Tag: Bold Strokes Book-a-thon

Oh Very Young

So, are you ready for some MORE blatant self-promotion?

During the Bold Strokes Book-a-thon, the other panel I was on had to do with writing young adult fiction (the other panelists were amazing, I might add), and once again, I am answering the questions sent to us by the moderator to turn into an interview with JUST me (because it’s all about ME ME ME) but I do urge you to seek out the video of the panel. It was terrific, and I was definitely the most uninteresting person on the panel, seriously; this is NOT self-deprecation. (I bought everyone’s books during the panel, I might add; definitely check out Lauren Melissa Ellzey.)

What is the definition of Young Adult? How does it differ from other genres?

I think it’s primarily an age distinction, to be honest, which is something that always makes me uncomfortable. Growing up I read far above my age level; when I was in seventh grade I was reading at a college level, per the tests and so forth. I mean, I did read The Godfather when I was ten; my parents, despite their conservative religious beliefs and values, let me read whatever I wanted without having to ask permission–I think when I asked Mom if I could read something the last time she replied “Read whatever you want, I don’t care” and after that I never asked again. When I was a kid, there was no such thing as young adult; everything was either for adults or “juvenile.” The juvenile category contained multitudes, beginning with the Little Golden Books and picture books to kids’ mysteries to Judy Blume. I think sometime in the 1980’s the genre was separated into “juvenile” for kids 8-12 and “young adult” for 12-18.

But there are kids like me, who can read above their age/class level and others who can’t read at their age/class level, and I think in some ways that differential could be harmful for those who are below-average readers–reading is the most crucial aspect of education, because if you can’t read…and no matter how many ways they try to make the language around slower readers more accepting and less stigmatizing…it doesn’t really help kids to be told they’re below average or not as smart or quick as the other students. (One of my primary problems throughout my education is I would understand something the first time, while others inevitably didn’t, and as the teacher explained for a second or third or more time, my ADD would kick in and my mind would wander because I didn’t need to listen and then wouldn’t be listening when the teacher moved on.

Ah, well. 

Oh, and all subgenres of fiction also have the middle grade/juvenile and young adult sub-sub-genres.

Why or how did YOU choose YA?

I don’t know that I chose y/a so much as it chose me.

I started writing when I was a child (all my childish scribblings are lost to moves and time passing), and I wrote about kids my age. My first attempts at writing were always some kind of kids’ mystery series, a la The Hardy Boys and The Three Investigators (I’d still like to do this, frankly), and when I became a teenager, I started writing about teenagers. I wrote a bunch of short stories while in high school about the same group of kids going to the same high school. Those stories slowly but surely grew into a sprawling, handwritten novel about the county with plots and subplots and main characters and minor characters and all of this history; a “Peyton Place in Kansas kind of thing”. I worked on it for like five years, and eventually had this enormous sprawling mess that needed to be revised and rewritten and typed…and since I didn’t know how to type, made that part of it a problem. So I shoved it into a drawer and started pulling from it rather than revising it; taking out plots and characters and using them in other books and other stories.

After I finished that, I spent the next five years mostly working on short stories. I started another book, more horror than anything else, but never got further than the third chapter. I finally decided to write a horror novel built from my old manuscript and those short stories from high school. I was about three chapters into it when I discovered two things: there was a big market in y/a horror at the time (Christopher Pike and R. L. Stine were HUGE during this period) and so I bought some of them. When I finished, I thought, “You know, I should turn Sara into a y/a novel” (because I thought somehow that would be easier? Foolish, foolish rookie) and so… I did. I was right in that thinking of it in those terms made it possible for me to finish a draft, but I wasn’t very happy with it so I put it aside and started writing another one, Sorceress, which was also horror but also had some strong Gothic moments in it. When I finished that one, again I wasn’t pleased with it so I started another–Sleeping Angel–which was the one I thought really had potential. I never finished that draft–by this time I’d discovered that gay fiction and nonfiction existed, so I started reading that and trying to write about gay characters instead.

Those manuscripts remained in my drawer for well over a decade, until a friend of mine took a job as a young adult acquisitions editor, and she wanted to work with me. I told her I’d written three (although it was technically two and a half), and gave her a brief synopsis of them. She liked Sorceress the best, so I started revising and editing it and turning it into something publishable. Once it was all done, she’d left that publisher, but started her own small press for y/a books for underrepresented teens, and she wanted to launch the press with Sorceress. I said “okay” and we were off. I eventually realized I needed to let Bold Strokes know, and when I did, I got an email back saying you know we do y/a, too? And so I sold the other two to them, and have never looked back since then.

Are there specific rules for writing YA (things you can’t do)?  Does Bold Strokes add on or impose specific or additional rules?

I don’t pay too much attention to rules, frankly. There’s no graphic sex in my books, but it’s hinted at. I also try to swear less in young adult books than I do in adult fiction, which is probably not as big of a deal as I think it is? The society I grew up in was a lot more puritanical–believe it or not–that the one we live in today. So I always default to that setting, and then have to shake it off. Swearing isn’t as big of a deal as it used to be. No one thinks they’re marrying a virgin anymore, and on and on. And having been attacked for daring to accept an invitation to speak to queer high school students, I tend to tread softly. There have been a couple of times where I’ve had to change language, or how a scene went, because my editor thought it might be problematic; and frankly, I never want to be offensive, so I have no problem with it. I don’t see it as a free speech issue the way so many intentionally offensive writers claim it is. I shouldn’t take offense to someone calling me a faggot? Grow the fuck up. The so-called free speech “crusaders” are always defending hate speech as well as trying to shut up the people who find it objectionable. You do not have a constitutional freedom from consequences or getting a negative response to things you say and do, period. It’s really not hard to understand unless you want to be passive/aggressive and childish and a moron.

How do you remember back to these days, specifically how it felt or feels? (this is coming from your moderator who is much older than you are)

Well, for one thing, I’ve always kept a journal and I still have them all. (I was insufferable when I was younger, seriously.)

My sister has a theory that we forget a lot of the pleasant memories from our childhoods, but remember the traumas in great detail. I believe the truth of that, because school was a nightmare for me from the day we moved to the suburbs until I was done with it. I remember how it felt to read Greg Herren sucks cock on a desk at school. I remember how it felt to be mocked, laughed at, and bullied by assholes. I do remember the good things, though I tend to always focus on the bad.

The first thing I always do is abandon whatever “wisdom” about life I’ve theoretically learned since leaving high school, and put myself into the teenager mindset: they think they are the main characters in everyone they know’s story, and everything is the end of the world or their life is ruined and you are the most horrible parent ever! I’m not entirely sure I’ve escaped thinking that way, to be brutally honest: I am horribly selfish.

How do you come up with your characters?  Your stories? 

I am weird in that I inevitably always start with a title. I hear something or read something and think, that would make a good title. The next question is what story would fit that title? And it kind of goes from there. The title may change, the character names and story might change and evolve, but I can’t write anything that doesn’t have a title. Bizarre, I know. Usually with my young adult stuff it’s an idea I’ve had for a number of years and finally decide to explore whether it’s a novel or a short story, and go from there.

Dark Tide was originally called Mermaid Inn, Bury Me in Shadows was originally Ruins, but the others pretty much stayed the same from beginning to end.

I wrote #shedeservedit because I was angry about the Steubenville/Maryville rape cases, and remembered stories and gossip from when I was in high school and college…and rethinking them through a more evolved brain about women and misogyny… well, it made me angrier. I had already planned on writing a story set in the same town with the same characters and opening with the same murder (I always referred to it as “the Kansas book” for years), but the motive was something I always had trouble grounding in reality. After those cases…it clicked in my head. You need to write this story about small town misogyny, protecting the star jocks from the girls at all cost, and make that the plot. It was easy to write because I was angry. Making it a compelling read was harder, because the subject matter was sickening to me.

I needed to write that book, and I don’t regret doing it, either…but it’s not exactly a feel good story people can escape into, either.

Why do you think YA is so popular?

It’s more accessible, I think. I mentioned reading ability before, and I do think that most readers aren’t into the Great Literary Tomes, hundreds of pages of beautiful writing with no real point or story. People kind of want to escape their cares and worries, and y/a books tend to be really entertaining. We’re competing with phones and tablets and streaming, so we need to write entertaining and engaging books.

Any specific must do-s or must-haves to get your writing each day?

I’m not nearly as anal about that as I used to be, before I returned to work full-time. I am very aware that I have little time to waste when I write, and thus must seize whatever opportunities to write show up. But if pressed, coffee. I can’t write unless I’ve had coffee when I got up.

I think this is all of them, but I could be wrong.

Every Day I Write the Book

Okay, that’s technically not true. I don’t write fiction every day, and I don’t work on a book every day. I generally don’t count the blog as actual writing, but it is writing, I suppose, so I do write that pretty much every day. But I’ve never included the blog in daily word counts or anything; just as I wouldn’t (and didn’t) consider emails, text messages, and social media posts as being part of the daily production output (although I suppose I should; I estimated how many words of blog I’ve done since starting this nineteen years ago–twenty in December–and it was a staggering amount, especially since it was probably dramatically under-counted), and never will.

I do think about writing fiction every day, even the days when I am so exhausted and brain dead I don’t think I’m capable of much of anything creative. I am always thinking, and it’s very rare that the brain turns off, unless I go to sleep (thank you, sleeping pills!); as long as part of my mind is awake and alert my mind will eventually wander into creative thinking. It’s just how my mind works.

During the Bold Strokes Book-a-thon last month, I was on a couple of panels, and as usual have decided to turn the questions sent by the moderators as the basis for self-promotional posts. It has been a hot minute–I’ve not done a hell of a lot of promotion since the surgery knocked me off my tracks for a few months–and while I know many other books have come out since and the Greg has a new book excitement amongst my readers has already died down long since, but what the hell, right? I’m nothing if not a narcissist (or have, at best, some narcissistic traits at any rate), and let’s face it, one of my favorite subjects is ME, so why not? No one has to read these self-promotional posts, either. Just scroll on by, if that’s how you feel; my feelings will not be hurt in the slightest, and I no longer have the anxiety of oh my god no one likes me how can I make everyone like me?

Thank GOD.

This is from the Prolific Authors panel1.

How do you ensure that your latest work is not similar to something you have written before? Can you even remember everything you have written before?

After the eighth (?) Scotty book, someone on social media commented on one of my posts asking how many car accidents has Scotty been in? I’d never really thought much about it, but in that moment I realized quite a fucking lot, and that doesn’t include my other, non-Scotty books, either. I realized that I had been in a car accident in 2008 (the first in decades, and I wasn’t at fault) and my car was totaled. It was so weird, and so different from anything I’d ever imagined being in a serious accident like that would be; it took me days to get the taste of chemicals from the airbag out of my throat and my voice was scratchy and husky for about a week or so after. So, of course, I wrote about it in my next book…and then I think I started having a car accident in a lot more of my books. There was also a car accident in one of the earlier Scotty books–Jackson Square Jazz–and so…I didn’t put one in Mississippi River Mischief.

I had never truly worried about repeating myself until that moment of oh my God do I have a car accident in every book? And so now, I try to be really careful. Am I just rewriting a scene I’ve written before? Scotty is on book nine now; I don’t think it’s feasible for me to sit down and reread the entire series every time I am about to write another one. I have always intended to make a Scotty Bible–what all the regular characters look like, their relationships to each other, where they live, little tidbits I’ve dropped over the years that are clues to their personalities–so that I could verify the information in the series and not have to go looking for it (because I am nothing if not lazy, so I’d put it off and forget it and then realize it’s too late to change that now! FUCK!). I also should go back and outline the books, too–just to have something easy to reference when writing another one.

Since I write more than one series and I also write stand-alone novels, I just realized I should probably do this with all of my books…but I am way too lazy to ever get that done. So I will go on trusting my brain and my memory…which is clearly a mistake!

When naming your characters, do you completely avoid names which you have used in the past or do you feel that the characterization alone is enough to differentiate?

I have names I always fall back on–I also tend to like names that start with L’s and J’s for some reason–so I have to be careful with that. I don’t keep track of all character names I’ve used, and I suppose it’s possible that I could “recreate” a character with a name I’ve used before, and even make them the same…but I also re-use characters; they cross over from series to series and back and then to the stand alones. When I was writing Death Drop, I was originally going to have Blaine and Venus be the cops; they were the cops in both of my previous series with a gay male protagonist, so why not keep expanding my New Orleans universe? I eventually changed my mind–I don’t know why, really, or remember, which is probably a more accurate statement–and changed the names; I think I wanted to differentiate the Killer Queen series and make it more distinct from Chanse and Scotty.

I’m worried more about creating characters that are similar to others I’ve written about more so than the name. I was thinking about starting another series–one with a true crime writer as the main character, and he’s already appeared in both the Scotty and Chanse series; I even had an idea for the story. But when I started creating him, I began to realize he was like a mash-up of Chanse and Scotty, so I abandoned the idea. Now that I am thinking about it again, so what if their backgrounds are similar? He’s nothing like either one of them, and it was a good story idea, so…you never know. I try not to ever conclusively rule anything out. I even think about bringing Chanse back every once in a while.

A question I’m sure most of you have received—do you ever worry that you will run out of ideas?

That’s the least of my concerns. I am more worried I won’t live long enough to write everything I want to.

After all these books, do you still enjoy the writing process?

The primary goal of my life has always been to try to surgically remove anything I don’t enjoy from my existence. I am very blessed in that not only do I get to write and tell my stories and people want to read them but I also have a day job that I enjoy and can feel good about the work I do there. So, the only way I would ever stop writing if I stopped enjoying it, and I can’t ever see that happening. Sure, I’ve had times where I had to step away because of burn out or exhaustion, but I always knew it was a break and I would come back to it again. It’s been difficult for me since my surgery in November to get back into it, but I am making progress. I love writing, and am so grateful this childhood dream came true.

  1. I used to bristle a bit when people called me prolific; I just love to write. But I finally stopped that nonsense and accepted the descriptor when I hit my tenth book…which was over thirty books ago. If that’s not prolific, I don’t know what is. ↩︎

Rosanna

As a general rule, it’s safe to say I shouldn’t speak publicly at any time of any day before noon. That said, I had to moderate a panel about satisfying endings yesterday morning at ten a.m. my time, and Constant Reader, I didn’t stress out before hand like I usually do; the anxiety making the experience unpleasant and the lead-up to it really awful, with upset stomach, sweating, racing heart and nervous energy. However, I was calm this morning and went into the panel with a relatively stress-free mentality, with no physical reaction and no anxiety, and you know what? It was kind of marvelous. (It does help to have marvelous panelists, which I did have.) I had also slept well the night before, which helped, and I managed to get up and eat and have plenty of coffee and got some things finished around here before I had to sign into my first ZOOM session (there were two others later on, but I was merely a panelist and therefore no pressure even if I wasn’t properly medicated now). It was cold, of course, for New Orleans–I could feel that chill right through the floor and through the windows of my workspace–but nothing unbearable for sure.

I was exhausted yesterday once I was finished with the Book-a-thon; I sat in my chair and streamed Brideshead Revisited–which really didn’t need to be a mini-series, I am thinking, because it eventually gets a bit tired and boring–but I certainly can see why Saltburn reminded people of it. I’ll probably watch some more episodes this morning before Paul gets up, but the homoeroticism is definitely there, and I also see the similarities between Sebastian and Felix, although Charles and Ollie are very little alike. I did keep falling asleep in my chair, and finally went to bed, feeling tired and exhausted, around eight (!). But I feel very rested and good this morning–I did feel a little wrung out to start the day yesterday–and so this chilly morning in New Orleans I am up early and trying to get things done around here.

I did enjoy the Book-a-thon, but I am unused to doing things like that on Saturdays and I also had to get up early so I could be lucid for the panel I had to moderate. I met some awesome new-to-me authors whose books I am now looking forward to checking out–I actually bought some of them during the panels by using my phone, which the camera couldn’t pick up–and I also think I may spend some time reading this morning as well. I think my next book is going to be Lina Chern’s Playing the Fool. Lina was one of my panelists for that humor panel at Bouchercon I had to fill in on at the last minute (seriously, one of the best panels I’ve ever been on), and she has recently been nominated for the Mary Higgins Clark Award and a Lefty! I’ve been wanting to read everyone on that panel’s books ever since that panel, and I’ve already gotten to J. D. O’Brien’s marvelous Zig Zag.

I also want to do some writing today, and to answer some emails to send tomorrow (I try not to ever send emails on the weekend; emails beget emails, and I don’t like spending my time on the weekends answering emails and then answering replies and it becomes an endless Sisyphean task). There’s also filing to do (always) and I still need to do some more clean-up around here as well. But I think most of the big chores (laundry, dishes) are done other than the floors, and I really need to stop being so reluctant to do the floors. I actually used to like doing the floors–it really makes a difference as to how clean the apartment looks; likewise, clean windows also make the house look cleaner–but for some reason I don’t really enjoy it the way I used to. I really need to move furniture in order to do it right, and I’ve not really been able to move furniture since injuring my arm last January.

And maybe moving furniture will help me find my sleeping pills.

Sigh.

Okay, I think I am going to rustle up some breakfast and head into the spice mines this morning. Have a lovely Sunday wherever you are, Constant Reader, and I may be back later.

What’s Forever For

It’s cold again this morning in New Orleans, with it around thirty-one this morning as I swill my coffee and shiver a bit here in the workspace. There’s always cold air coming in from somewhere–the windows, the frames, somewhere–so it’s always a bit colder when I’m at my desk than it is elsewhere inside the apartment. I slept really well again last night–still don’t know where the sleeping pill bottle got to, thanks again, Sparky–but I do have a stopgap until I can get that prescription refilled again at the end of the month, and it worked last night. Fingers crossed that it continues to do so until I either find the original bottle or get the refill at the end of the month…

Yesterday was a good day around here. I had my strength PT yesterday morning, which is getting more difficult by the appointment. It really kicked up into gear yesterday, and while I was very happy to make it through the workout without begging for mercy or having to take too many breaks–it was harder than I imagined, but I also refused to get concerned, anxious or worried about the fact I was using only four pound dumbbells for some and a six pounder for others. But the burning of lactic acid in my muscles, while startling at first, eventually reminded me of how good it feels when you do work out, and the rest of my body was screaming to be stretched, exercised and used. I ran a couple of errands afterwards before returning home to my work-at-home chores. I finished watching the first episode of the 1982 BBC Brideshead Revisited, which I’d never seen before and am now watching (and eventually reading the original source material), inspired by Saltburn, and that’s partly so I can write more intelligently about the film, which still haunts me. I cannot remember the last time I was so interested and intrigued by and with a film, which means it’s a good one. It even has me thinking about revisiting The Talented Mr. Ripley, and reading more of the Ripley novels, which I have steadfastly ignored for the most part despite my abiding love for Highsmith’s work (the woman herself not so much…although it is interesting that two of my favorite women authors of all time, Highsmith and du Maurier, were lesbians or had lesbian tendencies).

We also watch Friday Night Heights, as ESPN calls the Friday night SEC gymnastics meets, to see LSU take down Kentucky and become the first team this season to break the overall 198 score mark, which is incredibly impressive. LSU has everything they need to win their first national title this year, but they’re going to have to be mentally tough and keep improving, which they already seem to be doing quite well.

After that, we watched the season finale of Reacher, which was fun if inexplicable; the ability to do all kinds of crazy stunts and so forth thanks to CGI does tend the make things a bit ridiculous as crews are always trying to outdo everything that came before. The helicopter scene was a bit preposterous, but no more preposterous than some of the aerial feats performed in whatever that Tom Holland/Mark Wahlberg treasure hunt movie was last year. (Those scenes always remind me that I wouldn’t survive as I would be so absolutely terrified I would either have a heart attack or a stroke on the spot, if not both simultaneously–you don’t see Scotty ever getting into a plane or a helicopter or anything; the biggest heights thing I ever did with Scotty was in Jackson Square Jazz and there’s been nothing since.)

I also think I am getting to the point where I am going to be ready to really start writing again. There was a lot of inspiration and creative thinking done yesterday while doing some tedious work-at-home chores; which really felt good. I think I may even be able to sit down tomorrow morning after i get up and actually go to town with writing. I am in the process of starting a new Scotty, so the opening is playing in my head; I know the boys will be living in the Garden District while Cooper Construction1 turns the townhouse on Decatur Street into a single family home again with a personal gym on the first floor. I had been thinking it needs to be set in either July or August (Mississippi River Mischief was set in May) and I definitely think it should be Hurricane Party Hustle, the accursed title and story I had to abandon in the wake of Katrina. It’s still a good story, and it could work, even with the difference in time (2005 was a different world than 2019, which is when this will be), then I can do the Mardi Gras book, and then the quarantine book….which will bring Scotty to twelve adventures and then maybe–just maybe–I can think about retiring the character and the series. I am not saying I am going to, but that’s as far out as I have him planned and when I run out of plans is usually when I reevaluate.

I also have some things to do today for the Bold Strokes Book-a-Thon today. At eleven am eastern I am moderating a panel on strong finishes; then I have a young adult panel and a “you’ve written an insane amount of books” panel. That’s probably going to take most of my brain bandwidth today, and when that’s all done I can probably do some chores and maybe do some reading–or watch more Brideshead Revisited.

And on that note, I think I am going to head into the spice mines for the rest of the day. Have a lovely Saturday, stay warm, and who knows? I might be back later.

  1. Yes, this is a shout out to A Streetcar Named Murder, in case you missed it. ↩︎

I Need You

Friday morning and I am up way early for PT this morning. It feels warmer this morning–it’s in the fifties–but it’s not cold in the Lost Apartment, which is nice. I haven’t slept well now for about two nights running. My sleeping pills are missing–I couldn’t find them last night–which means they were probably left out on a counter and Sparky the Demon thought “toy!” and now I have to really spend some time trying to find them. I’ll make it through today relatively okay, I suppose, since it’s a work at home day, but after PT I have a couple of errands and after that I’ll be home for the day. I did chores last night when I got home, so the kitchen isn’t messy this morning and once I get back. here, it’ll be relatively easy to get the downstairs back under control and launch into the weekend. I have events all day tomorrow on ZOOM for the Bold Strokes Book-a-thon, too. Paul didn’t get home until after I went to bed last night, so I spent most of the evening (after doing some cleaning, which was wise and I am very grateful that I didn’t blow it off) playing with Sparky and watching some television. I watched the new episode of Percy Jackson and the Olympians, which I enjoyed, and then watched some documentaries on Youtube about history–mostly Byzantine, with some French and Austrian thrown in for good measure before going to bed relatively early. I did rest–my body feels very relaxed–but my mind never really shut off completely or for long.

The Lefty and Edgar nominations came out this week, and I have so many friends nominated on either or both lists! It’s always such a pleasure to see friends nominated for awards. It’s also a great opportunity to pick out some more great books to add to the list. I am also delighted to see Rob Osler nominated for Best Short Story (a queer nominee with a queer story!) and there’s another queer story nominated for the Lillian Jackson Braun Award, a book I actually blurbed: The Body in the Back Garden by Mark Waddell from Crooked Lane, so yay for a gay cozy being nominated! It always does my heart good to see queer writers being recognized by the mainstream, which is the kind of progress we’ve been wanting to see for decades. The categories for both the Leftys and the Edgars are stacked this year, which just goes to show how deep the bench actually is in crime fiction–and so many great books that weren’t nominated for either.

I blurbed several books this past year that are coming out now, so I want to go back and reread those so I can blog about them–not only Mark’s book but the new Rob Osler, Cirque du Slay and the new Margot Douaihy, Blessed Water. I also haven’t started reading another book quite yet–I was dragging too hard every night when I got home, really, to do any reading or engage my brain as much as I would like.

I think I may need to read out of my genre next, perhaps some horror? Paul Tremblay? Elizabeth Hand? I have so many great books in my pile, which is a delightful problem to complain about, but the struggle is real. How do I decide what to read when there are so many great books waiting for me to escape into? Maybe I should try to read just the books currently nominated for awards? Heavy sigh. Decisions, decisions.

It looks like we are having yet another hard freeze this evening, so hurray for not leaving the house for the rest of the day once I get home this morning. Sheesh.

And on that note, I am going to get cleaned up and head to PT. Have a great Friday, Constant Reader!

I Get Excited

It’s Thursday morning and it’s not as cold as it’s been; it’s barely below fifty degrees, which feels like a heat wave after the last few days. I didn’t sleep deeply last night, but I do feel rested today. I suspect I will hit a wall this afternoon and crash really hard, too. I have to get up early tomorrow for PT before my work-at-home duties, and after that I am hoping to dive headfirst into some writing. Parades are literally around the corner, and that’s going to be ridiculously stressful for me…although it may be interesting to see how my new meds affect parade stress. This weekend is more of the Bold Strokes Book-a-thon, which means I won’t have as much free time as I ordinarily would, either. But I’ve been feeling very clear-headed these days, which is lovely after all that time with my brain clouded and clenched into a fist of anxiety. I’m still not as much on the writing horse as I want to be and need to be, but I am hopeful this weekend I’ll kick back into gear.

I was tired after I made groceries in the cold after work yesterday, so once again spent most of the evening ensconced in my chair with Sparky sprawled across my lap. I watched this week’s dose of The Real Housewives of Beverly Hills, which was one of their most entertaining episodes in a very long time, and then Paul came down and we watched an episode of Lupin, which I am really enjoying, and now I kind of want to read about Arsené Lupin, too. Le sigh. So much to read and so little time.

Remember yesterday when I talked about how Tuesday I had kind of spiraled, despite the new medications? I just figured that sometimes it just might not be strong enough to do the trick or something. Anyway, so yesterday morning I didn’t have time to take my daily morning meds so I put them in a little plastic container and brought them to work with me. Around noon I went into my backpack and saw the little plastic container, and thought oh, I forgot to take them I’ll do that now but just as I swallowed them I saw another plastic container on my desk and realized I had taken the pills for the day already, but clearly had forgotten them in my bag on Tuesday…and it all clicked into place. So yes, I took a double dose of everything yesterday and I was in a great mood by the time I left the office to make groceries in Mid-city. But by the time I got home and unloaded the car and put everything away while also being out in the cold? Ugh, exhausting. I did finish folding a load of laundry and started doing another load I’ll have to finish tonight–along with the dishes; I want to clean the kitchen as much as possible so I don’t have to do any of it tomorrow or over the weekend. I also will have to swing by the postal service on the way home tonight, but that’s my only errand so I should be home relatively early and thus able to get those other chores done, possibly some reading, and even some writing in addition to quality kitty time. I’ve become quite attached to Sparky since he came home with us a few months ago. My arms and legs and chest and back are covered in scabs thanks to his Freddy Kruger-like claws, but that’s fine. I used to call Skittle Satan’s Kitty for much the same reason. I do love that he likes to sit on my shoulders, which is very cute. It’s also kind of fun to wonder what kind of havoc he hath wrought in the apartment every day when I come home–and it’s getting better every day. I think maybe that has more to do with me being better about leaving things out on counters and surfaces instead of him learning anything–he really doesn’t–but I’ll take it. The apartment is also slowly starting to come back together, too.

Last year was a bit of a whirlwind. Lots of ups and downs and a lot of brain frying, to be completely honest. It’s difficult sometimes to remember when you’re going through tough times that–hard as it is to see while you’re dealing with it–that eventually you’ll see what you learned from it. Sometimes I do need to be hit in the head with a sledgehammer, but eventually I do see it. What does 2024 hold in store for me? I don’t know. I don’t even want to hazard a guess!

And on that note I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll see you again later.

Get Up and Go

Sunday morning and the temperature is falling in New Orleans. It’s forty-one right now, which is nothing compared to what people up north are dealing with today, but we are getting down into water-freezing temperatures later this week. I slept for eleven hours last night, which is insane, but…my guess is I needed the rest. I didn’t get up until nine this morning, which is almost as insane as the weather. It’s amazing what a difference the right medications make, isn’t it? Yesterday was actually pleasant. I did some things, ran some errands, and then settled in to watch the LSU Gymnastics meet, which was a quad competition against three of the best teams in the country–UCLA, Oklahoma, and Utah–and the LSU team actually had to count a fall and still managed to come in second. They also had a subpar vault and beam rotation, which makes it even more amazing. GEAUX TIGERS! I also spent some time reading–which I am going to go do some more of once I finish this–and even wrote a little bit yesterday (a very little bit). But tomorrow is a holiday, and I have more chores and things to do today, without anything really to watch on deck.

It’s very nice to get up and feel rested, which happens more frequently these days.

I did a reading for the Bold Strokes Book-a-thon yesterday, with some other mystery writers from Bold Strokes, which was kind of nice. Mary Burns, who moderated the reading, also asked us all how we plan our books–essentially the plotter/pantser question–and it did make me think a bit about my process, how I do things. I write Scotty books differently than I write other books, fo one thing. I always think up three or four things that I want to address in a Scotty book, and from there I try to figure out how to weave them together into a story. This started with Baton Rouge Bingo–prior to it, I pretty much just pantsed the whole thing and figured it out as I went. I was asked on a panel at Saints and Sinners after Who Dat Whodunnit if I planned on writing another Scotty book, and I flippantly replied “if I can figure out a way to make the book about Huey Long’s deduct box, Mike the Tiger (the live LSU animal mascot), and the state’s ban on gay marriage, I will”, figuring as I said it there was no way anyone could write a book with all three elements in it. Three days later it all came to me how to make that actually work, and so I started writing it. For Mississippi River Mischief, there were several separate things; I wanted a family values politician hypocrite who had a thing for teenager boys, a tie in to The Haunted Showboat, and something from Scotty’s own past that he’s never really reexamined before, but has to because of the events in the book. It took me a while to figure out how to deal with the characters’ response to the events of Royal Street Reveillon–I could hardly pretend those things didn’t happen, after all–but eventually it all began to fall into place. I ended up with a book I was very pleased with, and probably one of the best books in the series. I’m not sure what Scotty is next, but I know it’s going to take place while the building on Decatur is renovated and redone as a single family residence, the boys will be living in the dower house–Taylor will be living in the Diderot mansion because there’s not enough space in the old dower house for all four of them. I think this is going to be the hurricane party book, which I am kind of reluctant to write because the last time I decided to write that story was right before Katrina. But I am going to start figuring that one out a bit, see where we can go with it. I do think a crime story set during an evacuation, with the city emptied, is an interesting idea, so I’ll probably write some free form brainstorming the way I always do. I’m kind of excited about writing another Scotty book this year.

There are also some short stories I want to get under control and finished and submitted.

But once I finish this, I am going to my chair with my journal and Tara’s book, so I can hopefully get that done today. I also have chores to get done–the kitchen is sliding again–and here’s hoping for a productive Sunday, okay? Have a great one–I may be back later.

Pledge Pin

It is very bright and sunny this morning; it was in the seventies yesterday but took an alarming dip over night. It is currently forty-three degrees outside, with a forecast of a high of merely fifty-six. The weather? She is bipolar in New Orleans in the winter, and we never really know what to expect from day to day. I’ve also realized that my mom also became obsessed with the weather when she was older, and I now check it every morning when I never really did before.

I had thought I had more to do today with the Bold Strokes Book-a-thon; but I was wrong–it’s next weekend that I have three panels on Saturday. Today is just a reading, and I’ll be reading from Mississippi River Mischief, of course, since it’s my most recent release from them. Other than that, I’ll be spending the day cleaning up and writing and doing things around here. I did get a lot accomplished yesterday–not as much as I had hoped or wanted, of course, that never happens–but I feel better about things around here now than I did before. I think I still haven’t gotten my stamina back yet, which is going to probably take a hot minute anyway right? I start strength PT on Monday, which should be exhausting. I did sleep really well last night, which was terrific; I really cannot get used to sleeping so well every night. I mean, I can, but feeling so rested when I get up every day rather than tired and groggy has been marvelous.

I spent some time with Tara Laskowski’s marvelous The Weekend Retreat last night and will definitely try to finish it today, if I can. It’s quite excellent, and is kind of a master class in both point of view and how to structure a novel. There are three point of view characters (four, if you count someone who is merely identified as “the weekend guest”), and the three women she uses are very different and the voices she’s created for them are distinct and unique. It’s very well done, and it also follows the structure of four that I’ve often noticed in novels–three that are in the same generation and whose lives are entwined, along with another who is not (Valley of the Dolls, Peyton Place, The Best of Everything, Class Reunion)–the list of books that follow that plot structure are countless, and something I’ve always wanted to write about. Anyway, Tara’s book is terrific and I am looking forward to spending more time with it this weekend.

We also watched this week’s Reacher last night, and we’re both a bit amazed at how different this season is from the first; but the books often were very different from each other. Sometimes they were intimate stories, sometimes they were action-adventure romps with very high stakes. Alan Ritchson is simply perfect as Reacher, and he has a very strong supporting cast in the season, but the dialogue is a bit hackneyed, cheesy, and clichéd at times. The action sequences are fantastically shot and choreographed, though, and the story is pretty good.

I also started watching the original BBC miniseries of Brideshead Revisted, which I’ve never seen, and I also got a copy of the book, which I’ve never read…but have become more interested in them both since watching Saltburn and seeing it compared to Brideshead. I’ve been sorting my thoughts on Saltburn since watching and enjoying it, which means it obviously had an impact on me and stimulated me intellectually. It’s been a long time since I’ve seen a film that has engaged my mind and my knowledge of film and novels so thoroughly.

Sparky also wreaked havoc on the kitchen again last night while I slumbered, so there’s some picking up that needs to be done, and since the kitchen will again be the background for my reading, I should probably work on clearing the counters and the dishes and all that; of course, I imagine Sparky will make an appearance during the reading, too, since he is very determined and doesn’t take no for an answer (at least for the first five or six times he is told no).

I also need to run a couple of errands today so I won’t really have to leave the house again other than PT until Tuesday morning. I love when I don’t have to leave the house, seriously. To me, that’s the real appeal of retiring–not having to leave the house every day.

Hmmm.

And on that note, I am heading into the spice mines. Have a marvelous Saturday, Constant Reader, and check out the Bold Strokes Book-a-thon if you have time!