Tag: Christopher Isherwood

We Found Love

I’ve always1 been interested in Weimar Germany, and Berlin during that period particularly. My interest grew, obviously, as it became more and more aware of how tolerant and progressive the period was; one of the first periods of true freedom for queer people in history. I’m sure there was still homophobia, but the culture and intelligentsia of the period were more interested in examining and studying queerness than eradicating it. This was part of what the Nazis sneeringly referred to as “decadence2” and opposed; everything began changing (for the worst) after 1933.

Sometimes I wonder if the more time passes after the fall of Berlin in 1945 and new generations come along that are farther away from the horrors of the second World War also make it seem less real and more history? It was very recent history when I was a child. My paternal grandfather served in the Pacific theater in the south Pacific, people on the street where we lived in Chicago when I was a kid was chock full of veterans and war refugees, people who lived through the war in Europe. A friend’s father had numbers tattooed on his forearm, and wasn’t Jewish, just an ethnic undesirable. We watched documentaries about the war and the camps as far back as I can remember. There was also an amazing PBS documentary that aired all the time–it was a series, The World at War. War fiction and non-fiction were still being published, still new, and still horrifying. I was a teenager when I read Herman Wouk’s definitive war novels, The Winds of War and War and Remembrance, which became mini-series in the 1980s and I still think should be required reading for US History classes. (Granted, the two books are about three thousand pages long in total; it would take most students the entire class year to read them both, but putting a human face on the war by showing it through the eyes of people who were living through it has always been the best way, in my opinion, to teach history; by putting the students into the place and minds of the people who did experience it.) Anyway, clearly the history of the period isn’t taught correctly in this country else we wouldn’t be facing the rise of fascism here not even a hundred years after defeating it so thoroughly in the 1940s3.

Liebestrasse4 was suggested to me by Kindle Unlimited after I read Sins of the Black Flamingo, and I’m always up for a compelling queer story. My German isn’t good anymore, but I could read the title of this as “Love Street,” and given the nervous way the two embracing men are looking around, I gathered it was a Weimar Republic story.5

How could I pass that up?

And it didn’t disappoint.

It is, as always, both heartening and disheartening to see how open and inclusive Berlin was in those years leading up to 1933; how queer people could be open and live their best lives. Sure, there was oppression–there always has been and probably always will be–but it was easily skirted and just part of the risk expressing yourself has always held for queer people (I was explaining to a co-worker the other day how freeing going out to gay bars used to be for all of us, an escape from the stifling heterosexual world we are all trapped in, all the while knowing a police raid could, at any moment, possibly destroy your entire life.)

Leibenstrasse has no happy endings. Queer lives didn’t have them back then as a general rule, and those who managed it somehow didn’t broadcast it, either–because that would have ruined the happy ending. The main character is a deeply closeted American businessman, one of those alpha sharks we are always taught to respect, admire, and aspire to be–but he’s single, dodging all attempts to avoid being set up with women and dates, parrying all commentary about his private life–and finally decides to take an opportunity to go to Berlin to look for business opportunities for his company as well as to establish the company in Berlin. He does this not only to escape the stifling world he is living in, but also because he’s heard about the freedoms in Berlin, and that is very appealing to him. The story is cast several years after the war, with him returning to Berlin again, and remembering that lost time, and falling in love with an anti-Nazi gay activist and becoming a part of his circle. He gets arrested, and fired, from his company, and decides to go back home to escape the coming Nazi storm. He wants his love to come with him, but he wants to stay in Germany and keep fighting the Nazis…and they lost touch. Is his love still alive? DId he make it through the Nazis and the war?

Or did he die in one of the camps?

It’s a very heavy subject, and it is also one I would love to see more fiction and non-fiction about; how do you handle the guilt for fleeing and leaving your great love behind to potentially die horribly? What does that say about you?

This was an excellent read, and the art is also fantastic. Highly recommended.

  1. Always is an interesting word choice; obviously I didn’t come out of the womb with an interest in Germany between the wars. But as I grew up and became more and more aware of the period, the higher my interest. ↩︎
  2. Decadence, sin, sodomy: it’s all the same thing, so you see why it’s irritating when modern American fascists lie about the Nazis to fool people into thinking they don’t, you know, share beliefs and values with the most disgusting and horrific political ideology of all time. ↩︎
  3. Or maybe not. There’s always been a pro-fascist element in this country–look up “America First 1940” and see what comes up. They were pushing for us not to enter the war at all, or if we did, our natural ally was Hitler against the Soviet Union because communism. ↩︎
  4. In actual German, it would be spelled with a scharfes s, but I don’t know how to make that symbol on here…ß! There it is! ↩︎
  5. I recently bought a copy of Stephen Spender’s novel of the time, The Temple, and intend to reread Isherwood’s Berlin Stories and Christopher and His Kind. ↩︎

Tomorrow Belongs to Me

Ah, Cabaret.

I first became aware of this movie from commercials on television, and it looked very weird to young Greg. I had no idea what the movie was about, other than it was a musical; starred Liza Minnelli; also had the gorgeous Michael York in the cast; and seemed to be set in old pre-Nazi Germany. It also came out in the same year as The Godfather, which sucked all the air out of the year when it comes to film. I had also read that book that year because of the movie…which also got me interested in Marlon Brando, which is a whole other entry. (Not to mention the sex scenes, which were really confusing in a lot of ways…especially Lucy Mancini’s over-large vagina.) But Liza was everywhere that year, too–every talk show, had her own special “Liza with a Z”, magazine covers and newspapers and periodicals like you wouldn’t believe.

I had no clue what the plot was, other than decadence and debauchery?

I remember asking a friend that year if she knew what Cabaret was about–her parents were European immigrants from after the war; her father was Czech and mother German–and she told me her parents had seen it and her mother said, “It’s all about homosexuals”, which naturally got me incredibly interested in the movie. I finally saw it several years later when it aired on television, but everything queer was sliced out of the movie and it was disjointed and didn’t make a lot of sense, so I thought well, that was shit, how did it win all those Oscars?

Because of course, all the queer stuff has been excised from the movie; the movie was basically castrated and to me, seemed like nothing more than a vehicle to move the movie along to the next musical number–many musicals are like this, so I really didn’t understand what the big deal was about this one.

A few years later, I caught the original uncut version on HBO…and have been a fan ever since.

Cabaret never should have been sold to television for airing because it had to be gutted to make it ready for prime time. I only hope no one involved with the film saw that version of it, but it really was a desecration.

By the time I saw the movie as Bob Fosse originally intended it to be seen, I had become aware of the source material: Goodbye to Berlin by Christopher Isherwood, an autobiographical novel about his experiences in Weimar Berlin and witnessing the rise of the Nazis–and how their malevolence was poisoning German society and culture. It had been adapted for the stage by John Van Druten as I Am a Camera (which is the opening sentence of the second paragraph of the book), and the play was also filmed, starring Julie Harris, who may have played Sally on stage, too. I Am a Camera was adapted into the musical Cabaret, but significant changes were made from the stage version of the musical in adapting it for the screen–and the screen adaptation also wound up causing the stage version to revised, remodeled, and reinvented as well. (And to make things even more confusing, Isherwood later wrote a memoir about that time period in Berlin called Christopher and His Kind, which was also filmed.)

I had not seen the earlier film, nor had I read the book when I saw the uncut version of Cabaret.

And you really couldn’t go wrong casting Michael York in the 1970s. Stunningly handsome, and that velvety voice that just dripped syrup.

I mean, really. I think this is from Something for Everyone, which is a great, little-known queer movie also starring Angela Lansbury! (There’s a watchable version uploaded to Youtube, but the sound and picture quality isn’t great.)

I rewatch the film every now and then. I went through an Isherwood phase in the late 90’s/early aughts, when I read everything he wrote, and I enjoyed them all. And when I see some political movements today (hello, MAGAts!), Cabaret is never far from my mind.

It’s astonishing that the film was even made, given that homosexuality was still considered a mental illness in 1972, and the film didn’t judge. It simply presented these alternative sexualities as normal, and while the times themselves weren’t normal, there was also a very strong sense that the Weimar period–which is endlessly fascinating, which is one of many reasons I love Babylon Berlin so much–that filled the German political vacuum between the wars wasn’t very different from the twenties everywhere else, either; a time when the society and culture rejected the old, more conservative times that led to the first war, and everyone just wanted to have a good time because so much was misery. (I often wonder how much the American Stock Market crash of 1929 had to do with the rise of fascism in Germany; it was the economy, after all, that really caused the problems, and wasn’t the global economy heavily impacted by the collapse of Wall Street? We never realize how what happens in our country affects the rest of the world, because the United States is just as narcissistic as the convicted felon the Republicans are running.)

But the underlying message of Cabaret is one that is hard to miss: that living in your own bubble and ignoring the world outside is precisely how garbage like the Nazis rise to power…the assumption that someone else will do something to take care of it, and we’ll just keep having fun. In the late 1980s and early 1990s I thought we as a country we’re headed down that path; the unholy marriage between the right wing and evangelical christianity (I will never capitalize that C because cults don’t deserve that respect) certainly made it very clear to me that there was a very large segment of the American population that would be more than happy to put all racialized people and queer people into death camps. (I even started toying with the idea for a novel about that very thing; I still think about that idea A LOT, and even more so since 2016–which is also when I started rewatching Cabaret again on a more regular basis. Cabaret, and Bob Fosse’s vision of what it should be, was very powerful; and it changed the face of what movie musicals looked like and could be, and has influenced stage and screen musicals ever since. It’s a stunningly shot film, and now I can say that I understand why Fosse won the Oscar instead of Francis Ford Coppola for The Godfather; both films are masterpieces, but Cabaret was more “showy,” and that always wins over diligent and detailed craft.

And no, the movie isn’t “all about homosexuals”–even though there’s a minor character who is a trans woman; the main character is gay and bi-curious, and Max, Sally’s other love interest, is also bi and sleeps with them both cheerily. That was VERY avant-garde attitude to have in a 1972 Hollywood movie made for American audiences.

I wonder how seeing it on the screen in 1972 might have impacted me? But I also can’t imagine my mother and sister sitting through it, either.

Cabaret is a must-see if you’re interested in queer film–or great American cinema, for that matter. And I will judge you for not seeing it. In fact, I’m doing that right now.

Morning Good Morning

Sunday morning and I slept late, which is fine, really. I keep forgetting that sleeping in on my days off isn’t a criminal act of any kind. After so many years of keeping myself overly busy and so I was always behind on deadlines and so forth, I’ve kind of gotten into the insane mindset that sleeping late is a waste of time that could be better utilized, writing or cleaning or reading. I do have some things I need to get done today–mostly running to the store to get the things i need to make a carrot cheesecake for a co-worker’s birthday tomorrow–but if i manage my day properly, I should be able to get things done.

I spent yesterday running errands, and trying to get things cleaned up around the house while dipping into two books–The Berlin Stories by Christopher Isherwood and Ode to Billy Joe by Herman Raucher. I ordered the latter from ebay after I started doing my research into Robby Benson for the post I made about the crush I had on him as a teenager; realizing the movie script and novel were written by Herman Raucher made me interested in reading the book, as well as wondering about Summer of ’42, and so I ordered copies of each. Billy Joe arrived yesterday, and I was curious about it. Usually novelizations were work-for-hire arrangements and the author used a pseudonym; some are better than others, of course, but just reading the first chapter of Billy Joe I can tell it’s head-and-shoulders above most novelizations, and it’s probably more thorough in telling the story than the movie was, which has me interested. I’ve also been thinking about The Berlin Stories lately, after watching the film Christopher and His Kind, and may revisit it again, too, for Pride Month; Isherwood is one of the literary gods of the gay canon, and the opening sentences of Goodbye to Berlin are perfect for parodying in the prologue to the next Scotty. I still have to finish my reread of Michael Thomas Ford’s Suicide Notes, and I think I’m going to bump the new John Copenhaver up on my TBR list. It is Pride Month, and I should immerse myself in queer lit for the month, don’t you think, Constant Reader?

I also want to write about Summer of ’42 at some point. Like The Other, it was an early read that was very influential on me, and one I often don’t think about when I do think about influential works I’ve read or make a list. I really do need to sit down and identify the books that really impacted me and the way I write; The Other, Summer of ’42, and so many, many others. I also want to write today; I didn’t really yesterday, but I did spend some time yesterday doing research; i.e. watching Youtube videos on the Oklahoma true crime story that fascinates me still, as well as ones that review the 1970’s and pop culture and what was going on those early years of the decade, which is when the book will be set. I think I am moving in a more historical direction rather than writing about the current day; Never Kiss a Stranger is set in the 1990s (1994, to be exact) and of course The Summer of Lost Boys is going to be set in either 1972 or 1973; I can’t decide which, although I suspect 1973 is going to end up being the winner when I finally have to decide.

We finished Under the Bridge last night, and it’s most excellent; I highly recommend it. Based on a true crime novel about the Reena Virk murder in Victoria, British Columbia back in the 1990’s, Reena was beaten badly by a group of girls–some she thought were friends–and then after the others left her broken and injured and bleeding along the river bank, a boy and a girl came back and basically, finished her off. The show reminded me a lot of Megan Abbott’s work; Abbott always writes about the mysterious world of female relationships, female rage and jealousy, and that’s what Under the Bridge does so beautifully. The acting is extraordinary; a real standout is Javon Walton as Warren, the young boy who kills Reena. Walton is very handsome in that young way, and I looked him up because the performance was so extraordinary, and turns out he also played Ashtray on Euphoria, who was one of my favorite characters on that show. Do watch it when you get a chance. I’m going to get a copy of the book now, too. Yay, more things to read! Just what I need!

We also started The Acolyte, but I was sleepy by the time it started and kept dozing off. No judgment on the show, I was just tired.

And on that note, I think I’ll head into the spice mines. I’ll probably finish the dishes this morning while making a grocery list, and then I’ll dash to the store and get gas. I may even finish one of these other Pride blog drafts, so have a lovely Sunday, Constant Reader, and I may be back later.

The Battle of New Orleans

Every once in a while, I need to remind myself of how much I love my home town.

I was thinking about this the other day. I think part of the malaise I’ve been experiencing lately has everything to do with my creative muscles being tight and unexercised for so long–and almost every time I manage to write fiction, it’s so exhausting and draining that I can’t write more, either. Monday got derailed early, and that night we had another torrential, street-flooding thunderstorm…and the kitchen roof started leaking again. I mean, it only does this during that kind of rain; but we have many downpours like that over the course of a year. That kind of kicked the malaise back up into higher gear–I just am so tired of having to deal with things like this over and over when all I really want to do is just go about my day, moving from A to B and getting things done and being productive. It all becomes so much, you know? The rise of queer hate to levels not seen since the 2004 election (may you roast forever on a spit in hell, Karl Rove), and it’s very tiring. It’s also tiring to think that I may be living in the last days of the American experiment with democracy, too–and the fact that far too many of my fellow Americans are just fine with that is kind of upsetting.

Such good Germans.

But I do love New Orleans, even if I have to remind myself of that from time to time. I do; there’s just something about this city that is in my blood, my DNA, and my being; I cannot imagine being happy anywhere else. I could exist somewhere else, of course, but I really don’t want to really just exist anymore. My blog is getting feisty again because I am feeling feisty again and pissed off about a lot of things. I’ve also been immersing myself in gay and queer culture again lately–Capote and Isherwood, anyone?–and remembering how hard life used to be for people like me (see Fellow Travelers and It’s a Sin), it invigorates my senses and intellect against injustice and unfairness as it always does. Recounting stories of my past recently as well as all the introspection I’ve been doing since losing Mom last year (and really, I started thinking about it more during the pandemic, and a lot of it was because of It’s a Sin) has me remembering things, how they used to be, and what New Orleans is like now as opposed to how it was when I first moved here all those years ago, or all the times I came to visit when I worked for Continental. The city is different now than it was then–sleepily crumbling away in the hot sun and heavy wet air–and I’ve been a bit resistant to those changes. I don’t like that it’s insanely expensive to pay rent or buy a home here now–one of the strengths of the city was how many working class people owned homes here, and that seems to be going away as the city continues gentrifying itself.

Monday I also gave a co-worker a ride home from the office, and since it was a torrential rain, I drove her into the Quarter and let her out at her door on St. Ann Street close to the corner at Dauphine. I honestly can’t remember the last time I drove through the Quarter, and I really don’t go down there much anymore other than for the TWFest/S&S. I took Dauphine out of the Quarter, and a lot has changed since the 1990’s, or even the last time I drove through. I think during the festivals this year I am going to explore the Quarter a bit more than I have the last few years, and hopefully drink in some more atmosphere. I’ve kind of felt a little phony writing the Scotty books lately, since I am rarely if ever down there now since my office moved, and have been telling myself I need to explore and take pictures again.

I was thinking Tuesday night when I got home from work that I was becoming as bad as all those locals who look back nostalgically for the past and the way things used to be. I also know I am glossing over what the mid to late 1990’s were really like here, as well as for us. New Orleans has changed and has never remained the same throughout its history, but the foundation of the city remains the same. I want to write about that time in New Orleans (“Never Kiss a Stranger”), so that’s it preserved forever, those days when the sodomy laws hadn’t been overturned yet, and when the gay bars always got raided in the weeks leading up to Decadence so that we knew they were “letting” us have Decadence; the people we thought were insane in state politics in 1996 are now running things and trying their damnedest to turn Louisiana back to 1860 and shoving their religion down everyone’s throats. My primary issue with still writing about the city has nothing to do with how much I love the city, or how I feel about things around here, but mainly because I don’t know what it’s like to go out on the weekends to the bars in the Quarter, or what it’s like for gay men in their forties here now.

So yes, I am looking forward to writing the next Scotty–and revisiting the Chanse series, as I’ve been doing, has me actually considering doing another Chanse story. I have two ideas for him, actually, but am not sure either is going to amount to anything.

And I will always love New Orleans.

Come Softly to Me

Sunday morning and as predicted, I didn’t get nearly as much done yesterday as I wanted to, but it was mostly about time more than anything else. I picked up the mail and stopped by Fresh Market, but then once I got home…well, there were chores still to be done (still have some more to do this morning) and I never did get around to writing anything besides blog entries yesterday, like a very bad Gregalicious. Today I have no choice, I have to write today…and I also have to drive out to the Apple Store in Metairie, and make groceries, both of which will be tiring. (I knew I’d regret putting that chore off until today, but at least it’s sunny out today; I think it’s going to be a rather lovely day out there.)

Sparky is always a problem for sitting at the computer as he always wants to sit in my chair–he will hang out and be obnoxious (right now he’s sprawled across the desk, his flicking tail brushing the keyboard as he knocks other things off…) and then jump into the chair the minute I get up for more coffee or anything, really. Heavy sigh, the joys of Big Spoiled Kitten Energy.

I did manage to watch Christopher and His Kind yesterday, which is Isherwood’s memoir about his life in Berlin during the rise of the Nazis, and it much more explicit than Isherwood’s earlier fictions about Berlin. During that “Staged Right” about Cabaret I watched the other night, he wrote it in reaction to the movie, to leave the record straight (as it were) about himself and his life; he hated that Cabaret made Brian/Christopher into a bisexual and that Sally was played by Liza Minnelli, when the actual Sally was marginally talented at best. It was an interesting film, but Christopher himself really came across as a bit of an asshole. There was also a lot of explicit sex, and there’s no question in watching this film about what his sexuality was, for sure. Matt Smith is simply stunningly beautiful, and Alexander Draymon as Caspar is just too beautiful for words. The two stories (Cabaret and Christopher and His Kind) are similar to each other, but I’m not really sure if a watcher didn’t know that both came from the same source, those similarities are simply base facts the story grew out of, and you might not even recognize them as the same story. I may need to revisit the books sometime when I have more time…as I recognize that a lot of the revisiting of fiction I talk about is probably never going to happen. But as always, I find rereading something as an easy way to shake off the not-reading mode I’ve been in for so long. We also watched the new BBC adaptation of Agatha Christie’s Murder is Easy yesterday, which we quite enjoyed…although I am waiting for the racists to complain since they cast a Black man in the lead.

So I started rereading Norah Lofts’ The Little Wax Doll yesterday, of which I remember very little of my original read back in junior high school (I read her novels about queens and royal women before moving on to her other novels, which was very definitely an eclectic mix), and find myself enjoying it a lot more than I did when I was twelve–I did enjoy it, but I am certainly seeing it differently some fifty years later. As a kid, I just read Miss Mayfield as a lonely spinster who spent most of her life working in Africa in her colonial “white savior” role with her best friend, who hopes to save enough money to buy a little place she and her “best friend” could retired to; now it’s screaming lesbians at me. The book was originally published in 1960, and of course there are the queer deniers who like to think we never existed in the world before Stonewall. The phenomenon of spinsters sharing a home was just a fact of life, and the British never really inquired much further than that–the British cold politeness.

And on that note, I am going to head into the spice mines. There’s a lot to get done today and I am feeling like I will be able to make some significant progress today. Wish me luck, and I may be back later. Happy Sunday, Constant Reader!

Venus

Saturday.

Yesterday was a good day, productive both for day job business and chores and things around the apartment. My PT, as noted yesterday, didn’t seem as difficult as it had the last few times, which was awesome, and like I said, I got shit done yesterday. I started rearranging and reorganizing and making the kitchen more functional (which also required me to throw out a bunch of shit I was just hoarding, really), which is long overdue. I need to work on that some more today before I run errands. I had hoped to not have to leave the house either day of this weekend, but I decided yesterday to postpone the Apple Store trip until Sunday morning–and Paul ordered some things that require me to go by the post office, which means I am going to make a stop at the Fresh Market on the way home from the postal service. We watched this week’s Abbott Elementary, which is terrific, and then we finished True Detective: Night Country (I am guessing that all the men that hated this season? Misogyny, period. How dare a crime show center women? How dare a crime show be run and written by a woman? I enjoyed it, thought it was very well shot, and so they didn’t tie up every loose end? Ryan Murphy never does, either, and studios keep throwing hundreds of millions of dollars at him. And this season engaged me so much I am curious about rewatching season one and watching the other two, as well).

I also listened to the Bad Gays podcast on James Buchanan (shout out to myself for my story “The Dreadful Scott Decision,” which was in The Faking of the President anthology and centered on Buchanan and his “mysterious” sexuality), which I greatly enjoyed.

I feel good this morning. There’s a little bit of fatigue, but it’s not terrible in the least. (It always hits on the second day with full force, so tomorrow will be a challenge.) I want to do some writing to day (actually, need to) and of course I need to keep working on the apartment, and I have some things to assemble that I’ve order. I also want to read more in my book, and possibly watch some classic gay cinema later on today. I don’t know what Paul will be doing today, but I suspect he’ll go to the office and I won’t see him for most of it. I want to watch Christopher and His Kind first, and of course need to finish my rewatch of Saltburn so I can finally finish my entry on it. (Interesting how I’ve recently become obsessed with openly gay writers of the mid-twentieth century, isn’t it?) I’m still enjoying Feud, but it feels like it’s getting repetitive and is being too drawn out; like four episodes might have been sufficient instead of the planned eight.

All right, it’s a bit brief but I really need to get back to work around here this morning, so more coffee, perhaps a bit of breakfast, and a brief one-hour repair to my chair to read for a bit. And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will probably be back a little later.

My Sharona

Wedesday pay-the-bills day, after a very good night’s sleep and this is the first time this week I’ve awakened feeling…awake, if that makes sense. I had a decent day at work yesterday, ran errands on the way home from work (will be doing that again tonight), and then got home, feeling inside out and tired. Sparky was feeling needy after being home alone all day, so I decided to just relax in my chair and let him cuddle up to me and go to sleep, which was pretty much how we spent the rest of the evening, with the occasional getting up for the bathroom or something to drink. We watched a documentary on Youtube about the backstory of Cabaret, which was interesting, from Isherwood’s Berlin Stories1 to the stage and film adaptation as I Am a Camera, and then finally stage and screen versions of Cabaret, along with the revivals. It was interesting; I knew there were a lot of differences between the play and the film, and that later revivals often used songs that were original to the film. That sort of thing always interests me. I spent most of the rest of the night reading news reports, trying to get back on top of what is going on in the world while I’ve been focusing on my recovery and getting through the days productively, and I have to say it was horrifying, absolutely horrifying. I’ve been aware of everything going on, of course, it’s just not something I’ve allowed myself to really think about and/or through until last evening.

The world is indeed in terrible shape.

My arm feels fatigued this morning, too, from Monday’s night’s PT. The muscles in my left arm were twitching/spasming a bit last night, but they did the same thing on Sunday. I don’t think it’s a big deal or anything that needs to be reported at any time before I have PT on Friday, when I can talk to my actual physical therapist about it, but again–I think that’s just a natural reaction to working hard, which the arm is definitely not completely used to yet. I still feel good about my progress, and I am trying valiantly to resist frustration at not being fully recovered yet. But hell, I’ve made it this far already so why complain?

NARRATOR VOICE: He can always complain.

I have to say, now that I made my decision about Bouchercon and posted about it, I feel a lot more relaxed and less anxious about the whole thing–and really, that should tell me something: if I am feeling anxious about something, or dismiss it when I think about it so it won’t stress me out, that should be when I decide not to attend or do something. It would definitely make my life easier. I still have a ton of entries in the draft folder I need to eventually do something with, but hopefully tonight when I get home I will feel like getting some work done and Sparky won’t be needy–since I cannot seem to resist his wiles ever. He’s just so sweet (when he isn’t being a terror).

And so, here I am on the midway point of my work week. Things appear to be picking up, after the slow start to everything this week. The apartment still has chores that need to be done–laundry and dishes and so forth–and yesterday’s mail had a shower caddy that I ordered; one that goes over the shower head. I bought one a while ago–and every time I got in the shower I’d think I need to get one that goes over the shower head because the one I got doesn’t fit there and is a pain in the ass, but I would never remember to buy and/or order one that works better. Of course, assembly was required (and a Phillips head screwdriver! What is this madness?) and I just wasn’t there last night to do it properly, plus Sparky was trying to knock everything off the counter and I just said fuck it and shoved everything back in the box to do at another time. I also got my new, magnetic measuring spoons yesterday, which means they will either stick together when not in use or will stick to the refrigerator or the oven hood. Huzzah!

And as always when I am feeling alive and energetic in the middle of the week, I am already thinking about all the things I can get done over the weekend. WHY do I always think I can/will do more than I wind up doing? I think this is part of the constant self-defeating thing that I do; I think I will be able to do more than usual but inevitably will wind up not doing it all so I can feel like I’ve failed and thus can self-reproach, which is really not the best way to live one’s life.

And on that note, I am heading into the spice mines. There are, after all, bills to be paid. I may be back later, one can never be entirely certain. Have a lovely Wednesday at any rate!

  1. I am thinking it may be time to revisit Isherwood; and I don’t think I’ve read Christopher and His Kind, which would be a great place to start. ↩︎

Oh, Daddy

Many years ago, when you could still make money writing gay erotica (PORN), I used to write erotic short stories and edit themed volumes of it. I had always thought the concept of “daddy”–while possibly viewed as slightly off and strange and problematic by the mainstream–would make a great theme for an erotica anthology, potentially called Oh Daddy! Alas, before I could get around to doing it, that market had begun drying out; the last erotica anthology I edited–which had a great theme, I might add–did not do very well in print, alas. So my plans for Oh Daddy! wound up being scrapped; a pity, because I was certain I’d get some great and interesting stories on this dynamic.

The concept of “daddy” in the gay community is, to say the least, a bit controversial, and it’s really not defined; it can mean any number of things to any number of different people. The most common, of course, is its usage regarding age differences; an older man with a significantly younger boyfriend is often referred to as a “daddy” or “his daddy”; the assumption is the age difference inevitably favors the older man in the power dynamic of the couple–and we also tend to always think that there is some sort of benefit to being the older man’s “boy” (although “boy/daddy” doesn’t necessarily have anything to do with age, either); whether it’s financial, emotional, both, or something else–we always assume the younger man is, at the very least, being paid for/taken care of financially by the older man…especially if the older man is, say, a celebrity or wealthy or successful; why else would the younger man tie himself to an older one?

But this is heteronormativity at its finest, really (although younger women with successful older men aren’t always necessarily gold diggers, either; I’m not sure why we automatically always look at these May/December romances with such judgement and askance); younger man can be attracted to older men both romantically and sexually; there are no set rules of attraction, after all…and youth isn’t always an indication of sexual or emotional immaturity. I am always struck by that photo of Christopher Isherwood and Don Bachardy from when they first became a couple, back when Isherwood was in his thirties or forties and Bachardy a teenager; they look like father and son in the picture, with Bachardy literally looking like he’s just walked off the set of The Mickey Mouse Club in T-shirt and dungarees, with a sling shot in his back pocket and a cowlick. Yet they stayed a loving, committed couple for the next thirty or so years, until Isherwood’s death; but how differently would such a relationship be viewed today? A seventeen year old and a man in his late thirties/early forties?

It’s interesting.

So when I heard about Jonathan Parks-Ramage’s debut novel, Yes Daddy, I was interested in reading it and seeing its take on the topic.

And I was not disappointed–although it was absolutely nothing like I was expecting.

You asked me to be a witness in the trial.

I owed you my life and so I said yes.

What does one wear to a rape testimony? Your lawyer and I debated this endlessly. Nothing too tight, nothing too baggy, nothing too ratty, nothing too expensive, something sexless yet attractive, a suit jacket perhaps, but nothing flashy, a light navy was best, black was too morbid, too dark. I wanted to seem serious but not angry, definitely not vengeful; maybe glasses were a good idea, but the frames had to be simple, nothing flamboyant, nothing too gay, nothing that might trigger juror prejudice. Something to wear while the world decided if I had been raped.

Something that said, believe me.

I dreaded out rehearsals for the witness stand. Your lawyer’s endless questions. What did the basement look like? How many men? What did they do to you? I never slept, barely ate. Walked through the world a husk, disconnected from my body. Pain was the only thing that cut the numbness. I picked the skin around my fingernails with my teeth, tasting the blood on my tongue, repeating the process until all my digits were crusted in scabs.

Finally, the day of the trial arrived.

I don’t even know where to start with this book, to be honest.

I guess I can start by saying it’s very well done; the writing is terrific, and the tension/suspense are such that you cannot stop turning the pages in order to find out what happens next. Jonah Keller, the main character, is a fugitive from the midwest with evangelical parents–his father was a preacher–and he’s also an “ex-gay therapy” refugee. He no longer has a relationship with his father, and his relationship with his mother–still fervently religious–is fraught. He’s moved to New York to start his life over again, and his ambition is to write, be a playwright…but like so many others who moved to the big city with dreams of fame and fortune, he’s stuck in a nowhere job waiting tables at a shitty bistro and subletting an apartment he really can’t afford. He spends his rent money on an outfit so he can attend an event where he might meet his idol, hugely successful (and handsome) gay playwright Richard Shriver…hoping to meet and perhaps even catch his eye. Jonah’s plan is successful, and they begin an affair, with Richard buying him clothes, taking him out to expensive meals, giving him cash to cover his bills…and even offers to read Jonah’s work, maybe even help him get it workshopped and produced on stage.

All of Jonah’s dreams are coming true–but there’s always a fly in the ointment, isn’t there?

Richard brings Jonah out to his compound–where three of his closest friends also have houses–out in the Hamptons, and this is where Jonah begins to realize something isn’t quite right; not only with his relationship but with this entire set-up. There are four sexy, hot waiters on the property, usually serving meals to the people living on the compound wearing only black bikinis…and the dynamics of everything; their relationship, the friends, their future–begins shifting and going in directions that make toxic look like a far-off, distant hope to work towards. Saying anymore would be a spoiler–the book changes directions with shocking twists (but every last one of them is set up before you get there, but you still don’t see them coming) and the book and story become something completely different from what you were expecting at the start…and it’s a compulsive thriller; you simply can’t put it down. I read it through in one sitting last week, and passed it on Paul who ALSO read it in one setting–and he’s a very slow reader.

I greatly enjoyed this debut, highly recommend it, and look forward to seeing more work from Parks-Ramage; this is one of the best gay thrillers I’ve ever read.

Kodachrome

Friday morning bliss.

It kind of feels like Saturday, which means I’m going to soon be completely disoriented, with no idea what day it is any day. Which is kind of lovely; I rather enjoy being a little off-kilter. It’s one of my many peculiarities; the vast number of weird idiosyncrasies housed inside my head. I didn’t sleep well at first last night, so I took something around two in the morning to help me sleep, so I wound up sleeping later than I usually do and am still a bit groggy this morning. While this is most definitely not a terrific start to my long weekend mini-vacation, I am going to roll with it. I am going to keep drinking my coffee, eat a little something (I forgot to eat yesterday, so my stomach is empty and deeply unhappy with me this morning), and perhaps retire to my easy chair a little later on to finish reading S. A. Cosby’s  My Darkest Prayer, which I am really enjoying.

I just hate that I have so little time to read during the week anymore. Books continue to pile up and the TBR pile grows like kudzu over a field in Alabama. But it’s okay; it’s always been that way around here; never enough time to read everything I want to read. That’s what it would say on my tombstone, were I to have one: NEVER ENOUGH TIME TO READ. (I do not intend to be buried or have any kind of tombstone/marker/any such thing; I want to be cremated and the ashes spread into the Mississippi River at Jackson Square–after all my organs are harvested)

I also suspect, given how groggy my body still feels (that first cup of coffee worked only on my brain thus far) that I most likely won’t be leaving the house today, other than taking recycling and/or garbage to the cans in the front of the house. I like those days, really; if I were given a choice I would probably never leave the house, which is one of the many reasons it’s probably best that I never have a work-at-home job ever again; I would never interact with people outside the artificiality of social media.

I do intend to write today–I have a couple of interviews I need to get done–and I’d like to maybe even get started on my next chapter of Bury Me in Shadows–and there are a ridiculous amount of emails that need to be answered or deleted in my various inboxes. A ridiculous amount–I’ve let them slide all week knowing I had a five-day weekend with which to deal with/answer them. I’m also going to launder the bed linens (it’s Friday, after all) and there’s also a load of laundry in the dryer that’s going to need to be folded and put away. The kitchen/office is messy–at least, it needs to be straightened up, and I of course need to move that stack of books off the counter, where I placed them in order to pose them for the obligatory stack of copies of the new book photos, which I took Thursday morning, methinks, or Wednesday night; I cannot be certain of when I precisely did take the pictures, as well as put together the stack of books to send to people to whom I owe copies of the book.

Which also means I need to go get envelopes to put them in–which means venturing out into the heat advisory to get them from the Office Depot on St. Charles. Heavy heaving sigh. I suppose there are worse things? I was also thinking it might be fun to get a pizza from That’s Amore this weekend (it IS my birthday weekend, after all), but that might need to wait until Saturday or Sunday.

Last night we watched Animal Kingdom, and after Paul retired upstairs to do his usual “night-before-work” prep, I watched a documentary about Bob Fosse on Youtube; Steam Heat, which was rather interesting. (As you might be thinking, my interest in Bob Fosse–and Gwen Verdon–came from watching Fosse Verdon, which was spectacular.) I find the Fosse choreographer/director aesthetic interesting; and I’ve also enjoyed watching old clips of Gwen Verdon performing live–there aren’t many, unfortunately; particularly when you consider she was one of the biggest Broadway stars of her time; she won more Tonys than any other major stage diva, including Ethel Merman and Mary Martin, but isn’t as well known as they are to modern audiences. Verdon’s virtuosity and charisma doesn’t come across as completely on film as it must have on stage, but you cannot help but admire the commitment and the dance ability she displayed. I was telling Paul how ubiquitous the music from Sweet Charity was at the time it was playing on Broadway. Everyone knew “If They Could See Me Now” and “Hey Big Spender”; it was interesting watching a clip of the latter from the film version and realizing that I knew all the words, every beat of the song, and every highlight–simply from watching variety shows on television in the late 1960’s.

And let’s face it–even the film version of Cabaret was right up Verdon’s alley had she been young enough; Sally Bowles is the kind of role she inhabited to perfection.

Which reminds me, I would like to watch Cabaret again. I watched it again a few years ago, for the first time since I was a teenager (when I didn’t get it at all; but was watching the disemboweled ‘cut-for-television’ version, where the bisexuality was completely erased from the film, which also removed the sense from the story), and was enthralled by its absolute brilliance. (I still think The Godfather is a far superior picture, but can see why Academy Awards voters went for it in so many categories at the time instead of voting for The Godfather.)

And maybe I should reread The Berlin Stories by Isherwood again. I did read most of the Isherwood oeuvre back in the day, but would probably appreciate his work more now than I did when I read them.

All right, I am going to go sit in my easy chair and read My Darkest Prayer for the rest of this morning.

Have a lovely Friday, Constant Reader.

15939_103395293012190_100000251595958_88366_2559023_n