Tag: Colin

What About Me

Well, here we are on Monday morning after my surgery, and I’m not really sure what I’ll be doing today. I really need to pick up a prescription in Uptown, and we need to pick up the mail at some point, but I’m not really sure how I’m going to do that. I don’t know that I should risk driving yet, because New Orleans drivers are so horrible, but it has to be done and I need the prescription. I suppose I could take a ride service, but I hate spending the money as well. I guess I don’t have a choice though, so I’ll deal with that later. I also need to make groceries.

We had had an issue a few weeks ago with the apartment. They were doing some work on the patio deck above my kitchen, and unfortunately there was rotten wood up there. The ceiling kind of gave way; they ended up nailing up a piece of plywood over the hole in the ceiling. Unfortunately the next time it rained, of course, it leaked , but they finished the work up there and never came back to repair our ceiling. We had a massive thunderstorm Saturday night, and so i woke up Sunday morning to water on the floor in the kitchen, on the stove, and on the counter. The carpets in the kitchen were also  wet; so I got out towels and a bucket for the dripping and hoped that the ceiling wouldn’t cave in. About two hours later, yeah, some of the plaster came down with a loud, startling crash, and so now there’s another hole in the ceiling. The insulation up there is soaked, so I had to leave the bucket for the dripping to continue. Needless to say, this is a really shitty time for this to happen and it spiraled me into a really bad depressive state yesterday. I have noted already that my emotions have been all over the place since the surgery — so something like this really sent me into a spiral. The anxiety really ramps up, so yeah, yesterday was just not a good day for me.

So, I repaired my easy chair with a Gatorade and Nurse Sparky and put on one of my comfort movies, Indiana Jones and The Last Crusade. I’ve always loved Indiana Jones, but I haven’t seen the most recent movie yet. I’ve always wanted to write an Indiana  Jones type book; I love historical treasure  hunts and have always thought that it would be fun to write those kind of stories with Colin as the main character — away from Frank and Scotty, to kind of fill in the blanks when he’s away from New Orleans. I have an idea that’s tied into the 4th crusade and the sack of Constantinople; a treasure hidden away in the Hagia Sophia since the Nicaean Council that established the dogma of Catholic Christianity. The Orthodox patriarchy had been keeping this treasure secret from the Pope and the Vatican for centuries, at least since the schism of 1052. My idea is that the Venetians and the Crusaders knew that the Pope would be furious to learn they had sacked Constantinople, but the Doge, Enrico Dandalo, not only knew about the secret but also knew presenting it to the Pope would get them forgiven. The primary problem with this is that I have never figured out what precisely was hidden in the Hagia Sophia; but I wanted to tie it into the Assassins and the Old Man of the Mountain. I thought that would make for a fun adventure, particularly setting it in a fictional Middle Eastern country. However, with everything that’s going on in the world nowadays, writing about the Middle East is probably not a good idea at this point.

I also read a lot of short stories over the weekend. I read all the stories in one of my Alfred Hitchcock Presents anthologies, Stories That Scared Even Me, and that was a lot of fun. The book was published originally in the 1960s or early 1970s and it is amazing how much attitudes in society and cultural attitudes have changed since that time. The contributors were almost entirely male — all of these anthologies are underrepresented with women — and there are a lot of really racist and patriarchal  tropes in some of the stories. Several, for example, are set in Mexico; I’ll let your imagination do the rest rather than quote what they said so casually. I’m also writing a story set in Central America — I was writing it to submit to a horror anthology — and it was one that I had started writing back in the 1990s, I believe. I was kind of horrified by what I wrote — I feel like by the 1980s I should have known better about these kinds of tropes  — but the story is salvageable; with some strong changes and a fictional country. But you can still get into trouble, even with that, and the last thing I ever want to do is write something problematic that will offend people. (I have already mentioned the story that I submitted to a anthology that’s not going to happen now about the South, which I recently  reread and was horrified by.)  A lot of these stories have those twisty type of endings that I always loved; that little hint of irony that really made the story sing. I always try to give my stories those kinds of endings because that’s what I grew up reading as far as short stories are concerned, and I often have to struggle to not try that with every story, because it’s not right for every story and I have a bad tendency to try to force things to work the way I want them to, instead of the way that they should work organically.

Dictating is much slower than typing, as I’ve noted before; this is taking me a lot longer to dictate then I would like. Where I actually typing this entry, I would probably already be finished by now. But you do what you have to do. I also started dictating my next book, figuring it’s better to get started on it while I’m at home recovering from the surgery, rather than waiting until such time as my left hand can be used for the keyboard. I’m still not having any pain  — my primary issue is mobility, not being able to use my left hand for  much, occasional nausea from the antibiotic, and the mood swings and depression. I wish I had already started on my anti-anxiety medication protocol before the surgery, but what can you do? Yesterday morning, I was thinking that I made a lot of bad decisions about this surgery and that I didn’t do it knowing everything that would result from it; but I was worried about not ever being able to go to the gym and workout again unless  and until this was done, and pushing it back to next year wouldn’t have changed any of these issues, I don’t think, other than possibly better planning on my part. But that’s also part of the anxiety—I always question my decisions, and never really believe that I made the right choices afterward. I guess it is just a part of that hindsight being 20/20 thing that always drives me crazy. I never really am confident in the decisions I make, so I always try to not second-guess or doubt myself afterward; there’s no point in rehashing things that you can’t change. Why obsess over something I have no control over anymore? That’s the easiest way to drive yourself crazy, I think.

We’re also really enjoying the show Bodies on Netflix. It has everything that I like; a bit of science fiction, crime, surprise twists, and gay content. You can never go wrong with me when you have gay content. (That’s not entirely true; there are some really terrible shows in movies with gay content that are basically unwatchable) I also finished watching a Jane Seymour series on Acorn called Harry Wild, which wasn’t great but was entertaining enough. I don’t know what all I’ve been watching to be honest with you, Constant Reader, but I’ve been watching  an awful lot of television.

I did watch a terrible adaptation of Agatha Christie’s The Mirror Crack’d, and the less said about that the better.

I’m hoping today or tomorrow to be able to read a novel; I’m really enjoying the one that I was reading before the surgery and would like to finish it, but my mind is all over the place and has been since coming home from the surgery. I haven’t even been able to focus on the TV I’ve been watching as much as I would like. Part of it is the depression, part of it is the holiday without Mom, and of course, the surgery. You see how I am? I’m being hard on myself after a major surgery for not getting anything done or being productive. Heavy sigh. Welcome to the wonderful world of what goes on inside my head.

And on that note, I am going to bring this to a close and see if I can figure out what I’m going to do for the rest of the day, and what I can do about these errands. I hope you have a lovely Monday and as always, thank you for checking in and thank you for reading.

Lady Marmalade

He met Marmalade down in old New Or-leenz, strutting her stuff on the street, she said “hello, hey Joe, you want to give it a go?“

That classic song by Labelle came out while I was in high school, during the early to mid-1970’s, and there was a lot of prurient young teenager thrill in knowing that the French lyrics translated to “do you wanna have sex with me tonight?” But the song–essentially about a hooker in New Orleans and a man’s experience with her–was an introduction to another side of New Orleans–one you wouldn’t find in the World Book Encyclopedia.

It was very important to me, for a variety of reasons, to make Scotty someone who embraced his sexual orientation and sexuality. I wanted to write someone who LOVED having sex, loved beautiful men, and felt no Puritan-American based shame about enjoying sex. Those kinds of characters were few and far between in gay fiction, let alone in gay crime fiction. After writing the typical miserable cynical bitter gay man with Chanse, I didn’t want to do that again. I wanted Scotty was to be the obverse of Chanse in everything, except their mutual love of New Orleans.

(This was, in part, in response to being briefly dropped by Alyson when I signed the Scotty series with Kensington, being told “two mystery series set in New Orleans would be too alike.” I took that personally, as an insult to my talent, ambition, creativity, and abilities…and I think I proved my point. Once Murder in the Rue Dauphine and Bourbon Street Blues were released–and Rue Dauphine sold super well for them and was nominated for a Lammy–Alyson changed their minds. I’m still mad at myself for not asking for more money.)

But while Scotty was highly sexually active, he never got paid for it. He also never did porn–although I did consider that at one point as an option; I thought a murder mystery built around a porn shoot would be interesting and kind of fun. And of course, in this book he mentions that he and the guys have recorded themselves having sex, and have sexted each other.

Scotty always preferred to keep his status amateur–but he was a go-go boy (stripper, exotic dancer, dick dancer, whatever you prefer to call the guys who dance for dollars in gay bars wearing various kinds of male undergarments), and he was certainly someone who was not averse to having a sexual encounter with a handsome stranger. (There’s a joke about this in Mississippi River Mischief where Frank comments after they’ve met someone, “I’ve been with you for almost twenty years. If you think I can’t tell by now that you’ve recognized someone but you’re not sure from where, which means you’ve probably slept with them, think again”–a paraphrase, but you get the gist; Scotty is often running into men who look vaguely familiar, and that usually does mean he slept with them a long time ago.)

New Orleans, despite it’s rather prim-and-proper high society set (on the surface, anyway), with the Pickwick Club and the Boston Club and the mysterious Mystick Krewes of Rex and Comus and so on, has always been a city of loose morals and freewheeling attitudes towards sex and sexuality. We had a zone where prostitution was legal for three decades or so (Storyville) and I wouldn’t be surprised if there were several bordellos operating within the city limits as we speak. There was the arrest of the Canal Street madam; and of course local author Chris Wiltz wrote The Last Madam, a biography of notorious Norma Wallace–the last well-known madam in the city. (Which I need to reread…) Bourbon Street was known for its strippers and vice for decades; there are still strip clubs on the infamous strip running from Canal downtown to Esplanade–and there are usually men in bikinis or something equally scanty on the bars of the gay clubs down down around the St. Ann/Bourbon queer nexus of the Quarter. When I was starting my deep dive into New Orleans/Quarter history, I wasn’t surprised to find out there were “stag” bars down along the riverfront along the levee; and if someone at one of the fancy houses in Storyville had a predilection for the Greek vice that needed scratching, the madam would send one of her bouncers down there to find someone willing to turn a trick, with a fair share going to the house, of course.

I think that’s fascinating, really; and something I want to explore in a story. I’ve started the story (it’s “The Blues Before Dawn” which I’ve mentioned from time to time) but can’t quite nail down the crime part of it. The set-up is great, though, he typed modestly.

I didn’t intend for Scotty to wind up in what is now known as a throuple–a three way couple, or a relationship of three people–on purpose. I wanted to create the dynamic of two men being interested in him at the same time, and have some fun with that in the first book. I absolutely did, and when I sent Colin away at the end of the first one, that was deliberate. I couldn’t decide who Scotty should wind up with, and I wanted Frank to be really who he logically should end up with–but this bad boy with a mysterious background who was so hot and sexy? I couldn’t NOT bring him back, and so I decided I had three books to wrap up the romantic dilemma. I wasn’t certain what the backstory of the dilemma would be, or how it would turn out, or how it would go–but when I was writing Jackson Square Jazz I found the perfect place and perfect way to bring Colin back. That book ended with them deciding to try a throuple to see how it works out. It was going pretty well until Mardi Gras Mambo–and I tried really hard with that book to not end the romantic story the way it ended in that book…and finally decided, since the series was actually turning out to be popular, that I would finish it by the end of the fourth book.

I’ve also not talked about it in the books or on this blog at all, but….they also have an open relationship. (Someone asked me about this at some point after the last book came out.) Nothing else would work for Scotty–he may not take advantage of the opportunities that pop up now the way he used to, but that’s because he has the freedom to make that choice. If he was forbidden from outside sexual relationships, he would cheat–and he doesn’t want to do that because that’s hurtful and wrong. He never wants to hurt Frank or Colin–but both of them are also away from New Orleans for long periods of time; Colin off doing his international agent stuff, while Frank is on the wrestling tour doing shows and promo events; so they are on their own a lot and temptation is always there–after all, all three of them are gorgeous–so while it is unspoken on the page, it’s an open throuple. And usually, Scotty finds outside sex to be kind of dull, unemotional, and not nearly as much fun as it is with one or both of the guys. That’s a character development arc. I also don’t show Scotty going out to clubs or waking up with hangovers with a stranger in his bed anymore, either. He does still go out–he loves dancing–but the gay bar scene has changed since he was younger and he doesn’t find it to be nearly as much fun as he used to.

Though he won’t say no to a hit of Ecstasy during Carnival or Decadence.

How subtle are the changes in Scotty as he has grown, aged and evolved? I think they are miniscule, but a revisit of the first two books in the series has shown a lot of change and growth over the years for him. He is definitely not that same flighty twenty-nine year old who booked a gig dancing at Southern Decadence all those years ago to make rent and wound up kidnapped by neo-Nazis deep in a swamp–I think he’s a little less flighty and a lot more responsible than he used to be…though he’s not as responsible as most people his age. Turning him into a property owner in the Quarter from a renter–and letting Millie and Velma ride off into the sunset in Florida as retirees–has also made him grow up, as now taking care of the property is his responsibility.

I will always be fond of my Scotty, though, and hope to keep writing him till I can no longer type into a computer or speak into a word-to-text app.

my neighborhood is so beautiful at night, isn’t it?

Louisiana Moon

As if you weren’t sick of my self-promotion already, now I get to start promoting Mississippi River Mischief!

It’s hard to believe that this is Scotty’s ninth adventure. Not bad for someone who was just supposed to be a one-off, a stand-alone comic madcap adventure that took place during Southern Decadence. The idea for it came to me at Southern Decadence in 1999; on Saturday afternoon I somehow managed to get a prime spot on the balcony at the Parade to watch the massive crowd of sweating shirtless men partying down below at the intersection of Bourbon and St. Ann. I noticed a really hot guy wearing sweats and carrying a gym bag fighting his way through the crowd to get to the Pub downstairs, and I recognized him as one of the dancers for the weekend. In that instant, I had a mental flash of a dancer being chased through a crowd of shirtless sweating men at the corner by bad guys with guns and the dancer only wearing a lime-green thong. I held that idea in my head, and sometime later that weekend Paul said to me, “you know, you should write a book set during Decadence,” and I grinned and replied, “I already have the idea.” I had started writing a short story called “Bourbon Street Blues” a year or so before this; but realized that would make a better title for the stripper crime caper during Southern Decadence, so I made a folder for it and kept it in my files and in the back of my mind. Several years later, when talking with an editor about something else when I worked at Lambda Book Report, I asked if that might be something he’d be interested in. He said send him a proposal, which I did–having no clue what I was doing–and they offered me a two book deal, turning my stand-alone into a series. Having no idea how to write the second book in such a series, the money was too good for me to say no or to quibble, figuring I’ll figure it out when I need to–which is really the motto of my career.

The Scotty series has always had a bit of a “pantser” feel to it for me because I’ve always pantsed it. I knew that the first adventure–Bourbon Street Blues–was going to be that Southern Decadence story, and I also knew I was going to fictionalize a governor race, basing it on a senate race that occurred when we first moved here and we couldn’t believe that one of the candidates was actually a serious candidate (sadly, he was just a harbinger of what was to come in Louisiana; now he’d seem like one of the fucking sane ones), and I kind of borrowed, a bit unconsciously, from the Stephen King character of Greg Stillson from The Dead Zone. Bourbon Street Blues was a prescient novel in so many ways–and I had no idea of that at the time, seriously. There’s a scene where the Goddess shows Scotty the potential flooding of New Orleans after a levee failure (in the book it was deliberate though) and of course I predicted the Right’s move into full-bore hardcore neo-Nazism as well in that book…never dreaming it would become a reality.

Scotty has always been a fly-by-the-seat-of-my-pants series; I’ve never really outlined or planned the books or the series in any way, other than an amorphous idea that the love triangle situation I created in the first book would take three books to resolve. During the course of the third book I realized I needed at least one more book to resolve that story, and so it went from stand-alone to trilogy to quartet…and then Katrina happened. Katrina created an unplanned gap in the series, and I never really knew how to do Katrina from a Scotty perspective. It struck me that they wouldn’t have evacuated, but Scotty wouldn’t have ridden the storm out in his apartment, nor would his parents have done so at their place; they would have all gone to the Garden District where Papa and Maman Diderot have a generator. I just didn’t see how I could write a funny Scotty book about the levee failure and the city’s destruction. Also, we learned something about Scotty in the second book (Jackson Square Jazz) that I meant to deal with in the fourth book. By the time I was ready and able and willing to write that fourth book in the series…well, I forgot that I’d planned on dealing with that issue from Scotty’s past in it, and never did ever circle back around to that resolution of something from his youth.

I did remember when I decided to write Mississippi River Mischief, though. I kind of wrote myself into a corner with Royal Street Reveillon, in which something happened in Scotty’s personal life that was tied into the case, but I couldn’t write another book and pretend that never happened, even though it would be hard to deal with in the text of the book and story. But then, as I was trying to work it out in my head, I realized now you can circle around back to that issue from Scotty’s teen years because this is the right place and time for him to be reminded of it because of what happened to Taylor.

And you know what? I think it made for a better story now than it would have almost fourteen years ago.

Scotty has grown a lot over the twenty or so years (!!!) I’ve been writing him, but who he is at his core has never changed. Scotty is a good person, with a genuine sense of kindness, and is pretty level-headed and never really lets things get to him the way I let things get to me–and God knows, he’s dealt with a lot more shit than I have in life. I like his sense of humor, I like his spirituality, and I like his untrained, he-doesn’t-know-how-it-works psychic abilities, and of course, I love his family. His parents are amazing, his older brother and sister are also pretty cool characters, and of course Frank and Colin are also fun to write. I also never knew how subversive I was being by creating a throuple long before anyone ever talked about these kinds of relationships within the queer community–and it’s lasted all these years. There have been ups and downs, of course, but they always wind up coming back together again no matter what happens–and a lot has happened. Both Scotty and Frank have been shot a few times, not to mention all those car accidents–and he’s also helped cover up a crime (no spoilers here, no worries!).

You can order it here, if you were so inclined…

Nothing Fails

Wednesday and we’ve made it to the midpoint of the week. Huzzah? Perhaps. I didn’t sleep all that great last night–I am expected to crash really hard this afternoon–but oddly enough I feel rested and okay and alert this morning, and I am still on my first cup of coffee. Who knew? Last night when I got home from work i buckled down and worked for a bit; I am still behind on everything but I am hoping I can get this manuscript I am editing today finished and back to the author, and then I can sort of maybe get back to my own. My publisher has pushed the publication date back, which is lovely yet not something I am terribly proud of–I feel like I allowed my personal situation to interfere with work, which is something I’ve not done since the aftermath of Hurricane Katrina–but while I was able to work during a pandemic, personal grief managed to derail me so fa this year; but it’s also not fair to blame it all on grief because I was already way behind on everything when Mom actually died. But I am thinking this is really a great thing. The revision, when I was able to do it, was going pretty well; but I wasn’t working the way I usually do which is partly why it was taking me so long to get it done, and I think with a new, later deadline, I can go back to the first chapter and start over again; and do it the way I always do and get it finished.

Paul had a board meeting last night so was later getting home than usual, so I wound up staying up later than I usually do so we could watch this week’s episode of Ted Lasso, which, while having sad moments, was overall a joy to watch. I hate that the season is winding down–which means the series is winding down as well–but I am hoping for at least one spin-off. I love all the characters on this show, even the minor ones; so much characterization and care has been taken with the creation and development of every character on the show, and that has always been its strength. (I still can’t believe that Jamie Tartt has become one of my favorite characters of not just the show but of all time. So many people in the cast deserve Emmys…I hope the producers are smart enough to toss some of them into the Guest Actor categories; certainly the young man playing Colin deserves some recognition for his moving and nuanced portrayal of a closeted soccer player; I also hope he finally introduces his boyfriend to the team as his boyfriend; maybe the series finale?)

I also got some potentially good news that I have to be vague about this morning; there’s no guarantee that the new opportunity that may have opened up for me will come to fruition, but it’s always nice to have something nice happen? Especially in this business, where it seems like you never know where things are going to and nothing is confirmed until the ink dries on the contract, so…yeah, have to be vague if nothing comes of it. But even if nothing does come of it, it was deeply satisfying for the potential to drop into my inbox yesterday. I am very lucky, I must admit; it’s very hard for me to ever feel bitter (or at least, never for very long) about my career because it’s always been charmed, almost from the day I sold my first short story back in 1999; opportunities keep coming my way and it’s been an absolutely lovely joyride. It’s also funny, because I was talking to someone recently about how the good things in my career have usually happened during dark personal times; so I never seem to get to enjoy the good things when they occur. Maybe it’s some kind of karmic balance I need to keep; ma’at, as the Egyptians used to call it–most of the time everything is even, but when things swing too far to the bad in the personal, the professional side of things always seems to pick up for some reason? I don’t know, and it could all turn out to be nothing, but it’s nice, nevertheless. It’s always nice when people are interested in more work for you. And being the socially awkward/insecure person that I am, it’s always a huge relief when someone you’ve worked with asks you for more work; I always worry that I’ve been a pain in the ass to work with…and I don’t want to be one of those people.

My blog post about the origin story of my The Horror photo turned out to be popular? Who knew? I didn’t think it was that interesting of a story, but everyone seemed to enjoy reading about it. It was just something I dashed off during my lunch break yesterday because I was feeling tired but had to wait for my Lean Cuisine (Swedish meatballs, for the record) to cool, and I thought why not write about how that picture came to be taken? Why not indeed?

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.

Little Lies

Sunday morning rolling around like a marble in the Mousetrap game–do they still sell that? We never had that game when we were kids–I remember having Clue, Monopoly, Life, and Chinese checkers, but never Mousetrap. We were a game family, often playing cards–Rook, Hearts, Spades, and Pinochle were enormous favorites within the family–and much later adding Uno and Trivial Pursuit (although no one will pay Trivial Pursuit anymore because I always win; and have even won on my first turn). Yesterday was kind of a lovely day, overall; I slept deeply and late, got up and did some things around the apartment; soaked my toe and slathered topical gel over it all day; read Bobby Mathews’ quite marvelous Living the Gimmick for a while, and worked. (Bobby’s book is really good, y’all) The work wasn’t easy but it also wasn’t difficult; in fact, I was kind of enjoying myself, which for me is lovely and encouraging. I do have to run out to the grocery store at some point today, but I’m not going to get terribly worked up and/or upset about it. I slept decently last night; I feel rested this morning but managed to get up early and am hoping that today will be a good, productive one.

The Lefty Awards were given out last night in Tucson: I lost Best Humorous to Ellen Byron and her delightful Bayou Book Thief; Kellye Garrett won Best Novel for Like a Sister; Wanda Morris won Best Historical for Anywhere You Run; and Ramona Emerson won Best Debut for Shutter. Congratulations to everyone! It was both a thrill and a surprise to be nominated in the first place, completely unexpected, and just a bit sad that the “race” is over. I can’t imagine being nominated another time, to be honest, but am very grateful for everyone who included A Streetcar Named Murder.

I still get to enjoy being an Agatha nominee for another month, though.

Yesterday was pretty good, over all. I did get a lot done, and I was pleased with the work I got done. I’m feeling a lot better these days about everything, really; it’s hard for me to explain but it feels like I’ve been operating on autopilot since even before the pandemic started; like there was a dark cloud inside my head that I somehow managed to get things done, but it was harder than it used to be. I don’t feel like that dark cloud is there anymore, at least not since last weekend, and it’s delightful to be free of that whatever-it-was. Depression and anxiety, most likely; I know I’ve been worrying about Mom in the back of my mind for years now, and I still kind of tense up when I get a text message alert from my phone. I guess a lot of that worry has now transferred over to Dad, but he’s healthy–or at least has been so far. The grief comes and goes still–far less frequently than before–but it still happens from time to time that I’ll get a bit overwhelmed and have to go withdraw from the world for a while.

While I was waiting for Paul to get home and after I had finished working for the day, I decided to watch a movie instead of just endless scrolling through social media and looking for things on Youtube to watch. I couldn’t remember if I had seen Uncharted or not; I like Tom Holland and still kind of enjoy Mark Wahlberg (while admitting that he’s probably not a great person–it’s complicated), so I queued it up and started watching. As I watched, I began remembering things from it, so I had seen it before, just didn’t remember it. It didn’t take long for me to start punching holes in the plot/story, and I remembered that it became so far-fetched that I didn’t enjoy it. I was about forty-three minutes into it when I gave up; the entire premise that Magellan had a fortune in gold that somehow got lost (he didn’t; he didn’t stay anywhere long enough to amass such a treasure) was simply taken for granted without explanation; that’s the legend so we just don’t question it. Props for using an actual historical figure to give it more authenticity, but…it also lost me. We watched the SEC Gymnastics championships (LSU came in third, but it really was a matter of tenths of points), then finished watching Servant, which was interesting and different and strange and very well done before catching this week’s The Mandalorian, which wasn’t a particularly good one. I’m not feeling this season, to be honest; and of course the best part–Baby Yoda–hasn’t really had much to do except just kind of be there.

Such a shame about Uncharted, really. I love treasure hunts, but they are so rarely (outside of Indiana Jones and Romancing the Stone) featured in good movies that I’m always a little hesitant to watch one. I still want to do my Colin treasure hunt book sometime, but God only knows when. The Festivals are this week, so Paul will be moving into the Monteleone Hotel on Wednesday, most likely, and I’ll probably go down there on Friday. I’m going to have to commute, which isn’t going to be easy–the limping toe, for example–so we don’t have to board Scooter, and means I will probably be exhausted by the end of the weekend. So be it, seriously. I definitely need to make a to-do list today; I’ve been operating without one for quite some time and I think it’s necessary for me going forward to stay on track with everything,

And on that note, I am going to read some more Bobby Mathews while my coffee continues to warm me up. I have some chores to do around the house (as always) and I am going to run over to the Fresh Market at some point to get some things (not entirely sure what is needed, to be honest, with Paul going away on Wednesday), and so I must be busy and productive today. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.

Everywhere

Saturday morning in the Lost Apartment and all is well this morning. I slept in a bit (I also went to bed later than I usually do, so I slept about the same amount, really) and feel rested and relaxed this morning, which is always a nice, pleasant thing to feel. I didn’t get much work done on the book yesterday (355 words, all of them bad except maybe “Scotty” and “Frank” and “Colin”) but that’s okay; I feel a lot less stressed and a lot less pressured this morning about everything that needs to be done now. The stuff all needs to get done, of course; that hasn’t changed, but I am not feeling as much stress about it as I was feeling yesterday.

I read more of ‘salem’s Lot last night while I was waiting for my friend Ellen Byron (buy her books! Bayou Book Thief is amazing!) to text me to meet her for a drink. I picked her up at the Sazerac House (Canal and Magazine) and it had been quite a while since I drove down that way in the evening, and yikes. SO much traffic, so many people everywhere. I’m still not used to pedestrians in the CBD at night, even though the area hasn’t been a ghost town at night in years, but then we swung around and came up to have drinks at St. Vincent’s, which has been renovated and redone and remade and turned into a boutique luxury hotel right here in the heart of my neighborhood. I’ve posted some pictures of the place when I was doing my walks through the neighborhood last year; it’s even more beautiful inside than I imagined. These weekend is Tulane Homecoming, so there are a shit ton of people in town (that’s actually what brought Ellen to New Orleans, in fact; she is an alum) for that, and of course the people from Mississippi here for today’s LSU game in Baton Rouge (Geaux Tigers!). It was lovely to sit and have a drink and talk about writing and books and this crazy business we are in; she’s an absolute delight (buy her books!) and I look forward to the next time I get to see her.

But this morning I realized how utterly I am failing at reading. October is winding down; Halloween is a week from Monday, and I still haven’t finished my reread of ‘salem’s Lot, let alone done my annual Halloween reread of The Haunting of Hill House or getting caught up on the horror novels in my TBR pile. I’ll spend some more time with Mr. King this morning before I run my errands–I have to go get the mail and I have to stop at the grocery store because I want to make white bean chicken chili tomorrow, and have nothing I need for that–and I am debating whether I want to grill burgers today or not. The LSU game is on today at 2:30, and of course Skate America is airing this weekend (yay for figure skating!) so I’ll have to write around those times.

The reread of ‘salem’s Lot is a lot of fun, actually; I am really enjoying this revisit of the book and seeing why I enjoyed it so much the first time around. King wasn’t STEPHEN KING yet when he wrote and published it, so I am sure it didn’t get the kindest reception from critics of the time; particularly when you take into consideration what they considered to be great writing back then. I don’t remember when it was that the Literati changed their mind on Stephen King, but I do remember how he wasn’t taken seriously as a writer by them for a very long time (he writes horror! He’s too prolific to be a real writer!), and some of his best work was already behind him by the time he got the anointing he deserved for a very long time. I mean, he had quite a run, and quite a varied one at that, before he finally published a book I didn’t like (The Tommyknockers, for the record) and it seemed an aberration as he seemed to climb back on the horse and right the saddle in the next one after that. I love how many points of view he uses in ‘salem’s Lot, giving us little glimpses of fully realized characters and their lives to show us human beings so that when they actually wind up becoming vampires, you do feel a sense of loss. Many of these minor characters are objects of sympathy, while others you just kind of shrug when the vampires come for them and think, well, you were a shitty person anyway, oh well, this is justice of a sort. The scene where Mike Ryerson has to finish burying the coffin of Danny Glick is one of the most terrifying scenes I’ve ever read, and it still holds up today. I like how King gets into the point of view character’s head and gives them a voice–which is still King’s, but different from the other voices he uses–and that sort of structured stream of consciousness is something I really like and enjoy reading; I sometimes use that style in my own writing.

(I started to write something self-deprecating, but am proud of myself for catching it and not doing it. Progress.)

And on that note, I am going to head into the manuscript and do some cleaning before the errands are run. Have a lovely day, Constant Reader, and I will check in with you again later or tomorrow.

Jackson Square Jazz

The unplanned sequel!

That’s not entirely true, you know. Yes, Bourbon Street Blues was always supposed to be a stand alone (I know you’re tired of the story) and they offered a two book series deal and I took it, thinking I would just figure it out later. Well, I did figure it out later; and when I started writing Bourbon Street Blues I already knew there would be a second book and so I had to set it up in the first as well as plant seeds for the next one after that–if there was going to be another one after that. I didn’t know for sure or not whether there would be a third, so when I was writing the first I kept the personal story as simple as I could in case there wouldn’t be a third and I could wrap it all up with the second if need be. But by the time I finished writing Jackson Square Jazz I was already pretty confident there would be a third (the first had just come out and was doing extremely well) so even if the third still ended up not being contacted, everything wrapped up as nicely as possible at the end of Jackson Square Jazz.

I decided the main mystery plot of the book would have to do with the Cabildo Fire of 1988.

When Paul and I had first moved here, sometime within that first year we saw a documentary on our local PBS station (WYES, for the record, thanks for asking, you there in the back) about the Cabildo Fire. I can only imagine how the city reacted to the news that a fire had broken out in one of our most beautiful buildings and recognizable landmarks–especially given its proximity to the landmark of the city: St. Louis Cathedral, and on its other side, the Presbytere. The documentary focused on the remarkable methods the New Orleans Fire Department went to, not only to fight the fire and prevent its spread to other historic buildings nearby, but to preserve the contents of the inside. The Cabildo is the Louisiana State Museum, and it’s filled with all kinds of artifacts and art documenting the history of New Orleans and the Louisiana territory. They brought fire-fighting boats to the levee, and borrowed more from the Coast Guard. They began hosing down the buildings around the Cabildo so they’d be too wet for the fire to spread.

And firemen were sent inside to remove as much of the contents before they turned the hoses on the Cabildo itself.

They literally lined paintings, framed historic documents, and various other historical artifacts with a variety of values along the fence surrounding Jackson Square, delaying until they had no other choice but to turn the hoses onto the Cabildo.

How easy it would have been to walk off with something priceless in its historic value, I thought, thinking of Robin Cook’s marvelous Sphinx and its opening with the tomb of Tutankhamun being robbed before flashing forward to the present day where a young female Egyptologist happens upon a magnificent statue from antiquity; a golden statue of Pharaoh Seti I. I pictured another young woman, in an antiques shop in the Quarter, happening upon something that looks like an artifact lost during the Cabildo Fire (they saved over 80% of the museum’s contents, by the way), and decided upon the Louisiana Purchase treaty. I could also call the book Louisiana Purchase (which also is the name of the state’s food assistance program; you get a Louisiana Purchase card with an amount loaded onto it every month), and possibly weave something about a food assistance program scandal of some sort woven into it as well. I viewed this as a spin-off stand alone for my character Paige Tourneur from the Chanse series (I had always wanted to write about her), and I thought, you know, the Cabildo Fire and some McGuffin gone missing from the museum would make a great plot for the second Scotty book.

The more I thought about it, the more I liked it.

And, being a dutiful writer, I contacted the administrative offices of the Louisiana State Museum and made an appointment to discuss my book and the fire with Executive Director Jim Sefcik.

And when I met with Jim, I discovered, to my great surprise, that not only had he been working there the day of the fire…it was his first day on the job.

“I was sitting in La Madeleine having coffee and a pastry,” he said (where Stanley is now used to be a La Madeleine; I used to get coffee there all the time during the Williams Festival), “when I heard a fire engine. I looked out the window and saw a firetruck pull up onto the pedestrian mall and stop in front of the Cabildo. As I thought that can’t be good another one pulled up from the other direction and THAT was when I saw the smoke.”

He gave all the credit to the fire chief for how everything was saved–“I just kept saying yes yes, whatever you think is best”–and I remember saying, “Well, at least you got it over with on your first day.”

He laughed, and replied, “Yes, now whenever there’s a crisis of any kind I just think well, at least the Cabildo isn’t on fire and that kind of puts things into perspective.”

He even gave me Polaroid snapshots of the aftermath of the fire; they’d scanned the originals long since to archive them. I just found them again Saturday when I was cleaning out cabinets, you can imagine my delight to stumble over them all these years later.

He also explained to me why the Louisiana Purchase treaty wouldn’t work as the MacGuffin (the original is stored in a vault at the Library of Congress; the display in the Cabildo is a copy and it is multiple pages long) and suggested the Napoleon death mask as a suitable alternative–even telling me a wonderful story about how the one in the Cabildo (there were four or five made) disappeared and then turned up in trash dump about thirty years later.

And he was right. It worked perfectly.

Danger is my middle name.

Okay, so that’s not strictly the truth. My middle name is Scott. But when you’re first name is Milton and you’re last name is Bradley, you’ve got to do something. Yes, that’s right, my name is Milton Bradley, and no, I’m not an heir to the toy empire. My parents, you see, are counter-culturalists who own a combination tobacco/coffee shop in the French Quarter.  They both come from old-line New Orleans society families; my mom was a Diderot, of the Garden District Diderots.  Mom and Dad fell in love when they were very young and began rebelling against the strict social strata they were born into. The Bradleys blame it all on my mom. The Diderots blame my dad.  My name came about because my older brother and sister were given what both families considered to be inappropriate names: Storm and Rain. According to my older brother, Mom and Dad had planned on naming me River Delta Bradley. Both families sat my parents down in a council of war and demanded that I not be named after either a geological feature or a force of nature. After hours of arguing and fighting, Mom finally agreed to give me a family name.

Unfortunately, they weren’t specific. So she named me Milton after her father and Scott, which was her mother’s maiden name. Hence, Milton Scott Bradley.

My older brother, Storm, started calling me Scotty when I was a kid because other kids were making fun of my name. Kids really are monsters, you know.  Being named Storm, he understood. My sister Rain started calling herself Rhonda when she was in high school. Our immediate family still calls her Rain, which drives her crazy. But then, that’s the kind of family we are.

So, yeah, danger really isn’t my middle name, but it might as well be. Before Labor Day weekend when I was twenty-nine, my life was pretty tame. I’m an ex-go-go boy; I used to tour with a group called Southern Knights. I retired from the troupe when I was twenty-five, and became a personal trainer/aerobics instructor. The hours were great, the pay was okay for the most part, and I really liked spending a lot of time in the gym. Every once in a while I would fill in dancing on the bar at the Pub, a gay bar on Bourbon Street, when one of their scheduled performers cancelled—if I needed the money. That Labor Day weekend, which is Southern Decadence here in New Orleans, I was looking forward to meeting some hot guys and picking up the rent money dancing on the bar. I certainly wasn’t expecting to be almost killed a couple of times or to have my apartment burn to the ground. I also didn’t expect to wind up as an undercover stripper for the FBI.

It’s a really long story.

The one good thing that came out of that weekend was I met a guy: Frank Sobieski, this mound of masculine, hard muscle with a scar on his cheek, who also happened to be a Fed. They don’t come any butcher than Frank. We hit it off pretty well, and he decided that once his twenty years with the FBI were up, he’d retire and move to New Orleans. I’ve always been a free agent. It’s not that I didn’t want to have a boyfriend, I just never thought I would find one. I enjoyed being single. I mean, young, single and gay in New Orleans is a lot of fun. It doesn’t hurt that people find me attractive, either. I’m about five nine, with wavy blondish hair that’s darker underneath. I wrestled in high school, mainly because the other kids were bullying me because they sensed I was gay. I’ve been working out ever since. Anyone who tells you being in shape doesn’t make a difference in your life is lying. It does.

But I needed a reason for the death mask-MacGuffin to come across Scotty’s path.

So, I turned back to the personal story of Scotty again.

It’s October now, been about five or six weeks since Labor Day and Halloween looms. There’s not been another word from Colin since the end of Bourbon Street Blues and Frank has put in for his retirement while he and Scotty are doing the long-distance thing; Scotty is finding it a bit restraining and having never really wanted or care about being in a relationship, is starting to have second thoughts about giving up his freedom. He has just come back from visiting Frank in DC and that visit has set his teeth on edge and made him even more nervous about Frank moving to New Orleans. David picks him up at the airport, hands him a joint, and Scotty goes on a bender…

…and wakes up with a massive hangover in bed the next morning, realizing to his horror that he is not in bed alone.

How relatable is that? I know I’ve been there more times than I care to remember.

And I realized, the trick is the key linking Scotty to said MacGuffin and the mystery, and as a big figure skating fan I decided to make him a figure skater, in town for Skate America. Scotty doesn’t know he’s a skater until he’s actually at the event and sees him warming up on the ice–and then he gets a note to meet him at his hotel room at the Hotel Aquitaine later that evening, along with the room’s key card–but Scotty shows up only to find a dead man with a knife in his chest.

This one was fun, and having Scotty’s weird ‘psychic’ power allow him to commune with the ghost of a long-dead fireman who knows the answer everyone is looking for was also a lot of fun. (I liked the concept of having Scotty and his mom go down to watch them fight the fire when he was a little boy.)

What a fun book this was to write!

I introduced a very fun Texas millionaire who collects things and doesn’t care how he acquires them (I even brought him back in Baton Rouge Bingo); was able to bring Colin back only to find out he’s not really a cat burglar but actually an international agent-for-hire working for the Blackledge Agency and thus created the “who will he wind up with” romantic triangle; and even had Scotty living in half of David’s shotgun while his home on Decatur Street was being rebuilt (which I had forgotten about until the skim-rereads and changes something with the new book). I also had Scotty get kidnapped again, and this book had the first of his many car accidents. It also contained Scotty’s first trip (in the series) to the West Bank.

One thing I forgot to mention when I was writing about Bourbon Street Blues the other day was how the series (books) were always intended to be insane and over-the-top*; always. The problem I always have with writing this series is stopping myself because something strains credulity and then I have to remind myself, “this series was always intended to be like New Orleans itself: completely unbelievable until experienced personally, and always over the top and ridiculous.”

Which is part of the fun, you know?

*For one example, Bryce Bell, the young skater, lands a quad-axel at Skate America. To put that in the proper perspective, to date no one had landed one competitively, although there’s a young American skater who can land them in practice….eighteen years later.

PS: When this book was released, I got asked a lot if I had posed for the cover; the same thing happened with Bourbon Street Blues; I was always apologizing for not being the cover model. With this book, I assumed it was the same thing…but later I realized they weren’t asking about the guy in front with this shirt open but the guy in back kissing his neck. At the time, I had a goatee and shaved head; this guy also has this and he does kind of look like me. What can I say?

Bourbon Street Blues

It’s Southern Decadence weekend in New Orleans.

It’s probably hard to imagine what Southern Decadence is like unless you’ve actually been to it; even the hundreds of pictures I’ve taken and shared on social media over the years can’t even remotely begin to get the concept of what it’s like across–the same as Carnival, really; it has to be seen and experienced to be truly understood. My first Southern Decadence was in 1995, which was around the twenty-second or third time it was held; my knowledge of Decadence, primarily from urban legend and tales told from one gay to another and passed down over the years, is sketchy and probably untrustworthy (if you’d like the unvarnished truth and read about the history, I highly recommend Southern Decadence in New Orleans from LSU Press, co-written by Frank Perez and Howard Philips Smith; I have a copy and thoroughly enjoyed reading it. Alas, my memory isn’t what it used to be, but the story is it began as a bar crawl for a friend who was moving away, and grew from those humble beginnings into a massive event that draws queers from all over the world).

That first Decadence I came to was also one of the hottest, temperature wise, or perhaps it was simply because I wasn’t used to the summers in New Orleans yet since I didn’t live here. I just remember being in Oz one afternoon and just soaked in my own sweat, and going down the back staircase from the second floor–the staircase that opens out onto the dance floor–and having to hold onto the railing because the steps were slick and wet. The railing was also wet, and when I touched the walls so were they–all the humidity and body heat and sweat–but at the same time it was so much fun. Gorgeous, flirty and friendly men everywhere, everyone scantily dressed and getting wasted and just having a good time. This was during the height of the circuit parties, most of which have died off over the years–there’s no longer a Hotlanta weekend in Atlanta in mid-August anymore, for example–but back then, it seemed like every month if you had the time and the money there was a circuit party somewhere you could fly off to and be yourself and have fun being in an entirely gay environment for a few days. That was, for me, one of the primary appeals of circuit parties and gay bars–they were safe havens for everyone to be out and proud and loud…and after a few weeks navigating the straight world for work and play and life in general…it was lovely to let loose in, for want of a better word, a safe space.

Circuit parties also had their downsides, don’t get me wrong–Michelangelo Signorile detailed some of those in his book Life Outside, which got taken out of context an awful lot–drug use and rampant sex and bad choices also led to other problems, not to mention the spread of HIV and other STI’s; the very first time I ever went to a circuit party–Halloween in New Orleans, 1995–there was a very Masque of the Red Death feel to it; here were all these gay men crowded into a riverfront warehouse, doing drugs and dancing and having a great time while the plague raged outside the doors. I even wrote about that in my diary on the flight back to Tampa a few days later.

But Decadence was always my favorite, out of all of them, and it was something I looked forward to every year. My workouts were always planned so I would hit peak physical condition for Decadence and maintain through Halloween, before starting to work on the Carnival body. It feels weird to talk about it that way, but that was my mentality and my schedule for years. Bulk up for a couple of months, then lean down leading into the event.

I had always wanted to write about Southern Decadence, and I know I’ve written about how I came up with the idea for the book numerous times; standing on the balcony at the Pub watching one of the strippers fight his way through the mob of gay men to get to the Pub so he could work, Paul saying you really should write a book about Southern Decadence and seeing a scene vividly in my head as I looked down at the sea of sweating gay men. I’ve also written about where the idea for the character and his family came from. So what is there left for me to say about Bourbon Street Blues?

The new cover for the ebook edition.

The name’s Dansoir. Dick Dansoir.

Okay, so that really isn’t my name. It’s my stage name from the days when I was on the go-go boy circuit. I started when I was in college, at Vanderbilt up in Nashville. As with almost everything that goes on in my life, I became a go-go boy on a fluke. The Goddess brings interesting experiences into my life all the time. Sometimes I don’t think it’s all that great, to tell the truth, but she always seems to be watching out for me.

I was working out at my gym one day when this guy came up to me and asked me if I wanted to make some easy money.

Like I hadn’t heard that one before.  

I was twenty-one at the time, just turned, but I wasn’t some wide-eyed dopey innocent. I was raised in the French Quarter, after all, and by the time I went off to college at age eighteen I had pretty much seen everything. French Quarter kids have a lot more life experience than other kids their age. You can’t really help it. The French Quarter is like Disneyland for adults, and growing up there, you get used to seeing things that other people can only imagine.

Anyway, this guy said he was a booking agent and scout for this agency that booked dancers in gay bars throughout the deep South. The troupe was called Southern Knights.

“You can make a lot of money this way,” he said to me above the sounds of people grunting and weights clanging. “You’ve got the look we like.”

I looked at myself in one of the mirrors that are everywhere in gyms. I was wearing a white tank top and a pair of black nylon jogging shorts. I was pumped up from lifting, and if I did say so myself, I looked pretty good. I’m only about five-eight—nine if I have thick-soled shoes on. I have curly blond hair that’s darker underneath. The sun does lighten it, but that darkness underneath always makes people think I dye it. I don’t. I have big, round brown eyes. I am also one of those blonds lucky enough to be able to tan. I’d gotten a good tan that summer and it hadn’t faded yet. The white tank top showed the tan off nicely. I also have a high metabolism and can stay lean rather easily.

But scam artists are everywhere. I wasn’t about to fall for a line from some stranger in the gym. For all I knew, it was a trick to get my phone number, or an escort service, or something else I didn’t want to be involved in.

Not that I have anything against escorting. People go to escorts for all kinds of reasons—loneliness, fear of commitment, whatever—but they do fulfill a need in the gay community, and more power to them. I just never saw myself taking money from someone for having sex. I like sex. I enjoy it. So, it just never seemed right for me to tale money for doing something I like.

Besides, taking money for it would make it work. I prefer to keep my status amateur.

I got a copy of the book out yesterday and skimmed/read it again, to get another look and remind myself of Scotty’s roots and beginning. I realized yesterday, as I turned the pages of an ARC (yes, I still have ARC copies of Bourbon Street Blues available), several things: one, that the reason I always hate reading my own work is because my brain is trained to read my work editorially, to fix and edit and correct and look for things needing to be fixed (and I can always find something) and that second, it’s really been so long since the last time I looked at this book–or any of the earlier Scottys–was four years ago, when I was writing Royal Street Reveillon. So, by making the obvious effort to flip the editorial switch off, and having so much distance from the book that it almost seemed like something new to me, I was able to skim/read the entire thing without wincing in horror or pain or embarrassment.

The original cover, which always makes me smile.

Bourbon Street Blues was also the last novel I wrote that didn’t have an epigram of any kind, let alone Tennessee Williams: I started that practice with Jackson Square Jazz with a line from Orpheus Descending: “A good-looking boy like you is always wanted.”

Reading the book took me back to the days when I was writing it. The Greg who wrote Bourbon Street Blues is still here, I’ve just been through quite a bit since then and have changed because of my experiences. There were some sentences in the book I would change now to make better, but there are still some jewels in there, and well, I can kind of understand now why the character is so well-liked. He’s charming and humble and kind; sure he talks about “being irresistible” a lot, but that’s part of the charm. Guys find him attractive. He doesn’t necessarily see it, but is more than willing to accept it and not question it. He enjoys his sexuality and he enjoys having sex. I wanted Scotty to be unabashedly sexual and to have no hang-ups, carrying no stress or issues about being a very sexual gay man.

As I read the book again, I also started seeing something that had been pointed out to me over the years a lot–and began to understand why this was pointed out to me so much; an old dog can learn new tricks, apparently–but I still think other people are wrong. The book isn’t “all about sex,’ as some have said. Rather, Scotty sexualizes men; he sees them as potential partners and appreciates beauty in men. His friend David also loves to get laid, so they cruise a lot–whether they are at the gym (either the weight room or the locker room), a bar, wherever they are–and so people get the idea that the book itself is incredibly sexual, even though there is literally only one sex scene in the entire book and it’s not graphic; Scotty’s weird mish-mash of spirituality and beliefs and values make the act itself a sacred ritual, and that was how I wrote the scene; from a spiritual, commune-with-the-Goddess perspective. It’s also funny in that people are so not used to seeing world through the Gay Male Gaze that it’s jarring, and puts sex and sexuality into the minds of the reader.

The question is, would people think the same if this was done through the Straight Male Gaze, in which women are sexualized? Since this is the default of our society–literature, film, television–is flipping the script to show the Gay Male Gaze so uncommon and so unheard of that it triggers such a reaction from some of the readers?

There’s also so much innocence in the book, and it’s also interesting to see it as a kind of time-capsule: Scotty doesn’t have a computer; his rent (on Decatur Street in the Quarter, with a balcony) is $450 a month (ha ha ha ha, that’s what the condo fee would be now monthly); and he also doesn’t have a cell phone. The whole point of the book was to do a Hitchcockian wrong place/wrong time now you’re in danger kind of story; and that is precisely what Bourbon Street Blues is. I’d forgotten that one of the running gags in the book is that he never gets a chance to sleep much throughout the story so he’s tired all the time and just wants it all to be over so he can go to bed.

Another thing that’s dated: even in 2002, in my naïveté and innocence, the evil politician running for governor–when described by Scotty’s brother Storm as problematic–even he doesn’t support an outright ban on abortion–he wants to ban it but with the rape, incest and health exceptions.

Even in 2002 I couldn’t conceive of anyone running for statewide office calling for an outright ban on abortion.

How things change.

It was also interesting that I got two things very wrong in the book, too: for one, I was thinking for some reason the swamp on the edges of Lake Pontchartrain on the way to Baton Rouge on I-10 was the Atchafalaya (it’s the Manchac/Maurepas), and while I had always remembered I’d given Scotty’s mom a name in this book but forgotten it later when I needed a name for her in a different book–I had the name wrong. I thought I’d called her Marguerite in Bourbon Street Blues then named her Cecile in a later book; I had actually called her Isabelle. (I’ve even told that story–about the names–before on panels and been WRONG ALL THIS TIME!)

It was also interesting and fun to remember–as I read–that Scotty was also not looking for a boyfriend. He was perfectly happy and content being single (which was also something important I wanted to write about–a gay man who didn’t care about finding a life-partner, figuring if it was meant to be it would happen). I also presented him with two potential love interests–Colin the cat burglar and Frank the hot daddy–with that actually being resolved without him having to make a choice between them. I also had the book end with Scotty being slowly persuaded into becoming a private eye.

Originally I had conceived it as a stand alone novel, but the publisher offered me a two-book contract, so when I was writing Bourbon Street Blues I knew there was going to be a sequel. This freed me to leave some personal things open for him; I knew I was going to bring Colin back in the next book so he was going to have to choose between them, and I also knew the personal story needed to be wrapped up by the end of the third book, which was going to be the end of the series with everything resolved. That changed when I wrote Mardi Gras Mambo, but that’s a story for another time.

Bottom line: it’s a good book and I am proud of it. It’s only available now as an ebook from Amazon, but I hope to eventually make it available through every service as well as get a print-on-demand version for those who might want one.

Gold

Everyone has heard of Constantinople at some point in their life, I should think–at least they’ve heard that annoying song “Istanbul (Not Constantinople)”. Some may even know that it fell to the army and navy of the Ottoman Turks under Sultan Mehmet II in 1453, ending the Eastern Roman Empire after a thousand years of existence. The Ottomans relocated the capital of their empire there, renaming it as Istanbul. (Christian Europe continued calling it Constantinople for centuries; it’s only over the last hundred years or so that Istanbul has come into more common usage.) But few know much more about the city and the empire it served as capital for over a millenium. Of those, some may know the basics–the Emperor Constantine, the first Roman Emperor to convert to Christianity, recognizing that the enormous Roman Empire had become impossible to rule or enforce law or protect, split the empire into eastern and western halves, and founded a capital for the east on the site of the village of Byzantium, renaming it Constantinople. The Western Roman Empire collapsed in 473 when the city fell; yet the eastern empire continued until 1453. Western Europe, always trying to reclaim the heritage of the Roman Empire (and ambitiously planning to rebuild it), always referred to the still existing Roman Empire as “Greek” rather than “Roman,” although the citizens of that great city and the vestiges of its empire continued calling themselves Romans until the Turks finally ended it.

But that thousand year history? It’s not easy to find information or books with much information; even the one history of the Empire I did read–Lost to the West by Lars Brownworth, along with his City of Fortune, a history of the Venetian Empire–glossed over centuries and only hit highlights. I’ve always wanted to write something historical set in the new Rome.

The Eastern Empire out-lasted its western counterpart by nearly a thousand years. Constantinople was one of the greatest Christian cities of all time; there was certainly nothing even remotely close to it in western Europe in terms of population, art, culture, education, and trade. It’s location put it in control of access and egress from the Black Sea; it also controlled the trade routes between Europe and Asia. Its fall in 1453 meant that those trade routes were now controlled by the non-Christian Islamic Ottoman Empire–and as such, other ways to reach the far east became necessary to the western Europeans, hence the Portuguese circumnavigating Africa and the Spanish attempt to sail west to find a route, leading to the “discovery” of the Americas. The fall of Constantinople was an incredibly important and necessary piece of the interlocking puzzle that led to European colonization and the global empires that resulted from it (as well as the oppression and enslavement and genocide of native populations); but Western historians–in particular, those monastic scholars in Catholic orders–have always tried to erase and /or lessen the importance of the eastern Empire and its capital, calling them “Greeks”, renaming the Eastern Roman Empire as the “Byzantine Empire,” etc.–and in no small part, this was also because of the Christian Schism of 1054, in which the Eastern Orthodox Church and the Roman Catholic Church split in two over questions of dogma. Therefore, it was in the interest of the Western Europeans to underplay the vital importance to European history of the remains of the Roman Empire because western Catholics considered their Orthodox brethren as heretics; their church was the true one, even if it was in the east that the religion originally came from, and it was in the eastern half of the empire the tenets and dogma of the “true” faith were established. The Pope in Rome always tried to assert his own authority over the Patriarch in Constantinople; the Patriarch considered himself to be the head of the faith and the Pope just another bishop. Thus, when Charlemagne conquered most of central Europe, he and the Pope created the Holy Roman Empire (which wasn’t holy, or Roman, or even really an empire in the traditional sense); the Romans in Constantinople were not pleased. (At the time, through some political machinations and drama, a woman was seated on the throne in Constantinople–the Empress Irene, one of the most interesting women in European history; she was also pretty terrible. The Pope decided there could be no such thing as a female Emperor, and so he crowned Charlemagne.)

The Holy Roman Empire also lasted over a thousand years.

Anyway, I’ve always been interested in the eastern Empire, even though it’s largely neglected in European histories. But one event in its history has always been interesting to me in particular –the fall of Constantinople to the Catholic 4th Crusade in 1204, which essentially set the stage for the second fall of the city, to the Ottomans in 1453. I also have an idea for a Colin book–which I’ve had for a very long time–that would have its beginnings in the 1204 sack of Constantinople.

It’s remarkably hard to find much information–granted, it’s not like I’ve tried very hard, but the fact that you have to try hard to find histories and/or books about the Empire and its capital, let alone the 4th Crusade–even histories of the Crusades themselves gloss over the fact that a Crusader army, blessed by the Pope, allowed itself to be diverted by the Venetians to capture and sack two Christians cities (Zara and Constantinople), and established “Latin” (western European) kingdoms and principalities out of the provinces that were once the Eastern Roman Empire. These Catholic kingdoms were so despised by their subjects that they didn’t last long, with another dynasty of the old empire arising to drive them out. The sack of the city and the pillaging and destruction that followed created such a deep hatred for the Catholic Church and the kings that followed the Pope that they preferred the Ottomans to a reconquest by the Catholic nations–which is saying something. Ernie Bradford’s The Great Betrayal: The Great Siege of Constantinople is a very thorough account of the tragedy and how it came to pass; the destruction of the mighty city–along with the destruction of priceless books and documents and art forever lost to us–was on a par with the burning of the Great Library at Alexandria.

The book itself is very interesting; the siege took nearly a year, and it’s actually kind of shocking that the Crusaders succeeded in taking the city, bearing in mind the strong defenses and so forth. A lot of things had to fit into place for it to happen, and they all did. The city came so close to holding them off successfully; it’s almost as though, as they would have said at the time, it was God’s will for it to happen. The city was also filled with all kinds of priceless Christian relics; after all, the religion was founded in the east, and as city after city fell to foreign invaders, a lot of priceless artifacts and holy relics were moved to the capital. (The great horses from the Hippodrome, for example, are proudly on display in the Piazza San Marco in Venice to this day.) A lot of the art was destroyed, jewels picked out of reliquaries, the gold or silver or bronze melted down for coin, and so forth.

As someone who has always loved history, and also has always loved treasure hunts–especially those that are involved with the history and development of Christianity, many years ago (I will freely confess to being inspired by Indiana Jones movies) I thought about writing such a treasure hunt story–where the ‘treasure’ being hunted was some important document or book or relic from the earliest days of Christianity that would revolutionize the faith as well as show how off-course it had gone since the earliest days…and wouldn’t it have made sense that whatever it was could have been kept in Constantinople, deep in the archives of the Orthodox Church? And with western, Catholic Europeans besieging the city, wouldn’t the Patriarch have wanted to keep it out of the hands of the Pope, and smuggled it out of the city to be hidden somewhere else, safe from the prying eyes of Rome?

And of course, when I created Colin–actually, when I brought him back in Jackson Square Jazz–I loved the character so much that I considered spinning him off; what about the jobs he’s on when he’s not in New Orleans? “Oh,” I thought, “my fall of Constantinople story! That could work for Colin!” And it even occurred to me the other day that I could even do them as “case files,” setting them throughout the past, both before and after he met Scotty and woven in between the Scotty stories. (It also occurred to me that I could do Scotty stories to fill in the years between books, if I wanted to…)

And reading this book–which i recommend if you want to know more about “holy wars” and how corrupt and unholy they actually were–made me think about it even more. I do want to include something about the Empress Irene, too.

Something to brainstorm at some point. Like I have the time to squeeze in another book…but it would be fun; although I don’t know how good I would be at writing action/adventure/thrillers.

It would be fun to find out, though.

Right on the Tip of My Tongue

Tuesday and it’s back into the office with me today. Huzzah.

Yesterday I entered data until my eyes crossed, but I got everything caught up. I also, once I was finished with my work for the day, walked over to Office Depot and got some more organizational items to try to make the kitchen workspace–and the kitchen overall–better organized and pulled together. It’s better now–looking around at the space this morning it certainly looks better than the hot mess it’s been for quite some time–so that’s something, I think. I slept fairly well last night, so as I am slowly waking up this morning over my coffee I am thinking this looks pretty good around here this morning. I also decided that since it’s still Pride Month my reading should continue to be queer books, at least for this month, so I plucked John Copenhaver’s The Savage Kind out of the TBR pile (it did win the Lambda Award for Best Mystery this past weekend after all) and hope to start reading it this evening when I get home from work. I made a binder for “Never Kiss a Stranger” as well as ones for Chlorine and Mississippi River Mischief–which definitely helped getting loose piles of paper and file folders off the counter tops, and at the same time felt strangely like I actually was making some kind of progress, which is always enormously helpful with feeling like you’ve gotten some place, accomplished something.

I just feel like I’m not getting anywhere with anything these days, but my mind has really worked strangely over the past few years. My concept of time is completely altered–not that it was ever really strong to begin with, honestly–and I struggle with memory lapses; my memory doesn’t really work the way it used to, which is incredibly concerning, or used to be; it seems like everyone is having the same kind of problems, and it probably is pandemic/interesting times causing it for everyone that seems to be affected (of course, if this was a suspense thriller, some mad genius would have done something to trigger this in people around the world for their own nefarious purposes–you can tell I watched a James Bond film last night), but it still is distressing to say the least.

I am also glad I took the weekend off. I feel like it was absolutely necessary, and there’s a three day weekend coming up this weekend, which is really nice as well. I don’t think I’ll be able to take the entire weekend off again this weekend–certainly not all three days–but it’s a very pleasant thought, I must say, and I am looking forward to getting through the rest of this week so I can rest up this weekend.

Whine, whine, whine.

And yes, we did watch the final Daniel Craig as James Bond thriller No Time to Die last night. It was gorgeously shot, and Craig is much closer to the Bond Ian Fleming wrote about in the books so many decades ago (I was very young when Fleming died), and while watching last night I thought about the original thirteen Bond books that Fleming wrote all those years ago and how badly those stories have aged–and how little the movies based on them resemble the books. The book Live and Let Die was horrifically racist (I read it again a few years ago, since it’s been decades since I read them) and then watched the movie again, which is also bad in that respect. Live and Let Die was also the first Bond movie I saw in the theater–and parts of it were filmed/set in and around New Orleans, so that part of it has always been sentimental for me in some ways…but yikes. The stereotypes! And the Bond books themselves celebrated imperialistic colonialism–many of the books are set in Jamaica or other possessions of the British empire, and that oh-so-British sense of superiority is very present in the books. But No Time to Die was a perfectly adequate Bond thriller film; Daniel Craig is a commanding presence on the screen, even if the villain, played by Oscar winner Rami Malek (which prompted me to say, “Freddie Mercury would have made a great Bond villain”) wasn’t really developed enough to really hit hard as the bad guy.

Then again, are any of the Bond villains ever really developed?

But watching a James Bond movie, coupled with me reading The Great Betrayal about the 4th Crusade, has me in mind of writing a Colin thriller again–I could of course set it at any time, so it doesn’t necessarily have to be current; the lovely thing about a Colin series is I could literally go back and set them in and around Scotty books, which would/could be very fun to do–but I am just not so great about writing action, I suppose–and thrillers are a lot of action, from beginning to end. I also don’t know enough about guns, really–how can I write about a gunfight or being shot at, or shooting back–but it could be fun….I already know the opening scene (set in 1204, as the city is on the brink of falling; the Patriarch of the Eastern Orthodox Church calls in a couple of warrior priests to smuggle something to safety, and that something is the MacGuffin the entire story turns on: the Pope/Rome wants whatever it is, and the Patriarch would rather burn in hell than let what he considers the Roman heretics have it) and I also know what the first chapter would be–Colin rescuing a politician’s daughter from the terrorists who kidnapped her–and then we would get into the MacGuffin/treasure hunt, with of course the Vatican being the bad guys (seriously, only Nazis make better bad guys than the Vatican) and all kinds of fun stuff.

Someday, perhaps.

And on that note, tis time for me to get back into the spice mines. Have a lovely Tuesday, Constant Reader.