Tag: dark shadows

Eldest Daughter

Thursday, and it’s my last day in the office for the week. Huzzah! I am very pleased with myself for somehow managing to make it through the entire week without any super-fatigue or brain fog–which means I am getting better and more healed. I ordered a pair of wired ear buds for my new phone, and am going to try to start going for walks regularly. I also want to start stretching a couple of times per week. It’ll make me feel better in the long run and less sore all of the time, and while it may not burn a lot of calories, it will burn some.

Plus, being stretched regularly will do wonders for the muscles themselves.

I’m very much dragging this morning, since it’s Thursday, and I have to do a ZOOM panel tonight after work. Not sure how that’s going to go, since I am sure I will be very tired this evening. I feel rested this morning, so it’s just a matter of the groggy feeling this morning. I slept deeply and well, and of course tomorrow morning I can sleep a bit later–Sparky permitting probably goes without saying. I had a quiet evening last night after I ran my errands on my way home. Tonight I am coming straight home, and will probably relax for a bit while doing some chores–the kitchen is a mess yet again–and I did try to do some chores last night, so I won’t have as much to straighten and clean up on the weekend. Paul was late getting home last night, so I just kind of sat in my chair catching up on the news (always a tense, fraught experience) until he did get home. I also watched this week’s Real Housewives of Salt Lake City, and once Paul was home we got caught up on The Morning Show, which we are really enjoying.

I will have to consult my to-do list at some point today, to see if I am getting anything done this week. This weekend will mostly be a resting and reading and cleaning weekend, I suspect. Having the LSU game on early Saturday will be helpful; sure, there are other games for the rest of the day but they aren’t anything I would be horribly upset that I didn’t watch, so I am hoping to get some reading done this weekend. I need to finish a couple of newsletter essays (reread of The Haunting of Hill House; Frendo Lives) and start looking at one about Boots. The end of the month is sneaking up on us, too, and then it will be NOVEMBER….and then it’s the end of the year. 2026 is a bit daunting, because that’s the year I turn sixty-five. Yikes, indeed!

I’ve also not watched anything scary this month, other than the first episode of the 1990 reboot of Dark Shadows. I was a little bummed that Scream, my favorite “scary movie,” isn’t available to stream for free anywhere, and I’ve seen the movie far too many times to justify paying to watch it again. I think Scream 2 is probably available? Maybe I will watch that tomorrow while I am doing quality assurance so I can write about my favorite slasher series. (I was also disappointed to see that the original Halloween isn’t available for free anywhere–the same rationale exists for not paying to see a movie I’ve seen multiple times; maybe I should look for A Nightmare on Elm Street1–it’s been years–or Prince of Darkness or The Omen, which could be fun, or even the original Carrie. IT’S SPOOKY SEASON GODDAMMIT!) The weather has become cooler, too–the breeze is chilly rather than warm; the sun is shining every day so it’s in the eighties, but the cool breeze plus lack of humidity is a marvelous reminder of how magical October weather can be here.

I also am doing an on-line ZOOM panel about supernatural mysteries, which should be fun; That Bitch Ford will also be on it.

And on that note, I am heading into the spice mines. Have a lovely Thursday, and I’ll be back tomorrow morning!

The Nile River in upper Egypt
  1. I looked and it’s streaming on HBO! Huzzah! And Prince of Darkness is free on Prime. Looks like I know what I’ll be watching Sunday morning before Paul gets up! Huzzah! ↩︎

I Care

How is it only Wednesday? It feels like it should be at least Friday by now, doesn’t it?This has been the longest week, seriously. It’s cold again this morning–in the forties–and the rain has stopped. The bipolarity of winter in New Orleans is something I don’t think I’ll ever get used to, no matter how long I live here. I don’t feel tired this morning, but the cold does make me want to get back in bed again and burrow beneath the covers. I was all kinds of warm and comfortable under my blankets this morning when the alarm went off, and by the second beep Sparky was up, trying to get my attention to get up and feed him. I don’t feel worn out, but I don’t think I’ll make it through the afternoon without my energy flagging. Ah, well.

I even left work early yesterday for my podiatrist appointment, and the good news is the toe has healed perfectly and he was most pleased with not only how quickly it healed but how properly as well. His absolute delight when he looked at was very clear. (Apparently, I am some kind of medical marvel of healing; Paul heals pretty fast, too–how many people are discharged the same day they get a hip replaced?) But that’s a good thing, and there was some callus where he’d cut the nail and the scab had been, so he got rid of that with an exacto knife (it didn’t hurt at all) and then I was done and walking out to head home. I wasn’t even super-tired when I got home, but I worked for a while and that wore me out enough to finally put it all aside and relax for the rest of the evening. I hate that I am not catching up as quickly as I would like to, but that’s life, you know?

I also keep forgetting the Super Bowl is here in February, which will make getting around the city so much easier. Yay. And of course, there’s a massive facelift (or at least temporary patchwork) being done to New Orleans to get ready for it, so you never know what detours lie in your future.

I also watched Matt Baume’s documentary about Lance Loud, the gay son of the first reality TV show, An American Family, from the early 1970s on PBS. we didn’t watch it, but everyone was talking about it, and I remember hearing about the gay oldest son, and how the marriage ended in a divorce. I think my parents thought being filmed for a television show was exploitative and kind of gross? My mother certainly wasn’t one to get into reality shows–she even stopped watching soaps about twenty years ago. I was never really sure why, but Dad has told me over and over again about how deeply conservative she was (trust me, I knew but it still came as a surprise–I always thought it was Dad and she was just trying to make him happy. Ah, the things we are led to believe as children but never really give much thought to…Dad became more conservative because she was so conservative), so I have to assume the soap thing (I used to watch them with her when I was still in school) might have had something to do with that? I know my sister stopped watching them because they encouraged you to root for adulterers. My grandmother also used to watch them when I was a kid (I actually think she was the one who got me and my sister started on Dark Shadows), but also stopped. Anyway, it was an interesting documentary, and I learned a lot more about Lance Loud than I’d ever really known before, other than he was the gay son on that show.

The tale of Robin Hoody keeps getting more and more interesting the more information that comes out about him, and I keep being more and more amused at the way the country has almost completely united (see what I did there?) behind him. That really should tell everyone about the mood of the country, shouldn’t it? I keep being amused at how the story is being reported, and how much resources the NYPD expended on searching for this person while no one is even talking about the immigrant stabbed to death by racists on the same day in the same city, and certainly the NYPD isn’t making that a top priority. I’d love to see the price tag for justice for a health insurance executive, and why the NYPD and the media made this into such an insane priority. Yes, by all means, do tell me about how everyone is equal in the eyes of the law! And of course, the more information that comes out about both shooter and victim, the more noble the shooter sounds and the more awful the victim was. The media was certainly unprepared for the way people reacted, and the fact that the media so completely misread the mood of the country makes you wonder, again, just how shitty they are at their jobs; and the right-wing grifters attempt to frame this as a right-left issue blew up their faces…as some angry Americans slowly began to realize the media they consume manipulates them to make money, and people saw it as more of a class war kind of thing that apparently everyone has just been waiting for to happen.

And that’s what has the elites and their puppet media terrified. They cannot allow the country’s division to heal and anyone who is not an elite must be persuaded to fight a culture war when the real problem is and has always been the class war the billionaires have been waging against everyone else since Ronald Reagan was sworn into office in 1981. I also think a lot of the angry people are recognizing that they voted in the rule of an oligarchy and are not very happy about that, either. For the record, I don’t have any sympathy for those who voted for this and now have regrets. Too little, too late, too bad, so sad. You voted to make people suffer, and sadly, you’re also one of those. I can’t even begin to tell you how horrible those people were before the election, and how they absolutely refused to listen to anything anyone had to say.

And the newspaper coverage and most editorial commentary has shown how deeply out of touch they actually are from everyday citizens, and how they prop up the elites at every possible turn. Imagine if the media hadn’t gotten sucked into the cult of Trump in the 1980s and started turning him into a celebrity for no good reason. Seeing them trying to lead ‘the resistance’ after doing everything they could to reelect him (so much for that “liberal media bias,” right, Richard Nixon?) is not only craven, but disgusting and people are starting to see very clearly what our “news media” actually has become: completely incompetent and not good at their jobs. The news shouldn’t be a for-profit business, just like health care should not be.

And on that note, I am bundling up and heading into the spice mines. Have a lovely Wednesday, Constant Reader, and here’s hoping the rest of this week flies by.

Screenshot

You Make Me Feel Brand New

Saturday morning and we had a marvelous thunderstorm last evening. Paul got caught in it, coming home from the gym, but it was also a flash-flood alert storm, too. I should have curled up in bed with a book, but settled for the easy chair, my chair blanket, and a sleeping kitten. We wound up watching Godzilla Minus One, which was enjoyable. It’s funny that I can watch these movies so comfortably and easily now and enjoy them, when they terrified me as a child. I think it was WGN in Chicago that would run them and call them “creature features” (which was probably the case everywhere) and that always stuck in my head. I had such bad nightmares that Mom and Dad banned me from watching the monster movies, but the vampire/wolfman/Frankenstein monster movies also were nightmare material for me. I know I also used to have Dark Shadows nightmares, too.

Having a big imagination when you’re a child isn’t always a good thing.

I haven’t had nightmares in years, at least not ones I remember–I don’t remember any of my dreams anymore when I wake up, which used to be a thing for me. Not sure how or why that changed over the years, but it did. Maybe it’s because I use my imagination so much to write and create that it’s too drained for me to dream anymore. That might be the case, but then again who knows?

I spent some time in the laundry room working on the shelves, and I did purge more books to take to the library sale today. I am going to do that and go to the gym today–errands are first, of course–and then I think tomorrow morning I’ll cross over to the West Bank to go make some groceries. I have to clean out the refrigerator today, too. I’ve been kind of low energy this three day weekend; and not getting nearly as much done as I would have liked this weekend, but that’s life these days, you know? There’s also today. I want to work on the files and do some writing today, get rid of these boxes of books, and maybe clean some. I need to do the dishes and the kitchen, too. I also need to clean myself up; I haven’t shaved since Monday and my face is itchy and scratchy. I’ve really been a slacker this weekend thus far, but I am also not beating myself up over it. It is what it is, and sometimes I need down time just like everyone else. (I do miss my old energy levels, though.) I haven’t checked today’s weather, either. I am hoping for some rain this morning so I can curl up with my book for a while this morning before lugging the books to the library–but that’s going to open up so much space in the living room! I am really enjoying this progress I am making on the house, you know. I may even attack that last file drawer today, too.

As you can tell, the coffee is starting to work its magic on my brain and I am starting to feel alive and awake. I definitely am going to get through some of this stuff this morning, huzzah! (A quick check of the weather indicates rain at ten, so huzzah!)

I have also been thinking about the book projects a lot these last few days, which has been cool and helpful. I keep getting Imposter Syndrome every time I think about the WIP–but not the usual kind, thank God; this time it’s more “are you sure you’re telling this right?” before realizing that the plan for this book was to always over-write it to begin with and then trim it down and turn it into something I can take pride in; which isn’t how I usually write books in the first place. I also realized that I am not in fact finished with Chapter 3, either; I rushed it and did one of those “I can fill this in later because I want to call this done now” things that I always regret and resent during the revisions, so this weekend I need to get back to that chapter and really finish this draft so I can move on to the next. I also need to get back to work on some short stories, too. I’ve really got to stop letting my mind have the night off more regularly!

And on that note, I am going to head into the spice mines. I need to get the books organized in their boxes for ease of transfer, get the dishes finished, and maybe–just maybe–work on the floors some. I’ll also probably be back later at some point, too. Have a lovely day and catch you later, Constant Reader!

New Fire from an Old Flame

I grew up watching soap operas, and yes, soaps also influenced my development as a writer–which means I have to be careful not to slip into melodrama.

I know my grandmother watched them, and so did the lady down the street who babysat us in Chicago: One Life to Live, General Hospital, and Dark Shadows. I’ve always recognized Dark Shadows as a major influence on me as an artist and author; that and the old black-and-white crime movies my grandmother loved to watch with me. It’s why I’ve always had a taste for the dark and Gothic, and Dark Shadows merged horror with mystery in an expert blend that I can vividly recall to this day–and often go there in my work sometimes.

One Life to Live was always interesting, and they did stuff other shows weren’t doing. Viki’s Dissociative Identity Disorder storylines–including when it came back when she was under heavy emotional stress, usually involving memories of her father–was riveting; so was the Carla storyline, in which a beautiful young light-skinned black woman was passing for white, and involved with a white doctor. (I was terribly disappointed to find out, years later, that actress Ellen Holly, the first Black female star of a soap, received death threats and was also victimized by bigotry within the cast and crew and network.) It was never a favorite through the late 1970s and 1980s, but I watched; Erika Slezak was terrific as Viki and Robin Strasser was INCREDIBLE as her arch-enemy and stepmother, Dorian Lord. Andrea Evans returned in the 1980s as Tina, Viki’s ward…only to find out that Tina was actually her half-sister because her mother, Viki’s best friend, had an affair with Viki’s father…which led to yet another return of Viki’s DID.

Like all soaps, it was complicated.

But it was in the 1990s that One Life to Live became must-watch television.

Novelist Michael Malone was hired, out of nowhere, to be the headwriter, and he reshaped the show completely to his vision of what good storytelling should be, and the issues the show should be bringing forward. He introduced some new characters, slowed down the pacing of the show, and dove into the interior lives of the long-term characters, as well as their history. There were any number of explosive storylines during this period that made the show must-watch television; I recorded it every day so I would never miss anything. (All My Children and General Hospital were also having glorious runs at the same time; ABC was firing on all daytime cylinders.)

And then they brought in a new character, a friend of Viki’s son Joey, Billy Douglas–which was also Ryan Philippe’s big break.

Seriously, how adorable was young Ryan Philippe?

Daytime had dipped their toe in the water of queer characters before, before quickly ending the storyline and writing the character out. But in the early 1990s, Malone was willing to push the envelope and confront homophobia in all of its ugliness. It began with the arrival in town of Reverend Andrew Carpenter, who was shortly followed by his father, Sloan, from whom he was estranged. The reason of the estrangement was the father’s rejection of his gay son, who subsequently died from HIV/AIDS. Andrew can’t get past how his father rejected his brother due to homophobia, and they didn’t reconcile before the brother’s death. Already something was building here, and then Joey Buchanan’s (Viki’s younger son) friend Billy–a popular athlete, just elected class president–comes out to him. Joey is surprised, but accepting, and is there for Billy as he agonizes over what to do. Eventually, he goes to Andrew for counseling–and young villainess Marty Saybrooke, whose romantic interest in Andrew has been rebuffed, overhears the counseling session and tells everyone that not only is Andrew gay, but he’s been grooming (the term wasn’t used there) Billy into becoming gay too! The town is then torn asunder over the sudden outbreak of homophobia; Billy comes out to his parents and is rejected by his father, everything comes to a head, and the truth comes out–and Marty would get “punished” for her crimes later, in the most horrific way possible (again, must-watch television)–and Andrew and his father reconcile; the AIDS quilt is brought to Llanview; and people become more accepting of Billy. They introduced a love interest for him, but viewer reaction to this was harsh, and so they wrote Billy out by sending him off to Yale, never to be seen again.

Since then, almost every show gradually had gay or lesbian or bisexual characters, but I have stopped watching soaps, finally giving up on them in the late 1990s because I couldn’t really spare the time to watch anymore. But Billy, acted brilliantly by young Ryan Philippe, and beautifully written, was one of the first and best portrayals of a gay teenager on television, and I’ve been a fan of Philippe ever since.

It’s a shame One Life to Live no longer airs, going down in the bloodbath of soaps after the turn of the century. The show’s run in the first half of the 1990s was extraordinary–including the brilliantly conceived and written gang-rape of Marty that happened at a fraternity party, and the aftermath was explosive and brilliant. One Life to Live at the time also had a fantastic cast, wracking up Emmy wins left and right…and it was shortly after the Billy storyline concluded that they cast Nathan Fillion as Joey–and another fandom was born for me.

I’ve often wondered how much impact that story and character had on the public perception of queer people as well–during the Clinton administration things began to look up a bit from the horror of the 1980s, and I think television definitely had something to do with it, with positive representation.

Down by the River

My appreciation of all things Gothic is at least partly due to the old soap opera Dark Shadows, which I watched as a child and has crept its way into my work, my reading, and the majority of my entertainment consumption ever since. I have always loved anything with a touch of the Gothic in it, and spent my teen years (and a lot of my twenties and thirties) loving and consuming Gothic fiction. The post-war style of Gothic literature, marketed primarily towards women, was being done by authors whom I loved like Phyllis A. Whitney and Victoria Holt and others (while Mary Stewart’s work was also considered Gothic and featured many of the tropes of Gothic fiction, I consider her books to be Gothic-adjacent, and I will probably explain that better and in more depth at another time) and I couldn’t get enough of them. Holt and Whitney, to me, were the two best at this subgenre, and when Gothics stopped being published in such great numbers, I was disappointed and mournful.

Which is why I love Carol Goodman’s books so much. Her books have that Gothic feel to them, are beautifully literate in their prose and structure, and they are also incredibly smart. The books also cover art, education, and the classics; every book is filled with classical references that inevitably make me feel smarter for reading them.

The Drowning Tree is no exception.

The river feels wider from the shallow boat, the humpbacked hills of the Hudson Highlands looming like the giants Dutch sailors believed dwelled there.

“Just put the water behind you,” he says.

I can’t see the man in the boat behind me, and I don’t want to risk my precarious balance turning to see him.

“You’re been through the drill,” he goes on.

And I have. Six weeks practicing in the indoor pool under the watchful eye of the kayaking instructior, tipping myself into blue chlorinated water and rolling up again, gasping, into the humid air, all in one long in-drawn breath. I’ve practiced it until it’s become second nature, but it’s one thing to turn over in the clear, warm pool water and another to imagine myself hanging upside down in the cold gray water of the Hudson, trapped in the currents…

“This is where the current is most dangerous,” the voice says. “The Dutch called it World’s End.”

Like many of Goodman’s novels, this book is set in the Hudson Valley and there’s also an institute of higher learning–Penrose College–involved. Our main character here, Juno McKay, runs a stained glass restoration business in the same town where she went to college and grew up; she also lives in the building that houses her glass works. Her best friend from college, Christine, is coming back to the college to give a lecture into her research into a stained glass window at the college that Juno’s company is in the process of being restored. But before the lecture, Juno sees Christine arguing with the school president, the most recent Penrose, and afterwards when they have drinks together before Christine catches her train back into the city, Juno gets the impression that somethings’s going on with Christine–and then she is found, drowned in a creek along the shoreline of the original Penrose estate, near a sunken sculpture garden, in a scene very reminiscent of the scene in the stained glass window Juno is restoring. IS there a connection? Was it an accident, or was it murder or suicide?

Like any intrepid heroine in a Gothic novel, Juno is soon drawn into the mystery Christine was looking into–what happened years ago, between the first Penrose, his wife and her half-sister? How many secrets does the abandoned estate (very Nancy Drew, too–it reminded me of The Clue in the Crumbling Wall a bit) conceal? What secrets did the original Mr. Penrose, an artist and painter, conceal in his paintings and art and stained glass windows? Briarwood, a local mental institution, also comes into play as well; years ago, Juno’s ex-husband tried to kill her and their infant daughter by drowning them in the river. They survived, but his mental health did not and he’s been in Briarwood ever since. The pattern of three from the past with Penroses and the half-sister also seemed to play itself out with Juno, Christine, and Juno’s ex-husband, pulling the reader into all these complicated skeins and twists and turns, until the book comes to an extremely satisfying end with all secrets revealed and life back to normal at the end.

What a great read, and a great example of why I love Goodman’s work so much.

(Till) I Kissed You

Friday morning work at home and up early for PT blog. I slept very well last night, but didn’t get much of anything done when I got home from work. I wasn’t super tired or anything, but Scooter was feeling needy and the next thing i knew it was time for bedand I’d wasted the entire evening. But that’s okay. I’m not sure why he’s been so needy when I get home the last two nights, but he has been and I don’t mind letting him sleep in my lap so he feels loved. He’s such a darling. He also was cuddling with me in the bed this morning after the alarm started going off. Much as I miss Scooter, I’m glad we rescued this sweet playful boy.

I’ve picked out my next read, and it’s a short one, The Cook by Harry Kressing, which is the book the film Something for Everyone was based on. I think I am getting to the point where I am ready to finish my long-overdue post about Saltburn, and reading the book potentially could be a help on that score. I also want to read some of the other short books I have on hand, and hopefully that will get me deep into reading again. It would be great to spend an hour a day at least reading; the days when I used to compulsively read, and get so involved in a book that I’d blow off everything else I had to do in order to finish it. Heavy sigh. I don’t know why I’m having so much difficulty reading these days; and I do strongly suspect that the two things–inability to read and inability to write much–are very linked together. Something for me to work on this weekend, at any rate.

I had a breakthrough on the story I’ve been struggling to finish writing, and so I am hopeful that today, once I am done with work-at-home duties, will be able to dive right in and get this draft finished. I’d like to edit “When I Die” tonight as well; Lord knows I’ve printed enough hard copies of that damned story in order to get it edited easily enough soon, sheesh. I am debating changing the story a bit–why would they go out into the swamp that night, I am not convinced the reason I gave them in the original draft is good enough–and I am considering changing the make-up of the cast as well; instead of two guys and two girls, maybe three or four guys instead? A fraternity hazing ritual or something? That might be more compelling than what I had written already. I don’t know, really. I guess rereading the story will make a difference, and then start picking it apart.

I also have errands to run this weekend as well, and definitely need to wash the car again. What a glamorous life, right? But the festivals are next weekend, and I won’t be staying in the Quarter because of Sparky–who will definitely be needy–so I am not sure how much I am going to be able to get done then. Heavy heaving sigh.

I do love my new saddle shoes. I wore them to work the other day to break them in (so I can wear them next weekend) and they are so comfortable. I think maybe I am going to try to develop, this late in life, my own sense of style and start wearing the types of clothes I’ve always wanted to. I kind of want a cape coat, like the ones Barnabas wore on the original Dark Shadows, which I’ve always thought looked cool and always wanted. I am also thinking about getting a walking stick for dressier occasions, too. I’ve never really been much into clothes, primarily because I’ve always felt like men’s clothes were always too staid and patriarchal for me, so I never cared. But now that men’s clothes are getting more stylish? Sign me up. I think I want a cape, too, and a denim duster. I love the way younger male celebrities are mixing things up with their formal wear, and trying new styles and looks and I think it’s wonderful; definitely one of the best outcomes from more gender fluidity in society–and really, it’s all just drag, isn’t it?

And I kind of need to be more serious about everything to do with my career. I need to get that website finished, I need to get new author photos done, and of course all kinds of work that needs to be done on the house.

At least I’m thinking about making improvements to my life and everything, right, rather than just coasting along again and letting life happen to me?

So on that note, I am heading into the spice mines. Have a lovely Friday, and I may be back later; stranger things have happened.

Vegas High

Thursday morning and the bills are paid. Huzzah? But this afternoon I have to leave early to go to the cardiologist–I need to get cleared for the surgery because of my advanced age–and then Friday morning it’s off to the dentist AND WE’RE GETTING A CAT!!! (I may be a tad bit excited about getting a cat. This cat is going to be so loved and spoiled…) I was tired again yesterday when I got home from work, but I did manage to do some laundry and write. I finished the first chapter of yet another book, and will probably continue to futz around with both of these for a little while longer. It’s always important for me to get the first few chapters on a firm footing before moving on to the rest. I’m not sure why that is, to be honest, but it’s true. It’s impossible for me to move on and get deeper into a manuscript until I am confident in the first five chapters; sometimes less. I always forget this whenever I am working on new projects, and then spiral into self-doubt and imposter syndrome…aka anxiety. I have to say, this is so nice and different, such a lovelier way to live. My sleep is improving, my creativity is flourishing, I am being productive–and it’s okay to choose writing over reading, much as I love to read. I will finish my current book this week and this weekend I will start my Halloween Horror Month reading/film festival/television rewatches.

I’ve actually kind of started that already; I’ve been watching those Dark Shadows episodes. The story behind The Haunting of Collinwood is interesting enough; two doomed spirits from the past using the two children at Collinwood to enact vengeance on the Collins family, and everyone slowly comes to realize something is wrong with the children and something strange is going on. The funniest part, to me, is Elizabeth Stoddard, the matriarch played by old Hollywood star Joan Bennett, kept insisting there are no such things as ghosts and witches and so on–was this an ongoing thing for the character of Elizabeth, with every new supernatural storyline? Girl, where do you live?

I’ve also got those Friday the 13th the Series episodes to watch on Youtube. Horror has had a strong influence on my writing, and it’s something I enjoy and have a deep respect for as a genre. I am hardly expert in the field at all, and I try my hand at it here and there now and again with short stories or the occasional book. But I don’t write scary stuff–I like to write creepy suspense, with the tension and fear and adrenaline rising for the reader along with the characters in the story. My stuff is more about atmosphere itself than the supernatural events, which I rarely try to explain–there’s never a handy “expert” in any of my work to explain things to the characters, who are kind of on their own and can’t be sure they understand it themselves. As I said once in an interview, “Shirley Jackson never explained, and neither did Daphne du Maurier.”

Needless to say, Jackson and du Maurier are two of my biggest influences, I think.

OH! I should reread The Haunting of Hill House. It’s been a minute. And definitely “Don’t Look Now.”

Paul got home in time for us to watch this week’s The Morning Show, and it kind of begs the question: why is the fact that Reese Witherspoon is playing at least a bisexual woman in a relationship with Julianna Margulies not being talked about more? Have we reached the point where we’ve grown blasé about queer rep in mainstream-targeted television shows? Then again, that’s a good place to be–if no one is complaining and we no longer have to champion it? It’s a really good show, and as tired as I am of Jennifer Aniston and her even more tired old straight white lady shtick about cancel culture (“Friends couldn’t air today!” You say that like it’s a bad thing, Jen.), she is quite good in the show. I also approve the addition of Jon Hamm as Elon Musk, er, a Musk-like billionaire buying their network and also as a potential love interest. I also find it interesting that the two female leads–powerful and successful women in the news business–have male first names: Alex and Bradley.

So, hopefully by this afternoon the cardiologist will have cleared me for the surgery next month and I will know if I have the same congenital heart defect my mother had; there’s some question as to whether it’s genetic or not; she made it to eighty, but her father died in his sleep in his mid-forties; her brother also had heart issues and multiple surgeries before he passed. I have to say I have been exceptionally lucky for most of my life; I’ve never had a surgery other than tonsil removal as a child and tooth removal.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll be back soon.

Story

Yesterday was a bit of an emotionally challenging one at work yesterday, but handling days like yesterday is the most important part of my job, and part of the primary reason I took the job in the first place. It does get to me sometimes; not as often as one might think, but that’s also having years of experience in doing the work, too. I was emotionally and mentally tired when I got off work, decided not to run any errands and just come home to have some time to myself for a little while instead. There were chores that needed doing, of course, so I put on my big boy pants and went to work. Chores are always lovely when you’re processing things, or when you’re writing something. I like how satisfying it feels to be doing something mindless with your hands while your mind works away at something.

I did manage to do some work on the sequel to Death Drop, and got about 1200 words down, so that’s something. It wasn’t as easy as the work was on Sunday, but I was also better rested then and hadn’t already worked a full day when I sat down to work on the first chapter of the new Valerie, too. Both manuscripts are starting to come together in my mind, which is nice–but I am not sure if this “work on one for a chapter and then switch to the other” is going to be productive or help me at all in getting them both done, either. And the chores helped me assess the chapter and come up with the things that need to be said and written in it, which I will do tonight. So yay for the chores again!

I’ve been toying with the idea for a blog entry for several years now that is actually turning into a longer-form essay. (It’s been sitting in my drafts for a very long time here.) It began as a response to a homophobic op/ed run in a college paper at a major Southern university that was so incredibly offensive on every possible level (there wasn’t a homophobic dog-whistle the little bigot writer didn’t blow) that it was hard to believe a college student in this day and age could write, unashamedly and with such great pleasure and glee, such incredibly bigoted rhetoric disguised as “concern” when what was actually written was nothing more than an uninformed, un-researched, and completely emotional rant, entirely based in nothing factual. All it did was merely give the author a chance to expose their anger and feelings of contempt for queer people. That person should never ever be given any kind of platform again under any fucking circumstance–unless she goes to work for the Murdochs. That post then continued growing, until it became something else entirely, eventually consuming another blog post draft I’d been toying with for a very long time about authenticity and #ownvoices and cultural appropriation. It’s a separate piece from the other essay I’ve been developing (“Are You Man Enough?” about masculinity)–apparently, I’m getting into the writing of essays now, even though no one will want to ever publish them–but it’s something I feel strongly about, especially with that recent nonsensical essay making the rounds about gay romance that erases gay writers almost completely. Yes, yes, we get it, you think straight women invented gay romance.

You can say it a million times, you can even believe it–but that still doesn’t make it true.

Erasure of queer people is an ongoing effort.

The water situation in New Orleans–always dire, no matter how you look at it really–is finally getting national attention (which means I’m hearing about it from friends and family), and this is a question/problem that is going to continue, and not just here, either. Florida seems just as determined to make a quick buck at every moment without any concern for their fresh water supply, which is being steadily poisoned by chemicals and other pollutants; I am sure the rise of the seas is going to also gradually impact the Florida aquifer, too, as well as those of cities along rivers on the coasts. Now imagine a major hurricane coming this way and sending a twenty-foot storm surge of saltwater up the river. It was never a concern before…but it is from now on. Yay! Obviously, Louisiana’s environmental issues are something I’ve always been concerned about, but the concern is definitely ratcheting up a lot lately. This brutally hot summer, the drought, the river level being so low for so long…it’s hard not to think about it. It should be our legislature’s primary concern…but they’re too busy legislating against trans people and banning books because, you know, priorities.

I also started watching, while waiting for Paul to come home from work last night, some old episodes of the original Dark Shadows, which I’ve been thinking about a lot lately. The funny thing about the show and my memories of it are that I don’t really remember a lot of the storylines or characters beyond the original; probably because the “Barnabas is a vampire” storyline was also made into a feature film (House of Dark Shadows) and when the series was rebooted in 1989, they started with that same storyline. Prime used to have the individual episodes; now they have them bunched together with titles–I was watching the episodes when Quentin (David Selby) first came on the show; the grouping is called The Haunting of Collinwood, which made it more fun because I don’t know how the storyline runs–although I know Quentin became one of the stars of the show so this evil persona he’s inhabiting here inevitably must be redeemed. I may have to rent House of Dark Shadows to watch again.

As you can see, I am starting to get into the Halloween Horror Month spirit already!

And on that note I am heading into the spice mines. Have a lovely Wednesday (oh! It’s Pay-the-Bills day!) and I’ll talk to you again later.

Flowers on the Wall

I love Carol Goodman’s work.

I don’t remember which of her books I read first; I am thinking it was The Sea of Lost Girls, but that may be wrong (probably is; my memory is for shit these days) but I DO know I first met her in person at the HarperCollins cocktail party at Bouchercon in St. Petersburg, and she’s just as marvelous as a person as she is a writer. Since then I’ve delved into her canon of brilliant books–have yet to come across one that is even slightly disappointing–and each one makes my fandom flame burn even more brightly.

And then in Minneapolis, over lunch with a few friends at that wonderful Irish pub near the hotel, I discovered the clincher: she is also a Dark Shadows fan. She even joked, “I’ve realized that most of my books are really about Barnabas Collins and Maggie Evans”–which made me think even more deeply about how much of an influence the show was on my own writing (Bury Me in Shadows owes a HUGE debt to the show). She has a new book coming out this summer, which is very exciting–I have that weird thing about never wanting to have read everyone’s entire backlist, so there’s always one more book for them to read without me having to wait to get my hands on it–and during my trip to Alabama for the First Sunday in May I listened to The Ghost Orchid, which was so good that when I got home that Sunday night, I grabbed my headphones and listened to the final thirty minutes of the book while unpacking and doing things around the apartment.

I came to Bosco for the quiet.

That’s what it’s famous for.

The silence reigns each day between the hours of nine and five by order of a hundred0year-old decree made by a woman who lies dead beneath the rosebushes–a silence guarded by four hundred acres of wind sifting through white pines with a sound like a mother saying hush. The silence stretches into the still, warm afternoon until it melts into the darkest spot of the garden where spiders spin their tunnel-shaped webs in the box-hedge maze. Just before dusk the wind, released from the pines, blows into the dry pipes of the marble fountain, swirls into the grotto, and creeps up the hill., into the gaping mouths of the satyrs, caressing the breasts of the sphinxes, snaking up the central fountain allée, and onto the terrace, where it exhales its resin- and copper-tinged breath out onto the glasses and crystal decanters laid out on the balustrade.

Even when we come down to drinks on the terrace there’s always a moment, while the ice settles in the silver bowls and we brush the yellow pine needles off the rattan chairs, when it seems like the silence will never be broken. When it seems that the silence might continue to accumulate–like the golden pine needles that pad the paths through the box-hedge maze and the crumbling marble steps and choke the mouths of the satyrs and fill the pipes of the fountain–and finally be too deep to disturb.

Then someone laughs and clinks his glass against another’s, and says…

“Cheers. Here’s to Aurora Latham and Bosco.”

“Here, here,” we all chime into the evening, sending the echoes of our voices rolling down the terraces lawn like brightly colored croquet balls from some long-ago lawn party.

“God, I’ve never gotten so much work done,” Bethesda Graham says, as if testing the air’s capacity to hold a longer sentence or two.

Carol Goodman’s books are, above and beyond anything else you might want to say about them, incredibly literate and smart. She reminds me of Mary Stewart in that way; Stewart’s novels, often dismissed as “romantic suspense” (don’t even get me started on that misogyny), were smart, clever and incredibly literate, with Shakespearean references and quotes and allusions to classical literature. Goodman’s works are also the same; Goodman’s background in classics scholarship is utilized in every one of her books but not in a way that feels intrusive or showing off. It’s all integrated into the story and not only moves the story forward but deepens and enriches the characters as well as the plot, which is not easy to do. Her books are often built around some sort of academic/intellectual backdrop, from boarding schools to small colleges to actual archaeological digs (The Night Villa is absolutely exquisite; superb in every way), and her heroines, aren’t pushovers (as in most “romantic suspense”) but strong and smart and driven, if haunted by their own insecurities and past failures. Goodman is also not afraid to cross the line over into supernatural occurances, either; the previous one I’d read had a touch of the woo-woo, as does The Ghost Orchid, but it’s not intrusive and it actually plays out so honestly and realistically that you don’t question it.

The main character of the book is a young woman named Ellis Brooks. Ellis is a young author-to-be who is working on a novel based on what is called “the Blackwell Affair.” She had already written and published a short story based on an old pamphlet she found; the book research makes her a natural to be chosen for a residency at Bosco, an old estate in upstate New York that has become an artist’s colony, sort of like Breadloaf, but for a much more extended stay and for fewer artists. “The Blackwell Affair” actually took place at Bosco, when the original mistress of the estate, Aurora Latham, brought an experienced medium named Corinth Blackwell to Bosco to hold seances to try to reach the spirits of her dead children–any number of whom were either stillbirths or died shortly after being born; she had four children who lived but lost three of them to a diphtheria outbreak the year before. Corinth Blackwell and the only surviving Latham child disappeared one night after a seance; hence “the Blackwell Affair.” As Ellis does her research and gets to know her fellow artists better, she becomes more and more aware that the past at Bosco doesn’t rest, and the untold stories of the past must be unearthed before everyone at Bosco can be safe.

Goodman is also a master of the dueling timeline; one in the past and one in the present, and weaves the stories together so intricately that I marveled at the mastery, as the present day characters wonder about something and then we get the answer in the past. There are so many secrets, so many lies, so many spirits; but as always with the best ghost stories, the past is finally laid to rest when the truth is exposed.

I loved this book, and it reminded me not only of Dark Shadows (knowing she’s a fan I’ll always see it in her work now) but also of Barbara Michaels’ best along with Mary Stewart. Can’t wait to dig into another Goodman novel!

The Power of Goodbye

I got home last night around eight o’clock. I am very glad I went up there this weekend; it meant a lot to Dad and it was kind of helpful for me as well. I am still kind of in shock that I was able to sleep in the motel room on Saturday night; I actually slept better that night than I did at home on Sunday, but here we are. I am composing an entry about the First Sunday in May; I started writing it last night when I got home but don’t want to finish it while I’m sleepy or foggy from sleep. It needs a clearer head, to be certain. It was hot and humid yesterday, and I have a bit of a sunburn on my scalp from the incredibly bright hot sun as we went from cemetery to cemetery.

I am very tired this morning, but am really glad I went this weekend. I feel like some of the darkness has receded–perhaps not for good, make that most likely–I have long since learned to know that once the constant darkness starts to recede that there are still going to be bad days in the weeks and months to come, but that first wave of grief that I’ve been living with seems to be over. Stay tuned, and keep your seatbelt fastened; there’s still more turbulence to come.

I didn’t finish listening to Carol Goodman’s marvelous The Ghost Orchid in the car, but I can finish listening while doing some chores around the office that always need to be done. It’s really fantastic; with DNA from Dark Shadows, Mary Stewart, and Elizabeth Peters; another one of those books that make you think why do I even bother? But Carol’s one of my favorite writers (and favorite people) so I prefer to enjoy her work than beat myself up over not being able to write books as well–there’s no point in that kind of thinking in the first place.

I do feel like the cathartic feel from this weekend might help me buckle down and get back on top of everything. I am so behind on everything that it’s not even funny. I do have an eye appointment this Saturday–just getting my prescription checked; will order new glasses from Zenni if they are needed (and I suspect they are)–and hopefully I will be able to get deeper into the book this week and maybe–just maybe–get all caught up by the end of this coming weekend. I need to go over my to-do list and come up with a new one; I won’t be able to take books to the library sale because of the eye appointment but I should take a box down from the attic this week to get started on the ultimate purge, and hopefully think ahead and plan as much as I can while this good feeling lasts.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.