Tag: Dolly Parton

It Ain’t Me Babe

Ah, it’s Monday and I am up early, swilling coffee and getting ready to face down a very short, and most likely slow, week in the office. Paul is leaving tomorrow for a week, so tomorrow I’ll come home to a quiet, empty house. It’ll be weird, of course,1 but I am going to try to keep busy. I do have a lot of homework2 to get done this week, and hopefully Sparky won’t be near as needy as he always is when it’s just the two of us. Sparky has, at long last, starting sleeping in the bed with us, always in a kitty donut down by my feet, which is very relaxing. He’s been there the last several mornings when I wake up, which is nice. He’s also started cuddling and sleeping with Paul on the couch–like Scooter, Sparky takes turns with our laps when we’re watching television; unlike Scooter, Sparky starts with Paul for a while before curling up in mine for the rest of the evening. It only took just over a year, but we finally have the cuddle bug we wanted. He still only purrs when he’s riding my shoulders, draped around my neck–but he’s getting cuddlier, and there’s more head-butting by the day.

I had a very relaxing day yesterday, but didn’t get nearly as much done as I wanted to–like always. Still reeling from the power of The Reformatory3, I started reading Lavender House by Lev AC Rosen. I am absolutely loving it. I love the voice, I love the main character, I love the writing, and so I know I am going to really love this book–and once I get going, it will be unputdownable. Yay! And there’s two more in this series, too, which is very exciting–not to mention all his other works, in y/a and romance. Paul spent most of the day working upstairs, and leaving me on my own with Sparky for most of the day. I finished my entry on The Reformatory, and worked on some writing, mostly thinking and taking notes. I’m glad this is a short work week, and am looking forward to some lovely down time here by myself. I made progress on the apartment this past weekend, and will probably get some more progress made over this coming long weekend4.

I need to make a to-do list, and to get better organized, but I made progress. I have a manuscript to edit, some short stories to read and judge for Saints and Sinners, and my own writing to work on around here. Sparky will be needy the whole time, and I am going to watch the new season of Heartstopper, before diving into Sex and the City. I’ve also found some movies to watch over the weekend, too–or in the evenings when I get home from work tomorrow and Wednesday. I’ve also got my Housewives shows, and there’s always some cleaning to be done somewhere–not to mention more pruning of the books and the storage attic.

While I was driving around doing my errands Saturday I started listening to Orville Peck’s music on Spotify, and I love it! I have yet to hear a song of his that isn’t a bop, so I saved several of his albums to my library and am going to start listening to him more regularly in the car. I’ve always liked all kinds of genres of music; there just really hasn’t been any country outside of Dolly in a while that I’ve been interested in. I also kind of hate how country music has been taken over by the Right and MAGA–I’ve never forgiven country music for what it did to the Chicks, and they were RIGHT–so I try not to listen to much of the newer stuff. Country music used to be about outlaws and fighting the man holding down the working class, instead of being a bunch of appeasers and collaborators.

They’d shun and cancel Johnny Cash today for being woke. How fucking sad is that?

They must really hate Orville Peck for being openly gay–even though they really embraced Li’l Nas X when he was doing country music back in the day…until he came out and switched genres.

I don’t know what to think about what’s coming, but it’s pretty sad that the only thing standing between us and authoritarianism are the courts, Senate Republicans, and the administration’s utter incompetence. Paul and I have made up our minds to enjoy ourselves as much as possible between now and the transfer of power; who knows what’s coming after that? These are dark times indeed, and a lot of damage can be done by utter incompetence and a program of complete and utter unfettered cruelty. I think the biggest shock for me of the election is that self-absorption and unbridled hatred of anything not straight, white and cishet was actually embraced by the country.

Then again, this is a country that wasn’t able to legislate or vote slavery out of existence, and it took a war. The appeasement of slave-owning Americans from 1787 through 1865 will always be a stain on this nation’s history, and by not dealing with any of it, or systemic racial oppression, by not facing the truth in all its brutal ugliness, we’ve never been able to progress as a racially diverse nation or move on from it. (I always love when Americans take the moral high road when talking to or about other countries; like we have any room to talk about oppressing citizens and human rights violations? Bitch, please.)

Sigh. And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I may be back later. One never knows!

  1. I’ll never understand how someone can take up so much space, and how much bigger and emptier it seems when he isn’t there. ↩︎
  2. Writing and reading and editing, oh my! ↩︎
  3. Which might be one of my favorite novels of all time, period, regardless of genre. ↩︎
  4. I am planning on simply cleaning the bathrooms on Thursday morning, and having a very lazy day doing little to nothing other than reading and binge-watching television series; I’ll push myself the other three days. I can also do things at night this week once Paul departs tomorrow morning. ↩︎

Nice To Be With You

Monday morning and back to the office with me today; huzzah? It was a nice, lovely weekend around the Lost Apartment, one in which I felt really good about my writing life and resettling into what is the new normal for my life these days. I’ve kind of gotten off the treadmill of endless deadlines and volunteering, and all this lovely extra free time has been spoiling me a bit, which is why I’ve not really been getting anywhere with my writing lately; I’m not used to the luxury of time, and now instead of scheduling my days to within an inch of their lives…I don’t have to do that anymore, and it’s nice. I need to adapt to reading every evening again, and doing some writing before calling it a day and repairing to my easy chair.

I actually overslept this morning. I set my alarm, but forgot completely that the power had been off, taking my alarm setting back to 12:00. Fortunately, Sparky was hungry, and he is relentless when he’s hungry (of course, he has no ability to feed himself, so ignoring him to sleep a little longer is actually kind of mean), and I looked at the clock and was like oh shit that was a close one. So he saved the day, kind of, which is always appreciated. As I sit here swilling coffee, I still have time to get to work on time this morning, despite having to assemble the carrot cheesecake and put the frosting on (I also need to make the frosting; I’m just doing homemade whipped cream–you can never go wrong with whipped cream, ever), and then load it into the cake carrier and hope I don’t have to suddenly slam on the brakes in the car. It’s generally not a great omen to start your work week by oversleeping, but I feel fine and I’ll get to work on time. The morning feels a bit off, but it’ll straighten itself out before long, I am sure. But I made the cake yesterday and pretty much have the mess already cleaned up, so there’s not too much to do once I get home from the gym today. I am thinking about making meatballs when I do, but I don’t know how much trouble I want to go to after the gym (yes, I am stopping at the gym on my way home from work; I even brought clothes to change into), and then it’s home to do some more writing.

I pretty much have decided that the next thing I am going to work on is Never Kiss a Stranger, and I am going to take it from novella to novel. It simply doesn’t work as a novella; one of those “way too much story to condense here” but we’ll see how it goes. I am not limiting myself on how long it’s going to be, and I am also not going to force it to be a novel, either. If there’s only enough story for forty thousand words, I’ll write another and combine them into one book. I also think the Chanse story I was going to write as a novella might actually be a novel, too. I also have another Chanse novel idea that I am going to explore, too. I am also not limiting myself to the Murder in the titles anymore, either.

The “christian” author who came for Dolly last week is really sorry she made everyone mad by claiming Dolly is not a good person because she doesn’t call out sin. Ericka Andersen isn’t sorry for any of her foul, unchristian values and beliefs; she’s just sorry she used Dolly as her example–which is hilarious; her entire piece is predicated on Dolly and her goodness; there’s really no one else she could have used. The backlash is everything she deserves and more; The Federalist also needs to apologize to everyone for running that disgusting hit piece, and whatever editor okayed it is too stupid to work as an editor at any time. Imagine signing off on a piece attacking Dolly Parton for not being Christian enough! Everybody loves Dolly; her icon status is only limited because we haven’t reached the stars yet with the good news of Dolly. Ericka Andersen–an admitted alcoholic who only got sober thanks to God (which begs the question, didn’t God make her an alcoholic? She clearly didn’t learn the lesson She intended Ms. Andersen to learn from her struggle with alcohol)–is the absolute worst kind of Christian, and I hope this follows her for the rest of her life.

Christ, not even Newsmax or OANN would have signed off on that piece. Jesus.

I did have a lovely weekend. It was extremely hot all weekend, so I spent most of the weekend indoors as much as I possibly could. Going to make groceries yesterday was absolutely miserable. I also need to get a window screen thing for my car; it gets so hot inside that it’s miserable getting inside after work, or any time during the summer. The car was so hot yesterday that when I closed the hatch after unloading the groceries I touched the metal and pulled my hand back, almost certain it had been scalded. It was not, but I used the handle after that–and even it was hot to the touch. Yay, and it’s not really summer yet!

We did watch more of The Acolyte last night, and followed that up with Easy A, the movie where I originally fell for Emma Stone, and the movie is very interesting, particularly from a “teen movie” perspective. It owes some to The Scarlet Letter, of course, and maybe what I should do at some point is a “teen movie” blog; how it evolved from the beach movies and Disney family comedies (think Kurt Russell as a teenager) to the teen sex comedies and John Hughes and so forth. But Easy A could have never been filmed back in the 60s and 70s, and probably not even in the 80s or 90s–because female-centered sex comedies are rare, and her character would have been seen as a “bad influence” on teen girls of the time. But the movie also parodies teen rom-coms, too, which elevates it over your average teen movie.

And on that note, I am heading into the spice mines. Have a lovely Monday, everyone, and I’ll probably be back later.

American Pie

Saturday! Woo-hoo!

Yesterday was an odd work-at-home Friday. Our power went in and out a few times during the day, and that threw everything off–laundry, work, plans for the day. But it did gradually and eventually all get finished in the end so Paul and I could spend the evening riveted by Under the Bridge. We only have two episodes left and it’s soooo good, and so delightfully queer-which was a delightful and unexpected surprise. Lily Gladstone continues to own the screen, and I can’t wait to see the final two tonight when Paul gets home from tabling at Pride for Saints and Sinners.

I slept really well last night, which was marvelous. I woke a bit later than I originally had intended, but that’s okay. I want to get some more cleaning done around the house this morning before I take books to the library sale, pick up the mail, and make groceries; then I intend to get some more writing done today. I did some more thinking about it last night before Paul got home, and I think I almost have the voice right. I also did some more research while he was at the gym–nothing like reexamining pop culture and the news during a distant time period (note to self: TV Guide archives must be checked as well), because it brings back memories, which also helps put me in the right mental place to write and create the story. I also kind of know how the story is going to go, and I also came up with another idea for the beginning, which I also really like. (I just had one of those imposter syndrome moments, where my brain suddenly panics and thinks, that isn’t going to work. Sometimes I really hate my brain…

During one of the power outages yesterday I decided to use the time productively and walked to the gym to do rehab exercises. It made sense when I thought about it–I mean, without power or Internet I can’t work, so utilize the time, right?–but after getting damp with sweat walking over there on a “feels like 105” afternoon, sweating more during the rehab exercise, and getting soaked with sweat walking home to a house without power that was getting hotter wasn’t perhaps the wisest choice? The power was still out for about an half hour or so at that time, so I took a very quick shower while the apartment began cooling down again and felt ever so much better. I also don’t feel exhausted or tired this morning, so maybe physically I am beginning to get back my stamina and getting back to normal, which is terrific. I was starting to worry that I was never going to do so, and I am nothing if not incredibly impatient.

I also watched Ode to Billy Joe yesterday (the film is on Youtube for those inclined to watch it again) because I’d been looking into Robby Benson for a Pride post, as he helped me understand that I liked men instead of women–so, so beautiful–and I realized I’d never watched this movie….and the movie, it turns out, is what fleshed the song out to give us a reason why Billy Joe jumped off the bridge; he’d been with a man, and the shame drove him to it because it was such an ugly thing to be that suicide made the most sense as an option. I’d heard the theory that he killed himself for being gay before, but didn’t realize it came from the movie…and the novelization of the script was written by Herman Raucher, who’d also written Summer of ’42, a coming of age novel and movie that were also kind of formative for me. Looking into it, it was released in the summer of 1976. We moved to Kansas that summer and the movie didn’t play locally, and I’d never watched any of its television airings. Anyway, the movie was interesting but there were lots of parts to it that didn’t play well for me today–I am always prickly about the way films have rural Southern people talk–but keep an eye out for my Robby Benson post if you’re interested in him.

I do feel good this morning, which is nice. I’ll go get cleaned up in a bit, but am going to work on either entries or the prologue this morning. I also plan on doing some rereading of my own work today–I am definitely moving Never Kiss a Stranger to the top of the to-write pile, because I am not entirely sure about the y/a I want to turn from novella into novel; I’m not entirely sold on the plot, to be honest. I also want to work on the kitchen this morning, too; I did buy the wrong vacuum cleaner (mine is a rug cleaner; so I can put water and shampoo in it to clean the carpets too, but it does work as a very powerful vacuum, so I’ll go ahead and use it–and maybe next weekend, I’ll clean the Oriental rugs with it.

Yesterday the right, through The Federalist, decided to come for Dolly Parton and basically call her a false prophet and a “danger” to Christianity. The recovering alcoholic who wrote the hit piece, Ericka Andersen, is about what you’d expect: a self-righteous born-again Christian who thinks she knows the faith better than anyone who ever lived or ever will live, which of course is apostasy, but she’s a soulless troll who got the attention she wanted. Andersen’s social media is now completely shut down as she is in the find-out phase of coming for Dolly. Dolly has not only given the world decades of amazing music and entertainment, she is also one of the most generous people alive, using her money and her fame to do good works in the world and is always kind and understanding and sympathetic; the woman literally loves everyone even her harshest critics. If ever there was an example of what it is like to truly follow the Christian path, it’s Dolly Parton–but you know, giving kids free books, donating millions of dollars to charity every year, and her incredible generosity to her employees at Dollywood? Sorry she won’t condemn people you don’t like, cosplay Christian piece of shit. And for the record, Megan McCain is married to the head of the Federalist Society–which is all anyone needs to know about what utter and complete garbage they are.

Seriously, they’ve come for Taylor Swift and now Dolly. Next thing you know they’ll come for Cher–which is something I would love to see them try.

And on THAT note, I am heading into the spice mines. Have a lovely Saturday, and I’ll be back later, okay?

Never Be Anyone Else But You

Wednesday and we’ve made it to the middle of the week again, well done, Constant Reader! I was beginning to wonder. Yesterday was a bit odd. I slept well the night before, but I didn’t sleep through the night; I woke up several times during the night but managed to fall back asleep. I felt a bit spacy and out of it yesterday as a result, but still managed to stay focused and get through my workday without falling behind, ran some errands on the way home, and did some chores. The weather has also been weird lately; gray and cloudy, but hot and humid at the same time. It looks like it should be cold outside, but it’s not; you walk outside and the humidity slaps you across the face. Guess it’s time to start leaving my sweatshirt/jacket at the office every day instead of wearing it to and fro.

And yes, it’s affecting my sinuses and some of my moods, and I think it made me tired last night, too. I tried to write for a bit before giving up; that part of my brain wasn’t working yesterday, which was more than a little bit frustrating. But I also have to remember that I am still technically recovering from the surgery; my arm might be healed now but I am still not completely recovered. I slept well last night, though, so hopefully I won’t be basically sleepwalking through the day the way I did yesterday.

I’ve been listening to Beyonce’s new album, Cowboy Carter, in the car and I have to say, it’s really quite good. I know the racist section of country music fans (significant in number) are hating on it and calling it aggressive, not country, etc. I hate to break it to you, but no one gatekeeps any creative field, particularly in music. If Cardi B wants to record a country album, no one can stop her. And this has been an issue with country music and its fanbase for a very long time. My dad always hated that old Barbara Mandrell song “I Was Country (When Country Wasn’t Cool)” because it basically pissed all over people discovering country for the first time–and with her variety show and so forth, Mandrell was a pop/country hybrid herself, following in the shoes of Dolly Parton, who crossed over in the mid to late 1970’s. There was a lot of pushback against “not country” artists who were recording music that was being played on country music stations and bought by country fans–look up “Charlie Rich John Denver country music” on Youtube sometime; Charlie Rich went off on John Denver for not being country enough while presenting him with a country music award. (Olivia Newton-John also crossed over, starting in country before moving over to pop.) New artists and new approaches to country music keep the genre alive and fresh. I’ve seen people trying to quantify this Beyonce album as “well, it’s her version of country” and other things like that…but that’s why I am listening to it in the car; giving me the sense that I am listening to the radio, and if I didn’t know it was Beyonce…I probably wouldn’t have ever guessed. Yes, when you know its her you easily can recognize the vocal range and style, but it’s a terrific album I am enjoying…and I’ve never forgiven country music as an industry for what they did to the Chicks.

You know, when the right invented cancel culture? Yes, they were the ones who let that genie out of the bottle they constantly decry these days…until they decide they need to cancel someone else.

I did do some research via the google machine last night to get some information I may need for the revisions of the two stories I’ve written thus far this year. Both stories are going to have significant revisions, but they are also going to be much better stories than they were in their original drafts. I also know where to go next with the book, which is excellent news. I am going to need to rework the beginning again, but that’s fine and inevitable to deeper you get into drafts, anyway.

We are still enjoying Apples Never Fall, and what a horrific and dysfunctional family we have on display! One thing that really isn’t working for me on the show (when I think about it later; when watching I get caught up in it all) is how calm they all seem; their wife/mother is either missing or dead, and no one seems to be all that disturbed or upset by it. Again, who wants to watch hysteria for episodes on end, but I guess they’re all in denial and a little bit of shock, which is also understandable.

All right, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I may be back later–one can never be entirely sure.

Jetstream

Good Friday!

Yesterday was not one of my more pleasant days–although it wasn’t nearly anything as horrible as Wednesday was. Paul and I took Scooter to the vet for his bloodwork (he’s a senior kitty) and to check on how his diabetes is going, and then headed out to Costco to look at washing machines. We found one we liked, I took a picture of it (you can only buy them by ordering on line), and after we got back home we ordered it. We will have a brand spanking new washing machine delivered here next Friday, and I’ll have to deal with not doing any laundry between now and then–although I can use the one in the carriage house if need be in the meantime. (It’s very weird; not being able to do the laundry until next week makes me itch a little bit–not that it matters in the least. We have plenty of clothes, we bought some really nice new towels at Costco so that situation is under control for now, so I am not really sure why precisely it’s making me itchy that I can’t do a load of laundry…go figure.)

I was also tired all day yesterday; despite the good night’s sleep; I think all the stress and mood swinging of Wednesday night just completely drained me. I had little to no energy; after we picked up Scooter from the vet and I had my board meeting, I literally collapsed into my easy chair and dozed off for a bit, which never happens. I am not now, nor have I ever been, someone who either could nap; whenever I was able to take one, it kind of defeated the purpose of the nap because I would inevitably wake up from the nap feeling more tired and wrung out than I did before taking the nap. But I dozed off yesterday afternoon, woke up and did some things around the Lost Apartment, and then dozed off again during the early evening–definitely not like me. (A purring, sleeping kitty in my lap didn’t help me stay awake. Paul and I have long since recognized Scooter’s super-power is the ability to put us both to sleep; or in my case, most of the time, paralysis; I lose the desire to do anything but flip through channels or watch videos or find a documentary to watch.)

I did discover, by scrolling through the documentary listings on Netflix last night, a 2019 documentary about Dolly Parton, and let’s face it, I’ll watch anything with or about Dolly Parton because, well, I will always love her. I think the most interesting part of the entire thing was watching Lily Tomlin and Jane Fonda trying to describe who Dolly is; whether it’s a persona or if what we see of her is really who she is. I also find it interesting to see the the similarities in the rags-to-riches tales of our biggest stars–like it’s almost a prerequisite for them to achieve massive stardom is to come from practically nothing; as seen in Tina earlier this week as well. (I also love how the story of how Dolly turned down Elvis’ offer to cover “I Will Always Love You” because he always required fifty percent of the publishing rights to everything he sang; the wisdom of that refusal seen when Whitney Houston turned it into one of the most popular single recordings of all time in the early 1990’s–and how incredibly gracious Dolly always is about that very thing; “She made me rich!”)

And when that was finished–all too soon, I could watch anything about Dolly for hours–we found a documentary series about John Wayne Gacy (Paul is fascinated by serial killers, and Gacy in particular) that uses actual footage from an interview Gacy gave several years after his conviction in an attempt to convince the press of his innocence; footage that was never seen until now…and Christ, how creepy was the guy? We watched the first episode, with me sort of awake–I kept dozing off and waking up again–and once it was finished we both retired to bed. I slept deeply and well last night, and feel rested today; my brain feels like it’s functional again and my muscles and body feel rested; which is good because now I have to really do a deep dive into finishing the book.

That’s really all I have to do this weekend–I am not even planning on going to the gym again until the book is done because I know it’ll wear me out and I won’t want to work afterwards. Much as I hate putting off the gym like this, I also know myself a little too well to pull of the self-deception of oh of course I’ll work on my book after I work out…when inevitably I am always exhausted afterwards. I feel good and better after a workout of course, but eventually the muscle fatigue sets in and then I am done done done.

And on that note, the book ain’t going to write itself, is it? See you tomorrow morning, Constant Reader! Be well an stay safe!

The Silky Veils of Ardor

As Constant Reader knows, Gregalicious loves short stories. He regrets deeply that they are much harder for him to write than novels (I’ve often joked that I find it much easier to write a novel than a short story; the word count limitations are hard for me as I always tend to write probably more than is needed to illustrate a particular point–take this sentence, for example), and I am sure part of this insecurity comes from my oft-told tale about my first writing professor, who earwormed his petty nastiness into my brain and soul. (But also this gives me an enormous sense of personal satisfaction in that I know I’ve published more fiction than he did during his time on this planet; to this date, I still cannot find a single fiction publication for the prick.)

And while I am a firm believer in the mentality that writers should always be paid–even if merely a token–for their work, I will often write short stories if requested, and don’t mind donating a story for a good cause. The two stories I had in Bouchercon anthologies weren’t paid, nor was my story for Murder-a-Go-Go’s; like I said, when I am asked to write a story I am genuinely so flattered that the editor thought enough of me and my work to ask. I like writing short stories, even if they are a struggle for me, and there aren’t many places where one can get them published these days.

I was enormously flattered to be asked by short story master Josh Pachter to write a story for his anthology of stories inspired by the music of Joni Mitchell. The irony, of course, is that while I am familiar with Ms. Mitchell and her work–and I like what I know of it–I am not as familiar with her canon as I am with women singer-songwriters like Stevie Nicks, Dolly Parton or Carole King; I also realized that the songs of hers that I could name off the top of my head–“Free Man in Paris”, “Help Me”, “Big Yellow Taxi”, etc.–were the same ones anyone could; I wanted something not quite as famous and perhaps a little more obscure, something to which a Joni Mitchell fan would say oh yes, of course you chose that song.

So, I did what I often do in these situations: I asked my friend Michael Thomas Ford (aka That Bitch Ford), and he immediately came back with “You should pick ‘The Silky Veils of Ardor.’ It’s about that hot guy all the high school girls fall in love with and breaks their hearts.”

That was definitely intriguing, so I looked up the lyrics and listened to the song several times as I listened to Joni’s sweet voice singing them…and I knew immediately what story I was going to tell.

jonicover.final

The elevator doors opened. Cautiously, her heart thumping in her ears, she stepped out into the hotel lobby and took a quick look around. At the front desk, a young woman in uniform was checking in a couple. They didn’t look familiar. But it had been so long since she’d seen any of them…would she recognize anyone?

She didn’t notice she was holding her breath.

She walked across the lobby to the hotel bar entrance. A reader board just outside said WELCOME BACK BAYVIEW HIGH CLASS OF 1992!

The black background was faded, the white plastic letters yellowed with age.

The urge to head back to the elevators and punch at the UP button until the doors opened, get back to her room and repack her suitcases—everything she’d just carefully put away neatly in drawers and hung in the closet—was strong. She resisted, recognized the need as irrational, closed her eyes, clenched her hands until she felt her ragged bitten nails digging into her palms.

You can do this you can do this you can do this you can do this….

A dull murmur came from the hotel bar, laughter and talking, the rattle of ice against glass, the whir of a blender. From where she stood, she could see the bar was crowded, cocktail waitresses in too-short black skirts and white blouses with trays balanced on one hand maneuvering expertly around groups of people.

Maybe no one there was from the reunion. Maybe she was early. Maybe—

You can do this!

She’d always had social anxiety. Had never made friends easily, couldn’t make small talk, sometimes said the wrong thing, alienated people without even knowing what she’d done. Parties and dances had always been agony. Even with friends, people she felt relatively certain actually did like her, there was always the irrational fear she’d say the wrong thing, forget a birthday, commit some horrific social faux pas that would turn them against her, show them what a damaged, worthless person she actually was. She’d started seeing a therapist after college, years after she should have, but her parents thought therapy was all touchy-feely mumbo-jumbo for the weak and all you had to do was suck it up and forget about it, not worry, lock it all away in some dark corner of your mind and move on.

I have never attended a high school reunion, and frankly, have little to no desire to ever do so–with no offense intended to anyone I went to high school with. Our school was very small and remote, for one thing–my graduating class had only 48 students, and at that point, were the largest graduating class in our high school’s history. It’s not easy to get there–one would have to fly into either Kansas City or Wichita, rent a car, and drive for at least an hour just to get to the county seat, and of course, my high school was about nineteen miles (give or take) north of the county seat. I do think about going back from time to time, more to take a look around and see what’s different now as opposed to then; to refresh my memories a bit for writing about the region–which I’ve done somewhat already, but not nearly as much as I could. Using Google Earth has already shown me that my memory is faulty–I’ve fallen into Google Earth wormholes frequently–so while there is some idle curiosity about going back, there’s very little desire or motivation. It’s difficult, I think, for my classmates to understand that I really don’t have much desire to revisit that time of my life; it’s certainly not their fault but the four or five years I spent in Kansas also contain some of the darkest periods of my life.

I wrote a short story about a high school reunion under my Todd Gregory pseudonym; “Promises in Every Star,” which eventually became the title story of my Todd Gregory collection. I first had the idea for that story when I received the invitation to my ten year reunion, back in 1988; the title is a lyric from one of my favorite til Tuesday songs, “Coming Up Close,” from my favorite album of theirs, Welcome Home, which I can listen to over and over again, and have, many times; it’s definitely in my Top Five favorite albums of all time. I don’t remember where I originally published that story, but it was many, many years later, after I had the original idea and wrote the first draft (in long hand), and after that, I figured I was finished with high school reunion stories.

Until “The Silky Veils of Ardor.”

As I listened to the song, the more the story began to take shape in my head; a high school reunion, twenty-five years later; returning to the town where she went to high school for the first time since she graduated and moved away with her family. I had already written the opening, for another short story; as I revised and retooled that particular story, the character grew and changed and wasn’t the timid, nervous, medicated woman she originally was–but I loved that original opening, and decided to lift it from the initial drafts of that story onto this one. I found the original word document of the first draft, erased everything after the opening few paragraphs, and renamed the file THE SILKY VEILS OF ARDOR. The rest of the story flowed out of me after I finished rereading and tweaking the original opening to fit the new story, and I was off and running. I revised the story several times, and one of the things, one of the points, I was trying to make with the story is about how differently we see high school than our friends and classmates did–which is an idea I’d been toying with after an exchange on social media with some of my classmates after I’d posted something–a status update or a blog post, or something along those lines–about how miserable I’d been in high school; my friends were all astonished because how I remembered high school was very different from the way they remembered it, and me. I remembered feeling isolated and lonely, like an alien from another planet set down into their midst; a freak everyone kept at arm’s length. They, on the other hand, remembered me as being popular and well-liked by everyone.

And that, my friends, is where this story came from. I still think about those tricks our memories play on us; our inability to see what was right in front of us if we could just see clearly.

The book will be officially released on April 7th from Untreed Reads; you can preorder it at any vendor that sells ebooks. There’s a stellar line-up of writers, and some of the proceeds are going to charity.

And thanks again to Josh Pachter for inviting me.

Here’s a link to Joni singing the song–this is the video I listened to for inspiration.

What Does It Take (To Win Your Love)

SATURDAY!

I slept in this morning gloriously, and it is apparently already above seventy degrees outside; I see nothing but blue sky when I look up, and the sun is shining through my filthy windows. I will undoubtedly have to get out the ladder and do the windows today. My plan was for today to be my day off; cleaning, of course, doesn’t count because as weird as it sounds, I actually like to do it.

I might start some preliminary editing on the secret project as well. But don’t hold me to that, okay?

Yesterday, a conversation with friends somehow ended up on the subject of the movie The Best Little Whorehouse in Texas, which I saw in the theater when it was first released but haven’t really seen much since then, other than the clip of “Little Bitty Piss Ant Country Place,” which was de rigeur at Lafitte’s on Sundays for tea dance. I liked the movie when I first saw it, and some of the music was quite catchy. But there was always something a bit off about it. Last night I decided to stream it, watch it from a modern-day perspective, and yes, the movie is quite disturbing on many levels.

It seems funny now, but back when the film was released many television stations couldn’t say the word “whorehouse” on air; many newspapers wouldn’t print the word, either. (I don’t know how they reported on actual whorehouses; I guess they called them ‘houses of prostitution’ or something like that) And the tone of the movie…well, I guess it could be best described as “Hee Haw, only with whores.”

And that was really what the problem was for me, on this rewatch. Prostitution is prostitution; whether you think it should be a crime or not (for the record, I think it should be legalized and taxed) turning it–and sex–into this ‘wink-wink-nudge-nudge’ cutesy musical just doesn’t work. And there’s also an underlying cynicism to the movie that clashes with the cutesy-ness: the governor is a politician who doesn’t really care one way or the other whether the Chicken Ranch is breaking the law or is a boon to the economy of the town but only about popular opinion–making his decision only when the polls come in; Melvin P. Thorpe, the Houston news sideshow who breaks the story and gets the Chicken Ranch shut down is a snake-oil salesman of the worst kind–a phony and a liar and an anything-for-ratings shyster; likewise, the political structure of the town is perfectly fine with the existence of the Chicken Ranch and taking Miss Mona’s money until things go south and they all abandon her when the spotlight is shone upon the town; and so on and so forth. All along the whorehouse, Miss Mona and the sheriff trying to protect her as shown as the heroes/victims of the story while law-and-order/politicians/the news are shown to be slick hucksters and really of lower character than the whores–begging the question, ‘who are the real whores here? The girls are selling their bodies but the others are selling their souls.’

There’s also the political subtext of city vs. country; a very popular political subtext in our so-called liberal popular culture, in which city people are seen as buffoons and the country people are the voices of reason and common sense–this thread has frequently run through film and television and even in literature to the point where politicians will feed on it: Sarah Palin’s “real America”, etc., ignoring the fact that the urban centers are the engines that drive the economy and where most of the population live. In this story, the ‘city folk’ from Houston are seen as the villains, not understanding something that the ‘country people’ see as not a big deal, making a big fuss over something that doesn’t bother the country people, and ultimately, telling the country people how to live their lives.

The fact that this movie is based on a true story makes the fluffy film even more unfortunate. Looking into the original non-fiction piece “The Best Little Whorehouse in Texas” that ran in Playboy, the film pretty much actually follows the trajectory of the movie’s story. They did take poultry in exchange for services during the Depression; the business did exist as long as it did in the movie; the sheriff did refuse to close it down despite being ordered to by the Attorney General of Texas; the house operated pretty much the way shown in the movie.

As I watched the movie again, I couldn’t help but wonder not only what happened to the girls after the Chicken Ranch was closed, but where they came from to begin with. I almost wish the movie had been made based more closely on the original article rather than turned into a musical–although the musical was a Tony-winning hit on Broadway. Also, casting Burt Reynolds and Dolly Parton in the leads was also a mistake. Dolly was coming off her debut in 9 to 5, which had made her a bona fide movie star, and Burt Reynolds was one of the biggest male stars in the world at the time, which resulted in a lot of sanitization, which kind of hurt the movie. Burt and Dolly have chemistry together, and charisma to spare…but you never forget it’s Burt and Dolly, rather than Sheriff Ed Earl and Miss Mona. Burt and Dolly being cast also resulted in an adaptation to the original story which turned them into romantic interests, and a schmaltzy scene where they go on a picnic and stare up at the stairs and Miss Mona talks about her religious faith–having to explain Jesus to the sheriff in such a basic way that makes it clear that Ed Earl has somehow, as a small town Texas sheriff, never set foot in a church or watched a religious epic movie. I find that rather hard to believe.

There’s also a delicious irony in the fact that in a movie about a whorehouse, there is only one brief flash of bare breasts. The majority of the nudity in the movie is male–and it’s all in the post-game locker room scene, where the Texas A&M football team, having won their annual rivalry game with Texas, is excited about going to the Chicken Ranch (the winning team’s seniors are rewarded with a trip there). There are lots of great bare dancer bodies, even bare butts as they perform “Aggie Stomp.” (When I first saw the movie, I greatly enjoyed this scene as there were very few places to see the bare male form in popular culture at the time, or that many bare male forms at the same time. But even then I thought the guys weren’t bulky enough to be football players, and there certainly were no men big enough to play on the line.) The song itself again is one of those ‘wink-wink’ things, because we are supposed, as an audience, to believe that for college football players, being taken to a whorehouse was a treat–because football players never had access to women’s bodies for sex otherwise.

Riiiiiiiiight.

Of course, the Chicken Ranch is supposed to be closed until things settle down, but Miss Mona risks opening for the football party–which is, of course, when Melvin P. Thorpe and his camera crew break in and film. There’s also, if you pay attention in this scene, some subversive sexuality going on during the Aggie party–we see two players in bed with one woman; two guys and two women together; etc.

The movie now seems much sillier than it did at the time; terribly dated, more than a little misogynist, and like I said earlier, that ‘wink-wink, nudge-nudge’ approach to sex and sexuality now reads as annoyingly and insultingly coy.

I would actually love to read a non-fiction history of the Chicken Ranch, to be honest.

And now, back to the spice mines.