Tag: cozy mysteries

Knock on Wood

I was Executive Vice President of Mystery Writers of America for three years (2020-2022), and it isn’t something I talk about much. I never wanted to be seen as using this volunteer position (which basically was chairman of the board) to promote myself or my career, which is why I never really talked about it much other than referring to it here as “my volunteer work.” It was exhausting, exhilarating, and frustrating at the same time. I dealt with a lot of firsts–first EVP to cancel the Edgar banquet, first EVP who had a Grand Master die on him before the Edgar presentation, on and on and on–but one thing I am really proud of that I accomplished in the role was the creation of the Lillian Jackson Braun Award, facilitated by two board members. Cozies are often overlooked when it comes to awards–they are the romance novels of the crime fiction community, looked down on, mocked, and not taken seriously–and I’ve experienced crime writers talking smack about cozies from even before I was published. The establishment of this award was a first step, I felt, for MWA to appreciate and uplift this subgenre so that it’s taken more seriously.

I had always wanted to write one, and that became A Streetcar Named Murder. I’ve also been reading more of them, too, since I realized I had allowed the opinion of others to influence my reading habits. I’ve long enjoyed Donna Andrews’ and Ellen Hart’s series, and there are so many terrific cozy writers out there…Ellen Byron, Sherry Harris, Katherine Hall Page, Leslie Budewitz; the list could go on forever, really.

So I’d been meaning to get around to the first Lillian Jackson Braun winner, presented earlier this year–and what a pleasant surprise Buried in a Good Book by Tamara Berry turned out to be.

“There are at least three dead bodies in there.”

Tess Harrow stood in front of the log cabin, mentally calculating where each of the corpses would be found. The basement would have one of them. She could see damp seeping up from the underground barracks, the stonework crumbling with neglect. It would be a crime not to store a body there. The lean-to on one side of the cabin, which was living up to its name and looked one strong breeze away from toppling over, was ideal for another. The chimney was large enough for someone small, and…

“Four. Four dead bodies.”

She nodded once and hefted her suitcase. There would be an additional corpse under the porch–she was sure of it. The rotted wood and craggy slates made the perfect cover for one final interment.

“You are so weird,” muttered Gertrude. Tess’ s teenaged daughter didn’t bother lifting her own suitcase, opting instead to dragit on the ground. The bump of the bag matched the slump of her shoulders. The prospect of sharing her home with a few corpses wasn’t doing much to improve a mood that had been questionable to begin with. “Please tell me we at least have Wi-fi out here.”

At first, I wasn’t sure what was going on in this opening sequence, and Berry draws this out a little bit, as we slowly are introduced to bestselling thriller writer Tess Harrow and her teenaged daughter, Gertrude (Gertie). Tess and Gertie’s father divorced some six months before the start of the book, and he’s pretty much ignored her since leaving Tess for a younger woman. Tess, behind on her latest book–she hasn’t started it–decided to remove herself and her daughter from Seattle and come out to stay at her grandfather’s extremely rural cabin–no power, running water, or wi-fi–so she can focus on finishing her book and get Gertie away from the Internet so she won’t know her dad isn’t reaching out to her. Within moments of their arrival, they head down to the pond on the property just as the water explodes and it starts raining fish–and body parts. A dead body had been in the pond, and the “blast fishing” not only killed the fish but dredged up the corpse. Soon we meet the local sheriff–a dead ringer for Tess’s police detective, and she starts plotting her new book by basing it on what is happening around her.

This is an wickedly clever concept: Tess isn’t investigating the murder, but trying to figure out how to plot her book since it’s based on the criminal investigation going on around her. These are some of the most amusing parts of the book–as Tess tries to change the crime so it’s not obvious she is basing it on a true crime, and changing characters and relationships around so they don’t bear too close a resemblance to the real thing, but she keeps stumbling on clues–and the police detective is getting awfully tired of her bizarre theories and interruptions. Berry makes this even funnier, by having the cop actually be one of her readers, and constantly telling her how she gets things wrong in her books. There are a lot of weird things going on up on these woods–and every element, no matter how disparate, ties in to the mystery–a flock of toucans, an eccentric’s missing cat, Bigfoot sightings, and a town full of suspects, including identical triplets (I did this in a book too!)–and there were several points where I had no idea how this was all going to play out and work out, but I was also having an incredibly good time reading it. It’s funny, and I really like the characters of Tess and Gertie, as well as their supporting cast.

I am looking forward to the next for sure!

Boogie Woogie Santa Claus

I also am hearing today’s title to the tune of “Boogie Woogie Bugle Boy of Company B.”

It’s Tuesday morning and I survived Monday’s early morning PT. It went extremely well, so I am hoping that my surgeon will release me from it until February, when I can start strength PT. The wounds have healed, and cleanly, which is super nice. The bicep is also starting to look like a bicep again and not like a flat tire.

I also got back to writing yesterday and it flowed extremely well. I am very excited to be back on that horse again, and now that I know the plot for the book it’ll be a lot easier to get it finished. The middle (or Act II) will be a struggle as it always is, but at least I know how to end it, and I also know what the primary plot is going to be, and I do think it’s going to be really funny. I rewrote with a mind to the new plot, and everything just kind of was clicking into place and easy, which is AWESOME. I’m itching to finish this and get back to what I was working on before this project fell into my lap*. And I am having fun writing again. Maybe the surgery and the new meds served as a hard reset, like I unplugged my brain and then plugged it back in? I also slept well again last night, showing that Sunday’s restless night’s sleep was an aberration.

It’s very cold here this morning–it’s 44 outside–and thus did not want to get out from under my pile of warm blankets this morning as the alarm started its horrendously annoying beeping sound. This of course brought Sparky out from his fort under the bed, and he cuddled with me until it was time for me to stop hitting snooze and get up, which made it even harder for me to get up. (The affection is merely to make sure that he knows the exact moment when I get up, so I can feed him–he doesn’t fool me! He was nowhere to be found last night once I sat in my chair and edited what I wrote yesterday.) But the good news is I feel very rested and have some energy, so here’s hoping this carries me through the day. I have to go shopping for my secret Santa gifts, and I also have to pick up the mail and figure out when to make the red velvet cheesecake for Thursday’s potluck. I may go ahead and make the red velvet layers tonight, and then do the cheesecake tomorrow night, putting it all together on Thursday morning before work. That sounds like a plan.

I also went a little overboard preparing food for the week. There’s way too much of it, and I’ll need to eat dinner every night when I get home to get rid of it all. I also hadn’t calculated on the potluck Thursday (denial that Christmas is this weekend, no doubt), and one of my co-workers wants to get lunch with me tomorrow, so that’s two days I won’t need to bring lunch. Heavy sigh. I also think I will take Christmas day off from everything; no emails, no writing, no social media–I wonder if I can do it? I’d like to finish reading the Tamara Berry to move on to the next cozy in the TBR pile; there are so many ones with diverse voices and characters I am having a very difficult time choosing one. I am trying not to buy new books until I’ve made a significant dent in the TBR pile (with exceptions, of course–my always must-reads like Laura Lippman, Lou Berney, Megan Abbott, etc.) or donated more books to the library sale. We went to Costco over the weekend, and I had some stuff delivered; so another goal for the week is to do something about the box congestion in the living room; one of the reasons I’m not big into box stores as much as I could be is I don’t have enough storage space in the house to accommodate the things I could get; I’d be in real trouble if I did have the space. I am going to clear out the cabinets in the kitchen; there’s a lot of stuff we don’t need that has just been collecting dust for years.

And the cabinets and laundry room are seriously in need of organizing.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I may be back later.

*Perhaps my goal for 2024 should be to finish everything unfinished in my files…

Feliz Navidad

I do love me a good cozy mystery.

Cozy mysteries often get little respect from the other subgenres of crime fiction, and their authors likewise generally only get respect from their cozy colleagues; but the disdain they get from a lot of other crime writers is actually kind of criminal. It’s no easier to write a cozy than any other form of mystery; if anything, I would think it would be harder to write about a murder without much blood, no violence, no profanity, and no sex on the page. Part of the reason I decided to write A Streetcar Named Murder was the challenge of writing one, and it was far harder writing that book than it was writing the ones in other subgenres of crime; I wish I had a dime for every time I backspaced over a profanity I’d automatically typed; I curse a lot and so do my characters.

So while I am writing a new cozy–the sequel to Death Drop–I thought I’d read some while I wrote to get a good feeling for the subgenre.

And I am finding one can never go wrong with Raquel V. Reyes.

Halloween was a week away, and we didn’t have s single decoration up. The living room was littered with shopping bags, extension chords, four-foot-tall plastic jack-o’-lanterns, and one handsome Frankenstein.

“Babe, we’re going to need a ladder and a staple gun,” Frankenstein said.

“Can you borrow one from a neighbor?” I asked as I squeezed my foot into a shoe that had fit perfectly a few weeks ago but was now tight. My costume, like my husband’s, was a modification of something I already had. I’d taken a white apron and smeared it with beet juice. In red marker, I’d written Chef Vampira on a paper toque, the tall hat fancy chefs wore. I was not a trained chef, but I had reached local stardom with my two cooking shows, Cocina Caribeña and Abuela Approved.

“Do I look undead enough? Do I need more white makeup?” I asked.

I got a copy of Raquel’s Lefty Award winning novel for Best First at Left Coast Crime in 2022. I read it later that year, and kind of fell in love with the series and its main cast. After years of living in New York and working as a food anthropologist, Miriam, her husband and son all move to his hometown, Coral Shores–a town within Miami’s borders. As she found her footing in this rich and posh neighborhood of McMansions and racist snobs (including her mother-in-law) she gets involved in a murder when someone–her husband’s ex and whom his mother wanted him to marry–died of poisoning right in front of her at a charity luncheon–and Miriam develops a nose for mystery.

This second book in the series is a welcome second offering. This time out, there are bodies everywhere. Did the chef at the country club accidentally fall to his death, or was he pushed?The mother of the victim in the first book is found unconscious and incoherent on the side of Miriam’s house. Her neighbor is found unconscious and frothing in the mouth on Halloween night, so she has to take in his dog until he’s recovered. AND her mother-in-law has coerced her into putting together the charity fundraiser at her snooty country club, so she is constantly picking at Miriam…even in front of her grandson. And then there’s another murder. Miriam can’t help sleuthing, everything keeps building until the night of the gala–when Miriam gets to the truth finally and puts her own life at jeopardy.

I love this series. I love Miriam, and I love that Reyes doesn’t italicize Spanish words (she says she writes in Spanglish) and that she authentically sprinkles Spanish organically through the books. I love that the books focus on Caribbean cooking, and how it developed culturally and anthropologically. I cringe at the racism Miriam experiences (while getting angry at it; I despise bigotry), and I really care about Miriam; which is the key to writing a good cozy mystery: a main character the reader can identify with and like.

Do read this series. I can’t wait to get my hands on the third!

Rockin’ Around the Christmas Tree

It just doesn’t feel like Christmas until I’ve read this year’s new Donna Andrews Christmas murder mystery, and spend a little time in my favorite small town in North America, Caerphilly, Virginia. It’s a marvelous place, where everyone (or most everyone) is kind, everyone goes out of their way to help people who need it without a second thought, where all the churches get along and collaborate, and there’s even a small college. I always, always, always love every chance I get to go back there and visit–and I even put aside my utter disdain and hatred for cold weather and snow when it comes to Caerphilly Christmases. I’m not sure (without actually counting) how many Meg Langslow Christmas mysteries there have been so far, but Andrews always manages to come up with something charming, fresh, and new every year, and I always get excited when I see the announcement of the pub date for the new Christmas book, and the preorder is an absolute no brainer.

“You can still change your mind, you know.”

I closed my eyes and counted to ten. Then I opened them again. I crawled out from under the rough-hewn medieval-style trestle table I’d been repairing and looked up. Alec Franzetti was staring down at me with a pleading expression on his broad, bearded face. both of his enormous, hairy hands were clutching a clipboard that held an untidy, inch-thick sheaf of paper. He gripped it tightly enough to turn his knuckles white. He looked so stressed that the temptation to snap at him vanished. I made sure my tone was gentle. Gentle, but firm.

“No, Alec,” I said. “I’m very happy doing what I’m doing.”

His face fell, and he sighed loudly.

“Is there anything I can help you with?” I stood up and gestured at the clipboard.

“Probably.” He flipped through a couple of the top papers. “Let me think.”

He glanced down at the clipboard, then wandered off, looking distracted and lost.

“Change your mind about what?” came a voice from behind me.

I jumped at the sound. Alec’s anxiety was rubbing off on me. I turned and smiled when I saw my old friend Caroline Willner.

As I said, others may think it’s not Christmas until it snows, or they’ve seen Frosty or It’s a Wonderful Life or Rudolph or A Charlie Brown Christmas, but for me it’s not Christmas until I’ve read the new Meg Langslow Christmas mystery. Caerphilly is one of my favorite fictional places, and Meg’s enormous network of friends and family never ceases to amaze me every time I dive into the pages of one of her books. What an absolutely marvelous place it is, where everyone is welcomed and everyone is treated fairly and even the little feuds that inevitably spring up between people are gently amusing. Caerphilly is a popular tourist destination, especially at Christmas; Meg’s husband does an annual one-man show reading A Christmas Carol, and even when something goes awry and someone gets murdered–every year–everything is usually handled in time for everyone to have a delightful, and love-filled holiday. The books always make me feel warm inside, and every time I close the book when I’ve finished, I smile, enormously pleased and satisfied. Somehow, Andrews has the magic touch of how to make people feel warm and happy about the holidays, without becoming treacly, melodramatic, or overly sentimental.

This year round, there’s a competition reality show filming in Caerphilly, out at the local retired heavy metal rock star’s (Ragnar Ragnarson) goth castle–Blades of Glory–and Meg is resisting being cast so they have a woman blacksmith in the competition. (Distinction, pointed out early: the show is actually about blade smithing, making weapons, which is an entirely different skillset from black smithing. A blacksmith can make blades, but can also make other things. A bladesmith specializes, obviously, in making weapons–knives, daggers, swords, etc.) Meg’s mentor and trainer, Faulk, is competing in the show–but when he is attacked from behind on the castle grounds with a baseball bat, his arm broken–Meg agrees to take his place, but only when she finds out Faulk has invested money in the show and the show falling apart could ruin him and his partner. Who could have attacked Faulk? Someone in the crew of the show, or one of the other competitors? Then there are shenanigans during the filming of the first competition being filmed; one of the contestants sabotages the others, but Meg has proof on film; she became suspicious when her forge was set at the wrong temperature, so had mini-cameras set up to record, and she has the culprit red-handed. Later on that same night, he is murdered–and the case is off and running.

This book was an absolute delight. I laughed aloud several times, and yes, sighed in satisfaction when I closed it after reading the last page.

But now I have to wait until August of next year for the next book to come out so I can visit again.

Seriously, folks, you need to read this series. I can’t rave enough about it.

I Know There’s Something Going On

I love cozy mysteries.

I do, and while they may not make up the majority of my reading pile, it’s always a joy to find a new cozy series I enjoy. One of my favorite mysteries of all time, James Anderson’s The Affair of the Blood-Stained Egg Cosy, is definitely a cozy mystery–a house party murder, with secret passages and international espionage and a jewel thief–and is LONG overdue for a prestige mini-series, preferably by either Acorn or Britbox. (I should reread that book; it’s been a hot minute) I don’t think cozies and their writers are given the respect they deserve, ever–rarely do you see a cozy on a Best of the Year list or making the short-list for awards (besides the Agathas), and I’ve heard crime writers slag off the sub-genre, way more times than I would prefer. Anyone who thinks a cozy is lesser or somehow “easier” to write than any other kind of crime novel is more than welcome to give writing one a try. It’s always amusing to me to see the hypocrisy of crime writers whining that literary writers don’t take them seriously…and then in their next breath go on to mock cozy writers. (I did have a wonderful “gotcha” moment with a straight white male mystery writer once; he was complaining about how crime fiction isn’t considered literature, and later on in the same conversation he made a snide remark about cozy writers…and boy did he stumble for words when I replied, “So when lit writers treat you like a cozy writer you don’t like it?” He won’t talk smack about cozies in MY presence again…)

Anyway, I digress. One of my favorite series of all time is the Meg Langslow series by Donna Andrews, and we are on book thirty-three now, with thirty-four on my chair sidetable, halfway finished reading, and Book 35 available for preorder already.

That is a pretty impressive track record, and career. If I wrote a Scotty per year from now on, it would take me until I am eighty-eight to get to book 35. YIKES.

“This is the life,” I said, as I wriggled into an even more comfortable position in the hammock.

I wasn’t talking to anyone in particular. As far as I knew, there was no one within earshot. But just in case there was, I was going to do my best to look–and sound–like someone who was deeply contented and should not be disturbed for anything short of an actual emergency. Although the people most apt to – me were safely occupied elsewhere–Michael, my husband, was teaching his Friday classes at Caerphilly College, and my twin sons, Jamie and Josh, were at school until three.

My-notebook-that-tells-me-when-to-breathe, as I called my comprehensive to-do list and calendar, was nearby, but I’d already checked, and nothing in its pages had to be done right now. For the next hour I was on hammock time. I could read. I could put on my headphones and listen to some music. Or I could just lie here and enjoy the balmy May weather, the masses of blooms in our flower beds, and the fascinating aerial ballet of hummingbirds darting to and from the nearby feeder.

The hummingbirds. I sat up with a frown. The last time I’d found the time to watch them, there had been half a doxen of them, impossibly small, their iridescent jewel-toned bodies sparking in the sunshine as they paused, sipped, and darted away. Now there was onlyone, flitting around the feeder. And he didn’t seem to be feeding–just darting about.

And that title is a gem.

The entire series has bird-puns for titles, which is amazingly hard to do, and if you don’t think so–try coming up with thirty-three bird pun titles for crime novels without looking at Donna’s backlist. I suggested one to her many years ago that I keep hoping she’ll use–but she hasn’t yet, and I despair my bird pun title will ever make it into her canon.

I do feel that I also should, in the interest of full disclosure, let you know that Donna Andrews is not only one of my favorite writers but one of my favorite people in this business. We first met years ago when we were both on the MWA board (she was on The Good, the Bad, and the Emus back then), and I found her to be intelligent, kind, charming and funny. That was when I started reading her, and what a joy this series has been for me all these years. Donna’s books, to me, are the perfect example of why this sub-genre (amateur sleuth, no blood or sex or violence–at least not much, and little to no swearing) is called “cozy”–because that’s how reading one of her books makes me feel, cozy. Honestly, there’s nothing better than curling in my easy chair with a blanket, a purring kitty in my lap, as I revisit my friends in Caerphilly again.

Because she writes so well it seems like a real place, one that I am happy to escape my life into twice a year.

I could talk about this series all day, I love it and the characters so much. Caerphilly reminds me a lot of Schitt’s Creek and Ted Lasso–ensemble casts in places where everyone is kind and looks out for one another, but also doesn’t interfere and lets you make and learn from your own mistakes. This time out, Donna has added a new McMansion style neighborhood to the town, Westlake, with people retiring from major cities to the “rustic” charms of Caerphilly–only to complain incessantly about those very rustic charms to begin with–and beekeeper Edgar is square in their sites, his hives just across a small stream from their backyards. Meg calls them the NIMBYs (not in my backyard), and I think we’ve all encountered these types (which is why dumps and toxic waste always ends up around poorer communities). Someone has poisoned all of Edgar’s bees–and Meg agrees to look into who could have done something so heinous. But while looking for an old African American cemetery, Meg and her friends not only find the cemetery deep in the woods, but they also find the dead body of one of the worst of the NIMBYs, and the game is afoot.

The sadness at finishing the book was derailed by knowing this year’s Christmas Meg murder mystery was already in my TBR pile, which I immediately started reading when I finished Birder She Wrote. Don’t be daunted by the massive backlist, either–if you’ve not read any of these books, you can start anywhere and then work your way through the series; there are never any spoilers other than those from Meg’s personal life–and frankly, I don’t mind those kinds of spoilers, because its fun to go back and see how she met her husband, when they got married, the twins, etc.

Hey Apple TV–this series is a natural for y’all.

Disturbia

I’ve always liked cozies, and several years ago I realized that, outside of Donna Andrews, I wasn’t really reading them as much as I used to; and I wasn’t really sure why that was. As with diverse writers, I decided to turn it into a reading project; I had already done the Diversity Project, and the Reread Project, so why not the Cozy Project? I also decided it would be fun to keep reading Donna Andrews, but rather than trying the writers I had been reading before to try to find new ones, too–much as I love my regular authors, I’ve been wanting to expand my horizons. So I started reading Leslie Budewitz and Julie Henry and Barbara Ross and Ellen Byron and any number of other marvelous cozy writers–and believe you me, there are a lot of them, and getting into the Cozy Project also coincided with the Diversity Project, with marvelous writers like Kellye Garrett (loved her Detective by Day series) and Mia P. Manansala and Raquel V. Reyes and any number of other marvelous cozy authors.

Cozies are the subgenre in crime fiction that probably gets the least amount of respect (romantic suspense being another) from reviewers and other crime writers, but they are beloved by their readers and there are a lot of them. One of the things I am really looking forward to by attending Malice Domestic this year is to find more new-to-me cozy writers. I think it’s because they are “gentle” crime novels; no gore, no blood, no sex, no violence, no swearing. This sets them apart from the rest of the genre–almost at arm’s length, if you will, but I often find these books to be engaging, involving, and entertaining; a lovely respite from the toils and troubles of every day life.

And sometimes you need that escape. I’ve always found solace in books, and that will probably never change until I am in the grave (well, urn, since I want to be cremated).

“He put his foot in those greens.”

Reef stopped and looked at me. Hand hovering midway between bowl and open mouth. A forkful of collards dangling. Juice dripping. His eyes went from nine to Koby’s flip-flop-clad feet to the dark, limp greens in front of him. “You mean like they do with grapes?” Scraping his teeth across the surface of his tongue. he stuck it out and scrunched up his face. “Ugh! Is that how you make ’em?”

A bright, sun-filled afternoon, we were out back of our soon-to-be bookstore and cafe. We’d put out three umbrellaed wooden tables with our logo in the bricked alleyway and scattered brightly colored potted plants around.

“No.” Koby pursed his lips and shook his head at me. “That’s not how I make them. She just learned that term,” he said, and chuckled. “It’s just a saying, Reef. You know. You say it about the person who cooked something that’s really good.”

“So you didn’t actually stick your feet in ’em?” Not moving his head although talking to Koby, Reef rolled his eyes my way.

Body and Soul Food is the first in the Books and Biscuits series by Abby Collette (aka Abby Vandiver), and it’s a winner. Fraternal twins Koby and Keaton were given up for adoption as babies. Keaton hit the jackpot, being adopted by a loving couple (her adoptive father has died; her mom is a psychologist) while Koby went through years of foster homes and foster care before hitting the jackpot in his last group home with Mama Zola. Koby went looking for his family once he was old enough and found Keaton, and now they’ve decided to go into business together in the small town of Timber Lake, just outside of Seattle; a combination bookstore (degree in library science holder Keaton’s side of the shop) and cafe (Koby is a great cook so this is his domain). Reef and Koby were in the same foster homes, so they are sort of friends/brothers close…and single Keaton is more than a little interested in Reef.

But then Reef dies on a commuter train on his way back to Timber Lake from Seattle; Koby and Keaton were planning to meet him on the train and instead find his dead body. Who would want to kill Reef, and why? Koby and Keaton are tops of the suspect list and it doesn’t seem like the investigating officer, Detective Chow, believes them or their story…so around the hustle and bustle of opening the shop the twins are also playing detective, and finding out who Reef really was; the more things they learn about Reef only tend to make the tragedy worse; usually, the deeper into the investigation gets the more unlikable the victim becomes, but that isn’t the case here. Koby and Keaton also use the investigation to help them deal with their grief over losing Reef–Koby lost a brother; Keaton a potential love interest–and finding out that almost everyone who knew him had nothing bad to say about him, and in fact nothing but good things, makes the loss even more painful for the pair.

There’s also a great supporting cast, and I really enjoyed my visit to Timber Lake; and am really looking forward to reading the next book in the series as well as more of Abby’s work under whatever name she chooses to brand her books with. I do recommend this very highly; it’s quite fun, it’s well written and the story flows really well, and of course, Koby and Keaton are really likable.

More, please!

Electricity

Ash Wednesday and the party is over for another year. It feels a bit weird to have not gone to a single parade and have missed out on all the festivities, but I will always remember 2023 as the Carnival when Mom died.

I allowed myself to sleep in this morning. I’m still out of the office on leave, which is nice. I am getting better but am still a bit shaky, if truth be told, and so these extra days to kind of get my act together before going back to work are going to be a bit nice. I did manage to get some things done yesterday. I had a Facebook page takeover promo thing to do, which turned out to be a lot of fun–it was a very nice group, and I have to say, the cozy audience (writers and readers both) are amazing. They are welcoming and friendly and inclusive and supportive and I have to say, this entire experience has been really marvelous. While I was doing that I was cleaning out my inbox and working on filing and organizing. This morning the kitchen/office looks much better than it has since this whole business with Mom started; today I plan to do some more. I also need to make a minor grocery run (probably will go to Fresh Market today) and will order for pick-up on Friday to do the bigger stuff (mainly because they’ll have restocked after the Carnival madness by then). I also need to start working on the books again, and I still have that short story to write, and there’s of course all those emails in my inbox (yesterday I was just basically deleting the junk). I was still exhausted for the most part yesterday still, so focusing wasn’t easy, so I spent most of the day watching documentaries about history on Youtube and making Scooter happy by giving him a lap to sleep in. We also started watching Class last night on Netflix, which is basically an Indian remake of Elité, which makes it kind of fun. The actors are all young, pretty and talented; the show seems a bit less glossy and a lot grittier in this version–can an American version be far behind? (I suppose Gossip Girl would qualify, but it’s not in the same league and the reboot is terrible to the point of being embarrassing.) Class also moves faster than Elité; we discover the identity of the first season’s murder victim at the end of episode 2, whereas in Elité we didn’t know it was Marina until halfway through the season–I also think this version’s seasons are shorter. But it’s fun to watch, even though we know what’s going to happen, just seeing how they did the adaptation and how they had to change things because it’s now set in Delhi, India rather than Spain.

My toe is less swollen, less red, and less painful this morning as well. I am beginning to suspect it’s psoriatic arthritis, but I am going to send a message to my doctor about it through the phone app. I also need to buy more wrap for it; I don’t know where the wrap I bought before the trip disappeared to; I may have left it in the hotel room (note to self: never buy black tape again) since I can’t seem to put my hands on it around here. I can swing by CVS on the way to get the mail to buy more, but it’s not cheap and it’s very irritating to have lost the rest of the roll. Now, the toe is just annoying and irritating, but I need to get to the bottom of what happened to it in the first place.

It does feel weird and somewhat disrespectful to pick up the reins of my life again and start moving forward. What is an appropriate period for mourning in modern times? I don’t think I’ll ever stop mourning, to be honest; it’s just something else you have to learn to live with and never get over completely. I remind myself regularly that this isn’t unique to me–I am hardly the first person to lose their mother, nor am I the last–and that really, I was pretty lucky that I had my mom for sixty-two years and I still have my father. I am still processing this, and probably will for a while. It’s very weird that it takes something like this to give you clarity on a lot of things, or insights that should have been fairly obvious all along but never crossed my mind because there wasn’t a reason to even think about it; they just were, you know, and why question these things or think about them? It also forced me to look back at my life (which I don’t like to do, but have been doing more and more since I turned sixty and the realization that the sands in my hourglass are almost finished running through), and realize that sometimes it’s not necessarily a bad thing to look back. The interest in the past that I’ve always had but never extended to my own has now been triggered, and I suspect more and more of my future work is going to be somehow tied to the past–either being set there or things in the past are affecting things in the present. I also need to assess where I am with regards to my plans for the year; I didn’t really have plans–more of an amorphous this is what I’d like to write for this year thing than anything else–especially since I never really make writing plans because they inevitably are changed or have to change and I am very resistant to change (not sure why that is, my entire life has always been about changing), but I do have a vague idea of how I want the rest of the year to play out writing-wise. I also have to start being more restrictive of my traveling because I am going to start needing to go to Kentucky more often every year (yay for audiobooks!) or at least meeting my dad in Alabama to visit Mom (Alabama is much easier than Kentucky for me, obviously).

So, today is catch-up day; finishing laundry and dishes and chores, running errands, organizing and filing, maybe doing some reading (I am really enjoying One Night Gone by Tara Laskowski), and I also need to start trying to figure out how to fix the dryer, or if I even can. Paul was kind of adamant about not buying a new one at first, but as this has gone on for weeks (I’ve been gone the last three weekends) he is getting more and more resigning to buying a new one. So on the to-do list I am going to update after I post this will go figure out if I can fix the dryer myself. I don’t have to work in the office on Friday, but I do need to swing by there to pick up some more work, and there’s a Lowe’s out by the office I can swing by the see if they have the fuse I may need (I may just need to unplug it and vacuum out the lint thing; it’s the simplest solution and definitely worth a try). I also need to order a Bluetooth keyboard for the laptop; the one I am using now is battery operated and of course, the batteries are always dead when I need to use it, so I need to get one that is rechargeable.

But I feel good and rested and at peace this morning, so I am going to focus on that and get moving. Have a lovely rest of your day, Constant Reader, and I will check in which you again later.

Tell Me

Friday and a work-at-home day, except for the morning department meeting I have to attend in person, which means I didn’t get to just roll out of bed, wash my face, brush my teeth, throw on some sweats, and get a cup of coffee just before nine…no, I have to be there at nine. I’ll run a couple of errands on my way home, which spares me from having to leave the house on Saturday; I may order groceries for pick-up on Sunday, but I don’t need to decide that right now.

This week wore me down and wore me out. I didn’t sleep terrific all week long to begin with, then of course it was one thing after another to have to deal with. But it’s Friday and I am relatively unscathed, methinks; I slept really well last night and think that could again be the case tonight. I was completely worn out when I got home from work last night, so I collapsed into my easy chair and watched a lengthy James Somerton video on Youtube called “What Ever Happened to Good Taste?”, which was about camp classic films, beginning with All About Eve before cycling through Whatever Happened to Baby Jane?, Mommie Dearest, and the drag queen road movies of the early 90s, The Adventures of Priscilla Queen of the Desert and To Wong Foo, Thanks For Everything, Julie Newmar. (I must confess to being enormously disappointed that Showgirls didn’t make the documentary; it is, after all, an all-time classic.) Paul got home shortly after I finished watching (it was two hours long) and we watched another episode of Welcome to Chippendales, which could have been just a movie and not a series I think; there’s a lot of padding out of the story to stretch it out into a mini-series. I have a lot to do this weekend; one of my tasks for today is of course a to-do list for the weekend. I need to get caught up on the book, I need to get caught up on a lot of things, and I want to finish reading Wanda Morris’ marvelous latest work. Perhaps after I get home from the meeting at the office this morning and get through my work-at-home chores today, I can spend some time with Wanda’s book and finish it. I am going to run some errands on my way home from work today, too–hoping that I won’t have to leave the house much this weekend so I can get things done.

My arm continues to get better every day, so I think it is something that didn’t necessarily require the emergency room costs or a forced-onto-the-schedule doctor’s appointment. It means I won’t be able to start back to the gym this weekend as I’d planned–I like to start going again before the new year when everyone’s resolutions crowd the place to within an inch of its life come January–but I cannot lift weights with this arm, which pretty much eliminates every upper body exercise. I could, I suppose, go a couple of times a week and simply focus on legs–but the weight plates would be a problem, too, you see. So, that’s going to have to go back on hold until my arm feels better.

I was very surprised and pleased yesterday to see that a couple of Instagram users did “reels” talking about A Streetcar Named Murder, and I have to confess this week–shitty as it was personally–has been a really terrific week for me professionally. It certainly was a good one for my writer’s ego, for sure. The outpouring of support and appreciation for my book from the cozy reading and writing community has been quite nice, rather unexpected, and I am enormously appreciative and grateful for it all. In some ways, it’s kind of validating; over the past few months I’ve really come to understand that I have an enormous chip on my shoulder when it comes to my own writing, and have tried unpacking that a bit. (I’ve spent quite a bit of time since turning sixty in the wake of a global pandemic unpacking my behaviors and the events that occurred that shaped those behaviors.) How different would my life have been had I gotten support and encouragement when I was younger? Had people taken my ambitions and desire to write seriously rather than dismissively? I honestly don’t know, can never know, will never know–the great pleasure of human life is you can never do anything more than speculate about how differently a shift in something, even a very small minor one, can alter the course of a life and a career.

The other night, before my Murder by the Book event with the marvelous John McDougall and my very dear Ellen Byron, John asked me “Now that I’ve read your book, Greg, I have to ask–why did it take you so long to write a cozy? Why haven’t you been doing this all along?” and my answer was “I really don’t know.” It absolutely gave me pause, and has lived rent-free in my brain ever since Tuesday. Why did it take me so long to write a cozy? I still don’t have an answer that makes any kind of sense. Let me see, I’ve always read them, always appreciated them, and have always done my best to fight the stigma attached to them by some elitists who need to feel better about themselves by looking down on a subset of other writers. I hate that, particularly because I know how it feels to not be taken seriously or be respected by your peers (there’s that enormous chip on my shoulder again).

But despite all the difficulties encountered during the time of its writing, I really enjoyed writing A Streetcar Named Murder. Sure, it was hard, and sure, I had to make myself do it (like always), but when I finally held the finished copies in my hands, I was incredibly proud of it. I have always said that I want to always be challenged by what I am writing, that I don’t ever want to fall into a familiar pattern of writing that feels like painting by the numbers (which is why I ended the Chanse series), which is incredibly easy to do. Writing a cozy presented me with a challenge, and yes, it was hard and yes, it was outside of my comfort zone. But I created likable, believable characters and an interesting story, with new situations and paradigm/life shifts that all played out throughout the course of the story. Now that it’s out in the world, it is an interesting question as to why I never tried to write one before, or even why I believed that I couldn’t write one in the first place.

And in some ways, it’s almost like starting my career over again. I am finding a new audience. I didn’t center queer characters and stories. I just wrote about New Orleans again but from an entirely different perspective, and it was enjoyable.

And I am proud of the book, and of myself. It feels weird to say that, but at the same time it also feels good to say it.

And on that note, tis back to the spice mines with me. Have a lovely Friday, Constant Reader, and I’ll check in with you again tomorrow.

Carol

I have to go to the West Bank this morning to buy two new tires for the car. An active pothole destroyed my driver’s side front tire the other day, and so I need to get at least one new tire, probably two so their wear pattern will match. The tires are supposed to be good for 50k miles; I don’t even have 30k on my car yet, which makes this even more frustrating. Perhaps this is my punishment for writing about potholes the other day on the Wickeds blog, with “The Orange Cone”? I may have angered the pothole gods, and they must be appeased to the tune of several hundred dollars.

Ah, well, there’s nothing to do but go whip out a credit card and pay for new tires. At least I can take Wanda Morris’ Anywhere You Run with me to read while I wait for the tires to be mounted and put on the car.

I was very tired yesterday when I got home from work. I didn’t sleep well Monday night (did better last night, frankly) and so was already tired going into the day. I was monitoring my blog post at Mystery Lovers’ Kitchen so I could reply to everyone’s comments, and they were keeping me occupied between clients and the end of my shift. When I got home, I had a few hours to make the kitchen presentable before going live with Ellen Byron and Murder by the Book, which was a lot of fun. Paul came home as we were wrapping it up, so we could watch another episode of Victoria’s Secret: Angels and Demons, which moved on to the Epstein/Ghislaine Maxwell connection to Victoria’s Secret, and it seems as though human trafficking and models being pimped out by their agencies might very well have been happening in the industry before Epstein, from the looks of things. B

But the event went really well–it was nice seeing John from the store again, and he said very nice things about my book beforehand, including “After reading it and liking it a lot, I have to ask, why did it take so long for you to write a cozy?” which I thought was the highest compliment I could ever receive. There have been times that I have felt like a carpetbagger in the subgenre; poaching in territory not my own. But one thing I will say about the cozy subgenre–the authors and readers are incredibly kind, supportive and welcoming to new authors entering their territory. It’s been lovely seeing all the support from other cozy writers and readers on social media in the weeks leading up to the book’s release, and it’s also something I’m really not used to, to be honest. I don’t want to make it sound like I haven’t had support from colleagues and readers before–because that wouldn’t be the truth–but this entire experience, from the announcement of the contract to the cover reveal to the release, has been so incredibly lovely and affirming that like John, I wonder why it took me so long to join the ranks of the cozy writers? Ellen and I did agree on camera that my Scotty series was a more of an edgy cozy series that breaks some of the rules (profanity, sex, violence and blood on the page) than anything else; Scotty may be a licensed private eye but no one ever hires him–he just stumbles into bodies and mysteries all the time through no effort of his own.

Christ, I am so behind on my Scotty book. Heavy heaving sigh.

(Even in the midst of self-promotion, I can always feel guilty about the progress of whatever it is I am working on at the moment.)

After I get the tires put on the car and paid for, then it’s off to the office to finish my work day. This week has been a weird one; sick on Monday, flat tire, promotional events, book launch, and now a morning spent at the car dealership. Not exactly how I saw the week going Sunday morning while I was drinking coffee and planning ahead–which is another great example of ‘man plans, the gods laugh”–and now today is even Pay-the-Bills Day and I didn’t really notice because. well, I need to get to the dealership this morning and buy new tires…all the while hoping the spare makes it to the West Bank intact. (It’s supposedly good for fifty miles and I haven’t gotten anywhere close to that kind of mileage since changing the tire.)

But life always has a habit of interfering with your best laid plans, doesn’t it?

And on that note, I am hopping into the shower and heading over to the West Bank. Wish me well, Constant Reader, and that it’s quick and easy to get in and out. Fingers crossed, at any rate.

Friends and Neighbors

Ah, community.

What is a cozy mystery without one? I don’t know because I’ve never read one that didn’t have a strong sense of community in it, but for me, the depictions of community is one of the primary draws of cozies.

As I have mentioned before, the vast majority of cozies are generally set in small towns, small communities where everyone always seems to come together, everyone knows everyone, and there’s an undercurrent of caring about others that makes them cozy and comfortable to read. I was worried at first about setting one in New Orleans, to be honest; New Orleans is many things to many different people, but I’ve kind of always seen New Orleans as a darker city than most, and that darkness that is always out there on the periphery of the bright sunshine, no matter how cheerful you might be or how lovely of a day it is. Part of it is the history here–New Orleans was a center of the slave trade, after all, and you don’t get much darker than human trafficking–and of course, the city has always been a major port…and ports aren’t exactly known as sedate places. There has always been a lot of crime here, and you really can’t go anywhere in New Orleans without overhearing people talking about the “crime problem” and shaking their heads at the decline of Western civilization as we know it down here by the riverside.

So, how can I write a light, breezy novel about a city that is so dark?

The key was community, of course. New Orleans is a city, but it’s also a city of neighborhoods, and always has been. Generations of families passed homes and property down to their children and their children and so on. “Where’d you go to high school?” was a question asked because the answer told the asker lots of things. Private school or public? What neighborhood did you grow up in? And as I thought more about it, I realized my lonely block in the lower Garden District has that sense of community to it. Neighbors look out for neighbors. We’ve lived in the same place since either 2002 or 2003; I’m never really sure I can remember when we moved onto the property; those years between moving back here in 2001 and Katrina are kind of blurry for me. But we’ve gotten to know our landlady pretty well as well as some of our neighbors; others have come and gone over the years but we always all end up down at the corner for parades during Carnival, catching throws and hanging out and having a good time.

And I realized I could do the same for Valerie.

In A Streetcar Named Murder I only introduced the reader to a few members of Valerie’s community in the Irish Channel: her best friend and neighbor Lorna; the gay couple next door in one side of a double and one’s mother, Mrs. Domenico, on the other side; and her friend Stacia who lives further down the street. I also mentioned there were a couple of houses being used as Air BnB’s, which may play a part in a book should the series get picked up. I had learned my lesson from the failed Paige spin-off series years ago; the mouthy, brash and snarky best friend cannot be the main character, but the book/community needed someone like that in the book. The main character has to be kind–but there’s always a more colorful secondary character necessary to say the funny and borderline mean things in place of the main character.

This is where Lorna comes in.

Lorna is very colorful indeed, and was a lot of fun to create. She’s married to an airline pilot who is often gone for long stretches of time (his name is Jack Farrow; since he’s a pilot she calls him Captain Jack Farrow). She’s British, speaks multiple languages, is fiercely intelligent and doggedly loyal. She also writes lusty romance novels that are huge bestsellers under the name Felicity Deveraux. Lorna is a great best friend who is also always up for anything, and naturally, she has a huge imagination and a big personality. Interesting and fun as Lorna is, I don’t think I would ever write about her as the main character because, like Paige, she would need to be toned down and I don’t really want to do that to her.

It is Lorna’s ambition to join a Mardi Gras krewe that actually puts Valerie at the scene of the crime in the book. See how that works?

But her neighborhood isn’t her only community, either; there’s a community around Rare Things, the antiques store she inherits–Randall Charpentier, her new boss; Dee, her co-worker; and of course the people who are in and out of the shop–the hot guy from an outer parish who repairs and refinishes furniture, for one–on a regular basis. If it becomes a series, I can flit the cases back and forth from her neighborhood to the store and vice versa; there are all kinds of plots and stories I can tell that could come from both.

And there’s still another community that Valerie belongs to that was only touched on in the first book–the parents’ group at Loyola High (it doesn’t exist in real life, folks, but it’s based on Jesuit), the Cardirents. This is how Valerie knew the victim in this book; they were both in the group, with a fraught history (which is more fraught than Valerie ever knew).

So, yes, it is possible to create the sense of community a cozy mystery requires in New Orleans; New Orleans, in fact, is ripe for it.

And on that note, I will sign off here. More blatant self-promotion to come, no worries on that score!