Seasons in the Sun

SO lovely to be home. I drove a positively obscene amount of miles this week, and it’s lovely to be home.

The Saints won Thursday (GEAUX SAINTS!) and tonight is LSU/Texas A&M (GEAUX TIGERS!).

And I am completely and utterly exhausted.

This trip, rather than playing and listening to music in the car, I decided to try listening to audiobooks. I was a complete and utter Luddite when it came to audiobooks; I was warily aware of them (like podcasts) but wasn’t really quite sure how they worked or when you would listen to them. But I figured driving for twelve hours twice within a five day period would give me time to listen to an entire book (I was very incorrect in that assumption) and also thought I could use my library card to borrow one or two. I wound up with A Game of Thrones by George R. R. Martin for the ride up and End of Watch by Stephen King for the ride back. I wasn’t sure how this would work out; I generally don’t like being read to, and I was worried I’d either be too busy paying attention to driving to listen or listening would distract me from driving. I was also more than a little taken aback to see it was over thirty-three hours long; far too long to be completed on this trip, and I wasn’t sure I’d want togo three days between listening and still not being done. I decided to take my copy of the novel with me, figuring it would be easy to find my place in the book and just finish reading it while there. Likewise with End of Watch, which is slightly more than thirteen hours. I’d find my place in the hard copy and finish it when I got home.

I was very pleasantly surprised with the experience, frankly.

I did finish A Game of Thrones as planned, and I have about 100 pages of End of Watch to go before I am finished with it as well, which will hopefully happen today.

I also have about a million emails to wade through and answer.

Just thinking about it makes me tired.

I also read “The Sequel” by R. L. Stine, from Bibliomysteries Volume Two, edited by Otto Penzler:

Witness one Zachary Gold, 33. Youthful, tanned, long and lean, tensed over his laptop in the back corner of the coffee shop, one hand motionless over the keyboard.

Casual in a white Polo shirt to emphasize his tan, khaki cargo shorts, white Converse All-Stars. He grips the  empty cardboard Latte cup, starts to raise it, then sets it down. Should he order a third, maybe a Grande this time?

Zachary Gold, an author in search of a plot, begs the gods of caffeine to bring him inspiration. He is an author in the hold of that boring cliche, the Sophomore Slump. And his days of no progress on the second novel have taught him only that cliches are always true.

R. L. Stine hardly needs an introduction from me; people call me profilings, but my output is nothing compared to Mr. Stine’s. I particularly enjoyed reading his Fear Street books (not even I, voracious reader that I am, could actually read them all), and they helped inspire me (along with Stephen King) to try to connect all of my young adult novels in some way; which I not only did but wound up connecting all my novels. I’ve met him several times and have corresponded with him briefly; he’s very gracious and kind.

This story is terrific; and definitely not for kids. The main character is a young author, with a wife and baby, whose first novel was enormously successful and yet…he is undergoing what is often referred to as a “sophomore slump”; he cannot figure out what he wants to write next–but he definitely doesn’t want to write a sequel to the first, as his agent wants him to. He often writes in coffee shops, needing the background noise to help him focus (similarly, music or the television in another room much works the same way for me), and then one morning in his usual coffee shop, struggling to write, or come up with any idea, he is approached by a very large and belligerent man who claims he wrote the manuscript Zachary stole and published…and then the tale is off and running. But there are many twists and different directions the story takes, and I can assure you–you won’t see the final one.

IMG_4384

Blowing Kisses in the Wind

Rereading ‘salem’s Lot again, after many years, has proven to be quite a treat: there was clearly a reason why I loved this book so much and why I’ve reread it about a gazillion times. It has always been my favorite vampire novel, and certainly one of my favorite horror novels. It scared the shit out of me when I first read it back when I was a teenager, and it has always entertained me, every single I’ve read it, even though I know what’s going on in the town, what’s going to happen, who lives, who dies. I remember there’s been talk over the years–I think even Stephen King may have aided and abetted this at times–that there might be a sequel; I’ve long since given up on that hope–despite always wanting to know whatever became of Ben Mears and Mark Petrie…and did they ever return to that awful town in Maine?

In the 1980’s, I decided that I wanted to be a writer like Stephen King. I started writing horror short stories, and even came up with an idea for a full-length horror novel called The Enchantress; I still have those four chapters I wrote in my files before I finally put it away for good. The book itself, while influenced most strongly by King, was also influenced by Peter Straub’s Floating Dragon, which I had also recently read–I’d loved Ghost Story and If You Could See Me Now–and wanted to write about, the way King did so often, a small town where something supernatural–and terrifying–happens. I blatantly copied the narrative structure of Floating Dragon (oh look! Four different point of view characters! One an old man, one a child, one a man in his early thirties, and the other a woman with psychic abilities that have basically cursed her life!) but I was also trying to weave some other elements into the story that might not have ultimately worked; it was set in the panhandle of Florida, for one thing, and it had to do with the curse of a witch on four different families (a la Floating Dragon, only he didn’t have a witch), and I don’t think that would have ultimately worked. The idea was also built around a concept I had, an idea, about evil, killer mermaids. I eventually used some of the story and the concepts for Dark Tide, whose original working title was Mermaid Inn.

It’s funny that rereading ‘salem’s Lot brings back such weird memories, isn’t it? I may get around to writing The Enchantress someday–it just can’t be set in Florida, because it needs cliffs–so maybe I’ll move it to a fictional town on the California coast.

Like King–another thing I stole from him–almost all of my books are connected to each other in some way. For years, the connection between the Chanse and Scotty series were my cops–Venus Casanova and Blaine Tujague–appeared in both series; why have different homicide cops in the same city? I had originally intended to connect everything; Woodbridge in California, from Sleeping Angel and Sorceress are connected to the small town in Kansas from Sara; I don’t recall off the top of my head how Lake Thirteen plays into my world-building; but I think the Chicago suburb where the main character in that book is from was the same suburb that the kid from Sara was from, and so on. I always wanted to go back and write some more about Woodbridge; I kind of saw my teen/young adult fiction as being similar in type and style as the Fear Street series by R. L. Stine; which were all in the same town and often minor characters in one book was the main character in another. (Woodbridge was loosely based on Sonora, where some of my college friends were from; I visited them several times up there in the mountains and it was stunningly beautiful up there. One of the few great things about spending the 1980’s in Fresno was accessibility to Yosemite, Sierra National Forest, and Kings Canyon.)

I may get back to this at some point; Bury Me in Satin is connected in that it returns to the part of Alabama where the main character in Dark Tide is from, and more connections might develop as I write the book. I’ve pretty much decided to try to get the first draft of Bury Me in Satin written for Nanowrimo, which is something I’ve never done before; but why not? I am not going to officially participate, but why not use it as a goal to get the first draft of the story done?

I am on chapter nineteen of the revision of Royal Street Reveillon; one big strong last push is all it will take for me to get that finished by the end of the month, and I am enormously pleased at the prospect. It’s shaping up nicely; I think there are still a few holes in the story I am going to have to figure out how to plug later, but that’s perfectly fine.

And now, back to the spice mines.

IMG_4284

It’s a Mistake

Tropical Storm soon to be Hurricane Nate is out there, drawing nearer by the minute and moving pretty fast across an incredibly warm Gulf Of Mexico. I slept very well last night–woke up a few times, one of course being the daily five a.m. purr kitty lying on me and kneading my chest with his paws, but was able to fall back into a restful sleep every time. It’s gray out there this morning, and the storm seems to continue shifting eastward (sorry, Biloxi!), and they’re now saying we’re going to get tropical storm strength winds. The west side of a hurricane is usually the dry side, too, so we won’t get as much rain. I have to stop by the grocery store today to get a few things, but I imagine it won’t be quite the madhouse it would have been yesterday when STORM PANIC mode was gripping the city. I also don’t need water or bread, so am not too worried about the few things I need to get. I can’t imagine there was a run on cat food, for example.

Paul had some late afternoon/early evening meetings last night, so while I waited for him to come home I read R. L. Stine’s The Lost Girl and started reading Colson Whitehead’s Zone One. It’s a zombie apocalypse novel, so I figured it fit with my Halloween Horror reading for this month. It’s also remarkably good, and while it is not my first zombie apocalypse novel (I’ve only read Michael Thomas Ford’s Z, which is really good and vastly under-appreciated), it’s not like how I imagined any zombie apocalypse novel to be (I still have one of Joe McKinney’s in my TBR pile, but I don’t think I’ll get to it this month).

Scan

What I remember most about that afternoon was the shimmering scarlet and yellow of the sky, as if the heavens were lighting up to join our family’s celebration. The sunlight sparkled off the two-day-old snow at teh curb, as if someone had piled diamonds in the street.

I think I remember everything about that day.

Running all the way home on the slushy sidewalks from my weekend job at the Clean Bee Laundry. The smell of the dry cleaning and the starch still on my clothes and my skin. I remember the blood thrumming at my temples as I ran and the feeling that, if I raised my arms high, I could take off, lift off from the crowded sidewalks of the Old Village, and glide easily into the pulsating colors of the sky.

The Lost Girl is a Fear Street novel, one of many R. L. Stine has published, set in the small city of Shadyside where Fear Street is located, where the ruins of the old Fear mansion, which had burned to the ground decades earlier, remained…only now, in this relaunched Fear Street series, the ruins have been cleared away and it’s a vacant lot. Stine built quite an empire with the Fear Street books, but his scary books for children, Goosebumps, were what really made him an industry. They were adapted into a TV show, and movies, and as the Goosebumps took off, the Fear Street books became less and less important and disappeared eventually. A quick glance at his Wikipedia page shows that there are, to date, 166 young adult novels written by Stine; the majority of them having something to do with Fear Street. I read a lot of those books in the early 1990’s–he and Christopher Pike and Jay Bennett, and those are the books that gave me the idea to write young adult novels in the first place–Sara, Sorceress, and Sleeping Angel were written in first drafts during that time. The Fear Street books were also what gave me the idea to link all of my y/a novels in some way; not all being set in the same town because that didn’t seem realistic, but linked in some way. I did manage to do that.

The Lost Girl is an entertaining enough read–it took me about two hours to get through it before I moved on to the Whitehead–and it’s very much what I remembered of the Fear Street books; very likable protagonist caught up in something terrible and awful through no fault of his own…loses some friends to the supernatural force, but eventually figures out how to bring it all to an end. It was a pleasant way to spend the evening while I waited for Paul to come home, and that was kind of how I read Stine back in the day; I always kept a few of them around on hand to read when I had some time to kill but didn’t want to get into anything truly heavy.

Stine is also a very nice man; I met him at the Edgars several years ago, and he was a Guest of Honor at Stokercon in Vegas, so I got to arrange his travel and email back and forth with him a few times. He’s very gracious, very kind, and it was kind of a thrill for me. Since I was representing Stokercon and the Horror Writers Association, I couldn’t gush and make a fool of myself the way I probably would have otherwise–which is probably a good thing.

And now, back to the spice mines. I want to find some more markets to submit my short stories to, and get some of this mess cleaned up.

Have a great day, Constant Reader!