Kodachrome

Friday morning bliss.

It kind of feels like Saturday, which means I’m going to soon be completely disoriented, with no idea what day it is any day. Which is kind of lovely; I rather enjoy being a little off-kilter. It’s one of my many peculiarities; the vast number of weird idiosyncrasies housed inside my head. I didn’t sleep well at first last night, so I took something around two in the morning to help me sleep, so I wound up sleeping later than I usually do and am still a bit groggy this morning. While this is most definitely not a terrific start to my long weekend mini-vacation, I am going to roll with it. I am going to keep drinking my coffee, eat a little something (I forgot to eat yesterday, so my stomach is empty and deeply unhappy with me this morning), and perhaps retire to my easy chair a little later on to finish reading S. A. Cosby’s  My Darkest Prayer, which I am really enjoying.

I just hate that I have so little time to read during the week anymore. Books continue to pile up and the TBR pile grows like kudzu over a field in Alabama. But it’s okay; it’s always been that way around here; never enough time to read everything I want to read. That’s what it would say on my tombstone, were I to have one: NEVER ENOUGH TIME TO READ. (I do not intend to be buried or have any kind of tombstone/marker/any such thing; I want to be cremated and the ashes spread into the Mississippi River at Jackson Square–after all my organs are harvested)

I also suspect, given how groggy my body still feels (that first cup of coffee worked only on my brain thus far) that I most likely won’t be leaving the house today, other than taking recycling and/or garbage to the cans in the front of the house. I like those days, really; if I were given a choice I would probably never leave the house, which is one of the many reasons it’s probably best that I never have a work-at-home job ever again; I would never interact with people outside the artificiality of social media.

I do intend to write today–I have a couple of interviews I need to get done–and I’d like to maybe even get started on my next chapter of Bury Me in Shadows–and there are a ridiculous amount of emails that need to be answered or deleted in my various inboxes. A ridiculous amount–I’ve let them slide all week knowing I had a five-day weekend with which to deal with/answer them. I’m also going to launder the bed linens (it’s Friday, after all) and there’s also a load of laundry in the dryer that’s going to need to be folded and put away. The kitchen/office is messy–at least, it needs to be straightened up, and I of course need to move that stack of books off the counter, where I placed them in order to pose them for the obligatory stack of copies of the new book photos, which I took Thursday morning, methinks, or Wednesday night; I cannot be certain of when I precisely did take the pictures, as well as put together the stack of books to send to people to whom I owe copies of the book.

Which also means I need to go get envelopes to put them in–which means venturing out into the heat advisory to get them from the Office Depot on St. Charles. Heavy heaving sigh. I suppose there are worse things? I was also thinking it might be fun to get a pizza from That’s Amore this weekend (it IS my birthday weekend, after all), but that might need to wait until Saturday or Sunday.

Last night we watched Animal Kingdom, and after Paul retired upstairs to do his usual “night-before-work” prep, I watched a documentary about Bob Fosse on Youtube; Steam Heat, which was rather interesting. (As you might be thinking, my interest in Bob Fosse–and Gwen Verdon–came from watching Fosse Verdon, which was spectacular.) I find the Fosse choreographer/director aesthetic interesting; and I’ve also enjoyed watching old clips of Gwen Verdon performing live–there aren’t many, unfortunately; particularly when you consider she was one of the biggest Broadway stars of her time; she won more Tonys than any other major stage diva, including Ethel Merman and Mary Martin, but isn’t as well known as they are to modern audiences. Verdon’s virtuosity and charisma doesn’t come across as completely on film as it must have on stage, but you cannot help but admire the commitment and the dance ability she displayed. I was telling Paul how ubiquitous the music from Sweet Charity was at the time it was playing on Broadway. Everyone knew “If They Could See Me Now” and “Hey Big Spender”; it was interesting watching a clip of the latter from the film version and realizing that I knew all the words, every beat of the song, and every highlight–simply from watching variety shows on television in the late 1960’s.

And let’s face it–even the film version of Cabaret was right up Verdon’s alley had she been young enough; Sally Bowles is the kind of role she inhabited to perfection.

Which reminds me, I would like to watch Cabaret again. I watched it again a few years ago, for the first time since I was a teenager (when I didn’t get it at all; but was watching the disemboweled ‘cut-for-television’ version, where the bisexuality was completely erased from the film, which also removed the sense from the story), and was enthralled by its absolute brilliance. (I still think The Godfather is a far superior picture, but can see why Academy Awards voters went for it in so many categories at the time instead of voting for The Godfather.)

And maybe I should reread The Berlin Stories by Isherwood again. I did read most of the Isherwood oeuvre back in the day, but would probably appreciate his work more now than I did when I read them.

All right, I am going to go sit in my easy chair and read My Darkest Prayer for the rest of this morning.

Have a lovely Friday, Constant Reader.