Tag: California

Star Collector

And now it’s Tuesday. It’s a bit gloomy outside, and we’ll be getting rain again today (it’s been a very hot wet summer thus far), but I am awake and ready to go while I am sipping my coffee this morning. It also tastes quite good, I might add. I slept decently last night, and feel pretty good this morning. We have a light clinic schedule today, so I hope to be able to get caught up on paperwork and things today around said schedule. Woo-hoo!

Yesterday was a pretty good day, over all. I had a nice day at work in which I got a lot done, and then came home to chill out and relax with Sparky. I went through the manuscript, and didn’t have to do anything to chapters one and two (they need a revision, of course, but that can wait until the whole draft is finished and I start working my way back through it again) after all; it was chapters three and four that needed restructuring and pulling apart. I did the pulling apart and slapping back together last night; I need to reread the two chapters and revise them and make them flow more smoothly before I move on to chapter 5, I think. We’ll take care of that tonight, methinks. I am excited to be writing again, which is always a lovely thing.

We did watch another episode of Those About to Die, which I am not loving, but it’s a light entertainment, and it has a pretty good cast. Like Spartacus and all its iterations, there’s a lot of muscular men and some homoeroticism with some gay characters–not loving the way they are depicted for sure, but my internal jury is still out on that. I am still having trouble focusing on reading, but am hopeful I can make a breakthrough on that this weekend. I just keep getting more and more books that I am dying to read, so having “reader’s block” isn’t helpful as far as that is concerned. The new Ellen Byron is out today, starting a new series set in the California mountains that I knew so well from living there in the Big Valley1 and being close to all the major mountain parks like Kings Canyon, Sierra, and Yosemite. In fact, both Sorceress and Sleeping Angel are set in those mountains, in a town I loosely based on both Oakhurst and Sonora, so in some ways I am going back to my roots by reading her new release. I’ve not written about living in California very much here; I am currently writing a very long entry about my love/hate relationship with Kansas, which briefly flared up over the last weekend. The thing about me is that, despite being crazy and unbalanced and all those lovely things that come with my chemical imbalances, that no matter how miserable I was in the macro sense, in the micro sense I always wanted to have fun so I wouldn’t have to think about how miserable I was until I got to the point where it was overwhelming and miserable, and the thought that that was how I was going to have to live for the rest of my life was unimaginable.

The closet is a horrible, strangling thing.

And yes, I will probably write about living in California at some point, unless I run out of time, which is always possible. I could get hit by a bus on my way home from work tonight–oh, last week, traffic driving home was absolutely miserable; it took me forty-five minutes to travel what is usually a fifteen minute drive last week, but last night I got home in slightly over ten minutes and there was no congestion anywhere, which was peculiar. Hoping that holds true for tonight.

I also have to say I am feeling a lot better about the world in general these last few days. I am actually feeling hopeful for the first time in a long time, and think we might be able to save this ship from sinking into fascism. I also am delighted the media has exposed itself for the craven opportunists they really are–the mask dropped forever–and it will be a long time before any of them will be forgiven by me. Good riddance to bad rubbish.

And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again later.

  1. Yes, the San Joaquin Valley is The Big Valley of Barbara Stanwyck television fame. ↩︎

It’s Nice to Be With You

Here we are on a Sunday morning, wide awake and feeling pretty fine, if I do say so myself. I slept later than I intended–the past two nights I’ve slept for over nine hours, if not ten–which will be a problem for me tomorrow morning, but that’s every Monday morning, isn’t it? Heavy sigh. Our anniversary was nice and low-key. We ran all the errands I didn’t run on Friday because of the weather–we also got rained on yesterday–but I also noticed when I got home from all the errands and had everything put away, I wasn’t exhausted like I have been every time I do a big errand like Costco–and I made groceries, too! I realized once I had the groceries all put away that I wasn’t tired or worn out. This is a great development on my return to normalcy (or what passes for it around here) with recovery and exhaustion and stamina. It also rained overnight–thunder and lighting and downpours–which woke me up around two or three, but the bed was so comfy and warm and cozy, and the sound so comforting that I was able to go back to sleep almost immediately. Sparky also was cuddling with me after I fed him and went back to bed. No wonder I didn’t want to get out of bed this morning.

Paul’s getting a tattoo this afternoon and is going to bring a pizza home, so that’s today sorted. I am going to do some chores this morning, get cleaned up, and want to write this afternoon. I am also going to try to get some reading done–maybe a short story, since for whatever reason I don’t seem to have the bandwidth to read anything longer–and I do want to get chapter four of the new book finished. I’d like to dive into one of my short stories, too, now that I know how to revise them and make them work better. I may even start writing another Sherlock story–crazy talk, right? But my coffee is kicking into gear and my head is clearing, which is always nice, and I should be able to have a productive day. I think I’ll just put Spotify on the television and listen to music while I do things around here. It certainly works for me.

We watched A Family Affair, a romantic comedy that actually worked, mostly thanks to it’s incredible cast of Nicole Kidman, Zac Efron, Joey King and Kathy Bates. It was cute, and funny, and really well done; which I generally don’t say about this film genre because they are generally goofy and kind of fluffy and predictable. It was like a big budget Lifetime movie, but they put the money into the cast, script and director–and it was also beautifully shot…though I’d kind of like to know how an author can afford a house in southern California right on the ocean, but…fantasy, Gregalicious, it’s a fantasy.

I think today, after Paul gets home, we’re going to start watching Lady in the Lake on Apple, based on a book I loved by an author I loved, Laura Lippman, and after that, we’ll dive into the new gladiator show, Those About to Die, which looks to have lots of gratuitous male skin and homoeroticism. Woo-hoo! I do want to watch some other films that have come out this summer, but not enough to rent them, like Civil War, which was controversial and might be fun to watch from a ‘the world IS burning to the ground’ perspective, and could spark an interesting (to me anyway) entry about dystopian art and/or whether art used for propaganda is still art. I generally have a lot of Imposter Syndrome when it comes to writing essays and so forth, because I have this feeling that any arguments or interpretations i might made during the course of said essay had already been made or debunked–especially when it comes to commentary on any kind of literary art. I like to think I am smart and intelligent and have interesting perspectives, but I always suspect that I’m not as smart as I think I am (no one is as smart as they think they are) and that trying to sound intelligent and discuss something artistic will simply expose my ignorance and lack of education to the world.

Like that’s ever stopped me before.1

And on that note, I am going to finish this, get some more coffee and have some breakfast before getting cleaned up and getting to work. Have a lovely Sunday, Constant Reader, and I may be back later.

I never tire of pictures of Finn Balor. That body! That face! Superstar!
  1. It actually has, to be honest. I often decide not to write things because I fear I am not educated enough on the subject to even try. ↩︎

Science Fiction Double Feature

Lips! Lips! We want lips!

The first time I went to a midnight movie1 was when I was either eighteen or nineteen. I still lived in Kansas then, and the midnight movie was playing at the old movie theater on Sixth Street that was rarely open other than for some special occasion. They’d been doing midnight movies for a while before I went that first time, and I was going with a co-worker who promised me I was going to have an amazing time. I wasn’t so sure. The line outside the Granada Theater was a bizarre sight–many of them dressed up freakishly, and a lot of them were carrying paper bags full of stuff, which I also thought was odd.

I was about to watch, and experience, The Rocky Horror Picture Show for the first time.

I had no idea what was to come.

At the late night, double feature, picture show…

The crowd started chanting for “lips” as the lights in the theater went down, and then I saw what they were chanting for, as two bright red lips appeared on the black screen and started singing as everyone cheered….and started shouting responses to the opening credits.

And I liked the song.

What followed was ninety-eight minutes of insanity. I had never heard of an “interactive” movie before, and it really caught me off guard. How did people know what to yell, and when to yell it? They sang along with the movies, and I soon was caught up in it; getting sprayed with water, ducking out of the way of flying pieces of toast and toilet paper and tampons, and it was all so delightfully subversive in terms of questioning gender and sexuality. You still couldn’t swear on prime time television shows, and you definitely couldn’t say “sex” (I always hated the coy and cheesy ways television writers came up with as a workaround).

And then of course, there was Tim Curry’s Dr. Frank-n-furter.

I’d never seen anything like that before in my life…and I howled with laughter as he removed his robe to reveal what he was wearing beneath, and several people shouted in unison, “Ladies and gentlemen, Mr. Liza Minnelli!”

And after ninety-eight minutes of madness and mayhem, I was a convert. I walked out of the theater with my head still reeling from all the subversion a still moralistic 1970’s American culture had taught me was wrong on every level, disgusting sin and decadent morality, and I wanted more.

I bought the soundtrack shortly thereafter, both vinyl and eight-track, and it didn’t take long for me to have the entire thing memorized. I don’t remember seeing it again while I lived in Kansas–we moved to California shortly thereafter–but I did discover the theater in Fresno that showed it, and I started going weekly. It was more of a production in Fresno–people dressed up and acted out the parts in front of the screen (they tried to recruit me once to play Brad, but I said no; it would be over another decade before I was comfortable enough to wear only underwear in public; I was really uptight). Eventually, after memorizing the film and soundtrack, learning everything there was to know about the movie and play, I finally stopped going to the midnight movies. HIV/AIDS ripped a lot of the joy out of life in the 1980s for me, and once I was out of the habit of the movie, I was out of the habit and looked back on it as a past experience with nostalgia and joy.

The Rocky Horror Picture Show was the perfect amount of subversion at precisely the right time for me. It opened a world of possibilities to me, but at the same time, it made me very aware that I needed, more than anything else, to get out of Kansas. Much as I loved the movie, those memories of seeing it that first time–and the self-actualization and realization that came in its wake–are also tied up with my growing misery and dissatisfaction with living in Kansas. It’s also tied to discovering actual queer people in Fresno, and recognizing that even this little bit of subversion, something I could go see with the straight friends without any questions or fears, kept me going through the early 1980s as everything started turning even darker than they had ever been in Kansas.

Watching it on television just isn’t the same, either.

But the movie always holds a special place in my heart–and I imagine it does with many other queers for whom it proved an awakening of their true freak selves–and I became a lifelong fan of all the stars, whose careers and successes I followed…but one is now dead to me forever, and Her Name Must Not Be Uttered….and her being in the film has also kind of tainted its legacy with me.

But seriously, what a great movie. I may write an essay about the movie someday, you never know!

  1. I’m not counting the night of the senior prom, when the school districts got together and got the Twin Theaters (I think that was the name) to show a midnight movie to keep us all out of trouble. It was Smokey and the Bandit, by the way. ↩︎

The Tijuana Jail

Ah, Tijuana. I went there several times when I lived in California, and it was always…well, a sloppy messy good time. It’s also where I got my soft wool blankets, the most comfortable bed linens I’ve ever owned. The first one finally fell apart about six years ago, and the second one is starting to fray and unravel. The first was purchased in 1987 and lasted over thirty years; the second was bought in 1997 and is going on twenty-seven. I’ve looked for something similar on-line but so far it’s been to no avail. Sigh. I dread the day when the newer one finally starts to completely unravel.

But I never spent any time in the Tijuana jail, thank the Lord. That’s probably one of my biggest anxieties about foreign travel–winding up in jail through some unintentional mistake. Probably PTSD from watching Midnight Express in the theater at twenty and going in blind with no clue as to what it was about other than I thought the lead actor was kind of attractive. There were a lot of those “out of their element Americans in danger somewhere” movies in the 1970s, when I think back, like how disaster movies also proliferated in that decade.

Last night we had some major weather–bad thunderstorms with eighty mile-per-hour winds. It was in the middle of the downpour and thunder that I went to bed, and as always when it’s storming, I went into a very deep and restful sleep almost immediately. I do feel very good this morning, which is very nice. I feel very rested this morning, too, and am looking forward to getting to work today. I also have errands to run later on today, hopefully around the storms forecast for today. It’s supposed to be worse in the evening that the first blast this afternoon, so we shall see. It’s also nice to wake up on Friday morning and have most of the chores finished already. I don’t have to clean the kitchen, for example, or do any dishes or catch up on laundry or anything like that, which is great. I’d like to do some writing later, definitely some filing, and some reading, too. I’d love to finish the Scott Carson and move on to my next read this weekend…which of course would mean having to pick one out of the pile and there’s too many good choices, frankly–a delightful problem to have. Something newly released, or something that’s been waiting to be chosen for some time now?

We also started watching the new season of Bridgerton last night, and it’s really quite a nice show. Nothing terribly serious, some terrific acting and chemistry, light and frothy entertainment done with incredible style and costuming and set design; it’s absolutely lovely to look at, and appealing enough it its tales of love and romance in the British upper class during the Regency. (It’s interesting that the only royal we ever see is Queen Charlotte, but the Prince Regent was a disgusting pig of a man and that wouldn’t work in this tale of pretty rich people at the top of the food chain.) Jonathan Bailey is such a convincing straight man, too–so much for the ‘gays can only play gays’ tropes–and I do hope he has a lovely career befitting his talents.

I was also delighted to wake up to the news that the City Council booted the Klan of Nyx (the racist homophobic suburban hags who’ve been polluting the parade route and giving, for one example, Confederate flag beads to Black children; the people cancelled Nyx several years ago for their horrific behavior and “All Lives Matter” bullshit in a majority Black city?) from parading the final two weeks of Mardi Gras–and the likelihood of getting permission to ride before the last two weeks is highly unlikely. I am going to do another Mardi Gras book, and it’s going to be “ripped” from these headlines.

And on that note, I am heading into the spice mines. Have a lovely and safe Friday, Constant Reader, wherever you may be. And you never know; I may be back later.

Drop Me Off In New Orleans

Ah, some more blatant self-promotion! I’ve done some on-line panels so far this year, which has been terrific. Here are the questions from one I did, turned into an interview so I can promote myself! I believe these questions were for a queer crime panel, and the credit for the questions goes to the one and only J. M. (Jean) Redmann; you can order her books here.

Why did you choose your characters and their professions? What drew you to them?

Hmmm. This is tough, because I have so many books and so many different main characters…I think I’ll stick to my two primary series to answer the question. I wanted to write about a gay private detective in New Orleans, and I wanted him to be a big man, a former college football player who may have been able to be a journeyman NFL player had he not been injured in his final college game. I wanted him to be uncomfortable in his gay skin, and the point of his journey throughout the series was to grow and learn until he was finally comfortable in that skin, and able to be loved and give it.

Scotty, on the other hand, was created as a stand-alone character and I wanted him to basically be the antithesis of Chanse; in which he had few if not hang-ups, was completely comfortable being a sexually active gay man with a snarky sense of humor covering an incredibly big and kind heart. He didn’t really need to grow much–he usually is the catalyst for other characters’ growth–but as he’s aged, I’ve really enjoyed his journey.

What attracted you to writing mysteries?

I always liked them. As long as I can remember, my two biggest reading passions were history and mystery, with horror/Gothics close behind. I would check anything out of the library with mystery, haunted, ghost, phantom, secret, or clue in the title. Then I discovered the series books–The Three Investigators, Trixie Belden, et al–and after that there was no turning back.

What does being queer/gay/lesbian bring to your story?

I think queer people have the outsider point of view down to an art form because that’s how we see the world–from the margins. The easiest way to critique society, the culture, and how people interact with each other is from a remove–and queer people see all of those things from a remove through no fault of their own. I didn’t have role models when I was growing up, at least to teach me how to be a decent adult gay human being, so I had to learn it all on my own for the most part. I’ve also been confused and mystified by American culture, philosophy, and society, because it wasn’t designed for people like me. When I came out, I was just at sea in the queer world as I always had been in the straight one, and I’ve never forgotten those experiences, either, and they also inform my work.

How do we deal with how the wider world deals with queer characters? Especially in these times?

It can be depressing, which is emotionally and psychologically dangerous. It’s bad enough experiencing homophobia, but then to immerse yourself in it in order to write about it? Even more horrific. Watching Pray Away this weekend made me furious with the ex-gay movement all over again; listening to queer people hating themselves and their desires in order to be at peace with God in some twisted way? But if God is infallible…this is the doctrine Christianity gets hung up on. They think we’re mistakes, but if their God is infallible, He had to have made us perfect and its willful sin or the devil whispering in our ears. This is their incredibly harmful and dangerous rhetoric. If God tests humans, perhaps he made queer people to test the faithful–and they are failing.

But they can never admit to that.

How do you deal with diversity? No author can be everything their characters need to be, how do you handle reflecting the wider world?

I write mostly about New Orleans, and beyond that, mostly the south with occasional forays into other areas of the country–upstate New York, Kansas, California–and you cannot write about a city like New Orleans realistically without having Black characters, period. New Orleans is a majority Black city. You also can’t write about the South without touching on the issues of race and a problematic history. I’ve always included diverse characters in my books. I don’t like to describe skin color, frankly, and most white writers do it in the form of food, which I find unsettling–do you want to eat them? Cinnamon skin, cocoa, cafe au lait, eggplant, dark chocolate, etc.–I’ve seen all of those used to describe skin color and it always makes me recoil because it’s so damned lazy. I don’t think I would ever write from the perspective of a Black character–there are plenty of Black authors who can do that more authentically, and given how most diversity pledges by major publishers also inevitably end up in quotas, I don’t want to take a spot from a Black creator. I do love reading work by racialized authors, but I would never try to write from that perspective.

How do you use setting? What does it bring to the story?

Setting is one of my strengths, I think, so I always use it to enhance my story. I am also very lucky in that I live in New Orleans, where anything can happen on any given day and you can never go too far over the top about anything–if anything, you have to tone things down to be believable. I think setting is important because it tells you so much about the characters–why do they live there, how has it shaped them, did they live somewhere else, how do they deal with the challenges, what annoys them, what do they love–and is an important foundation for your story.

How do your books start—not the book beginning, but the start of the process of writing the book. Where do the ideas come from and how does that coalesce into a book?

It usually is something I find interesting and I think I should write about that. Sometimes the ideas take years to coalesce and come together, sometimes they are immediate. The Scotty books inevitably begin with three disparate things I want to address in one book, and then I have to figure out how to combine them all into a story. The next Scotty’s prompts are evacuation, statute of limitations, and obsession. It’s coming together in my head enough that I think I’ll be able to write it this fall.

Once you’re writing, what’s your process? Outline? Write from start to finish?

I used to outline, but now I kind of have it in my head and then will only go back and outline when I am stuck, so I can see where I went wrong in the manuscript. I always write from beginning to end. I don’t know how people can write backwards! I’ve thought about trying it sometime, though.

What are the hard parts of writing for you? The parts you enjoy?

Definitely the middle. The middle is soul-destroying, and always triggers Imposter Syndrome. I also hate copy edits, but recognize them as a necessary evil.

I love the actual writing and revising and all of that. There’s nothing like putting down a good word count for the day, regardless of how bad those words might be. I think revising is magic: you take garbage and turn it into something terrific.

Which writers influenced you?

All of them, in one way or another. I especially love Shirley Jackson, Patricia Highsmith, Daphne du Maurier, and John D. MacDonald. Currently? Alison Gaylin, Megan Abbott, Laura Lippman, Michael Koryta, Alex Segura, Michael Thomas Ford, S. A. Cosby, Kellye Garrett, and Alafair Burke–there really are so many. I always take something away from everything I read, whether good or bad.

What are you working on now?

Right now I am writing a sequel to Death Drop, in the Killer Queen series. I also have a ton of short stories and novellas in progress, and I already have ideas for the next three or four (or more) books.

Any advice for newer writers?

Keep writing and keep believing in yourself, and keep reading.

Last words of wisdom?

If you want to be a writer, read Benjamin Dreyer’s Dreyer’s English and Stephen King’s On Writing.

Teen Beat

Ah, being a teenager. A lot of people look back on their teen years through rose-colored glasses, always smiling wistfully about the ‘best times’ of their lives. This always makes me reel back from the screen; it’s unfathomable to me that people miss being in high school. I made the best of high school, as I always try to make the best of every situation I find myself in, willingly or no; but you do eventually reach the point where you are so sick of the bullshit and the bullies and the assholes that it can’t end soon enough. I managed to make the best of high school all the way up until the second semester of my senior year, when I just reached the breaking point and just didn’t fucking care anymore–about my classmates, the other kids, the teachers, everything. I kept making the best of Kansas for another year or so–and when my parents were transferred while I was in college to California, I didn’t even think twice about deciding to leave Kansas in my rear view mirror.(I’ve also never been back since that snowy February night when I boarded Amtrak and headed west, either, other than in my fiction.) So, you’re probably wondering why I write about Kansas; why I dig into all those unpleasant memories and the horrible way I used to feel every day. In some ways, I suppose, it’s therapeutic; dealing with the memories and processing them now that I’m older, more centered and stable, and no longer hate myself. But…those are the important memories for writing about teenagers, which I do fairly regularly.

It’s always important to process your traumas by writing about them, I suppose.

It’s work-at-home Friday and Gregalicious slept a little late this morning. I was very tired last night–even fell asleep in my easy chair around ten, woke up just before eleven, and then proceeded home. I was too tired after work to get much done around here, or to do any writing, so I will definitely have to make up for that today and this weekend, once the work duties are done. I also have to get to the gym this morning to get back to the working out. After the Festivals and Paul got sick, my hands were a bit full and working out after being pronounced healed just wasn’t possible. Now I have to get back into it, adding a couple of back and chest exercises into the mix, and even having an official Leg Day work out, so as I get my strength and stamina back I can start using heavier weights and gradually get myself back to the point where I can workout the way I used to, before all the injuries and depression and so forth all kicked me off the gym wagon; hopefully by the summer I’ll be able to get myself back into some semblance of good physical condition again.

I suspect the tired thing will never go away.

We started watching Ripley last night around the Fayetteville Regional for NCAA Gymnastics, which LSU won while not having their best night, and I have to say I am enjoying it thus far. It’s a slow burn, but it’s incredibly stylish, and the black-and-white cinematography is terrific. The shots are amazing, and Andrew Scott manages to give Tom an air of menace, a kind of emotional flatness Matt Damon couldn’t have pulled off in the Minghella film version. I think part of the reason for the steady slow burn of the plot is because there’s not a lot of material…the book is actually very short (Highsmith was never wordy and rarely wasted time on back story), and my sense is that Scott’s Tom is much more like Highsmith’s ideation than the Minghella film. With all the comparisons made of Saltburn to Ripley, I’ve been thinking about the book and the Minghella film again, and this Netflix version seems like the Ripley Hitchcock would have made, which makes it more interesting to me. At first I was a little bummed not to see the Amalfi Coast in color; Italy is so beautiful, after all, but the black and white gives it a more pristine and polished look that is beautiful in an entirely different way. I’m looking forward to watching the rest of the show to see how it flows and develops–as well as comparing it to the book, the Matt Damon film, and Saltburn. It actually has made me rather happy that I haven’t finished my essay on Saltburn yet.

And on that note, I am heading into the spice mines for the day. Have a lovely Friday, and I may check in again later.

Hot Stuff

Sunday morning and everything aches. I went out to Iris yesterday by myself (see previous post) and had a lovely time. It was indeed a gorgeous day and a wonderful reminder of how much I love everything about Carnival–and why I put up with the challenges of living inside the box; because once you are safely home and have parked your car, the convenience of the parades being only a half-block away simply cannot be beat. I got a lovely haul of beads, caught numerous plushies and cups and various other toys–including a super-hero Iris cape–which I gave to the children who were near where I was standing. I also gave away a lot of beads. Despite my gradual exhaustion that came on slowly, it was marvelous and despite having to spend the rest of the day in my easy chair (and still feeling the muscle fatigue this morning) I do not regret going out there, just as I will not regret going out there for Orpheus tomorrow.

I guess the Super Bowl is tonight and I also suppose we may end up watching. I don’t really care about either team that much, honestly; I lived in Kansas so I have a connection to the Chiefs, and I also lived in California and San Francisco is the motherland of my people. Of course, I’ll wind up rooting for Taylor’s boyfriend because it is fun watching the MAGAts lose their minds over this. I also love that “liberals” have now ruined football for them. They can’t root for Taylor’s boyfriend so they’ll root for the queer homeland and Nancy Pelosi’s team?

Mwa-ha-ha-ha-ha! Eat shit and die, MAGAts. You don’t own football, either.

Paul stayed up late Friday night working and so he was asleep until shortly after I came in from the parades to find a toy for Sparky on our doorknob from the neighbor ladies; it’s one of those serpentine tunnels for cats, and Sparky loves his already. I think I’m going to get him some more toys once i get the house back into some semblance of order. I am going to try to work on that today and work on some writing as well; I also want to spend some time reading Lina Chern’s book, which I’ll probably do after I finish this post. It’s quite good actually, despite my taking so long to read it–which definitely should not be seen as a criticism of the book, which will get its own entry at some point. Once he got up we watched My Best Friend’s Exorcism on Prime. It’s based on the Grady Hendrix novel, and I do need to read his work. (I really loved Paperbacks from Hell, which was his first book, about the horror boom of the 1970’s thru the early 1990’s.) He’s also openly gay, and the movie is terrific. It’s set in the 1980’s, and while I was a teenager in the 1970’s I was only in my twenties during the 1980’s, so all of it–cultural references, clothes, the music–was also pleasant nostalgia for me. (The 1980’s was a difficult time for me, but I really need to confront that decade and my memories and move past them at some point.)

I then showed Paul the pilot for Abbott Elementary, and we then binged the entire first season and well into the second before it was time for me to call it a night. This show is amazing, and I had always meant for us to get around to it. I’m glad we finally are watching, because the cast is fantastic; the writing is sharp, crisp and funny; and the characters are fun and interesting. Highly recommended, and looking forward to getting back into it before watching the Super Bowl (or not. I can certainly follow the game on social media).

And on that note, I am bringing this to a close. Have a lovely Sunday, Constant Reader, and I’ll catch you again later.

Take a Chance On Me

Ah, Murder in the Rue Dauphine.

It’s always weird for me to talk about my writing and my books and so forth on here; I always worry that I am either contradicting and/or repeating myself. When you’re as self-obsessed as I am, that can be a problem; talking about myself is probably my favorite thing to do–on here, at least. And I feel like I’ve told the story of where Chanse came from and how the series developed from the very beginning many, many times.

It was when I was living in Houston that I rediscovered crime fiction, and the old love was even deeper once it was rediscovered. This was the period when I read most of the Perry Mason novels, discovered Paretsky and Grafton and Muller, and decided to give Travis McGee and John D. MacDonald another try. (I had read The Dreadful Lemon Sky when I was a teenager, but I hadn’t liked it; I was more into the classic detective mystery, with lots of suspects and a denouement with everyone gathered in a drawing room as the identity of the killer was unveiled–the McGee series was definitely not that. But MacDonald had written a superb introduction to Stephen King’s first short story collection, Night Shift, and I had always wanted to give him another chance–pun fully intended.) I devoured the McGee series this time around; and I really admired the character and how fully rounded and developed he was (I should give the series a reread; I’d be curious to see how they hold up now)…and armed with all these new private eye novels and Perry Mason puzzles, so I started coming up with my own version. Even the name was a shout out to McGee. My character was also tall with sandy/dirty blond hair, a former college football player, and he lived in Houston, with an office downtown and a secretary named Clara. The title of the first book was going to be The Body in the Bayou, and I started basing the case on the tragic Joan Robinson Hill case, immortalized in Tommy Thompson’s Blood and Money (the premise of the story was that the character representing Joan’s father hires Chanse after Joan’s death to find dirt on John–and then John is murdered; fictionalized, of course.) I wrote about six or seven really bad chapters long hand before giving up. I didn’t know how to write a novel then nor did I understand the concept of rewrites and revisions and drafts. (My ignorance was truly astounding.) The hurdle I couldn’t clear was typing. I was a terrible typist. I’d had a job in California working for an insurance brokerage that was computerized, and had a word processing program that I used to write short stories on; it made such an incredible difference that I knew I would have a much better shot at actually making my dreams come true if I only had a word processor…

In 1991, after I moved to Tampa, I managed to get a word processor, and that was what I wrote my first two and a half young adult novels on–the original drafts of Sara, Sorceress, and Sleeping Angel–and used it happily for several years until it finally died on me. But by then, I was living with Paul and had swung back around to wanting to write adult crime fiction again, and I wanted to write the Chanse character that I’d already created…so I picked back up on The Body in the Bayou, moved it from Houston to New Orleans, got rid of the office and the secretary, and made Chanse gay. I kept the title, but threw away the story; I wanted it to be a gay story, too. I don’t really remember the plot, but it had to do with the murder of a beautiful boy-toy for a wealthy closeted gay man in New Orleans…and Chanse knew the boy-toy from his days working as an escort before he landed the rich man, I wrote about six or seven chapters of this before we moved to New Orleans….and I realized I’d have to throw it all out again because it was all wrong; I’d made the classic mistake so many writers make when writing about New Orleans: writing about it having never lived here, I only had tourist experiences–which are vastly and dramatically different from the actually “living here” experiences. So, once again, I threw it all out and started over, this time calling it Tricks instead of The Body in the Bayou.

The title morphed again to the less saleable Faggots Die after the first draft; and I remember talking to Felice Picano–he was coming into town for the Tennessee Williams Festival, and I picked him up at the airport. As we drove back into the city from Kenner, we talked about my book and the series, and he nixed the new title as well as the old one. “No one, ” he wisely said, “will pick up a book called Faggots Die, and Tricks sounds like a pornographic memoir of your sex life.” Felice was actually the one who suggested I mimic titles for the series from a classic writer…and we were throwing titles around in the car when I said, “You know, the streets in the Quarter are technically rues–Rue Bourbon, Rue Royale, Rue Dumaine–and the murder happens on Dauphine. Maybe Murder in the Rue Dauphine?”

“That’s perfect,” Felice said, and then we played with Poe titles the rest of the way into the city–incidentally, one of them was The Purloined Rentboy, which became my short story “The Affair of the Purloined Rentboy”, so never throw anything away.

And thus was Murder in the Rue Dauphine titled; and the plan for the series titles was also devised–the branding was changed by the publisher, but I can honestly say my first book was titled by Felice Picano.

Murder in the Rue Dauhoine has had three covers in its 21 years of existence. This center one is the current.

Never come to New Orleans in the summer. It’s hot. It’s humid. It’s sticky. It’s damp. It’s hot. Air conditioners blow on high. Ceiling fans rotate. Nothing helps. The air is thick as syrup. Sweat becomes a given. No antiperspirant works. Aerosols, sticks, powders, and creams all fail. The thick air just hangs there, brooding. The sun shows no mercy. The vegetation grows out of control. Everything’s wet. The build­ings perspire. Even a simple task becomes a chore. Taking the garbage out becomes an ordeal. The heat makes the garbage rot faster. The city starts to smell sour. The locals try to mask the smell of sweat with more perfume. Hair spray sales go up. Women turn their hair into lacquered helmets that start to sag after an hour or so.

Even the flies get lazy.

My sinuses were giving me fits as I left the airport and headed into the city. It was only 7 o’clock in the morning but already hotter than hell. The air was thick. I reached for the box of tissue under my seat and blew my nose. The pressure in my ears popped. Blessed relief.

As I drove alongside the runways I could see a Transco Airlines 737 taxiing into takeoff position. I saluted as I drove past, thinking it might be the flight that my current lover was working. Paul looked good in the uniform. It takes a great body to look sexy in polyester. He does.

He’d be gone for four days on this trip. I was at loose ends. I’d wrapped up a security job for Crown Enterprises the previous Wednesday. The big check that I’d banked guaranteed I wouldn’t have to worry about money for a while. I like when money’s not a concern.

And so began a series that lasted for seven titles and about twelve years or so; I don’t remember what year the last book in the series was published. I never expected anyone would publish it; it was intended to be a “practice novel” so I would get used to rejections and learn. It was also the first manuscript I ever wrote that went through multiple drafts before I thought it was finished enough to send out on query. It was supposed to be an exercise in learning humility and getting experience with the business while I wrote the book I did expect to get an agent with and sell–which was what I’d always called “the Kansas book” for over a decade at this point. (It eventually morphed into #shedeservedit.) But you never really learn what you’re supposed to when you’re stubborn, thin-skinned, and used to being demeaned and talked over and not taken seriously, for any number of reasons. I sent the manuscript to three agents: two sent me lovely but form rejections, which was disappointed but not surprising. I took this well, put the manuscripts away to send to three more once the final rejection came.

It came on a Friday, if I recall correctly. I went to pick-up the mail and my manuscript was there. Not a surprise, of course, but still a little disappointing. I went out to my car and opened the package…and paper-clipped to the title page of the rubber-band bound manuscript was a torn piece of used paper, with a note in ink reading I find this manuscript and characters neither interesting or compelling with the agent’s initials at the bottom.

It was like being slapped in the face.

By the time I got home I was in a raging fury. I was literally shaking with rage when I came inside. How fucking unprofessional, I thought as I sat down at my computer to check my emails, trying to decide how I would enact my vengeance on this rude piece of shit.1 There was an email there from the editor I was working with on an anthology which had taken my first-ever fiction short story and thus would be my first publication. I had never read the signature line–mainly because I was so excited for my first fiction sale (NARRATOR VOICE: it was porn). This day, he concluded his email with Please send us more work. We definitely want to see more from you and as my ego preened, slightly soothed from the insulting agent note from earlier in the day2, I also looked down at the signature line and realized I was communicating with the senior editor at Alyson Books! I immediately wrote him back a very short note: I’ve written a novel with a gay private eye set in New Orleans, would you be interested in that? and before I could talk myself out of it, hit send.

He wrote back immediately and said please send it to me ASAP!

I put the same manuscript back in a new envelope, and drove back to the postal service to get it in the mail before I changed my mind, and breathed a sigh of relief once I got back to the car–and immediately forgot all about it.

Six weeks later I came home to a phone message from the editor. I called him back, he made me an offer, and my career leapt forward much faster than I expected…and it started a roll of good luck and “being in the right place at the right time” that has kept me publishing almost non-stop since Murder in the Rue Dauphine was released in 2002.

It sold really well, got mostly favorable reviews, and scored me my first Lambda Literary Award nomination.

Not bad for a manuscript and characters who were neither interesting or compelling, right?3

It also took me a long time to realize–or rationalize–that the note wasn’t meant for me. (I was most offended that I wasn’t even worthy of an actual form rejection letter; that was the truly insulting part for me.) I realized when telling this story on a panel somewhere, that the note was probably meant for an intern or a secretary or an assistant, who just shoved the whole thing in an envelope to do the rejection and through some wild Lucy-and-Ethel office shenanigans, it went out without the rejection letter and with the note intended for internal eyes only…and made me wonder, how different would my career and life be had that fuck-up not happened?

We’ll never know, I guess.

  1. Not really proud of this reaction, but I did get the last laugh. ↩︎
  2. Said agent died a few years later. I may have smiled and said good, a la Bette Davis vis a vis Joan Crawford’s death. ↩︎
  3. I may be more forgiving about a lot of things these days, but I will always be petty about that hateful agent. ↩︎

Little Jeannie

We have a new refrigerator, and it is marvelous in our eyes.

The delivery was actually two hours early and went incredibly smoothly. I did have to take the kitchen apart and rearrange a lot of things, which triggered the old your filing system is completely out of control and has been for quite time, and the duplicates, dear God, the duplicates. But having a new, working refrigerator (we really put up with the malfunctioning old one, which was never the same after whatever evacuation that was in 2008–Ike? Isaac? who knows. So, this kind of was the impetus for me to reorganize the cabinets, throw out a lot of stuff I didn’t even know I had (forcing me to recognize that I still have food hoarding issues), and do something constructive with the filing. This morning I am going to move the rest of the food over from the carriage house refrigerator, and make notes on what I need to get at the grocery store. My hope is to get that all done this morning, spend some time reading the Elizabeth Hand (which I am greatly enjoying), and then tackle the filing and get this under control once and for all.

And this is just a small step forward in a big journey I am taking–in which I need to organize and/or discard things I no longer need. I have more ideas than I will ever write about, or have the time to write; I get more ideas every fricking day. Do I really need to hold onto old file folders crammed full of ideas I don’t even remember that I have? And if I do remember it, and it turns into something–I will just create a new file rather than go look for the old. I should scan old contracts, shred tax returns, and who knows what kinds of treasures I may find in the files as they come together at long last? I’m still unsure of the system I am going to use, but I need to get all the things that are like each other together–files about Alabama, files about New Orleans and Louisiana, files about Kansas and California and Chicago and its suburbs and Houston and Florida and crime stories and all kinds of things; research versus actual fiction–book ideas v, short story ideas; fiction vs nonfiction–and so forth.

I also worked on the laundry room some, and also managed to watch a lot of football games–Alabama against Arkansas, Tennessee-Texas A&M, and finally Auburn-LSU. I still don’t know what to think about the conference race this year, other than both divisions go through Georgia and Alabama again this year, and I don’t see anyone beating Georgia during the regular season. Texas A&M’s loss at Tennessee is their second in conference and third overall; no division title or shot at the play-offs for them; yet they are a good team and can still play spoiler. Tennessee still has Alabama and Georgia and Kentucky. The West is pretty much still up for grabs, with Alabama in the catbird seat; still tied for first even if they somehow lose to LSU. I don’t know what happened to Auburn after the Georgia game–which they had a shot at winning–because that team didn’t show up in Tiger Stadium last night. LSU’s defense, which finally started playing at a higher level in the second half of last week’s Missouri game, looked really good…or was Auburn’s offense really that bad? I thought their defense was for real–but how good were they really, because they didn’t look like an elite SEC West defense last night. LSU does have an incredible offense, no mistake or question, but are they really forty-eight points on Auburn good? After Georgia escaped them with a 27-20 win on the plains? That’s why you play the games, people–anyone can win on any given Saturday.

I slept very well last night, which was awesome. I feel quite well rested this morning, and so today’s chores do not sound either ominous or terrible. The filing is indeed going to be a chore, as is moving the food back over and making two grocery runs, but better to get it all over with today, wouldn’t you think, so I can go home straight from work tomorrow? We’re having a “professional development day” that starts at City Park at ten in the morning, after which we go to Dillard for a presentation and then back to Ralph’s on the Park for another. Lunch and dinner are being provided, which means I am not going to be able to eat anything, most likely, which will be very unpleasant for me, I think, but I’ll deal with it. Tug is also settling in more–it’s very obvious that he knows he is home, and this is where he belongs. So bold, so curious, so playful, so adorable. He sleeps completely relaxed and sprawled out on whichever laps he chooses, and he’s started doing to Scooter thing where he’ll go back and forth between us for naps, which is adorable.

And he does love chasing the red dot.

He’s having particularly big kitten energy this morning, too.

And on that note, I am going to go start moving the food back over and making the grocery list. Have a lovely Sunday, Constant Reader, and I may be back later; if not, then tomorrow.

Two Dollars in the Jukebox

This marvelous interview with the amazing Margot Douaihy dropped while I was in the midst of Bouchercon or preparing for it, so I always intended to share it around on social media (what a thrill to be name-checked by such an amazing new star in the world of crime fiction). Her debut crime novel Scorched Grace was so phenomenal that I still think about it from time to time; her New Orleans was so exquisitely and artistically rendered that it gave me pause–and also made me wonder if I’ve been coasting and not working as hard as I should. (I always think that when I read a work that blows me away–I should try harder.)

Yesterday was spent in my chair watching college football and making notes in my journal on projects that are upcoming or are currently in progress. Despite all the sleep (I slept for eleven hours Friday night, and again last night) I still feel a bit out of it and drained and tired; but I am going to take a shower in a little bit and I am sure that will perk me right up. I did read some more of Shawn Cosby’s newest book but those opening few chapters hit me right in the soul and it’s going to take me a minute to process it. I also posted like three or four entries yesterday, too–I finished turning John Copenhaver’s questions for the Outwrite DC panel into a Greg interview (I plan on doing the same with the questions from the Bouchercon panels because I can, mwa-ha-ha!), also finished my entry announcing Death Drop, and another one about how The Children’s Bible was one of my first sources for images of hot muscular men (thanks again, Golden Press, for those sexy illustrations! I didn’t even mention Samson), so I am making progress on getting these drafted blogs finished and posted.

I feel a little pain in my mouth this morning, so I rinsed with salt water and took my pain pills. Pain is draining and exhausting, even if you take something for it, so that’s why I think I was so behind the eight ball with everything yesterday–it’s certainly why I am sleeping so much and so deeply, for which I am eternally grateful. There’s no more bleeding, which is great, and I am trying out hot coffee this morning (caffeine deficiency may have played a huge part in the tired thing yesterday). All I ate yesterday was protein shakes and ice cream (Haagen-Dasz strawberry; today is vanilla bean) which was weird and not very filling; I am going to have to go buy yogurt and more ice cream tomorrow, methinks, and explore some other soft food options, like oatmeal. I am going to have oatmeal for breakfast this morning–I actually like oatmeal and am not sure why I stopped having it in the mornings–and then see if I can figure out some other things. I bought some soups, so maybe I can soften crackers in the soup too. I remember moving back onto solid foods was an issue the first time around, so I have to keep that in mind as I slowly start reintroducing solids back. I know I will miss this unashamed and unabashed deep dive back into ice cream. My face also never swelled up, which is another indication of how good my dental surgeon was. Well done and bravo, sir!

The highlight of the day yesterday for me was watching Coco Gauff win the US Open. How absolutely delightful, and how delightful to have a young American star again to root for. I love tennis, but there really hasn’t been anyone on the women’s side with a larger than life personality like Serena Williams, or just flat out charismatic and likable (like Kim Clijsters) to watch and root for in a very long time. I think the guard is also gradually changing on the men’s side, with the Federer/Nadal/Djokovic triume slowly retiring as they get older, and it’s fun to see rising young stars like Carlos Alcazar play, too.

As for football, well…the Alabama-Texas game was exciting to watch, if strange; I’ve not seen Alabama play that sloppy or poorly very often in the seventeen years or so since Nick Saban came to Tuscaloosa. I also can’t remember the last time Alabama lost so early in the year–which means a second loss ends any play-off hopes they may have unless they go on to win the SEC. To see Alabama lose in Tuscaloosa by ten points to a non-SEC team early in the season? Unthinkable. The conference is not off to a great start this year; Miami roasted Jimbo and A&M yesterday; LSU’s horrific loss last weekend to Florida State; Mississippi got super-lucky to beat Tulane yesterday; and the rest of the conference isn’t exactly off to a great start either–even Georgia hasn’t looked invincible in their two wins, despite the margin of victory. The SEC is due for an off-year anyway; we’ve literally won four national championships in a row (2019 LSU, 2020 Alabama, 2021-22 Georgia) with three different teams, which is something no other conference can say this century, and also doesn’t include Florida, who won two in the aughts (as did LSU: LSU was the first team to win two titles since championship games were implemented). The only teams not from the south to win national titles this century are Oklahoma and Ohio State, and Oklahoma might as well be a Southern state as it’s not really in the Midwest either. In fact, the only two Big Twelve team to win national titles this century–Oklahoma and Texas–are joining the SEC next year. I’m still not sure how I feel about the realignments and conferences being killed off, but…the sport has changed dramatically since I was a child and ABC held the exclusive right to air games. LSU blew out Grambling State last night 72-10, and looked much better than they had the week before in that embarrassing loss to Florida State; but there’s also a big difference between FSU and GSU. I guess we’ll get a better idea of what LSU is like once we play at Mississippi State next week, and we’ll see how well Alabama bounces back from this disappointment for them. Auburn did manage to hold off California last night (I went to bed), but I also think Florida lost their opener to Utah? Yes, they did, or maybe it was Oregon? Regardless, they lost. Pity. (I despise Florida, and will only root for them when they play someone I hate even more, like Tennessee.)

So, today I am going to take it easy one more time without feeling guilty for not doing anything productive. I am going to do some chores–emptying the dishwasher, maybe some filing to clean up the mess that is currently my desk situation, and the refrigerator needs cleaning up too–and repair to the chair to read Shawn’s book for a bit. I also am going to make another cup of coffee and perhaps some oatmeal, washed down by a protein shake. I don’t know if my heart and blood pressure can take watching a Saints game, but Paul will want to watch and there’s also the men’s final for the US Open today. And maybe I will finish some other blog posts. One never knows, really.

Have a lovely Sunday, Constant Reader–and if I’m not back later, be sure I’ll be back in the morning.