Ever since reading The Sea of Lost Girls several years ago–I think after we met at Bouchercon in St. Petersburg at the Harper Collins party?–I’ve considered her one of our best current novelists in the crime genre. The more of her canon that I read, the more convinced I become (The Lake of Dead Languages, The Night Villa, The Uninvited Guest), and so naturally I was very excited to listen to The Night Visitors on my drive this past weekend. I finished listening somewhere around Satsuma, Alabama (Alabama really has the most interesting town names), and loved every minute of it.
Oren falls asleep at last on the third bus. He’s been fighting it since Newburgh, eyelids heavy as wet laundry, pried up again and again by sheer stubbornness. Finally, I think when he nods off. If I have to answer one more of his questions I might lose it.
Where are we going? he asked on the first bus.
Someplace safe, I answered.
He stared at me, even in the darkened bus his eyes shining with too much smart for his age, and then looked away as if embarrassed for me. An hour later, he’d asked, as if there hadn’t been miles of highway in between, Where’s it safe?
There are places, I’d begun as if telling him a bedtime story, but then I’d had to rack my brain for what came next. All I could picture were candy houses and chicken-legged huts that hid witches. Those weren’t the stories he liked best anyway. He preferred the book of myths from the library (it’s still in his pack, racking up fines with every niles) about heroes who wrestle lions and behead snake-haired monsters.
The Night Visitors has two point of view characters; Alice, an abused mom on the run with her son, Oren, and Mattie, a social worker in a small town in upstate New York. This is an excellent example of differentiation between voice; while the authorial voice never falters and you never doubt you’re reading a Carol Goodman novel, the two voices are clearly that of two very different people. Alice and Oren arrive in the town, where they are greeted by do-gooder Mattie, and then begins the dance of the story. Both women take the other’s measure, and both women are hiding horrific secrets that their close relationship is going to bring out over the course of less than thirty-six hours. Mattie is a social worker who lives in an enormous if crumbling house; that first night–even though it’s against all the rules–Mattie decides to bring Alice and Oren home with her, rather than leaving them at the safe house, Sanctuary. And that’s when the strange things begin to happen.
Thirty four years ago, Mattie’s entire family–early onset Alzheimer’s mother; hanging judge father; change of life baby brother Caleb–all died from carbon monoxide poisoning from their faulty furnace. Mattie found their bodies, and her life–already severely off-course and altered–runs aground against the rocks. She has thrown herself into her work–even though she sometimes thinks her social work training is bunk (which I, as a counselor, sometimes think myself in weary frustration; it’s easy to see how social workers burn out from their jobs)–and has never completely gotten over the loss of her little brother. She sees a lot of her lost brother in young Oren–which alarms and worries both women. Alice is also being chased by her abuser, and everything–the past, the present, the futures–all come crashing together one night during a blizzard and power failure at the crumbling house, as all the secrets from the past slowly start coming out, with both women forced to face not only their own truths but the other woman’s as well, as they fight for their lives in a blizzard in the dark against a killer who wants them both gone.
The book is simply extraordinary. The suspense and tension once the power goes out is almost unbearable and are impossible to turn away from; it was incredibly difficult waiting two days to finish listening to it, and it was hard to get out of the car yesterday at the Civic Center in Wetumpka and stop listening. I highly recommend it, as I do anything by Carol Goodman.
Well, I forgot my power cord in New Orleans, so have been trying to use this laptop as sparingly as possible so that I can at least get this posted before I head to Wetumpka this morning for Murder on the Menu. Today was nice; the Homewood Library always has a nice turnout for the panels, people bought my books and were very lovely to me–always a plus–and I got to spend some more time with friends I don’t get to see very often, like Dean James and Erica Spindler (name-dropping!) and I also got to spend time getting to know Debra Goldstein and Christopher Swann better, and I got to spend some time with Bobby Mathews, whom I met briefly at Bouchercon this last fall. He’s quite funny, and I picked up his Working the Gimmick, a pro wrestling noir! How fun is that? And since one of my in-progress projects is a pro-wrestling adjacent gay noir, I’m kind of looking forward to reading it! I am going to listen to Carol Goodman on the drive to Wetumpka (The Night Visitors), and when I finish it–probably about halfway between Wetumpka and New Orleans, I will switch over to Ruth Ware’s The Lying Game, which I am also looking forward to. I’ve also been writing lots of notes and ideas in my journal during yesterday’s panels. Alas, after mine today I am departing back to New Orleans because I do need to get home–parades start next weekend, so I really need to start preparing for the coming limitations on running errands that is the inevitable and unenviable result of parade season.
I did sleep really well Friday night–the key is that even if I am now in that partial sleep that is the bane of my existence, my body and mind are resting, which makes such a difference. My Fitbit does actually monitor my sleep; the goal is to always have a sleep score of 80 or higher; I think there’s only been one night since I came home from New York where the score wasn’t over eighty, and usually it’s averaging in the high eighties, which is great and not very common for me. I slept really well again last night–at least, rested well; not sure how deep the sleep actually was but the rest was lovely.
I did not manage to finish this entry this morning. The battery in my laptop did indeed die as I was typing (I’d managed to save it as I watched the battery very quickly evaporate once it got to 15% charge) and now I am home. Today I had a lovely drive to Wetumpka, and the panel and signings and stuff there went well. We managed to sell thirty (!) copies of A Streetcar Named Murder, which was very pleasant and a very pleasant surprise. I really love Wetumpka, and the folks there seem to really love me, too. They are absolutely lovely, they read my books and like them, what a pleasant surprise, you know? Small town Alabama–who knew that was my sweet spot?
I am home now and very tired. The drive home was smooth–and I did start Ruth Ware’s The Lying Game before I got to Mobile (the Goodman novel is fantastic; more on that later), and I am really enjoying the Ware as well. I really want to set a book in Wetumpka–I have a Ruth Ware kind of idea for a book to be set there, and I have a cozy idea that could easily work in a town like Wetumpka. Although the Wetumpkans may not like what I may do to their town….LOL. But the more I listen to/read Carol Goodman and Ruth Ware, the more I think I want to write something more along those lines, too. That’s me, the sponge; anything I read that I also enjoy I always wind up wanting to write something in that style. The 70’s book that I am thinking about–I almost have the title down–is also something entirely different than what I’ve written before or want to write in the future, which of course makes me want to write it all the more. But this week I need to start tearing manuscripts apart and stitching them back together, getting these other two books finished so I can get back to the others I want to write, so I can then write the 70s book. (I am resisting the urge to start writing it, you have no idea how hard it is to resist that urge, especially with that little voice in my head whispering you can always start editing the manuscripts next week why not take this week to get it started which is how this stuff always winds up getting out of hand. I also think that my creativity sometimes gets a bit over-stimulated when I do events like this.
But what a problem to have, right?
And on that note, I am going to go start digging out from under everything that has piled up since I left Friday afternoon. Have a lovely rest of your evening, Constant Reader!
Well, I’ve decided on my audiobook for the drive to and from Alabama this weekend: Carol Goodman’s The Night Visitors. Carol is one of my favorite writers (and has become a friend! I love my life) and I love her works; if you’re not reading her already you need to get on it–and there’s a healthy canon to dig into as well (always a plus). She also has a new book coming out this spring, called The Bones of the Story, which is a great title. I’m working on a short story this week while I am letting my novel manuscripts rest, and it’s definitely some slow going. I got about two thousand words into this story about a year ago, and I think it works perfectly for this anthology a friend of mine is putting together; I just need to finish the damned thing. But tonight I have a ZOOM call I have to do and I have to pack for my weekend in Alabama, and tomorrow morning I’m getting up, writing a post and hitting the road while listening to the divine Carol Goodman.
Does life get better? I think not.
It’s actually kind of funny; after I finished yesterday I realized I could, for the first time in quite a while, take some down time to myself for a minute or two without guilt or something looming over me needing to be done. After I sent the manuscript (such as it is) in along with my editorial thoughts and analyses, I thought, wow, I’ve sure written a lot since just before Christmas and showed an incredible amount of discipline–the kind of single-mindedness you’ve not had for quite a while, and I should feel drained and tired but I don’t. That was an incredibly over-confident assumption to make, even though it was true at the time I thought it. When I got home from work I realized my candle wick had burned down so far that it needed to rest and be replenished for a while. I am still feeling motivated and creative, though; I was simply drained yesterday. Before I went to bed last night (after watching another episode of The Recruit, which I am really enjoying) I kind of felt like the batteries were already starting to recharge. I feel very tired this morning, too–I slept well, don’t get me wrong, but I think I needed to sleep longer. Ah, well. I don’t have to get up before the sun rises tomorrow, so that’s something.
I always like Thursday nights.
But the kitchen is still a mess. I wasn’t in the mood to clean last night when I got home, either. I just felt disoriented, emotionally and intellectually spent, and physically tired. I used to call it the malaise, because it felt like melancholy brought on by the utter exhaustion of my creativity and drive to write. It’s very weird. Usually, the malaise also brings with it the feeling that I don’t even want to think about writing anything else ever again–which is not the case this time, which is very weird to me. I am champing at the bit to get to work on more things, new things, even to start working on the editing of everything else. It is very weird, and I will keep you posted on how this weird new version of malaise works itself out.
But I’ll have to clean the kitchen before the ZOOM thing tonight. That, or turn off all the kitchen lights.
Heavy heaving sigh.
I watched an interesting documentary on Youtube in my tired malaise last night, a new one from James Somerton called The Death of Queer Privacy, which was interesting. The primary focus of the documentary–Somerton does popular media critiques from a queer perspective–was, to begin with, about outing as well as the potentially problematic tropes in Paul G. Tremblay’s A Cabin at the End of the World and it’s film adaptation, A Knock at the Cabin. It was another look–deconstruction, if you will–if whether a straight identified (I don’t know how he actually does identify) writer centering a gay couple/family at the heart of a horror novel/movie is either good representation (they could just as easily have been a straight couple, a mixed-race couple, lesbians, etc.; sexual orientation didn’t play a part in the plot and if anything, the fact that the gay family was presented as normal and not a big deal tends to undermine any critical analyses of this as intentionally or unintentionally sinister) or if the book/movie, at heart, centers the trauma of a queer family as entertainment for the masses. I may want to watch that again; I wasn’t paying a lot of attention because I was tired and scrolling through social media on my iPad, so I may have missed some things, but the critique and look at the film itself was merely an introduction to the main topic, which was the attack on queer people’s right to privacy–which served as an interesting counterpoint to a lot of the public discourse about queer celebrities and how much of their lives, if any, needs to be shared with the audience. The recent forced outing of Kit Conner from Heartstopper is perhaps the best example of this; the idea that queer people in the public eye need to–nay, must–come out and be publicly queer, no matter how they themselves feel about revealing that much of themselves to the world, is problematic on its face. Somerton then went on to talk about how gossip blogger (and garbage human being) Perez Hilton essentially dragged a couple of people out of the closet. And really, are the personal and private lives of any celebrity any of our business? Simply because we enjoy someone’s performance in film and television, or like someone’s music, doesn’t really give us the right to know intimate details of their personal lives. I’ve never cared, beyond mere idle interest in hearing gossip; but I don’t care that much about it because I don’t know these people. What does who Taylor Swift is dating have to do with her music–other than her break-ups tend to spawn some amazing music–and why do I care? Why would I care who Tom Hiddleston is fucking, unless it’s someone I actually know? (There’s an interesting dialogue to be had about our billion-dollar celebrity gossip industry…) To circle around back to Tremblay, I knew he was publicly identified as straight as far as I knew (and didn’t care to know more). I was a fan of his before reading A Cabin at the End of the World (having greatly enjoyed A Head Full of Ghosts and Disappearance at Devil’s Rock–I’ve not read the others yet–and so I was delightfully surprised that the family the book was centered on was a gay couple and their adopted child. It was yet another entry in the “people go to secluded place and then horrible things happen” trope of horror, but with a remarkable twist that made it even more intense and terrifying. (I’m really looking forward to the film.) I read the book and enjoyed it, and I didn’t read anything sinister into it; but I was also reading it from an entertainment perspective rather than to gain a sociopolitical perspective for writing a critique…which now I kind of want to do, thank a lot, James Somerton–this is how this kind of thing always happens to me.
In fact, an essay exploring three mainstream novels by non-queer writers centering queer characters could prove interesting–and the Tremblay, S. A. Cosby’s Razorblade Tears, and Laurie R. King’s Back to the Garden would be the perfect trio to look at as they are relatively current, critical successes, and often award recognized.
And on that note I am going to head into the spice mines. Have a lovely morning, Constant Reader, and I’ll check in with you again later.
I got home last night around seven, exhausted, bone-tired, and delighted to be able to sleep in my own bed after four nights of insomnia. I got some sleep while in New York, but not much–and I also exerted myself a lot more than I have in, well, years. Mt Fitbit would let me know every day that I’d reached the goal of ten thousand steps (which never happens, but I do need to start taking walks more regularly, as it’s disturbing how physically out of condition I am–my legs are achy and sore from all the walking), and of course I had cut my heel accidentally the morning I left, so it’s kind of achy and painful. But I slept deeply and well last night, the sleep of the exhausted, and I actually feel rather rested and awake as I re-acclimate to my normal reality. As I expected, I didn’t write hardly anything while I was gone, so I need to climb back up on that horse today. It’s a work holiday–there’s no way I could be functional at the office today (I always take an extra day off to recover from the trip upon my return home), and now I have to figure out what I need to get done to get back in control of my life.
First thing on the list is to get back on track with my writing–so hallelujah for a day off! I don’t even want to think about the horror that is my email inbox just yet, and I may avoid it for another day so I can get my proverbial shit together (oh, my OWN coffee that I made myself just is so much nicer than buying it somewhere). I am most likely going to have to hit the grocery store today, as well as pick up the mail and a prescription and put gas in the car. There’s some filing and sorting that needs to be done this morning, and of course I need to think about what to take for lunch to the office for the rest of the week. So much to think about, so much to do, so much to remember. I believe this may even call for a to-do list. Yay!
I did have a lovely time in New York; it’s always invigorating to spend time in the company of other writers. It was a bit cold for my liking, but I think I walked all over Manhattan, had some amazing food, got to reconnect with friends (some I hadn’t seen in years in person), and of course, the highlight was seeing Hadestown. I’ve already downloaded the cast recording to Spotify; it may be different to listen to than when watching it performed live, but I am looking forward to listening to it on walks–because I’ve decided that walks are de rigeur in my future–and maybe, just maybe, i could also start listening to audiobooks when I am taking my walks. I want my heel to heal first, of course–all that walking in New York probably wasn’t optimal for that, but one of my goals this year to become more physically active, and what better way to get that going than by taking walks? I can also, you know, take pictures with my phone, too, of my neighborhood and the Garden District or wherever I may go for a walk. It also occurs to me that one of these weekends I should spend a day exploring the World War II museum (which could help with some backstory for Chlorine).
As you can see, the trip has rather invigorated me, even as I am physically worn out as I type out these ambitious plans.
I started reading the Horror Writers Association’s latest anthology, Other Horrors (edited by Vince Liaguno and Rena Mason) on my flight home, and am quite enjoying it. The premise of the anthology is for it to be inclusive and to highlight diverse authors and voices; and so far it’s been fun. There are stories I like better than others, of course, but that’s any anthology and it’s very fun to discover new authors and voices that I wasn’t aware of–again, the point of the anthology–and there’s nothing I love more than discovering new voices, you know? Plus, reading it has me itching to write some more short stories–which of course I really can’t do because I’ve got to get this book finished–but I also want to map out the rest of my writing year and come up with a plan for my future. I think I am going to take the plunge and write that romance I was thinking about the second half of last year–just for something different to do and something to sharpen my skills; I think we should always try to write outside of our comfort zone as often as we can, which is why I dabble in horror sometimes. And why not give romance a try? I’ve always liked romance, even if I don’t read very much of it (I can’t keep up with my crime and horror reading, let alone anything else), so why not give a whirl?
And on that note, I need to go fold some laundry and start organizing my life and kitchen and office space again. Have a lovely Martin Luther King Jr. Day, Constant Reader, and I’ll check in with you again later.
And here we are, on the final day of the year 2022. Happy New Year, I guess? It doesn’t feel like the year is turning, but everything has felt so totally out of whack since the 2020 Shutdown that it’s not a surprise, really. As I sit here bleary-eyed with my coffee trying to wake up for another thrilling day of writing and cleaning, it seems very weird to look back to a year ago at this time. I was on deadline then, too–and was way behind on that book, too (A Streetcar Named Murder, for the record), but other than that I don’t remember what my mood was like or what I was thinking about going into the new year. We were still in the midst of the pandemic (that hasn’t changed–what’s changed is it isn’t news anymore and everyone seems to be pretending it’s all over), and I know I wasn’t exactly going into 2022 thinking oh this is the year I’ll get the coronavirus! That did happen, and my ten-day experience with COVID-19 was bearable for the most part. I just had intense and severe exhaustion as well as the brain fog, which hasn’t entirely lifted. I still have no short term memory, and am struggling to remember things every day–which has made writing this book more difficult because I can’t remember small details and things that are kind of important. I also think being so scattered isn’t much help in that regard; I’ve never been able to handle getting a grip on things and have felt like I’ve been behind the eight-ball for the last three years, floundering and struggling to keep my head above water, and never confident that I had a handle on everything. It’s been unpleasant, really; I prefer to be better organized and to have things under some sort of manageable control, and this constant feeling that I am behind and will never catch up on everything has been overwhelming, depressing, and damaging.
I read a lot of great books this year–I was going to try to make a “favorite reads of the year” list, but as I went back through the blog for the last year looking at all the books I talked about on here, there’s no real way for me to quantify what were my avorite reads of the year. I managed to read both of Wanda M. Morris’ marvelous novels, All Her Little Secrets and Anywhere You Run; Marco Carocari’s marvelous Blackout; John Copenhaver’s The Savage Kind; Carol Goodman’s The Night Villa, The Lake of Dead Languages, and The Disinvited Guest; Ruth Ware’s The Death of Mrs. Westaway and The Woman in Cabin Ten; Raquel V. Reyes’ Mango, Mambo and Murder; Ellen Byron’s Bayou Book Thief; Rob Osler’s debut Devil’s Chew Toy; Mia P. Manansala’s Arsenic and Adobo; Kellye Garrett’s Like a Sister; Alex Segura Jr’s Secret Identity; Laurie R. King’s Back to the Garden; Tara Laskowski’s marvelous The Mother Next Door; James Kestrel’s Five Decembers (which would be a contender for favorite read of the year, if I did such things); and of course several Donna Andrews novels as well. I am forgetting some great reads I truly enjoyed this past year, I am sure–I will kick myself later for not remembering I Play One on TV by Alan Orloff, for one example–but it was a year of great reads for me. I know 2023 will also be a great year for reading.
Professionally, it was a pretty good year in which I had three book releases: #shedeservedit in January and A Streetcar Named Murder in December, with the anthology Land of 10000 Thrills, thrown in for good measure in the fall. I sold some short stories that haven’t come out yet, as well as some that did this last year: “The Rosary of Broken Promises,” “A Whisper from the Graveyard,””The Snow Globe,” and “This Thing of Darkness” all came out in anthologies this year, with “Solace in a Dying Hour” sold and probably coming out sometime in the spring. I also sold another story to another anthology that will probably come out in the new year as well, and I still have one out on submission. In what was probably the biggest surprise of the year, last year’s Bury Me in Shadows was nominated for not one, but TWO Anthony Awards (Best Paperback Original and Best Children’s/Young Adult) which was one of the biggest shocks of maybe not just the year, but definitely one of the highlights of my career thus far. I lost both to friends and enormously talented writers Jess Lourey and Alan Orloff respectively, which was kind of lovely. I had been nominated for Anthonys before (winning Best Anthology for Blood on the Bayou and “Cold Beer No Flies” was nominated for Best Short Story), but being nominated for one of my queer novels was such a thrill–and to have it nominated in two different categories was fucking lit, as the kids would say. The response to A Streetcar Named Murder was an incredibly pleasant surprise; people seemed to genuinely love the book, which was very exciting and cool.
I traveled quite a bit this year as well–going to Murder in the Magic City/Murder on the Menu, Left Coast Crime, the Edgars, Sleuthfest, and Bouchercon. I went to Kentucky twice to see my family, which further fueled my love of audiobooks for long drives–on both trips I listened to Ruth Ware on the way up and Carol Goodman on the way back–and also did some wonderful podcasts and panels on-line, which was nice. We didn’t go to any games this season in Baton Rouge, but in all honesty I don’t know if I can hang with a game day anymore–the drive there and back, the walk to and from the stadium, the game itself–I would probably need a week’s vacation afterwards!
College football was interesting this season, too. This season saw the reemergence of Tennessee, USC, and UCLA to some kind of relevance again; the slides of the programs at Texas A&M, Florida, Oklahoma, Auburn, and Texas continued; and LSU turned out to be the biggest surprise (for me) of the year. Going into the season I had hopes, as one always does, but after two years of consistent mediocrity (with some surprise wins both years) they weren’t very high. The opening loss to Florida State was a surprise and disappointment, but at least the Tigers came back and almost made it all the way to a win. The blowout loss to Tennessee at home was unpleasant, certainly, as was the loss at Texas A&M. But LSU beat Alabama this season! We also beat Mississippi, so LSU was 2-2 against Top Ten teams this season–and I would have thought it would be 0-4. And 9-4 is not a bad record for a transitional year, with a new coach rebuilding the program. And LSU beat Alabama. The Alabama game will undoubtedly go down as one of the greatest Saturday night games in Tiger Stadium. It was incredibly exciting, and I still can’t quite wrap my mind around it or how it happened. It certainly shouldn’t have; LSU was simply not an elite-level team this past season, but what a job Brian Kelly did coaching in his first season in Baton Rouge. Did I mention that LSU beat Alabama this year? (And one really has to feel for Alabama, in a way; they lost two games by a total of four points on the last play of each game. Four. Points. That would probably be what I would call this season for Alabama: Four Points from Greatness. The LSU-Alabama game this year is definitely one of those that gets a nickname from the fan base, I am just not sure what it would be. The Double Earthquake Game? (The cheers when LSU scored in overtime and then made the two point conversion registered on the campus Richter scale) The Conversion Game? I don’t know what it will be named for all eternity, but it was an amazing game. I do think it also bodes well for the future for LSU. Will both LSU and Tennessee (which also beat Alabama for the first time in like fifteen years) be able to consistently compete with Alabama now? Has Georgia taken over as the SEC behemoth? Has the Alabama run ended? I don’t think so–they have an off year where they lose two or three games periodically (2010, 2019, 2022)–and they could bounce right back. next year and win it all again. You can never count them out, even in their off years.
As for the Saints, they swept Atlanta again this year, and that is enough for me.
I did write a lot this year, even though it didn’t seem like I actually did while the year was passing. I also worked on Chlorine and another project I am working on throughout the year, as well as the novellas, and of course, I was writing short stories and essays for much of the year. I also read a lot more New Orleans and Louisiana history, and I had tons of ideas for things to write all year long. I did make it to the gym on a fairly regular basis at the beginning of the year, but then it became more and more sporadic and after my COVID-19 experience, never again. I also injured my arm a few weeks ago–when I flex the bicep it feels like I have a Charley horse, so not good, but it doesn’t impact my day to day activities. I also had my colonoscopy at last this past year–the prep was horrific, and I am really dreading doing it again at sixty-five, should I make it that far.
Yesterday was a nice day. I was exhausted, and after my work-at-home duties were completed I did some chores–laundry, dishes–and I also spent some time both reading (A Walk on the Wild Side) and writing. I also watched the Clemson-Tennessee Orange Bowl last night before Paul got home from his dinner engagement and we watched a few more episodes of Sex Lives of College Girls. Today I am going to read a bit this morning with my coffee before getting cleaned up and diving headfirst back into the book. Paul has his trainer today and usually either goes to the gym to ride the bike or to his office to work for the rest of the afternoon, so I should be able to have some uninterrupted writing time, which will be lovely. And on that note I am heading into the spice mines. Have a happy and safe New Year’s Eve, Constant Reader, and I will check back in with you later.
Nothing will get my attention more quickly than a Daphne du Maurier comparison.
I’d been meaning to get around to reading Ruth Ware since her The Woman in Cabin 10 broke her out in the crime writing community. I’d heard lots of good things about her work from reviewers and people on social media, and as her career continued to grow and develop it seemed like all of her books–while similar, in some ways, to each other–were rather dramatically different from each other. I began acquiring copies of her books, unable to decide where to start while each new one joined the TBR pile and began collecting dust. When I saw someone had compared her The Death of Mrs. Westaway to du Maurier and Rebecca, that got my attention and I decided to start there. I listened to it on one of my drives to Kentucky and loved, loved, LOVED it.
So, while planning for my recent trip up, I decided to listen to The Woman in Cabin 10, and have been admonishing myself for the lengthy delay in getting to it ever since finishing. It is quite excellent, and I am finding myself becoming quite a fan of Ruth Ware.
The first inkling that something was wrong was waking in darkness to find the cat pawing at my face. I must have forgotten to shut the kitchen door last night. Punishment for coming home drunk.
“Go away,” I groaned. Delilah mewed and butted me with her head. I tried to bury my face in the pillow but she continued rubbing herself against my ear, and eventually I rolled over and heartlessly pushed her off the bed.
She thumped to the floor with an indignant little meep and I pulled the duvet over my head, but even through the covers I could hear her scratching at the bottom of the door, rattling it in its frame.
The door was closed.
I sat up, my heart suddenly thumping, and Delilah leaped onto my bed with a glad little chirrup, but I snatched her to my chest, stilling her movements, listening.
I might well have forgotten to shut the kitchen door, or I could even have knocked it to without closing it properly. But my bedroom door opened outward–a quirk of the weird layout of my flat. There was no way Delilah could have shut herself inside. Someone must have closed it.
I sat, frozen, holding Delilah’s warm, panting body against my chest and trying to listen.
How’s that for a beginning?
I defy anyone to stop reading after those opening paragraphs, seriously.
Our main character turns out to be Laura Blacklock–nicknamed Lo–who is an aspiring travel journalist working as an assistant at Velocity magazine. Usually her boss is the one who gets to go on trips to write about the experience, but pregnancy has forced her to turn over a rather plum assignment to Lo; taking a cruise on a luxury ship through Scandinavia, including a look at the Northern Lights and exploratory visits to fjords. But as she is preparing for the trip, her flat is broken into while she is in it. This understandably causes her some trauma, and she is already taking medication for anxiety. Shaken up and still having nightmares, she boards the Aurora Borealis in a determined attempt to fulfill her job responsibilities well enough to get a promotion or better assignments. Easier said than done, really; on the first night she hears the toilet in the next cabin–Cabin 10–at the same time realizing she doesn’t have any mascara. She goes to Cabin 10, borrows mascara from a beautiful young woman, and returns to her cabin. Having a few drinks at dinner to calm her nerves even more, she keeps an eye out for the young woman, who never shows. In the middle of the night a sound in the next cabin wakes her, and she goes out onto her veranda to glance around the privacy screen. Before she can get out there she hears a cry, a clank, and a splash; once she is out there she thinks she sees a human hand disappearing into the water, and smear of blood on the glass screen next door. She gets the ship’s security, but Cabin 10 is empty. The man who was staying in there cancelled at the last minute. There is no trace of the girl she met, no trace of anything exceptional having happened in Cabin 10–and the only proof of her story is the mascara tube, which she still has.
No one believes her–and her recent break-in and the anxiety medications, along with the drinking she’s done, make it relatively easy for her claims to be dismissed. Certain she’s a peripheral witness to a murder, Lo starts poking around–eventually finding herself in danger.
I really enjoyed this book. Ware makes you care about Lo, and you root for her to get to the bottom of what’s going on aboard the Aurora. Ware is, indeed, a modern day writer of Gothics in the mid-to-late twentieth century traditions of duMaurier, Victoria Holt and Phyllis A. Whitney, with a generous dash of Mary Stewart as well. Is she being gaslighted, and if so, by whom and why? Who was the woman? What was she doing on board? Why was she murdered? The reader knows Lo is telling the truth, which is a brilliant way of getting reader buy-in for both the character and the story, and the gaslighting is done so well that even the reader sometimes has to question Lo’s sanity; was it alcohol and drug-related PTSD? But as the story progresses and Lo learns more and more about her fellow passengers–this is a press junket, so everyone on board is a professional travel journalist of some sort–she starts putting together the pieces and fragments of information she gathers that gradually reveal the picture of a very clever murderer who won’t stop at anything to get away with their crime, even if it means killing Lo.
Highly recommended–especially if you, like me, love the old books with the woman in a nightgown running away from a scary looking house with a light on in one window on the cover. Cannot wait to read some more of Ruth Ware.
Sidebar: the story itself is very Hitchcockian in style, and of course the gaslighting made me think of the great film Gaslight which defined the word into the vernacular…and made me also think, sadly, of what a greater masterpiece Gaslight might have been had Hitchcock also directed it.
Working at home on this ruby Tuesday, so I didn’t need to get up super-early or have to deal with anything like, you know, having to gulp down steaming hot coffee so I could prise my eyelids apart this morning in order to write this blog entry. Do I have high hopes for the day? Sure I do. Will I inevitably be disappointed? Most definitely. I slept really well last night–the bed was still incredibly comfortable this morning–and I feel revitalized in some ways, refreshed in others, and snapped out of whatever I was feeling recently; good sleep and not waking up to an alarm certainly does make a difference, I think, in almost every conceivable way. I was, indeed, tired when I got home from work yesterday–as I suspected I might be yesterday morning when I got up–and so spent the evening relaxing and watching television (Gaslit, The Baby, Tokyo Vice) until I went to bed relatively early. My brain is still not completely awake this morning, but it’s getting there. I have an errand to run this morning–or at some point during the day–but other than that I will be here doing my data entry and then working on my book after my day’s work for the day job is completed and my hours done. I should probably try to get packed today for the trip–get that out of the way, since the plan is to get up early Thursday and be on the road as soon as possible–as well as try to get everything wrapped up that I can before I go away for four days.
I’m not dreading the drive as much as one might think, to be honest. Now that I’ve discovered the magic of audiobooks (it’s funny how I always resist something because I’ve made up my mind I won’t like it, and then end up liking it a lot; to be fair, I was worried about listening to books in the car from a fear that I would get so absorbed in listening I wouldn’t pay attention to driving–that did not turn out to be the case) for long drives, the drives are a lot more enjoyable. I actually do not mind highway driving as much as one might think, given my utter antipathy for driving and my fears of the ignorance of 90% of the other drivers on the road, but if it’s a nice day–one thing you can definitely say about the South, it’s beautiful to drive through. The mountains in Tennessee and Kentucky make me a bit nervous when I drive through there once night has fallen, but the sun sets far later now than it does when I drive up in November so it should actually still be light out when I get to my parents’ Thursday evening. The lengthy drives for me now are about recovery, because they wear me out a lot more than they ever did before, which is undoubtedly part of being older (the thing that truly sucks about getting older is you’re never sure about things–“is this something I should get checked out, or am I just older?” It doesn’t help when you bring things up to your doctor and he says, “you’re getting older.”) but I am also not going to worry about “making time” and getting there as quickly as I can. If I have to stop, I have to stop.
Getting there isn’t a race or a contest. There’s no prize for getting there fifteen minutes earlier than planned. I really need to learn to be more patient. Why am I always in such a hurry? Can an old dog learn a new trick?
Anything is possible.
My mind does wander sometimes as I listen to the audiobooks–it often does on long drives–and hopefully this drive will help me get some new ideas for current and future projects the way it usually does–although it can be frustrating not being able to write ideas down immediately, as sometimes they get forgotten. But I like to believe that even if I have an idea that I forget, just having thought about it at that time means it will pop up again at some point. Over the past ten to fifteen years, driving through Alabama–either going north or coming south–helped me structure the story and create the characters for Bury Me in Shadows, for example–so maybe, just maybe, this drive will help me pull together some ideas for any one of the insane amounts of projects I have on-going at the moment. One can certainly hope, at any rate. I am not kidding when I say that Bury Me in Shadows was in my head since sometime in the mid to late 1980’s; I don’t remember when I wrote the original short story that eventually grew and developed into the book, but it was during that time period.
And on that note, I am going to head into the spice mines. Have a lovely Tuesday, everyone, and I will chat at you again tomorrow morning.
I was a late adaptor to audiobooks; just like I was with ebooks (which I still kind of recoil away from, for some unknown reason; during the early stages of pandemic shutdown I revisited Mary Stewart and several other favorites on my Kindle or iBook apps and enjoyed them heartily–yet for some reason I never go back to the iPad to read…probably the enormous stack of hard copies in my TBR pile glaring at me from directly across the room from my chair). I always worried, you see, that I would get so caught up in listening to the book that I wouldn’t pay attention to the road, or my mind would wander and I’d miss something important. Several years ago on a trip to Kentucky I listened to A Game of Thrones on the way up and End of Watch (by Stephen King) on the way back; both turned out to be highly pleasant experiences and yes, while my mind did wander at times–my subconscious was listening so I never got lost when I was able to give the book my attention again. The last time I drove to Kentucky I listened to Foundation on the way up and Donna Andrews’ delightful The Falcon Always Wings Twice on the way back. Audiobooks make the time pass much faster than listening to music and singing along (I am quite the rock star in my car), and so, when it was time to drive up to Birmingham this past weekend, I selected Lisa Lutz’ The Passenger to listen to on the way up and back; it wasn’t quite long enough to last the entire drive…but I also had some Lisa Unger short stories downloaded as well, and I figured once the Lutz was finished, I could listen to one of those.
But the Lutz…my God. Why on earth did I wait so long to read/listen this impressive work?
When I found my husband at the bottom of the stairs, I tried to resuscitate him before I ever considered disposing of the body. I pumped his barrel chest and blew into his purple lips. It was the first time in years our lips had touched and I didn’t recoil.
I gave up after ten minutes. Frank Dubois was gone. Lying there all peaceful and quiet, he almost looked in slumber, but Frank was noisier asleep than he was awake. Honestly, if I had known what kind of snorer he was going to turn into, I never would have married him. If I could do it all over again, I never would have married him even if he slept like an angel. If I could do it all over again, there are so many things I would do differently. But looking at Frank then, so still and not talking, I didn’t mind him so much. It seemed like a good time to say good-bye. I poured a shot of Frank’s special bourbon, sat down on Frank’s faux-suede La-Z-Boy, and had a drink to honor the dead.
In case you were wondering, I didn’t do it. I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it. I was taking a shower when Frank died. As far as I could tell, he fell down the staircase all on his own. He had been suffering from vertigo lately. Convenient, I know. And I doubt he mentioned it to anyone. If I had waited for the place and told them the truth, maybe life could have continued as normal. Minus Frank.
This book was recommended by practically everyone I know; I’m not really sure why I never got around to reading it. I did read her next novel, The Swallows, and absolutely loved it; I also have her new one sitting on my coffee table waiting for me to get to it.
And as I said, now that I’ve listened to this one, I am really pissed off at myself for taking so long to get to it. I am not joking. When I arrived at the hotel in Birmingham on Friday, I literally stayed in the car until the chapter finished. When I got in the car to drive to Wetumpka Sunday morning, I even left earlier than I needed to in my eagerness to get back to the book, it was that good–and I had no idea how it was all going to turn out.
That opening! How do you stop reading after that? Who is this woman? Why does she have to go on the run after her husband’s accidental death? Who and what else is she running from? And most importantly–who is she? We’re never sure who “Tanya” really is; she picks up and discards new identities (who knew it could be so simply done? Even if it’s only temporary? But something bad happened in her past–something she is still terrified about, and doesn’t want the police to find her, so clearly it’s pretty fucking bad. As she goes on the run yet again, we start to understand who she is, in some ways–there are some things we’ll simply have to wait for Lutz to let us know about “Tanya”–but you can’t help but root for her. She has a sense of humor about her horrible situation, and you also can’t help but like her, whatever it is she did in her past. As the narrative continues, we are also fed some email communications between “Jo” and “Ryan”–one quickly picks up that at some point in her past, “Tanya” was also “Jo”–that rather cryptically talks about the past and the original situation that set her on the run.
And while “Tanya” never talks about what that was, or much about her past, we do get some information from her on that score: a distant mother who was alcoholic and went through men like Kleenex; an unstable home environment, she used to swim competitively–and each new piece of the puzzle fits securely into place.
As the book continues, she breaks the law to survive from time to time, and each new identity she takes on comes with its own challenges and difficulties and dangers. We follow her from one end of the country to another and back again; it’s almost like a series of vignettes, really, strung together into one over-arching narrative that you can’t stop reading. How is she going to get out of this? you wonder every single time, and the book just keeps barreling along until all the threads of her many lives come together at the very end, with a startling final twist just before the final resolution.
Do yourself a favor, Constant Reader, and get every Lisa Lutz book and read it. I certainly intend to.
I had a lovely time this past weekend. I drove up to Birmingham Friday afternoon for Murder in the Magic City, a lovely event at the Homewood Library (this was my third visit in five years, I think) organized by Margaret Fenton, and the drove down to Wetumpka for Murder on the Menu, a fundraising event for the Wetumpka Public Library organized by Tammy Lynn. I always have a great time whenever I go, and there’s inevitably friends invited that I already know, and then I get to come home having made some new friends (and more books to be added to the TBR pile). For some reason, these two particular audiences respond very nicely to me–which is lovely, and in my post “just turned the book in” malaise, was exactly what I needed. Everyone is just so kind, and they buy and read my books and like them and they like to tell me how much they enjoy my books and when I am on stage; it’s just really, really, lovely.
Who doesn’t love being told they’re wonderful?
But as always I had trouble sleeping in the hotel–I did get some sleep, but not much–and so my own bed, after the slightly less than five hour drive (it would have been even less had there not be highway construction on I-10 at the Mississippi/Louisiana border that brought traffic to a screeching halt and when it started moving again, it was at a snail’s pace). I listened to Lisa Lutz’ The Passenger on the road coming and going (finished it right around that traffic slowdown, so while I was stopped I cued up Lisa Unger’s longer short story “All My Darkest Impulses,” which I didn’t finish by the time I got home), and it was amazing. I had read and loved her book The Swallows (which was fan-fucking-tastic; her latest is sitting on my end table next to my easy chair), so I thought “Everyone loved The Passenger, I should listen to it on this drive” and boy, am I glad I did. (There will be more on that later.) I also read a book called The Seventies: The Great Shift in American Culture, Society, and Politics by Bruce J. Schulman, which I greatly enjoyed (but didn’t always agree with) and there will be more on that later as well.
As always, I loved listening to other writers talking about writing and ideas and their own work; it’s always inspiring, and of course I was madly scribbling notes as ideas popped into my head while I listened (I also was getting ideas on the drive, like I always do)–titles and characters and thoughts about the story I have to finish writing today, “The Rosary of Broken Promises”–it’s due today; I’d hope to do some work on it over the weekend but I was so tired from not sleeping–not to mention how draining being “on” is for me (public appearances cause me a great deal of anxiety and there’s always nervousness and stress and worry)–that whenever I made it back to my room I just lay down on the bed and opened my book. When I got home last night, my easy chair felt so amazing–I watched some of the Olympic team figure skating event (the US got silver! USA! USA! USA!)–and unpacked and did the laundry and went to bed; oh how marvelous did my bed feel! I slept deeply and well and comfortably, and didn’t really want to get up this morning, to be honest. (Even now I am resisting the siren song of my bed and blankets; today may be a “sit in the chair and make condom packs” kind of work-at-home day while my batteries continue to recharge–or I may burn another vacation day; I haven’t really decided yet. I hate that trips require a recovery day for me now.) It’s always hard readjusting back to reality when I come home from a writing event, but it’s even harder from these two events because the audiences are so warm and kind and lovely to me that I kind of want to stay in that bubble for a little while longer, you know?
And now I have a gazillion emails to deal with, a house to get in order, day job duties to get done, and a story to write. Back to the daily grind, back to reality, back to my usual every day existence.
So, I need to head into the spice mines here. Have a lovely Monday, Constant Reader!
Wednesday and your biweekly Pay-the-Bills Day for one Gregalicious.
It doesn’t feel like Wednesday to me, though; I’m still all messed up with my days of the week with the change in my work schedule. (I had to keep reminding myself last night that it was, indeed, Tuesday and not Monday.) I have to pay the bills today, finish revising the last chapter of the book, do some final tweaks on it, and turn it in. (Naturally, last night I was already breaking it down and figuring out how to fix it and make it better–slow down, Sparky, see what your editor says first….although it never hurts to prepare yourself and do your own critique.)
We finished Archive 81 last night, and it was interesting. The season ended on a cliffhanger, from which they can hang season 2, but I really enjoyed the show from beginning to end. I appreciated particularly the filming esthetic–you never realize how used you are to background soundtracks until you watch something that doesn’t have one, and it’s so odd it makes the show seem off-kilter, which was the exact right touch for this show. I think we’re going to move on to the second season of one of our Spanish language shows from Mexico next; the second season of Dark Desire drops today, and it stars our favorite Spanish-language hunk, Alejandro Speitzer (trust me, gorgeous)–although it’s been so long since we watched the first season (and have watched so many other shows in the meantime) that I don’t really remember a whole lot about the show, except it’s a well done crime show with all kinds of wild twists and turns along the way. I also remember the first season ended with a big surprise twist at the end, which was incredibly fun because it changed everything that had come before–always effective if you can pull it off, and far too ambitious for me to ever try.
Well, never say never.
It’s miserable in New Orleans today–wet and gray and drizzly, and yet warm at the same time (rainy weather always changes the temperature; if it’s already warm the rain makes it cold; if it’s cold the rain warms things up. It doesn’t make sense to me but I am also not a meteorologist). I’m going to make groceries–not much, really, just a few things–on the way home from the office tonight, and I was kind of lazy last night so tonight I have to do some clean-up around the apartment. My sense of days and time is completely fouled up; my default keeps telling me this is Tuesday and not Wednesday, which means I have to leave for Alabama in two days not three–which I think is why I messed up last night and didn’t clean the kitchen like I should have. I may go ahead and pack tonight as well to get it over with; one less thing to worry about tomorrow night after work, or Friday morning before I leave town (the drive to Birmingham is actually the same drive Jake makes in Bury Me in Shadows, which will make for some interesting thinking in the car). I’ve also downloaded Lisa Lutz’ The Passenger to listen to in the car; I may also make some phone calls while I am on the road. Stranger things have happened, and probably will again.
But I am very pleased that I am gradually making progress on the to-do list and everything that needs to get done. The list seems to endlessly refresh, alas, but I suppose that will always be the case until I am in an oxygen tent in the ICU waiting for the Angel of Death. (Note to self: update the to-do list.) But I still am having trouble wrapping my mind around the fact that not only is today Wednesday but that doesn’t mean I do not have to come into the office tomorrow. Change is hard!
And on that note, methinks it’s time for me to head into the spice mines. Have a lovely Wednesday, Constant Reader, and I will talk to you again tomorrow.
Queer and Loathing in America 