Tag: Death Drop

If We Make It Through December

I finally slept last night, and it felt amazing. I could have easily stayed in bed for another two or three hours, but that 9-to-5 is calling to me (well, 7:30-4:30, but you know what I mean). I was worried that I was getting sick–surgery recovery, medication changes, not being able to sleep, dehydration, occasionally feeling slightly feverish, and some occasional nausea (while eating, so I wasn’t eating as much, either. My COVID tests were always negative (still are, this morning), so I have to put it down to simply being exhausted from not being able to sleep, because this morning I feel good, if a bit sleepy. Everything was dragging ass last night when I got off work; but I made myself run the needed errands on the way home, and thus today I am really delighted to know that I can come straight home from the office and get caught up on some other things. I also did some chores, despite feeling like I was at death’s door by the time I got home. (And I am so glad I bought that wagon; it makes life so much easier and I will continue to use it even after the brace is gone and my arm is healed.)

Insomnia is the worst. I don’t know how people who have it chronically manage, seriously. One night is bad enough, but a couple of nights in a row is enough to completely derail me, so I cannot imagine having it every fucking night. I mean, it wouldn’t really take much to drive me over the edge anyway–I always have such a delicate grip on my sanity as it is, without having further contributing factors. I was too tired to read last night, so I figured doing chores was the right way to go with everything last night. I did think about the new book I am writing, so even though I didn’t add to my word counts yesterday, I did think about where the book needs to go, and thinking about what I am writing and puzzling out the plot and where the book needs to go next counts. We also finished Big Vape last night, which was really interesting and made me think about a lot of things, and started A Murder at the End of the World while we wait for Prime to drop season two of Reacher, which is finally launching this Friday (huzzah! I love Alan Ritchson, and have since he first appeared as Aquaman on Smallville), and of course the bowl games are also starting this weekend–but there really aren’t many this early that I care about watching; most of the bowls end up serving as background noise while I do other things–clean, prune the books, write in my journal, read, edit pages–but seriously, now that I’ve slept well for one night, I feel like I can conquer the world again, and I’ve not felt that way in a very long time. It’s a nice feeling, really.

This year has been, as I said, a rollercoaster that doesn’t seem to be coming back to the station any time soon, and this wild up-and-down ride this year has made me reflect on who I am, why I am who I am, and reset my brain and attitudes about a lot of things because once I realized oh this is why you’re like this and that and so forth I could dissect, and rethink those attitudes–a lot of which was childhood training about how to approach life, which I inevitably took to extremes. Be humble and don’t brag became self-deprecating to the point that I would think or say things about myself or my career that would be horribly offensive if said by someone else…because in my chemically-unbalanced brain, criticism won’t bother you as much if you preempt it, which is the same weirdly off mentality that led to the complete lack of self-esteem about my body and my looks and my intelligence and well, pretty much everything….which means that I was always looking for affirmation from others, and when it didn’t come, it simply confirmed the negative things I was thinking and/or saying about myself.

There’s nothing wrong in being proud of yourself; as my friend Laura says, “Sing out, Louise!” because the obverse of the way I think about negative commentary (“need to fend this off by beating them to the punch”) also works the other way–“If I don’t believe in myself, why would anyone else?”

And I am proud of myself, and the writing career I’ve somehow managed to blunder and stumble my way into. As the tarot card reader told me when we first moved to New Orleans twenty-seven years ago, I did become an author but it’s nothing like I ever dreamed of, imagined, or considered possible. I’ve written so many books, short stories, essays, book reviews, blog posts, and edited so many anthologies that I am not even sure how many there are now–and it’s even more than most people know, because there are pseudonyms I’ve never publicly claimed and books that were ghostwritten or work for hire under a veritable plethora of other names. I think my last six (!) books (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit, A Streetcar Named Murder, Death Drop, and Mississippi River Mischief) are some of my best work, and the last few short stories to come out (“The Rosary of Broken Promises”, “This Thing of Darkness”, “The Affair of the Purloined Rentboy”, “Solace in a Dying Hour”, and “The Ditch”) are also some of my best stories. I am very pleased with how I’ve grown and developed in my writing, and I want to continue to grow and develop and keep getting better. My biggest fear is that my best work is behind me and I’ll keep going, getting worse with every new project until finally no one is buying anything I write anymore. I’d still write, anyway–I’ll be writing on my laptop on my death bed, and they will have to pry it from my cold dead fingers–and probably self-publish or something.

And on that note, I am heading into the spice mines on this cold morning in New Orleans. Have a marvelous Wednesday, Constant Reader, and I’ll check back in later.

Blame It on the Edit

I love Alyssa Edwards. She’s the perfect reality star; a completely delusional human living in her own reality, yet also funny and witty with a highly expressive and thoroughly meme-able face, and basically harmless. I’ve always meant to catch her reality show on Netflix about her dance studio–which is so fricking cool that she does that–but have never gotten around to it. I was amused by her on her initial season, but really hated her feud with Coco Montrese, and of course that was also the season won by the marvelous Jinkx Monsoon. Alyssa was also terrific on All Stars 2, which made the rigging of the season all that much more disappointing. (We also gave up on Project Runway after one season where it was clear they’d already decided who was going to win at the start of the season. Don’t give me a rigged competition, thank you very much; if I want that, I’ll watch professional wrestling, thank you very much.)

Which makes it interesting for me to write a book about a drag pageant. I already have tons of ideas for the book, and it’s going to be very brutal in how it approaches the homophobes who have wrested control of Florida from the sane people (hey Moms4Liberty, how’d those elections turn out for you, you pathetic soulless pieces of shit? Your tears are as delicious as mimosas at a gay Sunday drag bunch, you miserable fucking bitches.) and have taken the state, once a beautiful place with scenic beaches and lovely weather, on its final steps to a complete and utter hellhole. Bravo, by the way; nicely done.

Anyway, back to drag; sorry about that sidebar. But that kind of shit will always enrage me. Nothing makes me angrier than misplaced self-righteousness. I may no longer be a practicing Christian, but I know that faith far better than many–if not most–of its most ardent public proselytizers and purveyors.

Gender-bending, of course, is nothing new. For centuries, women weren’t allowed on the stage so female roles were always played by men. This was certainly true in Shakespeare’s day, and often he wrote plays with characters pretending to be the other gender. So there’s a long, proud history of men doing drag in theater and performance art. Who decides what is masculine and what is feminine, anyway? As I have said numerous times, I love this new young generation of leading men and actors who are abandoning traditional black-tie male drag for new and inventive outfits that showcase their youth, beauty, creativity, and personal style; there’s nothing quite so stifling as toxic masculinity and it’s regular insistence that there is only one way to be a man–which is not only stultifying but incredibly limiting. Film and television (and theater, to a far lesser degree) have long influenced what is considered masculine in this country–the prototype being, of course, John Wayne. (Probably the funniest scene in both La Cage aux Folles and it’s American version The Birdcage is when the more butch of the gay couple tries to get the more feminine partner to be more masculine–telling him to walk like John Wayne…which was the first time I ever noticed how peculiarly John Wayne walked. Also amusing is that Mr. American Macho Man John Wayne–and Mr. Patriotism Ronald Reagan–didn’t serve in World Was II…but played war heroes in movies about it. Style over substance.)

But the history of the colonizing of this continent is very queer. Do we really believe those frontiersmen, trappers, hunters and explorers simply went for months and even years without having sex? There weren’t enough women to satisfy the need–and cattle drives? Pshaw. In any purely male society like that–the cattle drive, the explorations, etc.–there is always male/male sexual contact; “helping a buddy out.” This has been erased from history as effectively as if it had never happened–as though homosexuality is some modern thing that never existed before.

It’s always struck me as odd that the masculine ideal (as shown to us by Hollywood, at any rate) inevitably is depicted in all male environments–war movies, cattle drive movies, Westerns–with the occasional token female thrown in as a supporting love interest. These women are often set up to be abused–spanking was often popular in these films; how many times did John Wayne spank a woman in a movie?–and mocked and made fun of; if they had any kind of mind of their own, well, they had to be tamed.

Anyway, I digress.

I also know there are women who despise drag, see it as mocking women and misogynistic. I can actually see how they could feel that way, and far be it from me to tell a woman–any woman–how she should or shouldn’t feel about something, particularly when it comes to misogyny. (I sure don’t want anyone telling me what to think is homophobic or not.) I don’t think drag is misogynistic; if anything, it’s critiquing the misogyny of society. Dolly Parton also exaggerates femininity to the point of being a drag queen–she even says it about herself. Mae West was so good at this exaggeration that people believed she was an actual drag queen for years. Marilyn Monroe, Jayne Mansfield, and Jane Russell became sex symbols (and stars) by exaggerating their bodies and the way they dressed and their make-up and hair; how is that not female-drag as the converse of over-exaggerated masculinity (John Wayne, Charles Bronson, Clint Eastwood); establishing exaggerated norms of masculine and feminine that subconsciously altered what the over-all culture thought in terms of gender roles.

If I had a dollar for every time someone has told me to be more manly…

But the reason gender roles exist are because they are more comfortable for most people than thinking about it at any great length. You were born with a penis, so you should be interested in sports and guns and hunting and wear pants; your parents don’t have to think about it and neither do you. But for those of us who weren’t comfortable in those comforting boxes society so gladly constructed for us all to fit into–it’s not quite that easy. I hated having to do “boy” things and hated the expectations that since I was a boy I should like something in particular–and being incredibly stubborn, being told that I should like something was much more likely to make me disdain it. I didn’t want to play sports or even watch them when I was a kid; I just wanted to read. My struggles with wrapping my head around my gender and my sexual identity as a child were difficult, and those scars are still there–some of them are still scabbed over and not healed. All the messages I was being sent through popular culture, school, and society were telling me that something was wrong with me–and you don’t get over that overnight. I’m still unpacking a lot of that to this very day.

Writing Death Drop forced me to start thinking about these things again–gender markers, gender identities, the duality of our natures (no one is 100% one or the other, I think; I will always believe that gender and sexuality are a lot more fluid than anyone thinks)–and what makes one male and what makes one female. I hope, in writing more about Jem in the future, that it will help me understand myself better as well as society.

And what more could a writer ask for?

Rock the Casbah

Wednesday morning, can’t trust that day. Not going to work on Monday messed my body clock up and thus set my brain on “not normal! not normal!” and so I am all messed up. All day yesterday I kept thinking it was Monday; this morning I woke up thinking it’s Tuesday, which it obviously is not. I am doing a really good job this morning of not letting anxiety take hold of my mind–it’s trying, really hard–because to complete the “leave” process from work I need a form filled out and signed by my surgeon. (My fault, had I paid more attention I would have known and could have taken it with me Monday morning; instead I had to fax it to his office yesterday and they will send it back today–which has me anxious.) It’s very weird to think that I’ll be out of work for three weeks–very very weird–this is the longest break from going in since the quarantine; and even then I had things to do at home. This is three weeks of not doing any day job work, having no day job responsibilities, and the entire days free to do with as I wish–within the context of being limited by the surgery recovery. I do plan on catching up on a lot of reading, and who knows? Maybe I’ll even be able to get some writing done, during my period of limited activity. At this point I really just want to be done with the surgery and be well into the recovery process.

I did a book event last night virtually with Tubby and Coo’s Bookstore, with Jean Redmann and H. N. Hirsch, which was a lot of fun and I really enjoyed it. Of course, having to use my brain and try to be smart and funny exhausted me, so Tug and I immediately repaired to my chair for an episode of Moonlighting, and some other Youtube videos before I finally went to bed. Paul didn’t get home until after I went to bed, so I didn’t get to see him at all yesterday; it’s that time of year again. I spent some time rereading Mississippi River Mischief and paging through Death Drop again; I’ve fallen behind on my blatant self-promotional posts because my creativity for that has kind of dried up–I’m not very good at it to begin with, really–but I know I need to do more, so I hoped looking through the books after talking about them for an hour would inspire me to find more things to post about them. We’ll see how that worked out today, won’t we?

I need to do some cooking this week, too–I wanted to make my mac-and-cheese (something else relatively soft but very delicious and filling) and I need to make a red velvet cheesecake, too. I don’t think I am going to go into the office on Friday, after all–Tug has to get another shot that morning, and there’s something else I have to do but can’t quite remember what it is as of yet, and at some point I need to take Paul to Costco to pick up his new glasses. But that means I’d have to do all this cooking and baking tonight, and I feel pretty confident in saying “yeah, I’m not going to be in the mood to do that tonight” because it’s a lot of fucking work and I also need to run errands on my way home. (See what I mean about it being later in the week than I think it is? I keep thinking oh you can do it tomorrow night because no I can’t.) I guess it will depend on how I feel when I get finished with everything I have to do tonight, and how much attention my sweet little needy kitten will need once I get home–because once I am in that chair and he’s a purring kitty donut, it’s over for the night. One thing I do find adorable about him (there are many many things I find adorable about him) is the way he sleeps on me. He’ll start out as a kitty donut, and then gradually stretch out on his back until his is sprawled across me full length on his back, legs akimbo, and dead to the world with his neck fully extended. I’m so glad we got him and I’m so glad he feels so safe and comfortable and loved and at home. (He did make a few appearances in the on-line event last night.)

I also have those questions we were asked last night, so I probably could turn those into a self-interview as a means of self-promotion. I’ve done that before, after all, and it always works. Hmmm. Something to ponder the rest of this morning, no doubt.

I am finding the imminent death of Twitter or the Social Medium Formerly Known as Twitter slow and painful to watch, yet for some reason I cannot seem to bring myself to deactivate my account there. I don’t worry that someone else will grab my user name and create a fraudulent Greg Herren account; why would anyone do that to me when there are any number of other, more important people you could impersonate to greater effect than me, after all. (Besides, there’s nothing stopping anyone from impersonating me on social media as it is; someone could be doing it as I type this and I have no idea) Social media used to be a lot of fun in the olden days before Q-Anon and MAGA and conspiracy theories and so forth; in other words, in the golden era pre-small-dicked-billionaire. There were always issues with Twitter and trolls; we always were hearing about people being hounded off Twitter by trolls or outraged mobs of users; there was an “old West” feel about Twitter, and it did seem like public lynchings and humiliations happened there a lot. I was always worried about tweeting something taken a way other than the one intended–which happens very frequently there–and going viral. (Anxiety, I have it about everything because it does NOT discriminate; there’s nothing too small for me to have massive anxiety about.) But I do miss the way Facebook and Twitter used to be–fun and functional places to reconnect with friends and/or readers. Now they’re just bad habits I can’t seem to quit, like smoking cigarettes or snorting coke–things I know aren’t good for me, do nothing for me and if anything at all, are incredibly bad for my mental health, yet can’t seem to stop doing. Well, I quite smoking twelve years ago and haven’t done cocaine since the 1980’s, so I know already I can give up bad habits. I just worry that I’ll lose touch with people I care about and don’t interact with or see enough as it is.

Heavy sigh. Why do small-dicked billionaires have to ruin everything?

But I feel rested and together this morning, much more so than the last few days, so here’s hoping for a good day today–by which I mean one in which I can focus and get shit done.

We’ll see how it goes, I reckon.

And off to the spice mines I go. Have a lovely Wednesday, Constant Reader, and I’ll catch you later.

I Keep Forgetting (Every Time You’re Near)

One of the things I had listed on goals for 2023 was to be better at marketing myself and my work. This also requires a complete reboot of my brain and how it functions; I have always been embarrassed to praise myself or talk about myself in non-negative ways, and this year I realized, with shock and horror and not a little bit of awe, that whenever I demeaned or belittled myself and my work publicly, I was undermining myself. What I saw as “charming humble self-deprecation” or “eccentric author doesn’t take himself seriously in a charming manner” might not be coming across the way it was intended. But shaking the habit of a lifetime of religious and family training to always be humble, never brag or boast, and to always remember to simply be satisfied with having done the best I could and let the praise come from outside, isn’t easy. I had always intended, for example, to join Canva and start producing my own graphics (because I am horrible with technology and learning new things, and I have so little time to learn things); I finally did that yesterday morning AND created my own first graphic for my Facebook home page image–the covers of both new books, my author photo, and the message Out This Month! –and it wasn’t terribly hard to do, and it was a kind of fun creative exercise that is easily manageable and another fun thing for me to do on Saturday mornings: make a new graphic for social media!

It’s a start. I also need to work on my website.

I am also doing Blatant Self-Promotional posts every day for each book–or at least I am trying. Three blog posts a day is a lot, frankly, and my brain is already so fried and overburdened with the upcoming surgery that there’s not a lot of space up there for much more than I am already doing, and it’s been a struggle trying to come up with promotional topics about each book every day. I also worry in promoting Death Drop and talking about drag that I am exposing my own ignorance on the topic on a daily basis, chasing potential readers away. Sigh. You see the trap anxiety sets for me on a regular basis? The fucking anxiety makes me second-guess myself all the time, which isn’t great, especially for someone it also gives self-esteem issues to.

Yesterday was an interesting day for college football. It was lovely watching Missouri destroy, dismantle, and all around just humiliate Tennessee. Missouri is one of those teams I don’t dislike; I sometimes forget they’re in the SEC but there’s some residual distaste for them from when we lived in Kansas–one thing KU and K-State fans can agree on is pure hatred for Missouri–but in the SEC, they’ve never bothered me much; probably because LSU plays them so infrequently. Georgia embarrassed Mississippi last night, which means the Tide is peaking at the right time and remember back when everyone was wondering if the Alabama dynasty was over? Yeah, it’s Georgia and Alabama playing for the SEC title again in Atlanta this year, same is it ever was. And of course, last night LSU took Florida apart in Tiger Stadium. Can we talk about Jayden Daniels for a moment? Even with a slightly more average defense, LSU would be in the national title conversation and without Daniels, we’d probably not have a single SEC win, other than maybe Mississippi State. He was phenomenal last night, setting all kinds of records and basically looking the best player in college football all year. His consistency has been insanely off the charts, and so have the numbers he’s been putting up, and if it weren’t for the 2019 team, this would be the greatest offense in LSU history–which makes the shitty defense all the more painful, really.

And now LSU has beaten Florida five times in a row. That’s the longest LSU winning streak in the series, and this was the last time the rivalry game will be played every year. If that doesn’t have Billy Napier’s job in trouble, remember–they still have a rivalry game left with a Florida State team that beat LSU in the opener and has only gotten better ever since. Paul and I were at the 2019 Florida game, which was a 42-28 thriller with Burrow torching the Gators the whole time. LSU wasn’t even supposed to be able to stay on the field with Florida during the next two seasons–and won both games, including the Shoe Game in 2020, which ended Florida’s play-off hopes. (They also honored the national championship baseball team during the game last night–the team that defeated Florida 2 out of 3 for the championship, which was some epic shade.) This year’s loss to Alabama was disappointing, especially since if Daniels hadn’t been hurt we might have been able to hang with them a bit more, but LSU is still further ahead in the rebuilding process than we should be, and that’s a credit to Coach Kelly and his staff–excluding the entire defensive coaching staff. The Tigers can get to 9-3, and ten wins if they win out–with Georgia State and Texas A&M the only games left, and both are winnable. The Saints play today at noon, but I am not sure I have the emotional stability to watch! (And USC lost, too–always a joy when Lincoln “too good for LSU” Riley gets his ass handed to him.)

I didn’t get as much done yesterday as I wanted to, because I did get distracted and sucked into football games, and Tug just wanted to cuddle all day, pretty much, so I spent the day in my easy chair with the games on while playing with my phone and iPad. I can have a day off every once in a while, can’t I? I think I am also going to slow down on the BSP, at least for a bit–and then I think yeah but you might disappear off-line after the surgery so you should do as much as you can before hand. This is also a valid point. I made shrimp creole last night, which turned out amazing, and it also felt nice to be cooking again, you know: It’s been a hot minute since the last time I cooked anything for real, and it was kind of a warm-up for me because I want to make mac-n-cheese tomorrow as well as a red velvet cheesecake for work. Ambitious, wouldn’t you say? I also bought cake pans yesterday while making groceries, because I don’t have a cake pan anymore, apparently; I’ve also lost my cake carrier–which I suspect was a casualty of a declutter during the pandemic, so I’ll have to buy another. Sigh.

And I just KNOW that after a buy a new one, the old one will turn up someplace where I put it where I wouldn’t forget that I put it. I outsmart myself on a fairly regular basis. But tomorrow morning are all my pre-surgery appointments, which is when I am going to find out exactly what the hell my recovery process is going to look like. And maybe this week my dentures will finally be ready; we can only hope.

And on that note, I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again probably later–because the call of the Blatant Self-Promotion will undoubtedly prove too strong to resist.

Looking Good, Feeling Gorgeous

As I was saying in my other blatant self-promotional post of today (for Mississippi River Mischief) I rather jokingly mentioned that perhaps my childhood fandom of celebrities like Cher, Bette Midler, Liza Minnelli, Katharine Hepburn, Bette Davis, Joan Crawford and Barbara Stanwyck was an early sign of my destiny as a gay man; and yes, I know that’s a stereotype but as I always say, “stereotypes have to start somewhere“–there’s occasionally some kernel of truth in a gay stereotype. (Example: Jack on Will & Grace got some grief for being a stereotype–but I’ve known any number of gay men who were very similar to Jack; imagine being told you’re a stereotype.)

RuPaul’s genius idea to kind of create a Project Runway and American Idol hybrid reality show started out very slow–it was on Logo, I believe, and the budget was incredibly bare bones that first season or two or three; part of the fun of the show was how much it looked like a cable-access do-it-yourself reality show. And as usual with any art form created by gay men, it was popular with gay men and straight women; the show slowly started building an audience and then WHAM! One day it seemed like drag had taken over the world.

Katya from RuPaul’s Drag Race, whom I find hilarious–and beautiful.

Paul and I lost interest in the show after the Bianca-Courtney-Adore season, because that season was so good we both felt that anything after that would be anti-climactic. I know there have been other good seasons and incredibly fierce queens since then, but we came back for All Stars Season 2 (when I became a fan of Katya, actually) and were bitterly disappointed at how scripted, staged, and unfair the entire season was to everyone who wasn’t Alaska, Detox, or Roxxy. And just like with Project Runway, once we saw a season that was clearly predetermined from the start, we stopped watching.

I have zero interest in watching a “competition” with a predetermined winner, which is kind of why I don’t watch WWE much anymore. (it’s also very cartoonish, but that’s a subject for another time.)

I know there are cisgender women who have issues with drag, and I know there are transwomen who do as well; I think the transwomen’s issues primarily have to do with the conflation between the two–which was clearly prescient, given the rise of the raw sewage known as LibsofTikTok and “Moms4Liberty” (how’d that election go for you on Tuesday, you miserable soulless contemptible bigoted shrews? CRY MORE BITCHES, your tears are like Mimosas to us gays), who see no difference (because the harpies are as ignorant and uneducated as they are bitter, soulless, and unChristian). I’ve never seen a lot of criticism for drag from the straight cisgender women as a general rule, but I know there are concerns and critiques from the feminist community, which I do not dismiss or take lightly.

But since the primary straight cisgender woman who used to scream at me about the “misogyny of drag” also has turned out to be a sociopathic TERF who is dead to me (shocker, I know; a feminist who hates drag is a bigoted disgusting piece of shit TERF? Who could have seen that coming?), I don’t necessarily take those feminist critiques as seriously as I used to. If your feminism is about cisgender white women only, go fuck yourself. (This is the same woman who claimed to be a gay ally because she loved going to gay bars where gay men made much of her…the irony that it was primarily because she acted like an over-the-top drag queen completely escaped her–but then, drag queens competed with her for attention in gay bars, and I’ve also come to recognize that the poor bitch is so fucking thirsty for attention that she probably needs intense therapy for at least a decade.)

I’ve always seen drag as a critique of the societal notions of what a woman is supposed to be; drag is that expectation taken over the top to the nth degree. This is why they have the exaggerated everything–from wigs to shoes to gowns to make-up to hip padding and fake boobs. (I also think that the reason drag kings never attained the same level of popularity and mainstreaming as the queens is because it’s harder to over-exaggerate masculinity; it’s not as easy to create the illusion of a thickly muscled body, a super-deep baritone voice, and thick body hair–and besides, who wants to watch women performing toxic masculinity? And as a general rule, men don’t wear make-up when they are cosplaying masculinity.) They’re also loud, funny, and crude–all the things women aren’t supposed to be in proper society–and when they are hyper-sexualized, it’s to make a point about the hyper-sexualizing of women by the dominant culture. Women aren’t supposed to have control of their bodies and sexuality; they aren’t supposed to be crude and crass and vulgar. They aren’t parodying women; they are parodying the cultural expectations (that still exist) for women by over-exaggerating everything and reflecting back to the overall societal culture about how we limit and control women.

I tried explaining this several times to my former friend, but she was also sociopathic in her narcissistic belief that she was never wrong. She was exhausting, frankly, and when I cut her out of my life like the cancerous tumor she was, it was amazing how much better I felt knowing I would never see any of her ignorant bigotry anywhere on my social media ever again, and sorry–you come for transpeople, you’re coming for all of us.

Keep your conditional allyship, bitch.

It’s called intersectionality, use the Google.

And yes, there are misogynistic gay men and drag queens. Some of the common language of drag is misogynist; “fishy” and so forth are questionable–but again, it plays into that critique of societal feminine archetypes; women would never talk about themselves that way and would be furious if a straight man did; so why is it okay for gay men and drag queens to do so? It’s not really; but if you’re going to come for drag with honest concerns about misogynist anti-woman language, that’s one thing; when you come for the entire community because of it, fuck you with a cheese grater.

So, part of the reason I wrote Death Drop was for the same reasons I write y/a about rape culture and homophobia and racism; to put a human face on an issue that might help the reader develop more empathy about the subject than they may have felt before reading my book. Death Drop is not going to convince drag-haters or TERFs that their beliefs and values are trash and they need to rethink and reevaluate; but maybe, just maybe, someone who doesn’t know much about the subject and the issues around it might learn something.

That may be hubris, but you can’t be a writer without some level of hubris in your personality.

So, feel free to click on this link and order several copies! They make great gifts for homophobes, and Christmas is coming!

Sexy Drag Queen

Today’s blatant self-promotion for Death Drop image is of one of my favorites from the world of Drag Race–Manila Luzon. I fell in love with her during her initial run on the show, and wanted her to win. (She didn’t, alas, but I also like Raja, who did win that season.)

When I was a personal trainer, I always asked new clients what their fitness goals were. Straight women inevitably wanted to lose an average of ten pounds or so; gay men always wanted to look like underwear models or Olympic athletes; and lesbians generally just wanted to be healthier. I tried to educate the women on the fallacy and dangers of “dieting”, and that the best thing to do was restructure and rethink how and what they ate and when. I used to always tell the gays, “can you afford a personal chef and nutritionist, and can you exercise three to four hours a day every day? Because they don’t look like their photos most of the time…they usually maintain their bodies regularly but go on ridiculously limited diets that aren’t healthy and also dehydrate themselves to look more cut for pictures. And it’s also their full time job to look like that. Now, let’s realistically talk about a plan that can make your body fit and toned in a healthy way that will be easier to maintain.”

Jem, my main character in Death Drop, is a professional hair stylist and make-up artist, and also has a good eye for fashion. His job is to make women, as he says, feel beautiful and confident, and as a gay man, he also can see the endless pressures from every direction that are put on women. Part of his issue with Marigny Mercereau, whose fashion show he is hired to work in the book, is that he hates the clothes she designs because the silhouettes are unattractive and they don’t flatter women’s bodies. Add to that the fact that the last time he worked for her, her check bounced, and yeah, she isn’t one of his favorite people. But so much is going on that night of the fashion show that Marigny’s clothes–and his dislike of her–aren’t in the forefront of his mind.

I mean, he does have to do drag for the first time that night–in front of a bunch of wealthy or upper middle class women he would love to have as glam clients. And Jem has stage fright.

That is one of the keys for me with Jem and the whole drag thing: he has stage fright, like I do. I’ve never really written about that much in my fiction–I know I’ve talked about it on here ad nauseum ad infinitum–but despite mining almost every experience I’ve ever had in my life into my fiction at some point, it’s kind of odd that I’ve never written about stage fright. I have it, bad. I am sure it’s a symptom of my anxiety–as everything is–but I have it, and I’ve always had it bad. When I was in plays in high school, it was torture. I liked being in the plays–I used to dream, as a kid, of being in show business, and yes, practiced award acceptance speeches in the mirror while clutching a shampoo bottle–but the actual performances? Absolutely not. I generally shake so much when on panels that I usually try not to use my hands when I talk–which I always do–because I don’t want anyone to see that I’m literally trembling in terror; I am also usually sweating a lot and my heart is racing and there’s a massive adrenaline rush…panels aren’t as bad as moderating one is; but now that I know it’s anxiety I try to handle it. Before I moderated that panel at Bouchercon this past year, I walked around a lot before the panel to burn off the adrenaline and try to get my heart rate down to something passing as normal. Also knowing it was based in anxiety gave me a handle on it; when I know what is going on I can try to cope with it better than what I did before–which was just grit my teeth and get through it.

Jem didn’t have stage fright while walking in the fashion show–and he also knew it was because of the lighting and it being after dark, he couldn’t really see the people in the audience. He knew they were there, but as long as he couldn’t see them it didn’t phase him. His fears of performing, of getting on stage, is going to be something he is going to have to work on in future books–of which I am hoping there will be at least three, if not more. He probably won’t have to deal with it in the second book either–because while he has graduated from drag school and performed in the graduation show, that was for friends and family and not the general public–because the second book takes place at a national drag pageant…which is being protested by a hideous hate group called Moms4Freedom…which I am having a lot of fun with, rest assured.

And on that note, I will bring this to a close–there will be more blatant self-promotion to come!

Jealous of My Boogie

Research is always important for a writer, always.

I will generally spend years doing research for books before I start writing them; my scattershot approach to research usually goes something like hey this sounds interesting I should look it up which then takes me down wormholes and I’ll become obsessed with something, I’ll come up with a story idea that I can use the research for, and then it may sit in the files for years, occasionally striking my fancy sometime when I come across something else that might fit in with that, and so on. A lot of my research never makes it onto the pages of my books, either–I could have written chapters on glass-making and the Murano style of Venetian glass in The Orion Mask, but finally decided that, while I thought it was all interesting–Phyllis A. Whitney used to use her books to educate her readers about the area she was writing about, which I loved–but it definitely bogged down the story because there was no way I could figure out to tie the glassmaking to the modern day story.

That was very disappointing, I don’t mind saying.

Likewise, I didn’t have as much time to research drag the way I should have before I started writing Death Drop. Ordinarily, I would have wanted to actually talk to the local who runs the drag school; I would have talked to any number of queens about performing, how they got into it in the first place; and there are so many aspects of drag culture and so many levels and layers to it that it was impossible for me to get the research done and write the book at the same time. Ideally, I would have liked to have actually paid someone–preferably my former supervisor, who went to the drag school and now works full-time in drag as Debbie with a D (check out her Instagram, seriously)–to do the full drag on me–wig, make-up, pads, dress and shoes. (I kind of still need to do this, so I know how it feels; I relied on memories of high school plays for the make-up and wearing a Minuteman costume with real buckled and heeled shoes for walking in heels; I didn’t care for that one bit and have nothing but the deepest sympathies for women or anyone who has to wear any kind of heel on a daily basis. I can still feel how sore my calves were the next day.)

Me with my supervisor’s pageant crown

That was part of the reason I made the book an origin story for Jem and “Joan Crawfish,” the drag name he is christened with at the last minute as he sent down the runway at the Designs by Marigny fashion show. I don’t know drag lingo or slang–outside of whatever I’ve picked up from watching RuPaul‘s Drag Race and having co-workers who do drag and the occasional drag show I’ve caught over the years–and so neither does Jem/Joan. And the second book–set in Florida at the Miss Queer America pageant–will include some of that, as it will have to as he’s already finished the drag school he was considering entering at the end of Death Drop.

It doesn’t hurt that my current supervisor does pageants and was even Miss Gay Mississippi USofA; so I have a good source of information that I see at the office every day, which is….kind of cool, actually.

I do feel pressure to drag it up a bit more in this second book (You Gone, Girl) than I did in the first, but the pageant itself makes for a lot of drama and comedy, and that’s not even taking into consideration all the protests and bomb threats and things and other shenanigans that the evil witches from Moms4Freedom are throwing at the pageant.

And I am going to have some serious fucking fun with those Moms4Freedom bitches, believe you me.

Cover Girl

Drag is a part of queer culture I’ve always known about but has also been something primarily on the periphery of my gay life and world; I’ve only occasionally ever thought about perhaps doing it–as a gag or as a costume at some point; a very dear friend has always wanted to dress me up as Joan Crawford (narrow waist, big shoulders, enormous eyebrows), which is something I would consider doing if it wasn’t so much work–I am way too lazy to ever do drag properly and respectfully. I did a very poor attempt at drag many years ago, for a Showgirls themed birthday party for a friend; the result was far from pretty. I did sometimes used to use mascara and eye liner when I would go out; it emphasized my enormous and expressive eyes which most people have always considered my best feature (although aging has deprived me of my eyelashes). Drag was just another part of the community and culture, like leathermen, bears, and gym queens–another patch on the quilt that makes up our queer world.

My primary interest in drag has always been historical and cultural; drag culture has always been a part of the gay bar scene, since time immemorial, it seems. I have always been interested in every aspect of gay culture since coming to terms with my own sexuality and recognizing that not coming to terms with it meant a lifetime of guaranteed misery, and shouldn’t I really take a chance on being happy? There was always a lot, for me, of misunderstanding about drag culture and its place in the gay community; but that also primarily came from people outside of the community and therefore didn’t have the slightest grasp of it–i.e. ignorant slurs that all gay men dressed like women whenever they had the chance, you know–not “real men.”

But seriously, who wants to buy into the cult of toxic masculinity? No fucking thanks.

I don’t know the history of drag, but I did know–from the very beginning–that there was a significant difference between drag and the trans experience; there’s definitely crossover, but the Venn diagram of drag and trans is not a complete circle. I understood this always, even when I knew very little of either. This was always the issue I had with To Wong Foo Thanks for Everything Julie Newmar–the queens in the movie didn’t just do drag for performance or pageants, but dressed as women in their everyday life…which made them transwomen who also did drag. The failure of that film to define the difference between the two, I think and believe, has a lot to do with the current-day conflation by the Right of drag queens with transwomen. Likewise, was the Nathan Lane character from The Birdcage (and the French original) a transwoman or a drag queen?

And the fact that I, knowing as little about gay life and culture as I did in 1994, knew that the Wong Foo movie was conflating two completely different things as the same certainly means that other, better-educated people should have, as well.

But it’s also important to remember that the movie wasn’t made for the queer community–no Hollywood studio film with queer characters is intended for a queer audience, and thus there’s a falseness to them that rings hollow to me (don’t even get me started on Philadelphia); what Sarah Schulman once (paraphrasing) described as “the creation of a fake public homosexuality that will play in Peoria.”

There’s an essay in that, methinks.

The first time I went to a gay bar in Houston is my first true memory of seeing someone in drag performing on the bar in person. She was doing Liza as Sally Bowles from Cabaret, and as I walked in the door with some co-workers from That Airline, the first thing I saw was her up on the bar, with a musclebound dancer on either side of her in bikinis or thongs, and I can remember thinking wow this is decadent like Isherwood’s Berlin–but I liked it. I felt at home there, in a way I never did in gay bars in Fresno (or anywhere else I was able to sneak away and visit one), and felt like that night was when my gay life actually began: I was with co-workers, I was going to a gay bar openly, and the co-workers knew I was gay but had never really experienced being gay as anything but misery and depression and a curse. I don’t remember the name of the queen, but ever since then, “Mein Herr” always brings a nostalgic smile to my face.

But again, I didn’t go out much or do much during those two years in Houston as I still wasn’t completely comfortable being totally out. I moved to Tampa in 1991 and started living as an out gay man…and started spending more time in gay bars. A popular night for airline employees as Tuesday Nights at Tracks, where cocktails were only fifty cents and no cover before ten. There was also a drag show at midnight, with an actual stage in a show room, and that was my first real experience watching drag queens perform. There was a gay paper there–I cannot remember what it was called to save my life; I know the one in Texas was This Week in Texas, called TWIT by everyone–but it often had information about performances and other night life ads and so forth. I began to get a better understanding of drag, its place in the community, and its importance to gay culture, period.

And of course, once I moved to New Orleans, there was Bianca del Rio.

The mainstreaming of drag actually began in the early 1990’s, with RuPaul having a surprise hit record out of nowhere, “Supermodel (You Better Work)”, which started exposing more people to drag who ordinarily would have never seen one. RuPaul was everywhere in the early 1990’s, and even had her own talk show on MTV for a while. The Adventures of Priscilla Queen of the Desert and its homogenized American version To Wong Foo, Thanks for Everything, Julie Newmar were both incredibly popular. (I enjoyed Priscilla, and I’ve already touched on my issues with Julie Newmar–which will probably become an essay at another time.)

There were, of course, other successful queens out there before RuPaul’s big breakthrough and later, comeback with Drag Race, but few had as large a profile in the culture as RuPaul. Lady Bunny, Miss Coco Peru, Miss Richfield 1998, and Varla Jean Merman were all making a pretty decent living as performers before the drag explosion that followed the launch of Drag Race.

I’ve met numerous drag queens on the local scene both in and out of drag–I’ve always been fond of Princess Stephaney and Blanche Debris (who is retired now), and the drag community of New Orleans was always incredibly supportive of the NO/AIDS Task Force. I met Bianca out of drag a couple of times, but I doubt he remembers me…but Drag Bingo at Oz on Sundays with Bianca and Blanche (I just realized their first names both translate into English as white) was always a blast–and I made a point of never trying to get Bianca’s attention because she was always quick and that tongue was sharp as a scalpel always.

I also work with several co-workers who either did drag or have started doing it while I’ve known them, which indirectly helped me with the writing of Death Drop and my original story for a drag queen. Jem is sort of patterned in some ways on one of my former co-workers who actually went to a drag school here in New Orleans–and eventually quit his full-time job to do drag full-time. He’s been in Queer as Folk and numerous other shows filmed here, and has been booking gigs all over the country–check out his Instagram, isn’t he fucking gorgeous? So that gave me the idea to make the first book with Jem his drag origin story.

Learning about drag to write this book–and its sequel–has been an enjoyable learning experience for me. At some point I know I am going to have to do a transformation; I need to know how it feels to have the make-up and the padding and the wig and the dress and shoes on. I can imagine it all from doing theater in high school, but it’s not the same.

And yes, I will share the pictures when and if it does happen.

Steppin’ Out

Wednesday morning and it’s cold outside this morning. It’s currently in the forties, and I turned on the heat once I came downstairs. This isn’t going to last long–I believe it’ll be back in the eighties for the weekend–but this morning going outside is going to be more than just a little painful, methinks.

I got off work yesterday and swung uptown to pick up the mail–the pothole at the end of the street finally resurfaced, and so my street is being resurfaced at the St. Charles end and is closed to access from that way, which makes getting home a bit more challenging than usual. I have to go uptown on the way home again today–long story short, I ordered a new lunchbox because Tug broke the strap on the old one, and it was overdue anyway; I should have ordered a new one long ago, and the new one is being delivered today in theory. It’s also the first of November, which kind of feels weird. This year has lasted an eternity already and yet here it is almost the end of the year already. I kind of feel in some ways like I’ve frittered the year away–and let’s be brutally honest, most of this year was spent working on things that were supposed to have been finished last year, and somehow nothing since those were both completed. Blame it on what? The heat, a difficult year, the injury, and everything else that seemed to go off the rails for me this year. Paul was working last night so I didn’t get a chance to do much of anything last night. I was too tired to read, and I also had an operating system upgrade to finish on the computer. It’s working in a most lovely fashion this morning, which is super awesome; upgrades have always worried me since the Great Data Disaster of 2018.

Which reminds me, I need to back up the back-up, as it has been a moment.

I honestly don’t know why I was so off last night, or how I managed to waste most of the evening. I started reading the new Lou Berney (Dark Ride) yesterday morning at the dentist’s office (oh wait, that explains the entire day being off, doesn’t it? I hate being so immured in my ruts of routine) and it’s quite good, although I didn’t get very far into it before it was my turn to get in the chair for the dentist. It was the final fitting for my new dentures, which fit snugly and tightly and look marvelous in my mouth. The next time they call me, I will come out of their office with my new teeth, which is very exciting. I am quite delighted at the thought of eating solid foods again. I also had to go out to the UNO campus to record “My Reading Life” with Susan Larson, who is always a delight and is one of the few promotional things I actually enjoy doing. And duh, that is why I was tired and off all day long; the usual daily routine was disrupted. I had to drive out to Jefferson Highway almost to Harahan for the dentist appointment, drove back into the city for work, then had to go out to the lakefront to UNO and back. That’s a serious disruption to my routine, and as I am learning, that’s the sort of thing that drains my batteries now.

But I greatly enjoyed this year’s Halloween Horror Month, even if the bad quality of the videos of Friday the 13th the Series on Youtube caused me to abandon the rewatch of that show for the month. We’ve been watching The Fall of the House of Usher, which has been a lot of fun and very well done, too–hopefully we can get that finished tonight or by the weekend. It was fun revisiting The Dead Zone, and the other reading I did this month was pretty awesome too. I am going back to crime fiction reading again, because the horror reading has been making my brain go into the horror direction, and I’m not really a good horror writer.

Yesterday Death Drop launched into the world–I’m going to do some more promotional posts about the book as well as some for Mississippi River Mischief, which is also dropping next week (this is what happens when you don’t make your deadlines, people–don’t be a Greg)–and it’s always nice when that happens. It sometimes feels a bit anticlimactic, and I am terrible about promotion anyway (doing it always makes me feel very self-conscious, which is something else i need to work on, because it’s also rooted in my anxiety). My anxiety has also been off the charts lately, and I don’t know why that is. The lack of an LSU game last weekend, perhaps, which served as another disruption to routine? I’ve also been studiously not answering my emails since last week sometime, as well, which is also not like me and another sign that the brain chemistry isn’t working properly again. But now that I know what the problem is with my brain chemistry (better late than never, right?) we are going to change my medications because I’ve been on the wrong ones, and come up with a different coping plan. I feel like I’m in the middle of yet another reboot of my life–new teeth, surgery on my arm, writing cozies, thinking about exercise and eating right again–which might be needed. It just feels like everything has been a slog for so long now; I do think it goes back to the Great Data Disaster of 2018, which started the whole mess. Or maybe it was the expense of buying a new car and having a car payment every month, which kind of did me in financially for a while (starting to see daylight again)–there’s no stress like financial stress, after all. Anyway, I’ve not really felt centered or in any semblance of control over my life for quite some time now, and I’m kind of tired of letting my life happen to me–which was where I was at when I was thirty-three and did the first hard reboot of my life.

I feel good this morning, rested and awake and alert and energetic and ambitious, and it’s been awhile since I felt that way. I may run out of steam at some point today–it does happen, after all–but I am starting to feel good again about a lot of things and when I can look at positives rather than be overwhelmed by the negatives…I’ll take that as a win gladly and keep going.

And on that note I am heading into the spice mines. Have a marvelous mid-week, and I will check in with you again later.

Lost in Love

Saturday morning and we’ve at long last made it to the weekend! Huzzah! I have a lot to do this weekend, and I even have to leave the house both nights. This afternoon I am attending a co-worker’s wedding; tomorrow I am having dinner at San Lorenzo with my friend Ellen. Woo-hoo! Yesterday was a good day. I did my work-at-home chores, along with chores, and then ran some errands so I wouldn’t have to do them today–a decision I am very grateful for this morning, believe you me. I then read Angel Luis Colón’s Infested for a while, finished my reread of Death Drop, and watched an episode of Moonlighting. I also rewatched the last two episodes of Our Flag Means Death again–glad I did; I slept through most of them and they were most witty and clever and funny. When Paul got home we started the new season of Elité, but it’s more a habit and completionism to continue watching it at this point. It’s glory days are long past, I barely remember who any of the characters are, and I don’t really remember much of last season, to be honest.

Sigh. But those first three seasons are still epic television. This is kind of what I mean when I talk about shows that keep going because they’re successful when they should have stopped when they were ahead; the season three finale was an excellent stopping place–but at the same time I would have been terribly bummed had the show ended there, too. Be careful what you wish for, right?

The sun was bright and high this morning, just as it was yesterday morning, which leads me to believe the time change should have been this weekend instead of two or three weeks from now. It used to always be in October; and I don’t know why or when it was changed to November, but if we’re going to have to do this every year, can’t we at least have it happen when it always used to happen? I slept really well last night–I’ve been sleeping well all week, actually. I think the change in the weather has helped with that dramatically. I still feel a bit groggy this morning, but that’s okay. I am going to write this and read some more of Infested once it’s posted, and then I have some things to do around here. The wedding window period is from 4-9, with the actual ceremony around five. I am going to try really hard not to be that person who always arrives ahead of the scheduled time and has to sit around waiting for everyone else to show up–the story of my life–and I am quite determined not to even summon a Lyft until four o’clock.

I’m really enjoyed Infested, but I knew I would. I’ve been a long-time admirer of Angel’s work for quite some time now, and his narrative voice is absolutely perfect in this book. I’m not sure if it’s considered middle-grade or y/a–that line is always so blurry–but it’s quite engaging and I really like the main character. I’m also not entirely sure I’ve read a book before that’s set entirely in the Bronx? (And why is it “the Bronx”? It’s not “the Queens” or “the Brooklyn” or “the Manhattan”, but just saying “Bronx” without the article is weird…although I suspect that’s entirely from years of hearing it said with the article.) I am really enjoying it.

I’ve thought about writing for middle grade (I’ve literally thought about writing everything other than fantasy –I even have some science fiction, incredibly bad, in the files) but am not sure if I can do it, which is precisely the reason I should try writing it. I’ve always wanted to do my own kind of Nancy Drew-style series for kids, have wanted to ever since I was a kid reading those books, and I’d really like to at least give it a try at some point before I finally exit the planet or am unable to write anything anymore. Although can I really write for middle-graders when I don’t know any kids that age? Writing is writing, I suppose, and the best thing to do is try it and write the very best book I can with the very best characters I can; I do think two of my strengths as a writer are likable characters and a good narrative style that draws the reader in. Can that translate to middle grade mysteries? I guess I will never know unless I try–and maybe, just maybe, I could write one set in New Orleans?

And on that note, I am heading into the spice mines with my book to read. Have a lovely Saturday; I may be back later; you never know!