When I See You Again

It’s a work at home Friday and Paul is getting ready to head out to the airport. Heavy heaving sigh. While alone time is something I can always appreciate, it doesn’t take more than a day or two before I start missing him. But I have a lot to keep me busy, so if I just focus and work my way down the to-do list, I should be able to keep busy enough to not miss him while at the same time getting a lot of things done–always a plus, especially given how behind I am on this book–but a Gregalicious at rest tends to stay at rest, so the big thing for me is going to be staying motivated.

Ugh, I hate when Paul goes away.

I was tired again yesterday when I got off work and came home, so spent some time organizing and doing mindless chores once I got home until Paul got home from work. By the time he’d gotten home I’d already finished the chores and given in to Scooter’s demands for a lap to sleep in, and was watching the latest iteration of ESPN’s show Saturdays Down South, which of course is a history of the Southeastern Conference. This episode was for the decade 2010-2019, and while it naturally focused on the Alabama supremacy, it was fun revisiting some of that football history from that decade: Auburn’s runs in 2010 and 2013 (the “Kick Six” win against Alabama included); the runs for both Mississippi and Mississippi State in 2014 that ended disappointingly but had them both ranked in the Top Three at the same time (until they lost to LSU and Alabama, respectively, on the same day), and of course ending with the incredible LSU season in 2019. Much as I would love to climb on board this year’s LSU hype train, I’m reserving that excitement until a week from tomorrow. Alabama is the stumbling block as it always is (only one national champion since 2006 was able to claim the title without having to beat Alabama–hence The Alabama Supremacy), and even the game being in Tiger Stadium means nothing. LSU has beaten Nick Saban exactly four times (2007, 2010, 2011, 2019) with three of those games being in Tuscaloosa. LSU hasn’t beaten Alabama in Baton Rouge since 2010–twelve years.

So, yes, I am a huge LSU fan but I am also realistic. I’ll be cheering for the Tigers, you bet, and I want them to win…but I am not expecting them to win. I am hoping for it to be a great game.

After Paul got home we caught up on American Horror Story: NYC, which weren’t as interesting to me as the first two episodes. In other words, as we get deeper into the season the plot is beginning to derail a little as so often happened with seasons of the show. However, since the story is set so strongly in the gay community of the early 1980’s, I’ll keep watching. I somehow always manage to keep watching this show (Double Feature we bailed out of during the aliens second feature; we also gave up on Hotel but somehow managed to watch both Roanoke and Apocalypse all the way to the bitter end) despite how far off the rails some of these seasons inevitably wind up going–it’s the completist in me, I think–although I feel pretty confident we’ve also given up on A Friend of the Family as well. (Paul: “This could have been a two-hour movie; it didn’t need to be an ongoing series.”) I am now at a loss for what to watch with Paul gone–I can’t watch anything we’re watching together, or something we’d watch together–but I think I am going to revisit the latest Nancy Drew series; I watched the debut episode and kind of was intrigued by it, but Paul wasn’t interested so never went back to it. I checked yesterday and was stunned to see three seasons have aired, which is cool. I hope The Hardy Boys also gets another season, in all honesty; I enjoyed the show. Having grown up on the Hardy Boys and Nancy Drew, I am always interested to see how the characters/stories get adapted for a modern audience (and belonging to several fan groups on social media for the books is equally interesting, particularly in how imprisoning and limiting so many people can make of nostalgia for something from their childhoods), just as I was interested in seeing Riverdale’s approach to the Archie characters.

I wound up going to be relatively early as I started falling asleep in my chair while watching AHS: NYC last night (I will probably have to rewatch the latest one because I kept dozing off; I also rewatched Andor last night for the same reason before Paul got home). I also got a new espresso maker yesterday which I am dying to try out this morning. I also want to finish my reread of The Haunting of Hill House before moving on to something by Paul Tremblay. I didn’t do well with my “October horror reading month”–I didn’t read very much this month at all, which is shameful, especially since I got Wanda Morris’ new book this week as well–can’t wait to dig into that.

Sigh. Am I being overly ambitious with my plans to get things caught up while Paul is out of town? It’s entirely possible, and I could possibly be setting myself up for a terrible disappointment, but there it is.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I will check in with you again tomorrow.

Skies the Limit

I finished my reread of ‘salem’s Lot (entry to follow at some point) and really enjoyed it, as much as I have every time I’ve reread it. It’s a marvel that the book was King’s second published novel, and while yes, it was, like Carrie, horror–but it was a completely different kind of book, in style, tone, voice and structure. How can anyone have read King’s first two books and not seen the rise of a major new force in publishing? The pacing is stunning as well; the first act is kind of charming and meanders here and there, introducing us to the characters and the town as well as letting us know something bad is coming, and it just keeps picking up steam, faster and faster, until the last hundred pages or so just fly. The ending was left open to a sequel–I remember reading once that King had written the opening of a sequel, or had the idea or something–but it never happened.

Probably just as well.

I also started my reread of The Haunting of Hill House and as ever, am completely captivated by the power of that first chapter and Shirley Jackson’s writing style.

Yesterday’s LSU game was quite fun, if stressful. As always, they got off to a relatively slow start by playing a little loose and sloppy at first; early in the second quarter LSU fell behind 17-3 because of miscues and mistakes–it easily could have been 17-14–but then the team found it’s rhythm and went on a 42-3 tear against a 7-0 6th ranked Mississippi team (who, to be fair, really hadn’t played the meat of the schedule so far; their biggest win had been Auburn, who is floundering this season) to win the game handily 45-20, and to look pretty impressive while doing so. The last time Mississippi came to Baton Rouge 7-0 and in the top ten (#3, actually) was in 2014 when an underachieving LSU beat them 10-7 (apparently, LSU is 1-5 against Mississippi when they are ranked in the Top 10–is it any wonder they hate us so? Add in to that the fact that LSU’s most legendary and iconic play of all time–Billy Cannon’s Run–was against them, and you see where their antipathy comes from. I’ll be the first to admit, I wasn’t a fan of Brian Kelly’s or his fire, but he is 100% turning this program around from the depths of the last two seasons and it’s entirely possible LSU could go 9-3 this season–maybe even 10-2 (I daren’t to dream yet; a win over Alabama this year seems almost too much to hope for; but if it happens Brian Kelly will immediately be crowned King of Louisiana) but hearing people talking about SEC titles and play-off games this year seems to be a bit premature–but watch out for LSU next year. Jayden Daniels is really quite a player–I wasn’t completely sold on him, either, to be honest, but he’s really turned out to be quite the player; fun to watch, and getting better and more seasoned and acclimated as the season goes on. Seriously, next year LSU will be a contender for sure.

And yes, it’s petty, but I also kind of enjoyed that Texas A&M lost to South Carolina last night, and good for USC, really (I started to write “good for the Cocks” because I am ten years old; but in fairness they call themselves the Cocks). Petty because they wanted Jimbo Fisher at LSU, and now having seen what he can do with all the money and resources behind him at A&M? Yeah, glad you chose College Station instead of Baton Rouge, Jimbo. Have fun with the Aggie alumni, and let us know how that goes. I can’t believe they wanted him so bad that his buy-out had no restrictions…they are either going to be stuck with him for a very long or getting him out is going to be extremely costly. Again, oh, well, too bad so sad. You had some success at Florida State, but they were already circling the drain before you bailed on them, Jimbo…and this is yet another year A&M won’t be in the SEC title game. Oh, well.

Another rather interesting football season. Tulane also won, so they are 7-1 now, too. Good on you, Wave!

I feel very rested and relaxed this morning. I was stressed during that first quarter of the LSU game, so rather than sitting in my chair stewing in my worry and letting myself get worked up (I literally sometimes get so into games that I have to remind myself, Dude, it’s a sporting event, not the end of the world) so I decided to use that nervous energy to clean the house and work on the book while I watched the game. I planned some of the next act of the book, so I can get some chapters written in the meantime, and I also pruned the books; did some more laundry; did the dishes; and cleaned the floors. I also did some filing that needed doing. Paul had some errands to run in the afternoon–he didn’t check the game time when he made appointments–so he didn’t get home until the fourth quarter, and then we watched the short programs from Skate America, which I’d recorded. The young American “quadgod” Ilia Malinin is definitely a rising star, as is Isabeau Levito, the young American woman who looks like she’ll be our best and most successful since at least Sasha Cohen, if not Michelle Kwan (although achieving more than Kwan is unlikely for any other skater). Today there’s not a Saints game, and I am going to finish this and do some things before diving deep into my book to get it going again. Paul will be gone next weekend, and LSU is on a bye week, so I have literally no excuse next weekend for not being highly productive and getting caught up on things–I still have to empty the dishwasher and fold clothes; and I want to make white bean chicken chili today as well–it’s getting to be soup and chili season in New Orleans, and I do love this time of year and would even more if it didn’t get dark so early.

I’m glad I feel rested this morning, to be sure. Hopefully I will be able to motivate myself to work my way down and through my to-do list. But I am not getting there by doing this, so I am going to bid you farewell now, Constant Reader, and head back into the spice mines.

Everywhere

Saturday morning in the Lost Apartment and all is well this morning. I slept in a bit (I also went to bed later than I usually do, so I slept about the same amount, really) and feel rested and relaxed this morning, which is always a nice, pleasant thing to feel. I didn’t get much work done on the book yesterday (355 words, all of them bad except maybe “Scotty” and “Frank” and “Colin”) but that’s okay; I feel a lot less stressed and a lot less pressured this morning about everything that needs to be done now. The stuff all needs to get done, of course; that hasn’t changed, but I am not feeling as much stress about it as I was feeling yesterday.

I read more of ‘salem’s Lot last night while I was waiting for my friend Ellen Byron (buy her books! Bayou Book Thief is amazing!) to text me to meet her for a drink. I picked her up at the Sazerac House (Canal and Magazine) and it had been quite a while since I drove down that way in the evening, and yikes. SO much traffic, so many people everywhere. I’m still not used to pedestrians in the CBD at night, even though the area hasn’t been a ghost town at night in years, but then we swung around and came up to have drinks at St. Vincent’s, which has been renovated and redone and remade and turned into a boutique luxury hotel right here in the heart of my neighborhood. I’ve posted some pictures of the place when I was doing my walks through the neighborhood last year; it’s even more beautiful inside than I imagined. These weekend is Tulane Homecoming, so there are a shit ton of people in town (that’s actually what brought Ellen to New Orleans, in fact; she is an alum) for that, and of course the people from Mississippi here for today’s LSU game in Baton Rouge (Geaux Tigers!). It was lovely to sit and have a drink and talk about writing and books and this crazy business we are in; she’s an absolute delight (buy her books!) and I look forward to the next time I get to see her.

But this morning I realized how utterly I am failing at reading. October is winding down; Halloween is a week from Monday, and I still haven’t finished my reread of ‘salem’s Lot, let alone done my annual Halloween reread of The Haunting of Hill House or getting caught up on the horror novels in my TBR pile. I’ll spend some more time with Mr. King this morning before I run my errands–I have to go get the mail and I have to stop at the grocery store because I want to make white bean chicken chili tomorrow, and have nothing I need for that–and I am debating whether I want to grill burgers today or not. The LSU game is on today at 2:30, and of course Skate America is airing this weekend (yay for figure skating!) so I’ll have to write around those times.

The reread of ‘salem’s Lot is a lot of fun, actually; I am really enjoying this revisit of the book and seeing why I enjoyed it so much the first time around. King wasn’t STEPHEN KING yet when he wrote and published it, so I am sure it didn’t get the kindest reception from critics of the time; particularly when you take into consideration what they considered to be great writing back then. I don’t remember when it was that the Literati changed their mind on Stephen King, but I do remember how he wasn’t taken seriously as a writer by them for a very long time (he writes horror! He’s too prolific to be a real writer!), and some of his best work was already behind him by the time he got the anointing he deserved for a very long time. I mean, he had quite a run, and quite a varied one at that, before he finally published a book I didn’t like (The Tommyknockers, for the record) and it seemed an aberration as he seemed to climb back on the horse and right the saddle in the next one after that. I love how many points of view he uses in ‘salem’s Lot, giving us little glimpses of fully realized characters and their lives to show us human beings so that when they actually wind up becoming vampires, you do feel a sense of loss. Many of these minor characters are objects of sympathy, while others you just kind of shrug when the vampires come for them and think, well, you were a shitty person anyway, oh well, this is justice of a sort. The scene where Mike Ryerson has to finish burying the coffin of Danny Glick is one of the most terrifying scenes I’ve ever read, and it still holds up today. I like how King gets into the point of view character’s head and gives them a voice–which is still King’s, but different from the other voices he uses–and that sort of structured stream of consciousness is something I really like and enjoy reading; I sometimes use that style in my own writing.

(I started to write something self-deprecating, but am proud of myself for catching it and not doing it. Progress.)

And on that note, I am going to head into the manuscript and do some cleaning before the errands are run. Have a lovely day, Constant Reader, and I will check in with you again later or tomorrow.

Only Over You

I do love researching Louisiana, even if and when it leads me down a rabbit hole as it always does. I’ve been trying–and it really isn’t necessary–to find out of you can actually leave the New Orleans metropolitan area without crossing a bridge; I-10 east and west require bridges (west is the wetlands/swamp alongside Lake Pontchartrain, going east you cross the lake) and of course the Causeway to the North Shore is also a bridge across the lake. Obviously you need a bridge to cross the river (there are two, the Crescent City Connection and the Huey P. Long Bridge), which leaves the old River Road, which for years was the only way into or out of New Orleans without crossing a bridge as it follows the levees up the river to Baton Rouge. I’ve never actually taken the River Road so I can’t swear that there are no bridges on its path alongside the river going north; I’ve been trying to get the answer by using Google Maps and Earth rather than taking the time to drive all the way out there and see for myself. The trick is, of course, the Bonne Carré Spillway; according to the maps the road is inside the spillway, so if the spillway is opened I believe New Orleans would have no dry land exits in any direction. I want to include this in my book, but…I also don’t want to have to take the drive to find out for sure, either.

And if I get it wrong, of course I’ll hear about it.

I am back into the office on a Monday for the first time in a very long time; I feel good this morning. I woke up long before the alarm and stayed in bed until the alarm went off, but I do feel remarkably rested all the same. We’ll see how this shift in work days feels later in the week, won’t we? But so far it feels good.

The Saints did win yesterday; for some reason I thought the game was last night instead of in the afternoon so I was reading in my chair when Paul came downstairs and mentioned that the game was on and it seemed like an exciting one–so I tuned in just in time to see the closing two minutes of the Saints’ second win on the season. I’m glad, though, I didn’t watch–from all reports it sounded like the kind of exciting and thrilling game that is inevitably an emotional rollercoaster, and after the disastrous LSU game on Saturday I don’t think I could have handled a close, exciting Saints game on top of it anyway, so it was just as well. I did get some writing done yesterday–nowhere near as much as was necessary and needed, so yay, still behind! Woo-hoo!–and then we watched our shows last evening. I enjoyed the new episodes of The Serpent Queen (now deviating from the actual historical story), House of the Dragon, Interview with the Vampire, and an episode of The Midnight Club (which, interestingly enough, is turning the stories the terminally ill teens tell each other into adaptations of other Christopher Pike stories, which is really clever) before retiring to bed relatively early last evening.

Ugh, just looking at my inbox is giving me the vapors. Hopefully I’ll make some good progress on that as well as my to-do list; which I made last week and nothing is crossed off of it, which doesn’t bode well for me or anyone or anything for that matter. But here’s hoping I can start making progress tonight or tomorrow.

Watching Interview with the Vampire, as well as rereading the book, has sent me down some mental wormholes as well. I actually wound up digging up copies of my vampire writings from the past (for teh record: the novellas “The Nightwatchers” and “Blood on the Moon,” and my novel Need), which aren’t terrible (I really need to stop defaulting to all my old work is terrible because it’s not); I had in fact forgotten a lot about them, to be honest. I just read the beginnings of all three to get some sort of idea of what I had done and was like, oh, wow, I didn’t remember this character or I’d forgotten this was set during Carnival and so on. So I am hoping that rereading them won’t be painful and will remind me of some other things that I wanted to work on; I was always disappointed that I never got to do a follow-up to Need–I’d created what I thought was an interesting paranormal mythology that I really wanted to explore more, but never got the chance.

Maybe when I retire?

And on that note, I am heading into the spice mines.

Baton Rouge Bingo

Ah, Scotty–the series that will never die.

It never ceases to amaze me the way this series has been embraced by readers, or that twenty years after turning in the first one here I am writing the ninth (or it is the eighth?) volume. It just goes to show that trying to come up with a plan for your writing career (at least in my case) is a fool’s game. Revisiting my work the way I have been recently–in part because I am writing another book in this seemingly endless series–has also reminded me of plans that have gone awry over the years; things I was trying to do with my writing and the series and the stand-alones that somehow got lost in the shuffle of trying to make a living while trying to be a writer at the same time as well as balance volunteer work, editing, and my relationship and my responsibilities around the house; and sometimes wondering if maybe I shouldn’t revisit and/or revive those plans. I’d like to get a lot of projects I’ve been thinking about for years or have in some sort of progress finished at long last before I come up with anything new–the problem, of course, being that there’s always something new poking its way out from the deep dark corners and recesses of my creative mind.

I famously said on a panel at Saints and Sinners, when asked about the potentiality of another book in the Scotty series, that if I could “think of a way to include Mike the Tiger from LSU along with Huey Long and his deduct box, I would” and of course, a few days later it struck me across the face like a bitch slap from Joan Crawford as Mildred Pierce, and so I started making notes as the story started forming in my head.

I’d been wanting to write about Huey Long ever since I’d read the T. Harry Williams oral biography, Huey Long, which won every award on the planet back in the early 1950’s when it was originally published. I’d been trying to sort out fact from fiction when it came to Long for quite some time by the time someone recommended the Williams volume to me; I was very interested to find out what the actual truth about Long was, separated out from all the noise. I knew about the Kingfish from my US History text book, which devoted an entire paragraph to the “most dangerous politician in American history, the demagogue from Louisiana” without getting into much depth about his rise, what he did, and why he was so reviled.

The GPS in our brand new Explorer announced that it was about ninety miles to Baton Rouge from New Orleans when Frank punched in the coordinates into it before pulling away from the curb at the airport.

I stifled a laugh. It might only be ninety miles, but to a New Orleanian it’s like being sucked into a wormhole and winding up in another dimension.

Of course, New Orleanians are horrible snobs about the city’s suburbs, always making snarky jokes about needing shots and a passport to head over to the West Bank or out to Metairie, so it should be no surprise that we also look down our noses at the rest of Louisiana. We act like there’s no intelligent life outside of Orleans Parish; nowhere decent to eat, no art or culture to speak of, and certainly no one we’d want to associate with could possibly live out there. It’s not true, of course—but we like to pretend it is.

As my Louisiana History teacher at Jesuit High School once sniffed contemptuously, “President Jefferson offered Napoleon $10 million dollars for New Orleans, and for an extra five million he threw in the rest of the continent west of the Mississippi.”

Needless to say, this snobbish disdain for the rest of Louisiana was hardly endearing—which quite frequently means New Orleans gets screwed over by the state legislature.

So, when Frank first mentioned this trip to Baton Rouge, I reacted the way any true New Orleanian would. I scrunched up my face like I’d smelled something really awful and said, “Ew. Do we have to?”

He rolled his eyes. “Yes, we do, and we need to buy a new car.”

This was even more horrifying to me than going to Baton Rouge, to be honest. I hate to drive—I always have. I don’t even like riding in cars. Given the way people drive in New Orleans, it’s understandable. Most drivers in New Orleans don’t use their signals, ignore street signs and traffic laws if inconvenient, and no one here knows how to make a left turn properly at an intersection. It always amazes me that there aren’t more traffic fatalities.

As I had mentioned in my entry on Who Dat Whodunnit, I had always liked LSU; how can you not love a team that actually has a LIVE TIGER mascot? But of course I was always Auburn first then Alabama; LSU was my third favorite SEC team, and after we moved here it kept creeping closer and closer until I only rooted against LSU when they were playing Auburn, which then became I’m happy whoever wins but after Katrina? I went all in on LSU. Paul and I went to our first game in 2010, the Mississippi game, and it was incredibly exciting and I became an even bigger fan; there literally is nothing like a Saturday night in Death Valley, and remember–I’d gone to plenty of college games in my life before that experience, and I thought the Auburn-Florida game in 1993 was the biggest and most exciting game day experience I’d ever had…

…and then I went to an LSU rivalry game at night in Tiger Stadium, and no, there’s absolutely nothing like that experience, anywhere, any time. And I love Mike the Tiger. (every time I go to a game I stop by the habitat to see if he’s out in the yard so I can say hello; he’s such a beautiful animal.) Constant Reader is undoubtedly very tired of listen to me about my LSU fandom and how much I love going to games in Tiger Stadium, but there probably wouldn’t be LSU football as we know it if not for Huey Long. Huey Long turned LSU from a small-enrollment C level state university into what is today, or at least got it started. He’s the reason the stadium is shaped the way it is (he wanted to expand the stadium but there was no money in the budget for it–but there was money to build a new dorm…so he built the dormitory into the stadium. The stadium only stopped being a functioning dorm in the 1980’s or 90’s I believe, and I think there’s a plan to refurbish and reopen the dorm…so yes, Tiger Stadium is the only football stadium in the world that can also serve as a dorm…and the football stadium was used as a staging center for the evacuation of New Orleans after the Katrina flood), and he encouraged the students to raise the money to get a live tiger mascot.

When I was puzzling over how to work all of these elements into a modern-day crime novel, there was a bomb threat on the LSU campus which resulted in an evacuation of the campus. The administration made sure Mike the Tiger was secured and evacuated safely before the general evacuation call, and of course, the students who think football is over-emphasized and prioritized over the university’s primary role as an institute of higher learning (they aren’t wrong, for the record) were furious and outraged that the tiger was giving a priority over the students. I don’t blame them in the least for those horrible optics, but I also understood where Admin was coming from; it was all a part of their safety strategy, and I am sorry, when you have a live tiger habitat on your campus, you kind of have to take that into consideration. Would you want to try to evacuate a tiger during the chaos of a general campus evacuation? How many things could go wrong in that situation? (And the question of whether there should be a live tiger habitat on a college campus is certainly one that should be discussed–traditions aren’t always a good thing–but not in the midst of a chaotic situation and a threat to campus safety. And as I understand it, his team of vets and veterinary students moved very quickly and it resulted in perhaps a fifteen minute delay in the general evacuation call? And leaving him on an abandoned campus was just not an option. So I decided to start my book with Scotty and Frank heading to Baton Rouge, getting caught in the evacuation panic traffic, while Mom is currently being arrested for slapping the state Attorney General. Mike gets kidnapped during the evacuation by a rabid animal rights’ movement, and the leader of the group turns out to not only be from New Orleans but also connected to Huey Long–her grandfather worked for him, and was killed in a car accident shortly after Huey was assassinated.

And at the root of everything is the deduct box. the big strongbox of cash Huey always kept on hand to pay for “unexpected expenses” no one wanted a record of–and I even brought back a villain from the past. I also introduced a new character to the family dynamic: Taylor Rutledge, Frank’s nephew from Corinth County, Alabama (see? all of my books are connected), disowned by his religious rural Southern parents after he came out to them and comes to New Orleans to live with them (I had an eye to spinning Taylor off into his own y/a crime series, but it hasn’t happened yet).

And this book has, perhaps, one of my favorite scenes ever in a Scotty book–when he realizes the bad guys have set he and Taylor adrift at sea…and Mike the Tiger is also on the boat with them (hat tip to Life of Pi).

And having now introduced a new character to the family dynamic, I could hardly call it quits on the series after that–so I knew there was going to be yet another.

Because Scotty will never. ever go away.

Bourbon Street Blues

It’s Southern Decadence weekend in New Orleans.

It’s probably hard to imagine what Southern Decadence is like unless you’ve actually been to it; even the hundreds of pictures I’ve taken and shared on social media over the years can’t even remotely begin to get the concept of what it’s like across–the same as Carnival, really; it has to be seen and experienced to be truly understood. My first Southern Decadence was in 1995, which was around the twenty-second or third time it was held; my knowledge of Decadence, primarily from urban legend and tales told from one gay to another and passed down over the years, is sketchy and probably untrustworthy (if you’d like the unvarnished truth and read about the history, I highly recommend Southern Decadence in New Orleans from LSU Press, co-written by Frank Perez and Howard Philips Smith; I have a copy and thoroughly enjoyed reading it. Alas, my memory isn’t what it used to be, but the story is it began as a bar crawl for a friend who was moving away, and grew from those humble beginnings into a massive event that draws queers from all over the world).

That first Decadence I came to was also one of the hottest, temperature wise, or perhaps it was simply because I wasn’t used to the summers in New Orleans yet since I didn’t live here. I just remember being in Oz one afternoon and just soaked in my own sweat, and going down the back staircase from the second floor–the staircase that opens out onto the dance floor–and having to hold onto the railing because the steps were slick and wet. The railing was also wet, and when I touched the walls so were they–all the humidity and body heat and sweat–but at the same time it was so much fun. Gorgeous, flirty and friendly men everywhere, everyone scantily dressed and getting wasted and just having a good time. This was during the height of the circuit parties, most of which have died off over the years–there’s no longer a Hotlanta weekend in Atlanta in mid-August anymore, for example–but back then, it seemed like every month if you had the time and the money there was a circuit party somewhere you could fly off to and be yourself and have fun being in an entirely gay environment for a few days. That was, for me, one of the primary appeals of circuit parties and gay bars–they were safe havens for everyone to be out and proud and loud…and after a few weeks navigating the straight world for work and play and life in general…it was lovely to let loose in, for want of a better word, a safe space.

Circuit parties also had their downsides, don’t get me wrong–Michelangelo Signorile detailed some of those in his book Life Outside, which got taken out of context an awful lot–drug use and rampant sex and bad choices also led to other problems, not to mention the spread of HIV and other STI’s; the very first time I ever went to a circuit party–Halloween in New Orleans, 1995–there was a very Masque of the Red Death feel to it; here were all these gay men crowded into a riverfront warehouse, doing drugs and dancing and having a great time while the plague raged outside the doors. I even wrote about that in my diary on the flight back to Tampa a few days later.

But Decadence was always my favorite, out of all of them, and it was something I looked forward to every year. My workouts were always planned so I would hit peak physical condition for Decadence and maintain through Halloween, before starting to work on the Carnival body. It feels weird to talk about it that way, but that was my mentality and my schedule for years. Bulk up for a couple of months, then lean down leading into the event.

I had always wanted to write about Southern Decadence, and I know I’ve written about how I came up with the idea for the book numerous times; standing on the balcony at the Pub watching one of the strippers fight his way through the mob of gay men to get to the Pub so he could work, Paul saying you really should write a book about Southern Decadence and seeing a scene vividly in my head as I looked down at the sea of sweating gay men. I’ve also written about where the idea for the character and his family came from. So what is there left for me to say about Bourbon Street Blues?

The new cover for the ebook edition.

The name’s Dansoir. Dick Dansoir.

Okay, so that really isn’t my name. It’s my stage name from the days when I was on the go-go boy circuit. I started when I was in college, at Vanderbilt up in Nashville. As with almost everything that goes on in my life, I became a go-go boy on a fluke. The Goddess brings interesting experiences into my life all the time. Sometimes I don’t think it’s all that great, to tell the truth, but she always seems to be watching out for me.

I was working out at my gym one day when this guy came up to me and asked me if I wanted to make some easy money.

Like I hadn’t heard that one before.  

I was twenty-one at the time, just turned, but I wasn’t some wide-eyed dopey innocent. I was raised in the French Quarter, after all, and by the time I went off to college at age eighteen I had pretty much seen everything. French Quarter kids have a lot more life experience than other kids their age. You can’t really help it. The French Quarter is like Disneyland for adults, and growing up there, you get used to seeing things that other people can only imagine.

Anyway, this guy said he was a booking agent and scout for this agency that booked dancers in gay bars throughout the deep South. The troupe was called Southern Knights.

“You can make a lot of money this way,” he said to me above the sounds of people grunting and weights clanging. “You’ve got the look we like.”

I looked at myself in one of the mirrors that are everywhere in gyms. I was wearing a white tank top and a pair of black nylon jogging shorts. I was pumped up from lifting, and if I did say so myself, I looked pretty good. I’m only about five-eight—nine if I have thick-soled shoes on. I have curly blond hair that’s darker underneath. The sun does lighten it, but that darkness underneath always makes people think I dye it. I don’t. I have big, round brown eyes. I am also one of those blonds lucky enough to be able to tan. I’d gotten a good tan that summer and it hadn’t faded yet. The white tank top showed the tan off nicely. I also have a high metabolism and can stay lean rather easily.

But scam artists are everywhere. I wasn’t about to fall for a line from some stranger in the gym. For all I knew, it was a trick to get my phone number, or an escort service, or something else I didn’t want to be involved in.

Not that I have anything against escorting. People go to escorts for all kinds of reasons—loneliness, fear of commitment, whatever—but they do fulfill a need in the gay community, and more power to them. I just never saw myself taking money from someone for having sex. I like sex. I enjoy it. So, it just never seemed right for me to tale money for doing something I like.

Besides, taking money for it would make it work. I prefer to keep my status amateur.

I got a copy of the book out yesterday and skimmed/read it again, to get another look and remind myself of Scotty’s roots and beginning. I realized yesterday, as I turned the pages of an ARC (yes, I still have ARC copies of Bourbon Street Blues available), several things: one, that the reason I always hate reading my own work is because my brain is trained to read my work editorially, to fix and edit and correct and look for things needing to be fixed (and I can always find something) and that second, it’s really been so long since the last time I looked at this book–or any of the earlier Scottys–was four years ago, when I was writing Royal Street Reveillon. So, by making the obvious effort to flip the editorial switch off, and having so much distance from the book that it almost seemed like something new to me, I was able to skim/read the entire thing without wincing in horror or pain or embarrassment.

The original cover, which always makes me smile.

Bourbon Street Blues was also the last novel I wrote that didn’t have an epigram of any kind, let alone Tennessee Williams: I started that practice with Jackson Square Jazz with a line from Orpheus Descending: “A good-looking boy like you is always wanted.”

Reading the book took me back to the days when I was writing it. The Greg who wrote Bourbon Street Blues is still here, I’ve just been through quite a bit since then and have changed because of my experiences. There were some sentences in the book I would change now to make better, but there are still some jewels in there, and well, I can kind of understand now why the character is so well-liked. He’s charming and humble and kind; sure he talks about “being irresistible” a lot, but that’s part of the charm. Guys find him attractive. He doesn’t necessarily see it, but is more than willing to accept it and not question it. He enjoys his sexuality and he enjoys having sex. I wanted Scotty to be unabashedly sexual and to have no hang-ups, carrying no stress or issues about being a very sexual gay man.

As I read the book again, I also started seeing something that had been pointed out to me over the years a lot–and began to understand why this was pointed out to me so much; an old dog can learn new tricks, apparently–but I still think other people are wrong. The book isn’t “all about sex,’ as some have said. Rather, Scotty sexualizes men; he sees them as potential partners and appreciates beauty in men. His friend David also loves to get laid, so they cruise a lot–whether they are at the gym (either the weight room or the locker room), a bar, wherever they are–and so people get the idea that the book itself is incredibly sexual, even though there is literally only one sex scene in the entire book and it’s not graphic; Scotty’s weird mish-mash of spirituality and beliefs and values make the act itself a sacred ritual, and that was how I wrote the scene; from a spiritual, commune-with-the-Goddess perspective. It’s also funny in that people are so not used to seeing world through the Gay Male Gaze that it’s jarring, and puts sex and sexuality into the minds of the reader.

The question is, would people think the same if this was done through the Straight Male Gaze, in which women are sexualized? Since this is the default of our society–literature, film, television–is flipping the script to show the Gay Male Gaze so uncommon and so unheard of that it triggers such a reaction from some of the readers?

There’s also so much innocence in the book, and it’s also interesting to see it as a kind of time-capsule: Scotty doesn’t have a computer; his rent (on Decatur Street in the Quarter, with a balcony) is $450 a month (ha ha ha ha, that’s what the condo fee would be now monthly); and he also doesn’t have a cell phone. The whole point of the book was to do a Hitchcockian wrong place/wrong time now you’re in danger kind of story; and that is precisely what Bourbon Street Blues is. I’d forgotten that one of the running gags in the book is that he never gets a chance to sleep much throughout the story so he’s tired all the time and just wants it all to be over so he can go to bed.

Another thing that’s dated: even in 2002, in my naïveté and innocence, the evil politician running for governor–when described by Scotty’s brother Storm as problematic–even he doesn’t support an outright ban on abortion–he wants to ban it but with the rape, incest and health exceptions.

Even in 2002 I couldn’t conceive of anyone running for statewide office calling for an outright ban on abortion.

How things change.

It was also interesting that I got two things very wrong in the book, too: for one, I was thinking for some reason the swamp on the edges of Lake Pontchartrain on the way to Baton Rouge on I-10 was the Atchafalaya (it’s the Manchac/Maurepas), and while I had always remembered I’d given Scotty’s mom a name in this book but forgotten it later when I needed a name for her in a different book–I had the name wrong. I thought I’d called her Marguerite in Bourbon Street Blues then named her Cecile in a later book; I had actually called her Isabelle. (I’ve even told that story–about the names–before on panels and been WRONG ALL THIS TIME!)

It was also interesting and fun to remember–as I read–that Scotty was also not looking for a boyfriend. He was perfectly happy and content being single (which was also something important I wanted to write about–a gay man who didn’t care about finding a life-partner, figuring if it was meant to be it would happen). I also presented him with two potential love interests–Colin the cat burglar and Frank the hot daddy–with that actually being resolved without him having to make a choice between them. I also had the book end with Scotty being slowly persuaded into becoming a private eye.

Originally I had conceived it as a stand alone novel, but the publisher offered me a two-book contract, so when I was writing Bourbon Street Blues I knew there was going to be a sequel. This freed me to leave some personal things open for him; I knew I was going to bring Colin back in the next book so he was going to have to choose between them, and I also knew the personal story needed to be wrapped up by the end of the third book, which was going to be the end of the series with everything resolved. That changed when I wrote Mardi Gras Mambo, but that’s a story for another time.

Bottom line: it’s a good book and I am proud of it. It’s only available now as an ebook from Amazon, but I hope to eventually make it available through every service as well as get a print-on-demand version for those who might want one.

If You Were My Love

Wednesday, and Pay the Bills Day has rolled around yet again. Huzzah?

Yesterday actually turned out to be rather pleasant, or at least not terrible, you know? The workday went well; some things are changing around at the day job–to be expected, as we’ve transitioned to a new department director and some other management staffing changes have occurred–but it’s not nearly as intrusive or annoying as I had feared it could be (the curse of a highly overactive imagination strikes again) and while that’s not to say there haven’t been some bumps, it hasn’t been as rough as I had worried it would be. I think I am starting to adjust at long last to this sleep schedule–I actually forgot to set the alarm last night but woke up at the right time–which is good, I suppose; I still don’t like going to bed early or getting up this early, but it’s become less and less painful the longer it goes on.

I was also highly productive when I got home from the office. I did the dishes and got laundry started (I’ll have to finish it tonight), and then I sat down and wrote around two thousand (incredibly shitty but nonetheless actual) words on the new Scotty. I am really enjoying writing this new book, even if the writing is thus far pretty horrible; the first drafts of Scottys are usually pretty fucking horrendous (I suspect I’ve never really made any moves about storing my papers anywhere is because I don’t want anyone to ever see how shitty my first drafts actually are, or to put my incredibly self-absorbed journals into circulation of any kind, even if it is ‘by request.’) but it feels good to be working on him again. Even as bad as the draft is, for some reason I never experience Imposter Syndrome when I work on the Scotty books, and maybe that’s yet another reason why I never let him go….writing him feels so natural, and there’s an easy comfort to entrenching myself in his world again.

It’s also lovely to get up to a relatively clean kitchen, too. There’s still some more cleaning to do in here–I’d like to spend some time every evening getting the apartment under control so I don’t have to spend much time on my weekends doing that sort of thing. As always, I am going to be trying to write a book during football season, which is always a nightmare for me. But let’s face the facts, shall we? There’s always something else going on that will distract me from the book–in the spring it’s the festivals and the Edgars, in the summer it’s the heat, in the fall it’s football season, and in the winter it’s Christmas and Carnival, so when IS a good time for me to write a book?

I’d also like to get some reading done this weekend. I am behind as always on my reading, but the focus reading properly requires hasn’t been there for a few weeks; I suspect it’s because my head is filled with Scotty–it really is–and so I can’t really make room for anything else at the moment. I am hoping once I get a few more chapters into the story I’ll be able to get back to my reading, as the great reads continue to pile up all around my TBR stacks in the living room. Heavy heaving sigh. But while I may have had a bit of mental fatigue around reading lately, it was really nice to not be super tired when I got home from the office for a change. I have to stop at the store on the way home tonight, so here’s hoping I’ll still have the same kind of “off-work now I’m home” energy I had yesterday so I can finish the cleaning–my birthday is Saturday, so I’d kind of like to not have to do much of anything that day other than relax and chill…and maybe spend the day reading.

Once Paul came home, we watched Only Murders in the Building and a new documentary series on Netflix; a true crime in Baton Rouge! And a recent one at that, 2019–and this is the first I’m hearing of it. It’s not too surprising, I guess–I really don’t pay much attention to the Baton Rouge news a whole lot, other than when they had that serial killer a couple of decades ago–but if it’s a weird enough case to get a documentary series, you’d think I would have heard of it, wouldn’t you? Called I Just Killed My Dad, it’s about a seventeen-year-old who shoots and kills his father, calls 9-1-1, admits it…and then it starts getting more complicated. It’s a very interesting case, and I am kind of looking forward to watching the rest of it.

And on that note, I have some bills to pay before I head into the spice mines for today. Have a lovely Wednesday, Constant Reader, and I will check in with you again tomorrow.

How Can You Mend a Broken Heart?

We’re supposed to get hurricane strength wind tomorrow and potential tornadoes. Southeastern Louisiana won’t be getting the worst of this storm–that will be further north, but New Orleans and Baton Rouge will still get some shit flung at us. Hurray. The high today is going to be eighty-one; it’s currently sixty-six degrees. I guess it’s sweatshirt under a T-shirt weather for the office again? Most likely.

Paul returned home yesterday morning, and again, it never ceases to amaze me how different it is when he’s home as opposed to when he’s not; it’s not like he’s this enormous person or anything, but the apartment always feels empty and quiet when he’s not home. Scooter, of course, was absolutely delighted to have both daddies home last night, going back and forth between my lap and Paul on the couch–and he was also a lot more quiet than he’s been in quite some time. Of course, Paul’s been missing a lot over the last few months anyway; me only seeing him when he got home and I woke up, groggily, for a moment before going back to sleep and then seeing him sleeping while I dressed for work the next morning. I regret not being able to spend more time down in the Quarter at Saints and Sinners; maybe next year I can plan my life events better so it won’t be a problem for me to spend time seeing people and going to panels. It is a pain in the ass to get down there and come back home every day, of course, but for fuck’s sake–these are my people: queer writers. And the opportunities to see them are rare and we are all getting older and yes, I definitely need to plan better for next year.

I did finish reading Alex Segura’s Secret Identity last evening, and it’s quite wonderful. I enjoyed and savored every page. There will be more to come on that score later. I think now I am going to move on next to Chris Holm’s Child Zero. I also got some older books yesterday in the mail that I ordered on eBay; The Lute Player and The Claw by Norah Lofts (an unjustly forgotten writer of the mid-twentieth century) and one of those Literature Classics leather bound editions of Daphne du Maurier’s Echoes from the Macabre, which is probably my all-time favorite short story collection. It’s a lovely edition in pristine condition, and I am very happy to have a very good copy of it on my bookshelves. The Lute Player is Lofts’ novel about Richard the Lion-hearted, his sad queen Berengaria, and Blondel the minstrel–and was also the first time I realized (when I read it as a freshman in high school) that the great Richard, hero of legend and fiction, was actually….for wont of a better term, not into the ladies so much. I’ve always wanted, since then, to write my own story of Blondel–but then Gore Vidal beat me to it with his A Search for the King, which I read and enjoyed twenty or so years ago. I don’t remember anything about it other than that I enjoyed it; I do like Vidal, and the older I get the more I appreciate his work. I just got a wild hair and thought it would be fun to revisit The Lute Player, and The Claw is her attempt at writing a novel about a serial rapist; heady stuff for 1981. (I’d never read it, but it sounded interesting. I also enjoyed her collection of ghost stories that I read a few years ago; Lofts is terribly underrated and underappreciated as a novelist.)

I do feel a bit disoriented this morning; like I’ve not been into the office in weeks. Literary event over the weekend, sandwiched around work at home hours, undoubtedly has something to do with that. I don’t feel like I know what I am doing or what I need to get done. I do need to make a new to-do list; when I checked the list yesterday morning I had done a terrific job of getting things crossed off (the things I hadn’t crossed off had to do with writing, natch).

I was also thinking last night, after finishing Alex’ superb novel, that I need to figure out my writing schedule for the rest of the year. I had originally planned to try to get a working first draft of Chlorine finished in April, and then get a working first draft of Mississippi River Mischief done in May, then alternate revisions for the rest of the summer while also writing short stories and finishing novellas. I don’t know if that is going to work; I do have a story to write already for April (and haven’t really gotten far into the physical writing of it; I already know how the story is going to work–it’s mapped out in my head) so that’s why I was thinking April–since it also includes trips to Albuquerque and New York–might be better to do short stories and novellas while pushing everything back a month.

Decisions, decisions.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in again tomorrow.

Shine on Me

Sunday morning.

I got up again before seven this morning–despite staying up an hour or so later last night than I usually do; I was waiting, hoping Paul would be coming home, but he didn’t get home again until after I went to bed. I didn’t get nearly as much done yesterday as I would have liked because I got distracted by reading Kellye Garrett’s marvelous Like a Sister, and by the time I finished the book it was late afternoon and the tiredness I was feeling yesterday morning–I mentioned it, remember? I wasn’t as awake and alert as I had been the day before–I decided to just kick back and relax for the rest of the day. I watched a lot of history documentaries on Youtube; watched a lot of news worried about Ukraine; and then last night I decided to watch The Drowning Pool, a 1970’s film version of Ross Macdonald’s book–with significant changes made to the book–moving it to Louisiana for one (more on this later). When the movie was finished I went to bed, and woke up early again this morning (body clock has reset, for good or ill). I have to make groceries this morning, as well as gas up the car (can’t wait to see how much gas costs today; but I am more than willing to pay more to save Ukrainian lives, frankly) and head home for some more editing work. I am going to work on my manuscript today; and I have a manuscript from Bold Strokes I need to get edited this week as well. Lots of heavy lifting to get done this week, but I think I can manage.

I also need to select my next book to read. I’ve narrowed it down some; the leading contenders include Harlem Shuffle by Colson Whitehead, The Twelve Jays of Christmas by Donna Andrews, The Prophets by Robert Jones Jr., and All Her Little Secrets by Wanda M. Morris. A plethora of treasures in my TBR pile, no? There’s also some short story collections and anthologies I want to start working my way through–not to mention a short story I need to write by the end of the month (see why I need lists?)–so I think once I get home from the grocery store I will most likely have to make this week’s to-do list. I also have some emails to write for sending tomorrow. But I don’t feel as paralyzed this morning as I usually am by a daunting pile of work that needs doing. We’ll see how I feel when I get home from the grocery store, though, I suppose. Usually dealing with the groceries wears me out and I am pretty much useless afterwards; I don’t know if that is actual physical or mental exhaustion or laziness settling in. I know that my energy levels have significantly decreased over the past pandemic years, and sometimes I do wonder if it’s maybe Long COVID; exhaustion and loss of energy seems to be one of its leading symptoms, and of course, both tend to trigger depression, which creates a massive downward spiral. But I keep testing negative for it, so what do I know?

So, The Drowning Pool starring Paul Newman as Lew Archer, renamed Lew Harper in the movie, and the location was moved from southern California to Louisiana for some reason. The movie is very cynical, so it definitely fits into my Cynical 70’s Film Festival, but it’s not a very good movie. (I’ve read the book, and while the family structure of the film seemed familiar, there’s a lot of significant diversion from the book.) One of my favorite parts of the movie is one of those things Louisiana/New Orleans people always point out in movies and television shows: the geography makes no sense. Harper is summoned to New Orleans by an old flame, whom he meets in a Royal Street antique shop for some reason. She doesn’t anyone to know she’s hired him, so why would you meet in the Quarter? The airport is in Kenner; why would you make him drive all the way into the heart of the city when you could have simply met him at a lounge or bar out near the airport, where they would be a lot more anonymity? Anyway, the old flame (Joanne Woodward, wasted in a role far beneath her talents) has gotten him a room at a motel in the small town she lives in, and she runs off, promising to be in touch…and here is the weird Louisiana geography part. He leaves the Quarter, takes the causeway across Lake Pontchartrain, eventually crossed the river in Baton Rouge, and then winds up somewhere in swampy Acadiana. That’s all fine…but why would you take the causeway to the north shore to get to Baton Rouge when I-10 heads directly there from New Orleans? He added at least another hour to his trip by crossing the lake. There’s another scene where he’s tracking someone down, following his girlfriend as she gets off the St. Charles streetcar, crosses the street, and enters a home. Harper later refers to the man’s “apartment in the French Quarter”–um, the streetcar doesn’t run through the Quarter, it didn’t in 1975, and it was clearly St. Charles Avenue (there are several more of these, in fact; the bayou area near the town was clearly filmed in the Manchac Swamp). The plot is convoluted and didn’t make a lot of sense–blackmail, Joanne Woodward’s husband is a closet case, someone has stolen an account book from a local oil baron’s company that exposes their pay-offs and bribes and other illegal activities–and Newman, while handsome and charming, doesn’t really put a lot of effort in the role. Your mileage might vary, of course, but I found it to be disappointing. The only thing about the film of note was very young Melanie Griffith playing Woodward’s nymphet teenage daughter…and I kept wondering how old IS she to be so sexualized in a film? But it was also the 1970’s…in catching up on the 1970’s films I’m constantly amazed at how much unnecessary nude scenes for women there are, or gratuitous sex scenes that add nothing to the plots in these films. But I also appreciate the grittier, more realistic if cynical point of view of the films; there’s nothing pretty or noble about humanity in these movies…which also kind of explains how “hopeful” movies like Rocky and Star Wars were so enormously successful during the latter part of the decade.

And on that note, i think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.

When Will I Be Loved

Good morning, Tuesday.

I slept very well last night–but at the same time, wasn’t terribly tired yesterday nor did I ever run out of steam. When I got home I worked on the book for a while, then gave in to Scooter’s whining demands that I sit in my easy chair and read so he could sleep in my lap. I started reading Donna Andrews’ The Gift of the Magpie–it’s marvelous, as I expected, and before I knew it I was halfway through by the time Paul got home and we settled in for a few episodes of the original Gossip GIrl–it’s weird how vested we’ve become in this show, but it’s quite fun. I also managed to get a lot done yesterday–the Sisyphean task of email turning out to be quite Sisyphean–I managed to get a lot of it cleaned out only to have more come in once I sent out mine, but I think I simply need to accept the fact that it’s an on-going process and stop punishing myself for not ever getting the inbox emptied out.

I am, after all, trying to be less hard on myself these days.

And it looks as though the coaching carousel at LSU is finally over; it looks like they will be hiring Brian Kelly away from Notre Dame. I wasn’t really sure how I felt about it at first–he has been successful everywhere he’s coached, going back to his days at Grand Valley State in Michigan–but he’s a completely different style of coach than what we are used to down here, as they endlessly say on television, “on the bayou.” (For the record, the entire state isn’t a bayou, and while there are a lot of them, most of the population doesn’t actually live on one.) But the more I thought about it, the more sense it made; he’s an odd fit, to be sure, but he’s always been a good coach and we really need that here. Our last three coaches have all won national titles, and in every instance the hire was questionable–none of them (Nick Saban, Les Miles, Ed Orgeron) had really made names for themselves before coming here, but all three were able to succeed (at varying levels) in Baton Rouge. In fact, when Nick Saban was originally hired, LSU was coming off a losing season, hadn’t won the SEC title in over a decade, and hadn’t won a national title in over forty years. (LSU has won three in the twenty-one years since he was hired; not quite Alabama level success, but I don’t think any other team has won more than two in that same time period.) So, I am willing to give him my support (for what it’s worth, and that’s practically nothing) and see how it all plays out.

I am going to try to make it to the gym again tonight. It’s been over a month since the my last time there, so I am going to have to start with the one set this week, two next, and so forth again. I’ll have another trip next month, but as long as I am consistently going before and after I won’t have to restart the training program again–and the hotel in New York has a lovely fitness facility I can use (although I tend to never work out when I travel, which is part of my problem, and working out would undoubtedly help with the sleep issue as well when I travel). I know there’s a new variant floating around out there that will eventually make it’s way over to the United States (omicron) but I am hopeful it’s not going to cause another shutdown or highly restrict gatherings in public and so forth.

And today is the last day of hurricane season, thank you baby Jesus. It’s actually been quite a year, really, now that we are about to enter the final month of it and I look back. January seems like a million years ago, doesn’t it? We had a category 5 hurricane here, a rough summer, no Carnival, a freeze on Fat Tuesday (when we didn’t have heat; I don’t ever want to be that cold again) and I actually made it up to Kentucky twice this past year. I also read a shit ton, watched a lot of movies, and finished writing two books–my short story output wasn’t what I would have liked it to have been, and I never finished the first draft of Chlorine either, but I did make some progress on the novellas I’d been developing, and once this book I am currently writing is finished I am going to go full steam on several of the projects-in-progress I have in the works; and I really do want to write a Scotty book this year. I know the plot, I know the story, and I know what I want to do with it, it’s just a matter of sitting down over the course of a weekend or something and pulling the varied thoughts and plots together into a coherent whole I can sit down and write.

I also rediscovered my love of writing this year–I mean, at least I started remembering how much I love doing it rather than viewing it as “just one more thing I have to do”, which was kind of the mentality I’d been facing it with over the last few years, which wasn’t particularly bright and definitely the wrong way to look at it.

So, as shitty as a year it may have been overall in the macro sense of life and the world in general, it wasn’t a completely bad year for me. And isn’t it better to always look at the positives?

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader.