Tag: Death Drop

Brass in Pocket

Imagine my delight and surprise to discover that the meeting I thought I had to go into the office for later this morning had a virtual option, so I am not leaving the house today–other than to run a necessary errand later.

I may even put that off until tomorrow.

Yesterday was a lovely day at the office. Everyone was in a pleasant mood, and everything flowed well. I enjoyed all my client interactions and everything ran smoothly the way it is supposed to always run, and that was lovely. I wasn’t even terribly tired when I got off work, but knew I’d be in a mood by the time I got home. Why? Because there was a Saints game last night in the Superdome, and traffic in the CBD was going to be a nightmare. It was, but it wasn’t nearly as bad as I thought it would be, and I made an impatient decision about the route home that was a big mistake. It took me about forty-five minutes to get home from work–what usually takes at most fifteen minutes; Wednesday night, for example, I detoured up to the Carrollton corridor to go to the Rouses, and still managed to grocery shop and everything and get home less than an hour after I left the office. Saints game also meant crowd at the bar on the corner, which meant difficulty finding a place to park. No big deal, I did find a place to park and then came inside.

Heavy sigh.

So, we have guys here working on the roof and the gutters. There’s also a bridge from the patio upstairs over to the carriage house gallery. It had apparently rotted; so they’ve been working on that. The patio is directly over my kitchen. I came inside, and there was debris all over the stove and that counter. “Weird,” I thought, and actually said out loud, annoyed, “well, I’m glad I cleaned in here” before looking up to see a blue sky. Yes, while they were working on the bridge yesterday, they were trying to do something and the kitchen ceiling/patio floor gave way. Unable to help myself I yelled, “Oh, fuck!” Well, the thing about a hole in the ceiling is the poor workers–who hadn’t really done anything wrong; it wasn’t their fault that portion of ceiling/floor had rotted out, of course–heard me. And then I went outside to see what they were doing and one of them sheepishly asked me how I was doing, and I replied in full candor, “well, I’m not thrilled about the hole in my kitchen ceiling” which led to apologies and explanations and they even came by several times to apologize again. They also cleaned up the mess in the kitchen and put up a piece of plywood to cover the hole, reassuring me this was a stopgap measure and they’d repair it. It was amusing–well, it is now, not so much at the time–but I then found myself reassuring them I knew they didn’t do it on purpose, thanking them for cleaning up the mess and covering the hole, etc etc etc. I had intended to work on my short story in progress, “The Blues Before Dawn,” when I got home and maybe read some of Angel Luis Colón’s Infested, but that of course disrupted the entire evening so I grabbed Tug and he slept in my lap while I watched the last episode of the first season of Moonlighting (it was a late midseason replacement and the first season was only six episodes, including the pilot). Paul came home, he went through the stages of grief about the kitchen ceiling that I already had, and then we watched The Morning Show and Our Flag Means Death before I went to bed (I actually fell asleep during OFMD so have to rewatch at some point today or tomorrow).

I slept deeply and well, not arising this morning until eight (other than the usual “Tug needs food NOW” daily five a.m. wake-up) and now am facing my day. I am going to get this done and posted, probably work on some emails before starting my work-at-home duties, which will also include chores around the house (laundry’s first load already going in the laundry room) and hopefully, I will get some work done on that short story. I had decided to write this as a Sherlock-in-New-Orleans story, but not told by Watson–which is a risk on top of a risk–and then see how it went. In talking to a friend yesterday I also realized part of the reason I am having trouble writing and/or getting started on a new project is because everything is in limbo because of my arm surgery. I don’t know how long the recovery process is going to be and I also don’t know how much writing I’ll be able to do in a cast and sling (and not the good kind of sling, either–see what I did there?) I’m afraid to commit to a deadline knowing that I can’t even self-delude myself that I’ll make that deadline (I never do, but I never agree to one knowing ahead of time I won’t make it). It’s also been an extremely rough year for me, and there’s nothing wrong with not being as productive as you would like because other things are going on in your life that you simply can’t avoid dealing with–which is usually my preference, immature and childish as it is–and recognizing patterns of behavior within yourself. I’ve done a lot of self-examination and reevaluating my past as well as who I am along with why I am who I am, if that makes sense. A lot of that had to do with Mom dying, as well as me recognizing that probably my absolute best work inevitably always winds up being set in Alabama. That Alabama tie, those roots, run so deep inside me that they’re inescapable, really.

I also started reading Death Drop last night. Reviews are starting to come in, and friends are reading it and telling me they’re enjoying it, and the truth was I couldn’t really remember a lot about the book so thought it was probably a good idea to reread it. So much was going on during the process of writing the book–it and Mississippi River Mischief, which doesn’t even take into consideration the fact that I was actually writing two books at the same time (not recommended, aspiring authors, don’t be a Greg; be smarter)–that I couldn’t really remember much of it (I may need to reread Streetcar too) and being familiar with your own work that you’re promoting is usually smart. Now that my memory isn’t what it used to be, rereading my work is like reading something new by another author because I don’t remember anything about the book itself other than the drudgery of writing, editing, and revising the damned thing. But I was very pleased with it–I wasn’t able to finish the reread, but got pretty deep into the book–and it flows well and there are parts that are seriously funny. Of course, like always I started nitpicking at it, but after about chapter three I turned off the internal editor and just read it as though I was reading it for pleasure rather than reminding myself of what I had written. The characters are likable and all of them–even the minor ones–seemed fully realized and with their own agency; by which I mean they aren’t always just dropping everything to rush to help Jem out at the expense of their own lives and aren’t there to simply feed him information or help him work through his problems. I also liked the voice, and I really like my main character Jem Richard, the glam artist just dipping his toes into the world of drag performance. I intended it to be a drag queen origin story–the answer to the question “so how did you start doing drag?”–and it absolutely works in that regard.

And the book itself is gorgeous, simply gorgeous. I couldn’t be more pleased.

It’s also weird having two new books drop in such a short period of time. It certainly wasn’t planned that way, and entirely happened because my life blew up and I didn’t make deadlines for either. But I promised myself I would be better about promotion and so forth, so here we go.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you again later or perhaps tomorrow.

Stomp

And here we are at work-at-home Friday again today. I have an MRI scheduled at Tulane Institute of Sports Medicine this morning, but other than that I will be here at home, getting prepared for the refrigerator to arrive and doing other chores around my work-at-home duties. It was an exhausting week, both for me personally and for the world politically. I generally don’t comment on world events, primarily because I am at best a distant observer who depends on news reports and because I don’t feel informed enough to have an opinion. I do know that I abhor brutality and think all death is unnecessary, especially in the name of politics, religion, and racism. The situation in the Middle East–volatile for my entire life–is one without answer, I fear. I also remember how foolishly we all were for thinking the Camp David Accords would bring peace to the region. The only peace it brought was between Israel and Egypt–and that has lasted. I don’t have any answers, and I feel making comments that are uninformed without solutions does not add to the discourse nor move anything forward in a positive manner, so I just keep my mouth shut and hope for an end to the death and slaughter and trauma.

Yesterday was an exhausting day overall. Everything at the office was some kind of haywire in an almost “Mercury must be in retrograde” kind of way, and most of it went on while I was the only person there–which was kind of unsettling. It was also Mom’s birthday so my subconscious was already raw and on edge. But I worked through it, there wasn’t a body count, and I stopped to get the mail on my way home–where I picked up the Box O’Books for Death Drop (yay!) and my Ben Pierce Photography calendar “Beneath the Waters: Images of the Atchafalaya Basin Drawdown”. Ben Pierce is an extraordinary photographer of the natural beauty of Louisiana. I follow him on Facebook and often share his work because it’s so breathtakingly beautiful and evocative; and doesn’t Atchafalaya Basin Drawdown sound like a Scotty title? I’ve been meaning to look into what precisely that means and why they are draining the basin since he started sharing images from it earlier this year; I should perhaps put that on the to-do list? While I was waiting for Paul and playing with Tug (trying to wear him out, in all honesty; he was wired like a circuit party queen last night), who met the laser light/magical red dot for the first time last night. He soon figured out where it was coming from, but still chased it none the less, and eventually when I set it down it also became a toy so there’s no telling where it is this morning. I watched another episode of Moonlighting last night which didn’t seem to hold up as well as previous ones–too much speculation about Maddie’s sex life, which was completely untoward and bothered me–and I also got caught up on Real Housewives of Salt Lake City, which I’ve never really watched very much but started this season at the urging of friends. I’ve yet to watch the reboot of New York, either. I think there’s a blog entry I need to write about reality television shows like these, which I had already started after the completion of the most recent season of Beverly Hills. The out-of-touch narcissism of the SLC women still seems fun and funny to me, while the other franchises have kind of gone off the rails with repugnant behavior (looking at you, Lisa Rinna)–but I’ll save that for the blog post about reality television; which is why I don’t really talk about these shows much on here.

I also read some more of Riley Sager’s Final Girls, which I am enjoying–even if it doesn’t seem like it. One of the casualties of the pandemic was my ability to read quickly; I don’t know what happened, but it’s entirely due to my attention span and not the quality of the books I’m reading; look at how long it took me to read Shawn’s book, which was fucking brilliant. It’s going with me to Tulane this morning so I can read more of it, and then I am coming home to work for the rest of the afternoon. I slept really well again last night. I woke up at six (I do that every morning now, regardless) but the alarm was set for seven so I stayed in bed for another hour, which felt marvelous, really. I feel very rested and centered this morning–which is lovely after the chaotic yesterday I had–and am looking forward to the weekend. I have my to-do list, which is necessary; the refrigerator is being delivered tomorrow, so there’s no point in making groceries until after it arrives (so probably Sunday morning, most like); and of course there’s always, always, always housework to do. Boxes started accumulating again in the living room in front of where the bead chest sits (and the floor’s not terribly stable), so those have to go, and I can do some cleaning before the refrigerator is delivered (we currently have an 8 a.m. to 8 p.m. window, which I assume will change tomorrow morning). The LSU game isn’t until Saturday night, and I am not certain there are any other games of interest this weekend…which doesn’t mean I won’t have a game on all day from eleven a.m. on, of course; I most likely will. (Of course, I just looked, and yes, several games of interest–Notre Dame-USC, Alabama-Arkansas, Texas A&M-Tennessee, and of course Auburn-LSU.)

And on that note, sorry to be so brief but I think I am needing to get headed into the spice mines this morning. I may be back later, I don’t know; but stranger things have indeed happened, so one can never rule anything out. If not, for sure tomorrow morning. Have a terrific Friday, Constant Reader!

Cars

This morning I get to go pick up my temporary teeth before heading into the office. It’s no longer a clinic day; I’d be covering Mondays for a colleague who’d had major surgery and he’s back now. I am also a little tired this morning. I slept really well last night but could have slept much longer, the physical and mental hangover from having driven so much this weekend. I left for Panama City Beach during half-time of the LSU-Missouri game; and given how LSU had been playing, you can imagine my delight when I checked the score when I stopped for gas to see that the Tigers had rallied to beat the other Tigers 49-39. The Saints destroyed the Patriots 34-0 while I was driving back yesterday; again, imagine my delight when I checked the score when I stopped for gas past Mobile (I try not to ever spend money in Mississippi, for any number of reasons. The same with Tennessee). So my teams apparently do better when I’m not able to watch, which is something I’ve suspected for quite some time.

This is a week of medical stuff–the teeth this morning, a heart sonogram on Wednesday morning, and something else entirely on Friday that I can’t think of. The MRI of my shoulder, I think? There are so many appointments and things going on while I am getting ready for this surgery that I am not even entirely sure I can keep track of them all–the anxiety roiling up from the depths again–but I am pretty sure I put everything on my calendar and I am resisting the urge to give into the anxiety and better check compulsively numerous times to be sure stage. I know I wrote everything down on my calendar; I will double-check that tonight when I get home from work, and that will be the end of it as far as that kind of anxiety and stress and pressure are concerned. I think I am doing a great job of controlling the anxiety by recognizing it and refusing to allow it to take control, but some days are definitely harder than others. I only got irritated several times on the drives this weekend–and I would say that those situations would have irritated any driver, even those without anxiety as a mental disorder.

I did get to listen to The Only Good Indians by Stephen Graham Jones, which I greatly enjoyed (more on that later) and Saturday before I left I read some more of Final Girls, which is starting to get rolling now–although it occurred to me in the car that I should have listened to the rest of Final Girls in the car and thus been able to move on to something else to read this week, but ah well, sometimes that’s how life goes. I was very tired when I got back to New Orleans last night–the drive was very smooth, with a few exceptions of stupidity along the way (I’m looking at you, Mobile tunnel) but I didn’t sleep great Saturday night after that drive, and so that’s why I’m dragging and a little the worse for lack of sleep. I also have a bit of a sore spot in my neck from sleeping wrong at some point over the last two nights, my guess being it was last night’s, combined with poor posture while driving. Tug also missed me; he spent most of last evening sleeping in my lap, but once he woke up he turned back into the terror Paul had described when I got home–knocking everything off every surface he climbed up onto; attacking my feet; chasing pens around the room–definitely some big kitten energy going on. Yeah, it’s a bit annoying, but at the same time it means he’s acclimated and knows he’s at home enough to feel safe to play and have fun and be a kitten, which is great. Maybe not when he’s walking all over my keyboard confidently like there’s nothing there, or when he’s trying to get whatever I am eating, but it’s great that he’s so comfortable in the house that he can be himself, and that’s always a good thing.

And now I get to spend the day trying to acclimate back to my every day existence, which isn’t always easy. Going away always is unsettling for me, and then I have to figure out how where I am at and what all else I have to get done and do and plan and so forth; which is another reason why having a to-do list is so vitally important; it helps me to re-acclimate to my reality after a break /interruption. I also can’t remember where I am with things at the office, either. Yay? But I need to get to the office and get some things done today–and as my coffee is kicking in and clearing the cobwebs out of my dusty brain, I am starting to feel more motivated than I was before I left; I think maybe knowing that the weekend was causing me some anxiety subconsciously which undermined (self-sabotaged) my attempts last week to get things handled and done and under control.

One of the lovely things about driving long trips like this weekend is that my mind wanders and I think about things; the ability to keep up with an audiobook while my mind sifts through problems and unties the Gordian knots of confusion and self-delusion in my mind has been truly wonderful. While in the car this weekend I was thinking back to what all I had gotten done and accomplished since the start of the pandemic disruption (and yes, I know I am not unique and it has happened to everyone), the general sense of “I am not getting anything done” and “when I am writing I’m not enjoying it” which has been unsettling me and keeping me off-balance since March 2020 (hard to believe it’s been almost four years, isn’t it?), but on the other hand, professionally the pandemic was actually very good to me. I got a substantial raise and promotion at my day job; I got nominated for a shit ton of awards over the last couple of years, and sure, I think there was a significant gap in publishing–from Royal Street Reveillon in the fall of 2018 until Bury Me in Shadows was about a three year gap now, wasn’t it? That in and of itself is the longest gap in my publishing career, but then I came on like gangbusters in 2022 with #shedeservedit, A Streetcar Named Murder, and Land of 10000 Thrills (Bouchercon anthology), and of course have two back-to-back releases this fall with Mississippi River Mischief and Death Drop. I was also publishing short stories during the 2018-2021 interregnum, and I was working on a multitude of other writing projects during that time in addition to the books that wound up being released in fits and spurts since 2021; I still find it hard to believe I went that long between books–maybe I’m forgetting something? But I don’t think I actually am; I am terrible about remembering everything I’ve written and published, and always forget things. But at first I was disappointed in myself to think I’d gone that long between books before silencing that negativity, and then I nipped that in the bud. There’s no disgrace in admitting that the pandemic knocked me for a loop and off-balance; I’m not the only person this happened to, and it takes a massive life disruption to slow down my writing–which is pretty impressive.

It’s hard to stay positive as it goes against my brain’s wiring, but I am getting better.

And on that note, I am heading into the spice mines. May your Monday be just as lovely as you are, Constant Reader, and I’ll probably be back later.

Adios Amigo

I’ve been toying with an idea for an essay for a while. It began as a blog post, but as I worked on it I realized it might be too long for a blog entry, were I to cover the entire scope of the issue even in abstract form. I moved it from here into a Word document yesterday, which may or may not mean something bigger in store for it than simply a blog entry. I don’t know. It will probably wind up here at some point as one of those long rambling things I do from time to time when I feel passionately about something. Consider that your warning. I’ve been thinking about masculinity a lot lately–it’s been an albatross hung around my neck since I was a child (“Boys don’t play with dolls! Boys don’t read Nancy Drew!”) and after reading so many bad takes about how “men are in crisis”–which basically boil down to an inability to adapt to cultural and societal change that is so intense that they resist such adaptation violently–I started thinking about masculinity and what it means to be a man; if it means anything, really. It’s probably too important an issue for me to take on in a personal essay, but personal essays are supposed to be revealing, and no one expects me to have an encyclopedic knowledge of everything ever written about American masculinity, and to discuss it; thinking I can’t write something for whatever reason is self-sabotage of the worst kind, and something I am guilty of, over and over, throughout my life and career.

And yes, self-sabotage is 100% a by-product of my anxiety.

I also have Justin Baldoni’s book about masculinity, Man Enough, which is also an exploration of masculinity. Baldoni played the incredibly hot and sexy father of Jane the Virgin’s baby, and so as a gorgeous male actor/sex symbol, he has some gravitas to speak on the subject. I’m looking forward to cycling around to his book, once I finish my reread of a Charlemagne biography I really enjoy. I also spent some more time with Shawn’s All the Sinners Bleed, which I am liking and savoring as I go–and can’t wait to spend some more time with it today. When I finish, Lou Berney’s Dark Ride has preempted everyone and been moved to the top of the TBR pile. It’s so lovely having so many great options of what to read next. I also think once October rolls around I am going to read only horror that month, in honor of the season–so I need to finish Shawn and Lou’s books before the month turns.

It also occurs to me that many of my books–unbeknownst to me–have explored the topic of masculinity in great detail already.

I slept really well last night, and only got up once. Ironically once I did wake up, I thought wow you really slept late and then saw it was quarter past seven on my alarm. I guess how it feels matters more than how long it actually was, and what truly matters is that I woke up feeling rested and relaxed and ready for my coffee this morning. I am debating right now whether I want to take the books to the library sale and the beads to the donor bins as well s make a slight grocery run–but am leaning towards not making the trip outside the house. I don’t really need anything from the store until Monday at the earliest, and the boxes of books and beads are out of the way and not bothering anyone, let alone my need for order and open space in the living room. I also want to work on some writing today before the games, so maybe leaving the house today isn’t in the cards–or am I just being lazy? It’s definitely possible that laziness and procrastination and my tendency to self-sabotage is what is really going on here. It’s possible. I do tend to put things off I consider unpleasant (and by unpleasant, I mean have to put some effort into it)…

LSU plays Arkansas tonight in Death Valley, and tonight we’ll find out two things: basically, how good either time is. It’s hard to say this early in the season how much quality your wins and losses have; the Florida State-Clemson game today will impact how good the LSU loss to the Seminoles was, and of course we aren’t sure how good Mississippi State is, so we don’t know if that was a quality win yet or not. Arkansas lost to BYU last weekend, so there’s also no telling how good they may or may not be, either. The whole conference seems to be down this year, but a tight win for Georgia can be shaken off as meaningless this early, and Alabama may bounce back; a Nick Saban coached Alabama team has never lost more than three games in a season since 2010 and only twice overall; sure, they looked unimpressive against USF and lost badly to Texas in Tuscaloosa, but does that mean Alabama isn’t going to rebound and is destined for a bad season? No, I don’t think so. Love them or hate them, Alabama consistently wins, and an early season loss means nothing to their program. Sure, LSU could run the table, win the West and potentially even the conference title game and make it to the play-offs; but they have to run the table on a schedule filled with landmines, including both Alabama and a rebuilding Auburn as well as the always hated Florida Gators. There are some great games today, which is why I want to spend some time reading Shawn’s book this morning before the games start, and I plan on rereading and revising Jackson Square Jazz during the games today.

And of course, there’s always filing and organizing to be done. I have seriously messed up my filing system so thoroughly and completely that it’s going to require a major overhaul to begin with, but I also have to think about putting together a new and workable system that will be easier to maintain than this haphazard way I’ve been doing things–and of course the computer files are an utter disaster as well. Heavy sigh.

I’ve been doing a lot more research (or rather, falling into research black holes on the web) about New Orleans during the decade of the 1910’s. I am definitely going to write a Sherlock pastiche for the Bouchercon anthology–which of course means I will most likely be rejected. Perhaps a Sherlockian-type character, and if they turn it down I can simply turn him into Sherlock and toss the story into my short story collection? I need to finish the revisions of “Whim of the Wind” and finish a draft of “Parlor Tricks,” which will probably go into that collection as well. What particularly interests me now is “Manila Village,” a settlement of Filipinos on Barataria Bay, settled by native Filipinos who were forced to serve in the Spanish navy and escaped to Louisiana. There’s still a strong Filipino-American community here (which I actually didn’t know before falling into this wormhole of research), and I do feel that Holmes, living in New Orleans in that decade, would probably embrace them and their culture. (I also need to research the Isleños; descendants of the Canary Islanders who settled here.) New Orleans was also dramatically different geographically back then; the New Basin Canal was still there, for one thing, and I am not entirely sure when the Carondelet Canal (also called the Old Basin Canal) was filled in, but it came right up next to Congo Square; the streets in the Quarter were either dirt or cobblestone, and the lower part of the neighborhood had been almost entirely taken over by Italian immigrants.

I’ve also got strong starts of first chapters for another Jem book (sequel to Death Drop) and another Valerie (sequel to A Streetcar Named Murder); so there’s plenty of writing to be done this weekend as well. I’m not feeling overwhelmed by any or all of this writing that must be worked on and done; this morning I literally feel like all I need to do is roll up my sleeves and dive into the word documents head first, which is a great way to feel.

And on that note, it’s spice mine time this morning. Have a great Saturday and I’ll probably check in with you again later.

Torn Between Two Lovers

Tuesday morning and back to work tomorrow. I had thought about canceling my sick time and going back into the office today; but I got so easily tired yesterday that I changed my mind. I’m pretty sure a lot of it has to do with the starvation–liquid and/or soft food just isn’t satisfying, and I am hungry all the time (one would think a diet that includes ice cream would be awesome, but I am so sick of it all I think I may never eat it again once this is all over). Well, not all the time, but I do feel hungry here and there before it, as usual, goes away. I think the low calorie intake is also affecting my energy levels. I’m a bit sore this morning (was hoping to not get loopy from taking pain pills today, but I’m going to have to) and I’m still a few days away from chewing noodles or anything soft like that, so it’s more baby food, oatmeal, and protein shakes for me today. Woo-hoo.

One thing I absolutely need to do before going back to work tomorrow is clean out my inbox, at least for today. There’s a couple of little things I need to definitely get done, or get started, today while I have the leisure of not being at the office. It’s going to feel weird waking up at six tomorrow morning, but…no other choice. It would be great to stay out until my mouth is healed completely and no longer aches, but I don’t have that kind of sick time left from everything that went on earlier in the year and so forth–and I have a surgery to be scheduled yet. I guess I’ll worry about that when it comes to it, and when I know when the surgery is going to be. I also need to get a grip on my finances again and make sure all my due dates are on the calendar. I also have spent money with the debit card that’s not recorded so I don’t know my bank balance for sure, either. All things that can be easily remedied, of course, but tend to be a bit tedious and so I dislike doing them.

We are currently watching Painkiller, which is yet another mini-series built around the evil corrupt Sacklers and the opioid epidemic they started in order to make billions by convincing doctors that their version of heroin wasn’t addicting. The Sacklers were undoubtedly be studied by future historians as an example of the worst kind of horror capitalism and its ethos of greed is capable of creating; the paralysis of the FDA and the corruption inherent by bribing (er donating) money to politicians to advance the gutting of what little power the FDA had to monitor and control this sort of thing, and so on (looking at you, paragon of corruption and enemy of the people Marsha Blackburn!). The suffering and destruction and death and havoc wreaked on families and communities while these monsters and their agents of addiction and death made money is incalculable…and they don’t care. Even after all the lawsuits, after losing the company, all the deaths, the Sacklers are still sitting on a mountain of money. They are pariahs, rightfully shunned, but dollars-to-donuts they’re back manufacturing medicine in twenty years when most Americans have forgotten their heinous crimes.

I seem to have let yesterday slip through my fingers in a painkiller fog–super strong ibuprofen also messes with your head the way Vicodin and oxycodone do–but it’s more of a losing track of time sort of thing. I did get the sink cleaned out and did a load of laundry (waiting to be folded) and there’s all sorts of filing and organizing to get done this morning. I want to read more of Shawn’s book today, and I’d like to get prepared for going to work tomorrow with a clear conscience. The great heat wave has finally broken. It’s still humid but not as bad, and it’s not getting as hot as it had been during the course of the summer–it actually feels pleasant when I go outside.

My tests for COVID are still coming back negative so I am going to assume I missed the Bouchercon spread. I hope everyone who did catch it at (or around) the convention are on the road to recovery and all had very mild cases. I’m seeing my new primary care doctor a week from Friday, so I am hoping to get the new booster and a flu shot when I see her. I am also hoping to get some feedback from her on the big toe on my right foot situation; you probably don’t remember but it’s been sore since Mom went into hospice and was swollen so badly I had to wear house shoes to her funeral? He gave me anti-inflammatory cream and that was it. Well, it’s eight months later, it still hurts when I bend it, and it still swells up periodically–not as bad as originally, but I can’t help but think it might be something more than what he rather pointedly dismissed? He was wrong about my arm, after all. And now the other big toe is starting to do the same thing.

But I’m sure it’s nothing.

Uh huh.

Forgive me if I don’t believe anything that hack said to me about anything.

But that’s a story for another time.

I do feel more like myself than I have since the surgery on Friday, so that’s something…but then I also just took my pain meds, so I don’t know for sure how long that feeling will last. But I have to do something about this mess around here, and maybe I can even do some writing today. I have already started working on the plan for the sequel to Death Drop, and I also need to plan out the sequel to A Streetcar Named Murder. I already know what the story is behind that one; I just don’t have a title yet but I do know what the first chapter is going to be. Maybe I should just go ahead and write that, get it under way and see how it goes? I also want to start working on the edit of Jackson Square Jazz, and maybe even revise it some. I resisted the temptation to revise and re-edit the Chanse books for their ebooks, and did the same for Bourbon Street Blues, but Jackson Square Jazz is actually the book that sets the backstory for Mississippi River Mischief, so I need to be certain everything lines up the way it’s supposed to–and I can also change some things predicated on what has happened in the series since, because I know what is coming (which I didn’t know when I wrote the book originally). This might also be a good time to finally put together the Scotty Bible (I’m only nine books in now) which should make writing the next one even easier. It’s a lot of work, but with my memory getting shittier and shittier with every passing day, it’s something that really needs to be done. If I write another Chanse (it’s possible; I never say never), I would definitely have to do the same because I really don’t remember much about any of those books.

And I have some short stories that need to be finished for anthologies.

So on that note, I am calling this entry for the day and heading into the spice mines. I may be back later; there are still unfinished blog posts in my drafts (I’ve managed to get some of them out there over this past weekend, even though I don’t count blog posts as writing, it really is and I really should), and of course, laundry to fold and dishes to put away and a refrigerator to clean out. Have a lovely Tuesday, Constant Reader!

Two Dollars in the Jukebox

This marvelous interview with the amazing Margot Douaihy dropped while I was in the midst of Bouchercon or preparing for it, so I always intended to share it around on social media (what a thrill to be name-checked by such an amazing new star in the world of crime fiction). Her debut crime novel Scorched Grace was so phenomenal that I still think about it from time to time; her New Orleans was so exquisitely and artistically rendered that it gave me pause–and also made me wonder if I’ve been coasting and not working as hard as I should. (I always think that when I read a work that blows me away–I should try harder.)

Yesterday was spent in my chair watching college football and making notes in my journal on projects that are upcoming or are currently in progress. Despite all the sleep (I slept for eleven hours Friday night, and again last night) I still feel a bit out of it and drained and tired; but I am going to take a shower in a little bit and I am sure that will perk me right up. I did read some more of Shawn Cosby’s newest book but those opening few chapters hit me right in the soul and it’s going to take me a minute to process it. I also posted like three or four entries yesterday, too–I finished turning John Copenhaver’s questions for the Outwrite DC panel into a Greg interview (I plan on doing the same with the questions from the Bouchercon panels because I can, mwa-ha-ha!), also finished my entry announcing Death Drop, and another one about how The Children’s Bible was one of my first sources for images of hot muscular men (thanks again, Golden Press, for those sexy illustrations! I didn’t even mention Samson), so I am making progress on getting these drafted blogs finished and posted.

I feel a little pain in my mouth this morning, so I rinsed with salt water and took my pain pills. Pain is draining and exhausting, even if you take something for it, so that’s why I think I was so behind the eight ball with everything yesterday–it’s certainly why I am sleeping so much and so deeply, for which I am eternally grateful. There’s no more bleeding, which is great, and I am trying out hot coffee this morning (caffeine deficiency may have played a huge part in the tired thing yesterday). All I ate yesterday was protein shakes and ice cream (Haagen-Dasz strawberry; today is vanilla bean) which was weird and not very filling; I am going to have to go buy yogurt and more ice cream tomorrow, methinks, and explore some other soft food options, like oatmeal. I am going to have oatmeal for breakfast this morning–I actually like oatmeal and am not sure why I stopped having it in the mornings–and then see if I can figure out some other things. I bought some soups, so maybe I can soften crackers in the soup too. I remember moving back onto solid foods was an issue the first time around, so I have to keep that in mind as I slowly start reintroducing solids back. I know I will miss this unashamed and unabashed deep dive back into ice cream. My face also never swelled up, which is another indication of how good my dental surgeon was. Well done and bravo, sir!

The highlight of the day yesterday for me was watching Coco Gauff win the US Open. How absolutely delightful, and how delightful to have a young American star again to root for. I love tennis, but there really hasn’t been anyone on the women’s side with a larger than life personality like Serena Williams, or just flat out charismatic and likable (like Kim Clijsters) to watch and root for in a very long time. I think the guard is also gradually changing on the men’s side, with the Federer/Nadal/Djokovic triume slowly retiring as they get older, and it’s fun to see rising young stars like Carlos Alcazar play, too.

As for football, well…the Alabama-Texas game was exciting to watch, if strange; I’ve not seen Alabama play that sloppy or poorly very often in the seventeen years or so since Nick Saban came to Tuscaloosa. I also can’t remember the last time Alabama lost so early in the year–which means a second loss ends any play-off hopes they may have unless they go on to win the SEC. To see Alabama lose in Tuscaloosa by ten points to a non-SEC team early in the season? Unthinkable. The conference is not off to a great start this year; Miami roasted Jimbo and A&M yesterday; LSU’s horrific loss last weekend to Florida State; Mississippi got super-lucky to beat Tulane yesterday; and the rest of the conference isn’t exactly off to a great start either–even Georgia hasn’t looked invincible in their two wins, despite the margin of victory. The SEC is due for an off-year anyway; we’ve literally won four national championships in a row (2019 LSU, 2020 Alabama, 2021-22 Georgia) with three different teams, which is something no other conference can say this century, and also doesn’t include Florida, who won two in the aughts (as did LSU: LSU was the first team to win two titles since championship games were implemented). The only teams not from the south to win national titles this century are Oklahoma and Ohio State, and Oklahoma might as well be a Southern state as it’s not really in the Midwest either. In fact, the only two Big Twelve team to win national titles this century–Oklahoma and Texas–are joining the SEC next year. I’m still not sure how I feel about the realignments and conferences being killed off, but…the sport has changed dramatically since I was a child and ABC held the exclusive right to air games. LSU blew out Grambling State last night 72-10, and looked much better than they had the week before in that embarrassing loss to Florida State; but there’s also a big difference between FSU and GSU. I guess we’ll get a better idea of what LSU is like once we play at Mississippi State next week, and we’ll see how well Alabama bounces back from this disappointment for them. Auburn did manage to hold off California last night (I went to bed), but I also think Florida lost their opener to Utah? Yes, they did, or maybe it was Oregon? Regardless, they lost. Pity. (I despise Florida, and will only root for them when they play someone I hate even more, like Tennessee.)

So, today I am going to take it easy one more time without feeling guilty for not doing anything productive. I am going to do some chores–emptying the dishwasher, maybe some filing to clean up the mess that is currently my desk situation, and the refrigerator needs cleaning up too–and repair to the chair to read Shawn’s book for a bit. I also am going to make another cup of coffee and perhaps some oatmeal, washed down by a protein shake. I don’t know if my heart and blood pressure can take watching a Saints game, but Paul will want to watch and there’s also the men’s final for the US Open today. And maybe I will finish some other blog posts. One never knows, really.

Have a lovely Sunday, Constant Reader–and if I’m not back later, be sure I’ll be back in the morning.

Near You

Several weekends ago, I did an on-line panel for Outwrite DC. The moderator was John Copenhaver (whom you should already be reading), and my co-panelists were the always delightful and intelligent Kelly J. Ford, Margot Douaihy, Renee James, and Robyn Gigl. The video is actually up on Youtube, if you would like to watch it. John’s questions were insightful and intelligent (as always), and the conversation was marvelous, inspiring, and fun; there’s nothing I love more than communing with other queer crime writers (or any writers, to be certain), and I always try very hard to not monopolize panels because I do have a tendency to talk too much–especially if and when I get going on a topic I am passionate about. So, I thought it might be fun to take John’s questions and turn them into a long form interview, for thoroughly selfish and totally self-promotional reasons.

The panel blurb claims that “queer characters are riveting and necessary material for crime fiction and how those stories can shape (and perhaps reshape) the landscape of contemporary crime fiction.” Do you agree with this statement—and why do the stories of queer characters have the potential to shape crime fiction?

I completely agree with this statement. Queer crime fiction has a very proud history that was never really recognized or appreciated by the mainstream crime writers, readers, organizations, and conferences. That is changing for the better.

New blood is always necessary for any genre–horror, romance, crime, literary fiction–because genres tend to stagnate after a certain period of time. The cultural shifts of the late 1960’s and 1970’s echoed in crime fiction, for example; you couldn’t write crime in those periods without addressing all the cultural and social shifts; Ross Macdonald’s later novels are a good example of this. The 1970’s saw a lot of anti-hero books being written. The private eye sub-genre had grown quite stale by this time, which was when the women really moved in and gave it a shot of adrenaline–Marcia Muller, Sara Paretsky, and Sue Grafton blazed that trail, and revitalized a sub-genre that had kind of lost its way. Queer writers and crime writers of color are currently doing the same to the entire genre. Voices and perspectives we aren’t used to seeing are now getting into print and changing how we see, not only our genre, but each other. Crime fiction has always given voice to societal outsiders and outliers; queer people and people of color are the ultimate outsiders and outliers in this country. Who better to tell stories of societal alienation?

Why did you choose your sub-genre? How do you think the sub-genre has influenced the types of characters you write?

Well, I write in several different ones. Chanse MacLeod was a straight private-eye series; Scotty Bradley was more of an amateur sleuth/humorous series, but he does have a private eye license in Louisiana. A Streetcar Named Murder was a cozy, with an amateur sleuth heroine who gets caught up in a family mystery. I’ve also done young adult and “new adult,” whatever that is (it’s been described as ages 16-25), and Gothics with a touch of the supernatural. I tend to write things that I like to read, and I have a varied reading taste. I started writing the Chanse series because I wanted to do a harder-edged private eye series with a queer twist and set it in New Orleans. I didn’t know about J. M. Redmann’s Micky Knight series when I started writing Chanse; would I have done something different had I known she’d already covered the hardboiled lesbian private eye in New Orleans? We’ll never know, I suppose. Scotty was meant to be a lark; a funny caper novel and a one-off. And here we are nine books later…

As for Streetcar, I had been wanting to try a traditional mystery with a straight woman main character for a long time. When the opportunity presented itself, I jumped in with both feet. I like trying new things and pushing myself. Having to follow the “rules” of a traditional cozy was a challenge–especially because I have such a foul mouth in real life. I love noir so am working on two different gay ones at the moment.

Why do you think amateur detectives are appealing? Do you think there’s a reason queer characters often find themselves in the role of amateur detective?

I think it’s because we all think we’re smarter than the police? We enjoy seeing a character we can identify with figuring things out faster than the cops, especially without access to all the evidence, interviews, and forensics the cops do. Murder She Wrote has been off the air for about thirty years and yet the books based on the show continue coming out every year. If we start out in mysteries reading the juvenile series–Nancy Drew and the Hardy Boys and Judy Bolton and all the rest were amateurs, so we always cut our teeth in the genre with them to begin with. Scotty is basically an amateur, even though he has a private eye license he rarely uses; he and the boys never get hired (although they kind of do in the new one, coming this November.)

Let’s talk about place. Greg, your books take place in the South. Why is place important to the crime novel—why is it especially important to the queer crime novel?

Place shapes who we are–not just as queer people, but as people in general. There are similarities between growing up in a small town in the Midwest and growing up in one in the South, but the differences are very marked. I’ve lived all over the country–pretty much everywhere but New England or the Northwest–and always felt, as a Southerner (despite no accent and not growing up there) like an outsider. Couple that with being gay in a time when it was still considered a mental illness, and you have someone always on the outside looking in. But I have that Southern pull to write about the South–although many would say that writing about New Orleans and writing about the South are not the same; like me, New Orleans both is and isn’t of the South, and I feel that very strongly. I’ve written books set in California and Kansas, even one in upstate New York, but I very much consider myself a Southern writer.

Place is even more important in a queer crime novel because place shapes the queer people so much. As a writer, I think one of my strengths is setting and place, and I think that comes from being very much a fan of Gothics growing up. Gothics are known for place and mood, and I think those are two things I do well.

All of you write wonderfully flawed characters. Sometimes, as LGBTQ+ writers, we feel the burden of representation and the urge to write only positive LGBTQ+ characters as an attempt to undo history’s (the dominant culture’s) demonization of us. Unfortunately, that can be limiting—even flattening. Clearly, you’ve all struck a beautiful balance with your characters. Talk a bit about how you approached this issue.

The flaws, to me, are what make the characters seem real. Nancy Drew and the Hardy Boys always annoyed me because they were so perfect; no one is that perfect, and anyone that close to perfect in real life would be irritating and insufferable. I am am quite aware that I am flawed (one of my biggest flaws is believing I am self-aware because I most definitely am not), but I am not trying to be perfect; I just want to be the best version of myself that I can be. By showing queer people with all their facets and flaws and failures and blind spots, we’re showing the reader that we are human; despite what those who hate us say or claim, we are human beings just like everyone else, just trying to get through life and do the best that we can. The villain in my first book was a gay man–and the entire book was a commentary on how we, as queer people, tend to overlook flaws and red flags from members of our own community. Just because someone is queer doesn’t mean they are a good person–and queers with a criminal bent do exist, and often take advantage of that sense of camaraderie we feel with each other, especially when we don’t know the person well. I tend to trust a queer person more readily than I will a straight person, and that’s wrong–which is why I think we feel so much more hurt when queer people betray us.

Speaking of the demonization of LGBTQ+ folks … Ray Bradbury of Fahrenheit 451 fame said, “There is more than one way to burn a book. And the world is full of people running around with lit matches.” What do you think about the current tactics to ban queer books from schools, libraries, and even bookstores in places like Florida, Arkansas, and Texas? Why are they targeting queer books?

This is, I hope, the last gasp of the homophobes who’ve never updated their hate speech in over fifty years. What the hate group “Moms for Liberty” are doing and saying is no different than what Anita Bryant said and did in the 1970’s, what Maggie Gallagher and her evil co-horts at the National Organization for Marriage repeated, then came the One Million Moms…all too often it’s the cisgender straight white women who are the real foes of progressive politics who fight to uphold a bigoted status quo. They always claim they’re concerned moms worried about their children–but are perfectly fine with them being shot up at school; working in a meat factory on the night shift at thirteen (have fun in hell, Sarah Huckabee Sanders, when you get there and French-kiss your Lord and Master Lucifer); or shouldn’t have the right to vote…they know better than a child’s actual parents, you see, about what the child needs or wants. Maybe they should spend more time with their own children than worrying about everyone else’s? Phyllis Schlafly, queen skank of the conservative right, ignored her own family while she embarked on her crusade to strip women of their rights and autonomy–all the while shrieking like a hyena into any microphone nearby that she was fighting progress to save the American family while selling some Leave it to Beaver-like nonsense as reality. I always felt sorry for her gay son. Imagine that as your mother.

As for why, it’s about control and power. I actually respected Anita Bryant more, because she truly believed all the vile, horrible, unChristian things she said and espoused. Most of the others, including the unspeakably vile and disgusting Moms for Liberty, are working a grift for money, attention and power. Hilariously, they’ve sold their souls in the worst possible way in the guise of family, religion and God; if they’ve ever actually read their Bibles, they need to work on their reading comprehension skills as they are both apostates and blasphemers who will spend eternity doing the breast stroke in the lake of eternal fire. Hope they enjoy it.

Sorry your husbands and children don’t love you, but who can really blame them?

What are you working on next? What’s coming up?

I have a short story in an anthology called School of Hard Knox from Crippen and Landru (and somehow got a co-editor credit for the book with Donna Andrews and Art Taylor); Death Drop, the first in a new series from Golden Notebook press, drops in October; and the ninth Scotty comes out in November, Mississippi River Mischief. I am writing a gay noir, and may be writing second books for the new series I started with Crooked Lane last year as well as a sequel to Death Drop, and have a couple of short stories I want to finish to submit to anthologies I’d love to be in.