Tag: Historic New Orleans Collection

Oh Very Young

Friday morning and I slept late and I don’t care. I also did little to nothing yesterday and I don’t feel in the least bit guilty about it, either. Ordinarily, I’d be chastising myself and feeling like I wasted an entire day, but so what if I did? Am I never allowed to actually have a day off where I don’t do much of anything? I did get the laundry finally done, but I’m not going to kill myself this weekend, either. There are definitely things I need to do today–laundry, errands, gym, writing–but I am going to get to things when I get to them and if I don’t, there’s always another day.

And if there isn’t, oh well, no need to worry about any of it, is there?

Yesterday was lovely, as non-active days inevitably are. I wrote some posts and worked on the laundry yesterday morning, but once Paul got up, I turned the television onto Wimbledon for him and I kept sitting here at my desk, finishing that blog post, which was very cool–the television usually is a distraction, and it wasn’t yesterday. I did eventually move into the living room to watch television with him, and we got caught up on The Boys (which is going so hard on the right this season that sometimes I laugh out loud; one of the most horrible supes this week quote that trash from Georgia MTG, and then I realized the entire character was her, and laughed and laughed and laughed), then watched the entire new season of That 90’s Show (the best character is Ozzie the young gay). We also finished the Dallas Cowboys Cheerleaders documentary on Netflix, which again was really just a better produced and edited together season of their old reality show, but a lot more serious and it also went in on some of the girls more. I said, while watching, “It really does take a certain kind of person to want to be one of these girls, doesn’t it? It’s like they create this big sorority.” That was what it reminded me the most of–a big sorority–with little to no drama between the girls…which I suspect would NOT be tolerated should it ever happen. Usually watching anything documentary style, or non-fictional, usually gives me several ideas of how this little “bubble” they live in could lead to crime; and I realized yesterday in all our years watching Making the Team and now this, that’s never happened once. Even sitting here this morning with my coffee and a cat in my inbox (Sparky is watching Cat TV out the window), I cannot think of why anyone would want to kill any of those girls or even their coaching staff. Kellie, the primary coach, reminds me a lot of that woman from Navarro from the Cheer series.

Besides, I was just thinking the other day that if and when I write another young adult novel, I am not going to write about cheerleaders and football players. That was my primary experience in high school, but there are so many other kids that are neither of those things and I kind of would like to write from a different perspective rather than the usual, high school stereotype kids. (Which, now that I’ve said that, is precisely who The Grimoire of Broken Dreams is about; so it will be the last of those…but The Summer of Lost Boys will be about a high school outsider; it’s the only way the story works in the first place.)

I do have some picking up to do today, and I certainly need to get the dishes done–which always makes such a difference when it comes to how the kitchen looks–and I’d like to get some more filing work done…at least alphabetizing so the files are easily found. I have one more file drawer to get through–there’s a lot of sorting that needs to be done on it–and then that is finished. I’d like to get started moving boxes off the tops of the cabinets this weekend, too. Some of it is just paper that can go in the trash; others are books that also need to be gone through. I hope the library sale is open tomorrow so I can drop these books off to them, which will also make the living room look less cluttered. I also have a long term scanning project to work on, too–all my old articles and reviews and so forth that I have stored neatly in a box; I’d like to get that all scanned so I can give these old queer magazines and newspapers to the local queer archive. I hate throwing it all in the trash; someone might someday want to see these old issues of Lambda Book Report that I edited, and I doubt they are electronically available; it wouldn’t surprise me if even Lambda didn’t have copies of its issues going back to the 1980s.

There’s a part of me–the packrat part–that wants to keep all of this and archive it and all my papers and put them somewhere, like at Tulane (who wanted them at one point) or the Historic New Orleans Collection; but that seems a lot like hubris to me, you know? “Oh I am so important my papers need to be collected for future scholars and historians” isn’t something that rolls easily off my keyboard, you know? After a lifetime of not being taken seriously to the point that I rarely take myself seriously, it’s hard for me to imagine that my writing and my life would be of interest to anyone in the future, you know? Someone told me that I was the only writer who documented what life was like here for a gay man before Katrina, and sadly, all I can do is think of all the things I haven’t documented here, like the wars over Southern Decadence against homophobic pedophile Grant Storms (it’s always projection with them, isn’t it?)–I wanted to write a book about that, and Storms himself along with psychotic Louisiana Republican politician Woody Jenkins1 inspired Bourbon Street Blues–and various other battles here in the state. Cancer Alley, the poisoning of poor black communities by petrochemical plants and oil refineries, the loss of the coastline and the wetlands are all things that should be written about, and I really wish there was some John D. Macdonald here in Louisiana who could write about the environmental disaster the state already is, and how we are making it worse by the day every day.

But I’ve decided2 to just throw it all away, really. I don’t have the time or the interest to catalogue and organize a lifetime of writing, let alone the logistics of getting it all somewhere, and every draft I’ve written is electronic, except for the files that are so old no program will recognize them anymore, and there’s also this blog. It’s never been the whole story, and it’s always been relatively carefully curated, but when I do write things here I don’t censor myself. The only blog topics that have always been off-limits are Paul, my family, and deeply personal stuff. I also try very hard not to invade the privacy of my friends, which I wasn’t so good about in the early days back at livejournal almost twenty years ago.

I also think that’s why I want to keep doing the Greg’s Gay Life or Pride Posts throughout the rest of the year. I’d like to document more of my past, the things that I clung to (like the tiny queer rep in film, movies and books when I was a gayby), and sharing what it was like to live through things. I have no desire to write a memoir of any kind, but I kind of do at the same time, but my fear is always the faulty memory and the memories of the other people who were there will inevitably be different. I’ve already noticed how the kids I went to high school with clearly had no idea how miserable I was; the mask I wore of the class clown who makes sure everyone is having fun was more successful than I ever thought it was…although I have become convinced everyone knew somehow I was gay. That delusion was hard to let go of, but it’s also true. No one I ever came out to was surprised, you know.

Maybe my memoir could be called Deluded.

And on that note, I am getting some more coffee and going to work on the sink. Have a lovely Friday, whether you are off like me or have to work. I’ll most likely be back later.

  1. Jenkins was too extreme for Louisiana back then, but he’s to the left of our current governor. Jenkins was also the first Republican that I can recall who claimed the election was stolen from him and wanted an FBI investigation. This behavior killed his career in state politics; he couldn’t even get elected to represent the racist part of Baton Rouge that recently seceded from the capital. And yes, Louisiana will go at least 60% for another crybaby sore loser this November. Funny how that works. ↩︎
  2. Don’t @ me about this; my mind is made up. ↩︎

Evangeline

One of the great joys of my life has always been history. One of the many reasons I love New Orleans so much is because the city has never completely paved over and replaced its history; on a foggy night in the French Quarter, the sound of mules pulling tour carriage clopping on the streets can make you feel like you’ve somehow stepped through a window into the past, and I love that. I’ve never known much beyond some basics of New Orleans and Louisiana history; and I’ve been going down rabbit holes since right around the start of the pandemic, learning more and more about the history here. It’s humbling to realize how little I actually did know. I knew when the French arrived; I know how English Turn got its name and when Louisiana was turned over to Spain (1763, to be exact) and when it became American (1803). I also know Napoleon sold Louisiana to the Americans before he succeeded in forcing the Spanish to return it to France….so he could sell it to the Americans. I know New Orleans fell to the Union in 1862 during the Civil War; I know a little bit about Storyville and Huey Long; and I know that the landing boats used for the Normandy invasion in World War II in 1944 were built here. I know a smattering of things post-war about New Orleans–but the gaps in my knowledge are staggering, and I know even less about the rest of the state’s history.

I know that the Cajuns are actually Acadians, from French Nova Scotia, kicked out after the French and Indian War and forced to resettle elsewhere–many of them, after a long and mostly horrific journey, arrived in the swampy wetlands of Louisiana and made their home here. I know that Longfellow’s epic poem “Evangeline”, about two lovers tragically separated during what is called le grande derangement–the Great Expulsion–who promise to find each other once they reach Louisiana. It’s a tragic poem, and of course the Evangeline Oak in St. Martinsville is supposedly the”place” that the fictional lovers finally found each other after so many years, but their pairing was simply not meant to be–the story is a tragedy, after all–but that was how the “Cajuns” came to be Louisianans, and even after they arrived it wasn’t easy for them here. The Creoles of New Orleans looked down their aristocratic noses at the lower class farmers, and so they settled in the part of Louisiana still known as Acadiana to this day.

I have a copy of Evangeline somewhere. I really should read it.

One of these years, I am going to explore my state more. I’ve lived in Louisiana now for almost twenty-seven years, and I’ve never done much in terms of exploration, sight-seeing, and research. The Atchafalaya Basin fascinates me, as does Acadiana. The more I read about the history of both New Orleans and Louisiana, the more I realize how little I know (I always laughed off being called a “New Orleans expert,” because there’s literally a library filled with information about the past of both the city and the state to completely humble me and make me realize I know actually very little about either, and definitely do not qualify to be called expert on anything Louisiana.

I’ve slowly started writing about the rest of Louisiana, but I often fictionalize the places I write about; they are loosely based on the reality but I get to play around with that sort of thing and that’s better for me than trying to write about the real places and making it all up. My first time outside of New Orleans writing about Louisiana was really Bourbon Street Blues, when Scotty is kidnapped by the bad guys and winds up deep in a swamp. “Rougarou” was when I came up with a fictional town and parish outside of New Orleans, which I’ve used since then again. Need had portions that were set in the rural parishes outside of the New Orleans metropolitan area. The Orion Mask and Murder in the Arts District also were heavily reliant on being set (at least partially) in a fictional parish between New Orleans and Baton Rouge. “Solace in a Dying Hour” is another one of these stories. Oh, and Baton Rouge Bingo also had a lot of action outside of New Orleans as well.

I probably should have majored in History for college, but what would I have done with that kind of degree other than teach? Ah, the paths not taken, since I never had any desire to be a teacher, probably my subconscious saying um, you cannot be a teacher because of who you really are which was probably smart. Besides, I wouldn’t have ever been able to pick a period to specialize in; I would have had to be like Barbara Tuchman, interested in everything and picking certain periods that intrigued me for study. How could I ever choose between the Wars of Religion and seventeenth century France, or the Hapsburgs in Spain and Austria? Although I suppose I could have specialize entirely in the sixteenth century, primarily because it was such a tumultuous transitional century. I wish I was a trained researcher, but I suppose I could still learn how to do research properly despite my great age; the problem is time. Fall Saturdays are given over to college football (and I am not giving up one of the great joys of my life) and of course Sunday I watch the Saints. But if I am going to write historical fiction set in New Orleans or Louisiana, why wouldn’t I avail myself of all of the magnificent research facilities here in the city? UNO, Tulane, Loyola and I’m sure Xavier all have archives in their libraries documenting the past here; there’s the Historic New Orleans Collection and the Williams Research Center and really, so so very much. I also need to explore the bayou parishes and the river parishes, and make my way further north to explore Acadiana…and if I ever want to write a book based on the Jeff Davis Eight, I would need to go visit that parish and look around, get a grasp for how it feels and looks there.

So much to do, so little time…and one of the great problems about Louisiana and New Orleans history is trying to decipher what is fact and what is fiction; as so many “historians” and “writers” (looking at you, Robert Tallant and Harnett Kane) often wrote legends and lore as historical fact. I’m not sure how much of Gumbo Ya-Ya is actually true or not, but for writing fiction…perhaps it doesn’t matter as much how right it is? I have this idea for a story, predicated on something I recently discovered again–I have a tendency to forget things–but there was a community just outside of New Orleans called St. Malo, which was settled by Filipinos who’d escaped bondage on Spanish sailing ships. Filipinos in Louisiana in the eighteenth century? But it’s true; and the community was mostly houses and buildings built over the water; the 1915 hurricane destroyed it completely and it was never resettled, with those who survived moving into the city proper. I have an idea for a story called “Prayers to St. Malo” that would be built around that, but the story is still taking shape. There is always more to learn about regional history here…and since I am doing such a deep dive into Alabama history, why not continue diving in regional here?

Louisiana is unique and special and different–which is why I think I felt at home here that fateful thirty-third birthday when I came to New Orleans to celebrate it. New Orleans was the first place I ever felt like I belonged, and I’ve never regretted moving here. I just wish I’d started diving into the local history sooner.

Stronger (What Doesn’t Kill You)

I managed to get the page and cover proofs for Bury Me in Shadows finished yesterday, and yes, I am at the point again where I am so heartily sick of this book I’d rather not ever look at it again. It’s a good book; I like my main character and I enjoy the story and how it all plays out; I even think I got the tone I was going for correct–I just don’t ever want to have to read it ever again; this is par for the course, and frankly, I was a little surprised as I started going through the proofs that I wasn’t already there; I usually am by this point, and so I am taking this as a good sign for the book. Soon it will be up to the reviewers and the readers and there’s nothing I can do about it anymore. Now all I have to do is fill out the forms and turn them in and I can close up the box with all the drafts and notes and thoughts and everything else under the sun for the book and put it away up in the attic with the other accumulated boxes…which I really need to decide to do something with, and sooner rather than later. Tulane’s Louisiana Historical Research Center had shown some interest in them about a decade or so ago; I should probably renew that conversation at some point; maybe the Historic New Orleans Collection would be interested–I honestly don’t know. But the sooner this stuff it out of my attic and my storage the better, frankly. I should set a date to get them donated and if no one does, indeed, want them–toss them out and be done with it once and for all.

I also wrote an outline/synopsis of what I am going to finish writing for my friend’s website this morning, which I will need to flesh out and finish this morning. Over all, yesterday was a very good day–I also wrote notes for Chapter Four of Chlorine, which I hope to get to finish today, around going to the gym, which would also be lovely.

We’re watching the final season of Animal Kingdom on Hulu; the show seems weird without Ellen Barkin’s chilling performance as Smurf at the heart of it–and I don’t think the flashbacks to her as a young mom committing crimes and using/discarding men are necessary; the actress playing her as a young woman is good–but as I said to Paul last night, “but I think of young Ellen Barkin and how she’d be killing this role, and this young actress just isn’t young Ellen Barkin.” The show is still high quality, though–we’re enjoying it and I would recommend it–and I think tonight we may start watching the new season of Ted Lasso. We’ve been holding off on starting because it’s such a joy to binge-watch; but I am getting more and more impatient to get started. Several other shows we’ve enjoyed–Sky Rojo, Control Z, Dark Desires, Titans–have either dropped new seasons or will be at some point this month, so we should be set for viewing for a while.

I also started writing a short story yesterday–yes, I know, I know, but this is the curse of creative ADHD–called “A Midnight Train Going Anywhere.” Yes, the title came to me while I was listening to Journey’s “Don’t Stop Believin'” and I thought, she took a midnight train going anywhere was a great image (I’ve always thought so) and as I thought about it some more, I saw a train pulling into a whistle stop station in the middle of Kansas (Kansas has been on my brain a lot lately, because my main character from Chlorine is from there and of course I am about to give the Kansas book it’s final polish from editorial notes) and I just had the image–the lonely platform, the train’s whistle on a cold clear night, the darkness lying on the town at midnight, the only light the station–and a man, sitting on the train, heading west, awakened by the change of the rhythm of the train wheels, getting up to walk around the station platform to work out the kinks in his legs, back and shoulders from riding on the train–but beyond that, I couldn’t really think of anything. I wrote down that entire set-up scene, scribbled away in my new journal (started a new one yesterday!) and didn’t know where to go from there….I have some vague, amorphous ideas, but I also love the idea about writing about a train in a past time–it was also very clear to me this wasn’t an Amtrak train so it had to be set in the distant past (also another nod to Chlorine), but am not sure where it will go or if it will come to anything; I’ll wind up transcribing it today at some point, I am sure. Maybe it will turn into something, maybe it will go into the files with all the others and collect dust there, who knows? What I do know is I have until the end of September to finish Chlorine, so I can spend the final quarter of the year writing Mississippi River Mischief, which will be Scotty IX.

Yikes, right?

The house is also still a hideous mess; I am going to finish the laundry (folding) and empty/refill the dishwasher this morning before i dive into the website writing and the writing of Chapter 4 of Chlorine before heading to the gym this afternoon. I’ve been terrible; I just haven’t had the wherewithal to actually face the heat and walk over there this past week; I don’t think I’ve been since Sunday, to be perfectly honest with you (I had a horrible moment yesterday where I couldn’t remember Thursday–which was a bit terrifying, and then I shrugged and gave up trying, essentially thinking obviously nothing major happened on Thursday if you can’t remember anything), so today’s workout will undoubtedly be exhausting and more than a little painful; but I can hang with it. It’s weird not having the motivation of results anymore–I really don’t care if I look good; that ship has long since sailed and the latest age-related shifts to my body have pretty much let me know I will never be as lean and defined and muscular as I was fifteen years ago, and that’s perfectly fine–but this phase of Greg’s workouts is about feeling better, feeling stretched, maintaining the strength and flexibility of my body, and if the muscles grow and the overall body gets leaner, so be it.

At least I am not obsessively looking at myself in the mirror trying to find trouble spots where fat has accumulated and obsessing about how to get rid of it, thinking that will solve everything. (Helpful hint: it solved nothing.)

I’d also like to spend some time reading this morning; maybe an hour before I get to the writing stuff, after folding the laundry, putting away the clean dishes as well as washing the dirty ones and putting them in the dishwasher. I like Sundays, really; it would be my favorite day of the week if it didn’t end with going to bed and waking up to Monday morning. I seem to always be fairly level on Sundays, focused and relaxed and able to get things done that I want to get done, if you know what I mean. I have a four day weekend next weekend thanks to the office closing to give us all a mini-thank you-vacation for working in a public health clinic during a world-wide pandemic; I am hoping to dive into the revisions of the Kansas book over that weekend and then finishing it during my vacation during the next week (my time off for Bouchercon).

As long as everything goes as planned, by the end of the year I’ll have a great first draft of Chlorine ready to go, as well as a ninth Scotty ready to be turned in; and if I stay motivated maybe even the novellas and short story collections might be ready to go as well.

Fingers crossed as I head back into the spice mines this morning….have a great day, Constant Reader!

Rhythm is Gonna Get You

Thanksgiving Eve is here, and I am about to make my famous mac’n’cheese for the office potluck. Yes, I am going into the office on one of my vacation days, but there are worse things I could do. I have some errands to run today anyway, so after I leave the office I shall run them. It’s also payday, so I get to spend a moment or two or three paying the bills this morning. Yay? I guess I should just be grateful I can pay the bills, right? I have a book to pick up at the library and the mail, and I should also stop and get some groceries while I am out; not a major shopping expedition–perhaps enough to get us through until Saturday, as I am not going anywhere near any place to shop on Friday.

That would be madness.

And while that will make a dent in my day, it’s fine. I’ll just do some cleaning and organizing–my electronic files, particularly in the cloud, where I just throw things with a flippant I’ll worry about organizing them later mentality on an almost daily basis, with the end result that the files are a complete and utter mess. I also want to get some more work done on reimagining the current book. I’m now torn as to whether the first chapter is necessary or not; or if I should simply start the book with his arrival at Birmingham airport. There’s something a bit cliche about starting a book with your main character arriving at an airport, and that also would mean a shit ton of back story to shoehorn in, so that it all makes sense–so there, I’ve just worked that out in real time, see how a writer works? I struggled with revising the first chapter yesterday, so naturally my mind went to, this is hard maybe I can just cut the chapter. 

Always, always, always looking for the easiest, laziest way to do something. Shameful, really.

I also managed to waste some time yesterday trying to track down George Washington Cable’s stories about Madame LaLaurie. A post by the Preservation Resource Center here about the LaLaurie house on Facebook yesterday led me down into that wormhole; I shared the post along with the comment I am going to write about the LaLaurie house of horrors someday (see: Monsters of New Orleans) and someone commented that Cable had written short stories about Madame LaLaurie (who is probably most famous outside of New Orleans due to her being a character on American Horror Story: Coven, played by Kathy Bates), and so then I went for a deep dive, trying to see if I could find copies of the stories on-line. I got sidetracked into Project Gutenberg for a while, where I found his novella Madame Delphine, which was NOT about Delphine LaLaurie. I did eventually find the stories I was looking for, and will read them at some point.

Cable is not the only writer from the past to write about New Orleans and Louisiana history that I’ve not read; I’ve also not read much of Arnett Kane or Robert Tallant or Lafcadio Hearn or Lyle Saxon; some, but not much. I’m not entirely sure they are completely trustworthy as sources, but I am going to read them for ideas at the very least. I also need to spend some time at the Williams Research Center and the Historic New Orleans Collection, as well as the Louisiana Research Center at Tulane. I’m greatly enjoying these little journeys into New Orleans’ past that I’ve been taking over the last year; I am still reading Richard Campanella’s Bourbon Street, which is giving me a definite feel for colonial New Orleans, which is going to be enormously helpful.

Especially for this Sherlock Holmes in New Orleans short story I’ve agreed to write; which will also entail reading some Holmes stories, to get a feel for the vibe and the tone and the voice. I’m enormously fortunate that I have two dear friends who are Sherlockians, and have agreed to read my story before I turn it in for pointers and notes and so forth.

And on that note, perhaps it’s time for me to head into the spice mines. I have a lot of cheese to grate for the mac’n’cheese….have a lovely day, Constant Reader!

12715213_1024357524291934_3489297474571056252_n

50 Ways to Leave Your Lover

Saturday morning and I am swilling coffee in the Tennessee Williams Suite at the Monteleone Hotel. I slept much better than I would have thought last night–the bed is ridiculously comfortable here–but that also may have had to do with the dirty vodka martini I had last night with dinner. I have to, once I finish writing this, get a bit cleaned up, swill more coffee, and start trying to work on my moderating duties for my panel this afternoon–a mystery panel at the Muriel’s location, with Alafair Burke, Samantha Downing, and Kirstien Hemmerichts. I’ve read their most recent books (Samantha’s is her debut, My Lovely Wife) and while I’ve not yet met Samantha, I did meet Kirstien at the opening reception at the Historic New Orleans Collection last night. I’m hoping to ask some interesting questions and have a terrific discussion about women in crime fiction–both as characters and as writers. I have been a long time advocate, as Constant Reader should know, of women writers, particularly in the crime genre. So, we shall see how this goes. Tomorrow I have another panel (for Saints and Sinners) and a reading to do (I am going to read “This Town” from Murder-a-Go-Go’s, which I know is probably not the self-promotional thing to do; I should read from Survivor’s Guilt and Other Stories, since it’s my new release–again begging the question how do I have a career?)

I also had a lovely dinner at G. W. Fins last night with the amazing Alafair Burke and the equally amazing Sarah Weinman (you really need to read her The Real Lolita); what can I say other than #ilovemylife? The dinner was superb, the service exceptional, and the conversation? The kind of thing I used to dream about when I was a teenager, late at night, before I fell asleep and dreamed my big dreams.

And hopefully, tomorrow after everything is over I’ll be able to head home and start putting the house back together after TERMITE ARMAGEDDON. I’m going to have to do a lot of laundry and a lot of loads for the dishwasher, so the sooner I can get a jump on doing that the better, obviously, since I have to return to work on Tuesday morning. It’s not like I wanted to spend my day Monday cleaning the house thoroughly and doing all that laundry and those loads of dishes, but it has to be done and I don’t really have a choice; supposedly the gas dissipates on its own but doesn’t it get in the fabrics and so forth, and better safe than sorry? Plus, it gives me an excuse to clean out the cabinets and the drawers…so yes, part of my evening tomorrow will be figuring out a more efficient way to use the cabinets and the drawers….because it’s always an ongoing thing, you know? (My spice rack actually might be something I throw away; I don’t use the stuff in it very much and it takes up counter space and collects dust.)

I do have some writing to do–website stuff–that is due on Monday, so I’ll probably get to work on that after my panel this afternoon.

Okay, and on that note, tis back to the spice mines with me!

52063609_2828952173996532_1975658344542633984_n

New Year’s Day

Ah, the annual setting of goals.

1. Getting in better shape. Self-care is important, and there are fewer, easier ways to take care of one’s self than taking regular exercise. But self-care isn’t just the physical; it’s also the mental. So, I need to focus on taking care of myself mentally and emotionally as well as physically. I want to try to get a massage at least every other month, to help with that; and I also think I’m going to start practicing meditation and yoga. I’ve always liked doing yoga, and I need to stretch more regularly. The yoga-toes have already helped with my feet and leg-joint issues, and I need to use techniques to keep myself from feeling pressured. One of the reasons I stopped signing book contracts without having written the book already is because of the pressure deadlines put me under; I still don’t deal with those too well and I simply need to work on my own patience.

2. Finding an agent. This is still incredibly important; I cannot move to the next level of being a professional writer without an agent negotiating for me. I should have done this long ago, and I need to take this all very seriously going forward. I’ve been collecting names of agents and agencies over the last couple of years, but I still don’t have anything to show them. I sent the first fifty pages of the Kansas book out to some agents last year, and got no interest. Which is fine, it was more of a if you don’t ever start doing this you never will thing. But now that I’ve taken the Kansas book back to the drawing board, I think it’s time to accept that trying to make the Kansas book work is like trying to make fetch happen; it’s probably not going to ever be a thing. Which, while sad, is okay. I can always reuse what I’ve done for something else. But it’s also kind of freeing to let it go and think, okay, what else have I got up my sleeve? It’s only failure if I choose to view it that way, and I’m choosing not to; I did some good work on that manuscript and it may work out in some other way.

3. The Diversity Project. I had a lot of success with the Short Story Project, so I’ve decided to add a new reading project to my 2019: reading diverse books by diverse writers. First off, it’s a shame that I am having to make this a project in the first place; I should already be reading diverse authors. I’ve been buying books by minority writers for quite some time now and adding them to the TBR pile…and yet somehow those books never seem to manage to make it up to the top of the pile. What is that about, I wonder? But it’s definitely a thing, and I need to do something about it. I live for the day when I don’t even have to think about my choices because diversity has become commonplace; but I can’t talk the talk if I don’t walk the walk. How can I expect non-gay people to read my gay books if I don’t make an effort to make diverse reading choices myself? And I have a lot of these books on hand already. So why buy more books (always the question) when I have so many to read, so many to choose from? I will blog about these books as well, and I am going to do my part to try to diversify the crime genre and my own reading.

4. The Short Story Project. Let’s face it, I wouldn’t have read nearly as many short stories in 2018 had I not made a point out of doing so, and I have not come anywhere near reading all the anthologies and single-author collections I have on hand, so I am going to renew this project for 2019. I think it’s made me a better short story writer, and I’ve certainly enjoyed all the stories I read (with a few exceptions, of course; there are always exceptions, aren’t there?). I am, however, going to try to loosen the pressure on myself and limit myself to reading at least three per month as a goal, which would be thirty-six stories for the year. I think that’s do-able without creating any added pressure for me….because everything creates pressure for me, even things I start out doing as fun, if I’m not careful.

5. Writing more short stories. This is part of the Short Story Project, of course, but it also (without adding more pressure) was part of the point of the entire project in the first place; reading more short stories was meant to be a master class in short story writing, and therefore teaching me how to be better about writing them. I’ve come to the conclusion that part of my issue with revisions and rewriting and editing my own short stories has everything to do with my own stubbornness and my own refusal to admit a story isn’t working while still trying to force it to work. I have several of those; great concepts that I simply can’t pull off the way they currently sit, and I need to figure out some way to make them work as stories. My goal is to finish two collections within the next two years (Once a Tiger and Other Stories and Monsters of New Orleans),  as well as continue trying to get stories published as the year pass. I am very excited for the release of Survivor’s Guilt and Other Stories this coming April 1. I definitely also want to get “Never Kiss a Stranger” finished and up as a Kindle single sometime this year.

6. Writing more personal essays. Yes, yes, I know the blog sort of counts as writing personal essays on a daily basis, but I’d like to start seeing them published in other places, and there are some blog entries that are more abstracts of what could be more in-depth, more introspective, and much longer. The goal is to ultimately come up with a collection of said essays called Gay Porn Writer: The Fictions of My Life, and again, this is a long-term goal; I’d like to have this collection ready in about three years.

7. More research on New Orleans history. This is also necessary for, of course, the writing of Monsters of New Orleans, which is a terrific project I am terribly excited about, plus I am kind of excited about reading up on New Orleans history, lore and legends, which will only make my writing about the city stronger and better. I am also looking forward on teaching myself how to do research, and making use of all the amazing local resources, such as the Historic New Orleans Collection, the Tennessee Williams Research Center, the public library resources, and of course, the Louisiana Historic Research Collection at Tulane University. (The Tulane library alone!) I am still reading Herbert Asbury’s The French Quarter whenever I get a minute, and there are so many others to read–currently in my research pile on my desk I have that and three Robert Tallant books (Voodoo in New Orleans, Ready to Hang, and The Voodoo Queen) along with Alecia Long’s The Great Southern Babylon and the ever classic Gumbo Ya-Ya.

8. Clearing out the TBR pile. I wasn’t able to read as much for pleasure this past year as I have in other years; primarily because I was judging a book award again (I think this will be the last time I actively participate in judging a book award; it’s just too time-consuming, not to mention all the books piling up in the house), and of course, all the research. I’ve also decided that books I want to keep to reread no longer need to be kept; if I need to read again or use it for research for another project (I still want to write about the romantic suspense writers who dominated the bestseller lists from mid-century through the 1980’s) I can always simply get an ebook version of it, which I can access and make notes easily on with the iPad. I also want to declutter the Lost Apartment, and let’s face it, the books are the primary problem.

9. Keeping a positive attitude. This is the hardest of all goals; because my mind is already trained to default to the negative. But negativity derails everything; and keeping belief in myself, no matter whatever career disappointments might lie around the corner for me, is necessary in order for me to do the work I need to do, not only on my writing but on myself, to be the best Gregalicious I can be. And ultimately, that’s the bottom line of all the goals, isn’t it? To be the best me I can be?

And now, back to the spice mines. I am taking a self-imposed exile from the Internet for the rest of the day, to get things done around the house, to write some more, to do some reading, and just get ready for the return to work this week. Happy New Year, one and all!

550w_gay_spy_cosmo_danny_young

Hazard

Thursday morning and I am still feeling unwell.

And winter has arrived in New Orleans; a cold front that of course would be considered spring or fall most everywhere else north of I-10 arrived overnight. It is amusing that our local weather people are talking about a cold front when it is seventy-four degrees outside. But that’s at least a ten degree difference from yesterday, and it is getting close to mid-October, so the colder weather is fairly overdue.

Colder, not cold.

I’m hoping that today is the last day of this lingering whatever-the-hell-it-is; that one more day of soup and vitamin C and juice and DayQuil will not only make today bearable but will also cure whatever it is that ails me. I really loathe being sick–not, of course, that anyone else really likes being sick. Although I suppose there are some who do.

Yesterday as I spent the day covered in blankets in my easy chair I finished reading Circe by Madeline Miller (already wrote about it, but buy it–it’s fantastic), and then fell into some New Orleans history worm-holes on the Internet on my iPad. The history of New Orleans is so rich and vibrant; bloody and filled with not only death but defiance. It started with me seeing a post from the Historic New Orleans Collection of an article about Prohibition in New Orleans–which was pretty much ignored and not really enforced as much as it should or could have been, perhaps–and I thought to myself, self, there’s probably a really good novel that could be set in this time period dealing with Prohibition and everything else going on in the city at the time. Was it James Sallis’ Lew Griffin series that was set in the past? Which reminds me, I need to revisit that series anyway.

I am kind of amazed, really, how little of New Orleans history I actually do know. I mean, I know who founded the city and when, when it became Spanish rather than French, when it was sold to the United States, the Battle of New Orleans…but there are a lot of gaps in my knowledge. I do know some about the uglier parts of the city’s history–the homophobia and racism, Delphine LaLaurie, how I-10 was deliberately routed to destroy prospering African-American neighborhoods and of course, the hideousness of the Upstairs Lounge fire and aftermath–but there are so many gaps, as I said before. I know about the murder of the police commissioner that led to the mob violence against the Italian immigrants, and the horror of the battle of Monument Place; I know about the Axeman murders and Storyville and Bellocq and his photos of Storyville prostitutes.

But there’s so much more, and so much I don’t know. This is why I always laugh when people call me a “New Orleans expert.” I am far from that. I know neighborhoods and streets, houses and the Quarter. But there are entire populations of the city I don’t know much about; the Greeks and the Islenos, the Vietnamese in New Orleans East, and the growing Latin/Hispanic populations. There are neighborhoods I don’t know, and the West Bank is, for the most part, completely unknown to me.

In other words, I need to explore. I need to read more New Orleans history, and I need to get out in my car on weekends and drive around, exploring and visiting and sight-seeing. I do feel that my next series will most likely be set in New Orleans’ past; it’s just that I don’t know when or where or what it will be. I’ve experimented with the past in short story form; “The Weight of a Feather” (included in Survivor’s Guilt and Other Stories) may not be set in New Orleans, but the main character is from here. “The Blues Before Dawn”, an in-progress story, is also set in the past…and I think it’s an interesting time/subject to take up. (I don’t know how to end the story or even what the middle is, if I am to be completely honest; but it has a terrific opening and I am sure the story will come to me someday.)

I think one of the primary problems I’ve had over the past few years, that sense of feeling disconnected from the city that I’ve mentioned before, comes from, in all honesty, not reading the newspapers here. When the Times-Picayune became the Sometimes Picayune I stopped reading it; I will only visit their website to read write-ups on the Saints and LSU games. The New Orleans Advocate is doing a great job of picking up the slack, but I never think to pick it up and read it. I need to be better about that; I need to be better informed on what is going on in the city. There’s currently a scandal brewing–or it’s already brewed–about the Archdiocese and one of the Catholic boys’ schools in town; it’s what you would expect–sexual abuse and a cover-up; which has happened so many times now in other cities as to be almost a cliche. There’s a novel there as well, even though when I had the idea a long time ago–years before this scandal brewed up and made it onto the public radar–I was told it wasn’t an interesting topic and no one would want to read it.

I disagreed then, and I disagree now. I think it’s not only timely, but people would read it. It would have to not be a cliche, and it would have to be cleverly done, but I think it would work quite well.

And now, I feel the fever returning and I need to go lie down again for a moment.

IMG_2527

Life is a Highway

Good Lord, it’s almost Southern Decadence, and college football is back this weekend! GEAUX TIGERS!

The US Open is also going on, which means I won’t be watching the series finale of Sharp Objects for a while as well as getting behind on Castle Rock. Ah, well, that’s fine, on this day next week we’ll be arriving in lovely St. Petersburg for this year’s edition of Bouchercon. I am going to be a very busy Gregalicious in St. Petersburg this year. I am doing the Coat of Many Colors event on Thursday morning; the anthology signing later that same day; and then three panels on Friday: the nooner sex panel at noon; moderating the Best Paperback Original Anthony panel at 3, and then appearing on the rainbow (?) panel at 4.

I really need to prepare. But I am still reading James Ziskin’s delightful Cast the First Stone, and am hoping to get that finished so I have time to read Thomas Pluck’s Bad Boy Boogie before next week.

Also, instead of working on the things I should be working on, I started writing a new short story last night, “The Blues before Dawn”:

A saxophone player lived across the street from me, on the third floor of a fading and dilapidated building painted a fading coral. Every night, without fail, after the band he played with was finished, he’d come home and crack open a cold beer. He’d take his brightly colored silk shirt off and climb out onto his rusty, sagging balcony. Wearing just his trousers and white suspenders stretched over his muscular torso, he’d straddle a chair and play his sax as he wound down for the evening. I usually got home around the time he launched into the second tune of his late-night concert, something low and sensual and sexy that made me think of warm skin, teeth nibbling on my earlobe, and the caress of firm muscle pressed close against my own body. I would get a beer from my own refrigerator and strip naked in the sticky heat of the early morning, the ceiling fan blades whistling as they spun over my head, listening to the mournful notes coming from his broken-hearted saxophone. I sat in my window on the fourth floor across the street with the lights off, sweat shining on my skin as I watched and listened, as the sinewy muscle in his shoulders and arms and chest clenching and relaxing as he played in the fading darkness of the night, the sun still an hour from rising but the light of the moon dying as a new day struggled to be born. I fell asleep many a sunrise lulled to sleep despite the heat and humidity by the purity of the notes he played.

So I got about a thousand words into this before coming to a halt. It turns out, as I wrote, to be about a gay prostitute in the 1920’s in Storyville; I don’t even know if that was such a thing, so should probably do some research on that, don’t you think? But I do find myself turning to New Orleans history more and more; I suspect a visit to the Historic New Orleans Collection will be in order at some point in my near future.

And now, back to the spice mines.

3a55bce919cdb1a5f6fe242eaddd7bd4