Or so the song by the Village People would have us believe, at any rate.
I’m not sure what it is about Hollywood, movies, and stars that draws gays like moths to an outdoor night light, but there you have it. We’ve fallen in love with movie stars and made them into icons–and interestingly enough, we always seem to like the same ones for the most part–Joan Crawford, Bette Davis, Katharine Hepburn, Judy, Liza, Barbra, Cher, Madonna, Lady Gaga, and so on; almost like there’s some kind of weird genetic link between the majority of gay cisgender white men that draws us all to the same things, so much that even straight people know who the women are that we idolize.
Why this is the case, I have no idea. But gay men have also significantly impacted how we as a society and culture look at men’s bodies, too–see previous post about how what was considered sexy in a man began changing in the 1970s, and continued evolving until what gay men (theoretically) found hot was what everyone considered hot for a man.
When I was a kid it was also believed that bodybuilders were mostly gay, too–because only gay men had the free time to develop and work their bodies…so the gay male attraction to muscular fit men was enough for society to say that about bodybuilders. (I have always appreciated bodybuilders aesthetically, but they leave me cold. They are so not sexy, despite the skimpy bikinis they pose in (gay men were also, for a long time, the only ones who weren’t competitive swimmers who wore speedos), and they never really have been.
But gay photographers began making bank in the late 1940s and 1950s by launching “physique magazines” as a cover for gay eroticism; they would find incredibly handsome men with worked out bodies and photograph them in “classical” poses. This dodge was how they got around pornography and postal obscenity charges; no visible penises, and the men were always posed like classical paintings or statuary to “show off their physiques”. Some of the men who posed for these photographers often did so early in their careers (Yul Brynner was one of many who did these kind of photo shoots to pay the bills), and never really hid their past as physique models–but they also didn’t bring it up much. Nudes for a male (or scantily dressed at least) weren’t as big an issue as they were for women; but male nudes weren’t exactly a boost to one’s career.
The gorgeous Ed Fury, who did some Hercules/hero type roles in movies in the 50s/60s
These old photos–and 8 mm physique films that were sold to private viewers–are astonishing to come across in the modern day and leaves so much to be explained1. Hollywood has always done a great job about covering up the same-sex attractions and predilections of movie stars; look at Randolph Scott and Cary Grant’s five years living together, or any number of other male stars. I’ve started looking into this a bit more because it’s all research for Chlorine, and it’s a plot point in the book. (It also gave me an idea for another noir, called Obscenity.) It’s very fascinating to me. The more I learn about Hollywood, and how things worked, and how rife with homosexuality that the studio assiduously kept secret, the more interested I am in those decades when studio bosses held all the power, when their fixers went around cleaning up after their stars, and the secret homosexuality just out of view there. Tab Hunter, Rock Hudson, and of course, the agent who represented all the beautiful boys: Henry Willson, who more than anything else is a tragic figure that I can’t help feeling sorry for, despite how awful he actually was…I am more willing to give queers forgiveness because of the toxic times they lived in and how they had to survive. (Roy Cohn, on the other hand, can burn in hell right next to J. Edgar Hoover and Clyde Tolson) Reading The Man Who Made Rock Hudson, a very well written biography of Willson, really made me feel sorry for him in many ways and understand perhaps why he was so damned awful.
It was also the times.
William J. Mann, by the way, has done some excellent queer Hollywood history non-fiction, if you want to a good place to start reading up on it.
I’m really looking forward to doing more research on physique magazines.
This was the birth of gay porn, really, which makes it all the more interesting to me. ↩︎
After we moved to the suburbs and had not only a house but a second car, my mother decided that maybe religion was missing from the lives of my sister and I, and began taking us to church–not the Southern Baptist faith she herself was raised in, but the Church of Christ, which was my father’s family’s faith. It wasn’t like my sister and I hadn’t been to church before; whenever we visited relatives in Alabama we were inevitably dragged to church with them, whether we wanted to go or not. It wasn’t even up for debate, so yes, in some ways, my father’s family kind of forced religion on us when we didn’t really go to church at home with our parents. I never knew why Mom decided we needed to start going–she wound up having an off-and-on relationship with the church for the rest of her life–but we did. Dad played golf every Sunday morning and often hit buckets of balls after or maybe went out for lunch with the other players; I don’t know. But not only did we start going to church, she rewarded us by taking us to Ponderosa for lunch (where I first discovered Catalina French salad dressing, a favorite to this day) and then we’d go see a movie. Most of the movies are forgotten now, collecting dust and cobwebs until I think about that movie again and remember it was one Mom took us to.
The Last of Sheila was one of those movies, and I fell in love with it as I watched. It had everything I could possibly want: an incredibly clever murder mystery, a cast of movie stars I recognized, and it was about Hollywood, even though set and shot along the Riviera. It was an inside look at the rich and glamorous–something I felt was like another planet to me in my subdivision house, in my lower middle class existence which was a place where I felt like I didn’t belong.
Shortly after seeing the movie, I was at Zayre’s with a couple of bucks to buy books with, and there were three I wanted–The Last of Sheila and two others, but I could only afford two of them, and I regretfully put The Last of Sheila back because I’d already seen the movie and I could get it the next time.
Constant Reader, it wasn’t there when I went back. I never forget there was a book, either–but I didn’t know whether it was a novelization or an actual book the film had been based on; and I didn’t mind reading novelizations, either. When I rewatched the film again during the pandemic, I remembered there was a book and started looking for it on-line. It was clearly rare and beloved, because whenever a copy would come up for sale on second-hand sites it was always priced anywhere from $150-$300, and I didn’t care about the nostalgic aspects of it that much. Then last summer two popped up on ebay; both more expensive than I would have liked but still–reasonable enough to consider. I put in a bid on one and then realized the other was a “buy it now”, so I went ahead and bought it. A few days later I won the bid–and a little confused, decided to go ahead and honor the bid since I had put one in but simply forgot about it, and I gave the other away to a friend who also loved the movie for Christmas.
And finally, I settled in to read it–after another, recent rewatch.
The Sheila rode at anchor, stern to the quay, stern lines fastened securely over the bollards. The Mediterranean sun glanced off the brightwork and made of the white hull a dazzling blur. Her eighty-seven feet dwarfed the sleek ketch on her port side, a racing vessel owned by the pretender to the Spanish throne, but the Sheila was in her turn outclassed by the ninety-five-footer on her starboard, a powerful yacht owned by a South African diamond billionaire. The Palma marina was, as usual in the summer, crowded with the pleasure craft of the wealthy, berthed as tightly together as possible, their anchor chains frequently fouling.
Lee Parkman swung her long slender legs out of the taxicab and stood somewhat shakily on the quay, shielding her eyes from the too-bright noonday sun that pierced even through the lenses of. her oversized sunglasses. Her legs still felt rubbery from the long, bumpy tide over the dursty roads that led from the Palma Airport to the marina. Mallorca was like that, she thought. The paradox of moderan airport and luxurious anchorage linked by an ancient and ill-kept road.
I don’t know if they still do novelizations of popular films as a merchandising gimmick–the cover of this one has a little admonition to see the film READ THE NOVEL and of course, the ever-popular Now a Major Motion Picture From Warner Brothers. There’s also a lovely cast photo prominently featured on the book cover–with the cast posed together in the same way they are in the photograph in the book, which holds the key to the very clever puzzle at the heart of the book, and what a cast of early 1970’s luminaries it contained! James Mason, Joan Hackett, Dyan Cannon, James Coburn, a gorgeous young Ian McShane, Richard Benjamin, and the fabulous Raquel Welch. All play, in a way, traditional Hollywood archetypes: Mason is the director fallen on hard times; Benjamin the writer who can’t get a script film so works on rewrites of other people’s work; Cannon the blowsy loud shark-like Hollywood agent (based on Sue Mengers, anyone remember her?), Coburn as the asshole abusive producer; Welch playing the stunningly beautiful actress with little talent; McShane as her loser husband/manager; and Hackett as the Hollywood heiress, whose father was a monstrous tyrannical producer like the Coburn character, married to the Benjamin character and the only thing keeping him out of hock.
Coburn’s character, Clinton, invites all the others for a week-long trip along the Riviera on his boat, the Sheila, named after his late wife, killed by a hit and run driver about a year earlier. Sheila was a gossip columnist that Clinton truly loved, but she was also a typical Hollywood rags-to-riches story. She started out as a call girl and worked her way up to gossip columnist and married a rich producer before her tragic death. The driver of the car that killed her was never found. He claims to want to produce a picture, a way to honor his dead wife, called The Last of Sheila, which he wants Benjamin/Tom to write, Mason/Philip to direct, and Welch/Alice to star in. They will also spend the week playing a game–each person is assigned a card, and every night they will get clues they will have to solve to figure out who has the card. Once the person who has the card solves it, the game is over for the night so you have to find out who has the card before the cardholder does to get a point. None of them really want to play–but once the first night gets underway, some of them get into it and some of them don’t. There are also all kinds of clues and hints that something a lot more sinister is going on below the surface, as the guests become uncomfortably aware that the game is really about them and their secrets…and then there’s an attempted murder, and then Clinton himself is murdered on the second night.
It’s a fantastic set-up, and it’s an incredibly clever plot. The film’s screenplay, from which the novelization was adapted, was written by closeted gay actor Anthony Perkins and Stephen Sondheim (yes, that same Stephen Sondheim), which also lends depth and insight into this world of cutthroat behavior, backstabbing, and vengeance. The novelization itself is one of the better ones I’ve ever read; they were usually cranked out quickly by a pseudonymous writer trying to make a quick buck (no harm there; I’d certainly write them if the price was right and they were still a thing) who basically simply turned the screenplay into a book, without getting much into the story or layers or character development. But this one of The Last of Sheila is the rare one that you put down when finished and think, Oh, there was so much more that could have been told there–and it even fleshes the characters and the backstory–and the motives–out even further. It actually helps with your appreciation of the film by giving necessary back story to the relationships between them and their individual motives, and I am very glad that I read it.
The Last of Sheila will always be one of my favorite films, because it remains fresh and interesting and its cleverness never stops amazing me every time I watch it.
And of course, Bette Midler’s “Friends” plays over the closing credits–after the perfect ending–which was also my first real exposure to the Divine Miss M, whose debut album I bought shortly after seeing the film and I’ve been a fan ever since.
Thursday morning and the bills are paid. Huzzah? But this afternoon I have to leave early to go to the cardiologist–I need to get cleared for the surgery because of my advanced age–and then Friday morning it’s off to the dentist AND WE’RE GETTING A CAT!!! (I may be a tad bit excited about getting a cat. This cat is going to be so loved and spoiled…) I was tired again yesterday when I got home from work, but I did manage to do some laundry and write. I finished the first chapter of yet another book, and will probably continue to futz around with both of these for a little while longer. It’s always important for me to get the first few chapters on a firm footing before moving on to the rest. I’m not sure why that is, to be honest, but it’s true. It’s impossible for me to move on and get deeper into a manuscript until I am confident in the first five chapters; sometimes less. I always forget this whenever I am working on new projects, and then spiral into self-doubt and imposter syndrome…aka anxiety. I have to say, this is so nice and different, such a lovelier way to live. My sleep is improving, my creativity is flourishing, I am being productive–and it’s okay to choose writing over reading, much as I love to read. I will finish my current book this week and this weekend I will start my Halloween Horror Month reading/film festival/television rewatches.
I’ve actually kind of started that already; I’ve been watching those Dark Shadows episodes. The story behind The Haunting of Collinwood is interesting enough; two doomed spirits from the past using the two children at Collinwood to enact vengeance on the Collins family, and everyone slowly comes to realize something is wrong with the children and something strange is going on. The funniest part, to me, is Elizabeth Stoddard, the matriarch played by old Hollywood star Joan Bennett, kept insisting there are no such things as ghosts and witches and so on–was this an ongoing thing for the character of Elizabeth, with every new supernatural storyline? Girl, where do you live?
I’ve also got those Friday the 13th the Series episodes to watch on Youtube. Horror has had a strong influence on my writing, and it’s something I enjoy and have a deep respect for as a genre. I am hardly expert in the field at all, and I try my hand at it here and there now and again with short stories or the occasional book. But I don’t write scary stuff–I like to write creepy suspense, with the tension and fear and adrenaline rising for the reader along with the characters in the story. My stuff is more about atmosphere itself than the supernatural events, which I rarely try to explain–there’s never a handy “expert” in any of my work to explain things to the characters, who are kind of on their own and can’t be sure they understand it themselves. As I said once in an interview, “Shirley Jackson never explained, and neither did Daphne du Maurier.”
Needless to say, Jackson and du Maurier are two of my biggest influences, I think.
OH! I should reread The Haunting of Hill House. It’s been a minute. And definitely “Don’t Look Now.”
Paul got home in time for us to watch this week’s The Morning Show, and it kind of begs the question: why is the fact that Reese Witherspoon is playing at least a bisexual woman in a relationship with Julianna Margulies not being talked about more? Have we reached the point where we’ve grown blasé about queer rep in mainstream-targeted television shows? Then again, that’s a good place to be–if no one is complaining and we no longer have to champion it? It’s a really good show, and as tired as I am of Jennifer Aniston and her even more tired old straight white lady shtick about cancel culture (“Friends couldn’t air today!” You say that like it’s a bad thing, Jen.), she is quite good in the show. I also approve the addition of Jon Hamm as Elon Musk, er, a Musk-like billionaire buying their network and also as a potential love interest. I also find it interesting that the two female leads–powerful and successful women in the news business–have male first names: Alex and Bradley.
So, hopefully by this afternoon the cardiologist will have cleared me for the surgery next month and I will know if I have the same congenital heart defect my mother had; there’s some question as to whether it’s genetic or not; she made it to eighty, but her father died in his sleep in his mid-forties; her brother also had heart issues and multiple surgeries before he passed. I have to say I have been exceptionally lucky for most of my life; I’ve never had a surgery other than tonsil removal as a child and tooth removal.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll be back soon.
I have always loved Superman, ever since I accidentally pressed the wrong button on the comic book vending machine at the Jewel Osco on Pulaski Avenue in Chicago as a child and got Action Comics instead of the Betty and Veronica I wanted. I was disappointed, and asked my mom for some more change so I could get what I actually wanted, which was when my mom decided to teach me a valuable life lesson: if you hurry and don’t pay attention you won’t get what you want–and sometimes that’s the end of it.So always, always make sure you’re picking the right thing. (I still do, to this day, and whenever I “forget” and rush–it inevitably ends badly.)
I wasn’t happy about it, but made the best of it. I had a comic book, after all, and while I had never shown any interest in super-heroes and their comics before, I decided to read it when I got home.
Once I did, I was done with the Archie and the world of Riverdale for good. I started reading DC Comics–I already knew about Batman from the television show, which we watched every week with its epic cartoonish campiness–and all the other titles that involved Superman even if only in a peripheral way. Both Jimmy Olson and Lois Lane also had their own titles, there were at least three titles alone devoted to Superman, and of course, Justice League of America. There was a Superboy title, too, and of course we can’t forget Linda Danvers, Supergirl. I read them all, and finally stopped buying them when they reached the (to me then) insane price of a dollar per issue. But I never lost my sentimental attachment to DC Comics and their heroes. I was also terribly bummed when the peripheral titles, like Superboy, Jimmy Olson–Superman’s Pal, and Superman’s Girlfriend, Lois Lane–were cancelled. For the most part, Lois’ adventures that didn’t involve Superman–when she was actually doing her job as an investigative reporter–often involved her in mysteries she had to solve, which were a lot more interesting to me than her schemes to expose Clark as Superman, or to get Superman to marry her. The old television series, with George Reeves, was often shown in reruns on alternative non-network local channels, and while I of course watched, I was kind of disappointed with how bad and cheap the effects looked. Batman’s television show was campy, of course, and highly entertaining–but campy. Wonder Woman was also campy and cheesy, but had Lynda Carter, who personified both the super-hero and her alter-ego, Diana. (When I was watching Superpowered: The DC Story the other night Carter said something I thought was very perceptive and explained thoroughly her role on the show: “I didn’t play them as separate characters–I just played her as Diana, the Amazon Princess, with a strong belief in equality and that there’s a better way than fighting.”)
So, when they Superman movie was announced sometime in the mid-1970’s, I knew I’d go see it, but didn’t have a lot of high hopes. But the tagline was fantastic.
You’ll believe a man can fly.
I think I was at the theater, waiting to watch either The Deer Hunter or Animal House, when they played the preview for the upcoming December release Superman The Movie, starring Christopher Reeve and Margot Kidder (among many other major names in supporting roles–from Marlon Brando to Gene Hackman to Ned Beatty to Valerie Perrine). I knew they were making the movie, and I had allowed myself to get a little excited about it as a Superman fan. I’d always found previous Superman adaptations–mostly the television show–to be so inexpensively done that it was almost comical. But special effects had been changed forever by the one-two punch of 1977’s Star Wars and Close Encounters of the Third Kind, and I also knew they were spending a LOT of money on this adaptation, so when the screen and theater went dark, and you just heard a voice saying “You’ll believe a man can fly” and then…there he was, flying. I caught my breath because it looked so real. And when Christopher Reeve turned his face to the camera, smiled, saluted and somehow got his eyes to twinkle, I also knew the movie was perfectly cast. I couldn’t wait for the movie to finally open (I think I also saw the sequel on its opening weekend), and yes, when it finally came to the Petite Twin Theater (apparently still there? No, no movie theater on Commercial Street anymore, alas) I saw it on that first weekend.
I’ve always loved Superman, and Christopher Reeve was fantastic in the part; the bar every actor who puts on the suit has to clear.
Obviously, the recent announcement that David Corenswet has been cast to play Clark/Superman in the new reboot of the film franchise, replacing Henry Cavill, has me thinking about Superman again. I was very pleased, frankly, when Cavill was originally cast; I’d first noted him playing Charles Brandon on The Tudors and thought, “that is one fine-ass man.” I thought he was the perfect choice to play the dual roles of Clark and Superman; he is drop dead gorgeous, for one, and his eyes have the ability to twinkle when he smiles and the dimples? Just take me now, Henry.
Mr. Cavill fills out the suit rather nicely, does he not?
The Henry Cavill version of Superman, which followed on the heels of a failed reboot with Brandon Routh (who returned to the televised DC Universe–the Arrowverse–in Legends of Tomorrow. I always felt bad for Routh, who I didn’t think got a fair break, either), wasn’t the best interpretation of the character but that wasn’t Cavill’s fault; that was the vision of the director and writers and the studio; and while I think I can understand the need to update Superman, the need to darken his story a la The Dark Knight 1980’s Batman reboot was a mistake. Superman is the World’s Biggest Boy Scout; he stands for hope and truth and all those things we used to believe embodied the United States; if anything, Superman was the personification of the idea of American exceptionalism.
David Corenswet certainly has the right look for the part; he’s from the Ryan Murphy stable of dark-haired blue-eyed square jawed hunks who regularly appear on his television series. I first saw Corenswet in The Politician, and then again in Hollywood. I found the following fan art through a Google search, as there are no available official images of him as the Big Blue Boy Scout. James Gunn’s vision for the DC Universe is one I am interested in seeing; while I didn’t enjoy the second and probably won’t watch the third (I’ve come to detest everything about Chris Pratt over the last few years), I did think the first Guardians of the Galaxy movie was pitch-perfect for a popcorn super-hero type movie.
But I do hope they move away from the dark broodiness of the Cavill version. I enjoyed them (and love Henry Cavill for reasons that should be obvious; look at the posted picture above again), but they didn’t feel right for Superman movies. The underlying theme and element of all the Superman stories is his positive energy and determination to protect people from harm and most importantly, lead by example. One of the core elements of the original Superman series (before the first of many DC reboots of their universe) was that Superman’s most sacred vow was that he would never take a life, no matter who or how much they deserved death. That didn’t matter to Superman, whose pursuit of justice was limited to capturing the bad guys and turning them over to the judicial system. It wasn’t his job to determine justice and punishment.
I keep hearing good things about the animated DC movies and series, but have yet to really watch any of them. I don’t know why I have this automatic resistance to animated super-hero shows/movies; I love Disney animation, and there are literally hours of DC animated entertainment available for streaming. I’d been hearing good things about a new DC animated series on MAX called My Adventures with Superman, so while I was waiting for Paul the other night (and was tired of LSU football highlight videos) I decided to give My Adventures with Superman a chance.
Constant Reader, I am so glad I did.
The show is utterly charming. It’s very well animated, for one–Clark/Superman is handsome, which is weird to say about a cartoon–and it’s refreshingly well-written with more emphasis on the characters and who they are, as well as their relationships with each other, over the adventure aspects of it, which makes it all the more likable and enduring. The premise is that Clark, Lois, and Jimmy Olson are all interns at the Daily Planet; Clark and Jimmy are just starting, and Lois is given the job of breaking them in and showing them the ropes. Lois is ambitious and determined to become a star reporter, and her impetuosity and ambition quickly leads them all into trouble–not only with the bad guys, but with Perry White back at the paper. Fortunately, Clark is, well, Superman, so all turns out for the best and Lois gets the scoop of all time: there’s a super-man amongst us! Which gets all three of them hired on staff. Clark is exactly the way he should be: kind, thoughtful, empathetic, a little bit shy–and the cold open of episode 1, which has young Clark suddenly discovering that he can, actually, fly; and his excitement and wonder at discovering this sudden new ability slowly begins to fade–imagine learning at age ten or eleven that you have super-powers–and he begins to wonder not only who he is, but what he is….then after the opening credits it flashes forward to Metropolis and Clark and Jimmy–roommates–getting ready for their first day as interns. The chemistry between the three of them–truly the Holy Trinity of the Superman stories is Clark, Lois and Jimmy (it’s so nice to see Jimmy Olson finally getting something to do and being included as something more than just a bit part, which is a nice nod to Superman history), and I am really looking forward to watching more of it.
And the art is fantastic.
Well done, DC. I hope this series lasts and is a hit–and I hope James Gunn is watching so he can see how to do the Big Blue Boy Scout properly.
Someone asked me once, many years ago, about who I would cast in a movie or television series if the Scotty books were ever adapted. I honestly don’t remember who I originally cast, all those years ago, as Scotty, if given a choice; time has made Swiss cheese out of my memory banks, alas. I do remember thinking Christopher Meloni would be my choice for Frank, even though physically they aren’t alike (Frank is tall and more lean than Meloni) and I know I wanted to cast Pam Grier as Venus (God, what dream casting!), but the rest I don’t remember. Just as well, really, I suppose. If I were to cast them today, I’d probably go with someone like Jake Gyllenhaal as Scotty, or Tom Holland; someone like that. Frank would be a very good role for Alan Ritchson, but he’s not old enough, alas. Maybe Holland as Scotty, Gyllenhaal as Colin, and Ritchson for Frank?
That casting would make for some really amazing sex scenes.
But I don’t waste a lot of my time speculating about movie or television deals. The Scotty series was optioned once for two years, but nothing ever came of it (although I miss those quarterly checks I used to get before the option lapsed) and I don’t really see how one could film one of the Scotty books, anyway. Bourbon Street Blues would require a mob of hot male extras in various stages of undress, for one thing, and then a night shoot in a swamp. Jackson Square Jazz is more internal, and Mardi Gras Mambo would require the recreation of not only Carnival but one of the parades on St. Charles.
It’s fun to think about, but…truth be told I’d just sell the rights and sit back to wait and see how it all turned out. I really don’t have much desire to write for television or film; never have, actually. I also always remember James M. Cain’s response to a question about whether Hollywood had “ruined” his novels; he turned around, pointed to the copies on his bookshelf and said, “They look just fine to me.” (Caveat: at one point in my life I really want to be a writer for soaps. That is the only interest in writing for any type of live action entertainment I’ve ever had.)
Yesterday wound off not being such a great day, I’m afraid. I woke up feeling pretty good and seemed like everything was going to align for a pretty good day. I spent the morning doing touch-ups around the house between reading more of Lori Roy’s marvelous Edgar-winning Let Me Die in His Footsteps; I ran the errands that were needed; and I did some filing. But just when I was getting ready to settle in to work on the book…the Internet went out. Yes, we were having modem problems again, and after an extremely frustrating hour spent dealing with on-line tech assistance (which isn’t very helpful) I remembered something from the last time something went wrong with the Internet and I was able to get a stopgap fix into place, but by then my mood had gone down the toilet and I was feeling a lot of anxiety and frustration on top of anger. So, I sat down again my easy chair and reread the chapters again that I was supposed to be revising to see if the fixes I came up with the other night would actually work, and I believe that to be the case. It was also a reminder than I am still in the process of working through grief, because I really snapped and went down the dark path rather quickly and easily yesterday–so I thought it was probably best to simply go ahead and ride it out. Cox is coming out today to bring a new modem and get it set up, so hopefully this will put an end to this periodic Internet issue. (Our modem is ancient; so ancient they can’t even service them anymore, which is what we found out the last time there was an issue, and even as I type these words I am remembering the last tech advised me to get a new one and I never did because I forgot, of course.)
So today I am going to spend most of my day working on the revision and getting caught up. I have emails to answer but they can wait until Tuesday. I want to spend some more time with Lori Roy’s novel this morning, maybe even finishing it, and get a lot of writing done around other things, like touching shit up and more filing and cleaning the kitchen and so forth. I am pleased I got the errands handled yesterday and some cleaning around here, which was sorely needed. I also found my hearing test results so I can start trying to navigate the world of obtaining and financing hearing aids. There’s a part of me that thinks it will be marvelous to be able to hear at 100% again–if I ever did–and there’s another part of me that thinks it’s kind of nice that I don‘t hear everything. And I am trying to be kinder to. myself. That’s why I walked away from everything and just spent the day yesterday dealing with the negativity the day had introduced into my life. I knew I wouldn’t be able to really write anything because I was in too negative a place, and trying to work would make the darkness even worse (sometimes work can get me through the darkness, but yesterday I could tell–and this wasn’t me trying to be lazy or anything, either–it was one of those times when I would find the work frustrating and aggravating. The downward spiral was such that there was no spiraling up, and anything else would keep the spiral turning on its downward axis. I do know that much about myself–and even knew that I would probably try to beat myself up over losing a day to the moodiness and subconscious grief. But progress in the mental health sector of my life was made–I recognized and diagnosed where I was at yesterday and what would make it worse rather than better, and even this morning I am taking that as a win rather than berating myself for the loss of a day’s work.
And I am really enjoying turning this piece of shit into an actual Scotty book. (I was worried during the completion of the earlier drafts that I didn’t know how to write a Scotty book anymore; those worries were for naught. I just have to always remember that Scotty is there, inside my brain, and I will always find his voice again, even if it takes a while. I should always revisit one of the books before I try writing another one.) I have that sense of who he is again and what the books should be like and I am hearing his voice in my head again, all of which I am counting as wins.
I was also thinking about the next Scotty book–because when I am ever not looking ahead to what’s next on the horizon–as well as a call for submissions for an anthology I want to write something for. Crazy, right?
So, I think I am going to make another cup of coffee, go read for about an hour, and then dive back into the book. Have a lovely Sunday, Constant Reader, and I’ll talk to you again either later today or perhaps not until tomorrow.
Tuesday morning and back to the office. I made quota again yesterday but am still behind from missing on Friday or Saturday or whenever that was. It’s in the forties this morning–it feels chilly here in the apartment this morning, and it’s also dark outside. I’d forgotten over the three day weekend how much I hate getting up in the morning to darkness outside my windows. It really is oppressive having to wake up in the dark and get your day going while it’s still night outside.
We’ve been watching Sex Lives of College Girls and really enjoying it. It’s quite funny, occasionally sad, and very well done. I don’t even know why we started watching it–I’ve literally heard next to nothing about it, and had no idea it was a Mindy Kaling show until the credits–but it’s quite clever and enjoyable and funny. After years of seeing the male college experience, with its emphasis on drugs, alcohol, and sex, it’s fun to see it from the girls’ side of things–and a lot more interesting. It’s also laugh out loud funny at times, and at others, it’s rather poignant and sad. It focuses on four girls sharing a suite in the freshman dorms–one a rich society girl, one a scholarship student from a small town in Arizona, another a senator’s daughter and soccer athlete, and the final girl a sex-obsessed South Asian woman who wants to be a comedy writer–and watching their friendships and relationships grow organically is kind of nice. The rich girl is a deeply closeted lesbian who resists any push from sex/romance partners to come out–and those tired old excuses she trots are equally easily recognizable to anyone who’s ever been in the closet and thus living the double life. We have one more episode of season one left before we can move on to season 2–and the ongoing stories for each girl are kind of compelling and interesting to watch. It’s also fun watching the roommate bonding between them and their own friendships growing stronger over the course of the show. It’ll be even more fun seeing how it goes and grows.
It is hard to believe this is the last week of 2022, a time, one supposes, for casual and causal reflection on the past year as a new one is to be born. I do seem to recall the year as being a time of mostly being miserable and not enjoying myself much or being able to get much done, but once I start reflecting on everything that happened in the past year it was actually a good one overall; there were a lot of frustrations and miseries along the way, but somehow I managed to keep plugging along and keeping going. A lot of the misery was a feeling of disorientation, primarily driven by having to get up early several mornings per week–always a bad thing for me, it also shifts me into a misery-adjacent position–and never really feeling like I had a handle on things because there was always so much to do, which in its turn created anxiety and stress which then manifested as insomnia which then made me tired every day and often too tired to get much of anything done, which then added to the anxiety and stress which then made the insomnia more potent and so on and on it went, a vicious carousel where the brass ring was always just slightly out of reach for me. That’s kind of how everything has felt since the pandemic started back in March of 2020 (going on three years now)–I had just started adjusting to my work schedule in our new building when the bottom dropped out and I no longer felt like I had a handle on my life anymore. That is unsettling for me, being much more of a control freak than I ever thought I was; and one thing I would really prefer in 2023 is to not feel like the strands of my life are slipping uncontrollably through my hands–ad leaving rope burns.
Of course, as I am behind on my book and need to spend as much time as possible between now and this weekend finishing it, I may not have much time for careful and studied reflection on the new year and what I want from it as opposed to what I got from the previous year, or what I accomplished, or what I left unfinished. But from looking over my client schedule for the week, it looks pretty light; I think most of the doctors are out this week for the most part so no one will be added to the schedule, either. Next week we start seeing people every half hour, which is pre-pandemic level scheduling; it’ll take a while for that to start getting out of control and to the point where we actually have someone scheduled every half-hour, which we’ve not done since before the shutdown (it feels like that should become a thing, doesn’t it–Before The Shutdown, BTS for short). Which means my day-job will be busier and my every hour of my every work day up in the air. Woo-hoo! I love that for me (sarcasm font).
The book is coming along nicely, I suppose. It’s great to hit the word count every day (even though I missed a day and need to make it up at some point), and it’s nice to know that I can still sit down at the computer and bang out three thousand or so shitty words on a daily basis. I am always afraid that’s not going to happen someday when I sit down; it does sometimes, but it’s usually more from laziness of my own than anything else, really. But that doesn’t lessen the fear that the day will come when it won’t be my own laziness and desire to just sit in my chair watching whatever Youtube videos come up to watch after picking one I want to see. I also have to decide what I am going to read next, digging something out from the ever growing and teetering TBR Stack, which is about to grow again as I ordered books for my Christmas present to myself–more Ruth Ware, Carol Goodman, a few I saw recommended by other writers, Jami Attenberg’s writing memoir, and of course a Hollywood memoir of a bisexual actor (more research for Chlorine, of course). I am also finally reaching the end of my extremely long, over a thousand pages Robert Caro biography of Robert Moses, which means I’ll finally be ready to tackle another lengthy non-fiction book as well. It has taken me years to read the Moses biography, which is extremely well done (it IS Robert Caro, after all) and it’s also fascinating to see how ONE man reshaped the city of New York as well as the future of Long Island–and not necessarily for the betterment of either. I think I will probably move on to David McCullough’s history of the building of the Panama Canal, or his book on the Johnstown Flood (it’s much shorter).
I was also looking at all the blog entries I’ve started as essays about one thing or another over the past few years, and thinking one of my goals for 2023 is to finally get those entries finished and posted and out of the draft folder. Something else for the goal list to post on New Year’s Day, I suppose.
And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.
Apparently Utah stomped USC last night in the Pac-12 championship game, which throws the college football playoffs into a bit of chaos. At this point I am rooting for chaos, frankly. Since LSU is out of it, I want everyone in the Top 4 to lose today (with apologies to all of their fans) simply because I do want this to be as insane as the entire season has been so far. This has been easily the craziest college football season since 2007, which has made it a lot less predictable and a lot more fun to watch. Do I think LSU has a chance to beat Georgia today? Probably not, but…the last time LSU went to the championship game with three or more losses, they played a one-loss Tennessee team that was ranked second in the country and heading to the national championship game. No one gave LSU a chance–but somehow they won, 31-20, without their starting quarterback or their star running back, going on to trounce Big 10 champion Illinois in the Sugar Bowl. So there’s precedent for it happening again, but as I said, I find it highly unlikely.
I slept late this morning–all the way until eight thirty, a miracle–and it was sound. I got up once during the night to go to the bathroom and immediately went right back to a deep, restful sleep that felt absolutely marvelous. I feel very rested this morning, and feel like if all goes well this could be a highly productive day. I do have to get the mail and probably stop at Fresh Market for a few things, and I also need to order groceries for pick-up tomorrow morning, but other than that I plan on being here, parked in front of my computer, for most of the day. I don’t care much about today’s football games other than who wins, and I can follow that on Twitter (as I did the USC-Utah game last night), so I should be able to get writing work done today as well as some necessary and needed cleaning and filing and organizing.
Last night, Paul and I watched Bros, and I feel like I kind of owe Billy Eichner an apology for not going to see it in the theater. I’ve never much cared for Eichner, in all honesty–the mean-spirited bitchy persona he’s always personified as his schtick is one that I’ve never connected with, and so my reaction to the trailers and press about the movie was always, why would I pay this much money to go see him be an asshole for two hours? And yes, the character he plays is very similar to the comic persona he’s developed over his career–the difference is Bros fleshes him out as the character Bobby (Bobby/Billy; see what I mean?) and makes him three-dimensional and yes, dare I say it? Relatable and likable. Luke McFarlane is also incredibly likable as Aaron, his love interest–and of course the fact that he’s beautiful makes him, I suppose, that much more relatable. Both are emotionally unavailable and have no desire to deal with the drama dating entails, but as they spend more time with each other and keep challenging each other to be better versions of themselves, it actually is a charming, sometimes funny, and all too human romantic comedy–the kind we gays have been begging Hollywood to make for decades. I don’t know if publicly admonishing the audience for not turning up to the theater opening weekend was perhaps the smartest public relations move or not, but I really enjoyed the movie. A lot. It was very smart, had a lot of things to say about being gay or queer in this modern age of hookup apps and computer dating, and I actually felt like I was watching two real gay men fumbling their way towards an actual relationship–and rooting for them to get there. It was a very pleasant surprise, and is one of the best gay romance movies I’ve ever seen.
So, I’ll say it again: I’m sorry, Billy, for not seeing it in the theater on opening weekend. I don’t see many movies in the theater–I think the last one I did see was either Aquaman or Wonder Woman 84, and I probably should have supported Bros. My apologies. There are also some incredibly real moments in the movie that I could actually relate to–the soliloquy on the beach on Provincetown about how being so unmistakably gay as Bobby was altered and changed the trajectory of his life, going so far as to destroy his dreams and force him to reevaluate and come up with new ones. That resonated with me–my experience with the college writing professor is never far from my mind–and it also made me think about how many other gays or queers have had that same experience with an authority figure?
It’s a good movie when it makes you think and reevaluate your own life, you know? So well done, Mr. Eichner, and again, I’m sorry. I enjoyed your movie, think it’s one of the best gay films I’ve ever seen, and you were right to chastise us for not supporting it during it’s theatrical run.
Interestingly enough, I’ve been thinking over this past year that I actually may want to write a gay romance. I’ve been toying with the idea for at least that long, and I know writing a cozy has something to do with that. I also have an idea, I just am not sure how to execute it–but I am going to put it on the list for potential 2023 projects.
And on that note, I am going to get cleaned up and get my day started. Have a lovely Saturday, Constant Reader.
Thursday, and the last day this week I have to get up so damned early. I was, however, delighted to wake up and find out that Nathan Chen had won the men’s gold in figure skating (YAY!)–I was watching, fell asleep in my chair, and couldn’t stay up to watch it all. (I’ll watch Nathan on Youtube sometime today–probably when I get home from work this afternoon.) Naturally, I am delighted for Nathan after his disappointment at Pyeongchang four years ago.
I am starting the recovery (or rather, further along in the process) from last weekend’s trip and the deadline crunches that nearly wiped me out; I am still trying to get caught up on my emails that have, well, festered in my inbox now for the last month or so–the deadly crunch of trying to get the book done–and I still have some other things that I left pending for quite some time that need to be handled as well. But I think I can get all that finished (or caught up) over the course of the next few days as well as the weekend, and I am looking forward to coming out of the weekend on Monday (four days in the office next week, sob) with a fairly clean slate and ready to get going on everything else. The weekend, with no writing that needs to be done, looms large; I am sure part of my chores this weekend will also include cleaning the Lost Apartment and doing some filing, since that’s also gotten completely out of control over the last few months as well. My primary goal is to get organized again–I’ve felt unorganized and unable to get caught up for several years now–and I feel like once that miracle occurs, I should be able to stay that way, or at least let it slide for a bit before getting back on track on the weekends.
That’s the plan, at any rate.
But I had another great night’s sleep last night, which felt marvelous. I do feel more rested and more together today than I have all week, which is odd–given that usually on my third early morning I am usually more tired than I have been all week–but I’ve been sleeping really well since I got home, and sleeping late on Saturday (I may have some car things to do tomorrow morning, which I am not terribly thrilled about, frankly, but I don’t ever want to buy another car and so I have to make this one last forever, even if it means getting up early on a day when I usually don’t have to) is going to be very appealing. Ah, well, nothing to do but bite the bullet and get up and go and get it over with (oil change, nail in tire). I can, at least, take a book with me tomorrow morning and utilize the time to read–and since I will be on the West Bank, I can make groceries over there and get lunch at Sonic before heading home to make condom packs and data entry. Yay for an exciting Friday!
And it wouldn’t hurt for me to start looking through my Chlorine file, to get a sense of what’s been written and what needs to be written and some of the inspirations–I’ve been snagging photos from old Physique-style magazines, as well as beefcake shots of hunky movie stars from the olden days of Paull Wilson and so forth from that same time period to use for help in creating my own world of marginally talented beautiful men who allowed gay men in positions of power in Hollywood to use their bodies to get ahead in the business–and am actually kind of looking forward to digging into it again, frankly. Writing a historical is, by its very nature, problematic–you have to research things, you have to remember or find out how things worked (could you direct dial a local number in Los Angeles in 1952?)–but I am going to push through the first draft, methinks, and then do the research painstakingly as I edit my way through the bitch once it’s finished. I have another story request for the end of this month (time is running out here) and another one that is due in early April; but both should be easier to put together than this one I just had to desperately finish at the last minute to get in on time. I think this year might be a good short story year for one Gregalicious; I think I have several stories in the pipeline that will be coming out this year–all of them remarkably different in subject matter, voice, and tone–which makes them all the more fun, don’t you think?
I also just got another book idea–seriously, it never ends in my head–and on that note, I think I will head into the spice mines.
Thursday and just got home from the hideous experience of having bloodwork done. I am not exactly sure when precisely I turned into such a delicate goddamned flower, but every time now I have blood drawn I get a gnarly-looking bruise on the spot where the needle went into my arm. Back in the day when my veins used to roll and they had to dig to get the needle in (always a most unpleasant experience) it made sense that afterwards I looked like I’d been hooked up to a dialysis machine. Now the needle goes straight in, without any pain, and yet I still develop a particularly nasty bruise.
Sigh. The bruise from last week’s blood draw just finally went away, and now I am going to have a new one. Heavy heaving sigh.
Ah, well, and so it goes.
But at least NOW I can have coffee. I had to fast for this, especially since my quarterly bloodwork (for my PrEP prescription) had shown high glucose levels (I always have them done after I’ve had lunch as fasting is not required SURPRISE–blood glucose is high after I eat. IMAGINE THAT) so I definitely need to have a diabetes test run (better safe than sorry, right)… and I have to confess rather shame-facedly that the last time I had fasting bloodwork done I had coffee before having it done. Yes, Bad Greg, bad Greg, bad Greg indeed.
Today is yet another exciting day of condom packing and doing some quality assurance reviews of paperwork from work. I will naturally get caught up on Superman and Lois today as well as the two franchises of Real Housewives I am still watching (New York and Beverly Hills, although it’s more of a habit to watch these than anything else, really) and maybe–just maybe–there will be time for a movie as well. Not sure what that might be, but there are so many options anymore! I am also hopeful that there will be time for me to work on Chlorine and get some time in with Razorblade Tears. Paul is going to bring home dinner with him tonight–anniversary meal, from Hoshun (I’ve been wanting lo mein lately)–and then I guess we’ll either figure out what we’re going to watch next (note to self: find out if he wants to keep watching Loki, because if not, I can watch it alone) or he’ll do some work. I also need to bag up some more beads to drop off for ARC (honestly, we literally have beads every fucking where) and I’d like to get some more books culled so I can take them to the library sale on Saturday.
I wrote about 1500 words on Chapter Two of Chlorine yesterday; it wasn’t easy and rather like pulling teeth, actually, so I kind of would like to revisit (not reread; I can just page through it at random to get a feel for tone and voice) James M. Cain’s Double Indemnity, which is one of my favorite books of all time; I feel like in this chapter I am being too wordy, which is always a problem for me with my writing–I over-explain, I tend to have long long sentences connected by and, I often fuck up the rhythm of the words, which greatly affects and impacts the voice and tone of the story. The problem with Chlorine is there’s a lot of backstory–and since it’s Hollywood during the dying days of the studio system–what is artifice? What is real? What is rumor? I also have the ability to mention actual stars of the period–even if they aren’t in the book itself, but can be mentioned in passing, which is a lot of fun–I wrote something yesterday about a female star claiming she was “up there with Hepburn, Crawford, Davis, Garbo; you can say Karla and everyone knows who you mean.” (And yes, I just realized that the Garbo-based character in The Love Machine by Jacqueline Susann was also named Karla; although it did not even subconsciously affect my naming of this character–Karla Weiss the half-American, half-German Jewish actress who emigrated to the US to become a star immediately was someone I created way back in 1996, inspired entirely by a black-and-white photograph of a friend; I looked at the picture and invented Karla Weiss and her backstory and it’s been in the back of my mind for the last twenty-five years; she fits in here–and while I originally had her winding up in New Orleans and becoming a recluse for a Chanse or Scotty story, it could still work, I suppose; but she would be WAY too old unless I went back and set that case years ago in the past, which could also work….see how these wormholes form for me?)
Then again, who knows? I could open up the document and next thing you know words are flowing from my fingers like water from a spigot.
This, by the way, is why writers drink.
That said, I did pick up some mixers at the grocery store on the way home–grapefruit juice and margarita mix, as well as a salt thing for the rim of the glass–and am really looking forward to getting some Patrón on the next Costco run. Don’t get me wrong, I am going to continue trying to perfect the dirty vodka martini–but the last one turned out so terribly that I am quite literally afraid to try again. Perhaps I should get some gin as well? Hmmmm. Oh, Costco and your inexpensive liquor.
And on that note, it’s about time for me to head into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll chat with you again tomorrow!
Sunday morning, and I am swilling coffee and eating coffee cake and trying to wake up. I slept very well again last night, and am starting to feel more…normal, whatever that means for me, since I am anything but normal. I have things to get done today, but the apartment is starting to feel like home again for the first time in a while (since everything went haywire week before last). The laundry room is mostly reassembled, and the book shelves in there look neat and tidy and organized, which rather pleases me. The living room is….well, the living room. I am always going to have too many books in my house (even typing that a voice inside my head was shrieking you can never have too many books what are you talking about?); but I am developing a certain heartlessness as I continue to fill boxes with books for the library sale. At some point, I am going to have to start going through the boxes of books on top of the kitchen cabinets and the ones in the storage attic, and my goal is to have cleaned out not only the attic but the storage unit I’ve rented for far too long.
We finished the first season of Very Scary People on HBO last night, concluding with the two-parter on Jim Jones (we skipped Gacy–have seen enough of him lately already–and Aileen Wuornos, because we watched one on her already recently) and will be moving on to season two probably this evening. I am way behind on Superman and Lois–mainly because it’s something I started watching without Paul and so, rather than trying to get him caught up, I am just going to continue watching without him (I always, inevitably, have to fill him in on super-hero backstory and so forth anyway in most cases, though I think he knows enough Superman lore–doesn’t everyone, really–that he wouldn’t need explanations in this case).
I’ve started–sort of–working on Chlorine this weekend, mostly free hand and mostly in my journal, mapping out backstory and so forth for the main character, and I’ve also started working on the backstory for the body in the surf, and the plot–which was kind of amorphously planned in my head, but yesterday I started nailing down specifics in the plot. It’s going to be kind of fun to write, I think–I always think that going into a manuscript; ever the optimist–and while it’s very tempting to use real people as characters, I think I will make the ones who actually are on the page and participating in the story fictional, but mention others–Joan Crawford, Bette Davis, Errol Flynn, etc.–in passing. I know the studio is going to be fictional–tempted as I am to use Fox or MGM–and I also know I need to sprinkle in some of the conservatism that reigned then, as everyone was afraid of Communists and having to testify in front of HUAC in Washington; it was the time of ‘the lavender scare” (also the title of a terrific history of the period and this very thing, by David Johnson; I highly recommend it) and so homosexuality was also driven even further underground because we were seen as security risks, particularly if we worked in government since it put us at risk for blackmail by Communists (I touched on this briefly in my story “The Weight of a Feather”, collected in Survivor’s Guilt and Other Stories).
I also worked on getting organized yesterday. I did a lot of filing, and took a lot of books off my desk and replaced them with ones I’ll be using for research and background for this book. I kind of feel like I already know my main character (even though I couldn’t remember his name yesterday as I wrote notes in my journal); he grew up in Kansas, was caught by his father in a “compromising position” with his high school basketball coach in the tiny little town he grew up in and was forced to enter the military at age 17–going into the Navy and serving in the South Pacific, where he found other men like himself, and thus became familiar with the underground gay community within the military, as well as in Honolulu and Los Angeles (on leaves). After mustering out in 1946 he comes to LA to become a movie star, is discovered by a Henry Willson type agent, and at the start of the story his seven year control with Pacific Pictures is coming to an end, they aren’t going to renew his contract, and he is in fact being sacrificed to a tabloid in order to protect another client, a rising star the tabloid was going to out–loosely based on how Henry Willson sold out Rory Calhoun and Tab Hunter to Confidential to save Rock Hudson; but unlike them, my character’s agent has a plan for him: a long-term contract to work with an Italian film company making sword-and-sandal epics.
It’s a great set-up, and one that I hope to not let down…right now I am feeling confident that I can write this and it will be amazing; of course, once I start the doubts and imposter syndrome will start creeping in and I will spend most of my time wondering what the hell I was thinking to try to write such a thing in the first place.
I couldn’t have picked a better career path for a neurotic, could I?
I also lined up all the potential short story calls I am interested in submitting to, matched them up with an in-progress story that fits their call (or at least what does in my mind; I am really not that great a judge of these things, in all honesty) and need to plan out when to reread and when to rewrite. It’s very strange; now that I am coming out of the exhaustion from the writing of the two books back to back I am amazed at how light I feel; I don’t feel that oppressive burden nor the stress that comes from carrying it. I know both manuscripts need work and I need to revise and rework and edit one last time with each, and there’s a deadline for the first for sure–but I am going to put that off until next weekend, when I have the time to sit and go through Bury Me in Shadows from beginning to end, making notes, making corrections, and so on and so forth to get it polished into a diamond…or as close to one as I can get one of my books.
So, I am going to spend the rest of this morning swilling coffee and trying to finish reading The Russia House. I love LeCarré; he is such a terrific writer I can get lost in his sentences and paragraphs forever–but I find myself not loving the plot or the characters in this one, which is why it’s taking me so long to get through this one, I think. He also does an excellent job of taking me back into that 1980’s world/mentality of the Cold War and the collapse of the Soviet Union–that halcyon time when the fear of nuclear annihilation began to fade somewhat but at the same time the worry of what would fill the vacuum created by that collapse was almost nearly as intense (it didn’t take long for conservatives to replace Communists with Muslims as the scary other from another part of the world determined to destroy us); not to mention the wondering if glasnost and perestroika weren’t real or sincerely meant; LeCarré does an absolutely amazing job with that cold intelligence paranoia.
And then, for something similar yet completely different, I am going to reread Dorothy Gilman’s The Unexpected Mrs. Pollifax.
I also would like to get back to the gym today; it looks absolutely lovely outside, and the walk will be lovely.
Until tomorrow, Constant Reader. Have a lovely Sunday!
Queer and Loathing in America 