Tag: colson whitehead

All I Really Want to Do

Ah, Sunday in the Lost Apartment and how are you doing, Constant Reader? I slept pretty well last night, didn’t want to get out of the comfortable bed this morning, but nevertheless, here I am, having already downed one piece of coffee cake and cup of coffee and about to make a second cup. I don’t feel completely awake just yet, but I am hoping by the time I finish writing this I’ll be all warmed up to get back to my writing. I did some yesterday, about a thousand words or so, and I need to get strapped in and back to work this morning. Yesterday was an okay day; I didn’t get as much written as I would have liked, but I got some writing done. I didn’t read much of my book yesterday. Paul was off getting another tattoo and brought home a pizza from Midway on Freret (which is amazingly good, for the record). He didn’t get home until late, so we watched the first two episodes of The Recruit (there are so many of these similar type shows we’ve watched that we aren’t really sure which one is which, and the plots all kind of blur together, but they’re entertaining enough to watch), and I was tired and went to bed. I did also run my errands yesterday as well, and was very tired when the second episode finished; I was dozing off during it, which was why I thought it best to just go ahead and go on to bed and be done with the day, which is always a good thing now that the timeline of my life is now in the “collapse of the country” final stage. Woo-hoo! Just what I always wanted and dreamed of.

I was thinking yesterday–I saw something somewhere on-line about people “needing to prepare to live in a dystopia”–and it hit me that I already lived in one; New Orleans after Katrina, with so much of the city in ruins and so much not open and so few people here. It was so eerily quiet in those days, a weird stillness that seemed so very wrong, and adapting to schedule my days around when things would be open because if you didn’t pay attention you could miss your window of opportunity to get groceries, of which there wasn’t much to choose from. Same with the gym, the post office, places to eat–there also was a shortage of workers, so that was another drawback to businesses opening. I considered getting a part time job on top of the ones I already had at the time, just to help out…I never did. That was also when I was probably in the best physical condition of my life, too–the only thing I had control over was my body, so I controlled it as much as possible. Good times, right? Sigh.

It’s also Black History Month, which isn’t being celebrated by the government this year since, you know, the country is being run by racists now–well, openly racist and proud of it trash–and are doing everything they can to take us back to the days when being queer was a crime, anyone racialized had no rights when it came to white people, and women were second-class citizens who were completely responsible for home and family (despite the fact that women have always been in the workplace as working professionals–but they were limited to what jobs they could have: secretary, teacher, librarian, waitress, flight attendant, etc.). I know it’s difficult for white people to read Black fiction because they aren’t used to not being the heroic center of the story1; but reading books by voices different than those that cater directly to you is necessary because you need to see other perspectives that are also valid. Works by Wanda Morris and Tananarive Due bring the reality of being Black during Jim Crow to vivid horrific life; I am still reeling from the horrific truth of both Due’s The Reformatory and Colson Whitehead’s Nickel Boys. I can’t encourage people enough to read Black authors, and not just for Black History Month, which is performative support as opposed to actual support–like your rainbows in June that disappear on the 30th, not to be seen again until June 1 of the next year. I appreciate even the performative support, honestly, but it doesn’t fool me that it goes very deep, either.

We all really just want to be left alone to live our lives in peace, you know?

But people who’ve never been oppressed will claim to be oppressed and play victim–how many times have we seen that play out? I’ve seen straight white women call gay men pedophiles (including me) publicly on social media, and then cry and make themselves the victim for the outraged reaction from the gay men. Yes, bitch, I’m the bad one for blocking you for calling me a pedophile. Drink bleach, bitch. I don’t forgive or forget homophobia; it’s the straw that breaks the camel’s back every single time. There’s never any coming back from that–and microaggressions also add up until I can’t make excuses for people anymore–and another life lesson of the last five years have been that even a microaggression has to be called out. If it talks like a homophobe and acts like a homophobe…yeah, they are inevitably a homophobe…and yes, even people who think they are allies can be homophobes. I never wanted to be THAT gay, you know, the militant constantly pointing out how offensive people are being and so forth…but why protect the delicate feelings of snowflakes who clearly don’t give a flying fuck about how I–or any other queer–feel?

I don’t think I’ll ever get tired of the schadenfreude of watching those racist white bitches who gleefully wouldn’t vote for the highly qualified Black woman finding out they are also DEI hires, that they were the primary beneficiary from equal opportunity laws, and now they can just put up with the sexist jokes and the not getting paid the same and not getting promoted that turned working women into feminists in the first place. What’s even more interesting, at least to me, is that the anti-feminist women (Phyllis Schlafly, Ann Coulter, and others of their ilk) who benefited from feminist activism worked to undermine their success–and undermined all other women in the process. I really wish someone would just say to Ann Coulter when she’s bloviating (hilariously, MAGA hates her and the Left will never go anywhere near her, so who precisely is her current audience? Racists who hate Trump? Huge audience there, Ann, well done.) “shut up, no one cares what you think, you’re just a woman who couldn’t get into an Ivy for law school.” (Which is why she hates the Ivys, right there. There’s a lot wrong with the Ivys and the public perception of their ‘greatness’–but not letting Coulter in is worthy of applause.) The hilarity that they also voted to preserve their abortion rights but voted for Trump–you just can imagine how fucking smug they felt in the voting booth–who might ban abortion nation-wide with an executive order made me roll my eyes at the mental gymnastics those smug racist misogynist skanks had to perform to rationalize their votes.

White women have always propped up white supremacy because they “believed” that it protected them. I would even go so far as to say it also afforded them a taste of power that they didn’t get to feel otherwise in their lives (Southern women really lean into that ‘steel magnolia’ thing, which has always bugged the shit out of me. Just say you’re proud to be trash and be done with it), because in antebellum times they had power over their enslaved (check out They Were Her Property sometime) and after emancipation, they were still “above” freed Blacks, even with the power of life or death over the men. (Louisiana’s bizarre inheritance laws, which I researched again for A Streetcar Named Murder, have everything to do with rich men down here having both white families and biracial ones; so they couldn’t disinherit the white family in favor of the biracial one…which was enough of a problem that it had to be legislated here.)

Ugh.

And on that somber sad note, I will head into the spice mines and get to work. Have a lovely Sunday, and I may be back later. One never can be sure.

  1. Precious delicate little snowflakes that they are. ↩︎

Maneater

Thursday and my last day in the office for the week. I also decided to go in a half-hour later than usual and stay until five instead of four-thirty; alert the media! I know how hard it is to go on without knowing these minute details of my life. But it was cold this morning, and Tug woke me at the usual time–but curled up and went to sleep next to my head on my pillow once I hit snooze for the first time. Of course now that he’s awake and eaten and had some water, he’s all over the kitchen counters this morning knocking things off. He is particularly fond of pens and cigarette lighters–Paul is missing any number of them, and I’ve noticed he always make a beeline to any lighter lying around. Why the fascination with my pens and Paul’s cigarette lighters is a mystery for the ages.

I was tired when I got home yesterday. I had book mail yesterday (Tananarive Due’s The Reformatory, which is a horror writer’s version of the Dozier School for Boys in Florida, which I’ve already read two fictionalized versions already–Lori Roy’s and Colson Whitehead’s). I’ve not read Due before–my own fault, and no one else’s–but am really looking forward into digging into this one. I was also oddly tired by the time I got home; I felt fine when I left work, but after a couple of errands I was exhausted by the time I got home. The termite exterminator came by yesterday morning (the hole in the kitchen roof was partly rot and partly termite damage), and apparently Tug was fascinated by the Terminix man. I also watched another episode of Moonlighting last night–guest star was a very young, pre-China Beach Dana Delaney–(that’s another show I wouldn’t mind revisiting; does anyone else remember China Beach?) and I enjoyed it thoroughly. Paul and I then finished The Fall of the House of Usher, which was really quite good and very well done; I also had read a piece recently which stated that Mike Flanagan has placed Ryan Murphy and American Horror Story as everyone’s go-to horror television creator. I will even go further than this and say Flanagan’s surpassed him. There were, at best, three top-level seasons of AHS–“Murder House,” “Asylum” and the election one; but it would be hard for me to say than any Murphy season is superior to any of Flanagan’s work; Midnight Mass alone was so superior to any of Murphy’s seasons that it’s not even a fair comparison–and Murphy had Jessica Lange and all of those other amazing talents in his repertory company.

I also recognized yesterday that I’ve been in a bad place since somewhere around last Thursday. There have been moments this week where I’ve come out of it and gotten some things done, but it’s still there. When I came home yesterday I intended to finish laundry and the dishes, but Tug wanted a lap bed and I gave in, figuring I wouldn’t be there for very long. This was incorrect; he slept there for several hours and since I was tired AND comfortable, I didn’t disturb him and just stayed there, watching Youtube documentaries about the Holy Roman Empire and how it slowly but surely divested itself of its association with the Papacy; Charles V being the last emperor to be actually crowned by a pope. I’ve also been reading The Rival Queens, which is marvelous–it’s a history of Catherine de Medici, Queen of France and her daughter Marguerite, Queen of Navarre–known to history and literature as Queen Margot (which is also the name of the Dumas book about her). I’ve always wanted to write a suspense/intrigue novel set during that time period, and having to do with Catherine de Medici’s Flying Squadron–women who were trained spies and seductresses in her employ. Margot herself is fascinating–and both women would be in my history The Monstrous Regiment of Women about all the women who held power in the sixteenth century. Margot was as equally fascinating as her mother, and pretty much lived her life the way she wanted…which of course made her notorious. But the French, surprisingly enough, loved their princess with the loose morals–and the arrangement between her and her husband, Henri King of Navarre (eventually Henri IV of France) where they lived apart and took as many lovers as they could handle was also surprisingly modern for a royal couple.

I am hoping to spend some time with Lou Berney’s Dark Ride this weekend. Lou has become one of my favorite writers and favorite people in the crime fiction community over the years, ever since that fateful panel at Raleigh Bouchercon where I met and made some new friends who also are amazingly talented. (I think Lori Roy has a book coming out soon, too–huzzah!), and I also want to make a plan to stick to for getting things done this weekend. The LSU-Alabama game is Saturday night, so that will require me to do some strategic planning. I just hope for a good game. Obviously my preference would be for LSU to win–that’s always my default–but as long as we don’t get humiliated I am good with a close and/or exciting game–emotionally exhausting as that will be. I know my anxiety was involved in this funk I’ve been in for longer than I think I’ve been dealing with it–me thinking it started sometime late last week is laughable in its naivete–but I need to get some things done and underway before i get derailed with the surgery. Nineteen days from today I will go under the knife. YIKES.

Which reminds me, I need to review my medical file and see what they say about the recovery period, or if it’s mentioned at all. And sometime before then I am going to get my teeth! Huzzah!

And on that note on this cold Thursday morning in New Orleans, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I’ll be back later, okay, for some more blatant self-promotion.

Shine on Me

Sunday morning.

I got up again before seven this morning–despite staying up an hour or so later last night than I usually do; I was waiting, hoping Paul would be coming home, but he didn’t get home again until after I went to bed. I didn’t get nearly as much done yesterday as I would have liked because I got distracted by reading Kellye Garrett’s marvelous Like a Sister, and by the time I finished the book it was late afternoon and the tiredness I was feeling yesterday morning–I mentioned it, remember? I wasn’t as awake and alert as I had been the day before–I decided to just kick back and relax for the rest of the day. I watched a lot of history documentaries on Youtube; watched a lot of news worried about Ukraine; and then last night I decided to watch The Drowning Pool, a 1970’s film version of Ross Macdonald’s book–with significant changes made to the book–moving it to Louisiana for one (more on this later). When the movie was finished I went to bed, and woke up early again this morning (body clock has reset, for good or ill). I have to make groceries this morning, as well as gas up the car (can’t wait to see how much gas costs today; but I am more than willing to pay more to save Ukrainian lives, frankly) and head home for some more editing work. I am going to work on my manuscript today; and I have a manuscript from Bold Strokes I need to get edited this week as well. Lots of heavy lifting to get done this week, but I think I can manage.

I also need to select my next book to read. I’ve narrowed it down some; the leading contenders include Harlem Shuffle by Colson Whitehead, The Twelve Jays of Christmas by Donna Andrews, The Prophets by Robert Jones Jr., and All Her Little Secrets by Wanda M. Morris. A plethora of treasures in my TBR pile, no? There’s also some short story collections and anthologies I want to start working my way through–not to mention a short story I need to write by the end of the month (see why I need lists?)–so I think once I get home from the grocery store I will most likely have to make this week’s to-do list. I also have some emails to write for sending tomorrow. But I don’t feel as paralyzed this morning as I usually am by a daunting pile of work that needs doing. We’ll see how I feel when I get home from the grocery store, though, I suppose. Usually dealing with the groceries wears me out and I am pretty much useless afterwards; I don’t know if that is actual physical or mental exhaustion or laziness settling in. I know that my energy levels have significantly decreased over the past pandemic years, and sometimes I do wonder if it’s maybe Long COVID; exhaustion and loss of energy seems to be one of its leading symptoms, and of course, both tend to trigger depression, which creates a massive downward spiral. But I keep testing negative for it, so what do I know?

So, The Drowning Pool starring Paul Newman as Lew Archer, renamed Lew Harper in the movie, and the location was moved from southern California to Louisiana for some reason. The movie is very cynical, so it definitely fits into my Cynical 70’s Film Festival, but it’s not a very good movie. (I’ve read the book, and while the family structure of the film seemed familiar, there’s a lot of significant diversion from the book.) One of my favorite parts of the movie is one of those things Louisiana/New Orleans people always point out in movies and television shows: the geography makes no sense. Harper is summoned to New Orleans by an old flame, whom he meets in a Royal Street antique shop for some reason. She doesn’t anyone to know she’s hired him, so why would you meet in the Quarter? The airport is in Kenner; why would you make him drive all the way into the heart of the city when you could have simply met him at a lounge or bar out near the airport, where they would be a lot more anonymity? Anyway, the old flame (Joanne Woodward, wasted in a role far beneath her talents) has gotten him a room at a motel in the small town she lives in, and she runs off, promising to be in touch…and here is the weird Louisiana geography part. He leaves the Quarter, takes the causeway across Lake Pontchartrain, eventually crossed the river in Baton Rouge, and then winds up somewhere in swampy Acadiana. That’s all fine…but why would you take the causeway to the north shore to get to Baton Rouge when I-10 heads directly there from New Orleans? He added at least another hour to his trip by crossing the lake. There’s another scene where he’s tracking someone down, following his girlfriend as she gets off the St. Charles streetcar, crosses the street, and enters a home. Harper later refers to the man’s “apartment in the French Quarter”–um, the streetcar doesn’t run through the Quarter, it didn’t in 1975, and it was clearly St. Charles Avenue (there are several more of these, in fact; the bayou area near the town was clearly filmed in the Manchac Swamp). The plot is convoluted and didn’t make a lot of sense–blackmail, Joanne Woodward’s husband is a closet case, someone has stolen an account book from a local oil baron’s company that exposes their pay-offs and bribes and other illegal activities–and Newman, while handsome and charming, doesn’t really put a lot of effort in the role. Your mileage might vary, of course, but I found it to be disappointing. The only thing about the film of note was very young Melanie Griffith playing Woodward’s nymphet teenage daughter…and I kept wondering how old IS she to be so sexualized in a film? But it was also the 1970’s…in catching up on the 1970’s films I’m constantly amazed at how much unnecessary nude scenes for women there are, or gratuitous sex scenes that add nothing to the plots in these films. But I also appreciate the grittier, more realistic if cynical point of view of the films; there’s nothing pretty or noble about humanity in these movies…which also kind of explains how “hopeful” movies like Rocky and Star Wars were so enormously successful during the latter part of the decade.

And on that note, i think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.

Twenty-Four Hours a Day

Wednesday and the mid-week point. I only have to work this morning–I have a doctor’s appointment at one this afternoon, so I’ll be leaving the office around twelve to head uptown–and then to home, probably the gym and hopefully to get some writing done. One can dream, cannot one?

The doctor’s appointment is the pre-colonoscopy preparation visit; today I will get the procedure scheduled–can’t wait–but while I am not thrilled at the prospective, potential scary diagnoses that could come from it, it’s better to know rather than not. Whether there’s a genetic predisposition to cancer or not, both sides of my family have seemed to have had an excess of cancer diagnoses, which makes me tend to think I am relatively high risk (although neither parent has ever had it). There’s also all the other genetic predispositions–high blood pressure, heart disease, all those lovely things that do tend to run in families–and of course, I get all of it from both sides, which isn’t terrific. But there’s also little I can do about genetic predispositions–other than eating better (which is always a problem for me) and healthier and of course, going to the gym regularly–which has completely fallen off since the power went out. Today I need to climb back onto the horse and work my ass out.

Last night I was very tired. My last two appointments canceled on me, so I came home early and did some on-line trainings, and still have several more to do (hello, two days working at home!). And I didn’t have either the energy to read or write last night after I was finished with bloodborne pathogen training (try not to envy me too much, okay?) The LSU game is at eleven on Saturday, which means any and all errands will be delayed until Sunday; my mood for the rest of Saturday is entirely dependent on how well LSU fares in its first SEC game. A loss here means a potential season of no-wins in the conference; the division just keeps getting better–even Arkansas and Mississippi look vastly improved this year–and Mississippi State (Saturday’s game) was one of our inexplicable losses from last year…and that’s not taking into consideration the murderer’s row of Auburn, Florida, Texas A&M, and Alabama. Heavy sigh. It’s going to be a long, ugly football season I fear, and the Saints didn’t look too great last weekend, either.

Yay.

But I had some excellent book mail this week: These Toxic Things by Rachel Howzell Hall (it was supposed to be delivered the week after Ida; it took a bit longer, needless to say); Harlem Shuffle by Colson Whitehead; and Bitterroot Lake by Alicia Beckman (a pseudonym of the fabulous Leslie Budewitz). So, if I can ever finish reading Velvet Was the Night, I have some other excellent reading in store–but October is rapidly approaching, and I want to spend October reading horror, beginning with my annual reread of The Haunting of Hill House by Shirley Jackson. I also have so much writing to do–Christ, I haven’t written much of anything since before the power went out (a phrase I am using so regularly I am beginning to think I should start referring to it as Before The Power Went Out), although yesterday I did spend some brainstorming time on my next book and I did try to work on an essay. Progress? But it was something, at any rate, and something is better than nothing at this point, quite frankly.

And yet…

Maybe–and this is a big maybe–this week is a period of readjustment, as life returns to normality (or what at least passed for it Before The Power Went Out–oooh, I do like that) I need to get used to my normal schedule again before I can settle into it and get my shit together again–or I’ve just gotten incredibly good at justifying laziness and procrastination after a lifetime of practice. But today is the first day of autumn officially (I rather jumped the gun on Twitter yesterday, getting a resultant scolding from my friend Alafair), and tonight the low is dipping into the sixties, and it will do that very thing every night through the weekend. It wasn’t horribly humid yesterday–at least it didn’t feel like it; it felt much cooler yesterday despite my car telling me it was 92 degrees when I left the office yesterday–and even this morning, the air was a bit thick (it rained a bit overnight) but there was a bit of a nip in the thickness, which indicates the ignominy of the summer heat is finally past. There were still occasionally be days where it gets up into the high eighties/low nineties, but the humidity is pretty much finished for the year (please please please don’t prove me wrong) so it’s actually lovely; rather southern California-ish outside.

So, here’s hoping to a nice little visit with the doctor this afternoon, a lovely workout at the gym, and some quality reading/writing time this evening. Have a lovely Wednesday, Constant Reader, and I will check in with you again tomorrow morning.

I Think I Love You

I actually slept until ten o’clock this morning. I cannot remember the last time that happened, or that I stayed in bed so long. I’ve been exhausted since the power went on–physically, emotionally, mentally–and so I am relatively certain the extra sleep was completely and totally necessary, but…whether to identify that sleep as perhaps a problem or as a necessary first step in getting better? THAT remains to be seen.

Monday I am going back into the office for the first time since–well, it’s been a hot minute, has it not? I was on vacation (stay-cation, the time I took off for Bouchercon) when Ida developed and came roaring at us; then there was the week without power, the long weekend in Alabama, and then the week of working at home because the office didn’t have power. I need that routine back, so even though we aren’t seeing clients, I am going to start going back into the office effective Monday to get a sense of stability again after the last few weeks. I think that will help, and I think it’s a necessary first step for me. I’m not going to lie, my mind has gone to some really dark places over the last few weeks, and I need something to grasp onto in order to help my life get on solid ground again. I have a prescription to pick up today from CVS, and since I am going that way I will pick up the mail and possibly stop by the grocery store–I haven’t really decided yet–and I think I am going to go by the gym this afternoon as well.

My primary focus over this weekend is to get a grip, a better handle, on my life and everything I need to be doing right now and what things have slipped through the cracks in the meantime; what needs to go onto my calendar (but isn’t there yet–bad Greg, bad Greg) and start sketching out my plans for the final quarter of the year–which is going to be rolling up on us before we even think about it, before we realize it–one morning we’ll wake up and it will be OCTOBER already–and then what do we do? LOL. Deal and move forward, undoubtedly, but at the same time there will be obvious concerns about lost and/or wasted time.

We watched the US Open last night–an impressive win by Novak Djokovic, who is a slightly more than a little bit problematic champion, in four sets, in his quest to become the first man to win the calendar year Grand Slam in the Open era; this will go a long way to proving his claim to be the GOAT in men’s tennis; not only will he have the calendar Slam should he win the Open, but that will give him nineteen Slam titles over all; one behind the record holders, Roger Federer and Rafael Nadal, who have twenty each. Whatever one thinks of Djokovic (the anti-vaxxing nonsense, the COVID denial, etc.), you cannot take his accomplishments away from him. I’ve always liked him, despite his personal beliefs and occasional diva-like moments; I do admire the focus, the skill, and the hard work ethic that have taken him to heights greater in the sport of tennis than anyone other than Federer and Nadal–and how terrifically lucky tennis fans have been to have three of the greatest of all time playing at the same time? While at the same time on the women’s side we’ve been blessed with the sublime Williams sisters, Venus and Serena? The next stage of tennis–when these five have all decided to retire and do something else with the rest of their lives–isn’t going to be nearly as interesting or fun to watch, methinks and fears.

We watched this week’s Ted Lasso after the US Open, which was wonderful and heart-warming, as it always is; Paul and I marvel at the only comedy series we’ve ever seen that makes up both tear up at least once per episode–which is no small feat. I am already dreading the end of this season, to be honest–not having an episode to watch every Friday night is going to be sad again.

In other exciting news, the Box o’Books of Bury Me in Shadows arrived yesterday, and I have to say the books look marvelous–although I really have no idea where to put them. My personal “books by Greg” bookcase is already filled and overflowing; as is the cabinet where I hide the ones that already don’t fit into it. But this is one of my favorite covers and one of my favorites of my own books–trust me, you will get very tired of me talking about this book as launch day, 10/12, slowly and inexorably draws nearer and nearer. I was very pleased the books arrived, because it was an indication that the mail service–never the best since the current postmaster general took over–is moving again; things are getting through again. Ink I ordered for my printer before the storm have also arrived; I’m still waiting for my new Rachel Howzell Hall novel to arrive–it should have been here last week but obviously that didn’t happen–and the new Colson Whitehead should also be arriving in the coming week, which is also terribly exciting. I do intend to spend some time reading today; I should have finished Velvet was the Night days ago–the knowledge the new Rachel Hall will be in my hot little hands soon was just the push I needed to decide to get back to reading this novel WHICH I AM ENJOYING, which makes the inability to read it that much harder to deal with. And I still owe this blog entries for Dead Dead Girls and A Letter of Mary….perhaps today.

And on that note, I think I am going to head back into the spice mines. I’m playing the weekend pretty much by ear other than the errands and the gym–so we’ll see how it all turns out in the end, won’t we? Have a lovely weekend, Constant Reader.

Sisters Are Doing It For Themselves

So we had a major thunderstorm yesterday afternoon, complete with street flooding and thunder and lightning and all the fixin’s. This naturally led me to wonder, as the lights flickered at the office and Elysian Fields (the street, not the Greek afterlife) filled with water, whether or not to wait until the advisory was lifted (in theory at 5:45 pm), or head home when my work day was complete? One can never be certain where and when parts of the city are going to flood; and the last thing in the world I need–being this close to having the car paid off–is to risk flooding it out and possibly ruining it.

Sigh. It’s never easy living in New Orleans.

Getting home was a challenge; Claiborne Avenue’s low-lying areas were filled with water, water was pouring down not just from the clouds but from the I-1o high-rise, and I decided to risk going through the CBD, never the best option, but potentially even worse than usual since the Plaza Tower started falling apart and

And now for some blatant self-promotion, The Queer Crime Fiction roundtable I participated in for Crime Reads can be found here. And my brief appearance on Writer Types recommending queer crime writers can be found at this link right here.

Thanks again to Lisa Levy for the roundtable, and to Eric Beetner for inviting me onto his podcast. Both were a lot of fun, frankly, and it’s always fun for me to have the chance to talk about books and writers and make recommendations of books and writers I admire and enjoyed. I really missed that during the pandemic.

We got caught up on Lisey’s Story last night–we were both dismayed to see that it hasn’t all aired yet, and so no new episode until Friday–and then went on to the second chapter of The Underground Railroad, which was equally as disturbing as the first, but in a completely different way; I do remember, reading the novel and thinking, my God, so many different ways white people have found to punish and hurt black bodies and souls throughout our history. The show, being a visual medium, is even more disturbing than the book, because my imagination wasn’t quite strong enough to erase the imagery from my head I had grown accustomed to throughout a lifetime of privilege, that kept elbowing the stark realities Colson Whitehead so poignantly and beautifully wrote about in his book, out of the way; the show does not allow this, and the beautifully way it is filmed so poetically reflects the beauty of Whitehead’s language, even as the subject matter in truly an abomination.

Laura Lippman’s Dream Girl drops today, and so those of you not fortunate enough to get an advance copy can now indulge yourselves in reading a truly marvelous book by a great thinker and a terrific writer. I need to get back to reading; Robyn Gigl’s By Way of Sorrow needs to be finished, and on deck I have Bath Haus by PJ Vernon, Everything I Never Told You by Celeste Ng, Arsenic and Adobo by Mia Manansala, and several others. So much reading; I really need to focus on getting my reading done and caught up. Now that I’ve finished the novella I can take a look at duMaurier’s “Don’t Look Now” again, as well as her “Ganymede”; I already know, from doing some post-writing research today that there are some major adjustments that need to be made to my novella, and it may wind up being longer than than 20, 430 words it sits at now–not the least of them the days of the week, and so forth. I also have to figure out some way to make the story work a little better, more suspenseful, than it sits right now; but that has a lot to do with figuring out the story as it went. I also want to start pulling together the next short story collection–madness, I know–but I do love when I am basically overwhelmed with projects; so I always have something to be working on if something stalls out or I just don’t want to work on something in particular.

I also took some time and started plotting out another Scotty; yes, I know–I really need to dive into Chlorine again, but I had also decided that I was going to do that in July; it doesn’t hurt to have the Scotty’s various intertwining plots planned and mapped out. I generally don’t do this with Scotty books, primarily because the writing inevitably takes me in much different directions than I had planned, and thus inevitably all the planning turns out to be waste time. Also ironically, despite having any number of possible and potential titles on hand, none of them seems to fit this story–and since I can’t ever really work on anything without a title, and knowing that the title can be eventually changed–I am calling this one, for now, Mississippi River Bottom, which was actually the working title for Jackson Square Jazz. My editor didn’t like Mississippi River Bottom (which I rather thought was a clever play on words) and asked me to change it. I also know that this working title doesn’t really fit the alliteration patterns of the rest of the series, and thus will inevitably have to be changed. Perhaps while I am actually writing it, the title will come to me; stranger things have, indeed, happened before.

Last night’s sleep was terrific–there were strange dreams, of which I’ve been having a plethora of lately; last night was me working at Target for some reason–but I again feel terrific and rested this morning; everything looks wet outside, so I am assuming the rain continued over night. It must not have been terrible or dangerous, as we never got one of those horrible WARNING alerts during the night on our phones. Tonight when I get off work I’ll go uptown and get the mail before heading home and to the gym. The Tuesday night workout is somehow always rushed, with me skipping things–more to do with too many people being there than me being lazy, really; the free weight area is always so crowded I inevitably skip the two exercises I used free weights for–and then it’s back home to watch some television and possibly do some writing. This weekend is going to see weird; I have a broken tooth that needs to be extracted, and I scheduled that for Friday afternoon. That inevitably will mean a strange diet of soft food over the weekend and pain killers; but better that than the dull throb and swollen gums I’ve been dealing with since the molar broke. Ah, the endless saga of Greg and his bad, bad teeth. One thing I definitely envy in other people is good teeth…I also want to get to work on “The Sound of Snow Falling.” I am assuming I’ll be incapacitated this weekend after the tooth extraction, but I am hoping I can at least sit in my easy chair and edit.

And yesterday, the first active roster NFL pro football player to come out came out! Yay, and welcome to the team, as it were. I’m old enough to remember when David Kopay came out in the 1970’s; the first former NFL player to do so.

And on that note–writing ADHD, my bad teeth, NFL player out of the closet–I am heading into the spice mines. Have a lovely and winning Tuesday, everyone.

Who Do You Think You Are

Sunday morning is here, and along with it sunshine and no doubt smothering humidity–later today I will be heading to the gym for the beginning of this week’s workout schedule and also trying to get some other things done today. I have to finish the web copy I promised to do today, and I am itching to get back to my writing. Yesterday was a very good day on every level–I was highly functioning for a change, and it felt wonderful, more like the kinds of days I am used to having, or rather, got used to back when I was regularly highly functioning. I did sleep very deeply last night–I did have some very strange dreams, though; all I remember is they involved Taylor Swift and losing teeth–but I woke up very well rested this morning and ready to go. I am awake and not sleepy-tired, my muscles don’t ache or feel tired, and we watched some amazing television last night.

And I actually started writing another Scotty book yesterday–nothing like creative ADHD, right?

But the opening scene for this book has been in my head for quite some time now. One day recently as I was toying with an idea for the next Scotty book, this line popped into my head: “I’m really worried about Taylor” (those who have read Royal Street Reveillon will understand) and then another sentence came to me recently: It was the Monday after Mother’s Day and the termites were swarming. I’d initially thought the swarming termites line was the opening for a short story, and yet…couldn’t figure out a story for it to go along with. The other day it hit me: the two sentences go together, and are the perfect opening for the next Scotty. Yesterday when I sat down to write, these two sentences were swirling together in my head and I thought, why not go ahead and put it down on paper, so it’s there when I’m ready to go back to work on another Scotty? I don’t even know what I am going to call this one yet. I had already–because of these openings, and knowing they wouldn’t work for the next Scotty I had planned to write–so I decided to push Twelfth Knight Knavery back in the Scotty schedule to be the one after this one. I am going to leave it as “untitled Scotty book” for now. I have two stories I want to weave together into this one, and another subplot, but I’ve not taken the time to actually map any of that out or anything as yet. But hey, I wrote nearly twelve hundred words before turning my attention back to “Festival of the Redeemer,” and I am going to take that as a win.

And “Festival of the Redeemer” is now sitting at over seventeen thousand words. Not too bad, really; I’d estimate that I wrote well over four thousand words between the Scotty (around 1200) and the novella yesterday. The story also took an incredibly dark turn, too–I’d always intended it to, of course, but still–the turn was so much darker than I’d planned it even kind of caught me a bit off-guard. I do like it, though–it is a first draft, and as such is very sloppy and slipshod and is going to need some serious revisions and edits, but I am pleased with it. This twisted tale seems so perfect for Venice–and it may turn out, after revisions and edits, to be much longer than the original planned twenty thousand; but word counts are inevitably goals, anyway, and more a measure of progress than anything else.

Have I ever mentioned how much I actually love writing? It makes me so happy to be writing, and it’s so satisfying; there’s really nothing like it, and I can’t even remember the last time that I derived so much pleasure from actually doing it; I don’t remember going into the zone the way I have been lately–I feel like it’s been years since I went into the zone where the words just flowed out of me and I lost track of time and word counts and so forth; which is probably why I’ve been having so many concerns about burn out and losing my ability to write–always a fear for me, always–and yet here it is back again, and I feel centered again. I feel like the last malaise last forever–at least for years–and now I am past it, and even if what i am writing is not anything I should be writing… but if I am going to publish a collection of novellas I have to actually write them, don’t I? And this one is really going somewhere–even if that place is somewhere incredibly dark…and you know what? HUZZAH FOR SOMEWHERE INCREDIBLY DARK.

But when I get this done–I think I may even get this first draft finished today or tomorrow-I am going to get that short story draft finished next and then I am going to get back to Chlorine. I need to get that first chapter revised and rewritten; a good task for this week, I think, and then I am going to work on that other proposal I want to get turned in to see if anything comes of it. Hey–you never know, right? You never know until you put it out there.

I also managed to clean the kitchen yesterday and worked on the filing, The area around my desk is a lot more neat and tidy than it has been, and my inbox is almost completely emptied out. This feels like a major accomplishment, and it’s nice to look over there and see just a few loose papers in there–which I may even get rid of today.

It’s amazing what I can do when I’ve slept, seriously.

We finished watching Elite last night, and it was terrific–perhaps not as good as the earlier seasons, which is a very high bar to reach; but with a cast reshuffle and an effective reboot of storylines, not surprising. We had three seasons to get to know the original cast, and with half of them gone (oh, how I miss Lucrezia!) and their replacements coming in, the story had to go into a bit of overdrive to get them involved with the original cast, and there were times it felt a bit forced and like it went too far too fast. The ending of the season was satisfying, and the next season–with two more characters being added–is now really well set up.

We then moved on to Apple Plus, with Rose Byrne’s new starring vehicle Physical, and I really enjoyed it–the three episodes that had dropped already, at any rate. Byrne plays a dissatisfied housewife whose own gifts and talents are being subsumed by that horrific housewife trope of the time–and even her supposedly “progressive” husband subscribes to that old patriarchical notion of what women’s value was in the progressive movement–they were there to fuck, feed, and clean up after the men; the men did all the thinking and the women did all the work. Then she discovers an aerobics class at a mall…and finds it incredibly empowering; rediscovering herself and who she is through the class. She’s not completely likable–she has a horrible inner monologue voice that is snarky and bitchy and judgmental (if funny at time)–but she’s understandable, and Byrne brings her charisma and likability along with everything she does. It will be interesting to see how the show develops.

After that, we switched over to Amazon Prime to watch the first episode of their mini-series adaptation of Colson Whitehead’s The Underground Railroad, a book that I loved and thought was absolutely brilliant. Here is slavery in all of its degradation, abuse, and horror–the Georgia plantation depicted here isn’t the prettified Tara of Gone with the Wind, and these slave owners and overseers aren’t the genial paternalistic Gerald O’Hara the Lost Cause movement insisted were the reality. It was incredibly difficult to watch, but necessary; my own discomfort in watching, I kept reminding myself, was nothing compared to what the enslaved people endured, and my white fragility needed to look the reality directly in the face and deal with it. These are my ancestors; and even if the family legends my grandmother told me when I was a child was mythology and lies, they certainly believed enough in this horrible system to fight and die for it.

And if I learned anything from Hurricane Katrina, it’s that no matter how terrible something looks and appears on television, the reality and its scope is a thousand times worse. The show is beautifully shot–the cinematography is stunning; and the beauty of the production, and the care taken, only adds to the horror of what the viewer is witnessing.

I kept thinking, the entire time I watching, heritage not hate, huh? Fuck all the way off.

And now I am heading back into the spice mines. Have a lovely Sunday, everyone.

Ode to Joy

I went through a Robert Ludlum phase in the late 1980’s and early 1990’s; I don’t remember why exactly I began reading him–spy thrillers and international intrigue have never been of particular interest to me–but I know the first Ludlum I read was The Osterman Weekend, which I didn’t really follow or think was all that great, in all honesty; but I picked up a copy of The Gemini Contenders at a used bookstore and then I was hooked. I bought all of his backlist, and began buying his new novels in hardcover when they were released. I stopped reading Ludlum when Ludlum stopped writing his books–I don’t recall which the last of these was; I see that I am actually incorrect; I stopped reading Ludlum after The Road to Omaha–apparently he wrote and published three more, but this was when I was deep into reading only gay and lesbian fictions for the most part. I was always amazed at how intricately his books were plotted, and many of them–mainly The Gemini Contenders–were my favorite kind of thrillers: the treasure hunt. Ludlum was also where I learned that the best villains, second only to Nazis, came from the Vatican (Dan Brown made a shitload of money using that premise). Even as a fairly uneducated reader and writer, Ludlum’s overuse of exclamation points annoyed me–but I loved his intricate plots, his heroes, an he also wrote some really amazing women characters as well. I’ve been meaning to revisit Ludlum over the last few years–mainly because if I ever really do a Colin spin-off (stand alone or series), Ludlum would be a good author to study (along with LeCarre, of course) for plotting and structural purposes.

I’ve also always kind of wanted to do a gay Jason Bourne type story–which could also work for Colin as well.

Hmmm. I mean, maybe on one of his missions he gets amnesia? It’s a thought.

I had a pretty good day yesterday. I managed to get back on schedule with the book yesterday, which is great, and so today I am going to start going through it all, cleaning it up more and writing an outline as I go, and figuring out where to put the new things that need to go in it. I also need to do some writing rather than revise/rewriting; I’ve figured out a great way to bridge back story and build it into the book without having it be an actual part of the story/story, and it’s something that could easily build into another book or perhaps a series. Who knows? I also managed to work through my email inbox–the endlessly refilling inbox; it’s like Sisyphus or trying to clean the Augean stables or killing the hydra, I swear to God, and I have let it slide for far too long. I’m trying to get my life better organized–I don’t know what kind of fog I’ve been in, or for how long I’ve been actually in it, but I do know this: it’s gone on for far longer than I should have allowed it to, that’s one thing I know for certain. I also don’t know how long this “non-fog” situation will last (probably it will come to a screeching halt on Monday when the alarm goes off at six in the morning), but I need to take full advantage of it while I can. I also need to get to the gym today and groceries need to be made. After I finished work I watched a history program about a woman who was a Union spy in Richmond during the Civil War, which also talked about a young slave girl she raised and loaned out to the Davises so she could also spy on them and report back. What an interesting novel that would make–for a Black author to take on. I’d love to see what a writer like say, Kellye Garrett or Rachel Howzell Hall or Colson Whitehead could make of the story…history is chockfull of wonderful stories to be told, and after I finished watching that we watched Framing Britney, which was kind of chilling…I’m not sure what’s going on there, but the documentary made a very compelling case, and the thought that someone of her stature and stardom was essentially blackmailed into giving up control of herself, her career, and her money (they held their kids over her head) and she cannot break free of the conservatorship is truly frightening. I said to Paul at one point, “People always thought she was stupid but she wasn’t–she’s very smart; she just had a thick Southern accent and so, of course, that meant she was an idiot.” It also reminded me of an idea I had a while back of doing a modern-day version of Valley of the Dolls set in Las Vegas; a Britney-type filling in for Neely, more of a tragic role than Susann’s monster-in-training.

I mean, it could work.

Its gray and foggy this morning in New Orleans; with a bit of a chill in the air as well. I am going to drink some more coffee and then kickstart my day by going to make groceries before coming home to go to the gym and then getting cleaned up and probably working on trying to finish responding to my emails and putting away/cleaning up my desk area before rereading the first ten chapters of the manuscript I have revised and doing a hard edit–these revisions were pretty simple, really–and catching the things I know I was noticing when I was revising: duplications, saying the same thing in different chapters (this is my worst habit, repeating myself–which is a direct result of writing books a chapter at a time and then not remembering what was in previous chapters, or if I’ve said something before. It’s also trickier because I’m writing it in the present tense, and there are flashbacks and memories that have to be written in the past tense, which is going to undoubtedly give my editor fits. The present tense for the things happening in the present works much better than the past tense I usually write in; but not having a lot of experience with present tense is making this much more of a challenge than I thought it would be. Perhaps I should consult Strunk & White’s The Elements of Style? After all, I do have a copy sitting here on my desk in easy reach; mayhap after the gym and getting cleaned up I shall retire to my easy chair with the manuscript and that copy of Strunk & White.

I also slept really well last night, which was lovely. The bed was most comfortable, and it was probably the best night’s sleep I’ve had in quite some time, which is, of course, lovely but begs the question, why did I sleep so much better and restfully last night than I have in quite some time? I did have some Sleepytime tea before I went to bed, which could have had something to do with it…I always mean to have a cup before bed but always manage to forget; I will definitely have one again tonight. The problem is that my body will adjust and adapt to almost anything relatively quickly; so it’s not like the tea will work every night…but if last night was indicative, I need to make more of an effort to have a cup more regularly than I have been doing.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader. I certainly intend to do so.

King of My Heart

I went down a wormhole thought pattern of sorts this morning, triggered by reading a Crimereads essay about spy novels, and their genesis; it mentioned that Rudyard Kipling’s Kim was one of the first spy novels, and I also realized that only had I not read Kim, I’m not entirely sure I’ve ever read Kipling; however, a quick Internet search just not has reminded me that I have, indeed, read Kipling: Rikki-Tikki-Tavi, The Jungle Book, Captains Courageous, but I really don’t remember anything about them (let’s be honest, all my memories of The Jungle Book are naturally from the Disney animated film). I may have also even read Just So Stories, but am not entirely sure. I’m sure Kipling’s work does not stand the test of time–just the title of the poem “The White Man’s Burden” made my eyes almost pop out of my head when I came across it this morning–as they undoubtedly reflect the white supremacist view of Imperialism and the need for the British Empire.

On that same note, I feel relatively certain that the M. M. Kaye novels I once enjoyed (Shadow of the Moon and The Far Pavilions) probably wouldn’t hold up well, either.

I always read for pleasure and for enjoyment; to escape the world in which I found myself inhabiting and feeling like a changeling for the most part; I still do, for the most part. I haven’t been paid to write a book review in over a decade; I’ve always felt that as an author myself, there was a conflict of interest in accepting pay to read and critique another author’s work, and there was always, inevitably, the possibility that an honest view on something that didn’t work for me as a reader would be seen as a vindictive move on my part to torpedo another author, out of jealousy or spite or both. There are any number of these reviewers being employed, and paid quite handsomely, by major newspapers, and I don’t want to be one of them. I don’t like writing negative reviews, and if I am reading something I don’t care for, having to finish reading it because I am being paid to write about would inevitably make me resent the book and its author and would thus color the review.

I generally read things I think fall under my purview as a writer–mostly crime novels, some horror now and then, and maybe something every once in a great while, that would be considered literary. Often these are books by writers I already have discovered, or new ones recommended to me by others whose tastes I respect–The Coyotes of Carthage came to me in this way; Lisa Unger was recommended to me by numerous friends; and yes, Paul Tremblay came to me as a recommendation from a friend. I know I need to expand my horizons to improve as a writer, which is why I am not only committed to the Diversity Project (books by marginalized writers) but also to the Short Story Project. The Diversity Project has been a terrific learning experience, and the Short Story Project has helped me become a better short story writer. I’ve been trying to read New Orleans history lately–with a dash of Louisiana thrown in for flavor–in order to get a better sense of the city and state, so that I can write about them both more knowledgeably; plus there is so much inspiration in reading about the past of both city and state! It’s also incredibly humbling to know how little of that actual history I did know, and even though I knew how rich that history was, I had no idea just how much of a gold mine of inspiration and ideas it would prove to be.

Like I said, I tend to read things I think I will enjoy, and if I am not enjoying the experience, I inevitably stop reading. I have started things and put them aside, only to go back to them again and greatly enjoy them; Paul Tremblay’s A Head Full of Ghosts being the best and most recent example of this I can remember; I started it, got several chapters in, and wasn’t feeling it. I went back to it months later and couldn’t put it down, and frankly, after The Cabin at the End of the World, Tremblay is becoming one of my current favorite authors.

So, I’ve been wrong about books before, and I’ve also been wrong about authors before. Hence the dilemma in being a book reviewer, and why I have chosen for many years now to seek extra income by reading for reviews. I enjoy writing about books I enjoyed on here, my blog; that’s part of its reason for existence, and I also curate what I read and write about here. No one chooses for me what I read or what I write about; and I will only review something negatively if the writer is, frankly, long dead; and even then, it’s simply an explanation of why the book didn’t work for me (an example of this latter type was Night Has a Thousand Eyes by Cornell Woolrich; I appreciated the book but there were things about it I didn’t like, that I felt didn’t “play”, but since he is long dead–over fifty years–I wasn’t overly concerned about hurting his feelings….and I have enjoyed other works of his).

I often talk about how my education in what the Academy considers to be classic American literature (British, too, for that matter) is sorely lacking. It’s something that I occasionally wonder about; should I go back and read these so-called classics as decided by a group of people whose opinion I generally don’t respect very much? It’s entirely possible, I know, that books I was forced to read as a teenager in high school and college were actually better than I thought at the time because I loathed being forced to read anything and I despised the way they were taught by pompous pseudo-intellectuals with tenure (I really enjoyed mocking that world in my story “Lightning Bugs in a Jar”, and will probably mine it again at some point as story fodder).

But I can honestly say I went back twice to reread The Great Gatsby only to discover that I loathed it even more than I remembered loathing it the first time; I also spent some time in my twenties trying to read other works by the writers I was forced to read and found that I did, in fact, enjoy some of them. I hated Sinclair Lewis when I was forced to read Main Street in college; I later went back and enjoyed both Elmer Gantry and It Can’t Happen Here very much. I disliked Fitzgerald’s This Side of Paradise very much, and I loathed the Hemingways I was forced to read (The Old Man and the Sea, A Farewell to Arms) so much that I just can’t bring myself to read anything else of his. I was very surprised, actually, to find myself enjoying Faulkner quite a bit, and I keep meaning to go back and reread both The Sound and the Fury and Sanctuary–but there are also a lot of other Faulkner novels I’ve not read, and probably should. I also despised Tom Sawyer and the other, celebrated Mark Twain short stories I was forced to read; but as an adult greatly enjoyed Puddinhead Wilson, The Prince and the Pauper, A Connecticut Yankee in King Arthur’s Court, and Life on the Mississippi.

But I am not someone who became a writer because I wanted to have a legacy, or be lionized; I became a writer because I wanted to tell stories, and I wanted to tell the stories that I wanted to tell. I never had any desire to have my work be taught in colleges, or for students to be forced to write papers about my work. I always say that sort of thing isn’t up to me to decide, and it’s never been my aim. If I’m forgotten after I die, well, I won’t be the first.

I justify to myself not reading a lot of literary fiction by saying there simply isn’t enough time for me to read everything that I actually want to read, let alone find the time things people think I should read. But I also have this sense in my mind that perhaps I am missing out on something; I know I’ve read books that have gotten critical acclaim that were more on the literary side and liked them very much and learned from reading them. Colson Whitehead, for example, is simply brilliant while also writing genre fiction–The Nickel Boys and Underground Railroad were stunningly brilliant; I really need to read more of his work–and thinking about Colson Whitehead led me to thinking about, of all people, Cormac McCarthy. I’ve not read McCarthy, but from what I have gathered from what I have heard about his work is it technically is also genre fiction; The Road is a post-apocalyptic dystopian novel, after all–a friend whose opinion I respect read and hated the book, so I’m probably not going to go there–so I started going through his canon on the web and I finally settled on one to add to my TBR pile at some point, Outer Dark, because it too sounds like genre fiction. We shall see how that goes, shan’t we?

Laura Lippman often says that genre fiction is literature, and by claiming literary classics as genre (the most common is, of course, Crime and Punishment) we are demeaning the great genre work, which stands on its own without the necessity of claiming Dostoevsky or Faulkner’s Sanctuary as crime fiction (although I do believe Sanctuary is pulpy noir of the best kind). I do agree with her to some degree; as I said, I do think Sanctuary is noir, and an argument could be made that An American Tragedy by Dreiser is as well. (I’ve also pointed out numerous times that The Great Gatsby is really a murder mystery told in reverse) But her point is spot on: genre fiction doesn’t need to claim classics from the Academy in order to be recognized as literature, and claiming those books does make it seem like trying to make fetch happen.

I also like to believe that my best work is still ahead of me.

Of course, that means I actually need to do it.

And on that note, tis back to the spice mines.

Every Time Two Fools Collide

So I finally went back to work on the book last night when I got home from the office. Huzzah! I was beginning to think I never would work on the damned thing again, but maybe there is something to this “arbitrary date chosen by Julius Caesar to start the new year” thing, after all. I started writing two new short stories, I got back to work on the book–pretty amazing, I have to say, especially taking into consideration that I’ve been such a fucking slug about writing for quite some time now.

Huzzah for the end of that nonsense!

Whether it actually means something remains to be seen, of course, but at least I also started the next chapter as well. It felt good to be writing again, and it felt really good to be making this manuscript better. It’s been so long since I last worked on it that I am going to have to go back to my notes and review them again; but that’s fine. At least I have the notes, you know, and that puts me ahead in a way–look, I’ll take these little victories where I can, thank you very much.

It does seem as though the RWA mess has calmed somewhat on Twitter, and what the future holds for the organization remains to be seen; it’s always sad to see an organization tear itself apart in this way, especially when the real root cause of the whole mess is racism. Sorry, Nice White Ladies, but we’re not going back to the 1950’s–the people of color aren’t going back to the back of the bus and the queers aren’t going back into the closet. And inevitably, there’s going to be issues any independent audit turns up; aren’t there always? I can only theorize the paid staff’s been colluding with the people masterminding this insidious leadership coup, and there are probably irregularities that will turn up in their books once the inevitable independent audit shows up. There’s something terribly rotten at the core of that organization, and it’s just a matter of time before it gets dragged out into the light and exposed.

I am still reading Richard Campanella’s Bourbon Street, and I’ve now reached the period of time–the 1950’s through the 1960’s–where the street truly earned its name and reputation as a strip for sinning. As always, ideas are flooding through my mind for new stories and perhaps a new series; I think the story I originally started writing a while back, “The Blues Before Dawn”, might actually work better as a short (70k-ish) novel set in the late 1950’s/early 1960’s rather than the WWI/Storyville era I was thinking about setting it…and also makes me wonder about my Sherlock Holmes story; perhaps moving it to a more modern era might be better? But I must get these other two manuscripts finished before I really even start thinking about other novels–and let’s face it, Chlorine needs to be the next novel I write anyway. I wrote a first draft of the first chapter a few months back, and it turned out better than I’d thought it might; and last night, as we watched John Mulaney stand-up comic specials on Netflix, the second chapter came to me, almost fully formed. It’s lovely when that sort of thing actually happens, you know–it’s so organic and I love it, it makes me feel like a real writer when it does–and it doesn’t really seem to happen all that often.

Although I probably should be spending all this time researching for Chlorine while I finish writing these other two books, shouldn’t I?

I don’t have a timetable for finishing Bury Me in Shadows or the final revision of the Kansas book, either. I probably should set one–although I’ve been doing that for the last year and it never seems to motivate me to get the work done.

OH! I also realized the other day when I was listing my favorite reads of 2019 I forgot two: The Better Sister by Alafair Burke and The Nickel Boys by Colson Whitehead. Both are frigging fantastic, and you need to read them sooner rather later. Get on it. Don’t make me come over there, because I will.

Tonight after work is the office holiday party, so I’ll be stopping there on my way home from work and probably then proceeding to Rouses so I won’t have to leave the house all weekend. Fingers crossed, at any rate.

I also have some errands to run on my way into the office today. It rained last night–everything is slick and shiny and dripping outside my windows this morning–and I suspect the temperature went south overnight as well; it’s very cold in the Lost Apartment this morning. I always forget how bipolar the weather in southeastern Louisiana is in the winter–it was warm and muggy yesterday. I stand corrected–it’s 62 with a high of 71 forecast for the day, so it’s clearly just cold here inside. Sigh, New Orleans.

I’m still rereading both The Talented Mr. Ripley and Kirkland Revels  as well; once I finish those rereads (and blogs) I’ll go on to my annual reread of Rebecca, I think, and then it’ll be time to read some new things from my TBR pile. The new Elizabeth Little ARC has been taunting me from the top of the TBR pile since I received it (read me, read me, come on and read me, you bitch!), and I was actually thinking about taking it with me as one of my “to reads” for the trip to New York; there will be lots of airport/airplane time involved, after all, and there’s no better time to read then when you’re traveling.

And on that note, I have some laundry to fold before I get ready for work. Have a lovely day, Constant Reader!

adam hagenbuch