I woke up to snow on the ground and it’s still snowing! I’m not used to seeing stuff floating around outside my windows–I’m so used to rain I don’t even notice it when I’m sitting here at my desk, so that’s weird. Our office closed for the day–and I do think the entire city has completely shut down; even our gym closed–and they’re almost like Waffle House. #madness. It’s very weird, but it’s not cold inside the house (it’s chillier here in the kitchen, of course) and it’s kind of snuggly and toasty warm. We’ve not had cold weather like this since we got the new HVAC after the Great Mardi Gras Freeze of 2021, so I my concerns about the cold were primarily about it being very cold inside, and clearly, it was nothing to be terribly concerned with for long. I’m even comfortable here by the windows, and am not shivering. It’ll be lovely reading in my chair later; which reminds me, I’m trying to pick out my next read; I’m torn between an old French classic of suspense and something more current and diverse. I have all kinds of things to get done today, and I’m definitely going to spend some time in my easy chair with whatever I choose to read next. I may spend some time with my non-fiction read, too, so I can get further into it. (White Too Long, about how Christianity has helped hold up white supremacy in this country.)
I chose to make yesterday a nice day by not giving the authoritarian takeover of the country any oxygen or space in my brain. I see the older Democrats are failing the country (Marco Rubio was confirmed 99-0? Really?) and rolling over like the complicit lapdogs they are, screaming about norms and respect for institutions–which is what you do when you can’t lead. We are watching the history of January 6th being rewritten, right before our eyes. This is very similar to the rewriting of history done by Southerners (Southernwomen, I might add; white women have always been garbage, for the record) after the Civil War as they romanticized the days of chattel slavery and created the Lost Cause Mythology that so many Southerners cling to so desperately (it’s our heritage! Yeah, well, I don’t see a vast swathe of Germans arguing their “heritage” has been erased, have you? There are some, of course–there will always be garbage people). But show the entire heritage, then. Show how brutal and inhumane it was; and I really don’t understand why people are proud of heritage that includes human trafficking, but hey–y’all do you, okay? Don’t explain your position to me because you’ll just make me think even worse of you.
And believe me, I can always think worse of people. Always. And really–can you ever go wrong expecting their worst from people? They rarely disappoint.
I did see a lot of performative ally-ship on social media, too–the same straight white guys who were just joking about “gay marriage” the other day are suddenly queer allies again, of course. Can’t miss a chance at one of their “I’m one of the good guys” performances, can we? It’s really kind of sad in a way, that they don’t even get how awful they are when they go into default mode. But can’t miss a chance at getting likes and clicks for the performance…when they’re going to go back to making homophobic jokes and slurs, and isn’t it funny when two straight white men make gay marriage jokes, because what could possibly be funnier than two straight white men acting like caricatures of gay men? Ah, ha ha ha ha, no worries, because the joke is that of course these two absolute paragons of masculinity are acting what they think gay men are like in their heads. What’s even funnier is the two of you wouldn’t even get a second look in a gay bar from anyone apart from the visually impaired. Right now, I’m better built than either of you at sixty-three, and I wouldn’t take my shirt off in a gay bar. Trust me, you wouldn’t even be a 5 at the gay bar. What you’re actually telling me is you’re both incredibly insecure in your masculinity to the point that you have to build it up by punching down on gay men….but you’re actually punching up, as all indecent bigots do. Sorry your dicks are too small to satisfy a woman, and your ass is too dirty for gay men.
And people wonder why I don’t trust straight people. There were plenty of other allies clicking the laughing emojis too–because is there anything funnier than a gay couple? I may leave town for Bouchercon, seriously. So tired of the same old song, you know? And no matter how much I call it out, subtweeting doesn’t really seem to do the trick anymore because they are so convinced they are the good guys that they don’t need to check or examine their own behavior, because “good guys”are so convinced they’ve done all the work they need to, and they clearly haven’t, and running homophobic “jokes”? Sorry, you’re not one of the good guys, and save your apologies for someone who gives a shit, or is gullible and stupid enough (like I used to be) to actually believe you. If and when it came to it, what exactly would you do if they started rounding up queers? Make a few posts to show how amazing you are? That’s the kind of allyship that ended up with twelve million people being exterminated in camps in eastern Europe. I know exactly what you’d be doing if you lived in Germany in the 1930’s, or in the American South in the 1850s.
The snow is really coming down now! So, it’s probably time for me to head into the spice mines. I need to write my review of Bemused, as well as my review of the book Ode to Billy Joe. It’s off to the spice mines with me now on this weirdly snowy January day in New Orleans.
Work at home Friday! I have a meeting at ten and then I get to do work-at-home duties for a few hours before I can end my work day and dive back into working on the book. I am having to be a bit more careful this time, as my memory isn’t as good as it used to be and I have been making this up as I go so far, so there are no notes for me to look at and think ah yes, the nurse’s name was this or Aunt Del’s second husband’s last name was NOT Alencon, so last night I reread the first four chapters of this masterpiece in progress and wasn’t disgusted, appalled and/or embarrassed at the terrible writing. (It is excruciatingly awful.) But I was writing down the names of the characters and who they are so I can start constructing back stories as well as who they are, and that will lead to more story and more characters. I also have to synopsize and outline those chapters as well…which also made me realize I have to look up the names of Scotty’s parents and grandparents, which means going through the books, which means…I should just start rereading them and pulling together the Scotty Bible at long last. That is my plan for this weekend; to work on pulling together information that is necessary out of the previous volumes and revising the current chapters. I am also really proud of myself for recognizing this work is necessary to make writing the rest easier and fix the mistakes in these early chapters.
I am also up way earlier than I need to be, but I woke up at six. Sparky actually was sleeping with me this morning when I woke up, which is progress on the cuddling front. I woke up at six, and was awake so figured might as well stay up if I am already, you know? My coffee is good and I am a little groggy, but taking a shower once I finish writing this will help with that, and I can get started on my work-at-home duties and be free earlier, which is really nice,..and I can use this afternoon to catch up on chores and get started on the Scotty Bible, which is cool and exciting. Should I be this excited to be writing another Scotty? I don’t know if it’s the writing Scotty that has me so high or if it’s just writing in general? I also don’t have a contract yet, so they may not even want it. But that’s not anything to worry about right now, either. I am just going to stay laser-focused on writing. The apartment isn’t that bad this morning, really. Tomorrow I have an eye appointment to get a new prescription so I can order new glasses, but other than that and college football, there’s really not much going on for us around here. I do want to watch The Deliverance this weekend. So many possibilities!
Our wretched governor this week asked LSU to start bringing Mike the Tiger back into the stadium for football games this season. I do love that tiger (I even made him the focal point of one of my Scotty books), he is stunningly beautiful, and I remember the year they decided to stop bringing Mike into the stadium. (This was the previous Mike.) The rule always was they wouldn’t sedate him and if he refused to get in the trailer, they wouldn’t try to make him. Previous Mike that entire year refused, and so…no Mike. It was disappointing to me the few games I went to that year–Mike’s entrance into the stadium was always one of my favorite parts of the game. The next year, they decided not to try, and I also think the veterinary school also realized that bringing him into the stadium is probably not the best thing for a tiger. There’s a lot of people, a lot of noise, and if he gets upset or irritated or anxious during a game, there’s no getting him out of the stadium again until half-time or the game ends–and what if the fans rush the field? He’s secure in his trailer, of course, but why upset a big animal who was rescued from a bad situation who’s finally getting used to being taken care of and spoiled? I myself began to realize, the longer more time passed and there was no tiger in the stadium, I rethought the whole thing. Whether there should be a wild animal habitat on campus or not is an entirely different argument, and one I am undecided about the right answer, and know that my reluctance to say its not good has a lot to do with my affection for that tiger.
I’ve also begun to really understand two things about college football (and life for that matter) is that when someone talks about tradition, they’re just saying “we’ve always done it this way” and change is scary; and a lot of the time tradition is what keeps problems festering for decades.
I also think the Governor making demands of our flagship university is not good for the school or the state. If you want to interfere with LSU, Governor Landry, why don’t you pump some more money into the school? Cut tuition? Repair or replace some of the crumbling buildings on campus? No, his only interest in LSU is the athletic teams and showing how powerful he is. He clearly doesn’t give a shit about education in Louisiana, especially if he actually believes having the Ten Commandments displayed in every classroom in the state will improve somehow our educational system…when what it actually is another form of the right’s “thoughts and prayers” bullshit they trot out whenever they try to force us to believe their corrupted faith and think that holy bandage they stick on the problem will make things better somehow.
Leaving things to God’s will is an abdication of morality and responsibility; the proverbial “Pilate washing his hands”. And is that what we need leading the state?
I am beginning to remember that the reason I try not to follow state politics more closely than I do is because it leads to fucking despair.
Right-wing media (which is apparently bought and paid for by the Kremlin) have been trying to hide their overt racism lately by using code, what is more commonly known as “dog whistles.” The latest is this “the Vice-President is a phony because she talks differently to different people”, which basically means “straight white people don’t do this so there must be some nefariously horrible reason for this.” No, douchebags, it’s more of a protective coloring, like chameleons, that marginalized people all develop because straight white people can be so fucking awful. One example of this is my parents had very pronounced rural Alabama accents, which began to fade over the years after they left, but it’s still there. Paul used to always love when I talked to my parents on the phone because my own accent comes out, and it would usually take about an hour or so for me to get back to the way I normally talk. I learned how to speak with an accent, which I also quickly learned to disguise in elementary school because it was very clear to me that the way I spoke made people assume I was stupid. It’s not just my family, either, that triggers my accent; whenever I speak to anyone who has one mine comes back out–my brain is coded that other people with Southern accents are safe. Likewise, hard as it is to believe but I also tone myself down when I’m around a majority of straight people I don’t know. This is why gay bars were so important for so long–after a week of coding myself as either “less gay” or “blend in don’t bring attention to yourself”, going to a gay bar where I could completely be myself without worry of losing either my job or being attacked was an enormous release, and I know I’m not the only gay man who saw the bars as a conduit to community and safety. That’s why it kind of bothers me that straight people come to gay bars and hang out because the vibe is so different than straight bars; their presence makes the safe space not as safe, and sometimes it makes them uncomfortable to be a minority and they act out. I suppose it’s kinder to say “straight people need to be more respectful of queer safe spaces.” That’s always been a problem, and really–bachelorette bridal parties need to stay out of gay bars because drunk straight white girls can be the absolute fucking worst.
And don’t come to our bars for entertainment if you don’t support our equality.
Yes, ladies, you’re super-cool for making asses out of yourself in queer bars, and oh so tolerant for gifting us and our spaces with your presence. I know that things have changed since I was younger, and the younger queer generations aren’t so rigid about separating their lives because they don’t have to, and I am all for that. Straight kids and queer kids absolutely should be friends, should hang out, and the sexuality thing shouldn’t make a difference, which is what we’ve always said. Younger generations don’t need that safe space as much, at least in the cities, the way we used to need it. I haven’t set foot in a gay bar in years, so maybe the entire culture has changed, and again, this is how things used to be is not a compelling argument against change. Maybe I’m just that old man who’s out of step with the young ones these days, and I do catch myself all the time questioning things I’ve always thought and believed and are reflexive; I’ve spent a lot of time the last few years sorting things out in my head, and seeing things with the clarity distance provides.
I was wrong about so many things. I blame public education, for teaching me American Mythology instead of US History.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll probably be back later. Thanks for checking in!
Really, how was there ever any doubt about my sexuality?
Well, there probably wasn’t, but I still live with the illusion that people didn’t know. It makes me happy, okay? Allow me my delusions, thank you.
I think the first time I ever danced was at a school dance when I was a sophomore. I don’t remember what the dance was for, but that was it. A friend of mine asked me to dance, and I replied, “I don’t know how” (which was true), and she laughed at me, saying, “all you have to do is move” and showed me a basic back and forth step with swinging arms that was pretty simple. “Just stay on the beat,” she advised, and I found myself losing myself on the dance floor, getting into the music, and improvising…and for the first time in my life got compliments for something. This happened again when we moved to Kansas and at my first dance there–girls couldn’t believe what a good dancer I was, and they all wanted to dance with me.
Granted, most guys were not fun to dance with, usually doing some kind of weird shuffling kind of movement that was always off-beat and looked almost painful to do. But I basically figured out the trick–moving your hips and shoulders on different beats of the music instead of together. And the more I did it, the more I loved it. Guys were also not supposed to enjoy dancing, as it wasn’t ‘manly’ or something; I don’t know, there was a lot of idiotic bullshit like that for boys when I was one. My love of dancing continued on through my twenties–there weren’t any really good clubs for dancing, gay or straight, back then–and it really wasn’t until I moved to Tampa and started going to a gay bar in Ybor City called Tracks that I really found my place in the community.
Oh, not right away. I would dance when I’d go out, but not much; I was very self-conscious, and dancing made me sweat–a lot. My hair (what was left anyway) would plaster to my scalp with sweat, my socks and shirt would be soaked through, and I really really believed I was unattractive. But when I was out on the dance floor, I didn’t really care about how I looked or if anyone was looking at me or anything other than the driving beat and cutting loose on the dance floor. I never felt tired or sore the next morning either–I always felt good after dancing all night…
….and then I lost weight and discovered the gay bars in New Orleans.
I also discovered Ecstasy, but that’s probably best handled at a different time.
Oh, how I loved coming to New Orleans to dance the night away! That was the one thing I always hated, everywhere else that I lived or visited; the night always ended with last call, sometime after midnight and always no later than three. In New Orleans, the evening ended when you were too tired and sweaty and exhausted to dance any more. I used to go dancing at least three nights per week when I lived in Tampa (Friday, Saturday, Sunday), which also continued in New Orleans. I also spent a lot of evenings in gay neighborhood bars while in Tampa–didn’t really do much of that after moving here.
There’s something about being in an altered state (of whatever kind) out on the dance floor in a sea of shirtless gay men, all dancing and having a great time, while killer music plays through the speakers, the constant thumping of the bass getting into your nervous system. There would also be a light show during the dancing, and mist sprayed down into the crowd (in the older days before I lived here, I used to think they put poppers in the mist because you could smell it…although now I’m not sure that wasn’t just from how many people were using them on the dance floor), whistles and bells and there was always some older gay hippie, shirtless with long gray hair, shaking a tambourine out there. Everyone was friendly on the dance floor, smiling and grinning and flirting and grind-dancing, and the loud music just got into your soul, making it an almost out of body experience.
I always hated that the mixes you heard in clubs were so hard to find in record shops.
And the divas we sang along to–Deborah Cox and Madonna and Celine Dion and Martha Wash and Whitney Houston and Mariah Cary, among many nameless others–I was always lip syncing when I danced, really doing drag without the make-up and costumes and wigs–music I could just get lost in for hours. On the dance floor, everything was okay and everything was going to be better and this insular all-gay world was a place where I was at peace, where I was happy, and where nothing could ever bother me.
I miss dancing, but I also am older and can’t stay up late enough to go out dancing, let alone dance for even a few hours. But dancing has always been an integral part of my gay identity, even if I don’t do it anymore. I still listen to the music I can find on Spotify or Youtube, and believe me, there’s nothing like blasting gay dance music for cleaning the house. I used to have deejays make me tapes for my aerobics classes–and the attendees always loved the music.
Are gay bars still community hubs? I honestly don’t know–but all the young gay men I work with go out to clubs, so I guess so. Maybe not as integral as when going to one actually put you at risk of being arrested, but still important.
The first song I ever danced to in a gay bar was, quite naturally, “It’s Raining Men.”
I never said I wasn’t a stereotype, did I?
I was twenty-one the first time I ever set foot in a gay bar. (If there were gay bars anywhere near me in Kansas, I had no idea) It was in Fresno, California, of all places; where I spent the 80’s and which I often lovingly refer to as “Topeka in the Valley.” It wasn’t much of anything, really; a small building on Blackstone Avenue, I think just past Olive, and near the off-ramp for the new cross-town highway in an attempt to alleviate traffic on the main streets of the city (it may have been further north). The bar was called the Express, and someone I worked with–the first obviously gay man I ever knew, and certainly the first one who was out and proud and not ashamed of it–took me one night after work. I was nervous as hell. I had no idea what I was getting myself into, and I remember it was dark and crowded. There was a bigger front room with the bar, and there was a smaller dance floor further in the back. We arrived–I didn’t recognize the song that was playing–got a beer (he got a vodka and cranberry), and then the next song started up. I didn’t know it, had never heard it before, but he dragged me out onto the dance floor and yes, the song was quite a jam. I loved it, and rather self0-consciously danced my ass off (I always loved to dance). My friend later told me the song was by the Weather Girls, who used to sing back-up for Sylvester, and it was called “It’s Raining Men.” The song was utterly ridiculous–it still is–but those powerhouse vocals, the driving beat, and the absolute joy in the idea that all you had to do was “rip off the roof and stay in bed” so a hot man will drop in from the sky for you? How could gay men not embrace the song? I bought the single at Tower Records a few days later, and every time that song played, I’d be out on the dance floor. Even now, when I hear it, I always think back to that first night I went to a gay bar.
HIV/AIDS was already a thing, but we didn’t know much about it in Fresno; it seemed like something new and scary but maybe no worse than some other new diseases that had been discovered in the 1970’s/early 1980’s. The rare yet terrifying information and reporting on it referred to it as GRID. It eventually claimed that co-worker who took me to my first gay bar, and his roommate, who was the one who told me years later that the co-worker (whose name I cannot recall, I just know it started with a K) was in the hospital, dying. “It’s Raining Men” always reminds me of him; always takes me back to that first time when I so nervously paid my cover charge and flashed my ID and walked into my first ever gay bar. There was another gay bar in Fresno, the Red Lantern, that was in a much shoddier (“dangerous”) part of town. (Gay bars, back in the day, were never in the best neighborhoods. Tracks in Ybor City in the early 90’s–when I lived in Tampa–was also not in the best neighborhood. Ybor City did begin gentrifying before I moved away, but originally? Yeah, not the best neighborhood.) I went there a few times as well–made friends there, made friends in the other bar, too. I lost all those friends, of course, and their names and faces are also gone, more lives lost to the mists of time in my memory. It seems a bit shameful to not be able to remember the names and faces of the first people who knew a part of me I’d never let anyone see before, but they also didn’t know me in that I kept the other part of my life secret from them.
It’s very strange, because I decided to google the gays bars of Fresno while I was writing this and apparently the Express closed in 2013? I don’t think it stayed in the same location–according to the site I found it had also been called “708” before becoming the Express again; who knows what that was all about. But the Red Lantern is still there on Belmont Avenue, in the same location; how wild is that? That’s a pretty long-lived gay bar for a place like Fresno, really. I remember in Houston there was JR’s, and Heaven, and maybe another one there in the Montrose district. But I didn’t start spending a lot of my weekend evenings in gay bars until I moved to Tampa. Tracks in Ybor City and Howard Avenue Station were the two primary gay bars when I lived there; and there was Bedrox on Clearwater Beach–which was the gay section.
And of course, there are gay bars everywhere in New Orleans. I haven’t set foot in one in a number of years, and may never do so again. I’m old; spending the night dancing would end with me in the hospital, or needing days to recover.
I don’t know what gay bars are like now because I’ve not been a part of that culture for a very long time–we haven’t even done condom outreach during special weekends in the bars in years anymore–which is why it’s hard for me to write about Scotty being still a party-boy. His age in the book I just finished and turned in is roughly forty-three or forty-four; after Katrina when I had to actually pick a time for the books to have been set (Katrina couldn’t be ignored), I decided that the Southern Decadence where Scotty met both Frank and Colin was in 2004, Jackson Square Jazz was that Halloween, and Mardi Gras Mambo was Carnival 2005. Scotty had just turned twenty-nine in Bourbon Street Blues, which meant he was roughly born in 1976, which works with the other timelines, making him twelve or thirteen when the Cabildo caught fire the last time. While the other books can be more amorphous, obviously Who Dat Whodunnit was set in January of 2010, right before the Saints won the Super Bowl. With the pandemic starting in 2020–which I will deal with at some point–this one had to take place before the world shut down, so I am thinking it’s May of 2019. I don’t want to skip ahead a year to the pandemic, so Quarter Quarantine Quadrille will be further in the future. I kind of want to do Decadence again in another book–with Scotty older but not much wiser–but am not entirely sure. I also would like to really do a Scotty Halloween book, and maybe even a hurricane evacuation one, I don’t know.
I am, however, very glad that I did write those first three Scotty books, when I was enmeshed in gay bar culture, because I’m glad it’s preserved in fiction. That world is gone now–washed away when the levees failed and the city rebuilt. Someone once told me I was the only person to document that pre-Katrina gay male existence, of going out to bars and being promiscuous and dancing all night long and drinking too much and occasionally dipping into party drugs.
I’m also kind of glad modern gays don’t have to use the weekends and gay bars as a place to let loose and be as free and gay as possible, which they couldn’t do during the week. Friday nights were always a relief, a respite from a cold and unloving world that judged us harshly and wished us harm.
I don’t miss the bright lights, the cigarette smoke (that’s how long it’s been), the stench of male sweat and the smell of poppers in the air as the deejay spins another banger. I mean, I do, but not in a sad kind of way; those memories are lovely and they make me a little wistful for the days when gay bars weren’t clogged with bachelorette parties and obnoxious drunk straight girls. But those weren’t the good old days, really; we had no rights and our sex lives were against the law; the few legal protections we have now were goals back then, something we could strive to achieve sometime in the distant future. I certainly never thought Lawrence would decriminalize my sex life and Obergefell would make it legal for Paul and I to marry; I never thought those things would happen during my lifetime. I didn’t expect to see an openly gay member of the Presidential cabinet; out queer characters as leads in television shows and movies–none of these things seemed possible to that closeted twenty-one year old who walked wide-eyed into the Express and went out to dance to “It’s Raining Men.”
I had no idea what the future held for me or for my community that night. In some ways I wish I could let that kid know everything would be okay and his life would turn out so much better than he ever dared dream…but knowing might change things, and I wouldn’t want to change anything that would take away the life I live now, because I love it.
Wednesday Pay-the-Bills day, and I am awake and slurping coffee, which is truly hitting the spot this morning. I slept well last night, and I think I am actually getting used to getting up at this ungodly, abhorrent hour. When I sleep well, I have no problem getting up in the morning (although I always long to stay in bed longer) and I am pretty well conscious, for the most part. (The coffee will do it’s job indubitably before I have to leave the house for the office, which is lovely, as always.) Yesterday wasn’t too bad. I did run uptown to get the mail on the way home (there was exactly one letter; my copy of All the Sinners Bleed, the new S. A. Cosby, won’t arrive until tomorrow), and I wasn’t terribly tired when I got home. I unloaded the dishwasher and cleaned out the sink, revised another chapter, and just chilled out for the rest of the evening. I’ve got a couple of nonfiction reads going at the same time (Hi Honey I’m Homo by Matt Baume and The Way They Were: How Epic Battles and Bruised Egos Brought a Classic Hollywood Love Story to the Screen by Robert Hofler–I do love books about the making of movies! And of course I am still reading The Johnstown Flood by David McCullough) so I finished the Hofler last night (cannot reiterate how much I love books about the making of classic films. The Way We Were, however flawed it may be, it probably my favorite Barbra Streisand movie–either that or What’s Up Doc.
I have a ZOOM meeting tonight as well, so I’ll probably come straight home from the office today after work. The excitement never stops, does it?
I was also thinking some more about my Pride writings, and whether or not I really want to talk about the homophobia I’ve experienced in my career. I do think these things need to be addressed–absolutely no one should have the false impression this kind of shit doesn’t still go on, isn’t still happening–but at the same time, it’s hard to write about those things without getting angry, or becoming THAT Gay Man (similar in some ways to the Angry Black Woman, I think; a trope that is easily dismissed by the dominant culture rather than examined in the ways it should be; if a Black woman is angry, why not find out why rather than being dismissive?) who people can easily stop listening to. Homophobia sucks, and being on the receiving end of it is no pleasure for anyone. It’s even less pleasant to experience and write about. But these things happen, and not shining a light on these unacceptable behaviors allows them to fester and grow. I like to believe sometimes (when feeling more charitable than usual) that people aren’t aware sometimes that what they are saying or writing is homophobic because that shit is baked so deeply into our society and culture; if you never examine yourself, you never learn and grow.
It amazes me how many people think they already “know enough” and don’t need to continue learning and growing. I always want to keep learning, keep modifying myself into the best version of myself that I can be (thank you, Ted Lasso), and growing into a more compassionate, empathetic person. It would be nice to talk about gay joy, you know?
For me, coming out was like a rebirth of sorts. I was absolutely miserable before I started living out loud as a gay man; I kind of led two different lives in which I had two different sets of friends that knew nothing about the others. But the real life was the closeted one, even though hanging out with other gays and going to gay bars was like a breath of fresh air after being stuck in a smoke-filled room for hours. I was keeping so much from either set of friends that I never really felt super-close to any of them; I loved them all dearly, but felt disconnected from them because they didn’t really know me. I was thirty when I started merging my two lives together, and believe me, coming out didn’t solve much for me, either. I felt freer, but I also had to start learning how to navigate being gay all of the time instead of having a few brief hours of freedom every week. I didn’t make many gay friends, and most of the gay people I knew were my co-workers…and the last thing I ever wanted to do was get physically and emotionally involved with a co-worker. There was still a lifetime of self-loathing and self-flagellation stuffed into my head as I started to reeducate and reevaluate myself and my life. The lovely thing about coming out at thirty meant I wiped the slate clean and had to start really figuring out who I actually was. It also makes sense that my writing never went anywhere while I was closeted; I wasn’t a complete person,. so how could I write and create compelling characters that are fully rounded when I was still under construction?
The weird thing is that thirty-one years later, I still feel like I’m figuring out who I am and what I want from my life…as the sands in the hourglass continue to run out. But while there have certainly been difficult times since I waltzed out of the closet, I’ve also been happier and more content and at peace than I ever was before. It might be age and experience, I don’t know, but I believe that I could have never reached that point while living in the closet. Had I continued to deny my true self, how miserable would my life have turned out? It was already going down a dark path already; the 1980’s and HIV/AIDS still cast a long shadow over my life.
But I’ve also known joy in the second half of my life; joy I never experienced or felt in the first half of it. And I wouldn’t trade that for anything…I’ve never regretted it, not once, not even when all the forces of the religious right and their useful idiots in elected office have arrayed themselves against people like me.
On that note, I think I am going to head into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll talk to you again soon.
Every gay man of a certain age knows all the lyrics to that song–and can (and will) belt it out while on the dance floor. The minute that piano intro begins coming through the speakers is one of those moments when everyone in the bar pauses and makes the “wooooo” sound as the dance floor fills. One year during Southern Decadence we stopped into the Louisiana Pizza Kitchen for lunch. Every table had a rainbow flag on it, which was cool. One of my friends picked up the flag and started raising it while singing “I Will Survive” because it was, in his words, “the gay national anthem.” I laughed really hard–we all did–but it also stuck in my head. That was in 1995, and almost thirty years later I always hear the opening piano riff and think ah, the gay national anthem! All rise!
I also always smile when I remember it.
Being queer in America means surviving, adapting a protective coloring, as it were, so that you could pass without question during your work life (or people might question it, but not to your face). The one nice thing about being a gay man is the fact that, in theory, we can navigate through the world and “pass”; there are very few of us that someone can look at and think, definitively and definitely, without question oh he’s a homo. I have never thought i presented as particularly masculine; certainly when I was a child other kids sniffed it out about me. I don’t know if that means they had some sort of “bullying gaydar” operating at a high level, or if I was so obviously gay that it was noticeable. (I’ve always wondered.) The way we think other people see us is so vastly different from how they actually do see us; none of my friends were either surprised or shocked when I came out to them at long last. I think that’s part of the reason “I Will Survive” is a gay anthem; for one thing it’s extremely adaptable, for another it’s defiant–oh no, bitch, YOU’RE not bringing me and my life down–(has anyone ever done a study about why gay men are drawn to Black women singers with powerful voices?) and that’s a message all gay men can easily identify with: survival. Back in the day we used to have to develop powerful camouflage (no, I never did) and keep the gay personal life and the non-gay professional life divided by a clear line of demarcation.
That’s why going to gay bars was so important for so many of us; the ability to have a place where you could unabashedly be yourself amongst other people like you was so freeing, so life affirming. After I left the travel industry, I was tired of working for straight businesses and having to play down who I was. I was tired of two separate lives, so after I made the decision to leave that job, start working as a personal trainer and focus my energies on writing, I also made the conscious choice to not ever work in a straight office environment ever again. The gyms I worked at were different, despite being owned and operated by straight people, because I never spent a lot of time there. I came in, trained my clients or did my own workout, and then bailed to come home to write. I have not really had a job in the straight world ever since, managing to work in queer spaces most of my life since.
With the community so hatefully under attack again, it takes me back to those olden days before Lawrence v. Texas was decided; when our sex lives made us criminals. I cannot emphasize this enough–before Lawrence, any time any member of my community indulged in sexual relations, they were breaking the law. Our very existence was outlawed. Legally, it was okay to be gay so long as you never acted on it. Which was very similar to the “don’t ask don’t tell” thing, or the strictures passed along by religious hierarchies to their memberships about being queer–it’s okay, as long as you never act on it. Hate the sin, love the sinner–that whole nonsensical thing that automatically relegates all queer people to a lower level existence in society.
Last night we watched the Amazon Prime documentary series on the Duggar family and their entire religious cult (not based in anything scriptural or Christian, really), Shiny Happy People, and it’s actually very chilling. I never watched their show, but it was during the time that TLC went from The Learning Channel to Touching Little Children; the Duggars anchored the channel’s reality program about abusive religious cults that demeaned women and celebrated over-fertility; it was around this same time TLC began promoting and broadcasting shows about beauty pageants for little girls–essentially, the sexualization of little girls for trophies and checks and tiaras. So, on the one hand they had shows with the Duggars and other families like them–abusive cults where children are often molested and it’s covered up–while also promoting and publicizing the sexualization of little girls in shows like Toddlers and Tiaras. Add in the fact that Josh Duggar–the predator groomed by his parents to be a predator–was going to work for the religious zealots known as the American Family Association (long known for it’s homophobia and misogyny) and pursuing a career in politics as a right-wing zealot and homophobe with direct ties to the Huckabee family, including Governor Sarah Huckabee Sanders. (An unholy alliance forged in hell that no one talks about at all anymore. I’d ask that bitch at every press conference if she and her father condoned the Duggars covering up their son’s molestation of children, including his sisters, and why they never spoke out against the Duggars, and just how close were the two families?)
The sheer misogyny of their beliefs and values–women have no value outside of the home and bearing children; if a male molests girls he is to be protected and the girls sacrificed–and women must obey their husband who is also their Lord and Master.
And they call queers perverts?
Take the sty from thy own eye, evangelicals. Seriously. But thank you, Amazon Prime, for releasing this documentary during Pride Month; let’s remind everyone of how foul homophobes are on every level.
The Internet saga continues. It was out when I got home from the office yesterday, and so Cox is coming out again this morning. If this continues to be an issue, we are definitely going to switch providers. There’s a local company our landlady uses that works well, and of course, since they’re local they are a lot easier to deal with–no text or on-line conversations with “support staff” needed. It eventually came back on after a couple of hours, but I am really getting terribly sick of this shit, you know? I have things to do today and messing with Cox isn’t helpful. Ah, well, there are worse things. I want to work on the book today, I need to run some errands, and I want to get some reading done–I want to finish the book I am reading and enjoying so I can move on to the new Megan Abbott, which I cannot wait to read.
And on that note, I am heading into the spice mines. Have a lovely Saturday and I’ll check back in with you later.
It’s probably hard to imagine what Southern Decadence is like unless you’ve actually been to it; even the hundreds of pictures I’ve taken and shared on social media over the years can’t even remotely begin to get the concept of what it’s like across–the same as Carnival, really; it has to be seen and experienced to be truly understood. My first Southern Decadence was in 1995, which was around the twenty-second or third time it was held; my knowledge of Decadence, primarily from urban legend and tales told from one gay to another and passed down over the years, is sketchy and probably untrustworthy (if you’d like the unvarnished truth and read about the history, I highly recommendSouthern Decadence in New Orleans from LSU Press, co-written by Frank Perez and Howard Philips Smith; I have a copy and thoroughly enjoyed reading it. Alas, my memory isn’t what it used to be, but the story is it began as a bar crawl for a friend who was moving away, and grew from those humble beginnings into a massive event that draws queers from all over the world).
That first Decadence I came to was also one of the hottest, temperature wise, or perhaps it was simply because I wasn’t used to the summers in New Orleans yet since I didn’t live here. I just remember being in Oz one afternoon and just soaked in my own sweat, and going down the back staircase from the second floor–the staircase that opens out onto the dance floor–and having to hold onto the railing because the steps were slick and wet. The railing was also wet, and when I touched the walls so were they–all the humidity and body heat and sweat–but at the same time it was so much fun. Gorgeous, flirty and friendly men everywhere, everyone scantily dressed and getting wasted and just having a good time. This was during the height of the circuit parties, most of which have died off over the years–there’s no longer a Hotlanta weekend in Atlanta in mid-August anymore, for example–but back then, it seemed like every month if you had the time and the money there was a circuit party somewhere you could fly off to and be yourself and have fun being in an entirely gay environment for a few days. That was, for me, one of the primary appeals of circuit parties and gay bars–they were safe havens for everyone to be out and proud and loud…and after a few weeks navigating the straight world for work and play and life in general…it was lovely to let loose in, for want of a better word, a safe space.
Circuit parties also had their downsides, don’t get me wrong–Michelangelo Signorile detailed some of those in his book Life Outside, which got taken out of context an awful lot–drug use and rampant sex and bad choices also led to other problems, not to mention the spread of HIV and other STI’s; the very first time I ever went to a circuit party–Halloween in New Orleans, 1995–there was a very Masque of the Red Death feel to it; here were all these gay men crowded into a riverfront warehouse, doing drugs and dancing and having a great time while the plague raged outside the doors. I even wrote about that in my diary on the flight back to Tampa a few days later.
But Decadence was always my favorite, out of all of them, and it was something I looked forward to every year. My workouts were always planned so I would hit peak physical condition for Decadence and maintain through Halloween, before starting to work on the Carnival body. It feels weird to talk about it that way, but that was my mentality and my schedule for years. Bulk up for a couple of months, then lean down leading into the event.
I had always wanted to write about Southern Decadence, and I know I’ve written about how I came up with the idea for the book numerous times; standing on the balcony at the Pub watching one of the strippers fight his way through the mob of gay men to get to the Pub so he could work, Paul saying you really should write a book about Southern Decadence and seeing a scene vividly in my head as I looked down at the sea of sweating gay men. I’ve also written about where the idea for the character and his family came from. So what is there left for me to say about Bourbon Street Blues?
The new cover for the ebook edition.
The name’s Dansoir. Dick Dansoir.
Okay, so that really isn’t my name. It’s my stage name from the days when I was on the go-go boy circuit. I started when I was in college, at Vanderbilt up in Nashville. As with almost everything that goes on in my life, I became a go-go boy on a fluke. The Goddess brings interesting experiences into my life all the time. Sometimes I don’t think it’s all that great, to tell the truth, but she always seems to be watching out for me.
I was working out at my gym one day when this guy came up to me and asked me if I wanted to make some easy money.
Like I hadn’t heard that one before.
I was twenty-one at the time, just turned, but I wasn’t some wide-eyed dopey innocent. I was raised in the French Quarter, after all, and by the time I went off to college at age eighteen I had pretty much seen everything. French Quarter kids have a lot more life experience than other kids their age. You can’t really help it. The French Quarter is like Disneyland for adults, and growing up there, you get used to seeing things that other people can only imagine.
Anyway, this guy said he was a booking agent and scout for this agency that booked dancers in gay bars throughout the deep South. The troupe was called Southern Knights.
“You can make a lot of money this way,” he said to me above the sounds of people grunting and weights clanging. “You’ve got the look we like.”
I looked at myself in one of the mirrors that are everywhere in gyms. I was wearing a white tank top and a pair of black nylon jogging shorts. I was pumped up from lifting, and if I did say so myself, I looked pretty good. I’m only about five-eight—nine if I have thick-soled shoes on. I have curly blond hair that’s darker underneath. The sun does lighten it, but that darkness underneath always makes people think I dye it. I don’t. I have big, round brown eyes. I am also one of those blonds lucky enough to be able to tan. I’d gotten a good tan that summer and it hadn’t faded yet. The white tank top showed the tan off nicely. I also have a high metabolism and can stay lean rather easily.
But scam artists are everywhere. I wasn’t about to fall for a line from some stranger in the gym. For all I knew, it was a trick to get my phone number, or an escort service, or something else I didn’t want to be involved in.
Not that I have anything against escorting. People go to escorts for all kinds of reasons—loneliness, fear of commitment, whatever—but they do fulfill a need in the gay community, and more power to them. I just never saw myself taking money from someone for having sex. I like sex. I enjoy it. So, it just never seemed right for me to tale money for doing something I like.
Besides, taking money for it would make it work. I prefer to keep my status amateur.
I got a copy of the book out yesterday and skimmed/read it again, to get another look and remind myself of Scotty’s roots and beginning. I realized yesterday, as I turned the pages of an ARC (yes, I still have ARC copies of Bourbon Street Blues available), several things: one, that the reason I always hate reading my own work is because my brain is trained to read my work editorially, to fix and edit and correct and look for things needing to be fixed (and I can always find something) and that second, it’s really been so long since the last time I looked at this book–or any of the earlier Scottys–was four years ago, when I was writing Royal Street Reveillon. So, by making the obvious effort to flip the editorial switch off, and having so much distance from the book that it almost seemed like something new to me, I was able to skim/read the entire thing without wincing in horror or pain or embarrassment.
The original cover, which always makes me smile.
Bourbon Street Blues was also the last novel I wrote that didn’t have an epigram of any kind, let alone Tennessee Williams: I started that practice with Jackson Square Jazz with a line from Orpheus Descending: “A good-looking boy like you is always wanted.”
Reading the book took me back to the days when I was writing it. The Greg who wrote Bourbon Street Blues is still here, I’ve just been through quite a bit since then and have changed because of my experiences. There were some sentences in the book I would change now to make better, but there are still some jewels in there, and well, I can kind of understand now why the character is so well-liked. He’s charming and humble and kind; sure he talks about “being irresistible” a lot, but that’s part of the charm. Guys find him attractive. He doesn’t necessarily see it, but is more than willing to accept it and not question it. He enjoys his sexuality and he enjoys having sex. I wanted Scotty to be unabashedly sexual and to have no hang-ups, carrying no stress or issues about being a very sexual gay man.
As I read the book again, I also started seeing something that had been pointed out to me over the years a lot–and began to understand why this was pointed out to me so much; an old dog can learn new tricks, apparently–but I still think other people are wrong. The book isn’t “all about sex,’ as some have said. Rather, Scotty sexualizes men; he sees them as potential partners and appreciates beauty in men. His friend David also loves to get laid, so they cruise a lot–whether they are at the gym (either the weight room or the locker room), a bar, wherever they are–and so people get the idea that the book itself is incredibly sexual, even though there is literally only one sex scene in the entire book and it’s not graphic; Scotty’s weird mish-mash of spirituality and beliefs and values make the act itself a sacred ritual, and that was how I wrote the scene; from a spiritual, commune-with-the-Goddess perspective. It’s also funny in that people are so not used to seeing world through the Gay Male Gaze that it’s jarring, and puts sex and sexuality into the minds of the reader.
The question is, would people think the same if this was done through the Straight Male Gaze, in which women are sexualized? Since this is the default of our society–literature, film, television–is flipping the script to show the Gay Male Gaze so uncommon and so unheard of that it triggers such a reaction from some of the readers?
There’s also so much innocence in the book, and it’s also interesting to see it as a kind of time-capsule: Scotty doesn’t have a computer; his rent (on Decatur Street in the Quarter, with a balcony) is $450 a month (ha ha ha ha, that’s what the condo fee would be now monthly); and he also doesn’t have a cell phone. The whole point of the book was to do a Hitchcockian wrong place/wrong time now you’re in danger kind of story; and that is precisely what Bourbon Street Blues is. I’d forgotten that one of the running gags in the book is that he never gets a chance to sleep much throughout the story so he’s tired all the time and just wants it all to be over so he can go to bed.
Another thing that’s dated: even in 2002, in my naïveté and innocence, the evil politician running for governor–when described by Scotty’s brother Storm as problematic–even he doesn’t support an outright ban on abortion–he wants to ban it but with the rape, incest and health exceptions.
Even in 2002 I couldn’t conceive of anyone running for statewide office calling for an outright ban on abortion.
How things change.
It was also interesting that I got two things very wrong in the book, too: for one, I was thinking for some reason the swamp on the edges of Lake Pontchartrain on the way to Baton Rouge on I-10 was the Atchafalaya (it’s the Manchac/Maurepas), and while I had always remembered I’d given Scotty’s mom a name in this book but forgotten it later when I needed a name for her in a different book–I had the name wrong. I thought I’d called her Marguerite in Bourbon Street Blues then named her Cecile in a later book; I had actually called her Isabelle. (I’ve even told that story–about the names–before on panels and been WRONG ALL THIS TIME!)
It was also interesting and fun to remember–as I read–that Scotty was also not looking for a boyfriend. He was perfectly happy and content being single (which was also something important I wanted to write about–a gay man who didn’t care about finding a life-partner, figuring if it was meant to be it would happen). I also presented him with two potential love interests–Colin the cat burglar and Frank the hot daddy–with that actually being resolved without him having to make a choice between them. I also had the book end with Scotty being slowly persuaded into becoming a private eye.
Originally I had conceived it as a stand alone novel, but the publisher offered me a two-book contract, so when I was writing Bourbon Street Blues I knew there was going to be a sequel. This freed me to leave some personal things open for him; I knew I was going to bring Colin back in the next book so he was going to have to choose between them, and I also knew the personal story needed to be wrapped up by the end of the third book, which was going to be the end of the series with everything resolved. That changed when I wrote Mardi Gras Mambo, but that’s a story for another time.
Bottom line: it’s a good book and I am proud of it. It’s only available now as an ebook from Amazon, but I hope to eventually make it available through every service as well as get a print-on-demand version for those who might want one.
Monday morning, and the first full work week of the new year, and the first in over two weeks. It looms large, doesn’t it? Particularly in the enormous disappointment the Saints served up yesterday–outside of sexy Taysom Hill, who looks amazing in those all-white color block uniforms. This was probably the most ambivalent I’ve been about the Saints since before we moved here and become full time Who Dats; I’m not going to rehash any of the preseason stuff about Drew Brees, but yeah–it just never felt the same this year. Hopefully next year I’ll move past it.
At least I have my Sundays back from now on.
Plus, it’s Twelfth Night and the official opening of Carnival. I get to eat king cake now; I bought one on Friday so I could have it with my coffee this morning. Huzzah for king cake!
Overall, I had a very productive weekend, and this is pleasing to mine eyes. I didn’t read much on the Reread Project–although technically reading these Holmes stories is a part of it, I suppose; but I don’t remember much of them from my junior high school days so it’s kind of like reading something new, so I am not counting them as part of the Reread Project.
I read another Sherlock Holmes story yesterday; “The Gloria Scott,” in Baring-Gould’s Annotated Sherlock Holmes. Like the Lyndsay Faye pastiche I read on Saturday, this story is almost entirely told in dialogue; only this time, it is Holmes recounting the story to Watson; which is interesting; odd that two stories I’ve read back to back are told in similar fashion. I doubt very seriously that my Holmes story will be told that way; but I also haven’t written it yet so who knows? I did start writing it yesterday, however; which is a lovely start. I also revised two more chapters of Bury Me in Shadows, and I also got vaguely started on my website writing. I came up with another story idea, “Just Another Night on Bourbon Street,” which was inspired by my reading further in Bourbon Street by Richard Campanella; we’re now up to the arrival of the Mafia in New Orleans. I don’t know much about the Mafia in New Orleans or organized crime; I do know the mob used to own the gay bars in the Quarter, and it wouldn’t surprise me if some of then are still used to launder money.
I don’t know that, I just said it wouldn’t surprise me. Particularly when you see how empty most of them are most of the week,
The sun is rising through the trees–I love how it seems like the sun rises over the West Bank, which is actually due south from the Lost Apartment–another one of the geographic nonsensities created here by the twists and turns of the river.
We watched the Golden Globes last night, which was really kind of a waste of time. Paul and I have gradually grown tired of, and bored by, awards shows. We haven’t really stopped watching many of them, we just don’t really get excited about them anymore. The Globes are more fun than the Oscars, because anything can happen there and there’s no real way of predicting who’s going to win–I would have thought, for example, Eddie Murphy was a long-overdue lock, yet the winner was Taron Edgerton for playing Elton John in Rocketman; I don’t think it means he’ll win an Oscar or even be nominated–but after Joaquin Phoenix’ bizarre acceptance speech, I’m not so sure he’s such a lock on the Oscar either. But that’s really about it; that and Renee Zellweger’s also weirdly awkward and slightly embarrassing acceptance speech were the uncomfortable moments of the evening. But it was nice to see 1917 get some attention; I love that one of the main characters is played by the kid who played Tommen on Game of Thrones, and that’s a film Paul and I actually want to see.
And now, back to the spice mines. Have a lovely post-holiday Monday, everyone.
Thursday, and a bit reflective this morning. I’m not as well-rested as I was yesterday, but still feel pretty good this morning. I’m also only on my second cup of coffee, so there’s also that.
June continues to slip through my fingers; only nine days left for me to finish the first draft of the Scotty book and finish writing two short stories. This weekend I also have to put together the copy edits for Florida Happens, and I have to do a final pass on another short story. But…the more I have to do, the busier I am, the more I seem to get done. (Which is sort of obvious; if you have less to do, you are obviously not going to do as much as you will when you have more to do. But what I mean is the more I have to do, the less likely I am to procrastinate or put something off because I have plenty of time.) I also want to read aloud the first four chapters of the WIP, and I also need to start copy-editing Jackson Square Jazz.
I have, however, requested off a very long weekend around July 4th; I will be off from the 4th thru the 10th, and that should help immeasurably with everything–especially cleaning the house. In other exciting news, today I found the image I want to use for the cover of “Never Kiss a Stranger,” once it’s finished, edited and ready to be a Kindle single. That’s one of the lovely things about living in New Orleans–it’s very easy to take a gorgeous photo here.
I did go ahead and reread “Tell Me a Lie” last night.
The music is loud, almost at eardrum-bleeding levels. A thin veil of smoke hovers just above the heads of the people in the bar. A muscle man in a red bikini shakes his ass on the other side of the bar, coaxing dollar bills from the gaggle of older men gathered at his feet. I watch him for a moment. It is truly a wondrous ass, hard and round and perched atop two well defined thick legs. There is a tattoo on his lower back just above the red stretch fabric but in the glow of the black lights I can’t make out what it is. It doesn’t matter. He’s a terrible dancer, probably gay for pay like so many of them are, and who has time for that kind of nonsense? The body is remarkable, but there are a lot of guys in the place just as hot as he is, who won’t require cash up front for a fuck. Maybe I should have just stayed home and gone on-line, I think to myself. I’ve been here for almost an hour and no one’s even looked at me twice. I look at my watch. Another half hour and I’m out of here. Home to my empty apartment and the glow of the computer screen as I cruise manhunt.com and hope someone even half-way decent messages me. But I don’t want that again, the wait for them to knock on my door and the enormous disappointment when I see that their picture was at least ten years out of date, or they haven’t been to the gym in a couple of years, or any number of things…that’s why I prefer going to bars to find someone. At least in a bar you can see what you’re getting and you don’t have to experience that awkward moment when they are standing on your doorstep and you have to resist the urge to slam the door in their face, that horrible split second of resignation of a live body’s better than jacking off to porn again.
I sip my beer, and I see a guy walk around the corner. I’ve seen him before, over the years. Desire rises in my heart and groin. I’ve always wanted him, but he was always with a guy who protectively always seemed to stick close to him—or been part of a group with no apparent interest in hooking up with anyone. He’s beautiful. He’s about six foot tall or thereabouts, with dark hair he cuts short and hides beneath a baseball cap—tonight it’s an LSU cap. He has the thickly muscled body of a football player, and always wears T-shirts and tight jeans. Tonight is no exception. His face is gorgeous, with wide blue eyes and tanned skin—there’s probably some Cajun in his background. I’ve cruised the contact sites looking for him before, with no luck. He’s either faceless in his profiles or just not on-line looking for Mr. Right Now. I watch as he walks up to the bar directly across from me, ignoring the stripper gyrating near where is standing.
Our eyes meet, and he smiles at me. He has a beautiful smile, the kind I’d like to see in the morning when I wake him with a kiss on the neck.
It’s been a long time since I went into a gay bar, to drink and relax and have fun; even longer since I went into a gay bar looking to get laid with either someone I’d slept with before or someone new. That part of my life, and that lifestyle, is so far off my radar now that it never even crosses my mind to think about going out clubbing. I am fifty-six, soon to be fifty-seven, and while I certainly don’t want to age myself or think of myself as old…I do feel that I’ve sort of grown out of that now. I don’t think of it as being sad; I’m not sad about it. I certainly spent my fair share of time in gay bars.
When I talk about stories I’ve written and published, it’s not always easy for me to remember where the idea came from; in this case, I don’t even remember where the story was originally published, but I know I wrote it for an anthology; whether it was for one of mine or someone else’s, I do not recall. But rereading this one…I actually remembered the original idea; I was at the Pub one night, standing in a corner drinking a Bud Lite long neck, as I did, in a tank top and jeans. I hadn’t moved to New Orleans yet, nor had I met Paul. I was here for the weekend, visiting, and I ran into someone–someone gorgeous–that I’d slept with on a previous trip. He’d told me his name was something, I don’t remember what–he’d asked me where I was from and I’d said Tampa, so being a tourist I suppose meant giving me a fake name–but someone else I knew was there, and wound up introducing us; which is when I found out he’d given me a fake name. He was terribly embarrassed; I just laughed and said not to worry about it because it really didn’t matter.
On the flight back to Tampa the next morning I wrote a brief description of a story in my journal; about meeting someone and hooking up with someone in a bar who gives you a fake name and you know he’s lying to you but you don’t care. About five years later I started writing the story–the first draft was terrible, and it didn’t work–and then I remembered the story years later for this anthology (I wish I could remember which one) and started over. I tried to capture that prowling, on the hunt feeling you get when you go out looking to get laid, to have fun. I thought I did a pretty good job, frankly.
I actually used to run into that guy a lot after we moved here, and we became friends. He moved away about ten years ago; we always chatted and laughed and hung out for a while when we ran into each other.
I never asked him why he gave me a fake name that first time; I now kind of wish I had.
I’ve always loved to dance. In fact, many times when I’m cleaning and Paul isn’t home, I’ll put on some dance music and dance around the Lost Apartment while I’m cleaning. If it’s a song I particularly love, I’ll slip into Drag Queen mode and perform as I sing and dance along to the music. It brings me joy, and there’s nothing I love more than a dance jam. One of the things I tried to imbue in the Scotty books–especially Mardi Gras Mambo–was the joy that can be found in dancing and dance music; some of the best times of my life were on the dance floor.
When I was a kid I used to watch Soul Train and American Bandstand, and tried to copy the way the young people on the show danced. I loved going to high school dances. Of course, gay bars are often all about the dancing. I was also a child of the 1970’s, very much, and so I lived through the popularity of disco, which I loved because it was dance music. And while I sadly never went there, you also couldn’t live through that period without knowing about Studio 54.
So, you can imagine my disappointment when I saw the movie 54<; it was a glossy “boy from Jersey moves to the city gets caught up in the glitz but then walks away from it and learns from his experience” type movie. And while I may have never gone to Studio 54, I knew enough about it–and lived through that time–to know that this movie was deeply, deeply sanitized.
When I heard there was a director’s cut, that was much better because the studio had redone almost the entire film, I thought–I want to see it. Paul went to a play Friday night, so after I was finished with my daily work I got in my easy chair with Scooter and rented it from Amazon.
Seriously, it was amazing.
The only resemblance this movie has to the studio release is the cast and it’s about Studio 54.
This movie is bleak, dark, and realistic–I would say it’s just as dark as Saturday Night Fever, which is an incredibly dark movie.
Shane, the main character, played by Ryan Phillippe in all of his stunning young beauty, lives in Jersey City with his father and two younger sisters. This is blue collar America in the 1970’s in all of it’s realistic bleakness. He works as a pump jockey at a gas station; the hostage crisis in Iran is going on; the economy is in the toilet, and he is uneducated but wants something more–like so many people did from that background (like Tony in Saturday Night Fever, for that matter). He has a crush on Julie Black, an actress on All My Children, and after one wretched night in a bar where he meets a girl, they have mutually unsatisfying sex in the backseat of his car, and when he asks her if she want to go out sometime, she dismissively says, “I’m from Montclair and you’re from Jersey City. I don’t date guys from Jersey City”–he gets the big idea to cut off his long frizzy hair into a more stylish look and convince his two buddies to go into the city with him and try to get into Studio 54, where he might have a chance to meet Julie Black.
Shane catches the eye of Steve Rubell, played by Mike Meyers, in the crowd outside and is picked to go inside–his two buddies aren’t–and Meyers tells him, “Not in that shirt”–forcing him to take it off as the price of admission. Once he is inside, though…and this is very important–he is dazzled by the inside: the people, the decor, the music, the dancing, the celebrities.
Before long, he’s hired to be a busboy, which requires him to wear those hilarious little running shorts that were in vogue back then–the bartenders are all gorgeous and shirtless–and he befriends another barback, whose wife works in the coatroom, and he moves in with them after his father throws him out for working at ‘that freakshow.’
The director’s cut doesn’t shy away from anything–the sexuality, the hedonism, the drugs. Everyone is smoking pot, snorting coke, popping Quaaludes. And of course, gorgeous as he is, Shane is getting laid left and right and using his body as his commodity. Shane also explores his own bisexuality; the movie never really makes it clear whether he is hustling when he is with wealthy men, or if he genuinely is fluid sexually. He often sleeps with people that Steve tells him to, and even gets some modeling gigs.
But the relationship with his married friends–Anita and Greg, played by Salma Hayek and Breckin Meyer, is also at the heart of the movie. They genuinely love and care about each other, but it’s never clear whether Shane is just close to them or if he’s part of the relationship. He definitely has sex with Anita–but after his initial anger Greg forgives him because they’re family.
There is also an incredibly awkward moment when Shane misreads a cue from Greg–now supplementing his income by dealing drugs–and they kiss for a moment before Greg freaks out and runs away.
I am not kidding when I say the director’s cut is a completely different movie from the theatrical release. There are characters in this version that don’t even show up–or if they do, it’s a small scene–in the theatrical version; there are whole stories and plots that vanish from this to the ‘original.’ This movie is very much in the tradition of Saturday Night Fever and Cruising (both of which I need to revisit now), and in its darkness and complexity, is equal to–and in some ways, superior–to both. This was the 1970’s I remember.
Queer and Loathing in America 