Tag: Houston

One More Chance

My first series will always be special to me, even though I’ve retired Chanse MacLeod…at least for now, at any rate; I’ve learned (sometimes the hard way) that I shouldn’t ever say never when it comes to my writing career. Chanse will always be special for me in that he was the main character in my first book to be published as well as the first series of mine to see print. I originally created Chanse in 1989–can you believe that? Thirteen years from the time I first started constructing the character and him getting into print.

When I left California and moved to Houston that year, I decided to put the miseries of the 1980’s behind me, forget the past, and try to move on to the future I wanted for myself. I still had no idea what I wanted to do to make a living, but I knew I was never going to become a writer unless I actually, you know, wrote. When I moved to Houston, I moved away from reading mostly epic fantasy and horror to reading crime and horror. Sue Grafton’s F is for Fugitive had just been released, and the bookstore–Bookstop?–I frequented in Houston had a store catalogue that had book reviews and author interviews, and Sue Grafton was on the cover. I thought the alphabet titles was a great idea, so I bought the first three and took them home. I loved them, and started diving back into the crime fiction genre headfirst. I also started reading the Erle Stanley Gardner Perry Mason novels again–I’d read some when I was a kid–and I also started reading the rest of the Travis McGee series (I’d read, and not liked, The Dreadful Lemon Sky when I was thirteen; I wasn’t old enough to appreciate the series) and absolutely loved them. I loved McDonald’s writing style more than anything else, and the descriptions of McGee sounded, well, hot.

I started creating Chanse MacLeod as a blend of Kinsey and Travis McGee, really; I was driving to work one day and crossed a bayou. noticing the sign for the first time, and thought “The Body in the Bayou would be a great title for his first book” and so i started constructing the character and his world. He was a former cop turned private eye in Houston; he’d played college football at Auburn but suffered a career-ending injury his senior year and so he went into law enforcement, eventually going out on his own. He had a secretary named Clara that he shared with a couple of lawyers in an office suite in downtown Houston, and most of his work involved trying to get evidence of adultery for wealthy and suspicious spouses. In 1994. after I fell in love with New Orleans, I moved Chanse to New Orleans and his college experience to LSU; I also was discovering gay crime novels around this same time, so I decided to make Chanse a gay man; from a small town in Texas with homophobic parents and family, playing a sport where homophobia is rife, and he too discovered and fell in love with New Orlean…so he became a cop when his football career ended, eventually becoming a private eye. I started rewriting the four or five chapters I’d written with the story set in Houston…but once I moved to New Orleans and began to grasp what it was actually like to live here, I threw the entire thing out and started over.

That manuscript I started over became Murder in the Rue Dauphine, and the first place I submitted it to offered me a contract six weeks after I mailed them the manuscript. Alyson was home for the first five books in the series…before Alyson Books went belly-up, without paying me the advance for the fifth book and no longer paying me royalties on the others (the entire series was still in print when Alyson folded).

Burn in hell, corporate trash who bought Alyson.

(The company had been doomed for a while, and the unfortunate last minute attempt to rescue it failed, which I thought was horrifically unfair to the person who they brought in to save it. The final collapse was hardly his fault; his predecessors had made so many unbelievably stupid mistakes there was no saving the business, really. And ebooks and so forth started eroding away at the reader base, at the same time the business began to crumble. I’ve always felt bad for the poor dude who was the last to hold the title of publisher. I don’t think he had any staff and he was the only person working there by the bitter end.)

But when Alyson went belly-up and chose to stop honoring their contractual obligations to pay their writers, I’d already moved the Scotty series to Bold Strokes Books and was doing not only anthologies for them but also editorial work for them, so moving the Chanse series there was a no-brainer.

The last two books in the series were done with Bold Strokes Books.

As with anything with my career, I had a plan for the Chanse series but of course, man plans and the gods laugh. I had always intended the series to be seven books, from the very beginning, and I had this emotional journey for him all mapped out: the series would chart his progression from lonely, damaged and scarred loner with a snide sense of humor to more centered, more grounded, more mature and more settled into his life. So, when the series opened, he was–against his better judgment–seeing a hot flight attendant, and wondering if he was actually falling in love and had the opportunity to be happy for once in his life. I really did give him a miserable backstory; alcoholic mother, abusive drunk redneck father, grew up living in a trailer park in a snotty small Texas town where no one would let him forget he was trash until he showed some football playing ability–and he was just cynical enough to understand they still considered him trash, but trash with a skill they appreciated. He went to LSU and joined a fraternity in a final attempt to banish the homosexuality from his brain (it didn’t work), and then was injured in a bowl game so his career was over–he’d been considering going for the NFL draft. He was a big man, as such; and spent a lot of time in the gym working out and keeping fit. I also had to make a horrific decision while writing the second book–with every intention of walking that ending back in the third.

And then Katrina happened, and everything changed.

My editor at Alyson Books at the time, Joe Pittman, was new. He had come on board shortly after my previous editor was let go (I had a different editor for each of the first three Chanse books, and in fact had a different for the last two–so the Chanse series went through five editors at Alyson…now I would see that as a sign), and I was assigned to him as a gay mystery writer. He got in touch with me after Katrina to check in on me and of course, to encourage me to write about Katrina, which I did NOT want to do whilst I was in the middle of experiencing the aftermath still. I was still unhoused at the time, staying with my parents in Kentucky, before moving back to Hammond, Louisiana, just before Rita to housesit. Paul and I talked on the phone one morning and suggested we do a fundraising anthology for Katrina victims…but I wasn’t interested. Joe called me that afternoon and with the same suggestion, so I told him Paul wanted to do one and that was how Love, Bourbon Street came to be. Joe also kept insisting to me that I should write a post-Katrina book as the next Chanse book, and despite my reluctance I decided to go ahead and do it. Part of the problem, as I saw it, was, how do you end a book on a hopeful note when the city is still in ruins and most of the population still displaced? Joe kept pushing me, and I finally agreed to write Murder in the Rue Chartres–and I really don’t remember anything about writing the book other than I did actually write it, and it turned out to be one of my best books. It won the Lambda, for one thing, and got great reviews everywhere.

The fourth Chanse novel was, in my opinion, the weakest of the series. They’d fired my editor before I signed a contract for the fourth book, and when that finally happened, they needed me to write in like eight weeks. I asked for a two book contract so I would never have to write another book in eight weeks again (LOL at my naivete), and they were so desperate for the fourth they agreed. (I had already written a Scotty book that was just sitting in a drawer; I turned it into the fourth Chanse and to this day I think it was a mistake.) Of course, they did publish the fifth, but they never paid me a dime for Murder in the Garden District. The only money I’ve made off that book is from the ebook Bold Strokes put up–I gave them the entire Chanse backlist for ebooks, and those Chanse books still sell.

Maybe I shouldn’t have ended the series at seven?

But it felt like the right place to stop. Chanse’s personal story of personal growth and how it happened kind of got lost along the way; he grew and changed as the series progressed, but writing the last two–which I also think are good–felt a little paint-by-the-numbers for me; I felt that writing the sixth and when I felt it again in the seventh, I decided to stop there. I wasn’t getting any satisfaction for writing the books anymore, there was no joy derived from doing them, and since I’d already planned to stop at seven…I stopped at seven.

I still get ideas for Chanse books, of course. I have an LSU fraternity murder that would be a perfect Chanse story–I planned it as a novella–and of course, I’ve always wanted to fictionalize the Jeff Davis Eight murders as a Chanse novel, too. Maybe I could do three Chanse novellas published in one book?

That would make a lot more sense, and could be even more fun to write than one long single story novel.

Or I may not do anything with Chanse at all, and use those stories/plots for something else.

Summerhead

I’ve lost track of how many days in a row New Orleans has been under a heat advisory, but I’m beginning to think we’ve never not been in one. It’s always hot here in the summer time, and I can remember walking to Walgreens years ago and being completely drenched in sweat by the time I got home. When I taught aerobics in the summer time I showered three or four times a day (any wonder I developed psoriasis? Although it makes for an amusing question, I don’t believe that any more than I believe the moon landing was faked; I should probably find out what causes psoriasis at some point), and the city always swelters in the summer time. The summer heat here is unlike anywhere I’ve ever lived before; Tampa and Houston had a very similar type climate to New Orleans, but both of those cities somehow seemed to not ever get as brutally hot as it does here.

I’ve started looking at adoptable cats in the area, and as usual, I want them all. If I had a house as big as my parents’, I’d probably have at least four or five cats. I do love cats (even if I came to it late in life), and I really do want to write Daughters of Bast someday. I don’t know if that’s a story I can actually write and tell–since in order for it to work, the main character would need to be a descendant from a High Priestess of Bast, which means she wouldn’t be (at least not entirely) white. I know the “#ownvoices” movement has seemed to have lost some traction (concerns about who writes what is now taking–rightfully–a backseat to concerns about book bannings), but even if publishing has stopped being concerned that non-marginalized voices are writing about marginalized characters, the lesson was learned at least by me. And while Daughters of Bast is a great concept and idea (in my opinion), I’m not sure I have the right to write that story, but I do not see how I can without venturing into problematic territory. I will write something based in or around Egypt at some point though; Egypt has fascinated for far too long a period of my life (as long as I can remember I’ve been fascinated by ancient Egypt, the pharaohs, the pyramids, and their culture) for me to never write about it….but then again, I’ve not written anything historical, have I? A short story here and there?

Yesterday was actually kind of lovely. I’d cry here and there, of course, when I’d have a reminder–sitting in my chair alone watching Youtube, I started to call for him to come sleep in my lap before remembering was one of those moments–and of course, it feels weird going to bed without him curling up inside my arm. I keep picking up things–toys he’d played with a couple of times before abandoning, water dish, plastic container of cat food–which make me sad, but it’s gradually grew into more of a resigned sadness by the end of the day rather than the emotional kick in the gut. We got caught up on Hijack, with Idris Elba on Apple Plus, which is really quite good; started watching Last Call on HBO, based on the Edgar Award winning true crime about a serial killer praying on gay men in New York; and then moved on to Fake Profile on Netflix, which is, as all Spanish language crime melodramas are, fricking fantastic. We’ll probably finish Fake Profile today, but am not sure what else. We also finished season one of Platonic yesterday, which was also terrific.

I did spend some time reading Megan Abbott’s Beware the Woman; I only read the first chapter but its hallmark Abbott; the voice, especially, is just as haunting as always and I always marvel at how lyrically she puts sentences together. Her writing style is so evocative; it’s amazing to me how she can create an entire image in your head with a clever turn of phrase. It’s a kind of writerly witchcraft not many authors have, and while I am sure it has a lot to do with her education (she’s incredibly intelligent) and her own influences, she is just kind of a genius, really. I plan to spend some more time with it this morning, once I get some things cleaned up around here–the kitchen is a mess, and as always, dishes dishes dishes and filing filing filing. But I did do some clean-up around here yesterday and I also successfully pruned the books down. I got rid of some of the empty boxes that have piled up around here, and so progress was made on the messy, slovenly hovel I call the Lost Apartment. I slept pretty well last night, too. I also spent some time brainstorming loosely in my journal for the next book I’m going to write. (I also just realized I’ve been listening for Scooter to come downstairs and demand his breakfast; I suppose that’s going to be a lengthy wait this morning…)

I’m not really sure what I am going to do today other than some clean-up and some reading and maybe some more brainstorming. I need to write Dad, among other important tasks, and there’s still some loose ends hanging around I need to get tied up at some point. There’s always something…but at least I am starting to feel creative again, which is always a plus. I was really feeling depleted there for a while, you know? I am also making Swedish meatballs for dinner. It’s been a hot minute since I’ve cooked–I’ve really fallen down on the job as far as that is concerned–and I also have doctors’ appointments on Wednesday so my week is going to be broken up into two parts around that.

And on that note, I think I will repair to my easy chair with Beware the Woman. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.

Sympathy for the Devil

Well, well, well. This morning I woke up to the announcement of this year’s Malice Domestic Agatha Award finalists, and mych to my pleasant surprise, our very own Gregalicious’ #shedeservedit is a finalist for Best Children’s/Young Adult novel. It was a very pleasant surprise, as I figured the Agatha short-list wasn’t in my future for A Streetcar Named Murder (which was only eligible for Best Novel, and there is WAY too much competition for that category to even consider the possibility) and honestly, I didn’t think #shedeservedit, my only other release for 2022, had a prayer of getting enough votes (if any at all), but hey. I put up a couple of “for your consideration” posts on social media, figuring it certainly wouldn’t hurt anything to at least try, and here we are. Wow. Thanks to everyone who voted for me. It’s very exciting to start out the year with what hopefully won’t be my last Lefty and Agatha nominations. The nominations are a very lovely pat on the back, and will make even nicer additions to my author bio and CV. Added to the two Anthony nominations last year for Bury Me in Shadows, and it would appear that I am having a rather lovely period in my career, am I not? Perhaps a Gregnaissance?

Okay, yeah, I hate when people do that and make up words. Forget I ever said that.

It’s work at home Friday and I have data to enter. I also had to roll out of bed and head down to Quest Labs this morning for a blood draw for my bi-annual physical, so now I have a bruise on both arms since I had my PrEP labs drawn on Wednesday. I had a good day yesterday–I managed to get back into the book, but fell 500 words short of quota, so I need to do that today as well as today’s writing so I am back on schedule. I’ve been having some moments of doubts and imposter-syndrome lately, but that always happens at this stage in a book so I dismissed it and put it right back out of my head. I was very tired when I finished yesterday’s writing, and Paul went to the gym last evening, so I went down a Youtube wormhole of research (yes, yes, justify wasting your evening, Gregalicious) until Paul got back and we watched some of the US Figure Skating Championships, particularly the Rhythm Dance. (If someone would have told me back when I moved in with Paul in 1996 that my eventual favorite discipline in figure skating would be the ice dancing, I’d probably still be laughing…) I also was remarkably hungry yesterday, which really never happens. I was so hungry yesterday afternoon when I left the office that I actually came home and ate a piece of King cake, which kept me through the night, but it was still odd. I rarely ever get hungry–which is why I often will forget to eat, especially when I am on a trip (unless you go to New York with That Bitch Ford–I think I ate more that weekend in New York than I have on every trip I’ve taken in the last ten years combined)–so it bears noting when I actually realize that I am hungry. My weird relationship with food and my body is something I should probably write about sometime.

One of the problems I face when I think about writing personal essays (did you enjoy that segue, Constant Reader? I usually struggle with transitions) is, of course, Imposter Syndrome. Whenever I sit and think about writing a personal essay, I immediately start to doubt myself. What insights and perceptions and conclusions can you possibly draw about this that hasn’t already been said, probably better and more eloquently, by many others already? I can be pretty oblivious, too–something that is patently obvious to everyone else is something that startles me when I recognize it, mainly because I never think about it; it’s just something that already is, so I don’t think about it. Like one day when I was visiting my parents in Houston a news promo ran on the television calling Houston the “space city,” which was something I clearly was aware of since my parents lived two exits from NASA, and “Houston we have a problem.” But when I heard it that day, it connected in my head, oh, Houston the space city, that’s why the baseball team is the Astros and the basketball team is the Rockets. I said this out loud and my mother looked at me like I was insane (a look I am quite used to, so no worries on that score) and started laughing. I guess my obliviousness was amusing, but I just had literally never thought about it–they were the Rockets and the Astros, and that was that; didn’t matter why they were called that. But this is the kind of thing that makes me worried about trying to write personal essays–that, of course, and my faulty and failing memory, which is yet another reason why I don’t write a memoir…although I could write a really good one. But the problem–even if I trusted my memory–is that everyone remembers everything differently, so I could write about something the way I remember it but the other people involved could remember it completely another way. Who is right, and what is the truth? That hurdle is something I’m going to have to clear–after all, “I Haven’t Stopped Dancing Yet” is a terrific personal essay, and a piece of work of which I am particularly proud; so I know I can do it. I suppose the true fear is that I won’t strip naked and show myself to the world, and will color and/or distort things to make me not look quite as bad as I actually was in the moment. That’s one of the reasons why I love writing fiction; I can take personal experiences and twist them into something that can fit into a good story, or make them better in some ways.

And believe me, there was a lot of bad behavior in my past.

You learn to live with it.

Sigh. I do have a lot to get done over the course of this weekend–cannot forget the ALA event tomorrow morning–and of course, there’s a lot of writing to be done and the US Figure Skating Championships to watch. I’ll need to make groceries at some point, too, and I have prescriptions to pick up at CVS and of course, next weekend I am off to Alabama (yay!) for two of my favorite events of every year, Murder in the Magic City and Murder on the Menu, which will take me to Birmingham and Wetumpka. Yay!

So, I am feeling a little more confidence this morning about my writing and everything in my life. I’m enjoying my day job and my new responsibilities, my writing career is doing okay, and I can’t really complain about too much. I’m going to return to the gym in April and start working on that part of my physical self. I am getting the hearings aids process started, and at some point I am going to need to have another eye exam later this spring. I have a lead on a dentist to get my teeth fixed so I can stop looking like a hillbilly, and start getting things figured out with a plan for my writing future.

And on that note, this data ain’t gonna enter itself. Have a lovely Friday, Constant Reader.

Homeward Bound

So, when Ellen Byron was preparing to interview me for our live stream event from Murder by the Book, she sent me some questions to prepare myself with. They were good questions, actually, and I thought that taking time to answer them when I can think about the responses would be an excellent BLATANT SELF-PROMOTION post.

So, without further ado, here we go!

What inspired your book? Series premise and the specific story?

That’s an interesting story, actually. I had been toying with the idea of writing a cozy for a long time–I’ve always liked them–but never was sure I could do it; there were rules, after all, and I’m terrible about following rules, always have been. Several friends have been encouraging me for years to do it, but I always hesitated. It was (I thought) outside of my comfort zone, and while I would toy with ideas here and there, none ever came to anything. My partner’s office is near a costume shop, and he’d had to go in there one day for some reason or another, and as is his wont, he struck up a conversation with an employee about the costume business, how they made money, how they stayed open all year, etc etc etc. He’s very curious. Anyway, that night I mentioned to him that someone had yet again suggested I write a cozy, and he wasn’t sure what one was, so I gave him a thumbnail overview, and he said, “Oh, you should do a costume shop” and proceeded to tell me about his conversation with the shop employee. I agreed it was an interesting idea, and stowed it away in the back of my head for future reference, and would think about it now and then, come up with characters and a community for the main character to be a part of, and so on. But at the same time I kept thinking New Orleans wasn’t the right place for a cozy series–basically looking for ways to fail instead of reasons to succeed, which is the underlying theme of my life, really–and so it went. An editor I’ve worked with before was interested in the idea of my writing a cozy series, so I wrote up a proposal and sent it off. They liked it, but couldn’t sign it, and recommended I take it somewhere else, so I did. It evolved from a costume shop to an antique shop during the process of me signing a contract with Crooked Lane; they liked everything about my idea except for the shop itself, so I had to change that. I went down to Magazine Street and walked for a block, writing down every kind of shop I saw, and sent the list in–and we all came to an agreement about the series being structured around an antiques business. As for the story, well, I wanted to talk about and explore the gentrification of New Orleans that has been ongoing almost this entire century, and how real estate has just exploded around here. (It still staggers me that our rent was $450 when we first moved here; the lowest rent I’ve seen advertised in our neighborhood is around $1500 for less than thousand square feet. Our original apartment now rents for $2500 per month now, which is insane.) What happens to Valerie–the fear of a new tax assessment pricing her out of her house–actually happened to a friend of mine; and the prices just seem to keep going up all the time. You can’t even buy a condo in my neighborhood for less than $350, 000 now–the asking prices for houses in the neighborhood are completely insane. Every time I see a new listing in the neighborhood for half a million dollars or more I think, we really should have bought when we moved here–but home-ownership is New Orleans isn’t something Paul or I have ever been terribly interested in. Termites, tornados, hurricanes, floods, black mold–no thanks! But man, what a return on our investment had we bought in 1996!

We both write series set in New Orleans. Why do you find it so inspiring? Especially when you’ve lived in so many other places?

I’ve lived all over the country–we’re from Alabama, and I’ve lived in Chicago on the south side, the suburbs, Kansas, Fresno, Houston, Tampa, Minneapolis and then New Orleans. New Orleans is the only place I’ve ever been to where I felt like I belonged, where I fit in; where I didn’t seem like the eccentric one. New Orleans embraces its eccentrics and doesn’t judge them, and I like that. I knew that first time I came here on my birthday in 1994 that if I moved here all my dreams would come true. And they have, which has been kind of lovely. And no writer could ever exhaust the inspiration New Orleans provides. I’ve written fifteen books set here and countless short stories at this point, and haven’t even scratched the surface. I’ve never written about the music scene here, for one glaring example, or restaurants or the food industry or…you see what I mean? There’s not enough time in my life to write everything I want to about New Orleans.

Tell us about your protagonist. Where did the inspiration for her come from?

My sister never had any interest in going to college or having any kind of career other than being a wife and mother. She was a straight A student and had numerous scholarship offers, but had little to no interest. I used to always think she had wasted her potential, but gradually came to the realization that she has the life she always wanted when she was growing up, and has never missed having a career outside of the home–so rather than feeling bad about her lost potential, I should have been happy that her dreams came true. I started thinking about that more, and thought that would make a great starting place–a woman like my sister who wasn’t really very interested in college but went because it was expected of her…only to fall in love, get married, and drop out when she had twins. I really like the idea of a woman who’s not yet thirty, who wasn’t really sure what she wanted from life and then sidetracked to wife-and-mother, but with her kids now off to college and her husband having died…what do you do for the rest of your life when you’re a widow at thirty-eight and your kids have left for college? And the more I thought about her, the more I liked her and wanted to write about her.

Why did you choose the Irish Channel as the neighborhood?

My Scotty series is set in the French Quarter, and the Chanse series was set in the lower Garden District (where I’ve always lived and always default to it for that very reason), so I wanted to do something different this time out. Before I moved here, I had friends who lived in the Channel and I loved their house and I loved their neighborhood. I had already started writing a novella set in their old house, and I thought, why not use that same house for this series? The Channel did used to be considered a bad part of town, too, when we first moved here (so was the lower Garden District, which we didn’t know), and so I thought the gentrification issue would work better there than in my neighborhood. That part of the Channel is one I used to spend a lot of time in. As my character mentions in the book, I used to hang out at the Rue de la Course coffee shop at the corner of Magazine and Harmony–it was where I would meet friends for coffee. I’m still bitter it closed.

Similarities in our series: both widows, both have family mysteries, both live in the Irish Channel, you have jokes about potholes, I have a plot point about them. Let’s talk about NOLA’s potholes.

Oh, the potholes! Ironically, an active one ate one of my car tires a few weeks ago. Usually, if I am going someplace and have to turn around, there’s usually room for me to make a U-turn or I can turned into a driveway and turn around. This particular day the bar on the corner had reopened after being sold, closed, and renovated for a few months. So, there were cars everywhere, including blocking the driveways, and I thought, fine, I’ll just go around the block, which I hadn’t done in years. Because I hadn’t done that i years, I forgot there’s a massive pothole right when you make the turn so you have to jog left to avoid it. I hit the pothole, hard, and when I did, I thought oh that’s not good and as I continued driving I noticed the car was pulling to the left–which was the tire that hit the pothole. Sure enough, it was flat. It had a nail in it, and I happened to hit the pothole perfectly so that the nail dragged, tearing a hole in the tire. So, yes, New Orleans is a city of potholes–all different shapes, sizes, and depths. When the streets flood the water hides the potholes, and if they are really deep…the one on our street (which is reforming after being filled in and paved over for like the fiftieth time) ate a pick-up truck when that end of the street flooded a few years ago, so our street was blocked until the water went down and a tow truck could get in.

You have a Nolier than thou joke – I have OhNo!LA, an app that’s a runner in the book.

I wish I could claim credit for that joke, but I stole it from Bill Loefhelm, another New Orleans crime writer when we were on a panel together talking about writing about New Orleans and the need to get things right. He responded to a question about accuracy by saying something like “Yes, you really don’t want to set off the Nolier-Than-Thou people” and it still makes me laugh whenever I think about it because it’s so true! In all honesty, I am one of those people–nothing is more infuriating to me than reading something set in New Orleans that doesn’t get it right–but I’ve loosened up some as I’ve gotten older. I was even wondering if that was still a thing while I was writing this book…but since it’s come out I’ve seen any number of locals posting reviews and comments about “how (he) got New Orleans right” so it is still a thing. (And I’m glad and grateful people think I get ir right.)

How would you say your past experiences and jobs in life inform your writing?

I always say that life is material, as is every experience you’ve had. I’ve had so many jobs over the years and have been fired so many times I can’t keep track of them all anymore. But I also had a huge variety of jobs–fast food to retail to food service to banking to insurance to an airline to being a personal trainer to managing a health club to being a magazine editor to my present job working in an STI clinic as a sexual health counselor. Whenever I am creating a character and need a job for them, I inevitably fall back on one of my experiences. The main character in The Orion Mask worked at an airport–I’ve written a lot of characters who work for airlines–and so I try to get away from my own experiences once I catch myself doing it again. I have always had jobs that required interaction with other humans, so I’ve gotten to observe a lot of human behavior. I’ve written about high school students in Kansas (where I went to high school). I’ve written about fraternities because I was in one (hard as it is to believe now). I played football in high school, I’ve written about football players in high school. The only places I’ve lived that I’ve not written about are Chicago, Houston, and Tampa (I have written about Florida, but just the panhandle, where I spent of time as a kid).

I read a blog post where you talked about your relationship with the city. How has it morphed over the years and where does it stand now? It sounded like doing promotion and writing about the city reignited your love for it. What’s your writing process? You write in different genres. Is the process different?

As sad as it is to admit, it’s very easy when you live here to start taking New Orleans for granted. As I said before, I usually am so focused on what I am doing–work, writing, errands, chores, etc.–that I don’t pay much attention to my surroundings as I should (I think we are all guilty of this to some degree). About a year before the pandemic, my day job moved. I had worked in our office on Frenchmen Street for well over ten years–right across the street from Mona’s, in that block between Decatur and Chartres, so I was a block outside the Quarter five days a week, and we also used to do a lot of testing in the French Quarter gay bars and passing out condoms during Carnival, Southern Decadence, and Halloween. So I used to spend a lot of time in and around the Quarter. It was lovely–I could go to the Walgreens or the Rouse’s on Royal and there was a bank branch on Chartres Street, too, by the Supreme Court building. Anytime I didn’t have anything in the house to pack for lunch I could just walk into the Quarter and get something not only amazing but inexpensive. I used to walk past where Scotty lives all the time. After we moved into our new building in the 7th Ward, I don’t go into the Quarter much anymore. So I was starting to feel a bit disconnected from New Orleans already before the pandemic shut everything down. But I realized when I started doing promo for this book that I am not disconnected from New Orleans. I’ve just lived here so long that I don’t take as much note of the unusual or the weird as I used to–it’s become normalized to me. I’ve acclimated. It’s still just as weird and wild and crazy here as it always has been, it just doesn’t strike me as weird and wild and crazy the way it used to. I need to take more walks and spend more time exploring the city and checking things out. I don’t know if all the hidden places I used to take friends to eat in the Quarter are still there, either. Maybe after Mardi Gras…

Carol

I have to go to the West Bank this morning to buy two new tires for the car. An active pothole destroyed my driver’s side front tire the other day, and so I need to get at least one new tire, probably two so their wear pattern will match. The tires are supposed to be good for 50k miles; I don’t even have 30k on my car yet, which makes this even more frustrating. Perhaps this is my punishment for writing about potholes the other day on the Wickeds blog, with “The Orange Cone”? I may have angered the pothole gods, and they must be appeased to the tune of several hundred dollars.

Ah, well, there’s nothing to do but go whip out a credit card and pay for new tires. At least I can take Wanda Morris’ Anywhere You Run with me to read while I wait for the tires to be mounted and put on the car.

I was very tired yesterday when I got home from work. I didn’t sleep well Monday night (did better last night, frankly) and so was already tired going into the day. I was monitoring my blog post at Mystery Lovers’ Kitchen so I could reply to everyone’s comments, and they were keeping me occupied between clients and the end of my shift. When I got home, I had a few hours to make the kitchen presentable before going live with Ellen Byron and Murder by the Book, which was a lot of fun. Paul came home as we were wrapping it up, so we could watch another episode of Victoria’s Secret: Angels and Demons, which moved on to the Epstein/Ghislaine Maxwell connection to Victoria’s Secret, and it seems as though human trafficking and models being pimped out by their agencies might very well have been happening in the industry before Epstein, from the looks of things. B

But the event went really well–it was nice seeing John from the store again, and he said very nice things about my book beforehand, including “After reading it and liking it a lot, I have to ask, why did it take so long for you to write a cozy?” which I thought was the highest compliment I could ever receive. There have been times that I have felt like a carpetbagger in the subgenre; poaching in territory not my own. But one thing I will say about the cozy subgenre–the authors and readers are incredibly kind, supportive and welcoming to new authors entering their territory. It’s been lovely seeing all the support from other cozy writers and readers on social media in the weeks leading up to the book’s release, and it’s also something I’m really not used to, to be honest. I don’t want to make it sound like I haven’t had support from colleagues and readers before–because that wouldn’t be the truth–but this entire experience, from the announcement of the contract to the cover reveal to the release, has been so incredibly lovely and affirming that like John, I wonder why it took me so long to join the ranks of the cozy writers? Ellen and I did agree on camera that my Scotty series was a more of an edgy cozy series that breaks some of the rules (profanity, sex, violence and blood on the page) than anything else; Scotty may be a licensed private eye but no one ever hires him–he just stumbles into bodies and mysteries all the time through no effort of his own.

Christ, I am so behind on my Scotty book. Heavy heaving sigh.

(Even in the midst of self-promotion, I can always feel guilty about the progress of whatever it is I am working on at the moment.)

After I get the tires put on the car and paid for, then it’s off to the office to finish my work day. This week has been a weird one; sick on Monday, flat tire, promotional events, book launch, and now a morning spent at the car dealership. Not exactly how I saw the week going Sunday morning while I was drinking coffee and planning ahead–which is another great example of ‘man plans, the gods laugh”–and now today is even Pay-the-Bills Day and I didn’t really notice because. well, I need to get to the dealership this morning and buy new tires…all the while hoping the spare makes it to the West Bank intact. (It’s supposedly good for fifty miles and I haven’t gotten anywhere close to that kind of mileage since changing the tire.)

But life always has a habit of interfering with your best laid plans, doesn’t it?

And on that note, I am hopping into the shower and heading over to the West Bank. Wish me well, Constant Reader, and that it’s quick and easy to get in and out. Fingers crossed, at any rate.

You Better Move On

I woke up not feeling so hot this morning. There was a touch of fever, a lot of sinus, and just over ickiness. I did take a COVID test that came back negative–praise the Lord–but I am achy and not feeling myself, so I bit the bullet and called in sick. Yay. And then to add insult to injury, my Internet went out. Grrrreeeeeeaaaaattttt. I turned my phone into a Hotspot, and Cox is quite generously sending someone out today between 5 and 7 because unplugging it and resetting the modem simply isn’t doing the trick the way it is supposed to. In fairness, I think we’ve had this modem since we moved back into the Lost Apartment just before Christmas of 2006, so I suppose it has lasted a really long time. But it is still fucking irritating to risk a data overage on my phone simply because Cox has a shitty customer service mentality. I’d switch to another provider but…I’ve heard terrible things about all of them, so maybe this is yet another case of the devil you know. I expect Cox to suck, so it’s frustrating but not a surprise.

My Apple TV router is also getting up there in years, too. Probably will need to replace it sooner than I’d prefer as well. Heavy heaving sigh.

I feel a little better now than I did this morning–I took a Claritin and it seems to have helped some–but I still have stomach upset and everything feels a little more tired than it should. I also have a mild headache–it was a major one before I took the Claritin, so it’s sinus-related. Our weather has been weird the last few days–very humid but not super-hot, even coldish–so we’ve had a lot of foggy mornings and nights which are never good with my sinuses. So I am assuming I’ve developed yet another sinus infection (hurray!) which hopefully the Claritin will spare me the worst of. But at least I didn’t feel good this morning, so I was at home for the Internet shenanigans. Imagine if I had gone to the office, come home to this after their hours, and had to deal with it? Who knows when they would deign to come fix is? I probably would have had to call out for work on another day, so at least this is all going to be handled today.

Sigh.

I’ve spent part of the morning under my blanket in my easy chair reading Wanda M. Morris’ Anywhere You Run and Constant Reader, it is marvelous. It’s even better, I think, than her debut All Her Little Secrets and if I’m not mistaken, I believe the two books may actually be connected, which is super cool. I had the great pleasure of meeting Wanda this year, and she’s just as kind and warm and lovely in person as she is a talented writer, which is amazing.

I was feeling off yesterday–which I guess was the start of this whatever the fuck it is–and so I wrote for a while yesterday morning before collapsing into my easy chair around three yesterday afternoon. We watched Kiss Kiss Bang Bang, which has been recommended to me by several people whose opinions I respect, but I didn’t enjoy it as much as I would have hoped, predicated on the enthusiasm with which it was recommended to me. I do love Robert Downey Jr. (pre-Iron Man; I never cared for his Tony Stark but hey, congrats, it made you richer than you could have ever imagined) and I thought the story was clever. I don’t really care for the breaking of the fourth wall so much, but I also loved that it was sort of based on a Brett Holiday novel (i’ve never read Holiday; I should rectify that sometime but I am not really a huge fan of the tough-guy books that proliferated in the pulpy post-war era. I absolutely hated I the Jury, and there’s not enough money in the world to persuade me to read another Mickey Spillane novel, and I suspect his Mike Shayne books fall into that category–the hard-nose tough guy, sexy two-dimensional “broads” who are devious, and so on) and it did have a lot of clever things that I appreciated. We then moved on to watch another episode of Welcome to Chippendales, which is interesting but could be better, and last night we watched The Texas Killing Fields docuseries about the I-45 murders between Houston and Galveston, which I vaguely remember from when my parents lived in Houston. (I also thought it was interesting that the first batch of killings, mostly young girls, teenaged or younger, was going on at the same time the Candyman was killing teenaged boys in another part of Houston. Houston: serial killer capital of Texas, clearly.) I was dozing off during the docuseries, so I missed a couple of important pieces to the story, but it wasn’t hard to stay up on the story and get caught up when I’d wake. We also got caught up on Andor and some of the other shows we’re watching.

Okay, I am feeling a bit woozy again so I am going to go back to my chair and Wanda’s book. Hope you have a better Monday than me, Constant Reader.

Sisters of the Moon

Thursday morning and the last day I have to get up this early this week. Huzzah! I slept well again last night–after the weird sleep of the previous night–and feel rested this morning. Not sure how that will play out through the rest of the day, but we’ll see, I guess. I know I have a full schedule at work today, so I am hoping to have the energy this evening after work to get home and do some writing. I started doing the dishes last night but didn’t finish; Paul was home early last night so I spent the evening hanging with him and Scooter and watching television. We started watching this new high school show on Netflix–Heartbreak High–but it was just okay (no Elite or Sex Education, that’s for sure); we’ll probably give it another episode or so before abandoning it, since shows sometimes need an episode or two to hit their grove and become more fun to watch.

Ugh.

I really don’t want to look at the news about the hurricane; as someone with some firsthand experience to hurricane aftermaths, I also know that no matter how bad it looks on television or on the newspaper, the reality is about a thousand times worse because pictures and video–no matter how well done–can never quite capture the scope of disaster in a way your brain can process the same way bearing eyewitness can. I saw a lot of awful posts on social media–people seeking help for family and/or friends trapped; trapped people looking for help–and I had to put my phone down because at some point it feels like it almost becomes a kind of macabre fascination, like you’re not doing out of empathy but out of some far darker, almost primordial need to see destruction you can enjoy because it doesn’t affect you. Human misery always bothers me on a very deep level, at the core of my being; there are very few people whose misery I can actually revel in (looking at you, Putin!).

But a hurricane threatening the Tampa Bay area has sent me down a rabbit hole into my own history, and memories of living in that area–which is when I worked for Continental Airlines–and my word, how my life has changed since I lived there. I was still pretty immature and under-developed socially and emotionally; I was originally transferred there from Houston in 1991, after I’d been with the company for about a year or so; I think my hire date was April 1990? (You can tell it’s been a long time; your hire date/seniority is everything when you work at an airline.) I’d originally moved to Houston after blowing up my life in California–lost my job, drug problem, drinking too much–but that was also probably the self-destruction brought on by the horror that was my life in the 1980’s, and after living there for two years was ready to start over again somewhere new; Houston was a nice way station but I’d never intended to stay there for very long–I do like Houston but I really don’t want to live in a place where you literally have to get on at least one highway every day and it seemed kind of exciting to start over in Florida.

Tampa turned out to be another transitional location for me; it was where I was able to come into myself, work on myself, and figure out who I am, what I wanted from life–and how to make a plan to get what I wanted from life. I was hardly perfect (still am quite a distance from being the ideal Greg I would like to be), but I was on well on my way to becoming the Greg I wanted to be when I loaded up my car with everything that could fit and left for Minneapolis shortly before Christmas of 1995. When I moved to Tampa I didn’t really have any idea of what I wanted or who I was or the life I wanted to lead; when I left I had those answers figured out and was well on my way to becoming who I wanted to be as a person. Obviously, I am still a work in progress, and while my memories of Tampa may not all be terrific ones, I am very happy I made the decision to transfer there–because I probably would have never become an active participant in my life rather than a passive one to whom things happened; I wanted to make things happen.

Obviously, you only can ever have so much control over your life; a lot depends on other people, of course, and things that are beyond your control (hello, natural disasters!), but it really feels good to have a purpose; I had always wanted to be a writer but it was while I was living in Tampa that I finally realized I needed to get past my fears of failure and really put the effort into making it happen, and it eventually did…who knows how my life would have turned out had I never made the decision to transfer to Tampa and reboot my life once more?

And on that note, I am heading into the spice mines. Have a marvelous Thursday, Constant Reader, and will check in with you again tomorrow morning.

Over My Head

I can’t get The Sandman series on Netflix out of my head…and isn’t that what great art is supposed to do? Lodge itself into your head until you can’t help but think about it all the more? So, I decided to revisit the comic series, and was delighted that the two volumes I had on hand were actually the first two, and those are the ones that were adapted into the television series. (I’ll have to order the rest.)

Netflix also dropped another episode of the show after its initial ten episode run, which was built around two of the stand alone issues of the original series run–“Dream of a Thousand Cats” and “Calliope”, the first of which was animated and takes the reader inside the mind of cats; as a cat person, I absolutely loved it, despite its brutality, which at times made me very upset because, well, I am a cat person. I love cats, as does Paul–something we came to very late in life, with our adoption of Skittle way back in 2002 or 2003 or whenever it was we got that mouse, which led to our becoming converts to cat people–and we will probably always have cats; if we ever end up in a larger space we’ll probably wind up having more than one cat–we’ve come close to getting a second numerous times, which is part of the reason we feed and take care of the outdoor herd that has taken up residence on our block and under the house (everyone on the property–with the exception of Michael in front–are cat people, so the lucky herd generally gets fed multiple times per day; the others also take them to the vet for regular check-ups and so forth, so we get to just enjoy their company; we are down to Buddy–orange and white–and old standby Tiger, a tortoise shell who’s been around since the days of the original outdoor kitty, Bubba, now.

I digress.

I discovered The Sandman when I moved to Houston in 1989 and started reading comics again thanks to my nephew; it was during this time that several of my favorite comics runs took place–the Five Years Later run of the Legion of Super-Heroes; the reboot of The Question; the Will Payton as Starman run; and of course, Neil Gaiman’s stunning run of The Sandman. Over the years, I’d forgotten a lot about the series–I remembered there were seven Endless siblings, that Morpheus was also known as Dream of the Endless and his kingdom was the Dreaming; and I remembered “The Doll’s House,” which was superlative. I went back and bought all the back issues of The Sandman (as I did with Starman; I was lucky with Legion of Super-heroes because the “Five Years Later” reboot began almost at the same time I started reading the books again) because the book was so extraordinary, so literate and beautifully imagined and written and drawn. Seeing the live action series and being so entranced by it sent me back to the original source material; I don’t remember why I bought these two volumes (my comics collection was yet another victim of a move) or when, butI was very glad to have them on hand so I could revisit them.

And they are just as marvelous and enchanting as they were the first time.

I think even people who aren’t fans of comics would enjoy these; they are stunning achievements, and I think you would enjoy them Constant Reader, as much as I did.

I am now going to have to collect the entire run again, heavy sigh.

Too Far from Texas

I used to think you could never be too far from Texas, in all honesty, despite my deep appreciation and affection not only for Houston (I lived there for a time) but for all my marvelous friends in Texas. Murder by the Book, the only mainstream mystery bookstore that would allow me to have events in their store when I first published, always holds a deep place of affection within my heart and soul; I love that store, and of course, I also love me some Whataburger.

Whataburger alone makes Texas worth visiting, to be honest.

The Chanse MacLeod series was originally going to be set in Houston. I created him, and actually started writing about him, while i lived in Texas from 1989-1991. I remember distinctly that he had an office and a pager, as well as a secretary and an off-hours answering service…clearly, I didn’t understand how private investigators actually worked and was basing everything off movies, books, and television programs. But I do recall the name of the first book was going to be The Body in the Bayou–and Chanse was also straight in his original iteration–and it wasn’t until later (after my birthday visit here in 1994) that I decided to move it to New Orleans, and of course by the time I started rewriting the New Orleans version, I’d discovered gay mysteries and so of course, I changed his sexuality (I’ve never once regretted that either, I might add). I also put The Body in the Bayou aside and started writing a whole new murder mystery for him (Murder in the Rue Dauphine) that eventually became my first published book. Chanse remained from Texas–a small town in east Texas called Cottonwood Wells–and I even wrote a short story where Chanse goes back home to that small town. (I’d always wanted to write a book where he goes back home and has to deal with memories and so forth; I just never got around to it and his original publisher always made the sign of the cross at me whenever I suggested, “hey, should I set the next one in Chanse’s home town, where he has to go to clear up a crime someone from his past is accused of?”) Cottonwood Wells also popped up in earlier drafts of #shedeservedit, as where main character Alex’ family was originally from; that eventually got edited out over the final drafts.

Sunday morning and I slept late, and even after waking, stayed in the bed for a while longer. It felt very comfortable and my body was very relaxed, which was lovely, and I didn’t really want to get out of the bed, to be honest. I made swedish meatballs last night for dinner and left the mess for this morning (I am now cursing lazy Greg last night who made that decision–part of the reason I made this decision was I realized while cooking that the dishwasher had a clean load in it that needed to be put away, and it was a pain in the ass to do while cooking and trying to time everything) and I didn’t really want to come downstairs and face the mess. I did get some cleaning and organizing done yesterday–I did the kitchen floors at long last–and I also worked on the living room some. I wrote about fifteen hundred words yesterday to flex my writing muscles a little bit–I’ll probably go back over them again today as I write more–and I also have to get the proofs for Streetcar significantly finished today. I also want to work on the new Scotty a little bit as well. We’ll see how much I can get done this morning/afternoon before Paul gets up–although he is going to go into the office today; there was a lot of thunderstorms yesterday and street flooding, so he and the IT guy rescheduled for today (can’t say as I blame him, we were in and out of flash flood alerts all day yesterday; the joys of the tropics in the summer) which will free up this afternoon for proofing.

My self-care appointment (okay, it was a back wax; someday I will write an essay about my issues with body hair) went well and after that, I swung by and picked up the mail. On my way back home I stopped at the Fresh Market (I rarely shop there; I always forget it’s there) to get a few things, and while it is more expensive than other places, I like shopping there. The fruit and vegetables always seem much fresher, and rather than buying prepackaged ground sirloin, I instead got it from the butcher counter, remembering suddenly that it’s fresher that way–and those meatballs turned out superlatively. I think in the future I might shop there a little more regularly. They don’t carry everything I would need, of course–that would make life too easy–but for meats and fruit and vegetables…well, it really cannot be beaten. I spent some more time with In the Dark We Forget–which I am also going to do this morning for a bit, it’s really good and I want to find out what happened to Cleo and her parents–for the rest of this morning, and then I need to vacuum the living room at some point (I swept up the floor in there last night as well, and tried to get it to look cleaner and better organized in there as well; it’s amazing what a difference the clean floor makes). So, a busy busy day for one Gregalicious. But that’s fine, I kind of like having things to do…it’s just when I have so much to do the thought of it is soul-crushing and defeating that I don’t like it.

We started watching The Anarchists on HBO MAX last night, and it’s….something, all right. It’s also interesting how these people chose to define “anarchy” as something other than what most people generally accept it as meaning; but they were using the actual definition of anarchy rather than the societal definition. I always laugh at people who think that laws and rules and regulations are things that restrict freedom and are unnecessary in a society; it’s really just another branch of libertarianism or Ayn Rand’s insane “objectivism”–those laws and rules and regulations exist because they were necessary, because human beings tend to always operate by putting their own needs first. Regulations exist because food manufacturers regularly sold bad, or dangerous, food to the general public because there were no regulations and no one keeping them honest; robber barons created monopolies to exploit the public and make themselves rich (Bezos, Musk, etc are simply the modern day version of the robber barons) at the expense of the needy; hence we needed government intervention to prevent abuses. I’ve never understood the mentality of “oh, if we do away with regulations and laws and rules we’ll all live together in peaceful harmony” because there’s always at least ONE asshole in every group.

ALWAYS.

And on that note, I am going to make another cup of coffee, put the clean dishes away, and go read for a bit. Have a lovely Sunday, Constant Reader, and we’ll talk again tomorrow, if not later. (I’ve been going down the Stevie Nicks discography for my titles, and some of them–along with some of them from other song lists I was using before–wind up having the same titles as some of my books, and I’ve decided–see yesterday’s post about Sleeping Angel–that when I have a blog list song title that matches the title of one of my books, I am going to post about the book. Right now, I have Timothy in my stored draft blogs folder, and I think there’s another called “Watching Scotty Grow” in which I am trying to write the history of the series, which could be helpful as I am writing Book Nine at the moment, and since I am doing Stevie’s discography, that means Sara will also be coming up at some point.)

Me and You and a Dog Named Boo

Wednesday and yet another Pay-the-Bills Day. I also didn’t set my alarm last night–could have sworn I did, though–but fortunately managed to get up anyway shortly after six. That could have been truly scary, really; I could have easily slept for another few hours–even now that I am up and sipping coffee, I really can feel the pull of my bed, calling me back to its cozy, comfortable warmth. I would much rather spend a few more hours there than get cleaned up and head into the office any day of the week, quite frankly. I’m not sure why I was so deeply asleep last night yet again, but I am calling all of this great sleep I’ve been getting an awesome thing and just riding the wave as long as it continues, frankly. It’s weird feeling rested in the mornings, I have to admit. Nice, but weird.

I got my editorial letter for A Streetcar Named Murder yesterday, and it wasn’t nearly as bad as I feared it would be. I need to process it all, get it organized, and then get to work on it as soon as I can. I also need to finish the Bouchercon anthology and get it turned in as well; I also had a business call about a book project I am considering taking on. (Money makes the world go around, the world go around….) I also started working on a short story idea I had a while back and had gotten started on, called “Smoky Mountain Rest Stop,” for a very quick turn around short story submission call that I will most likely not get finished in time to turn in, but at the very least I will have a finished draft of the story at some point. I’m still not entirely certain what happens at the rest stop when my character winds up there–but I do have some thoughts–so we will see how it all goes. I also saw another submission call that struck my fancy recently; it might prove to be a home for another one of my stories that I can’t seem to find a home for–which is fine; my stories follow my imagination, and my imagination rarely works in a way that produces stories that short fiction markets like. (I do want to see if I can some out for submissions over the course of the next week or so; it’s all going to depend on my motivation, as everything always does…)

We also watched another episode of Candy last night, and it’s really interesting. I keep saying to Paul, “this suburban existence being depicted on this show–late 70’s, early 80’s–is my idea of hell. This was the environment I grew up in, and definitely was not the future I wanted for myself.” I’ve been hankering (my God did I really just say hankering?) to write about the 1970’s lately–probably has something to do with my turning sixty last year–and the suburbs and what that was kind of like; I have several ideas for stories/novels to be set in my fictional suburb outside of Chicago (where the main character of Lake Thirteen was from; remember, all of my books and stories, regardless of authorial name, are connected together in some way; the Gregiverse, if you will); one is based on a true story that happened when we lived there and I was a freshman in high school (a murder involving some students) and the other is sort of based on the Candyman serial murders in Houston. So yes, those days of cheap faux wood paneling and station wagons and lawn mowers and Schwinn bicycles with streamers coming out of the handgrips and cards woven through the tire spokes so they clatter will someday be written about by yours truly.

So many ideas, so little time to actually write any of them. Heavy heaving sigh.

I think today I need to make a to-do list. I have a bunch of things that need doing, and I cannot count on my memory to remember them all–not that I have been able to count on my memory for that sort of thing for quite some time; this is not something new that has developed with age; no matter how much I want to believe that I used to have this truly fantastic memory, the truth is I was always able to simply manage tasks through list-keeping and obsessive organization…both of which have kind of fallen off track over the years, hence me forgetting things. I did kind of let my life get out of control for quite a number of years; the process of getting reorganized is one that is so overwhelming that I’ve just kind of let it go (my file cabinet is terrifying, seriously; even though I know I can probably clean a shit ton of things out of it and make it into something functional and workable…it’s also incredibly time consuming and the one thing I never seem to have in abundance of any kind is actual time) and as such, I can never really find anything…not to mention that I will look for a folder I know I created, not find it, and simply make a new one…so yes, I have files every-fucking-where.

Sigh.

And on that note, tis off to the spice mines with me. Have a happy Wednesday, Constant Reader, and I will check in with you tomorrow.