in the same year before (as I was last year; this year Catriona McPherson was a double nominee). I have been nominated for seven Anthonys in total now, and so what if I have lost six times in a row? Awards are lovely, but I honestly don’t mind losing. I love to act like a bitter loser because, well, it’s funny to me. I did start realizing sometime during the pandemic that my “bitter loser” shtick might be insensitive–some people would kill to lose six times; some are never nominated once–and maybe the “bitter loser” shtick doesn’t play as well now as it used to? I don’t know, but it’s such a thrill for me to be nominated, and retrospectively, I’ve had a pretty amazing run: fifteen nominations from Lambda Literary nominations, seven-time Anthony nominee, and once each for the Lefty, the Agatha, the Macavity, and the Shirley Jackson. That’s pretty fucking amazing, and maybe I should finally recognize that maybe, just maybe, I’m pretty damned good at this writing thing? I do need to be better about the other aspects of the business–marketing and promotion and so forth–and since my brain doesn’t juggle as well as it used to, I need to start getting focused and figuring some things out. The rest of this year is going to be taken up mostly with dealing with medical issues (I get my new hearing aids tomorrow!) and I don’t know how much I am going to be able to do or what I can and can’t do; and everything is kind of up in the air now for the rest of the year.
That would have triggered my anxiety before, but I am at peace with it. My decision to override the anxiety and remain calm while traveling worked in both directions, and it was lovely to not get worked up or upset or irritated about anything. I managed to even get my bag from baggage claim, the shuttle to the parking lot, and then drive home without losing my cool–I didn’t even swear at a single driver–and I kind of want to keep that level of calm and cool going forward. I did experience some anxiety before I moderated the Humor and Homicide panel yesterday; I was brought in–not at the last minute, but far too late for me to get copies of the panelists’ books and read them to prepare–late but my word! What a group of amazing professionals I was blessed to moderate! You need to read their books; they are talented and funny and marvelous and I was totally blown away by them–and three of them were debut authors! There was J. D. O’Brien, whose debut novelZig Zag, about a marijuana dispensary employee who plans to rob her employer, only for Westlake-like hijinks to ensue; the delightful Mindy Carlson, whose debut novel I already mentioned; the always wonderful Wendall Thomas, a seasoned pro whose latest, Cheap Trills, sounds incredible and I can’t wait to read; the witty and charming Jo Perry, who has a marvelous series from the point of view of a dead man and whose latest, Cure, sounds great; and Lina Chern, whose debut novel Play the Fool is about a tarot card reader trying to solve her best friend’s murder and sounds amazing. I had them read their book’s opening few sentences, and once I heard them, I knew it was going to be a breeze. It was wonderful! What a great break for me to get to moderate this panel and find even more great books to read. I could have talked to them about their books for hours. Afterwards, I realized I hadn’t even used half of the questions I had–always the sign of a great panel!
Speaking in public has always been difficult for me and always ramps up the anxiety (which I always thought was just stage fright). But now that I know what it is, I can sort of control it. I can’t control the adrenaline spike and what comes with it–the shaking hands, the talking too fast, the shakiness of my brain, the upset of my stomach–but I can control the mental part and not allow the anxiety to take over. It was very strange knowing I can’t control the physical response to the chemical imbalance but I can control the mental/emotional response, so instead of freaking the way I usually do before going on–I focused on making sure pre-panel that they were all comfortable, that I wanted them to talk themselves up with the goal of selling a book to everyone in the room, and basically, asked questions and got out of the way and let them shine like the stars they are–and did they ever! Especially when you remember I hadn’t sent them questions in advance to prepare; they each were speaking extemporaneously, which is impressive as hell. The nervous energy I handled by walking around briskly before the panel and talking to each of my panelists individually and staying hydrated. Yes, I drank water, limited myself to one cappuccino per day, drank iced tea for lunch instead of Coke, and tried very hard to remember to slow down and get over the FOMO I always feel. I did have some cocktails every night, but never enough to get more than a bit tipsy and paced myself more.
And now, I am going to head back to my chair and finish reading the new Lippman and maybe start reading the new Cosby. I have laundry to do, a dishwasher to empty, and basically, I am just going to relax as much as humanly possible today. I should probably make at least a minor grocery run; maybe not. But what a marvelous, marvelous time I had.
Yesterday started off really well for me. I woke up, felt a little groggy, brewed a cup of coffee while I washed my face and brushed my teeth (also checking my scalp for sunburn acquired on Sunday) and then sat down at my computer to touch the space bar to wake it up. The first thing I saw was a DM from my friend Kellye, saying, okay double nominee and, as always, replied with “wait what?” She replied, have you not checked your email since last night? so I went to my inbox and there it was: the Anthony Award finalists for San Diego 2023…and I was on it three times. THREE. In all honesty and modesty aside I figured/hoped/thought my best chance to score a nomination was for the 2022 Bouchercon anthology (what kind of monster do you have to be to edit the Bouchercon anthology and NOT get on the short-list for their awards?) but Best Humorous for A Streetcar Named Murder? Best Children’s/Young Adult for #shedeservedit? How absolutely lovely and kind and totally a surprise. It’s kind on unreal. Last year I was nominated twice, which was stunning in and of itself (losing both was no surprise, and seriously there is no shame in losing to Alan Orloff and Jess Lourey; two very talented, funny, and lovely people), but three? I know Shawn A. Cosby was nominated for three I think last year, too? That’s some good company to be in, let me tell you what. I’d be lying if I didn’t say I am thrilled, and how delightful that Streetcar and #shedeservedit are getting some award love. The Anthony nominations announcement sort of derailed my day–but what a nice way to have your day derailed, right?–but I was able to get some things done.
I still can’t believe it. And if I didn’t say thanks or “heart” your congratulations on social media, my apologies. Thanks to everyone, really. It still doesn’t seem real; like always, it never does until I’ve actually not won the night they are presented, but like Paul said, “Three more opportunities to extend your losing streak!”
So, yeah, not much progress was made last night. I wasn’t tired when I got home, but I ran some errands and got home rather quickly–that was a surprise–but did some laundry and a load of dishes, but every time I tried to write anything I’d get more notifications and I am obsessive about thanking people; I never want anyone to think I don’t appreciate their being kind to me. And really, not bad for a queer writer, right? Granted, there’s not much queer about either Streetcar or the anthology, but I am still a queer writer no matter what it is I write, it will come from a queer societal perspective. That’s the thing, you know, about queer writers. Even if we aren’t writing about queer characters and themes, we cannot help but bring an outsider’s perspective towards everything we write, and while perhaps being on the outside colors our viewpoint, it also gives us the opportunity for a different perspective and the ability to sometimes see things a bit more clearly than our straight counterparts, who are all wrapped up in their straightness and their perceived straight world.
Obviously, I am still a bit aglow from the great big hug I just got from my colleagues–and still waiting for the correction email–but today I have to firmly reaffix nose to grindstone. I simply have too much to do to allow myself the ease of indulging in my exhaustion–although it is necessary sometimes for recharging purposes–but time is slipping through my fingers like quicksilver and I’ve got to get all this shit done. I must say, career-wise, this has been a good year so far. But I really am having a good year on the score; it just would be nice if my career wouldn’t only go well during times of trauma so I could enjoy the highs a little bit more? Oy.
But I did have another good night of sleep last night and I do feel rested for the moment–my legs are tired, though; I really need to start stretching daily–so we’ll see how the days goes. I’d like to finish reading my book (Let Me Die in His Footsteps by Lori Roy, which is superb) at some point, and of course there are things to edit and emails to answer and things to write too–and I definitely need to make a to-do list as well as a Costco grocery list as well.
And on that note I am heading into the spice mines. Have a lovely Wednesday Eve, Constant Reader, and I will check in with you again tomorrow.
Sunday morning in the Lost Apartment and I slept well–I wanted to stay in bed for another few hours, but got up anyway and am now sitting in my kitchen remembering that there was a time change and it’s actually later than I thought. Sigh. So I didn’t get up early after all, did I? I hate Daylight Savings Time and wish we could do away with it once and for all; didn’t Congress take this up last year or something, and didn’t it look like this pointless time change was going to be a thing of the past, or was that merely a fever dream brought on by the pandemic or something?
Yesterday wound up being a wasted day for me. I had some things to do yesterday morning that had to be done–some emails I’d been putting off because I knew they would be triggering, and I was right. I’m still not certain the most important one was worded correctly or the right thing to say at all, but when I finally finished it–it took me several hours to compose it and myself–I was emotionally drained and in a grief spiral, so I decided to spend some time with Scooter sleeping in my lap to make me feel better. I wound up actually drained and exhausted and fatigued, so I simply stayed there. Paul didn’t go into the office yesterday (he is going today) and we finally spent some time together last night, getting caught up on Servant (which is really phenomenal; Lauren Ambrose doesn’t get near the credit as an actress that she should; there’s a scene in the second to last episode–the series finale is this Friday–that can be Ms. Ambrose’s Emmy reel; the scene where her husband and brother finally come clean with the secret they’ve been keeping from her since the first episode is a master class in acting, and it’s all done with her facial expressions, and it’s a tour-de-force), and then the first episode of Outer Banks. We were both getting sleepy, so we put on a true crime documentary series (Two Shallow Graves, which is quite interesting; we figured if we fell asleep it would be okay because we could rewatch it if necessary without necessarily spoiling anything) and finally repaired to bed (later) than I thought it was (stupid time change), which is already throwing me off this morning.
I am still digesting Cheryl A. Head’s marvelous Time’s Undoing, which I finished yesterday morning and greatly enjoyed. I was hoping to spend some time with my next read this morning….but I’ve already lost an hour. Maybe instead of reading this morning, I’ll finish this and get cleaned up and write for a few hours before curling up with a good book later on this afternoon. Paul is going to see his trainer this morning and then to the office, so he’ll be out of my hair for most of the day so I should be able to get a lot of editing and so forth done, as well as some planning for future writing. There’s also always cleaning and filing to get done; yesterday after the depression set in was pretty much a wasted day. But I’m not going to beat myself up over the lost day; it is what it is and nothing I can do now can ever change that, so I am going to be kind to myself and recognize that, while still disappointing, there’s a significant difference between deciding to be lazy and blow off the entire day as opposed to being so overwhelmed that you can’t do anything. (This being kind to myself thing I am trying this year is such an outlook change that it’s not reflexive and I always have to process myself into it; maybe at some point it will become reflexive and…yeah, I don’t see it becoming reflexive any time soon)
Oh, yes, and the Oscars are on tonight. My interest in awards shows has declined as I’ve gotten older; sometimes I wonder if my gradual growing antipathy for awards shows I used to look forward to when I was younger has anything to do with my own eligibility for awards since getting published? Don’t get me wrong; I don’t object to awards by any means, but they also aren’t why I do what I do. It’s always nice to be recognized, especially by your peers and especially when you’ve always felt like an outsider rather than a peer. But while winning an Oscar (or even being nominated) can change a film industry member’s career for the better, do book awards make a difference to someone’s career if they aren’t the National Book Award or the Pulitzer Prize? I do think it’s important to recognize excellence in the field, but awards are just as subjective as anything else, and when an award is decided by a panel of judges..well, a different panel of judges might not come up with the exact same shortlist and winner, either. It isn’t like you can campaign to win an Edgar–but there are awards for mystery novels that you can campaign for, and the campaigning always makes me uncomfortable. In the beginning, I hated asking people for votes and wouldn’t do it. Then I started adding my eligible stuff to Gabriel Valjan’s awards-eligibility lists, which he compiles every year for every award as their nominations period open up.
Last year was the first time I actually made a little announcement on social media that hey, Bury Me in Shadows is eligible for the Anthony for Best PBO because there wasn’t a children’s/young adult category on the ballot. A second ballot was sent out at the almost last-minute because they’d inadvertently left that category off the ballot, so…figuring I didn’t have a prayer at a Best PBO nomination, I asked people to write me in on their ballot for y/a. IMAGINE my shock to wind up nominated in both categories (I lost both, PBO to Jess Lourey and Y/A to Alan Orloff; it’s lovely to lose to friends because you can be happy for them rather than disappointed at losing–losing to someone you don’t like or respect is an entirely different situation); so this year I figured I had nothing to lose by asking for votes–and wound up nominated for a Lefty for A Streetcar Named Murder and an Agatha for #shedeservedit, so go figure, you know?
Another reason I stopped caring or watching the Oscars is because they’ve become so predictable in every category in every year that there are no fun surprises, or if there are any, they are so few and far-between that watching become tedious (although one delightful surprise was Olivia Colman’s win for The Favourite a few years ago); but there doesn’t seem to be a clear cut winner in every category this year, even though I will go out on a limb and predict Oscars for Brendan Fraser (everyone loves a comeback story), Michelle Yeoh, Ke Huy Quan (another comeback story), and Jamie Lee Curtis. The two actresses will not only be rewarded for their work in the film but also for lengthy, glorious careers that have never been recognized before; while the two men are feel-good comeback stories. I’ve not seen Everything Everywhere All At Once, but I do think it’s trending to win everything. (If I had to chose, Barry Keoghan probably deserves an award for The Banshees of Inisherin; to me his was the strongest performance in a film I really disliked.)
And on that note, I am going to get another cup of coffee and head into the spice mines. Have a lovely day, Constant Reader, and I’ll check back in with you later.
At 3:00 pm, Saturday, January 14th eastern time, I officially (and symbolically) turned over my gavel as Executive Vice President of the Board of Directors of Mystery Writers of America.
It’s going to take some getting used to, methinks.
As you get older, your perspective changes on things when you look back. I’ve never been one to look back at my past–I’ve always tried to focus on the present and the future–but once I hit sixty, it was inevitable. January 20th this month is the twenty-first anniversary of the release of my first novel,Murder in the Rue Dauphine, and with the closing of this chapter–my service to MWA–it’s hard not to look back and remember.
When I was first published, my mystery writer friends kept urging me to pursue mainstream markets and join mainstream organizations. A lot has happened since 2002: Lawrence v. Texas still hadn’t been decided so my sex life was still a crime; “don’t ask don’t tell” was still in place; and it’s not like you could get married to your same-sex partner when our sexuality was criminalized. That was a completely different world and society and culture than the one we currently live in. For one thing, for a gay mystery author, there were queer newspapers and magazines and bookstores. It was entirely possible to make a living and a career for one’s self outside of the mainstream–and this situation developed because of the mainstream’s rejection of most things queer. There had been some queer publishing booms, but I came in at the tail end of the last one–as all the New York publishers had started canceling queer imprints and slowly but surely removing queer writers from their lists. I decided that I would try to arrange signings and appearances at mystery bookstores as well as queer ones, and that was a lesson in homophobia I’ve never forgotten. One mainstream bookstore actually hung up on me after nastily cutting me off to say we don’t carry those kinds of books in our store–some variation of which I heard from all of them except one (which is why Murder by the Book in Houston will always hold a place in my heart). A friend bought me a membership in an organization as a gift (I won’t name it) but it was made abundantly clear to me that mainstream spaces weren’t welcoming or safe for a fledgling queer writer, so I didn’t bother joining any others or going to any mystery conferences–my concerns were always poo-poohed by straight mystery writer friends, which now, in reflection, was a kind of gaslighting, but I was inevitably always proven right (it’s always nice to be told you’re “nobody”). But when I emerged from the haze of the aftermath of Hurricane Katrina and the wreckage it made of my life, publishing had significantly changed, as had the rest of the world. The queer stores were closing, and our newspapers and magazines were shuttering–as were some of our publishers. I took a look around and thought, what am I going to do now?
I took a deep breath and joined Mystery Writers of America. Within a year I was asked to run for my chapter board, and then was asked to run for chapter president, which would also give me a seat on the national board. I remember going to New York for my first board orientation, staying at the Roosevelt Hotel–I always loved staying there; it made me feel like an author the way I only really feel when I am in New York, to be honest–and walking into the room where the meeting was being held. I had already met MWA staffer Margery Flax (at the time administrative director, now Executive Director), who had made me feel not only welcomed but like I belonged, which was something I had only rarely ever felt outside of queer publishing. I remember being awestruck that I was in the same (proverbial) room where it happened; the same board meeting that giants of our genre had attended in the past. I was stunned when a beautiful woman asked me if the seat next to me was taken and I was like oh my god, that’s Harley Jane Kozak! (I knew her from my long addiction to daytime, but also from other films she’d done.) I sat there quietly, overwhelmed, absorbing it all, and that night at dinner I had the thrill of sitting next to Jess Lourey, and as we talked over dinner we became friends–something that has lasted to this day; I will always love Jessie–and over the next four years I slowly found my voice and began taking on more and more responsibilities. It became a huge part of my life, and I kept working, as is my wont, to try to achieve equity for everyone in MWA, specifically with the goal to make queer writers feel welcomed and a part of the organization as a vital part of our community. I made a lot of friends that I cherish to this day, and it felt very weird when my time there was finally up and I stepped away. Being involved with MWA, and making friends in the organization (which led to making even more friends in the genre) was what got me to start attending our genre conferences, getting involved and being more active in the community, and becoming better known than I was before.
It would have been easy to give up after the collapse of queer media and outlets. Mystery Writers of America gave me hope that my career could and would continue, and that the best part was yet to come.
So one can only imagine my surprise when four years after I left the board I was asked to return and serve as Executive Vice President (basically, chairman of the board). I was thrilled, flattered, and honored, particularly for being the first openly gay one in the history of the organization. What better way, I thought, to let queer writers know they were welcome than by being in a leadership position? There was admittedly some hubris involved in saying yes–the making history thing, for one, as well as thinking I could handle all that responsibility while maintaining a full time job and a full time writing career. I will never regret saying yes; the only regrets I have are the mistakes I made (there were plenty) and not having as much time to devote to the office as was needed so I could get everything done that I wanted to get done while I served. But I am not going to focus on the regrets, ever; instead I shall take pride in the things we were able to accomplish.
And now, it’s over. I could have served five years total, but bowed out after three. Were we still living in the same world we were in when I was initially approached in the fall of 2019, I probably would have stayed for the full five. But we’re not living in that same world–the pandemic that shut down the world within two months of my taking office overwhelmed every aspect of my life, from day job to running errands to my writing and publishing career to helping to oversee the operations of the organization. (I like to joke about how I was not only the first gay EVP in history but also the first EVP to cancel the Edgar banquet) Navigating an organization through the unknown waters of a pandemic and a changing world, where there was no previous experience to draw from was challenging, especially since I had to worry about my day job, adjust to working from home on some days and helping with the COVID testing at our office, exposing me to something that could quite possibly kill either Paul or myself every day I was there. The years between 2020 and now are all kind of blurry to me now; sort of the way everything from the Katrina evacuation through about 2009 is either a blank or blurry.
It’s going to take some getting used to, and it’s going to take a while before it sinks in that it’s no longer my responsibility.
I wouldn’t trade the experiences–both good and bad–for anything. Even though sometimes it was stressful and disruptive, and there were times when I got incredibly frustrated because I was very short on time and in the middle of a book that I needed to focus on, it’s going to be weird for me for awhile. It was very weird checking my emails this morning and seeing that there were none with (MWA) in the header line. I worked with some great people and made some friends–at least I like to think so, their mileage might vary–that I would have never made had I not served. I learned a lot about myself, and strangely enough I also think serving somehow has made me a better writer somehow; I know the work I am producing now is vastly superior to the work I did before I served. I know I have a stronger sense of the genre after my total of seven years of service.
The hardest part, I think, is going to be remembering that I no longer have anything other than an opinion and that I am now just one of the many members.
Thanks to everyone I served with, the membership, and the community. I no longer feel like an outsider looking in at the community, and maybe, just maybe, I made a small difference.
And here we are, on the final day of the year 2022. Happy New Year, I guess? It doesn’t feel like the year is turning, but everything has felt so totally out of whack since the 2020 Shutdown that it’s not a surprise, really. As I sit here bleary-eyed with my coffee trying to wake up for another thrilling day of writing and cleaning, it seems very weird to look back to a year ago at this time. I was on deadline then, too–and was way behind on that book, too (A Streetcar Named Murder, for the record), but other than that I don’t remember what my mood was like or what I was thinking about going into the new year. We were still in the midst of the pandemic (that hasn’t changed–what’s changed is it isn’t news anymore and everyone seems to be pretending it’s all over), and I know I wasn’t exactly going into 2022 thinking oh this is the year I’ll get the coronavirus! That did happen, and my ten-day experience with COVID-19 was bearable for the most part. I just had intense and severe exhaustion as well as the brain fog, which hasn’t entirely lifted. I still have no short term memory, and am struggling to remember things every day–which has made writing this book more difficult because I can’t remember small details and things that are kind of important. I also think being so scattered isn’t much help in that regard; I’ve never been able to handle getting a grip on things and have felt like I’ve been behind the eight-ball for the last three years, floundering and struggling to keep my head above water, and never confident that I had a handle on everything. It’s been unpleasant, really; I prefer to be better organized and to have things under some sort of manageable control, and this constant feeling that I am behind and will never catch up on everything has been overwhelming, depressing, and damaging.
I read a lot of great books this year–I was going to try to make a “favorite reads of the year” list, but as I went back through the blog for the last year looking at all the books I talked about on here, there’s no real way for me to quantify what were my avorite reads of the year. I managed to read both of Wanda M. Morris’ marvelous novels, All Her Little Secrets and Anywhere You Run; Marco Carocari’s marvelous Blackout; John Copenhaver’s The Savage Kind; Carol Goodman’s The Night Villa, The Lake of Dead Languages, and The Disinvited Guest; Ruth Ware’s The Death of Mrs. Westaway and The Woman in Cabin Ten; Raquel V. Reyes’ Mango, Mambo and Murder; Ellen Byron’s Bayou Book Thief; Rob Osler’s debut Devil’s Chew Toy; Mia P. Manansala’s Arsenic and Adobo; Kellye Garrett’s Like a Sister; Alex Segura Jr’s Secret Identity; Laurie R. King’s Back to the Garden; Tara Laskowski’s marvelous The Mother Next Door; James Kestrel’s Five Decembers (which would be a contender for favorite read of the year, if I did such things); and of course several Donna Andrews novels as well. I am forgetting some great reads I truly enjoyed this past year, I am sure–I will kick myself later for not remembering I Play One on TV by Alan Orloff, for one example–but it was a year of great reads for me. I know 2023 will also be a great year for reading.
I also watched a lot of great television this past year as well, and again, I won’t be remembering everything and will kick myself later. If nothing else, it was a year of some amazing queer representation on television; this was, after all, the year Netflix not only gave us the wonderful, amazing, adorable Heartstopper but the equally charming and adorable Smiley (which you should watch, absolutely). It was also the year where Elité continued, but the shine is starting to go off the show a bit. I was very vested in their Patrick/Ivan romance, which they ended in this last season with Manu Rios, who plays Patrick, leaving the show at the end of the season along with his two sisters (spoiler, sorry), which was dissatisfying. I am looking forward to seeing what else Manu Rios gets up to in the future…we also enjoyed 1899, Andor, Ted Lasso, Sex Lives of College Girls, Peacemaker, The Sandman, House of the Dragon, Ozark, and so many other shows I can’t possibly begin to remember them all this morning. But I have no problem saying that without question my favorite show of the year was Heartstopper. Even just looking at clips on Youtube, or those “Ten Cutest Moments on Heartstopper” videos, always makes me feel warm and fuzzy when I view them. The soundtrack for the show was also terrific, with some songs so firmly engrained in my head with scenes from the show (one in particular, Shura’s “What’s It Gonna Be” always makes me think of that scene where Charlie comes running after Nick in the rain to give him another kiss, which is what was playing in the background). Wednesday was another highlight, a surprising delight when I was prepared to have my hopes dashed, and The Serpent Queen was also a lot of fun. We also enjoyed The Bastard Son and the Devil Himself, but it was cancelled after its first season, which was disappointing.
Professionally, it was a pretty good year in which I had three book releases: #shedeservedit in January and A Streetcar Named Murder in December, with the anthology Land of 10000 Thrills, thrown in for good measure in the fall. I sold some short stories that haven’t come out yet, as well as some that did this last year: “The Rosary of Broken Promises,” “A Whisper from the Graveyard,””The Snow Globe,” and “This Thing of Darkness” all came out in anthologies this year, with “Solace in a Dying Hour” sold and probably coming out sometime in the spring. I also sold another story to another anthology that will probably come out in the new year as well, and I still have one out on submission. In what was probably the biggest surprise of the year, last year’s Bury Me in Shadows was nominated for not one, but TWO Anthony Awards (Best Paperback Original and Best Children’s/Young Adult) which was one of the biggest shocks of maybe not just the year, but definitely one of the highlights of my career thus far. I lost both to friends and enormously talented writers Jess Lourey and Alan Orloff respectively, which was kind of lovely. I had been nominated for Anthonys before (winning Best Anthology for Blood on the Bayou and “Cold Beer No Flies” was nominated for Best Short Story), but being nominated for one of my queer novels was such a thrill–and to have it nominated in two different categories was fucking lit, as the kids would say. The response to A Streetcar Named Murder was an incredibly pleasant surprise; people seemed to genuinely love the book, which was very exciting and cool.
I traveled quite a bit this year as well–going to Murder in the Magic City/Murder on the Menu, Left Coast Crime, the Edgars, Sleuthfest, and Bouchercon. I went to Kentucky twice to see my family, which further fueled my love of audiobooks for long drives–on both trips I listened to Ruth Ware on the way up and Carol Goodman on the way back–and also did some wonderful podcasts and panels on-line, which was nice. We didn’t go to any games this season in Baton Rouge, but in all honesty I don’t know if I can hang with a game day anymore–the drive there and back, the walk to and from the stadium, the game itself–I would probably need a week’s vacation afterwards!
College football was interesting this season, too. This season saw the reemergence of Tennessee, USC, and UCLA to some kind of relevance again; the slides of the programs at Texas A&M, Florida, Oklahoma, Auburn, and Texas continued; and LSU turned out to be the biggest surprise (for me) of the year. Going into the season I had hopes, as one always does, but after two years of consistent mediocrity (with some surprise wins both years) they weren’t very high. The opening loss to Florida State was a surprise and disappointment, but at least the Tigers came back and almost made it all the way to a win. The blowout loss to Tennessee at home was unpleasant, certainly, as was the loss at Texas A&M. But LSU beat Alabama this season! We also beat Mississippi, so LSU was 2-2 against Top Ten teams this season–and I would have thought it would be 0-4. And 9-4 is not a bad record for a transitional year, with a new coach rebuilding the program. And LSU beat Alabama. The Alabama game will undoubtedly go down as one of the greatest Saturday night games in Tiger Stadium. It was incredibly exciting, and I still can’t quite wrap my mind around it or how it happened. It certainly shouldn’t have; LSU was simply not an elite-level team this past season, but what a job Brian Kelly did coaching in his first season in Baton Rouge. Did I mention that LSU beat Alabama this year? (And one really has to feel for Alabama, in a way; they lost two games by a total of four points on the last play of each game. Four. Points. That would probably be what I would call this season for Alabama: Four Points from Greatness. The LSU-Alabama game this year is definitely one of those that gets a nickname from the fan base, I am just not sure what it would be. The Double Earthquake Game? (The cheers when LSU scored in overtime and then made the two point conversion registered on the campus Richter scale) The Conversion Game? I don’t know what it will be named for all eternity, but it was an amazing game. I do think it also bodes well for the future for LSU. Will both LSU and Tennessee (which also beat Alabama for the first time in like fifteen years) be able to consistently compete with Alabama now? Has Georgia taken over as the SEC behemoth? Has the Alabama run ended? I don’t think so–they have an off year where they lose two or three games periodically (2010, 2019, 2022)–and they could bounce right back. next year and win it all again. You can never count them out, even in their off years.
As for the Saints, they swept Atlanta again this year, and that is enough for me.
I did write a lot this year, even though it didn’t seem like I actually did while the year was passing. I also worked on Chlorine and another project I am working on throughout the year, as well as the novellas, and of course, I was writing short stories and essays for much of the year. I also read a lot more New Orleans and Louisiana history, and I had tons of ideas for things to write all year long. I did make it to the gym on a fairly regular basis at the beginning of the year, but then it became more and more sporadic and after my COVID-19 experience, never again. I also injured my arm a few weeks ago–when I flex the bicep it feels like I have a Charley horse, so not good, but it doesn’t impact my day to day activities. I also had my colonoscopy at last this past year–the prep was horrific, and I am really dreading doing it again at sixty-five, should I make it that far.
Yesterday was a nice day. I was exhausted, and after my work-at-home duties were completed I did some chores–laundry, dishes–and I also spent some time both reading (A Walk on the Wild Side) and writing. I also watched the Clemson-Tennessee Orange Bowl last night before Paul got home from his dinner engagement and we watched a few more episodes of Sex Lives of College Girls. Today I am going to read a bit this morning with my coffee before getting cleaned up and diving headfirst back into the book. Paul has his trainer today and usually either goes to the gym to ride the bike or to his office to work for the rest of the afternoon, so I should be able to have some uninterrupted writing time, which will be lovely. And on that note I am heading into the spice mines. Have a happy and safe New Year’s Eve, Constant Reader, and I will check back in with you later.
Huzzah for a paid vacation day! No getting up at six am this freezing morning, thank you very much–although the real horror is going to come tonight when it gets into the twenties–there’s a chance we’ll have snow for Fat Tuesday.
Madness.
Although it is frightfully cold for a Lundi Gras–forty degrees this morning, and of course our heat isn’t working, and will be getting gradually colder throughout the day until it gets into the twenties later this evening, with a chance of snow on Fat Tuesday for the first time since 1899. Needless to say, I am wearing layers today and have the space heater going–and it will be following me around whenever I move around the house–the easy chair, even up to the bedroom tonight when we go to bed, although the layers of blankets, Paul and Scooter all combined to keep me nice and warm last night. I slept like a dream, too. I stayed in bed a full hour after I woke up this morning, too, luxuriating in the warm comfort of the bed, and I feel no shame in that at all…why shouldn’t I relax and be comfortable, despite all the work that I have to get done?
I managed to finish going through the manuscript last night, changing it all into the present tense. I caught a lot of things that need to be fixed–changes in story and plot and so forth that weren’t eliminated through the various drafts the book has gone through. Today I am going to print it all out and start going through the hard copy, making notes and cuts and noting where new material has to go to fill in the gaps. I have approximately two weeks to get this all finished before it’s due, and I actually think I am going to be able to get it all done in time. I have a new framing device for the story that I have to write, and there’s a final chapter that needs to be written, and of course the cuts….I am always amazed at how often I repeat myself, and how passive the early draft voice I write in inevitably turns out to be. Today I am going to curl up, most likely in bed, with my laptop, my lap desk, and my notebooks, and start marking up the manuscript. Tomorrow, as it is Fat Tuesday, I am most likely going to take the day off and read and/or watch movies–the Short Story Project is definitely in need of some catching up on, and of course I’ve started a new project of rereading various books in the kids’ series I loved as a child (I am currently reading a Dana Girls volume, The Clue in the Cobweb, that I’ve never read before), and I would love to spend some more time with Jess Lourey’s Unspeakable Things–I really hate that my reading attention span comes and goes the way it does.
Needless to say, I am most pleased to have gotten through the manuscript yesterday. I am really looking forward to spending March mostly working on short stories as well as pre-planning both Chlorine and Twelfth Night Knavery–I even know how to open the story–and that will eventually lead into the tenth Scotty, French Quarter Flambeaux, which will lead into the eleventh, Quarter Quarantine Quadrille. I also want to try to get some of these novellas finished between working on books, too. Ash Wednesday I have to go into the office, and then it’s two more work-at-home days before I have yet another weekend…so things are looking up somewhat as far as my writing schedule is going. I certainly am getting a lot more finished this year than I did last year, and here’s hoping that I will stay motivated and continue getting things done.
We started watching the second season of Mr. Mercedes last night, which got off to a slow start but is picking up well now. WHat’s interesting is that the show is not following the Bill Hodges trilogy as written by King; they’ve skipped the second book of the series, Finders Keepers, and gone straight on to the third, End of Watch. From a television story-telling perspective it makes sense; the villain of the first book returns in the third, while the middle book is an entirely different story and case for Bill and the gang at Finders Keepers–the detective agency they open after the first book–and while that one may be my favorite of the series, the show’s been renewed for a third season, and I suspect that they will use the plot of the second book as the framework for the third season. There are some other shows dropping this week we want to watch as well–It’s a Sin on HBO and The Luminaries on either Starz or Showtime, it has Eva Green in it and I try not to ever miss anything with Eva Green.
And now it’s raining. We are either going to get rain tomorrow, or snow, or sleet; none of which are appealing, and quite frankly, I am happy for both krewes (Rex and Zulu) that aren’t going to have to deal with parading in such horrendous weather. (I wonder if Zulu is going to come down the river to the Quarter to meet Rex at five today?) I’m supposed to go to the gym at some point today–but there’s no way I am walking five blocks in cold and rain. Is it wimpy of me to take the car? I always used to drive to the gym until we joined one that’s literally right around the corner; our new gym is a longer walk, of course. I would walk to St. Charles Athletic Club in this weather; but Franco’s on Magazine is a bit too far for this kind of nasty weather.
I also have retrieved my blanket from the easy chair; I am actually feeling quite toasty warm here at my desk this morning–between the space heater, double layers, the blanket and my coffee….I could retrieve my fingerless gloves and then the only remaining part of me feeling the cold–my hands–would be taken care of as well. I hate that Paul is going to go out in this weather to go to his office–I’m actually hoping that once he gets up and sees how nasty it is outside, he’ll just work from home…all he needs is a computer and a phone and he can seriously do his job anywhere, but there is something about going into an office–the discipline or mentality that comes with being in your office…plus the guilt factor. I can’t speak for everyone, of course, but I know when I am at my office I feel guilty for not doing work-related things…it’s raining even harder now. Just truly nasty weather out there….
And on that note, I am going to head into the spice mines. Have a lovely day, Constant Reader–or as lovely a day as you can given the horrible weather everyone appears to be having.
Friday! Friday! Gotta get down it’s Friday! Although I kept thinking yesterday was Friday, actually. It occurs to me that I actually keep this blog so religiously primarily because it helps me keep track of what day of the week it actually is, if not the actual date so much. I am of course working at home today–lots of data entry to do once I got this posted, and of course, it’s laundry day for the bed linens. Yesterday I spent the day making condom packs and then went to the gym, afterwards coming home and feeling completely brain-dead and unable to make any progress on the book–which I will have to correct tonight; I need to be revised through Chapter 10 by this weekend was the goal, which means I need to get four chapters revised tonight or tomorrow, so Sunday I can spend the day copy-editing and coming up with some plans for the second half of the book. If I have some spare moments that I wish to use not being a vegetable, I may work some more on “The Sound of Snow Falling,” which I am actually enjoying writing.
Shocking, right? And at some point I need to get back to Jess Lourey’s marvelous Edgar finalist, Unspeakable Things.
I also went into a bit of a wormhole last night about Louisiana’s “cancer alley,” and have long thought, in idle moments, that I need to address Cancer Alley in a Scotty book; I can think of nothing local that would drive his parents into full-on protest mode than that. (For those of you who don’t live in Louisiana,”Cancer Alley” is what Louisianans call the strip of petrochemical plants along a stretch of the Mississippi River between New Orleans and Baton Rouge. The plants are generally located in relatively poor parishes and areas,; there is also a very high prevalence of cancer in those communities, hence “Cancer Alley.” Since the petrochemical companies have deep pockets and Louisiana politicians have always gone relatively cheap, nothing is ever done about it….Louisiana is slowly being destroyed from within because our state legislature, many of our state politicians–including those we send to Washington–are owned these companies in tandem with the oil companies, who are responsible for our gradually eroding coastline and increased vulnerability to hurricanes) Cancer Alley has been back in the local news (it never makes the national news) again because people are protesting again–this happens periodically–but this could be an enormous departure for a Scotty book, which is why I’ve never done Cancer Alley Canard (yes, I came up with the title for it yesterday), but it also doesn’t make any logical sense for Scotty’s parents to never ever talk about, or protest, Cancer Alley…and of course, it would have to begin with a protest (perhaps Scotty and Storm bailing their parents out from yet another arrest) and then an activist would have to be murdered–maybe even a journalist, I don’t know. But corporate evil is something I have always wanted to write about, and perhaps it’s getting closer to the time I do that with Scotty. (For those who are paying attention, that means I have ideas for at least four more Scotty books–this one, Twelfth Knight Knavery, French Quarter Flambeaux, and Quarter Quarantine Quadrille, with Hollywood South Hustle also in the mix.)
But I have to write Chlorine next. That’s the most important thing once I have this one sent off to my publisher.
As Constant Reader is aware, one of the things I do to entertain myself while making condom packs is to continue improving on my vastly inferior education in film. I decided to take a bit of a break from the Cynical 70’s Film Festival, and am again saving horror films for this coming October season. I had wanted to do a study of teen films and how they changed and evolved from the 70’s to the 80’s; but yesterday as I scrolled through those options I really didn’t feel like any of them were particularly appealing, given my mood. But as I scrolled, I came across A Room with a View, an 80’s classic from Merchant-Ivory, and I recognized that I had, in fact, never seen a Merchant-Ivory film. I’ve never been a particular fan of E. M. Forster, and while I do recognize the appeal in fictions set during the high noon of the British Empire (likewise, I felt much the same about the Regency period, but found myself thoroughly enjoying Bridgerton and have thus had to alter my thinking about that period, so why not?) at the same time, I have also recognized that the appeal of most of those fictions lies in there being about the privileged–those with country homes and scores of servants, and the ability to travel abroad. The Imperial English were also horrific racists and nationalists as well as classists, so while I was relatively certain Merchant-Ivory films were well made and well done, my attitude towards viewing them was more of a “meh” than anything else. Yet…I had never seen one; this film was one of Helena Bonham Carter’s first big roles; and you really can never go wrong with a cast filled with English actors. So, I queued it up and began watching.
Imagine my delight when within minutes of the film opening I discovered the cast included one of my all-time favorite actresses–the magnificent Maggie Smith–and Judi Dench! And of course, the first section of the film is set in my beloved Florence and Tuscany! I settled in, starting stuffing condom packs with a very delighted sigh, and began watching. The film seemed a bit slow at first–I felt the build-up into the love story between Lucy and George (gorgeous young Julian Sands) perhaps took a little too long, and then the whole matter of the “scandalous” secret that he kissed her in a poppy field during a rainstorm a bit silly (fully acknowledging that in their class, this was the kind of thing that could ruin a young woman’s reputation; one of my frustrations with older periods is how atrociously stifled women were), but once they were all back in England and Daniel Day-Lewis appeared on the scene as a fiancé for her, it got really going. (Might I add how marvelous it was seeing Day-Lewis, who would go on to win three Best Actor Oscars, in an early role as the pompous and very straight-laced Mr. Vyse? He was marvelous in the part, and of course, watching him I couldn’t help but marvel that the man inhabiting this role so perfectly would go on to My Beautiful Laundrette, My Left Foot, The Last of the Mohicans, There Will Be Blood, Gangs of New York, and Lincoln–yes, what an exceptional talent indeed) And of course, Rupert Graves is so astonishingly beautiful as a young man. Visually the story is sumptuous; the writing witty and clever; and of course, the acting is top notch. I shall indeed have to watch more Merchant-Ivory films…and it also occurred to me, as I watched, that I have also never seen A Passage to India, and really should correct that oversight.
And perhaps should give Forster another try.
After completing my daily tasks and chores and the gym, I came home to clean and reorganize a bit. As I was putting books away, I came across my copy of Sanctuary, which I had taken down recently thinking about rereading it. I did reread the first chapter, but then I got caught up in Alyssa Cole’s amazing When No One Is Watching and digressed away from it. One of the reasons I was thinking about Faulkner again was, naturally, because I had been working on Bury Me in Shadows, and the whole world I’d created in that book– as well as a couple of published short stories, and numerous others unfinished–was rather inspired, not only by the region my family is from, but by Faulkner; I wanted to write about Alabama much the way Faulkner did about his jawbreaker of a county in Mississippi (Yoknapatawpha?) and writing various books and stories that were all set there and loosely connected; I also wanted to revisit Faulkner a bit because I wanted to remember the way he wrote; the dreamy texture and atmosphere of his prose, and how he presented his world as honestly and realistically as he could. (I know there are those who consider Faulkner’s works to be racist, and yes, of course they are; the use of the n-word is prevalent, of course, as well as depictions of racial inequities and racist white people; but he also doesn’t excuse them or try to present them as heroic or being right–he leaves that to the reader. Usage of the worst racial slur will never cease to make me recoil or flinch, which makes rereading his work more challenging than it did when I was younger, I am sad to confess.) I had originally read Sanctuary when I was in high school, and really do need to revisit it as an adult and as a published writer, so I can grasp it better and I am also curious to see how I will react to it. I began reading other Faulkner works after I had a very encouraging creative writer teacher in California (as opposed to the monstrous troll in Kansas); he recommended As I Lay Dying to me, and I not only devoured it, but then moved on to The Sound and the Fury, which remains to this day one of my absolute favorite novels. “A Rose for Emily” is also one of my all time favorite short stories as well–and I think it was this story that actually pushed me along the path to coming up with ideas for a fictional county in rural northwest/central Alabama; that story is so beautifully Southern Gothic…and so many small Southern towns have those kinds of eccentrics that it seemed like writing about those eccentrics was the proper way for me to go with my own writing.
My writing career has truly had so many stops and starts over the years…
And on that note, tis time to. head into the spice mines for today. It’s gray outside my windows this morning, and today is a day when I most likely won’t be leaving the house at all, which is also kind of lovely. I am going to be doing data entry until I finish it all; if there’s time left in my work day I shall then go back to my easy chair and condom packing….and seeing if I can find Maurice on a streaming service for free, or A Passage to India.
Another good night’s sleep, only to wake up to a frigid forty degree morning here in the Lost Apartment. I have my cappuccino prepared, the space heater is blowing warm air in my general direction, and the ceiling fans are most definitely turned off. The kitchen is clean this morning, which is lovely–there’s a load of dishes in the dishwasher needing to be put away, but that can wait till after work–but it was marvelous to come down to a cleaned up and organized kitchen this morning.
Paul was working last evening, so I did the same. I got another two chapters of the book polished and revised; and hopefully will keep that momentum going this evening. I also started reading Jess Lourey’s Edgar finalist Unspeakable Things, and that voice! It’s quite good thus far, and I am really looking forward to getting further into it this evening after going to the gym. Yes, I have to go workout this evening; my shoulder is finally no longer sore from last week’s inoculation (hallelujah) and it has been nearly a week since I last went to the gym. My muscles and joints will no doubt protest and creak a bit as I put them through their rusty paces this evening, but I really have to get back into the swing of the regular workouts…and I also have been missing them. This is a good thing, and I am very pleased that my natural inclination of blowing off the gym has become, at least currently, a thing of the past; a former behavior, if you will.
I’ve also concluded that there are so many wonderful notes in my journals that when I am not actually writing on the book, I should start going through the journals yet again and pull ideas out of there, actually creating electronic files and folders to track the stories. I have written at least six or seven hundred words in my journal on “The Sound of Snow Falling,” and I need to convert that into a Word document as soon as I can so I can really start writing the story. I also can’t believe I allowed myself to go so long without keeping a journal; I believe it was 2017 when I started keeping them again, and it’s really been rather nice. While I no longer write for the most part by long hand–primarily to spare myself the ordeal of transcribing–I do find that brainstorming while scribbling has a restorative, creative effect; the journals were enormously helpful when writing both Royal Street Reveillon and Bury Me in Shadows–and there are an awful lot of helpful notes and brainstorming in them about the Kansas book, which are certainly coming in handy as I write the book. It has evolved so much over the decades since I started writing it all those years ago, and so much that I wrote in it originally has come in helpful over the years, being pirated and plundered for other books and stories. I am very deeply ensconced inside this manuscript now–to the point where I haven’t been thought about Chlorine since I started this deep dive into this final edit. This is unusual; earlier in my career I would become immersed in a manuscript the way I am now; but over the years it inevitably got to the point where I would always be thinking about–and wanting to work on–the next one while rushing to get through the current. I also think having this razor sharp focus is making the book better than it might have been.
I guess we’ll have to wait and see, won’t we?
I also was thinking about “The Rosary of Broken Promises” yesterday for some reason, as well as “To Sacrifice a Pawn”–two other stories I think I started writing in December; yes, December, because the idea was to write something for a last minute Christmas anthology Gabino Iglesias was pulling together (it’s always interesting to me how I will write a story for a submission call of some sort, but the story rarely ever gets published by the market I wrote it for; take “The Snow Globe” for instance. That started out being written for a Halloween anthology HWA was doing; I never finished it and the deadline passed. I turned it into a Christmas story for another anthology call; it was rejected, but now I have sold it somewhere else entirely), but of course I was in the weeds with Bury Me in Shadows and never finished it; I think the most likely thing that’s going to happen is I will spend March planning out Chlorine while finishing some of these other stories and getting them out for submission. I think I still have two or three stories in anthologies that will be coming out this year at some point; I am really looking forward to seeing the finished books. And at some point soon, I will have enough stories for another single-author collection of my own, which is very exciting.
But the sun is rising over the West Bank with pinks and reds and pale blues staining the sky; and I must start putting together today’s lunch, packing my backpack, and getting into the shower to face down yet another day of clients and work at the office. I’m also going to need to start pulling together my tax information (yay); which I’m also kind of dreading…but I can do that after I finish the book, really. No rush there at all–which is a good thing; there are few things I hate more than prepping my taxes for the accountant.
And so I shall go ahead and bid you adieu for yet another morning, Constant Reader, and hope your Tuesday is as marvelous as you deserve.
Queer and Loathing in America 