jackson square jazz – Page 3 – Queer and Loathing in America

Green Light

One of the things I’ve been thinking about lately is how we don’t really have a Louisiana crime writer who explores and illuminates the damage we are doing to the ecosystem and environmentalism of the state the way John D. Macdonald infused many of his Florida novels with so frequently. Condominium, published in the 1980’s, is a stinging indictment of crooked developers and corrupt politicians putting up massive condominium buildings along the coastline of Florida, despite the damage they do to the environment, all in the name of a quick buck. I have been thinking about this because I spent a lot of time in the panhandle in the 1970s, back before Panama City Beach developed into what it is now. I’ve not been back there since 1980, at the latest; but just looking at Google Earth images it’s horrifying how different and over-developed that whole area has become. (I was looking at the images because I was thinking about setting a book along the Redneck Riviera/Baja Alabama/Emerald Coast/Miracle Strip, whichever name you use for the region.) Louisiana, nicknamed “Sportsmen’s Paradise” because of the abundant fish and game and the stunning natural beauty of the state, has pretty much spent the last hundred or so years (at least) destroying and despoiling the natural resources of the state of Louisiana, killing off wildlife species while introducing new invasive ones–and don’t even get me started on Cancer Alley, that stretch of the river between New Orleans and Baton Rouge lined with petrochemical plants parked next to poor, mostly Black communities that have, surprisingly enough, large instances of cancers in the residents. Now the level of the river is so low that it can’t keep the Gulf water pushed down, and the salty water is making its way up the river and intruding into our drinking water supply here in southeastern Louisiana. I’m sure the loss of so much of the wetlands to ensure oil company profits hasn’t affected this in any way, shape or form. There’s a really good environmental thriller to be written about Louisiana (if not more), and I think maybe part of the problem in writing about the destruction of Louisiana in the name of unfettered greed is that I don’t feel knowledgeable enough on the subject to tackle it, nor do I have the time to spend on the research necessary.

It’s really disappointing to me that James Michener never wrote one of his two thousand page plus books about Louisiana. Louisiana history, no offense, is a lot more interesting than Texas’.

And Sportsmen’s Paradise is a great title for a book about Louisiana’s environmental disasters.

I suppose I should just go ahead and do it, regardless of how difficult and long and tedious the process may be. I also think part of the reason I’ve resisted this aspect of writing about Louisiana is because no matter how dark my books may get, I always want justice to be done in some way and to end the book with some sort of hope; there literally is no hope for the future of Louisiana because our politicians are all too greedy and corrupt and only focused on the now rather than the future, no matter how much they beat the “but the children!” drum publicly to fool those incapable of deeper thought. There have been so many environmental disasters in Louisiana over the nearly three decades I’ve lived here I can’t remember them all; and yes, I definitely count boil water advisories in that, too. There was the sinkhole at Bayou Corne (anyone remember that?) and of course Deepwater Horizon, whose true impact and the damage it wrought on the Gulf and the coastline will not be fully known for generations.

The one consistent thing throughout Louisiana’s history has been the entrenched systemic political corruption. I have written about that.

I’ve also been thinking a lot about Jackson Square Jazz, as I get into this revision, and remembering why I wrote it and what I was trying to say within the book; there was a thread in it that ties directly into the new one, and there are also some thematic commonalities with S. A. Cosby’s All the Sinners Bleed, which I am really enjoying reading. Shawn is such an extraordinary writer, with a gift not only for language but character, dialogue, setting and story; the complete deal, as it were, and definitely is going to be considered one of the definitive crime writers of this new generation of exceptional talent that has risen over the last few years. I am going to spend some more time with Shawn’s book this morning, too; I am really enjoying it and wanting to see where it goes and how it all ends. I also have the new Lou Berney on deck, and Lou’s books are always high-quality, clever, and engaging.

College football was interesting yesterday. My Tigers prevailed in a three-point nail-biter against Arkansas in Tiger Stadium 34-31, running the clock out and kicking the winning field goal on the last play of the game. Paul and I were stunned, as was the crowd in the stadium..,and then I laughed. “LSU fans aren’t used to smart clock management in tight games,” I observed, and Paul started laughing with me because the crowd in the stadium didn’t know how to react to the end of the game either. It almost seemed ant-climactic rather than exciting…how many games have we lost this century because of poor clock management skills displayed by the coaching staff? So it was lovely, for once, to see the Tigers play smart at the end of a game for a change. Alabama finally looked like Alabama for the first time this season–but only in the second half as they iced Mississippi. LSU now has to play Mississippi in Oxford next weekend; it’ll be interesting to see how LSU stacks up against our old Magnolia Bowl foe. Colorado finally lost, which brought out all the racist college football fans on social media. The Texas A&M-Auburn game was just sloppy, ugly and unimpressive, while Mississippi State fell to South Carolina. But the big game of the day lived up to its billing–Ohio State v. Notre Dame in South Bend, with the Buckeyes scoring the winning touchdown on the literal last play of the game, 17-14. I literally only saw the closing minutes of the game, switching over once the LSU game concluded. The Saints play at noon today at Green Bay, so the grocery run I need to make will happen around that time–no fool me; everyone knows the best time to make groceries is during a Saints game here.

Yesterday was pretty relaxing, over all; a lovely day for the weekend and a restful and nice one, despite the stress of the LSU game. I’ll probably have the Saints game on in the background because it’s too anxiety-making to watch the games. (I have yet to learn how to control the anxiety during a game; it was certainly there last night and while I tried very hard not to get negative during the game, I could feel the adrenaline spiking and my heart rate going up, but I managed to keep my mind from spiraling and going super-dark as well not getting overly emotional It is, after all, just a football game and LSU football success isn’t necessary for my mental well-being.)

My goals for today are to read Shawn’s book for a few hours, get cleaned up and make a grocery run; while finishing the first chapters of the new Valerie and Jem books (tentatively titled, thus far, The House of the Seven Grables and You Gone, Girl) and also wanting to do some short story work as well, which is always fun. This Friday I am getting fitted for my new teeth (hurray!) and I have also reached the point where I can eat and enjoy noodles, so yesterday I made box mac’n’cheese (not Kraft, but one that came from the refrigerated section and simply needed microwaving and stirring; it wasn’t bad, either). Tonight I am going to make ravioli for dinner; we’ll see how that goes, although I am sure I won’t be able to eat any garlic bread. (I am able to eat Cheese Puffs, though.) I really want a burger, more than anything else. We are also making a trip to the SPCA to adopt a cat this coming Friday, which is perhaps the most exciting thing of all! I’ve really missed having a cat; they are such darling animals, and of course we want to get another ginger boy.

And on that note, I think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll be back–if not later, than tomorrow.

Ain’t It Funny

I was, somehow, on two humor panels at this past Bouchercon. I moderated one of those panels, which was a great time and one of the best experiences I had moderating a panel because of the amazing wit and talent of my panelists, whose work I look forward to reading. I was a last minute step-in, so I didn’t have time to read their books ahead of time or prepare anything; so the entire panel was extemporaneous–which is incredibly hard for a panelist because you literally have to think on your feet–and they rose to the challenge magnificently. However, I couldn’t use those questions as a self-interview, so instead, I will share the questions marvelous Leslie Karst came up with as the fill-in moderator for the Best Humorous Mystery Anthony panel, which I got to share with Ellen Byron, Jennifer J. Chow, Raquel V. Reyes, and Catriona McPherson…and a lovely time was had by all.

(You can only imagine how thrilling it was to be nominated for an award with these oh-so-talented and wickedly witty women. The imposter syndrome was strong in me on that panel.)

But, with a strong and heartfelt thank you to Leslie for these questions, away we go.

Did you set out to write a humorous (whatever that means) book?

I don’t. That would trigger my anxiety, I think, and I’d second-guess myself constantly. I’m not really sure how funny I actually am–and it’s not self-deprecation for me to say that I don’t think I’m being–or trying to be– funny most of the time. But people always have laughed. It took me a long time for me to realize that they weren’t laughing at me, but with me.

I believe humor should come out of the characters and how they react to, and/or see things, around them. New Orleans is a very easy city to write funny about because the daily paper is an endless source of unintentional humor. Our city government is weird and crazy, as is our history. Something that would draw stares and a crowd anywhere else isn’t even blinked at here. I tried mightily to resist, but have to shamefully confess that I, too, have walked to the Walgreens on the corner in pajamas and house shoes. Are the Scotty books camp? I’ve been thinking about that a lot lately, as I have been watching and reading about the camp aesthetic in the queer community, and I think they are, based on all the definitions I’ve seen and heard and read about. Scotty exists in a very close to reality as I can make it world, but the situations he and the other characters find themselves in are often over-the-top and ridiculous but normalized in that world, much as they are in real life. No one bats at an eye at any of it, because it’s normal. I think that makes my Scotty series camp.

The book that was nominated, A Streetcar Named Murder, was one in which I didn’t even think about being funny. I had the over-the-top character of the neighbor/best friend, Lorna, for comic relief, but my main character was supposed to be the one who sees and recognizes the ridiculousness but accepts it as reality. Catriona McPherson tagged me on Facebook because one scene in the book made her laugh for several minutes–which I took as a great compliment, because she is one of the funniest people I know–but I didn’t even think about writing that scene as funny; it’s actually when Valerie discovers a dead body, and the dying woman–wearing a pirate wench costume–says her last words, trying to identify who killed her. I remember making the conscious choice as to what those last words would be and tying it into her costume, but that seemed to me how it had to be, if that makes sense? And of course, when you’re writing a book and revising and reediting and rewriting and copy editing and page proofing…you do get so heartily sick of a book and its characters that it just seems tedious and tired and dull to you. Any humor I may have deliberately thought up and wrote into a manuscript no longer is funny to me by the final pass…which is worrying. I am never sure the book is funny or not.

What’s the most challenging thing about writing humor?

Being funny! The thing that always gets me about humor is how quickly and easily it’s dismissed when it comes to books–books aren’t supposed to be funny, you know; they’re supposed to be serious–which always puts funny books at a disadvantage, especially when it comes to awards, particularly juried ones. How do you say one book is funnier than another? Do you judge just the humor, or is that just a factor in the overall quality of the book? The odds of five to seven judges all agreeing on the same thing being funny are exponentially greater than the odds of five to seven judges agreeing on something tragic. Humor is harder than tragedy, and it’s even harder when you’re trying to find the humor in a tragedy.

Humor is incredibly subjective, and difficult to agree on. I’m one of the few people who thought Seinfeld went on for too many seasons and had stopped being funny long before they stopped; likewise with any number of other highly popular comedies, from Friends to Modern Family; shows that remain consistently funny for a long run are very rare, and I’ve always appreciated the comedies that went out before the quality began to decline (The Mary Tyler Moore Show, All in the Family, The Bob Newhart Show).

Have you ever gotten the giggles in a highly inappropriate setting, and how did that go?

My grandmother’s funeral. In fairness, my eldest cousin is one of the funniest people I know, and I made the mistake of sitting next to her and she kept whispering to me and I couldn’t help it. It did NOT go over well, and we’ll leave it at that?

Have you ever had to change anything in a book (funny or not) because of pushback from your editor?

Nothing major or significant, really; there was never anything like “this scene! What were you thinking?”

Is writing humor difficult for you, or does it come naturally? Any tips on writing humor for those writers in the audience?

Like I said, I don’t really try, it just happens. So I guess I would have to say it’s easy, with the qualifier being if I am not trying to be. The Scotty books were my first experience with really writing humor, and for me, it was more about him and his reactions to all the crazy things happening around him–which is why I’ve been wondering if the books are camp or not lately. The original idea for the first one did strike me as funny; I just saw one of the dancers working at the Pub during Southern Decadence weekend maneuvering through the big crowd in the street to start his shift. I had a mental flash of a guy wearing only a day-glo lime-green thong being chased through the crowd with bad guys with guns also trying to fight their way through the enormous crowd of scantily clad partying gay men. Likewise, the original idea for Vieux Carre Voodoo came to me when I was walking through the Quarter and passed under a balcony just as they started watering their plants–so got wet. (It’s a regular hazard in the Quarter.) I then had an image flash into my head of the same thing happening to Scotty–only he was wearing a white bikini that became see-through when wet. Why would he be walking through the Quarter in a bikini? Because he’s going to ride in the Gay Easter Parade dressed as a sexy gay bunny–white bikini, cottontail, and bunny ears. There was one scene in Jackson Square Jazz where he finds a dead body, and sighs resignedly and says, “not again.” I wasn’t sure if that would get past my editor, but it did.

I think it’s easier when the humor comes organically out of the characters and the situations they’re in. I don’t write jokes, but I do imagine a scene that I think is amusing and then fit it into something I am working on, if that makes sense?

Humor is hard.

Is there any type of humor that you would deem inappropriate for your books?

No. I’m a sixty-two year old gay man who lived through the 1980s and has been doing HIV/AIDS work for the last twenty years, so my sense of humor is very dark. I’ve been told I have a very dry, caustic wit; but there’s a very fine line between dry wit and being bitchy and cruel. I don’t like to cross that line, but have.

A Streetcar Named Murder was nominated for both the Lefty and Anthony Awards for Best Humorous Mystery. It was a thrill, an enormous compliment, and a complete surprise in both cases. I’m sorry the ride had to end….

Here we are–the Best Humorous Mystery Anthony nominees and our moderator. (And why do I look at myself in this picture and hear Bianca del Rio saying “horizontal stripes are not a good look in your third trimester, sir.”)

Don’t Throw It All Away

Well, we made it to Hump Day again, which is a lovely thing.

I think I may also be losing my mind? I could have sworn one night in the last two weeks I sat down with my journal and hand-wrote the next five or six hundred words of my story “Parlor Tricks.” Last night after running errands and getting home, I promptly sat down, opened the Word document for the story, pulled out my journal and started flipping through the pages.

Constant Reader, those two or three pages I could have sworn I wrote in my journal? Were not there. I turned page after page, growing more and more confused. How could I have not written it down? I specifically remembered words and phrases I’d used in the scene, describing how my main character’s psychic ability to read someone else’s thoughts sometimes created a psychic bridge between the two, which has just happened. The bad part of it is she read his thoughts and knows he’s planning on killing his wife later that night. I even got into the weeds with the psychic stuff, but no–I must have thought of it all, planned to write it down, and then…just never did. I’ve also somehow lost my belt and my Crescent Care hoodie, too.

Or Paul is gaslighting me. I’d prefer to believe that, of course (who wouldn’t?), but much as I want to believe that, I’d only be gaslighting myself. Heavy heaving sigh.

I was very tired as I ran my errands after work last night–needing more soft food, although I can eat stuff now that isn’t quite as soft; macaroni and ramen and soups and things. But the primary need was for things I could make for lunch at work; microwavable things. I also didn’t eat dinner last night, so this morning I am a bit on the hungry side. Yogurt and oatmeal and protein, oh my! But the end is nigh; next Friday I got get the molds for my new teeth made, and I am hoping that will only take about a week or so for the final to be ready for me to wear and use. (I’m also hoping there will be temporary ones I can use in the meantime, but I rather doubt it. But the thought of being able to swing back Five Guys on the way home next week is almost overwhelming.) I also weighed myself yesterday with shoes and keys and belt and wallet on and came in at 205, which is fine and something I can live with. I’d love to get below 200 again, but I’d rather that happen through diet coupled with exercise once I can go back to the gym.

But I did manage to get Jackson Square Jazz printed, three-hole punched, and put inside a three ring binder, meaning the editing just got real. I had gone back and forth over it, you know; should I re-edit/revise the book, or just do the basic copy edit? I didn’t have time to do any work with the Chanse book or Bourbon Street Blues before the ebooks went up, and at the time I didn’t know how I felt about redoing the books for republication; it was more along the lines of the old writer’s adage you can keep fixing it forever but sometimes you just have to say “fuck it it’s done” and it didn’t seem right. I wanted the print editions to be available as they were originally published…which seems now like a silly hill to die on. Why wouldn’t/shouldn’t I revise them? Jackson Square Jazz I think is the longest of the Scotty books, and probably has one of the most convoluted plots of the entire series; there was a lot fucking going on in that book. As I was putting the new printed-out pages into the binder, I came across the scene where Scotty is drugged and loopy in the penthouse on top of Jax Brewery when Colin scales the building to rescue him…and I started reading. I got rather caught up in the story–that scene is rather amusing and was a lot of fun to write–before stopping myself and getting back to what I was doing. I did think that was a good sign.

This week I’ve been letting the anxiety control me rather than the other way around. My supervisor is on vacation this week, which amps up the anxiety for me as I have no one to go to for decisions and/or questions; I kind of have to decide for myself and I really don’t like that. I think that was why I had trouble sleeping on Monday night, frankly. And I noticed it Monday night when I got home from work as well as last night. Granted, I was also tired last night, but I got very little done once I got home. Sure, I printed out the manuscripts (frontside and backside), and made groceries and picked up the new Lou Berney novel Dark Ride, which was very quickly moved up to the top of the TBR pile, but once the book was in the binder and the groceries all put away…I just literally did nothing else. I should have worked on “Parlor Tricks” while I still remember the continuation I didn’t write down but is only in my head; I should have read more of Shawn’s book; I should have done the dishes or folded the clothes that are still sitting in the dryer this morning. More to do this evening, I suppose. I am also seeing my new primary care physician this Friday morning, which will be nice, and then of course LSU’s game is Saturday night in Death Valley, which gives me the day free to run errands and clean and write and get things done around here because I don’t much care about the other games, although I’ll probably have them on as I clean and do things. Then again, I just looked at the games this weekend, and Florida State-Clemson, Auburn-Texas A&M, and Alabama-Mississippi are also on Saturday…so I’ll be paying more attention than I was thinking that I would.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

A Song in the Night

Sunday morning after a satisfactorily relaxing Saturday, in which I watched a lot of college football while doing chores and picking things up and so forth. For those of you keeping track of the soft food diet, last night I tried mashed potatoes as a meal and it was rather filling, yet not satisfying. I was fantasizing yesterday about corn dogs and fish tacos and cheeseburgers and almost every kind of solid food imaginable at some point during the day, only to sigh and get another yogurt or protein shake in a box.

LSU played very well yesterday, winning 41-14 over Mississippi State in Starkville, which meant listening to those fucking cowbells all through the game, but I don’t know what that win means, if anything. Yes, it means LSU is now tied for first place in the West, but what does it mean for how good they are? LSU has been very dominant in its last two games, but Grambling State was very much outmatched and no one really knows how good or bad Mississippi State is, either. They always manage to play better than expected when they play LSU, and there have been some insanely close games as well as the occasional MSU upset win–and by quite a lot. I’m cautiously optimistic about the rest of the season for LSU, but my expectations aren’t high; I’ll be glad for whatever we get that is good this season. It’s nice to beat the Bulldogs in Starkville decisively. Was Florida State just a really good team and LSU played sloppy so had no chance? It’s also possible. Georgia didn’t look invincible yesterday against South Carolina, and neither did Alabama at South Florida. The Florida blowout of Tennessee annihilated any hopes they may have had of winning the East this year–I can’t see how they’ll beat Georgia, and Alabama, which is the only way it’s possible for them now. Another Tennessee loss will be fatal to their hopes for a big season–and they also have to play at Alabama….who also is looking a little shaky this year. I think the SEC is wide open this year, and Georgia is still the favorite, but maybe not as resoundingly as I had thought. Interesting.

So, as I said, the rest of the day was anti-climactic. I continued on my soft food diet, while fantasizing about solid food, and my mouth waters at the thought of what I’ll be able to eat once my mouth has healed. This may also be the last time I’m ever on a liquid/soft food diet, and certainly not for the length of time this is taking for me. That helps me get through the day, believe me–and those are the straws I am grasping at this point. It’s not really been that bad, but I think a diet that is so heavy in protein and fat can’t be that good for me so I am going to force myself to eat more of the baby food, which is dreadful. There’s a weird chemical aftertaste to it that I can’t quite figure out, but it’s nasty. At least the servings are small. I did eat mashed potatoes for dinner last night, which was just weird. Today I think I am going to make chicken noodle soup for lunch; I think I can handle the noodles somewhat, and that will be a good benchmark to see what I can and can’t have in terms of more solid food. I mean, maybe mac-and-cheese could happen at some point, you never know. I do have some things to do that I’ve been (as usual) putting off until the last minute, so there’s no other option than to do them today. It’s fine; there’s no Saints game to distract me or sideline me (they play tomorrow night) and I am conflicted about them; they are my team, but this week I found out our new quarterback is a COVID-denier and anti-vaxxer–at least as far as the COVID vaccine is concerned. I had started following him on Twitter (I refuse to call it X, fuck off, Musk), and then I saw him retweeting something questioning the WHO and the vaccines, etc. and thought, yes, because you got your degree in epidemiology and infectious diseases at Fresno State? I unfollowed and blocked him. This is tough for me, really. I never really felt the same about Drew Brees after he partnered with the homophobic American Family Association to promote “bring your Bible to school day”–which sounds sweet and innocuous….unless you aren’t a Christian. The fact that he and his team failed to do any vetting on AFA before agreeing to work with them was incredibly troubling; his reaction (“I’m not a bully! I support everyone! How dare you criticize me!”) made it worse. There was no humility there, just anger at being doubted or questioned, which belied the “humble act” he’d been playing since signing with the Saints. To me, that failing lessened him in my eyes because I’d admired and liked him as a good person for so long. No doubt, he did a lot for New Orleans and he still has charities and programs here his foundation runs–but the Brees family moved back to Texas shortly after he retired as well.

So much for his lifelong commitment to New Orleans. That also stung a bit. So, yes, while the bloom was off that rose even before he retired, I suppose I could have eventually gotten around to getting past it and excusing the AFA connection–if not for them leaving New Orleans. This city literally gave them everything they have…and once the city had finished giving them everything, they left when there was nothing left to squeeze out of the orange.

I’m petty that way. I love New Orleans, and don’t even think about disrespecting the city unless you live here. Only residents of the city have the right to complain–the rest of you don’t have to come here, and please, feel free to keep your sorry asses at home if you aren’t going to love and appreciate New Orleans for all that she is.

I was also realizing, as I watched the games yesterday (won’t lie, I always pull for upsets except for LSU early in the season; my allegiances and loyalties shift as it progresses as LSU works through its schedule and who LSU needs to win and lose changes every weekend), that I should be taking advantage of this contract-free state in which I find myself to work on other things and maybe get them ready for either submission or publication? I’d like to get my short story collection finished by the end of the year–I think some of my stories that are published might not be available for it, like “The Ditch” and “The Snow Globe,” and if I finish revising “Whim of the Wind” and the anthology I am working on it for takes it, that will also take it out of consideration for the collection. I know “Death and the Handmaidens” will never be picked up for publication outside of one of my own collections, and that’s fine with me. It’s a bit flawed and needs cleaning up, of course, but it’s a good story with a strong foundation that just needs tweaking. I finally have let go of my ridiculous notion that “Whim of the Wind” was perfect as written and only had one small flaw that needed fixing; I am still proud of it as the first story I wrote that a college professor and a writing class thought was good and publishable of mine, so it will always be that landmark story in my writing career, but revising and rewriting and changing it isn’t some incredibly unpardonable sin for me, you know. I also want to revise and finish “The Blues Before Dawn,” “Parlor Tricks,” and “Temple of the Soothsayer.” That should be my goal for this week–as well as starting the revision/re-edit of Jackson Square Jazz–and emptying my email inbox.

And there are other things, too. So much, as always, that one Gregalicious always seems to have on his plate. I also started writing up interview posts, based on panel questions from Bouchercon in San Diego, which is always fun.

And on that note, I am getting another cup of coffee before heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may check in with you again later, if not tomorrow.

Torn Between Two Lovers

Tuesday morning and back to work tomorrow. I had thought about canceling my sick time and going back into the office today; but I got so easily tired yesterday that I changed my mind. I’m pretty sure a lot of it has to do with the starvation–liquid and/or soft food just isn’t satisfying, and I am hungry all the time (one would think a diet that includes ice cream would be awesome, but I am so sick of it all I think I may never eat it again once this is all over). Well, not all the time, but I do feel hungry here and there before it, as usual, goes away. I think the low calorie intake is also affecting my energy levels. I’m a bit sore this morning (was hoping to not get loopy from taking pain pills today, but I’m going to have to) and I’m still a few days away from chewing noodles or anything soft like that, so it’s more baby food, oatmeal, and protein shakes for me today. Woo-hoo.

One thing I absolutely need to do before going back to work tomorrow is clean out my inbox, at least for today. There’s a couple of little things I need to definitely get done, or get started, today while I have the leisure of not being at the office. It’s going to feel weird waking up at six tomorrow morning, but…no other choice. It would be great to stay out until my mouth is healed completely and no longer aches, but I don’t have that kind of sick time left from everything that went on earlier in the year and so forth–and I have a surgery to be scheduled yet. I guess I’ll worry about that when it comes to it, and when I know when the surgery is going to be. I also need to get a grip on my finances again and make sure all my due dates are on the calendar. I also have spent money with the debit card that’s not recorded so I don’t know my bank balance for sure, either. All things that can be easily remedied, of course, but tend to be a bit tedious and so I dislike doing them.

We are currently watching Painkiller, which is yet another mini-series built around the evil corrupt Sacklers and the opioid epidemic they started in order to make billions by convincing doctors that their version of heroin wasn’t addicting. The Sacklers were undoubtedly be studied by future historians as an example of the worst kind of horror capitalism and its ethos of greed is capable of creating; the paralysis of the FDA and the corruption inherent by bribing (er donating) money to politicians to advance the gutting of what little power the FDA had to monitor and control this sort of thing, and so on (looking at you, paragon of corruption and enemy of the people Marsha Blackburn!). The suffering and destruction and death and havoc wreaked on families and communities while these monsters and their agents of addiction and death made money is incalculable…and they don’t care. Even after all the lawsuits, after losing the company, all the deaths, the Sacklers are still sitting on a mountain of money. They are pariahs, rightfully shunned, but dollars-to-donuts they’re back manufacturing medicine in twenty years when most Americans have forgotten their heinous crimes.

I seem to have let yesterday slip through my fingers in a painkiller fog–super strong ibuprofen also messes with your head the way Vicodin and oxycodone do–but it’s more of a losing track of time sort of thing. I did get the sink cleaned out and did a load of laundry (waiting to be folded) and there’s all sorts of filing and organizing to get done this morning. I want to read more of Shawn’s book today, and I’d like to get prepared for going to work tomorrow with a clear conscience. The great heat wave has finally broken. It’s still humid but not as bad, and it’s not getting as hot as it had been during the course of the summer–it actually feels pleasant when I go outside.

My tests for COVID are still coming back negative so I am going to assume I missed the Bouchercon spread. I hope everyone who did catch it at (or around) the convention are on the road to recovery and all had very mild cases. I’m seeing my new primary care doctor a week from Friday, so I am hoping to get the new booster and a flu shot when I see her. I am also hoping to get some feedback from her on the big toe on my right foot situation; you probably don’t remember but it’s been sore since Mom went into hospice and was swollen so badly I had to wear house shoes to her funeral? He gave me anti-inflammatory cream and that was it. Well, it’s eight months later, it still hurts when I bend it, and it still swells up periodically–not as bad as originally, but I can’t help but think it might be something more than what he rather pointedly dismissed? He was wrong about my arm, after all. And now the other big toe is starting to do the same thing.

But I’m sure it’s nothing.

Uh huh.

Forgive me if I don’t believe anything that hack said to me about anything.

But that’s a story for another time.

I do feel more like myself than I have since the surgery on Friday, so that’s something…but then I also just took my pain meds, so I don’t know for sure how long that feeling will last. But I have to do something about this mess around here, and maybe I can even do some writing today. I have already started working on the plan for the sequel to Death Drop, and I also need to plan out the sequel to A Streetcar Named Murder. I already know what the story is behind that one; I just don’t have a title yet but I do know what the first chapter is going to be. Maybe I should just go ahead and write that, get it under way and see how it goes? I also want to start working on the edit of Jackson Square Jazz, and maybe even revise it some. I resisted the temptation to revise and re-edit the Chanse books for their ebooks, and did the same for Bourbon Street Blues, but Jackson Square Jazz is actually the book that sets the backstory for Mississippi River Mischief, so I need to be certain everything lines up the way it’s supposed to–and I can also change some things predicated on what has happened in the series since, because I know what is coming (which I didn’t know when I wrote the book originally). This might also be a good time to finally put together the Scotty Bible (I’m only nine books in now) which should make writing the next one even easier. It’s a lot of work, but with my memory getting shittier and shittier with every passing day, it’s something that really needs to be done. If I write another Chanse (it’s possible; I never say never), I would definitely have to do the same because I really don’t remember much about any of those books.

And I have some short stories that need to be finished for anthologies.

So on that note, I am calling this entry for the day and heading into the spice mines. I may be back later; there are still unfinished blog posts in my drafts (I’ve managed to get some of them out there over this past weekend, even though I don’t count blog posts as writing, it really is and I really should), and of course, laundry to fold and dishes to put away and a refrigerator to clean out. Have a lovely Tuesday, Constant Reader!

If We’re Not Back in Love By Monday

I’ve been sleeping deeply and well lately for an insomniac; I suspect it has more to do with the pain being exhausting than anything else. Any surgery is traumatic to the system and requires rest for recovery, and oral surgery is no different than any other. I’ve taken today off as well as tomorrow; I was thinking yesterday I could probably just go in today and do some paperwork or something, but (and this is not laziness) I started thinking it’s probably best to give myself enough recovery time before I head back in–and I also know the clinic is jam-packed with appointments for today and tomorrow, and I just don’t think I have the energy to deal with that today. I think one more good night’s sleep with probably do the trick.

The Saints won a nail-biter yesterday and I didn’t watch the US Open final; I just can’t with Novak Djokovic anymore. I used to like him until he became an anti-vax/COVID denier, and I can’t with that, I’m sorry. I respect his athleticism, commitment to his sport and being the best, but as a person? I can’t help but feel he’s a selfish, arrogant, borderline sociopathic asshole. Of course he’s entitled to his opinion, but he’s not entitled to me being a fan and watching him play, either. For the record, that’s how it works. I don’t deny him the right to be an anti-vaxxer/COVID denier, but I also don’t have to be a fan or watch him play. We got caught up on Only Murders in the Building and Ahsoka last night, too. I also finished several in-progress blog entries, including the one called “Shame” about homophobia in crime fiction and how things have gotten better over the years–but we can’t forget how bad it used to be, either, which was the point of the post, really; telling the crime community that we’re here, we’re queer, and we’re not going any fucking where.

Get fucking used to us.

Today I am going to try to do some chores around here. I’m feeling like a slug–anxiety talking again; I always feel like I should be doing something and down-time is time wasted–so I think I should do some things today. I suppose it depends on my energy stores, and how long it holds out. I want to read some more of Shawn’s book this morning–I think my resistance to that brutal opening was more of the post-surgery exhaustion–and I also need to empty the dishwasher and do another load that is soaking in the sink. I also want to make something to take for lunch this week–I’m thinking Swedish meatballs in the slow cooker, but am not sure if my minimal chewing abilities can handle the meatballs, even if I cut them up smaller before putting them in my mouth; I don’t think I can swallow them unchewed in some fashion–and I do need to go buy more ice cream and yogurt. I think some of the soups and ramen on hand could be useful. I can’t wait till I can eat a burger again, to be honest.

I also need to answer all the emails that have been languishing in my inbox for quite some time. I owe Dad an email–I’ve not had the strength after Bouchercon and the surgery to face writing him–and my sister’s birthday is this week. I also need to mail something, so I think I’ll drive uptown to make groceries and see what else is possible for soft foods for the week (mashed potatoes, baked potatoes, that sort of thing). I need to get the things on my to-so list knocked out, too. I feel more rested and more myself this morning, but maybe that’s because the pain pills haven’t quite kicked in yet. I also need to start revising/editing Jackson Square Jazz; I’m very excited about that finally being available again, and since Scotty turns twenty-one next year, I kind of want to celebrate the series throughout the year and I don’t know, maybe give away first editions? Something, anyway.

It’s also hard to believe Chanse will be twenty-two in January. I’ve been doing this for over a third of my life now. I owe it all to my stubbornness and obliviousness. Someone smarter and more aware would have probably given up a long time ago, but here I am, still here, older and possibly wiser and certainly not much smarter than I was all these years ago when I was a wide-eyed innocent walking into the world of the published word. I always remember that first August Paul and I lived here back in 1996. We went to a fundraised for the LGBT Center, and there was a tarot card reader there. (I’ve always been fascinated by tarot; I blame the James Bond movie Live and Let Die, which also connected New Orleans and the tarot in my mind. I write about a “private eye” who’s slightly psychic and reads tarot cards and lives in New Orleans. Coincidence? Probably not. Sadly, it’s always been one of my favorite Bond movies and always has held a special place in my brain for introducing me to Bond, New Orleans, and the tarot…unfortunately, the film does NOT hold up forty or fifty years later.) Anyway, the question I thought about as I held the cards in my hand was will I ever be a published writer? The answer the cards gave her was “Yes, but it will not be anything like you think it will be.” A generic answer, yes, that could apply to any number of questions…things are generally never what you thought or imagined they would be. Being a published author is definitely not anything like I ever dreamed or fantasized about when I wasn’t one. I know I thought being published would change my life for the better (I was not wrong about that) but…yes, it’s nothing like what I thought it would be like. Publishing can be a very cold and lonely place, but all you can really control is the work itself. You can’t control whether or not you get published, you can’t control whether or not the book sells, you can’t control the way readers and reviewers will react to it, you can’t control whether you get award recognition. All you actually can control is the writing itself, and do the best you can. I always hope my work is getting better–which should make reediting and revising the original Jackson Square Jazz interesting…

And on that note, I am going to bring this to a close, make another cup of coffee, and start working on the chores around the kitchen, while streaming music through my iHome speakers. I’ll probably check back in later–I have all those unfinished blog entries I need to eventually finish and post–and I also want to get some fiction writing done today as well. Have a great Monday, Constant Reader–do you think today’s photo will get my adult content flags on social media?

Shame

I have really come to love Bouchercon, and it’s always a highlight of my year.

Things have seriously changed for the better.

*Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski*

Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.

When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.

And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.

It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.

I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.

Should be considered a gift.

A fucking GIFT.

(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.

But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.

I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.

Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)

I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).

And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!

And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.

That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.

Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.

I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.

I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.

Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.

And like water wearing down a stone, we have to keep relentlessly pushing.

(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)

I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.

Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.

So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?

Old Man River

And somehow, almost twenty-one years have passed since Scotty Bradley burst forth into the world with Bourbon Street Blues, one of what I hoped was the most unconventional and original amateur sleuths in the history of crime fiction. This is neither the time nor the place to again tell the story of how I created him, or how what was supposed to be a one-off stand alone book became a series spread out over twenty years (!!!); I’ve told those stories endlessly over the last twenty years both here and on panels. But Scotty remains very precious to me all these years later, and I still care about getting him and his life right on the page. I don’t torture him or make his life as miserable as I do Chanse’s (poor, poor Chanse), but he has his own problems and issues that he has to face–but his endless optimism and willingness to face things head on and deal with them, rolling with the punches and always getting back up, has never once wavered in all the years I’ve been writing him. I love him, his family–even the stuffy Bradley side; I love that the unconventional family their son married into pushes every single one of their buttons–and I love his New Orleans.

The other night I was scrolling through Youtube and, just for the hell of it, searched for a song that I’ve been trying to find a digital copy of for my Spotify or Apple Music accounts; Erin Hamilton (Carol Burnett’s daughter) remade Cheap Trick’s “The Flame” as a dance song (she also did the same with that old 1970s classic, “Dream Weaver” and I prefer her versions to the originals), and I love the extended remix. I found the video on Youtube and as I listened to it, it brought back a lot of memories of going out to the gay bars, hitting the dance floor and staying out there all night, getting caught up in the music and just having a great time. I think this song predated the turn of the century, so it’s a late 90’s recording…anyway, it really made me think, put me back into a Scotty place in my mind, and as I listened, sang along, and bopped my head, the next Scotty book started forming in my head….and I realized that’s been part of the disconnection I felt writing the last few Scotty books; sure, I could and can still write him, and sure, I could get back into his head space, but it was much harder for me to do than it used to be. I thought it might be because I don’t go to the Quarter at all anymore, or that I don’t spend any time in gay bars anymore; that I don’t know what it’s like to be a gay man in his forties (almost fifties) today–my own memories are of a completely different world than the one we live in now. But now I know what I was doing wrong–I was listening to the wrong kind of music while writing him. If I want to ease back into Scotty’s mind and world, I need to listen to dance music I used to hear in the gay bars.

And can I say that it’s a real shame that it’s so hard to track down old gay bar dance remixes?

Knowing this means I’ll probably keep going with Scotty for a while longer, at any rate. I love him, I love the character, and I know I’ve been avoiding dealing with some things in that series that will eventually have to be addressed…but it’s absolutely lovely to know that I can slip back easily into his mind-space just by listening to great old gay dance remixes.

“I think we should turn it into a home gym,” I said into the gloom. “I mean, wouldn’t it be great to just have to go downstairs to work out? And we can put in a sauna and a steam room. What do you think, guys?”

It was the Monday night after Mother’s Day, and the termites were swarming.

That was why we were sitting around the living room in the dark. The only illumination in the entire building came from two blasphemy candles, flickering in the center of the coffee table. Modeled after Catholic prayer candles, one had a picture of Drew Brees in his Saints jersey with a halo and heavenly light shining on his head with the words Pray to Breesus around the base. The other was St. Chris Owens of Bourbon Street.

So, yeah—blasphemy candles. They’re very popular here.

Yet even the scant pale light from the teardrop shaped flames was enough to draw an occasional scout termite from the gloom. We wouldn’t see it until it landed on the glass lip of one of the candles, before dive-bombing into the flame. There would be a brief sizzling sound, and then the yellow flame flickered and turning briefly reddish as the termite immolated. Once it was consumed, the flame would be steady and yellow again.

The swarming rarely lasted more than an hour, but that hour seemed to last an eternity.

Termites have always been the bane of New Orleans’s existence. The domestic kind were bad enough. Houses and buildings were tented to get rid of infestations, the bright yellow and red stripes announcing to the world that a termite Armageddon was happening inside. The city’s original termite problem had grown exponentially worse since the particularly vicious Formosan variety had hitched a ride on a freighter to the fertile feeding grounds of our old, mostly wooden city shortly after World War II. The dampness of our climate must have made them feel like they’d arrived at termite Disney World. The little fuckers love wet wood, so the entire city was an all-you-can-eat buffet. They’d killed live oaks that had survived hurricanes, destroyed historic homes, and I’d heard that they could even chew through brick and mortar.

Maybe that was an urban legend, but it wasn’t one I was interested in proving.

Formosan termites swarmed.

The first rule of surviving Formosan termite season was speed. Every source of light had to be turned off the moment you spotted the first scout. They’re drawn to the light, like moths, but unlike moths, they’re drawn to the light in the hundreds of thousands, turning your home into a scene from Cecil B. DeMille’s ultimate cheesefest The Ten Commandments. The big streetlamps along Decatur Street outside drew the swarms, horrifying clouds of little monsters flying around, frantically trying to mate while shedding wings like revoltingly nasty snowflakes.

It is incredibly hard for me to believe that I have written seventeen or so books and countless short stories set in New Orleans and never have once addressed the swarms of Formosan termites we live through every spring. They return after Mother’s Day and haunt us in the evenings, usually between eight and nine pm, until Memorial Day, give or take. They aren’t a nightly occurrence, thank the heavens, but they are usually at their worst on Mondays and Tuesdays. No one had warned Paul and I about them, so the first time we were swarmed we didn’t know what to do. Remembering that horror from the old apartment on Camp Street (we had a massive security light attached to the house right outside our living room, so any light at all inside would draw clouds and clouds of them inside), how was it possible I had never written about the Formosan termite swarms? And with Scotty having bought the building on Decatur Street from Millie and Velma–who I sent into retirement along the Gulf Coast of Florida–and learning about the responsibilities and drawbacks to being a New Orleans home-owner, as well as trying to figure out how to redesign the interior for more functionality as a single-family dwelling? Of course, the question of what to do with the empty retail space on the first floor would be an issue; I wouldn’t want a living space right on the sidewalk of Decatur Street at any time of day or night or month or year. I also wouldn’t want to deal with renters, either, and thus neither would Scotty. But the space can’t just be left vacant, either. So, I thought it would be a great way to open the book with them sitting out the swarms in the dark, with a couple of candles lit, talking about the renovation plans?

After I finished writing Royal Street Reveillon, I was pretty damned pleased with myself. I thought it was perhaps the best Scotty book of the entire series, and reflected my growth as a writer along with Scotty’s growth and development as a character. When I finished it, I had the thought I always have whenever I finish writing a series book: maybe that should be the last one. But I immediately dismissed that thought from my head; I had left something in the personal story of Scotty and the boys hanging with a bit of a cliffhanger, so I knew there had to be one more book at least to tie off that loose end. I was also thinking about a local-ish political scandal of the last decade–the usual, a conservative Christian pro-family politician outed for having an inappropriate relationship with a teenager (who was over seventeen, the age of consent for boys in Louisiana), and a political powerhouse dynasty that had ruled a near-ish parish for generations was dead in the water. I had been thinking a lot also about taking Scotty and the boys outside of New Orleans and the safety of Orleans Parish for an adventure; as my knowledge of Louisiana grew exponentially along with my study of the state’s history, I really wanted to set a book in a part of Louisiana I could fictionalize and have some fun with. I had already created a couple of fictional parishes and towns in previous work; The Orion Mask particularly was set in fictional Redemption Parish–but Redemption wouldn’t work for this one, so I needed another one.

While I was thinking this through, I remembered that two Nancy Drew mysteries were connected to New Orleans–she was only here for a couple of chapters of The Ghost of Blackwood Hall, but most of The Haunted Showboat was set here, or just outside of the metropolitan area (a quick reread showed that “Carolyn Keene’s” Louisiana and New Orleans bore no resemblance whatsoever to the reality…but I knew I had a Nancy Drew Easter egg in Bury Me in Shadows (Blackwood Hall), and I wanted to put one in a Scotty book–so why not a showboat? The ruling dynasty of the invented parish–St. Jeanne d’Arc, for the record–was given the same name as the relatives of Bess and George’s that they and Nancy were visiting in The Haunted Showboat, Haver. I even named the house in Mississippi River Mischief the same name as the Havers’ home in The Haunted Showboat, Sunnymeade.

And yes, the Havers’ showboat/gambling casino was also named the River Princess.

I originally planned on the case coming to Scotty through his sort-of-nephew, Frank’s blood nephew Taylor; someone he met in group therapy (which he is doing to help get through what happened to him in the previous book), or possibly even a boyfriend, someone he’s seeing. I could never get it to work right…and finally, I realized it couldn’t come from Taylor. Taylor is going to continue growing as a person and as a character, but this was too soon after his own trauma for him to be trying to help other people. And then I remembered David, Scotty’s best friend, the music teacher. David’s not been in a book since Mardi Gras Mambo, but I’ve never forgotten about him. And it made sense–David has moved on from his old school and now teaches at NOCCA (our local Fame high school), and the kid is one of his students–and David finds out by confiscating the kid’s phone in class. I wanted to create a character based on this absolute sweetheart of a young man I met; I don’t remember how we met, but friends of a mutual friend were in New Orleans, and wanted me to meet them for drinks…and they had a daughter who went to school here. The kid was a friend of hers, absolutely adorable and sweet, and a ballet major at Tulane. After the daughter and her friend left, the parents immediately turned to me and asked me, “is he gay? <The daughter> think so, and so do we.” What I should have said was, “Well, he’ll let people know if and when he’s ready”; what I actually said was “absolutely.” (I did later find out the kid did eventually come out; wherever he is, I hope he is happy and living his best life. He was so sweet and charming and likable…) When I started writing the character, I made him unlikable, arrogant and sure of himself and his own beauty, and the effect it had on other people. That was wrong, and I went back and made him more of a naïve kid, with a strong sense of right and wrong; and the story worked a lot better. It wasn’t like Scotty to be so judgmental about this kid; if anything, especially after what happened to Taylor, he’s be super-protective.

And this tale–the corrupt old politician and the beautiful teenager working at the food court at Lakeside Mall–gave me a chance to dig into something from Scotty’s past that’s never been truly explored: that his first lover was his high school wrestling coach when he was about fifteen/sixteen. This came up in Jackson Square Jazz–which of course has been unavailable for thirteen years–and I always meant to circle back around to it, just never did…but over the years there have been throwaway lines in books about how Scotty has always preferred older men (Frank is fifteen years older; we’re not really sure how old Colin is), and so to bring it up again in this instance? Yes, perfect.

I loved my story about the corrupt politician, the wrecked showboat in St. Jeanne d’Arc Parish, and the teenager, but something was missing.

I realized two things: something very important was missing, and the crimes of the Haver family were just too big and too many to fit into this book, so I chose to focus on only one…and then the Murdaugh case broke. The Murdaughs were a real life Haver family, and their crimes were almost exactly the same! So, I ripped one of their crimes from the headlines and made that the primary focus of the story, and it was the right choice: the book started falling into place and the story began flowing. I was very nervous about the book–slicing out all the other crimes while building up only one was tricky, since they were all woven through the entire manuscript and the new one had to be as well. I also wasn’t sure if the subject matter was handled appropriately; the old/young daddy/boy thing is the gay community is often mistaken for something much worse than it is, and talking about gay teenagers’ sexuality is also kind of a third rail. But I trust my editor, and she loved it.

I hope you will, too.

You can preorder it here, if you like, or from your favorite e-retailer or local independent!

It’s Raining Men

The first song I ever danced to in a gay bar was, quite naturally, “It’s Raining Men.”

I never said I wasn’t a stereotype, did I?

I was twenty-one the first time I ever set foot in a gay bar. (If there were gay bars anywhere near me in Kansas, I had no idea) It was in Fresno, California, of all places; where I spent the 80’s and which I often lovingly refer to as “Topeka in the Valley.” It wasn’t much of anything, really; a small building on Blackstone Avenue, I think just past Olive, and near the off-ramp for the new cross-town highway in an attempt to alleviate traffic on the main streets of the city (it may have been further north). The bar was called the Express, and someone I worked with–the first obviously gay man I ever knew, and certainly the first one who was out and proud and not ashamed of it–took me one night after work. I was nervous as hell. I had no idea what I was getting myself into, and I remember it was dark and crowded. There was a bigger front room with the bar, and there was a smaller dance floor further in the back. We arrived–I didn’t recognize the song that was playing–got a beer (he got a vodka and cranberry), and then the next song started up. I didn’t know it, had never heard it before, but he dragged me out onto the dance floor and yes, the song was quite a jam. I loved it, and rather self0-consciously danced my ass off (I always loved to dance). My friend later told me the song was by the Weather Girls, who used to sing back-up for Sylvester, and it was called “It’s Raining Men.” The song was utterly ridiculous–it still is–but those powerhouse vocals, the driving beat, and the absolute joy in the idea that all you had to do was “rip off the roof and stay in bed” so a hot man will drop in from the sky for you? How could gay men not embrace the song? I bought the single at Tower Records a few days later, and every time that song played, I’d be out on the dance floor. Even now, when I hear it, I always think back to that first night I went to a gay bar.

HIV/AIDS was already a thing, but we didn’t know much about it in Fresno; it seemed like something new and scary but maybe no worse than some other new diseases that had been discovered in the 1970’s/early 1980’s. The rare yet terrifying information and reporting on it referred to it as GRID. It eventually claimed that co-worker who took me to my first gay bar, and his roommate, who was the one who told me years later that the co-worker (whose name I cannot recall, I just know it started with a K) was in the hospital, dying. “It’s Raining Men” always reminds me of him; always takes me back to that first time when I so nervously paid my cover charge and flashed my ID and walked into my first ever gay bar. There was another gay bar in Fresno, the Red Lantern, that was in a much shoddier (“dangerous”) part of town. (Gay bars, back in the day, were never in the best neighborhoods. Tracks in Ybor City in the early 90’s–when I lived in Tampa–was also not in the best neighborhood. Ybor City did begin gentrifying before I moved away, but originally? Yeah, not the best neighborhood.) I went there a few times as well–made friends there, made friends in the other bar, too. I lost all those friends, of course, and their names and faces are also gone, more lives lost to the mists of time in my memory. It seems a bit shameful to not be able to remember the names and faces of the first people who knew a part of me I’d never let anyone see before, but they also didn’t know me in that I kept the other part of my life secret from them.

It’s very strange, because I decided to google the gays bars of Fresno while I was writing this and apparently the Express closed in 2013? I don’t think it stayed in the same location–according to the site I found it had also been called “708” before becoming the Express again; who knows what that was all about. But the Red Lantern is still there on Belmont Avenue, in the same location; how wild is that? That’s a pretty long-lived gay bar for a place like Fresno, really. I remember in Houston there was JR’s, and Heaven, and maybe another one there in the Montrose district. But I didn’t start spending a lot of my weekend evenings in gay bars until I moved to Tampa. Tracks in Ybor City and Howard Avenue Station were the two primary gay bars when I lived there; and there was Bedrox on Clearwater Beach–which was the gay section.

And of course, there are gay bars everywhere in New Orleans. I haven’t set foot in one in a number of years, and may never do so again. I’m old; spending the night dancing would end with me in the hospital, or needing days to recover.

I don’t know what gay bars are like now because I’ve not been a part of that culture for a very long time–we haven’t even done condom outreach during special weekends in the bars in years anymore–which is why it’s hard for me to write about Scotty being still a party-boy. His age in the book I just finished and turned in is roughly forty-three or forty-four; after Katrina when I had to actually pick a time for the books to have been set (Katrina couldn’t be ignored), I decided that the Southern Decadence where Scotty met both Frank and Colin was in 2004, Jackson Square Jazz was that Halloween, and Mardi Gras Mambo was Carnival 2005. Scotty had just turned twenty-nine in Bourbon Street Blues, which meant he was roughly born in 1976, which works with the other timelines, making him twelve or thirteen when the Cabildo caught fire the last time. While the other books can be more amorphous, obviously Who Dat Whodunnit was set in January of 2010, right before the Saints won the Super Bowl. With the pandemic starting in 2020–which I will deal with at some point–this one had to take place before the world shut down, so I am thinking it’s May of 2019. I don’t want to skip ahead a year to the pandemic, so Quarter Quarantine Quadrille will be further in the future. I kind of want to do Decadence again in another book–with Scotty older but not much wiser–but am not entirely sure. I also would like to really do a Scotty Halloween book, and maybe even a hurricane evacuation one, I don’t know.

I am, however, very glad that I did write those first three Scotty books, when I was enmeshed in gay bar culture, because I’m glad it’s preserved in fiction. That world is gone now–washed away when the levees failed and the city rebuilt. Someone once told me I was the only person to document that pre-Katrina gay male existence, of going out to bars and being promiscuous and dancing all night long and drinking too much and occasionally dipping into party drugs.

I’m also kind of glad modern gays don’t have to use the weekends and gay bars as a place to let loose and be as free and gay as possible, which they couldn’t do during the week. Friday nights were always a relief, a respite from a cold and unloving world that judged us harshly and wished us harm.

I don’t miss the bright lights, the cigarette smoke (that’s how long it’s been), the stench of male sweat and the smell of poppers in the air as the deejay spins another banger. I mean, I do, but not in a sad kind of way; those memories are lovely and they make me a little wistful for the days when gay bars weren’t clogged with bachelorette parties and obnoxious drunk straight girls. But those weren’t the good old days, really; we had no rights and our sex lives were against the law; the few legal protections we have now were goals back then, something we could strive to achieve sometime in the distant future. I certainly never thought Lawrence would decriminalize my sex life and Obergefell would make it legal for Paul and I to marry; I never thought those things would happen during my lifetime. I didn’t expect to see an openly gay member of the Presidential cabinet; out queer characters as leads in television shows and movies–none of these things seemed possible to that closeted twenty-one year old who walked wide-eyed into the Express and went out to dance to “It’s Raining Men.”

I had no idea what the future held for me or for my community that night. In some ways I wish I could let that kid know everything would be okay and his life would turn out so much better than he ever dared dream…but knowing might change things, and I wouldn’t want to change anything that would take away the life I live now, because I love it.

Blood Bitch

Saturday morning in the Lost Apartment.

The ZOOM thing I had to do yesterday went well; I am always self-conscious about these things. But I got to read from #shedeservedit, which I hadn’t done before, and it was lovely to be able to say that it was nominated for both Agatha and Anthony Awards. As Constant Reader is obviously aware, I don’t really boast or brag or broadcast about good things that happen to me, but damn it, I’m going to for just a goddamned minute. I can’t say for sure that #shedeservedit was the first queer book to get an Agatha nomination, but I can say for sure it’s one of the few that ever have–and I feel very confident in saying it was definitely the first time a book from a queer press has been nominated. Bury Me in Shadows might not have been the first queer book nominated for an Anthony, but it was certainly the first queer one to be nominated in two different categories. Last year’s Best Paperback Original category for the Anthonys was the first time two queer books by two queer writers from two different queer presses were nominated (shout out to the amazing Cheryl Head, who shared the honor with me!). I am also one of the few authors to be nominated in two different categories at the Anthonys in the same year; this year saw me become of the few authors ever nominated in three different categories in the same year.

When I actually take the time to stop and think about it, it’s actually pretty fucking amazing and groundbreaking. I certainly never saw any of that in my crystal ball, or would have ever dared to dream about that happening. I’ve also been nominated for a Macavity, a Shirley Jackson, a Lefty, an Agatha, and a total of seven nominations from the Anthonys (I did win the first time I was nominated, for Best Anthology for Blood on the Bayou), which is a pretty nice resume, really; I’d be super-impressed by those credentials if they belonged to someone else, so why am I so reluctant, cautious, scared to take pride in my own accomplishments? It’s one thing to be self-deprecatory about your writing and your career, but awards are something you have no control over, so why not take pride in them? If the mentality I was raised with was “be humble and let other people acknowledge your work” why can’t I be proud of myself when other people are acknowledging my work?

Heavy heaving sigh.

I slept well again last night. Paul got home late and I spent most of the evening reading nonfiction. I was very tired most of the day yesterday, but got chores done around the work-at-home duties and thus the apartment isn’t a complete and utter disaster area this morning. I do have a load of dishes to put away and have some more things in the sink that need to go into the dishwasher, but overall the kitchen/office is in pretty good shape this morning (the living room is an entirely different story, of course). Today is Gay Pride, and Saints and Sinners has a booth, so Paul will be gone most of the day. Yes, I am not going to Pride again this year, because i have to stay home and get all of this work done, or at least progressed a bit further. It’s going to be hot as hell out there, but I have the entire apartment to myself for almost the entire day, which never happens, so I need to take full advantage of this opportunity. I’d like to get caught up with several chapters revised today; have to look over another manuscript, and I want to get some reading done today. I am probably also going to take some time to answer some emails and try to get the inbox emptied out. I also need to write another Pride post–but I don’t want to write about anything negative, so maybe I’ll go finish one of my “wistful memories about the past” posts; I’ve started several of these and it would be kind of fun to finish them; at least fun for me; I never know if any of my Constant Readers find these entries fun. In a way, it’s kind of like working on my memoirs, and just remembering things the way I remember them–whether I remember correctly or not–is okay for a blog post, methinks. Posts about gay joy are a lot more fun than the ones about what it’s like to be oppressed.

And maybe later I can get caught up on Superman and Lois, which I forgot that I was watching. Whoops! Not sure why this season didn’t grab me the way the previous ones did; the Jonathon Kent recasting kind of threw me off a bit, but that’s really not fair to the replacement actor now, is it? No, not really. And I should spend some time with the book I’m reading today as well, so I can finish it because really great books (the one I am reading is also great, make no mistake) but this is what I have on deck now: Beware the Woman by Megan Abbott; All the Sinners Bleed by S. A. Cosby; The Hunt by Kelly J. Ford; Everybody Knows by Jordan Harper; and Ozark Dogs by Eli Cranor (lots of Southern Gothic there, which is delightful, to say the least) and there’s also these old anthologies I ordered from eBay. I need to write a lot today; I’ll probably did into the next chapter as soon as I finish this and do some filing to clear my mind and get it ready to write fiction.

Writing about my award short-lists had me thinking once again about what to do with my papers. The thought of having to catalogue them myself is unpleasant and means it would never get done (why is there no ebook of Jackson Square Jazz, Greg?), and I had pretty much come around to the point of view that I could easily just throw it all away but thinking about the award recognition made me question that decision all over again. But…while the blog itself only shines a light on a very carefully curated (right?) segment of my life, I also talk about writing and so forth on here, so future scholars (should my post turn of the century career be of any interest to any such future scholars) can always just come here and read to learn about me. My papers are just manuscripts, anyway; marked up and revised and scribbled all over–and I have most of that as a digital record, anyway. So, yes, that makes the most sense, and the project for this summer will be getting rid of all this paper hanging around here and up in the attic and over in the storage place. Besides, I’m not that interesting, really. I don’t think I am an influential voice in queer crime writing, either, and probably within a few years of my mandated-by-will cremation, will be most likely forgotten. I am actually fine with that, to be honest; very few writers from every generation are remembered–probably less than ten percent from every period, really; and whether or not I helped raise the bar for queer crime writers isn’t for me to say.

And besides, the thing I am most likely going to be remembered for is longevity, anyway, and I am fine with that.

Which sounds like a lovely place to segue into the spice mines. Have a lovely Saturday, Constant Reader, and I will be back at some point.

Tag: jackson square jazz

Green Light

Ain’t It Funny

Don’t Throw It All Away

A Song in the Night

Torn Between Two Lovers

If We’re Not Back in Love By Monday

Shame

Old Man River

It’s Raining Men

Blood Bitch

Menu

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Menu

Social Menu