If I Can’t Have You

Friday!

I feel very rested this morning; I’ve been sleeping well (thank you, medication) ever since last week, and am probably jinxing myself this morning for tonight’s sleep, but it is astonishing what not having insomnia feels like, and how literally marvelous that actually is. Yesterday was nice and relaxing; I made condom packs and other day-job related things around here all day, while doing the laundry and cleaning the kitchen (sort of); today I will be making more condom packs as well as doing various other day-job related things while watching some thing on television. I am now caught up on Superman and Lois (seriously, the best Superman adaptation since Christopher Reeve; if you’re a Superman fan, you really need to watch this show) and Real Housewives of Beverly Hills–which isn’t quite as absorbing as it has been before; it’s difficult to watch the Erica Girardi performances as “victim” without wanting to slap the smug smirk off her criminal face–and am not entirely sure what to watch today–I forgot to check with Paul about Loki–but I am sure I can find something.

I also neither read nor wrote yesterday; the desktop computer isn’t working as great as it could/should and I suspect I am going to eventually need to replace this bitch once and for all, which is galling, but it’s also, now that I think about it, fairly old. It was at least two or three at the time of the Great Data Disaster of 2018, and that’s almost three years ago as is. I hate spending the money–would actually prefer not to, in all honesty–but it is something I really need for my work and it is a complete tax write-off. I ordered a wireless mouse to use for the laptop–I lost the old one, and have looked for it everywhere–which should also arrive today, so working in my easy chair should be a lot easier as far as that is concerned going forward as well. I am also looking forward to paying off the car and some of these outstanding bills–which has also helped with my sleep, quite honestly–and so maybe, just maybe, I should get a new computer as a birthday gift to myself. I can’t really decide, to be honest. I mean, I could take this one back in and have them install more memory into it, but I am also not entirely certain that is the wisest course to take. Heavy heaving sigh.

But as my coffee continues to warm and wake up my brain from the deepest recesses of sleep, I see all kinds of things I really need to get done around here–I am going to bag up some more beads to donate, for example–and maybe I can start working on clearing things out of the attic. That’s a great, if problematic, project–I hate that little ladder that folds down and it attached to the trap door to the attic, and when I’m standing on it that creates an issue getting things up and down from there–but I can handle getting over my ladder phobia for a little while, and of course there’s no need for me to be going up and down; it can be done bit by bit.

And let’s be completely honest here–I’m not going to read anything that’s stored in the attic, am I?

So that can all go. And while I have been saving my papers almost from the very first–I don’t know, maybe I should try to see if there’s an archive still interested in them. I don’t think there will be much interest in them, or me, once I’ve left this mortal coil–I can’t imagine MFA or PhD candidates ever needing or wanting access to them, nor can I imagine I would be the subject of future biographies and/or scholarly research. And that isn’t me being self-deprecating, either–I am trying to watch out for that stuff, to be honest–and I have to wonder if I am, in fact, hoarding the paper. Decisions, decisions, decisions.

Heavy sigh.

But it’s a lovely morning, and I need to make a to-do list for the weekend. One thing for sure I need to do is take boxes of condom packs back to the office (thus clearing out the living room) and pick up the mail; I also need to pick up a prescription. This should all be relatively easy to accomplish; the question is how do I want to do this all, and in what order to maximize my efficiency as I am out and about in the world. I feel pretty good, and that bodes well for my visit to the gym after I get my work done. I want to focus mostly on reading and writing this weekend–often a challenge–and trying to get caught up on everything.

Some day, methinks–or me-dreams–I will be finally caught up on everything. Ha ha ha ha, I still can crack myself up when I put my mind to it, can’t I?

I was also thinking, yesterday, as I made my condom packs and listened to the accessory-after-the-fact nonsense on Real Housewives, about my twisted view on gay relationships when it comes to writing about them; one of the things I’ve always been interested in is relationships gone bad, turned sour, and how to adapt common criminality tropes used for heterosexual couples for gay ones. One of the things I found so interesting about PJ Vernon’s Bath Haus was the power imbalance between Nathan and Oliver, and how that dynamic deeply affected not only how they saw each other but how they interacted with each other. The tired cliché love is blind isn’t really quite so tired when your couple is no longer opposite-sex; those dynamics really haven’t been as explored in queer relationships in crime novels so much as its been done to death for straight ones. When I wrote Timothy, I wasn’t playing with the romantic suspense trope (as Rebecca is so frequently and commonly mistaken considered) as I was writing a gay noir with a completely untrustworthy narrator–how innocent is Mrs. deWinter, after all? I have other ideas, of course (as always) for other explorations of noir and gay characters who aren’t on the up-and-up; there used to be a sense that gay characters in gay fiction had to be heroic in some one–no matter how flawed they were in service to the story they might be–because we needed to create them since history and most literature erased our existence. But things have changed, and I don’t feel that tiresome burden anymore–which I didn’t take terribly seriously in the first place if we’re being completely honest; the villain in Murder in the Rue Dauphine was a gay man, after all–but I no longer feel, when I am creating a character or starting to write something that I need my characters to be role models; that is a subconscious thought I am not sorry to have to consider anymore. Certainly my short story characters are not heroic people; they are damaged and flawed and often driven to their breaking point by circumstances beyond their control. My main character in “Festival of the Redeemer” is certainly incredibly flawed and more than a little unreliable; his mental instability and horrific, almost emotionally crippling insecurities are fun to write if emotionally exhausting.

And on that note, I am starting my day. May yours be a fabulous and amazing Friday, Constant Reader, and I will check in with you later.

Too Late

Outside of the “getting up to an alarm” thing that is always a trial for me every morning, I think I feel rested and alert today–as opposed to yesterday’s Greggy Grogginess. This I hope is a good sign for today’s workday and the work to come tonight. I didn’t get as much work on the book done as I would have liked yesterday–I’m really going to have to dig deep today and try to get back on schedule–but the work I did get done last night was good work, and therefore I will take it. It was most pleasing to our eyes.

After I finished working on the book, I spent some more time with The Russia House, which is actually quite marvelous, and watched a documentary on the history of gay porn which was terribly interesting. I’ve talked quite a bit about Chlorine, and how I kind of want it to anchor a short quartet of gay noir historicals–the others being Obscenity, Indecency, and Muscles–that all sort of touch on the history of gay rights and the evolution of public opinion about queer people, by looking at the kind of crimes that had to be committed in order to be gay–whether publicly or secretly–back in the day. Muscles doesn’t really fit completely with the others–which deal with Hollywood, porn films, and public nudity, while Muscles is a bit different in that it doesn’t take on a big issue other than the former connection (and who knows how former it is?) between gay bars and the Mafia. I’ll watch the documentary again–I kind of found it by going down a wormhole the started with the discovery of the entire film of Song of the Loon on Youtube, and that’s a whole other story in and of itself.

Paul was home last night so I also got to make dinner, which was lovely; we’ve had so few opportunities to have dinner together over the last few months I’d forgotten how nice it is to have him be at home. He was working on a grant, so he spent most of the evening upstairs, but I suspect my boring evenings of going own Youtube wormholes after writing are going to be over for a while yet, and I do welcome this change. It’s also so weird that it’s almost April already. Last year seemed endless; this year is flying by already. That could also be because there were no deadlines really last year until the fall when I signed the contracts for the most recent two books–deadlines always make time seem to fly past. Tonight I am hoping to get to the gym after work, and then home to write for a while before piling into bed yet again and trying to get one more good sleep on the last night before having to wake up early for the week. They told us yesterday that we are gradually working our way to being back to fully operational again; it’s going to seem weird once we are, to be honest–I’ve gotten so used to there being no other people around for most of the time it’s going to be weird to have a building full of people again, not to mention a steady flow of clients into and out of the building. But there are worse problems to have, certainly! It just means I need to be flexible and adjust yet again.

I am so tired of having to adjust at this point, though…but what really is life but a rather lengthy series of readjustments to changing situations?

Whereas last week I was terribly stressed out by the impending deadline and everything else I had to do, this week I am eerily calm. I”m not sure if that means I think I have everything under control or my brain just snapped and I no longer care about the stress; whatever the root cause of the calm is I’ll happily take it over the stress and being on edge, ready to snap at any moment. I hate that stress, because it also comes with a couple of sides: imposter syndrome (which try to again rear its ugly head last night before being batted back down) and depression. It amazes me that despite being so deep into my career now that the day my fortieth novel is published is coming up–I think I’ll probably hit that milestone at some point in the next few years, but then again would have to sit down and actually count the books, and I always, invariably, forget some when I do that–but I probably should figure that out someday. And update my long out of date CV….but then again, why do I even need a CV at this point?

Heavy sigh. This is why nothing ever gets done around here.

And on that note, I am going to ride this energy wave and get some things done before I head to the office. Happy Tuesday, Constant Reader!

Miss Americana and The Heartbreak Prince

One question that always exasperates authors is the old standard, where do you get your ideas from?

I get why it annoys writers to be asked this; who wants to be psycho-analyzed on a panel or at a reading? It’s a process, of course, and one that cannot be distilled into a quick, witty, quotable sound bite–and the ultimate truth is, it’s almost always different in every case–whether it’s a novel, an essay or a short story; I certainly have not gotten inspiration the same way every time. A lot of the Alabama fiction, for example, that I have written/am writing/have thought about writing, comes from stories my grandmother told me when I was a child about the past–mostly her family’s past, and certainly those stories were self-aggrandizing and self-serving, and still others were apocryphal: the ancestress, for example, who killed a Yankee soldier come to rob her during the Civil War? Yeah, that one was almost certainly lifted from Gone with the Wind–but I have since come to find out that Mitchell probably took the story from legends as well–that story seems to exist everywhere in local legend throughout the former Confederacy (I mention this in passing in Bury Me in Shadows, which also originated in one of my grandmother’s stories).

A while back, I started thinking about doing period novels centering gay male characters and telling their stories about the times when prim-and-proper society swept all things gay under the rug and homophobia was king (or Queen, I suppose). I had already come up with a great idea for a gay noir centered around a health club that operated as a money-laundering front for the local mob in a city in Florida called Muscles, which I hope to write at some point…I cannot recall exactly how or why Muscles led into thinking about other one-word titled gay noir novels set in different periods of the twentieth century; but there you have it. I think Muscles led me to think about setting one in a gay bar in the early 1990’s, built around the time gay porn star Joey Stefano was arrested while performing at a Tampa gay bar for public indecency; Indecency was such a great title that I couldn’t forget it–and I also figured I could link the two books, the way I always link my books together in an Easter eggy kind of way that the majority of people don’t notice but pleases me immensely. Right round that same time a gay man who was very active as a fundraiser and a donor for political causes died; he had started out owning a company that published gay-interest magazines with nude models and had been arrested, and served time, for using the mail to deliver pornography; I wanted to write about him and the rise of gay porn films in Southern California and call it Obscenity. So there it was: a trilogy of loosely connected gay noirs I hoped to write someday…and then one day, as I was blogging–I think maybe two years ago? I don’t recall–my mind was wandering (as it is wont to do) and I started riffing about an idea that was forming in my head as I wrote the entry for a book set in 1950’s Hollywood, dealing with the underground gay community, McCarthyism, and scandal-mongering that would open with a gay movie star’s body being found naked in the surf at the beach…only the autopsy found that the water in his lungs actually contained chlorine…so he hadn’t drowned, he’d been murdered and the body moved. I called it Chlorine; and that was, for me, kind of the end of it–I wrote the idea down, created a folder for it, and posted the entry.

So, I am sure you can imagine my surprise when I checked Twitter a few hours later and had a ridiculously high amount of–what do they call them? Mentions? Anyway, I had no idea what had triggered this–I rarely get much interaction there–and so when I went to check…some people had read my blog and were all about Chlorine–and the more they tweeted about it, the more people had gotten drawn into this conversation. I was thrilled, to say the least, to see so much attention on-line for something that was really just an amorphous idea…and then a great first line occurred to me: The earthquake woke me up at nine in the morning. So I opened a new Word document, typed in that line, and next thing you know, I had an over 3000 word first chapter written, and the entire plot was forming in my mind already. I took voluminous notes, and decided that, once I got finished with everything I was in the midst of writing already, I would give Chlorine a shot.

And in the meantime, I could start reading up on the period, gay Hollywood, and root myself firmly in the period.

Which is how I came across Robert Hofler’s The Man Who Invented Rock Hudson: The Pretty Boys and Dirty Deals of Henry Willson.

On November 29, 1954, The Hollywood Reporter’s gossip columnist Mike Connolly wrote about the proud, happiest day of Rock Hudson’s life. The movie star had just been cast in George Stevens’ cattle-and-oil epic Giant, and Connolly’s one-line blurb commemorating Rock’s celebration party was as cryptic as it was pumped with news ready to break: “Saturday Mo-somes: Phyllis Gates & Rock Hudson, Margaret Truman & Henry Willson.”

In one of his rare acts of discretion, newshound Connolly dispensed with the ampersand that should have wedded the names Rock Hudson and Henry Willson. Fifty years into the future, “Mo-somes” could be read as slang for the two men’s sexual orientation. But not in 1954. Back then, “Mo” meant something far less provocative but nearly as colorful

“Mo” was short for the Mocambo, the Mount Olympus of Sunset Strip nightclubs. Pure tinseltown fantasy, the Mocambo was an over-heated study in contrasts where oversized tin flowers and humongous velvet balls with fringe festooned flaming candy-cane columns that framed a dance floor designed to induce claustrophobia when more than two couples got up to fox-trot. The tables were equally miniscule, making it possible for the establishment to charge lots of money for not much food, which nobody could see. Overhead, rococo candelabras gave off so little illumination that revelers kept bumping into each other by mistake, and sometimes now, as they tried to check themselves out in the flecked mirrors that recast everybody’s reflection in tones of warm, flattering, fake gold.

I had a vague idea of who Henry Willson was before I read this book–he appeared in the Rock Hudson bio I read a few months ago as well as in Tab Hunter’s memoirs–and of course, Jim Parsons played him in the Ryan Murphy alternate-history Hollywood. I was also vaguely aware–my memory is a lot dimmer than it used to be–of the gay Hollywood underground; the Sunday afternoon pool parties at George Cukor’s, for example–and I had read some gay Hollywood histories (the ones by William J. Mann are particularly good), but I knew my main character in Chlorine needed a Henry Willson-like agent, and so I needed to research Henry Willson. Willson was, of course, notorious in his time and the passage of time since his heyday has done nothing to soften that image. He was the definitive “casting couch” agent–and per this book, which is very well written and very entertaining–men who wanted to be movie stars (whether gay, straight or bi) were more than willing to service Henry if it meant a leg up in the business. And Henry did work very hard for his clients, polishing rough material into diamonds for the camera. He taught them how to speak, how to walk, the proper silverware, how to behave in public; manners and etiquette. Henry believed that talent wasn’t as important to being a movie star as having star quality–the indescribable something that all major stars have, that is impossible to describe–and he knew what he was doing. He also frequently renamed them–hence the proliferation of the one syllable first names with the two or three syllable last names: Rock Hudson, Tab Hunter, Troy Donahue, Chad Everett, Guy Madison, etc.

This book provided a wealth of information as well as inspiration for me, as did the Rock Hudson biography I read several months ago. This period of Hollywood history is fascinating, and I love that writing this book–or rather, planning and researching, since I haven’t really started writing it–is giving me an amazing excuse to study gay Hollywood history and the post-war film industry.

Make no mistake about it–Henry Willson was good at what he did, but he was also a terrible person; trying to make it in a homophobic culture, society and industry at the time in which he lived would definitely twist a person. He was an arch-conservative; a Log Cabin Republican of his time, friends with the horrific Roy Cohn. Was it camouflage to help protect him and his clients from the Red Scare days of McCarthyism, when being queer was also just as suspect? Or was he really that terrible of a person? The author makes no judgments; rather leaving it to the reader to. make up their own minds about who Henry was as a person. As terrible as he was–and some of the things he did, like the casting couch, were pretty unforgivable–I did feel sorry for him in some ways, and in basing a character on him I kind of have to find the humanity in the monster. He was not attractive in a business that revolved around beauty; while the straight male pigs who ran the business used their power to force women to sleep with them, Henry used and abused his own power to get beautiful men to sleep with him.

My own main character–a second-tier movie star who slept his way into parts and a career–is also not entirely likable; but I think I’ve gotten deep enough inside of his head to at least make him identifiable and relatable to the reader…but I guess we will just have to wait and see.

I do recommend this book, if you’re interested in Hollywood history in general or gay Hollywood history specifically.

Strawberry Wine

Tuesday, Tuesday–can we really trust this day?

I’ve always found Tuesdays to be more questionable than Mondays, if we’re going to be completely honest. At least on Monday–despite the inevitable ring of the alarm, the grudging getting out of bed earlier than you want to, the unpleasantness of the desire and need for caffeine–you’re rested from the weekend. When the Tuesday morning alarm goes off, you have already worn off that weekend glow and are tired from a full day’s work already, with several more still left to go…I daresay that Monday’s blue and Tuesday’s, too.

I got some writing done last night–I’ve found three different versions of the first chapter of the Secret Project, so  I spent some time merging them together; today I am most likely going to edit that chapter and get it revised, polished and pulled together. I also worked on the new short story idea I had, “Festival of the Redeemer”, which is a  noirish Daphne du Maurier-type story with a bit of inspiration from Highsmith, Ripley, and the film; which I will watch another half hour of tomorrow morning at the gym. My writing muscles are much more slack and harder to whip back into shape that the regular muscles of my body. Sunday’s gym trip broke me through the tired-muscle syndrome I was experiencing that first week back; now my muscles no longer feel a bit achy and tired all the time, and I am sleeping ever so much better.

I know I have to push through and the writing muscles will eventually catch up and the words will start coming out of me again, but JFC, what a pain in the ass. I guess the message here is to never let my writing muscles get out of shape ever again–not that I ever remember letting them get out of shape in the first place.

I do think “Festival of the Redeemer” has the potential to be a terrific story, but again–gay main character, gay noir, who’s going to publish that? I currently have a “gay” story out on submission to a mainstream market, but feel relatively confident that story is going to be rejected eventually; they’ve had it longer than they had the one they already published, and delayed response usually means eventual rejection. Every story, of course, is a different animal than the one that came before it; so a quick turnaround on one story doesn’t mean the next one will get that same quick turnaround, of course, and it’s a different story so–

I wonder what it’s like to not have to wonder if your story is going to be rejected because you wrote about gay characters?

But it’s been awhile since i wrote a short story, and I’m writing this one around the Secret Project; once the Secret Project is finished I’ll have to put this story aside to focus on the Sherlock story–which I still can’t believe I’m actually writing a Sherlock story. But this year I know I will have at least two stories for sure in print: my story for The Faking of the President will be out around the same time as my story in The Beat of Black Wings. Which is incredibly cool; both stories have the same kind of noirish dark tone, but I still think “This Town” is the best short story I’ve written over the last few years. I don’t know if it will get an Anthony nomination for this year’s Bouchercon, but you never know; stranger things have happened, and I never thought “Cold Beer No Flies” would have been an Anthony finalist, either.

“Festival of the Redeemer”–well, I’ve wanted to write a story about Venice ever since I visited there, and of course, the film of The Talented Mr. Ripley is reminding me of how much I loved Italy when I was there; I haven’t gotten to the “Tom in Venice” segments yet, but just thinking about it–and the weird friendship between Tom and Dickie–made me finally understand how I could write this story; what the crux of it is, and why it should be told–and where the story should come from within me; and I think I finally can root the story out.

At any rate, I am probably going to have to stop at the grocery store tonight on my way home to start storing provisions for the coming weekend of being trapped inside the parade route for most of the weekend. It’ll be fun, of course, wandering down to the corner to watch the parades and catch some things, watching the crowds and seeing who else from the neighborhood is out there; it always is, if somewhat exhausting. Barkus of course is Sunday afternoon in the Quarter–the dog walking parade–and there’s no parades on Sunday night, I suppose so we can start getting rested for the marathon to come beginning on Wednesday. I decided to do my usual Outreach shift on Friday afternoon, which will mean walking down to the Quarter after doing my workout Friday morning–no need, obviously, to do my cardio since I’ll be walking several miles that day–and then trying to get to the gym Sunday morning before the first parades start arriving in the neighborhood. I don’t remember who is Bacchus this year–nor do I remember who is riding in Orpheus–but I know Jennifer Coolidge is the celebrity guest Muse, riding in the big shoe this year.

I’m probably going to have to write another book about Mardi Gras someday; I think seeing Scotty and the boys through another Mardi Gras is probably a good idea–hell, it might even be worthwhile to take them through Southern Decadence again. I don’t think Scotty’s quite done with his partying ways, frankly, even with sort-of-nephew Taylor around to be badly influenced–although I would imagine it would be relatively awkward for him and Frank to be wasted on Ecstasy on the dance floor at Oz and run into Taylor and some of his friends from Tulane. Hmmm.

But I need to get back to reading Where are the Children? so I can get back to my reading of Tracy Clark; I also need to read Lori Rader-Day’s The Lucky One for a panel I am moderating this year at the Tennessee Williams Literary Festival. And I also have some MWA business I need to work on this week–the life of an executive vice-president is always intended to be, well, interesting–and as such, I should probably head back into the spice mines.

Have a lovely Wednesday Eve, all!

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Loves Me Like a Rock

Saturday.

So, yeah, yesterday was something. I slept relatively well on Thursday night, woke up at eight, and while doing my usual morning blogging over my coffee as I woke up, I kind of casually mentioned an idea for a book I had several years ago–and now that I think about it, talking about James Ellroy, which then morphed into talking about Megan Abbott’s staggeringly brilliant period noir novels was what brought it back to the front of my mind–and some friends on Twitter fell in love with the idea for the book and began pressing me to go ahead and write it, which was really unexpected and lovely and overwhelming and nice. I posted the blog entry, went and did the dishes, and when I came back to the computer my Twitter mentions had blown up (I think that’s the way to say that, hopeless Luddite that I am).  Then I walked away again, started laundering the bed lines and then cleaned the staircase only to come back to even more mentions, and some lovely new followers.

But like I always say, I never ever will have enough time to write everything that I want to write. I had already kind of decided that next year’s plan was to write three gay noirs I’d been wanting to write for quite some time (Chlorine was one of these, the others being Muscles and Heatstroke), and then a couple of weeks ago I sat down and wrote the first chapter of yet another Chanse book, despite the fact I’d officially retired the series with Murder in the Arts District several years ago. The Chanse story is already burning in my mind, aching to be written, and I’d kind of figured I’d try to get it written by the end of the year…and all the while these thoughts and ideas and creativity are running through my fevered little brain, I am also not working on the WIP or the revision of the Kansas book, which I kind of need to get done at some point….and there’s yet another unfinished manuscript (it needs another two drafts, at least) languishing in my CURRENT PROJECTS folder.

This is why writers drink.

I also spent some more time with Angie Kim’s Miracle Creek, which is simply extraordinary. I’m not even a fifth of the way through and it’s a marvel I cannot recommend to you highly enough, Constant Reader; it makes me wish I was a judge reading for a Best First Novel award so I could pick it, it’s really that good.

But I did manage to get the proofing done, or at least a first pass at them (I’ll most likely do it again this weekend since I got a bit ahead on things with it). They aren’t due back until Monday, so I think I’ll probably give them another going over tomorrow, with fresher eyes again, just to make sure nothing gets missed. Huzzah!

I have to venture out into the heat today–we are in a heat warning, I think, and an air quality warning as well–to get the mail and make groceries. Usually going out into the heat drains me of all energy, but I think what I’m going to do when I get home is self-care–use the back roller/self massage thing, exfoliate my skin, shave my head and face, so a psoriasis treatment, take a long hot shower, and perhaps then recline for a moment or two in my easy chair with Angie Kim’s novel.

I’ve not written a word this entire vacation, but I am going to get my proofs finished, which is lovely, and I’ve gotten a lot of cleaning done, too. I’ve wasted more time than I’ve spent doing things, but I don’t care. I’m allowed to have some down time, and I feel very rested, which is cool. I also seem to have trained myself to go to bed every night around ten…and get up around eight. Ten hours of sleep per night has been lovely; no wonder I’m rested, right? Also, I’ve managed to stay off social media for most of the time, other than yesterday’s Chlorine-fueled blowing up of my Twitter mentions. I also have discovered these amazing, short videos on Youtube that look at some moment in history–the Wars of the Roses, the fall of the Byzantine Empire, the Hundred Years’ War, Charlemagne’s empire–with animation, humor and all in under ten minutes. They’re terribly clever, and are also informative in a very macro way; there was a lot, for example, that I didn’t know about the collapse of the Ottoman Empire that was filled in by the video explaining it in ten minutes, which also explained how the British came to be in charge of Palestine and Egypt, as well as how the French wound up with Algeria–which I’d never really known before. This also led me to researching the history of the Franco-Spanish kingdom of Navarre; I never really quite understood how Henri IV, King of France, managed to be the son of a regnant queen of Navarre–particularly since Navarre is barely ever mentioned throughout European history (Richard the Lion-Hearted’s wife was from Navarre); I now understand it.

I love how, despite knowing more history than most people, there are so many gaps in what I do actually know.

I also need to figure out what I have agreed to write. I think there are at least three anthologies I want to write for, or have been asked to write for, so I need to figure out the deadlines and what I want to write for them. I am going to try for the Mystery Writers of America anthology again–I have a story already written that fits; it just needs some serious tweaking and revising before submission–and I think there are three others I’ve been asked to contribute something to? I really have been scattered this spring/early summer, which is disconcerting. I also, because of all the Chlorine stuff on Twitter yesterday, sat down and wrote down all the manuscripts I have started and have some version of finished, as well as the others I want to do, and some others I’ve been asked to pitch, and I am sure it will come as no surprise that Greg, the underachieving overachiever, has ten books on said list; and I want to do them all.

And of course, that doesn’t mean I won’t have more ideas in the meantime, either.

This is also why writers drink.

Correction: I just remembered two more, so it’s a list of twelve.

Yup, I am certifiably insane, in case there was ever any doubt.

And on that note, the bathtub isn’t going to scrub itself, the bastard.

Off to the spice mines, have a lovely day, Constant Reader!

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