Every once in a while, I need to remind myself of how much I love my home town.
I was thinking about this the other day. I think part of the malaise I’ve been experiencing lately has everything to do with my creative muscles being tight and unexercised for so long–and almost every time I manage to write fiction, it’s so exhausting and draining that I can’t write more, either. Monday got derailed early, and that night we had another torrential, street-flooding thunderstorm…and the kitchen roof started leaking again. I mean, it only does this during that kind of rain; but we have many downpours like that over the course of a year. That kind of kicked the malaise back up into higher gear–I just am so tired of having to deal with things like this over and over when all I really want to do is just go about my day, moving from A to B and getting things done and being productive. It all becomes so much, you know? The rise of queer hate to levels not seen since the 2004 election (may you roast forever on a spit in hell, Karl Rove), and it’s very tiring. It’s also tiring to think that I may be living in the last days of the American experiment with democracy, too–and the fact that far too many of my fellow Americans are just fine with that is kind of upsetting.
Such good Germans.
But I do love New Orleans, even if I have to remind myself of that from time to time. I do; there’s just something about this city that is in my blood, my DNA, and my being; I cannot imagine being happy anywhere else. I could exist somewhere else, of course, but I really don’t want to really just exist anymore. My blog is getting feisty again because I am feeling feisty again and pissed off about a lot of things. I’ve also been immersing myself in gay and queer culture again lately–Capote and Isherwood, anyone?–and remembering how hard life used to be for people like me (see Fellow Travelers and It’s a Sin), it invigorates my senses and intellect against injustice and unfairness as it always does. Recounting stories of my past recently as well as all the introspection I’ve been doing since losing Mom last year (and really, I started thinking about it more during the pandemic, and a lot of it was because of It’s a Sin) has me remembering things, how they used to be, and what New Orleans is like now as opposed to how it was when I first moved here all those years ago, or all the times I came to visit when I worked for Continental. The city is different now than it was then–sleepily crumbling away in the hot sun and heavy wet air–and I’ve been a bit resistant to those changes. I don’t like that it’s insanely expensive to pay rent or buy a home here now–one of the strengths of the city was how many working class people owned homes here, and that seems to be going away as the city continues gentrifying itself.
Monday I also gave a co-worker a ride home from the office, and since it was a torrential rain, I drove her into the Quarter and let her out at her door on St. Ann Street close to the corner at Dauphine. I honestly can’t remember the last time I drove through the Quarter, and I really don’t go down there much anymore other than for the TWFest/S&S. I took Dauphine out of the Quarter, and a lot has changed since the 1990’s, or even the last time I drove through. I think during the festivals this year I am going to explore the Quarter a bit more than I have the last few years, and hopefully drink in some more atmosphere. I’ve kind of felt a little phony writing the Scotty books lately, since I am rarely if ever down there now since my office moved, and have been telling myself I need to explore and take pictures again.
I was thinking Tuesday night when I got home from work that I was becoming as bad as all those locals who look back nostalgically for the past and the way things used to be. I also know I am glossing over what the mid to late 1990’s were really like here, as well as for us. New Orleans has changed and has never remained the same throughout its history, but the foundation of the city remains the same. I want to write about that time in New Orleans (“Never Kiss a Stranger”), so that’s it preserved forever, those days when the sodomy laws hadn’t been overturned yet, and when the gay bars always got raided in the weeks leading up to Decadence so that we knew they were “letting” us have Decadence; the people we thought were insane in state politics in 1996 are now running things and trying their damnedest to turn Louisiana back to 1860 and shoving their religion down everyone’s throats. My primary issue with still writing about the city has nothing to do with how much I love the city, or how I feel about things around here, but mainly because I don’t know what it’s like to go out on the weekends to the bars in the Quarter, or what it’s like for gay men in their forties here now.
So yes, I am looking forward to writing the next Scotty–and revisiting the Chanse series, as I’ve been doing, has me actually considering doing another Chanse story. I have two ideas for him, actually, but am not sure either is going to amount to anything.
Up ungodly early on a Saturday because I have to cross the river to the West Bank to get my oil changed. One of the most interesting things about this surgery recovery is it seems to have wiped my memory banks or something–kind of like an Apple OS update. Yesterday on my way to PT I checked the car’s systems and was stunned to see that I was due for an oil change. It seemed like I’d just had it done, but now that I think about it, it may have been as far back as June, when I went to Alabama and Kentucky and back. I’ve done a lot of driving since then, including a weekend drive over to Panama City Beach in October, and so it’s not really surprising that it’s due again–and thank God I checked, right?
But I continue to sleep well, and I am really looking forward to sleeping late tomorrow and just lazing around until I feel like getting up. Monday morning I have PT early, and then have to head into the office for my paperwork day. It’ll be a great and interesting week of trying to get everything caught up so I can take my four day Christmas break with a clear conscience–at least as far as work is concerned. My PT visits continue to go well, and I like both therapists I’ve worked with so far. (If you’re local to New Orleans and need physical therapy, I highly recommend Physiofit in Uptown on Magazine Street.) I am hoping I won’t need the brace after I see my surgeon again next Friday, and what a lovely Christmas gift that would be, wouldn’t it? It’s just cumbersome and awkward now, and the greater dexterity I get with my hand the more annoying it is to have to type around having it on. I also have noticed how easily I tire now, too–but I also know my body had a major trauma that it hasn’t completely recovered from just yet, and three weeks of being sedentary wasn’t a huge help; I have to build my stamina back up.
We watched the final episode of Fellow Travelers last night and while it was terribly sad, there was a kind of release at the end as well. It’s an incredible show, and both Matt Bohmer and Jonathan Bailey deserve to be nominated for Emmys next time around. I doubt that it will get a lot of Emmy nods–It’s a Sin, which was also brilliantly done and brilliantly acted, was completely snubbed by the Emmys. Twenty years ago it would have not only gotten a lot of nominations, it would have probably run a clean sweep on award night, but sadly, the history of AIDS and gay suffering simply doesn’t have the cachet it did when everyone wore red ribbons to awards shows and red carpets. I do recommend the show, and I want to move the book up in my TBR pile. (I am taking Raquel’s Calypso, Corpses and Cooking with me this morning and I am hoping I’ll be able to finish it while I wait to get the car back.)
We also started watching the second season of Reacher, which is very fun. Alan Ritchson, who was already huge in the first season, used the time between filming to bulk up even more. He certainly embodies the character physically far better than Tom Cruise could ever hope to, with no offense to Cruise; he’s just not the right physical type, and since one of the best known facts about the character is his enormous size, well…he was never going to please fans of the books. I stopped reading the series about ten or so years ago–I have no grasp of the passage of time, so you’ll have to give me some grace on that, nor do I recall why I stopped reading it. Obviously, Lee Child isn’t missing my money, but I was a big fan of the series and still remember it fondly; there were some terrific books in that series, and The Killing Floor may be one of the best series-launch novels of all time.
I have to work today when I get home from the oil change and other errands this morning; I really need to spend some time with the book today and I also need to work on the house a lot more. The apartment has really slid, and allowing Sparky free range to do as he pleases has resulted in a lot of debris on the floor–and all of my good pens are missing. Paul’s cigarette lighters, highlighters, scissors, spoons, plastic wrap, plastic bags, dryer sheets, and a lot of other miscellaneous stuff is scattered all over the floors both up and downstairs…and he’s also wreaked havoc in the laundry room and the bathroom. The kitchen floor has never really been completely cleaned up since the ceiling collapse, either. I have decided, though, that this year’s Christmas present to myself is going to be a new microwave. My current one is well over ten years old, and it works fine…but I never read the manual and so am never sure how to use for anything than reheating something. Paul uses it more than I do, and he also never cleans it, so it’s always a filthy mess. Since I never really use it, I tend to not pay attention and then I always notice it when I don’t have time to clean it, and then forget. They had a great one on-line at Costco, so I think next weekend I’ll go pick it up, and then donate the old one (after a thorough cleaning) to work so we have one in our department.
And that’s how I know I am officially old: appliances are my preferred gift.
I am up earlier than I have been since before the surgery (no, I don’t want a cookie–never been a cookie fan, even as a kid), and feel pretty good this morning. Yesterday was a pretty good day, over all. I didn’t really leave the house at all, but I worked on getting things more under-control around here–the kitchen has been a mess since the ceiling collapse, and the cabinets and drawers need some serious organizing–and also spent most of the day doing other chores around here, while thinking about getting back to work writing. The brace is still awkward to work around, but it feels like I’m getting more used to working with it on–and having a cleared and cleaned off desk surface also helps with that as well. I am going to run some errands this afternoon, but there’s not college football today to distract me or send me to the easy chair for the day, so I have little choice about blowing the day off, methinks, which is not a bad thing. I also did laundry and more dishes yesterday, and I have some other things I need to do here in the kitchen/office today as well. I also spent some time reading the second book in Raquel V. Reyes’ delightful Caribbean kitchen cozy series (Calypso, Cooking and Corpses), which is just as delightful as the first, and then…well, I fell down a Youtube/Twitter wormhole that was eye-opening and shocking before Paul got home from the gym and we watched this week’s Fellow Travelers, which, interestingly enough, kind of tied into the wormhole in some ways; as you may recall, just the other day I was talking about how these stories (Fellow Travelers), while sad and depressing, were necessary to remind people of how awful the past was for queer people not that long ago; we don’t have much of a societal memory for things that happened as recently as twenty years ago. There’s a large gap in our community that was created by the HIV/AIDS pandemic, so the oral traditions within the community of passing along our history was horrifically interrupted and many younger queers–and those that aren’t that young–have no way of connecting to the past, and don’t even know where to start looking.
During the shutdown I spent a lot of time in my easy chair making condom packs for the day job to justify getting paid for being at home–there were other job duties I could do at home, but mostly I made a shit ton of condom packs–and so I spent a lot of time looking through streaming apps on my Apple TV for things to watch while my hands worked. This was how I discovered the endless wormholes of Youtube video essays and documentaries; and of course, algorithms started suggesting other videos and channels of “influencers” similar to the videos I had watched and was finding on my own. Discovering Matt Baume’s delightful channel about queer rep in popular culture was a joy for me; he named sources for his information, was very clear about what was fact, what was unknowable, and what was his opinion–and since most of it was stuff that aired or happened while I was alive, it was a lovely trip down memory lane for me, reminding me of the few things that resonated with me growing up as a lonely queer kid and what shaped my views on what it was like to be a gay man in America. (Also, once I discovered there was such a thing as queer books and queer publishing, spent most of the 1990’s reading mostly queer stuff…and I’ve always been a voracious reader.) Anyway, watching Matt’s videos and subscribing to his channel shifted the algorithms, and I started getting other videos and channels suggested to me….and one of those belonged to a queer video essayist named James Somerton, and one of them–called Evil Queens and having to do with Disney–I don’t remember the actual name of the video, and he has since scrubbed his entire Youtube channel (more on that drama later)–and thought, interesting–a long time ago I read and reviewed a book called Tinker Belles and Evil Queens by Sean Griffin, but you can’t copyright a title and can you talk about queer coding and such in Disney and not use the words “evil queens”? Disney has always fascinated me, since I turned into a Disney queen after The Little Mermaid (I was never a big Disney kid; that waited until my adulthood and coming out, oddly enough), and Griffin’s book was so astonishing and good and insightful that I never forgot it. I watched Somerton’s video, and it all seemed incredibly familiar to me–and I did note he said some things that were wrong; mainly Gay Days/Gay Nights at Disneyworld were never official, Disney-sponsored events…which I know because I lived in Florida and used to gofor Gay Day. I also thought it was odd that he left out how the Southern Baptists tried to boycott Disney to stop Gay Days…and were ground completely into the dust by the Mouse. But it didn’t fit the narrative of the video essay–how Disney queer baits us for money then betrays us by not giving us rep in their films1. I also thought it was weird that the book–which so much of the video’s content was dependent on for its facts; the stuff that was wrong I assumed was from Somerton himself–wasn’t credited for anything, or even mentioned as a companion reading piece to the video itself. Periodically, after that, Youtube would suggest other videos to me from him, and I’d watch them, mainly out of curiosity…and began noticing things.
Like how his entire video about queer coding in Hollywood film seemed incredibly familiar–like I’d read it all already in the uncredited The Celluloid Closet by Vito Russo, which had already been made into a documentary in 1996…so much so that I bought an e-book of it to see and yes, it was used almost word for word with no attribution. And some of his other videos…were not only offensive but just bald-faced lies, things he’d made up, or okay, let’s be fair–conclusions he drew were from cherry-picked facts and broad speculations made from those facts; it seemed, in his video on gay body image issues, that he took the old 1990’s term for gym and body culture (the “you have to be a ripped muscle god to have any sexual currency”), which was “body fascism”, and somehow extrapolated from there the bizarre notion that Nazis created body culture and American GI’s brought it back from Europe after the war…and even weirder, somehow we didn’t get it from the Soviets because they were so “bundled up” we couldn’t see their bodies. (Maybe he should have read Michelangelo Signorile’s Life Outside, which explored how body culture morphed into something even bigger after the advent of AIDS because a strong, muscular, defined body was the antithesis of the wasting most people dying from AIDS experienced at the time; fit body= not infected; seriously, dude.) He was also horribly misogynistic at times–he didn’t like lesbians, and he hated straight women, and was also borderline transphobic at times despite trying to champion transpeople? It was all very weird, but I would periodically put on one of his videos that sounded interesting, even as he made claims that didn’t make sense or was simply restating things I’d already read somewhere. I didn’t think much of it, but I was idly curious–the way I often am; periodically I think about influencers and how to write a crime novel around one, and Youtube influencers seemed like the way to go if I were going to do that, and so I always chalked it up to research…and sometimes, the wrong things he said would send me off in search of the actual facts, so it was kind of educational by reminding me of things I’d forgotten about.
Turns out, he plagiarized almost all of his videos, never credited or named sources unless called out for it (he took down the videos about Disney and queer coding and put them back up as “based upon” the books he literally was quoting verbatim); the scandal dropped this week–I only found out yesterday–with two other Youtube influencers making really long videos about the plagiarism and the harmful lies he was spreading, as well as the self-loathing, misogyny, and transphobia. I went down that wormhole yesterday, watching both videos–which were long as the crimes were plentiful–and now his Youtube channel is gone, completely. As I said, I didn’t put a lot of thought into it–but he had a Patreon, and his Youtube channel was monetized, which meant he was profiting from the work of other queer creators that he was plagiarizing and stealing, then playing victim when caught…until he was literally destroyed by these other two Youtubers this week. He was apparently making a shit ton of money–and you know, there’s the plot for an influencer crime novel.
It was very eye-opening.
But it extrapolates further to what I’ve been thinking about since starting to watch Fellow Travelers–dark and sad and depressing as these stories are, they are important because our history is always erased; how are queer kids supposed to feel pride and understand where we’ve come from and what we’ve fought for, if they never hear about it, can’t find it, and are never told? The kids I work with (with an age range from early thirties to early twenties) don’t remember how horrible HIV/AIDS was because they hadn’t been born yet or weren’t old enough to really pay attention before the cocktail and the new meds changed it from a fatal disease to a chronic one (with treatment). There’s SO MUCH bad information out there about sexually transmitted infections, and so little education, that it frightens me on an almost daily basis as I work with my clients.
Obviously, this is what I’ve been wrestling with lately, with myself and my own artistic work (yes, I am starting to think of myself as an artist, which I should have done all along); what responsibility do we have to the younger people who don’t know our history, the history I lived through? It’s part of the reason I started writing “Never Kiss a Stranger”, and set it in 1994; I wanted to show what gay life in New Orleans was like during the time when HIV/AIDS was still a death sentence, and the city was also crumbling and dying itself before the wave of renewal and gentrification that started before Katrina and kicked into high gear; who is going to write that story if I don’t?
And what responsibility do I have to current and future generations of queer people as an artist? Do I have any? Or is my only responsibility as an artist to myself?
Something to think about, at any rate.
And on that somber note, I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll probably be back later; I can never stay away for long.
Uh, I guess he never saw the Disney documentary about Howard Ashman, who was partly responsible for the Disney animation renaissance and who died of AIDS before the release of the last film he completed, Beauty and the Beast; to date the only animated film to be Oscar nominated for Best Picture, and won three other Oscars, including two for Ashman? ↩︎
Up earlier than I’ve been since the surgery to go to physical therapy at nine this morning. I don’t mind getting up earlier, to be honest; I’ve been sleeping so much since coming home from the hospital I was actually getting worried that I may not ever want to get up early again. Six next week for work is definitely going to be an adjustment, but in some ways I am really looking forward to going back to the office and getting back into that routine. I slept well last night–Sparky of course was looking to be fed around five, but I went right back to bed. I think Sparky will work as my first alarm, before the actual alarm starts blaring at six. It feels a bit chilly this morning in the apartment, and I do need to shower before I head uptown for my appointment.
They finished the ceiling yesterday, thank heavens. All that is left to be done is rehanging the ceiling fan and painting, and I think that’s not going to happen until I am back to work. The roofing guys (I think they are construction of all types, actually) are super nice and helpful–you never know what you’re going to get with blue collar workers, but they didn’t seem to have any issue with Obviously Homosexual Greg; they even rigged a temporary fix for the soft spot in the living room floor–and shared with me that eventually they will be getting around to reinforcing the floor with steel so we never have to be worried about falling through the floor (one of the great and many joys of old homes in New Orleans), which is kind of a relief…although we had gotten used to that soft spot in the floor, I sure as fuck won’t miss it if and when it’s gone.
While they were working, there was naught for me to do except sit in my chair and read, so I finished Donna Andrews’ Let It Crow!Let It Crow!Let It Crow! yesterday, and greatly enjoyed it. (It really doesn’t feel like Christmas until I’ve read Donna’s annual Christmas murder mystery.) Paul also worked from home yesterday, so we got all caught up on Fellow Travelers last night, which is really quite excellent, if horrifically sad and tragic–but as I said to a friend in an email yesterday, these stories still need to be told–if for no other reason than to remind people that what conservatives and right-wingers call “the good old days” weren’t so good for anyone who wasn’t white or straight. The story is built around the Lavender Scare of the 1950s–we all know about the Red Scare, but not about the full throttle purging of queer people from government employ–and it was, indeed, a horrible time of lives being ruined and people committing suicide. A lot of the things that happen in the show (and probably in the book) really happened; I think they fictionalized some people so they could easily maneuver around their story without having to stick to facts or create a potentially false narrative.
And as someone who spent longer in the closet than he needed to, and spent so much time completely terrified that someone would find out and my life would be ruined–I can understand and relate to these characters completely. The closet punished everyone–and it certainly punished the wives and children of these closeted, terrified men. I actually wrote a story set in that time period called “The Weight of a Feather”–my first ever historical fiction–about a State department employee targeted by someone working for McCarthy for blackmail, and how he handles the situation. John Copenhaver also writes marvelous novels set in the DC of the fifties with queer characters, Constant Reader, so if you haven’t checked out his work you really should, especially if you are interested in the period and even if you aren’t; these stories are important and need to be known. He’s also a marvelous writer; I do envy and admire the way he bends and twists language to create images and story.
After PT today I have errands to run–prescriptions to pick up, groceries to make, the mail–but it’s all going to depend on timing. The postal service doesn’t open until ten, but I suppose I could swing over to Midcity and get my prescriptions and groceries and swing by the mail on the way back home; after all, other than the PT appointment I don’t have to be anywhere by a certain time. And since there’s not going to be anyone doing construction work in my workspace today, I should be able to get some writing done, too. I’m behind, as always, but I feel like a strong push over the course of the next few days before I return to work can get me right back on schedule. And I haven’t yet picked out my next read–turns out my Christmas reading isn’t going to work because I don’t have a lot of Christmas books in the TBR pile; Donna’s was the only other one I had on hand. I’m thinking I should read cozies, to keep my mind in that world since that’s what I am writing–but my word, I have so many great books to get to! A delightful problem to have indeed, right?
And on that note, I am going to get cleaned up and head into the spice mines. I need to make a grocery list, and I need to list everything I am going to do today, too, so I don’t forget anything. I paid the bills yesterday, so everything is caught up at least that I am aware of, and so that was quite a relief. Enjoy your Thursday, Constant Reader–I’ll be back later to write up my thoughts about Donna’s latest two mysteries at some point.
Today’s hunk is probably going to get flagged for “sensitive content” on the various prudish social media sites, but so be it.
The roofers came in yesterday and worked on the kitchen ceiling, and of course day one, I was able to close Sparky up in the bathroom until they left. Yesterday, he figured out how to open the bathroom door, which meant I had to crate him and he did NOT like that at all. But apparently, our cat is an evil genius and super smart–not a bad thing, it just means our only option when the apartment is being worked on is to crate him, and I really don’t like doing that…but he’s so curious about everything I fear if he got out we’d never catch him and he’d be so excited by all the new things to explore and investigate…sigh. Hopefully they won’t be here long; they just have to do some caulking and rehang the fixture. We will see.
I survived my first physical therapy session–which wasn’t bad at all. They gave me some exercises to do, which don’t take long, and I go back again tomorrow morning for round two. I will be able to schedule it around my work schedule, so that’s also a plus, and I really like my therapist. I have to say, having not had a lot of experience with medical stuff other than when Paul was having some procedure and my primary care visits (and having heard horror stories from other people about hospitals, treatments, insurance, etc.) this was extremely easy and simple. I have really gotten amazing care on every level, despite the misdiagnosis from my former primary care physician, and the insurance (knock wood) has been easy every step of the way; if there were any issues with it, it was handled by the medical staff and I didn’t have to deal with any of it.
The worst part of this entire thing–once I was able to disconnect all the things I was attached to for 72 hours after the procedure–was the antibiotics, which made me nauseous; they had also giving me an anti-nausea medication so I could handle those. But I absolutely hated them. The anti-nausea medication kept me from vomiting it all back up, but I could also tell when the nausea was occurring. I never had to throw up, but I could tell my body was fighting it with the help of the other pill, and while not as unpleasant as actually throwing up would be, it was unpleasant.
And you know, if that’s the worst thing to experience after this kind of major surgery, that’s pretty impressive. I got amazing care.
So, yesterday from shortly after I got home from PT until about six last night I was exiled from my workspace, and so I simply sat in my easy chair and read this year’s Christmas murder mystery from Donna Andrews, Let It Crow!Let It Crow!Let It Crow! and am enjoying it–Meg participating as a last minute replacement in a television reality competition blacksmithing show (which is actually a brilliant idea) was an excellent way to shut down listening to Sparky howl from upstairs while they worked on the ceiling. I didn’t get as far into it as I should have, or would have under ordinary circumstances, but I was often going upstairs to try to calm him down and there was a lot of sawing, drilling, and hammering noises. I got about a hundred pages in, which wasn’t bad at all, really, given all the distractions, and the book flows so smoothly…that’s one of the things that I love about Donna’s books–they are so smooth, everything flows nearly and cleanly into the next scene, chapter, clue, strange occurence, and that feeling carries back and forth between books. I counted the books listed at the front of this volume, and by my count, this is book thirty-three in the series; how many other series have exceeded that number? Ellery Queen? Nero Wolfe? Perry Mason? And all at the same publisher, too. That’s really a skill that should be respected.
We watched some more of Fellow Travelers last night and the show is very good; high production values, excellent writing, superb acting (Jonathan Bailey deserves at the very least an Emmy nomination, but I doubt he’ll get it; gay men playing gay parts seldom get recognized) and it’s an important story–showing how horrific it was to be gay back during the days of Eisenhower and McCarthy, and working in Washington; I’m glad Thomas Mallon wrote the book and even gladder Showtime made it and clearly spared no expense. But…it’s hard to watch sometimes. I won’t say it’s triggering, because that’s not the right word, but as i told Paul last night, this isn’t going to end well. The story flashes back and forth between the 1950’s and the 1980’s, in AIDS-devastated San Francisco in 1985, so…yeah, not exactly going to end on a high note, is it? As I was watching last night, I couldn’t help but think of Felice Picano’s Like People in History, which similarly flashed back to the past from the present–AIDs-ravaged New York in the early 1990s–through the entire progress of queer rights and the arrival of HIV/AIDS. That would also make a terrific mini-series, and these stories, hard as they are to read and watch and relive, are important because the memories of living through that time, and what it was like, are fading…and as those of us who survived the plague years get older and die from causes other than HIV/AIDS, I worry those stories won’t be told, or remembered, anymore. It’s bad enough that it’ll be thought of as distant history and not as horrific as it was, something that happened to other people a long time ago.
I remember when I first started writing, and in that time period for queer people there was always the question–do I write about HIV/AIDS? Does everything–all of our art–have to center HIV/AIDS? Even now, I wonder about whether I should or not in a book; do I have a responsibility to my readers and my community to talk about HIV, PrEP, undetectable viral loads and so forth? Or is that something people don’t want to read about, would find intrusive to the narrative? I’ve never wanted to write anything that even remotely hinted at that heavy-handed “a very special episode” way so many television shows handled social issues in the 1980s.
Heavy thoughts for a Wednesday morning before heading into the spice mines. Have a great day, Constant Reader, and I’ll be back probably later, depending on the workers.
One week from today I return to the office, and in a little while I’ll be heading to my first physical therapy appointment. I’ve not been outside for a few days–seriously, this recovery has only helped play into my “I don’t want to leave the house” mentality, and it’s amazing how quickly I slide into that–and it feels cold. The roofers came by yesterday and chased me out of the kitchen so they could rip the damaged ceiling out; they will be returning to day to fix it. It was okay, though. I stayed in the living room and brainstormed and worked out the next few chapters of the book, and I also read two books. One was a reread of a book I read as a kid, Danger at Niagara by Margaret Goff Clark1, about a fifteen year old boy who lives along the river during the War of 1812, and the other was the second-to-most recent Donna Andrews, Birder She Wrote2—I couldn’t bring myself to read the books out of order so I could get to the Christmas one sooner, but at least now I can dig into this year’s Christmas mystery by Donna. (There will be more on both books later; I don’t have time to write about them before I leave for PT, and the roofers will be here when I get home. I imagine this means I’ll be reading the Christmas book and brainstorming ideas for my book while they put in the insulation and new ceiling and rehang the ceiling fan.)
I slept super well again last night–and woke up at six, so that’s still wired into my brain, which is a good thing; getting up to go back to the office next week will not be as big a challenge as I feared; I was also wide awake and it took me a while to go back to sleep, and I had a nightmare in that brief hour or so–oddly enough, it was about leaving a faucet running and the apartment flooding and having to clean up the mess while thinking I don’t have time for this. Subconscious deadline fear? Perhaps. But I do feel a lot more confident about writing the book now, and it’s just a matter of being able to sit down for a few hours every day and writing it, and I need to stop pressuring myself to get it right the first time.
We got caught up on Monarch: Legacy of Monsters, which is really well done and very interesting. I hadn’t realized that it all hadn’t aired yet, so we are now caught up through everything that is available to stream on Apple TV, and then we moved onto the Showtime mini-series based on Thomas Mallon’s novel Fellow Travelers, which I have a copy somewhere in the massive TBR stack and have wanted to get around to, if for no other reason than it’s set in the same period as Chlorine, which I have decided I am going to go. back to once I have this new drag queen cozy finished. Yes, that’s right, I’ve decided that once I finish this draft, I am going to go back to Chlorine and try to get a first draft done while alternating with Muscles, and hopefully I will finally get first drafts of each finished by Carnival–which I can easily do as long as I stay motivated. This morning I feel like I can conquer the world again, and I haven’t felt like that in years; it’s been so long I can’t remember the last time I felt so confident in myself. It feels good. I ain’t gonna lie; I’ve been down, depressed, and feeling defeated now for quite a long time–I think going back to buying my car, which, while it was exciting to actually have a new car, that thrill died as I started realizing how much that car payment was damaging my finances. I paid off the car right as the pandemic started, so I swapped out one stressful headache for the overall societal depression everyone was feeling at that time, and I never really recovered or got my equilibrium back, if that makes sense? And of course, I bought the car right around the time Mom’s health went south, so that was also always in the back of my head.
But I am going into the new year with hearing aids and my teeth fixed; and the injury to my left arm repaired. Once I finish the strengthening physical therapy for that (which can’t start till the end of February), then I can start going back to the gym. And that actually makes me excited and anticipatory; I’m not so concerned about looking great as I am about feeling good–there’s absolutely no vanity involved in my wanting to get back into a regular exercise regimen. I think I am going to start taking walks around the neighborhood, if for no other reason than to see the Christmas decorations, and New Orleans always does decorating up. I’ve also been backing up my back-up hard drive to Dropbox, which is taking quite some time, but once it’s all done, the future back-ups will be ever so much easier to do. I really need to eliminate duplicate files–there are so many of them it’s not even funny–and get my electronic storage under control. It’s really such a huge project that it scares me to think about how long it will take, and that’s mainly because of so many duplicate files, and the fact I don’t name picture files…and I am a file hoarder, which isn’t good–but is yet another symptom of my anxiety.
And on that note, I need to eat something before I go to physical therapy, so I am going to bring this to a close. I may be back later; it’s hard to say depending on how the ceiling reconstruction goes, but I will most definitely be back tomorrow morning. Have a lovely Tuesday, Constant Reader, and I will check in with you at the latest tomorrow.
I have some serious thoughts about this book as pro-US propaganda, which i obviously didn’t notice as a child but were huge red flags on this reread. ↩︎
I loved this book, as I do all of her books; it’s a remarkable achievement keeping a series this fresh and interesting this deep in; I think she might be at almost thirty in the series now? A master class in maintaining a long-running series, seriously. ↩︎
Queer and Loathing in America 