Tuesday morning, and I am feeling super good about yesterday. I did get a bit tired in the afternoon, but I did make it through my entire work day successfully. I also came home and wrote; the document was about 3500 words, and it’s now over five thousand–but it was one of those revision things where I was adding while deleting, so I don’t know how many actual new words came from this go over; but I do know it was at least fifteen hundred more.
Not too shabby for someone whose mojo hasn’t been mojoing for a while!
Needless to say, I am most pleased with myself, and was feeling more than a little smug last night when I went to bed. I am awake this morning and feeling rested yet again, which is enormously pleasing, the coffee is going down very well, and while my sinuses are in a bit of revolt this morning, there are much worse things. Paul worked very late, so we were only able to watch one episode of Smoke, and if I was okay with but mildly indifferent to the show after one episode, now I am all in. There was a huge surprise twist at the end of the second episode, which was, over all, far superior to the first. Well done, Dennis Lehane.
I also sent out a newsletter yesterday, about Megan Abbott’s El Dorado Drive, but there were some other points I wanted to make that I forgot about until, naturally, the newsletter had been finalized and sent. Sigh. Ah, well. What I had wanted to say was the book was really about women’s independence, and what they are willing to do to achieve that end–which is definitely the kind of theme Abbott often explores in her work. Her books are just so damned smart and disciplined, and she just gets better and better with every book. The way she is so concise with her word choices and sentence structure, how she is able to paint an entire portrait in just a few short sentences…mind-blowing and impressive.
Tonight I have errands to run after work yet again–I need to get the mail, return a library book, and make a little bit of groceries. They didn’t have Clorox wipes at Costco last weekend, and I forgot to add them to my grocery order like a bonehead. Ah, well, I needed to pick up the mail anyway. Which reminds me, I need to make a list, just like I need to make a list whenever I order; I always look at previous orders to re-order, but if I need something I’ve not ordered before…you see how things get forgotten. I keep thinking make a list before you order and then I never do it, winding up leaving things I need off the order. I also loaded the dishwasher last night but forgot to turn it on. Genius! I’ll try to remember to turn it on before I leave for the office this morning. I also did some picking up, but I did forget about the clothes in the dryer, which I’ll get around to when I get home from work.
It’s not easy being June Cleaver, but I keep giving it the college try…
And on that note, I am going to get cleaned up and head into the spice mines this morning. I hope to have a good day at the office, and will hopefully be back here tomorrow in the AM. Y’all have a great day, okay?
Monday morning and back to the office with me this morning. I don’t feel fatigued, but I also didn’t want to get out of the warm bed or out from under my pile of blankets. But the coffee is going down easily and tastes marvelous, and the Lost Apartment is mostly clean; I didn’t finish the downstairs yesterday so there’s some touching-up still necessary tonight when I get home. I’m hoping that I won’t be too tired to do that necessary touching up. I certainly don’t want to leave it for the weekend, especially since I don’t have my work-at-home day this week since we’re having an “in-service” day so I have to come in.
Paul had a board retreat so he was out of the house for most of the afternoon and into the early evening. I worked on the kitchen and finishing the living room some, had groceries delivered, and made Greg’s Swedish Meatballs for dinner (they were superb; the alterations I made this time were the right ones). I also did some research when I was taking a break from cleaning–hurricanes, the 1970s, gay Hollywood during the days the studio system started crumbling–and also did some reading. I am pleased to report that The Hunting Wives is very well written and very different (already) from the series, which is kind of exciting. I also dipped into Shirley Jackson’s Life Among the Savages, and it staggers me how her writing style, that unique rhythm and voice she had, easily adapts from quiet horror to family humor.
I also started rereading Hurricane Season Hustle, the long-delayed Scotty book (why does it always seem to be Scotty books that get delayed?), and I have to confess that it’s actually not bad. The writing isn’t terrible and doesn’t need a lot of fixing, which is enormously pleasing. I simply have to write five or six chapters, the epilogue and prologue, and put some shine and sparkle on it. I am not so certain why I am always so down on my writing, especially in its sloppy early stages, because my low regard for it is not shared by most. I am working on not being hard on myself anymore–I certainly don’t need to prove anything anymore to anyone–and while I don’t think it’s wrong to think I can do better (because one always can), I need to be a bit kinder about it. Part of the reason I think I’m able to watch these Hurricane Katrina stories and documentaries now is because I am going to be dealing with, and exploring, Scotty’s memories of Katrina as the current hurricane is battering the Diderot House. I think the plot is kind of clever, and I am an award-winning author, after all. Is that confidence I feel? #madness.
We started watching Smoke on Apple Plus last night. It co-stars Taron Edgerton as an arson inspector, and Jurnee Smollett as a police detective assigned to work with him on two serial arsonist cases. It was created and written by Dennis Lehane (remember him? Mystic River? Of course you do.), and the first episode was interesting; both characters are complex and have a lot of issues, and the acting and writing is top notch. The show appears to be a slow burn (see what I did there?), and we are definitely down for watching more. We had an arsonist in the lower Garden District in the late 1990s; the Coliseum Theater was one of his victims as were several other houses in the neighborhood. Fire and water are the two elements that New Orleans dreads–how many “great fires” have there been here, anyway?–and maybe it is time for a novel about fires in New Orleans?
Then again, I’ve already done the Cabildo Fire. The Upstairs Lounge fire, too.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I’ll check in with you again tomorrow.
Sunday morning in the Lost Apartment and I am feeling a bit bleary-eyed this morning. I slept magnificently last night; I didn’t want to arise from the nest of blankets in my comfortable bed this morning in the least. But arise I did, because there are things I must get done today and staying in the bed for a longer time than usual would not help accomplish anything except, you know, more pleasure of sleep.
We did finish watching Black Bird last night, which was an interesting show based on a true story and executive-produced by Dennis Lehane; in which a cop’s son turned bad gets a chance to get his sentence commuted if he goes into a prison for the criminally insane and gets a serial killer–whose appeal might earn his release–to confess to him. It was quite entertaining and more than a little intense, but I do recommend it. I don’t think it needed to be six episodes–I think it felt a little padded here and there to get to six episodes, which seems to be the American minimum/sweet spot for mini-series. We also started watching Five Days at Memorial, which is…interesting. It’s a dramatization based on a book and the true-life experiences of those who were trapped there after Katrina and the flooding; one thing that was absolutely spot-on was how everyone kept lapsing and calling the hospital “Baptist” instead of “Memorial”–the hospital had been bought out by Tenet Health and renamed in the years before the storm; it was a New Orleans thing as to how long it would take for the new name to catch on; I was still calling it “Baptist” to the point that even the title of the series took me aback; I actually did wonder before we started watching, was the name of the hospital Baptist Memorial and we all just called it Baptist? Mystery solved.
I did run my errands yesterday–it didn’t feel quite as miserable outside as I thought it would–and actually made dinner last night…meatballs in the slow cooker, but I also made them differently than I usually make slow-cooker meatballs, the recipe I donated to the Mystery Writers of America Cookbook; I added sour cream to the recipe, for one thing, as well as some other spices and vegetables in the sauce. They turned out really well–quite tasty, actually–and as I sliced bell peppers, celery and onions yesterday while the roux bubbled and browned, I remembered oh yes, I love to cook; I just never get the opportunity to do so anymore. Our work and sleep schedules are now completely out of sync, and the only time I ever cook anything is on the weekends. Today I do need to make things to take for lunch this week–the meatballs will only stretch so far, and I am starting the week in the office on Monday instead of Tuesday this week. I am also having Costco delivered this afternoon as well. I also need to get to work on my second-pass page proofs for a Streetcar today; they are due on my birthday, ironically, but I’d rather get them out of the way today. I also want to get some writing in today, if I am lucky and motivated; I need to start getting more focused and less concerned about other things and issues as well as getting distracted, which is getting easier and easier all the damned time. I know there’s medication for ADHD, but unfortunately it can also act like speed–and the last thing in the world I need is to take something that will make it harder for me to fall asleep.
Yeah, definitely don’t need something to keep me awake longer. (Although every night before I go to bed now I start drifting off to sleep in my easy chair, which is so fucking lovely you have no idea.)
I’ve been reading some non-fiction lately; my mind hasn’t been clear or steady enough to continue reading fiction–a malaise that has come and gone since the beginning of the pandemic in 2020–so I’ve been focusing more on non-fiction when I am reading lately. I’ve got a really interesting book called Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History by Yunte Huang, which is absolutely fascinating. I loved the Charlie Chan movies when I was a kid (neither knowing nor comprehending how racist they were, not to mention their “yellowface” aspects)–again, the influence of my grandmother–and I read some of the Earl Derr Biggers novels when I was a teenager. I am really interested in getting into the meat of this book, since the character was beloved but is problematic in our more enlightened time; can the stories and the character be reclaimed from the morass of stereotyping and cultural colonialism the books and films were steeped in so deeply? Reading the introduction to the book yesterday did again make me feel like gosh, I wish I was educated enough in criticism and the writing of non-fiction to produce this type of work; there are any number of books and writers and characters I would love to explore and dissect and deconstruct. But alas, I do not have that background or education, nor do I have the necessary egotism/self-confidence in my own intellect to believe that I could come up with anything interesting or constructive or scintillatingly brilliant to say that hasn’t already been side (although I have an interesting take on Rebecca I would love to write about someday). I’d love to write about the heyday of romantic suspense and the women who hit the bestseller lists throughout the 50’s-80’s writing those books (Whitney, Stewart, Holt being the holy trinity); deconstructing the themes and tropes and tracing their evolution as the role of women in society began to change during the decades they wrote their novels.
I also bought an ebook about the children of Nazis, which is something that has always fascinated me; how did and have Germany and Germans dealt with, and continue to deal with, their horrific and genocidal past?
Obviously, as a Southerner, I am curious to see how one deals with a horrific history.
And on that note, I am heading into the spice mines. Y’all have a lovely Sunday, and I will check in with you again tomorrow.
Saturday in the Lost Apartment and all seems to be well. I slept late as I had planned–maybe a bit too late, but I also stayed up late to finish doing the laundry (it’s such an exciting and always oh-so-glamorous life I live here in the Lost Apartment. I have to run some errands a little later on–mail, make groceries, prescriptions, library–and some things to do around here to touch up and clean a bit. I want to do some writing and reading today as well as just relax and enjoy the day a bit. We finished watching The Sandman this week, which was incredible–I think everyone can enjoy it, frankly, and it’s so creative and smart and visually breathtaking; a sweep of technical Emmys would be incredibly well-deserved; but it’s also a fantasy show built upon a mythology that originated in the DC Comics super-hero world, so it probably won’t be taken as seriously by the Emmy voters as it should…but then again they were also all about Watchmen (which was, frankly, superb), so you never know. Game of Thrones didn’t do too badly with the Emmys, either. Regardless, The Sandman is brilliant and I highly recommend it.
We also started watching the new show on Apple+ by Dennis Lehane, Black Bird, starring Taron Edgerton, which is also really good and Edgerton really is enjoying the role he plays. (Paul and I decided that he and Tom Holland need to make a movie together where they play brothers; Edgerton is what Holland would look like were he not so baby-faced boyish looking…or they could easily pass for brothers.) Edgerton, who is very handsome and has an amazing body, also looks like he’s been buffing up his body, too. (I think we first noticed him in Kingsman…I also think he’d make a terrific Nightwing if they ever make a Nightwing movie, which they really need to–I was distressed to see the latest HBO MAX news that Titans will probably be cancelled, which means DIck and Kori need to get together this final season soon to be airing.) We blew through the first three episodes quickly; I am also thinking we need to watch Five Days At Memorial–it’s getting to be Katrina anniversary time, woo-hoo–which will undoubtedly be difficult to watch (that period is a very dark time, obviously, and reliving it, even through the guise of entertainment, is always difficult) but probably necessary.
Since watching It’s a Sin last year (or whenever it was it was released) opened a floodgate of sorts in my mind. I know I’ve mentioned here before that I had always, since about age thirty-three, chosen to focus on the present and the future and never look back. It always seemed counter-productive, and I had finally come around to the acceptance point of realizing that everything that has happened in my life–whether macro or micro–inevitably set me on the path that led me to where I am today, and as long as I am happy, did the past really matter? What was the point to having regrets, to wishing I had something differently? Doing anything differently would have changed my path, and direction, with absolutely no guarantee that I would either be happy–or have survived this long. I am sure there are many many alternative timelines for me that had me dying in the 1980’s or 1990’s, which is always a sobering reflection and one I always have to keep in mind. I am alive because of every decision I’ve made and every heartbreak and crisis and problem and bad thing that has ever happened to me, and I kind of like my life and who I am. I am aware of my flaws (probably not as aware as I could be) and I know what my strengths and weaknesses are as a general rule; my biggest worry is that I delude myself periodically about anything or everything or something, and I really don’t like the possibility that I have blinders on when it comes to anything to do with me, my life or my career, while knowing it’s a strong one. I also know sometimes I probably take on blame for wrong that isn’t my fault (another reason Charlie in Heartstopper resonated so strongly with me was him constantly thinking everything was his fault and always saying “sorry”; I could absolutely relate to that as I’ve done the same most of my life and it is generally always my default on everything).
But as I have said, watching It’s a Sin, and being reminded so viscerally and realistically of what that period of my life was like–oh, they were so heartbreakingly young–did make me start looking back, remembering and reevaluating and, while perhaps not actually having regret, actually mourning everyone and the world and the life perhaps we all could have had if the homophobes hadn’t been in charge of everything back then. By not looking back I don’t think I ever allowed myself to heal, even though so much time has passed it’s all scar tissue now. But scar tissue is generally tighter than the skin it repairs; one is never quite as flexible as one used to be before the wounds became scabs and finally scars. Writing, as always, has been an enormously helpful tool for me to process experiences and feelings without tearing the webbing of the scar tissue again. That’s why I think writing “Never Kiss a Stranger” is important to me, and why the story haunts me so. Both Bury Me in Shadows and #shedeservedit both were enormously helpful to me, forcing me to deconstruct and evaluate and look at harsh bitter truths I’ve tried to avoid most of my life. So I think it may be helpful to watch Five Days at Memorial, because perhaps enough time has passed for me to look back without the full range of painful emotion the memories brought before.
Hilariously, after all that bitching yesterday morning about the health fair, it turned out much differently than I was expecting. For one thing, their scale clearly was wrong; it clocked me at 196 pounds. If that was accurate, then I have lost sixteen pounds since I last visited my doctor–two weeks ago (I weighed 212 at his office). As that is most likely not possible–especially since I’d moaned in disbelief when putting on my pants yesterday morning only to find them snugger than they were the last time I’d put them, so the notion I’ve lost that much weight in such a short period of time without trying is utterly ludicrous on its face, preposterous. But it did kind of make me smile a little bit and shake my head.
And on that note, I think I am going to head into the spice mines. Have a lovely day, Constant Reader, and hope it’s everything you hoped it will be.
I was very lucky with my career, in many ways. Having a partner who got a job working for a literary festival–the Tennessee Williams/New Orleans Literary Festival–meant years of volunteering at the event itself: writing panel descriptions, working the check-in desk on-site, and giving authors rides to and from the airport and to various events for the Festival that didn’t take place at any of the French Quarter venues. I was able to meet authors who were personal heroes of mine; some became friends, and all were open to giving advice and tips to a personal trainer in his late thirties with aspirations of being a published writer. (I also met a lot of celebrities who came to the Festival; from Kim Hunter to Alec Baldwin to Patricia Neal to Shirley Knight to Dick Cavett to Rex Reed to Marian Seldes, Frances Sternhagen and Zoë Caldwell–a personal favorite.) One of the biggest thrills was Sue Grafton, who was was more charming and witty and kind than I could have ever hoped. Sue Grafton, of course, was the dream career for a mystery writer: enormous success, both critical and financial; an incredibly original character that became iconic; and crowds of fans eager to meet her. But after meeting her, it was her gracious kindness that I aspired to–I might get books published but that kind of enormous success was an enormous longshot (we all aspire to have a career like that), but being gracious and kind was something I could–with a lot of self-evaluation and work on myself–actually replicate.
But one thing she said to me, with her self-awareness and trademark sense of humor, has always stuck with me. I asked her some innocuous beginner’s question about writing a series character–something she had probably been asked a gazillion times–and she took some time to think before she answered.
“Well,” she said, “One problem with having a popular series is you become a one-trick pony. All anyone ever wants from me is Kinsey–a new book, or a short story, anything, really–and that can be a bit stifling.” Then she grinned, winked, and leaned in close to add, “But you know what? I’m still grateful people want Kinsey from me, and that there are an awful lot of those people.”
The series used to be the thing for mystery writers; very few people had long term careers in the genre without having a series. But over the last twenty years, I’ve watched as series writers began straying away from their series and focusing more on stand-alones; which has not only resulted in some amazing books but extraordinary career growth. Laura Lippman, Harlan Coben, and Dennis Lehane, among many others, switched from enormously popular series to writing stand alone novels that give them more room to breathe and be creative with plot and character and voice.
And now, Kellye Garrett has joined their ranks.
I found out my sister was back in New York from Instagram. I found she’d died from the New York Daily News.
Her post was just as attention seeking as their headline. Hers came at midnight. Look back at it. #birthday #25 #grownfolksbusiness #home #nyc–all over a behind-the-back shot of her in nothing more than a black silk dress and no bra.
The article came less than twelve hours later. FORMER REALITY STAR DESIREE PIERCE FOUND DEAD IN LINGERIE IN BRONX WITH COCAINE AND NO SHOES.
I’d come straight here–to where they found her–as soon as I’d seen it.
Why? I don’t know. Maybe to confirm it was real. Maybe to hope it was not. Maybe to get one last glimpse of her even though I knew her body was long gone. Whatever the reason, I’d arrived at this particular playground in the Bronx on autopilot. The place my sister had come to just hours before. It looked how I felt–all reds and blues and worn down. It would never be accused of being the happiest place on Earth.
FORMER REALITY STAR DESIREE PIERCE FOUND DEAD IN LINGERIE IN BRONX WITH COCAINE AND NO SHOES.
I hated it. For what it said. For what it represented. For what it really meant.
Despite a lot of communication over the years, I don’t recall if I have ever actually met Kellye in person. We’ve been at many of the same events–but I don’t think we’ve ever actually met in person; if we did, it was one of those nights/afternoons in the bar at Bouchercon where alcohol has killed memory cells in my brain. But I read her first novel, Hollywood Homicide, which was the first in a series about Dayna, a struggling actress in Los Angeles who stumbles into a murder investigation. I enjoyed it tremendously; I loved the voice and the character of Dayna as well as her friends; I somehow managed to land an ARC of the sequel, Hollywood Ending, and in my inimitable Greg way, I was saving it for when her next book came out, so I would always have another Kellye Garrett book to read. Then, disaster. Midnight Ink, the publishers of the Dayna series, was sold and shuttered. I knew Kellye was still writing, so I kept holding on to Hollywood Ending, waiting for the new book. Her agent generously sent me a print ARC of her new book, Like A Sister, which I had already pre-ordered; (I entered a Goodreads giveaway Kellye tweeted; I replied “Done! (I never win anything.)” It arrived during a very busy Greg period–finishing my own book, Christmas, MWA board changeover–and so it sat on top of the TBR stacks in the living room, glaring at me when I was too tired in the evening after work to read anything. Then, last week, my preordered copy arrived–and what a gorgeous looking book it is. (Look at that cover up there!)
And yes, sometimes you can judge a book by its cover.
I started reading it this past week after work on Wednesday. Thursday night I was too tired to read; Friday was another busy work-at-home day for me, and so yesterday morning, after finishing my on-line duties for the day, I decided to treat myself to a few hours of the book before moving on to other chores and things that needed doing.
Five hours later I finished the book. It literally was one of those “oh, another half-hour won’t hurt” over and over again until “Well, I might as well finish; there’s only a hundred pages left.”
Wow. What a fun ride this book is, from start to finish. Garrett grabs your attention with that opening above, and never lets go.
The plot focuses on Lena Scott, who lives in the Bronx and is attending Columbia while living in the house she inherited from her grandmother. (Her grandmother’s long time partner also lives there in one of the two apartments inside–more on her later, and yes, I said her.) Her own mother is dead; she is estranged from her music mogul father and his wife; and she has also been estranged from Desiree, her half-sister, for two years. The guilt that she never made up with Desiree before she died eats at Lena, who doesn’t believe for one moment that Desiree overdosed on heroin–she was always afraid of needles–and of course, no one really listens to her, so she starts investigating on her own. There are a lot of twists and turns here, as well as the mystery serving as an self-realization journey for Lena–who begins finding out that a lot of the truths about her family she has always believed aren’t necessarily the truth. Along the way she meets a reporter who may or may not be a love interest; becomes close to one of Desiree’s best friends (the Instagram hashtag #likeasister is where the title of the book comes from); and the incredibly dysfunctional family pieces begin coming back together along the way. I particularly loved the relationship between Lena and her father; Garrett is wonderful at depicting these family relationships and how delicate they can be, and how easy it is for family to fall out and stay apart over misunderstandings.
The pacing of the book is remarkable; you become so deeply vested in the story and the characters you want to keep reading to find out what happens to them. Lena’s voice alone is reason enough to read the book; it’s powerful, vulnerable yet strong at the same time. We understand her, root for her, feel for her, want everything to work out for her, and we also feel her pain–pain born from years of fraught family relationships in a dynamic so complicated and delicate that it’s no wonder it went off the rails. But the writing is also strong and witty; some lines were so clever I shared them on social media, and would have shared even more had I been willing to take the time to put the book down to type on my phone. Character, story, and dialogue are all there at the highest level as well.
And being familiar with her former work, I am even more amazed at how easily Garrett was able to shift from a cozy mystery series into something else; a stand alone crime novel that also explores questions of privilege, celebrity, stardom, and family.
I also loved loved loved that Lena’s closest family attachment is to her grandmother’s widow, Aunt E. I loved that a long-term lesbian relationship was Lena’s only real role model for a successful romantic relationship. I loved that the fact her grandmother had a female partner was portrayed as not a big deal and normal (thank you thank you thank you for this) and that no one had a problem with it within the family. I love that an older lesbian character is the moral compass for the family. This, folks, is a master class on how to include queer characters into your work–and inclusion matters.
I was bummed to see the Dayna series end–but delighted this incredible growth as a writer was the result. I cannot wait to see what Garrett does next, and watching her career grow and develop further is going to be incredibly exciting for me as a reader and a fan.
Highly recommended, everyone. Jump on this one and thank me later.
One of the challenges of being a writer is keeping your work fresh and new and interesting; it becomes easy -for want of a better phrase–to just phone it in and repeat yourself. This is particularly true for crime writers/writers of series; how do you continue writing about the same base foundation of characters without recycling plots or falling into formulaic structure?
One of the primary reasons I stopped writing my Chanse MacLeod series was precisely because of this; as I was writing the last book (thus far) in the series, Murder in the Arts District, I found myself thinking things like okay now it’s chapter five, I need some action here or I need to have a twist in the story before I get to chapter ten…and so on. I didn’t even think about it as I was writing the story–but when I was doing the revisions and edits, I remembered having those thoughts (I generally don’t have them while writing Scotty, but that’s a story for another time…and of course, as a reader pointed out, how many car accidents has Scotty been in, anyway?), and when I turned the book in, I went back and speed-read the entire series over again, and after about the fourth book, the writing pattern became rather obvious to me; and if it was apparent to me, I would imagine it was also fairly obvious to the readers. So, I decided to either end or take a lengthy break from the series unless another great idea for him jumped out at me; I have had several ideas since then, but the longer I go without writing about Chanse the less likely it becomes that I will write about him again. (Caveat: I have written a Chanse short story and have a novella in progress with him as the main character; I guess it is more accurate to say that I am not done with the character completely, yet I cannot see myself writing another novel with him as the point of view character–and will have to go another step forward with that as well to say at least not one set in New Orleans, as I am toying with an idea for a Chanse case in Louisiana but not New Orleans. Yes, that’s me–definitely not definite.)
I have nothing but the utmost admiration for series writers who manage to keep their series going for decades and dozens of books without writing the same book and structure over and over and over again; Ross Macdonald, Ellery Queen, Sue Grafton, Robert B. Parker, and Sara Parestky are just a few of them I can name, and their achievements have made them legends in the field. But other legends who wrote series took a different approach to their careers. Agatha Christie wrote several series–Poirot, Miss Marple, Tommy and Tuppence–but also wrote a lot of stand-alones over the course of the years. (Seriously, when it comes to crime fiction, Christie did everything first) Dennis Lehane and Harlan Coben started out writing series and moved on to stand-alones; as have numerous other authors.
And then there’s Laura Lippman.
Gerry Andersen‘s new apartment is a topsy-turvy affair–living area on the second floor, bedrooms below. The brochure–it is the kind of apartment that had its own brochure when it went on the market in 2018–boasted of 360-degree views, but that was pure hype. PH 2502 is the middle unit between two other duplex penthouses, one owned by a sheikh, the other by an Olympic swimmer. The three two-story apartments share a common area, a most uncommon common area to be sure, a hallway with a distressed concrete floor, available only to those who have the key that allows one to press PH on the elevator. But not even the sheik and the swimmer have 360-degree views. Nothing means anything anymore, Gerry has decided. No one uses words correctly and if you call them on it, they claim that words are fungible, that it’s oppressive and prissy not to let words mean whatever the speaker wishes them to mean.
Take the name of this building, the Vue at Locust Point. What is a vue? And isn’t the view what one sees from the building, not the building itself? The Vue is the view for people on the other side of the harbor, where, Gerry is told, there is a $12 million apartment on top of the residences connected to the Four Seasons Hotel. A $12 million apartment in Baltimore.
Nothing makes sense anymore.
The apartment cost $1.75 million, which Is about what Gerry cleared when he sold his place in New York City, a two-bedroom he bought in the fall of 2001. How real estate agents had shaken their sleek blond heads over his old-fashioned kitchen, his bidet-less bathrooms, as if his decision not to update them was indicative of a great moral failing. Yet his apartment sold for almost $3 million last fall and, as he understood the current was laws, he needed to put the capital gains, less $250,000, in a new residence. Money goes a long way in Baltimore, and it was a struggle to find a place that could eat up all that capital without being nightmarishly large. So here he is at the Vue, where money seems to be equated with cold, hard things–marble in the kitchen, distressed concrete floors, enormous light fixtures.
I’ve been a fan of Lippman’s since I read her debut, Baltimore Blues, mumbledy-mumble years ago. I absolutely loved it; I loved the character of Tess Monaghan, former reporter turned private eye, and the cast of regular characters who she interacted with on a regular basis throughout her amazing series run. Tess remains one of my all -time favorite series characters; the books were always compelling, interesting, and very hard to put down. Lippman is also that writer who can write short stories that are just as powerful as her novels, and over the last few years she has taken up writing personal essays that are also rather exceptional (her collection, My Life as a Villainess, was a bestseller during the pandemic). Her writing is always whip-smart and intelligent; following her on social media one can see how widely and perceptively she reads. About seven years into her career she took the risk to move from her series to stand-alones; a calculated risk, to be sure–but she then spent the next few years alternating between the series and stand-alones (alas, it’s been a while since the last Tess book, Hush Hush, although she has occasionally made guest appearances in her stand-alones when a character needs assistance from a private eye). Her books have explored themes of motherhood, what it means to be a good girl, and have also paid homage to time-honored sub-genres (Sunburn is one of the best noir novels of this century) and classic novels by either flipping the script (for example. Wilde Lake owes an enormous debt to To Kill a Mockingbird, imagining, really, where the characters and story would be decades later). She has also played with form, tense, and character–Lady in the Lake is almost Faulknerian in its use of point-of-view; I lost track of how many different point of view characters were in this book, and every last one of them rang completely true–and she has become, over the years, a true artist.
In my often-benighted first writing class in college (whose scars I still carry to this day),my incredibly pompous professor once berated one of the students for writing a story about a writer. “It’s the laziest form of writing, and character,” he proclaimed from his lectern at the front of the classroom, “and it tells you more about who the writer is more than the character ever will. If you ever start reading anything where the main character is a writer, you should run from it as fast as you can.”
I guess he wasn’t a fan of Philip Roth. (To be completely fair, neither am I. I’ve tried, but have never really got the magic there, but have always accepted that as my failing as a discerning reader rather than his.)
Stephen King often writes about writers; ‘Salem’s Lot has Ben Mears; The Shining has Jack Torrance (and the most deadly and horrifying case of writer’s block in literary history), It has Bill Denbrough, and on and on–but of course the most famous, and best, example would be Paul Sheldon in Misery. While I always have enjoyed King’s writing, and have gleaned things from his writer characters, Sheldon and Misery, for me, has always been the best. Sheldon was perhaps one of the most realistic and compelling writer characters I’ve ever read about–the man with aspirations to becoming a critically acclaimed literary writer, who yet makes a living by writing a bestselling romance series about a character named Misery Chastain whom he has come to hate and despise even as she makes him enough money to live well and focus on simply being a writer (the dream of all of us, really). He has killed her off finally in his most recent book, ending the series at last and finally taking the leap to write what he thinks will be the game changer for his career–until he has a horrific car accident and is rescued by Misery’s biggest fan.
The parallels between Misery and Dream Girl are there, of course, and easy to spot; Lippman’s character Gerry Andersen is an enormously successful literary writer (a la Updike or Roth) who is also kind of a dick in how he has treated the many women who have come through his life, and of course, his ego justifies all of his bad behavior until he, too, has an accident in his home that winds up with him trapped in a hospital bed in his secluded apartment (despite it being in Baltimore; the appeal of the place is its privacy and seclusion). But while Sheldon is being victimized by his sociopathic fan/caregiver in Misery, what is happening to Gerry is very different; he has his original fall that causes his injury because he receives a weird letter from someone claiming to be the real person whom he based the title character in his biggest success, Dream Girl, on, and she wants financial compensation. In his shock and surprise–people have always wondered, and have always asked him, if she was a real person and he has always said no–he falls down his stairs and busts up his leg. Once he is housebound, he has a night nurse AND his personal assistant there–rarely being ever alone in the apartment–but he starts getting strange phone calls from the woman claiming to be the real ‘dream girl’–but there’s never any record of the calls on his called ID, and the original letter disappeared as well. Is his medication playing tricks on his mind, or is there something more sinister at work in his cold, sterile, remote apartment?
As with so many other things, that writing professor was wrong about writing about writers. I’ve stayed away from it myself for most of my career–as I said, the scars are still very much there–but I have started dabbling into it a bit (my Amazon single, “Quiet Desperation,” is one attempt, and I may go even further; I’ve created a character who’s appeared as a minor character in some of my Scotty books who is a writer). The mystery here is quite compelling, and more than enough to keep me turning the pages to see what happens next. But I was also enjoying the insights into another writer’s life, albeit he was a fictional character; I find it incredibly easy to identify with characters who are writers because despite the fact that all writers have different methods and different careers and different mental processes, there are always those little nuggets of oh yes I know that feeling or I thought I was the only person who experienced this or ah yes this is exactly what it’s like.
Dream Girl is an excellent edition to the Lippman canon.
Good morning, Sunday. Facebook and Twitter have both already warned me to ‘stay dry–rain is in the forecast’, but outside my windows here in the Lost Apartment it’s all sunshine, shade, and blue skies. Of course, in New Orleans that means nothing–in five minutes there could be a massive thunderstorm with the streets flooding–but I am going to just sit here for a moment and enjoy the sunshine. I need to get a lot done today–yesterday was sheer madness all day; Wacky Russian in the morning, laundering the bed linens, post office, testing at the office, lunch with a friend who is moving away, home to make mac-n-cheese for a party at Susan’s, and then, of course, the party itself. It wasn’t until well after nine last night that I was able to collapse into the easy chair and relax–and now that The Handmaid’s Tale is finished, and we have finished watching the latest season of Supernatural, we are looking for something new to watch, so we started watching The Magicians. The first episode was okay; but it seemed (with no offense to Lev Grossman, who wrote the novels the show is based on) kind of derivative; like I’d seen it before.
Then again, there have been a lot of books/movies/TV shows set in schools for magic, haven’t there? We’ll keep going, but at least tonight there will be another episode of Orphan Black, and I am STILL waiting for the second season of Versailles to pop up somewhere I can watch it. BASTARDS! I am particularly interested in seeing Versailles because I am getting to the really good part in The Affair of the Poisons…which I am really enjoying. I never understand why people think history is boring…then again, those are the people are responsible for it repeating all of the time.
I’ve also made some progress in reading Since We Fell, but am still not loving it. I’m intrigued enough to continue reading, but it seems as though the entire first hundred pages or so is just backstory. Which isn’t a bad thing, mind you; I’m just waiting for it to get to the real story.
At some point today I need to go to the grocery store–an odious chore, but one which I usually don’t mind. I think I’m most likely going to go to Cadillac Rouse’s in the CBD; shrimp and grits might be on the menu for tonight, and I want to try maybe some different cheese in it; rather than the usual cheddar that it calls for, I may try gruyere. It was fun making macaroni-and-cheese yesterday; it’s been a long while since I’ve made it (that healthy eating thing; the recipe I make calls for sour cream, heavy cream, half-and-half, butter, and 24 ounces of cheese). If I am going to make shrimp-n-grits, I need green onions and shallots. Or, I could just stop on the way home tomorrow night and get some things–and find something in the kitchen that it already on hand for dinner. Right now, I am feeling pretty lazy, so that may be the route I choose to take. We shall see. They are also filming on my street tomorrow–actually, on the next block, so parking on MY block will be limited since all their stupid trucks and Kraft services and everything will be set up on OUR block. (I wonder if it’s New Orleans NCIS? I’ve always had a crush on what’s his name, from Quantum Leap, who plays the lead) Anyway, I need to get some shit done around the house, I need to revise three chapters today (I’ve done no revising the last two days, and thus am very behind on the revisions), and I’d like to work on my short stories as well.
Heavy heaving sigh.
Always, so much to do. It ain’t easy being a Gregalicious.
All right, best to get back to the spice mines. Here’s your Father’s Day hunk; a hot daddy!
Tomorrow, though, is going to be a little on the heinous side: I have Wacky Russian in the morning, then I have to go into the office for a few hours; meeting a friend who’s moving away for lunch after that; and then I have to come home and make macaroni-and-cheese for a party I am going to in the evening. In other words, I will barely have time to breathe all day. Hardly my idea of a peaceful, relaxing Saturday, but what can you do, right? I don’t usually have crazy Saturdays like this very often, so there is that. And then I have Sunday to get groceries, etc.
Meh, it happens.
The revision proceeds apace; I got more than one chapter–one and a half, say–done yesterday; I am still behind schedule slightly–a chapter a day pretty much adds up to finished right on June 30th. Then, I can spend the 4th weekend adding a coat of polish and then….time to start sending it out to agents. Keep your fingers crossed for me, Constant Reader!
I slept really well last night, which was all kinds of awesome. I’m not groggy or tired this morning, and I also slept late–I don’t have to be at the office until later today; I had thought about going to the grocery store this morning but I think I will wait until Sunday, simply because of the parking situation out on the street is easier to deal with Sunday mornings than it is on Fridays; and I can stop on my way home from work to get the stuff I need for the mac-and-cheese, and a few other things we need to have today. I am working late on Wednesday next week, so that’s when I’ll go to Costco, probably; although I am not entirely sure I need to go for any other reason than wanting to, really.
No, I need Pellegrino, and I also need laundry pods. We’ll see how I feel on Wednesday; i could always wait until the following weekend.
I haven’t had time to read any more on Since We Fell, because what spare time I’ve had the last couple of days has been spent on the revision.
And now, methinks I had best get back to the revision.
Good morning, Constant Reader, and welcome to Hump Day. I probably shouldn’t have been so excited about my sleep improving, as it hasn’t been that great the last two nights which has resulted in me feeling a bit tired this morning and not being quite awake. Ah, well. The revising on the WIP is going well; my goal is to do a chapter a day and before I know it, it will be finished. I’m actually starting to enjoy myself with this revision, which is also a good sign, which means I may even get on a roll and do more than one chapter a day at times.
On the other hand, I shouldn’t get ahead of myself.
I’ve started reading Dennis Lehane’s latest novel, Since We Fell, after finishing Ill Will, and am curious to see where he goes with his story. It’s the first time he is writing a book solely from the point of view of a woman, which is rare with male writers. I will report back.
I started writing a new short story this week; as I said the other day I have several ideas for new stories swirling around in my head, and finally, when I finished revising Monday I decided to go ahead and get the opening of a new story down. The story is called “Closing Time” (which may change), and it was actually not my idea originally; when I was on a panel at Bouchercon in Raleigh, I was talking about how after Katrina and the flood, for several months those of us who were in New Orleans were subject to a curfew–which was unusual, and as a result the bars closed at midnight, which was eventually moved back to 2 a.m, and then, at New Year’s, they went back to being open round the clock. Some bars simply locked their doors at closing time, and anyone who hadn’t left there was stuck there until the curfew was over, at six in the morning. The moderator, the amazing Katrina Niidas Holm, said “You should write a story about a murder that takes place when everyone is locked inside the bar overnight”–and since then, I’ve never gotten that suggestion out of my head–and for some reason I started really thinking about that lately.
We’ll see how it goes.
But I need to focus on the revisions, and getting “Quiet Desperation” finished.
And now, back to the spice mines. Here’s a Hump Day Hunk for you:
Christmas was a lovely day, relaxing and everything. I got some work done in the early afternoon, and then retired to the reclining chair to watch television. We started watching a couple of movies but tired of them quickly, but we did watch Spotlight, which we enjoyed, and got caught up on a couple of TV shows we watch as well. I started reading Dennis Lehane’s Edgar Award winning Live by Night, which I was reminded of last night when seeing a preview for the film version coming out in January, and it was yet another one of those books in the TBR pile forever that I thought oh, I’ll get around to this at some point. I’d forgotten it was set in Ybor City and Tampa, both of which I am more than a little familiar with from living there in the early 1990’s.
Tampa is vastly different now than it was when I lived there; when I went to GCLS conference in Orlando (I started to write a couple of years ago before realizing it was more like eight or nine years ago; yikes!) I drove over to Tampa to have dinner with a friend, and in the ten years or so at that time since I’d moved away the city was completely different. I only had dinner, and then drove back to Orlando, but I remember driving in and being completely surprised by how different it was. (I used to drive back and forth between Orlando and Tampa a lot; my friends and I had tired of the Tampa gay bars and on the weekends we couldn’t make it to Miami–or I wasn’t going somewhere, thanks to my airline job–we often would drive over to Orlando to go to clubs there)
I wasn’t happy when I lived in Tampa, but Tampa was where I grew up, for wont of a better phrase. It was while I was living there that my life came together, where I decided that I wanted to be more than just an airline employee, and made the changes needed in my life and my mentality that made it possible for me to have the life I have now. I also kind of liked Tampa; I always thought there was something about the town that would make it a good setting for crime novels. I’ve used Tampa in some of my books, but fictionalized it as “Bay City.” I have an idea for a noir that would use “Bay City” as its setting; it’s one of the books I want to write in 2017.
And, of course, Bouchercon is in St. Petersburg in 2018. Maybe I’ll take a week and explore first. There’s a big cat sanctuary just north of Tampa I’d like to visit, because I also have a book idea actually set in a big cat sanctuary; I’ve been meaning to come over to explore and investigate that for quite some time now.
I could also take a long weekend and let Paul sit on the beach while I explore and research, too. We also spent that long weekend at Saddlebrook, the tennis resort, just north of Tampa as well. (It was what actually gave me the idea for the big cat book; of course there’s also a book in the tennis resort as well.)
But I need to get the one I am writing now written, and so on that note, it’s back to the spice mines.
Here’s a post-Christmas hunk for you, Constant Reader:
Queer and Loathing in America 