Sunday morning in the Lost Apartment and I am exhausted again. Yesterday morning I was still a bit on the foggy side mentally, and kind of planned to just hang out all day until it was time to meet people at Lilette for dinner at seven. I settled in with my manuscript, turned the television onto college football, and got started. I had completely forgotten I’d agreed to meet folks for a drink in the afternoon. Once I got the reminder text, I leapt into action and got cleaned up, summoning a Lyft. I wound up also going to the Queer Crime Writers’ cocktail hour at the Ritz Carlton bar, and from there it was on to Lilette for dinner, which was amazing and a lot of fun. I am exhausted again this morning, but it’s not as bad as it was on Friday (thank God) despite getting home late and kind of overdoing it again. But again, I can just retire to my easy chair with the manuscript and my red pen and post-it notes so I can get moving on this damned thing.
LSU won in what was apparently a very sloppy game for the offense, only beating Louisiana Tech 23-7, or something like that. I’m not really sure about the games yesterday and how they all turned out, so I am probably going to have to watch a video about them this morning before I get to work on the manuscript. I also saw that Florida, LSU’s next opponent, lost to USF at home, which is not a good look for them or their hot-seated coach. So, will Florida be fired up to take that loss out on LSU, or will LSU clean up its act and bury Florida? It’s almost always a great game, regardless–rarely does one team blow the other out, no matter what their rankings or records.
There are some great games next weekend, though, so that will be a lot of fun.
I may do some chores later after I’ve read for a bit. This aching-joint thing is not fun, just so you know. In fact, I think I’m going to go rest for a moment before I finish writing this.
Okay, I am back. I am still very fatigued and foggy, but I sat for a while in my chair and watched some news and college football scores, and feel a bit better and more clear headed. My stomach is being a bit weird, but I am also due for my first injection tomorrow so maybe this isn’t the start of a relapse (the fatigue was worrying, despite what my doctor said), which was a relief.
After I do finish and post this, I am going to get a bit cleaned up and dive back into the reading with the USOpen men’s final on in the background–like it is now. I like both players (although I think Carlos Alcaraz is cuter), so just want to listen (and occasionally look up to see) great tennis.
I would also like to shout out to those who won Anthony Awards last night, and especially Curtis Ippolito (Best Short Story), K. T. Nguyen (Best First), Rob Osler (Best Humorous), and all the others I can’t think of right now. I met Ms. Nguyen at Noir at the Bar, and she’s delightful (as was her reading), and of course Curtis and Rob are friends–and Rob is a queer writer of queer mysteries, so huzzah for this groundbreaking win! MORE QUEER WINNERS, please!
And on that note, I am heading into the spice mines for the rest of the day. Have a lovely Sunday, Constant Reader, and I’ll be back tomorrow.
I was more startled than anything else, to be completely honest. I had an appointment at 11:30 at the CVS on the corner of Magazine and Louisiana (where the Blockbuster was when we used to rent movies and TV shows on video or DVD) to get my new COVID booster. I made another stop on the way there, to pick up a prescription, and then headed over to Louisiana Avenue for my shot. I had actually never been inside that particular CVS (the one on Prytania is only a few blocks from the mail service and thus more convenient for me to go to), and it’s actually a nice place. So, I checked in for my appointment, and when I was directed to the privacy screen for my shot, this incredibly lovely young man in his early twenties got in the Pharmacy line. Our eyes met, and tilted his head to one side as he smiled, and I thought, as I sat down and the pharmacist closed the screen, I thought, was he cruising me? As I sat there, I thought nah, way too young and besides, I look like shit. I got the shot, which I didn’t feel (shoulder was sore later on in the evening, though; still is a bit this morning), and as I rose to go, the guy was still in line and gave me the same look, only along with the eyes up and down first, and he was indeed cruising me. I kind of laughed to myself as I walked out to my car–I would have definitely pursued this when I was younger–and remembered again how oblivious I am to that sort of thing outside of gay bars. I always was. It never occurred to me that people might cruise me in public spaces that weren’t exclusively queer; friends had to tell me all the time, “That guy was cruising you!” It certainly isn’t anything I’ve even thought about for years, so it was definitely a compliment and I couldn’t help but laugh at myself as I shook my head and started the car, “you know, some younger men like older men, dumbass.”
So, if anyone is ageist, it’s me!
Yesterday, outside of the shot and some other errands I ran, was a lazy day for me. I didn’t do a whole lot of anything; I scribbled in my journal some but the book is beginning to take shape, which is lovely. I pretty much spent the entire day cuddling or playing with Sparky while watching college football games. It was delightful seeing Georgia humiliate Clemson and Miami annihilate Florida, and Texas A&M gave Notre Dame a scare last night. Tonight LSU plays USC in Las Vegas (GEAUX TIGERS!) and we’ll get a better sense of how good this year’s edition of the Tigers are. And Tulane won big, too! We haven’t won a season opener since Joe Burrow graduated (2019 season), so hopefully that will change this year. I think I am going to do a lot of nothing today, too–I’m going to clean the house and write for a while since the game isn’t until tonight–which feels good. I slept super late again this morning and have to think my body needed the rest. I feel good this morning, the coffee is hitting and I don’t feel tired or sore physically (other than the aching shoulder from the booster yesterday), and that way if I can get everything cleaned up, organized and filed today gives me tomorrow to run to the grocery store and write.
I did bite the bullet and renewed the digital version of the Times-Picayune, despite the paper’s descent into a MAGA propaganda machine. I need to be able to read the state and local news, and much as I love local independent reporting, they don’t have the capability to cover Louisiana/New Orleans like Louisiana Sedition can. And I am leaning, more and more, into the concept of writing environmental crime stories so outsides can see what is going on here in Project 2025 Land. I am absolutely fascinated now by the Devil’s Swamp Lake superfund site just north of Baton Rouge, and I’m also researching a short story called “The Haunted Bridge”1, which is over Bayou Tortue (sometimes referred to as “Bayou Torture” on some websites I’ve seen; which is also a good title), and has a ghost story about a young woman whose prom date raped and murdered her on the bridge and threw the body into the bayou; that could be fun to write. God, it’s so nice to be excited about writing again and being creatively engaged.
Oh, and congratulations to everyone who won awards for their crime writing this weekend at Bouchercon–Barrys, Anthonys, and Macavitys all! We didn’t win for School of Hard Knox, but the nomination in and of itself was a lovely thing. It was my eighth (!!!!) Anthony nomination, which is pretty amazing, I think. I’m definitely the most nominated queer at the Anthonys! And we did have a queer winner last night; Kristopher Zgorski shared the Best Short Story Anthony with co-writer Dru Ann Love, which is awesome. Yay for Dru and Kris! They do so much for crime writers, and it’s fun to see them getting started as crime writers themselves, and getting recognition of their own.
It does look like it’s going to rain today–we didn’t get hardly any yesterday, or maybe I’m confusing yesterday and Friday; it’s entirely possible. And this kitchen is an absolute disaster area this morning, so I’d best get going on getting things cleaned up around here so I can do some writing. Have a great Sunday, Constant Reader, and I may be back later.
Screenshot
Yes, that’s a Nancy Drew title, and it fits two stories I want to write about–the one mentioned here and the Murder Bridge outside Emporia, Kansas. ↩︎
My apologies in advance, for I am feeling a bit smug this morning.
Suffice it to say, deciding to flex and exercise my writing muscles again with a new Scotty was an incredibly smart decision. I started with a very slow, hesitant 1300 words on Sunday that took about four hours to do…and then when I got home from work last night, blasted out a quick 2000 more (about an hour or so) that not only advanced the story (which I was making up as I went) and now I am starting to get there. I’ve also not created a Scotty completely from scratch in a very long time, starting with nothing more than a situation and a title and making it up as I go along. And you know what?
It fucking felt fantastic. Highly recommended, would definitely do again.
I’m kind of excited about getting home tonight (after making groceries) and writing even more!
I also channeled that momentum into finishing the dishes and cleaning out the sink once I’d printed out the pages from yesterday. All the dishes are clean, and Paul finished the laundry for me while I was at the office, bless his heart. After finishing the chores, we watched a few episodes of Solar Opposites, which is fantastic, and then I caught up on the news and so forth before heading to bed. A rather exciting Gregalicious evening, no? I can’t tell you how thrilled I was to let whatever it is take over and bang out those 2k words last night–and they aren’t bad, either. Huzzah for me! I also ordered pizza for dinner last night, which was also really good and hit the spot. It was quite a lovely Monday from start to finish, frankly, and I never really felt tired all day, either. This morning I am awake, firing on most cylinders and have no desire or need to go back to bed, and that’s terrific, too.
And my, this coffee is tasty this morning.
Not a bad way at all of starting the day, and not at all a bad way to feel on Tuesday morning, either. It’s lovely when you have a couple of really good days when you feel like yourself again. The missing piece in my life has been the writing, honestly, and now that I am starting (no guarantees it will last, after all, or that I’ll feel that way every morning going forward) to get back into the groove of writing again, I remember feeling this good before and I want to keep feeling this good, you know? It’s so easy to have a down day and then turn that into a malaise that lasts far too long for my comfort. I’m still feeling my way through this recovery-from-everything period, and it’s really kind of nice. It really does feel like there was a dark cloud in my brain for years, keeping me from relaxing or even being able to enjoy the thrills and good parts of authoring. I’ve often mused about my not being able to ever be able to actually enjoy the highs of my career and being me because there’s always something clouding my neurons and synapses. It was very cool being nominated for three Anthony Awards last year (and I lost all three), and an Agatha and a Lefty. That’s five award nominations in a year, with no wins, but I don’t really mind not winning, much as I joke about being such a unrelenting awards loser–but a lot of writers are never nominated for even one writing award, and I certainly never saw myself as ever being nominated for any mainstream awards, so each one is truly a wonderful blessing.
And it’s a lot of fun pretending to be bitter about always losing awards.
Everyone is beginning to start their Bouchercon travels, which is popping up all over my social media feeds, and is giving me serious FOMO. But it’s simply not in the cards for me to head up to Bouchercon this year, and I think taking a full year away from conferences and so forth while readjusting and settling into my life again is probably a good idea. It’s also kind of a good thing that I had/have so much free and down time over the last year or so; not only to mentally and physically recover but to reassess and rethink a lot of things. It’s not so much that I have a new attitude (although I do) about my career and life, but I need to take more time to be appreciative of how lucky I’ve been, and how much my hard work has paid off over the years.
It’s very easy to confuse wanting greater success with feeling like a failure because you aren’t there, and that is something I definitely need to remember.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, and I probably won’t be back later; but hey–stranger things have happened.
While I was in Kentucky, the Anthony Award finalists were announced, and as always, a friend-studded list. So many great books (and people) listed here. Congrats to all!
BEST HARDCOVER NOVEL
All the Sinners Bleed by S.A. Cosby
Everybody Knows by Jordan Harper
Time’s Undoing by Cheryl A. Head
Face of Greed by James L’Etoile
The Last Devil to Die by Richard Osman
BEST PAPERBACK NOVEL
No Home for Killers by E.A. Aymar
Hide by Tracy Clark
Because the Night by James D.F. Hannah
The Taken Ones by Jess Lourey
Magic City Blues by Bobby Matthews
Lowdown Road by Scott Von Doviak
BEST FIRST NOVEL
The Peacock and the Sparrow by I.S. Berry
Play the Fool by Lina Chern
Scorched Grace by Margot Douaihy
Mother-Daughter Murder Night by Nina Simon
City Under One Roof by Iris Yamashita
BEST CHILDREN’S/YA
Finney and the Secret Tunnel by Jamie Lane Barber
Myrtle, Means, and Opportunity by Elizabeth C. Bunch
The Sasquatch of Hawthorne Elementary by K.B. Jackson
The Mystery of the Radcliffe Riddle by Taryn Souders
Enola Holmes and the Mark of the Mongoose by Nancy Springer
BEST CRITICAL/NONFICTION
Finders: Justice, Faith, and Identity in Irish Crime Fiction by Anjili Babbar
Spillane: King of Pulp Fiction by Max Allan Collins and James L. Traylor
A Mystery of Mysteries: The Death and Life of Edgar Allan Poe by Mark Dawidziak
A Fever in the Heartland: The Ku Klux Klan’s Plot to Take Over America, and the Woman Who Stopped Them by Timothy Egan
Fallen Angel: The Life of Edgar Allan Poe by Robert Morgan
Agatha Christie, She Watched: One Woman’s Plot to Watch 201 Christie Adaptations Without Murdering the Director, Screenwriter, Cast, or Her Husband by Teresa Peschel
Love Me Fierce In Danger – The Life of James Ellroy by Steven Powell
BEST ANTHOLOGY/COLLECTION
School of Hard Knox, edited by Donna Andrews, Greg Herren, and Art Taylor
Here in the Dark: Stories by Meagan Luca
Happiness Is a Warm Gun: Crime Fiction Inspired by the Songs of The Beatles, edited by Josh Pachter
The Adventure of the Castle Thief and Other Expeditions and Indiscretions by Art Taylor
Killin’ Time in San Diego: Bouchercon Anthology 2023, edited by Holly West
BEST SHORT STORY
“Real Courage” by Barb Goffman
“Knock” by James D.F. Hannah
“Green and California Bound” by Curtis Ippolito
“Ticket to Ride” by Dru Ann Love and Kristopher Zgorski
I got home last night around seven, after eleven hours on the road from Kentucky on what was actually a rather beautiful day for a drive. I finished listening to The Drowning Tree by Carol Goodman, and timed it perfectly so I could queue up her most recent, The Bones of the Story, to listen to for the rest of the way. I was tired, and as always, when I got hungry I was on a lengthy stretch in northwest Alabama where there is hardly anywhere to stop. By the time I got into an area with places, I wasn’t hungry and debated in my mind at every exit whether or not to stop. Again, though, it was a beautiful drive and a beautiful day. There wasn’t even traffic when I got to New Orleans other than the usual backup before the bridge across the river. It was nice to get home, relax in my chair, be stalked by Sparky, and just be home. I did keep thinking all day that it was Sunday, and had to remind myself regularly that it was, in actuality, Friday. I slept well last night after getting home–I missed my bed, my cat, and my partner, as always–and of course, Demon Kitty got me up at six this morning for his feeding. But…he also got back into bed with me for mostly cuddling and purring with the occasional apex predator cat attacks. It’s good to be home. I spent the evening last night watching our shows and getting caught up (Mary and George, Hacks, Abbott Elementary) and I can now stream The Iron Claw on Max, so we’ll probably watch that later. I have to definitely run errands this morning–mail, groceries, prescriptions, library sale–and am kind of looking forward to a nice weekend of re-entry into my regular life and settling in.
I also have lost track of the world because I really wasn’t doing much on-line other than the occasional deletion of unnecessary emails and the very rare moments when I would look at social media on my phone while I was waiting for something. But on the other hand, I am not so sure that’s a bad thing. It was nice to be away from the world and social media and everything else and just relax, you know? I also managed to read two books on the trip (Salvation on Sand Mountain and The Killer Inside Me; more on those later) and started a third (Where They Wait by Scott Carson), which was fun, and also thought about writing and my future, in a more macro and overarching way. But whereas before the trip that would have overwhelmed me and I would have to walk away from the computer, this morning I feel more inspired and clear-headed about everything than I was before I left…which points out how important it is for us writers who work full-time jobs to actually take a break from ALL work, not just the day job.
The trip itself was nice. I got to spend time with my dad, and another baby picture of me appeared, and one that actually showed my face! It’s kind of a family joke, but we have boxes of pictures of my sister in the first two years of her life–and two in total of me (and she’s in one of them). It doesn’t mean anything–there aren’t many pictures of either of us taken between 1963 and 1967 or so, for example (when Dad bought his first camera). They were living with my grandfather after my sister was born and they were still in high school; so everyone around them was taking pictures of the baby (and my sister was a beautiful baby); I was born right before they moved to Auburn for my dad to go to college and we were very poor for a long time; they had no camera and they didn’t know a lot of people there, either, but it’s always been a family joke about having no baby pictures of me as opposed to the intensely documented first two years of my sister’s life. I did scan said picture with my phone, so I may share it someday. I also got to learn some more family history–Dad reminisced about the early years with Mom and the two kids; and it really is staggering how hard they worked and sacrificed for us both. Dad of course thinks he never made things easy enough for her, but he also never takes into consideration how much Mom loved him. He’s doing better, but he’ll never be the way he was before, either.
And on my drive back yesterday when I stopped for gas in Toomsuba (I always stop there on the way home, it’s only about another three or so hours from there and the anticipation of being home starts there) when I noticed I had a text message from a friend that was rather cryptic, and I was puzzled, but it mentioned “Donna Andrews” and Bouchercon so when I got back in the car I texted back, and then checked my emails. So yes, once again I am nominated for an Anthony–that’s three years in a row, which is very cool–for the anthology School of Hard Knox, which I “co-edited” (I really didn’t do much) with Donna Andrews and Art Taylor. It IS an excellent anthology, and if you like crime short stories, you really can’t go wrong with it. But it was nice to be nominated again; I didn’t think I really had any chance this year for a nod, so that was a very pleasant surprise…and you know, I’ve never really basked in the glow of sharing credit with two people whose work I respect and who I also respect and love as people.
And on that note, I think I am going to head into the spice mines. I feel a bit hungry this morning, so I need to eat something and start my day. It’s so good to be home, and I’ve missed you, Constant Reader, and I’ll probably be in and out all weekend here, trying to get caught up on talking about books I’ve read and other things. So have a lovely Saturday, and I’ll chat with you again later.
I have, after a long internal debate with myself that’s been going on since before my surgery, finally decided not to attend Bouchercon in Nashville. There were still a few things on the plus side for me to go–the proximity to Dad and the ability to visit him on the same trip; seeing friends that I usually only see at Bouchercon–but over the past two weeks the negative side of going has really been brought home to me.
I also realized this weekend that I can just go see Dad anyway, and the truth is that this Bouchercon is already spoiled for me. I just can’t get excited about booking the trip, scheduling how to pay for it, and everything else involved with planning the trip; this year just thinking about it felt like an odious chore that I kept putting off. I keep getting surprise medical bills, too, which also played a part in my decision. I kept pushing back making the decision and figuring out the costs because I didn’t know what else I was going to have to budget for in the meantime.
I want to be clear that not one single negative was enough to break the camel’s back with me, but the accumulation of so many negatives and missteps by this event ultimately was just too much for me. Tennessee’s ban on women’s freedoms and its archaic, hateful anti-trans legislation had already made me wondering about my own safety there1; the recent murder of Nex Benedict2 in a ruby-red state with these exact same kind of laws on the books, along with the very same accompanying dehumanizing rhetoric, was the last straw for me. I just can’t.
It might also be different if the local host committee didn’t make an incredibly egregious error in scheduling a Lifetime Achievement3 winner whose conduct and behavior doesn’t hold up under a closer scrutiny, and his insistence that a deeply problematic person interview him–bound to cause an uproar from the very start–may have been an oversight or something the host committee didn’t think would be a big deal…
NARRATOR VOICE: It was, in fact, a big deal.
I am not going to go into further detail here, nor am I going to mention names–they’re well known enough, and the kerfuffle was kerfuffly enough, for most people to know who I am talking about in the first place.
It also didn’t help matters much that they published the list of categories for this year’s Anthony Awards and ditched the cozy-friendly Best Humorous category, which essentially guarantees most authors who write funny aren’t going to have a chance to be nominated this year. After San Diego created the category last year (and yes, I was a finalist), I had hoped that future local committees would commit to keeping it, making the awards more inclusive and admitting that humor isn’t taken as seriously as darker, heavier books. 4
Just another disappointment to pile onto the others over the years.
NARRATOR VOICE: Humor is seen as lesser because it’s more “frivolous.” But if humor is somehow easier to write, why do so many writers avoid it? If you think writing funny is easy, try doing it some time.
There is a valid point to be made that the only way to effect change you want to see is to get involved and help make that change. It’s why I joined the national board before realizing it would never go anywhere and there wasn’t anyone really vested in change–there are board members now I know are fighting the good fight, but there are also some still mired in the 1980s who think “all change is bad!” No, fixing problems as well as anticipating others is not a bad thing. It never is, and those who are resistant to it should remember that stubborn adherence to antiquated rules, policies and ways of doing things results in stagnation, and the cracks such stagnation creates will soon be too apparent to miss when they start appearing.
NARRATOR VOICE: Change can be scary, but it’s a necessary part of life. This is also true for businesses, non-profits, and events. Not changing and adapting means no room for further growth. I am not the same writer I was twenty years ago, for example. I’ve never wanted my art to stagnate.
There’s also an email circulating containing screen-caps of questionable tweets by other people in the crime fiction community–misogynistic, borderline racist and definitely homophobic–and all the guys posting are people I know and consider friends. It was disheartening, as it always is to see proof of what straight guys will say when they don’t think any gays or women are around. It’s why I can never entirely trust straight people, to be honest. I know that white people will be racist if they think everyone around them is white–and those present who aren’t racist never call them out, just kind of smile uncomfortably. The difference between outright homophobes and those who are just there by defaulting to it is that I appreciate the honesty of the actual outright homophobes more than those who smile in your face and then make horrific gay jokes when I’m not around. This was also a bit disheartening, but while it’s disappointing its a needed reminder of why queer people generally can’t trust the straight ones.
NARRATOR VOICE: Only making homophobic jokes when no queer people are around doesn’t make you an ally–so don’t be surprised when queer people have issues trusting you.
I’ve been around publishing for a lot longer than I like to remember, if I’m being completely honest. I’ve seen a lot, experienced a lot, and all of this sort of bullshit makes me tired. RWA seems to think it’s a great idea to promote using AI to its members. There was another issue with the Hugo Awards that recently, horribly, blew up (John Scalzi did a great write up about the recent Hugo controversy here.). And of course, there’s these latest disappointments from Bouchercon, too.
So, it’s easier for me to bow out entirely and not participate this year. And finally making up my mind one way or the other was such an enormous relief…no regret at all, just relief.
And that’s saying something about how tarnished the brand’s Nashville franchise has become. (A local in Nashville went on a thread about this year’s controversy stating that if queer people don’t feel safe or welcome they should start their own event–which told me exactly what we’d be dealing with should we go. Bouchercon deleted the homophobic trash’s posts, but they were screen-capped, of course.)
I’m not calling for a boycott–that’s not for me to decide, and besides, there are some very valid points about going and establishing a presence at the event. But I am not going, and this is why I decided not to spend my money there.
“But you live in Louisiana and its laws aren’t much better” isn’t the “gotcha” you might think it is, so don’t bother. I am sixty two years old and can’t just uproot myself and Paul to move to a blue state at this point in our lives, without jobs or significant resources to fall back on. I am not encouraging anyone to move here, nor do I tell people to come here, either. Bouchercon is here next year, so I will go for sure, but that doesn’t mean I am okay spending money or time in a state where me or my friends might not feel safe, nor would I presume to tell them it’s okay to come here. ↩︎
You can claim the ME report said their death had nothing to do with their injuries from the beating they received, but I don’t trust anyone in law enforcement or anyone employed by that hate state. Until there’s an independent autopsy, I will not accept the ME’s report, period. ↩︎
He is anti-cancel culture–only dresses it all up in prettier language and what appears to be more nuanced thought. But I’ve never seen any “free speech advocate” who doesn’t also think that racists, misogynists, and homophobes shouldn’t get any pushback or consequence for using hate speech–so that tells me all I needed to know about this person. ↩︎
And don’t @me about how hard it is to run such an event. I know exactly how hard it is to run and plan such an event. It is what my partner does for a living, I’ve been on Bouchercon’s local committee before, I served on the national board, and I helped write the program for Dallas. I also chaired World Horror Con in New Orleans. ↩︎
Merry Christmas to those who celebrate, and if you don’t–well, happy Monday off!
Yesterday was not a good day. I woke up feeling like crap, and it never really got much better until later in the day, when I realized it had started raining during the night. It rained all day, actually, and I was so tired and dragged out and felt so terrible that I didn’t put it together until late in the afternoon–oh, this is SINUS related, because of the rain–and took a Claritin-D, which made me feel somewhat better. I also slept super good and slept in, too. I did manage to get some things done yesterday too–I finished reading Buried in a Good Book (more on that later) and started reading another one. We also finished watching both Looking the series, and then watched the wrap-up film (more on that later as well). I am going to pick out my next read, spend some time with it this morning, and at some point today we are probably going to watch Saltburn. I also have to put the turkey breast in the slow cooker (pulled turkey is quite delicious) and put dishes away, but I also have tomorrow off, so am not overly concerned about getting things organized and cleaned up. I worked on the books some more and pruned some more out, and started learning how to use the microwave–which does make a difference.
Christmas is usually when I started looking back on the year, and 2023 was a bit of a rollercoaster for me (they usually are). My personal life really sucked balls this past year, but it was a very good year for me professionally. The year started with me behind on two deadlines, but I managed to getboth books finally finished and turned in, once I was able to turn MWA over to my successor, which was part of the delay on the books. In late January I injured my arm, and got misdiagnosed by my primary care physician. As we rolled into Mardi Gras, Mom had a massive stroke and I drove up to Kentucky to see her one last time in hospice. She didn’t really know me, she was pretty much unresponsive unless she was in pain, and it was rough. I drove home that Sunday, and she died on Valentine’s Day, so I had to drive up to Alabama that last weekend of Mardi Gras for the funeral. Not going to lie, it was tough losing my mother, and it’s been tough all year. I have sublimated most of my grief into worry about Dad, frankly. I went up and met him in Alabama for their anniversary, and we convoyed up to Kentucky, where I stayed for a week. I met Dad at my aunt and uncle’s place in Panama City Beach in October for their birthdays. When my primary care finally recognized what was wrong with my arm (torn biceps), I got referred to a orthopedic surgeon–but I needed a specialist. I had all my teeth removed finally in September, right after Labor Day, but didn’t get my new teeth until the week before the arm surgery, so was on a soft diet for two months which sucked….and then had to go back on it after the surgery because I couldn’t really cut up food. I also got hearing aids, which was great and has helped dramatically.
I also finally realized what the core mental issue was, thanks to a conversation with Dad–when I found out she suffered from generalized anxiety disorder and the light bulb went on over my head: that is exactly what is wrong with me, and all these years what I thought was “normal” because I didn’t know any different and I just always thought I was like Mom…yeah, I am like Mom, and all these years all I’ve been doing is treating symptoms and not the root cause. In consultation with my new primary care doctor, I weaned off the old medication and started treating the anxiety and the insomnia (anxiety related) properly, and it has made such an amazing difference in my life. I think more clearly, and I can analyze myself better. I’ve also started thinking about how most of my life I’ve tried to avoid confrontation (like Mom) and whenever something has happened that hurt me…well, I’ve tried to avoid those kind of situations again. My trust issues come from the anxiety and being hurt before, and I also realized that my socialization as a child was delayed and/or stunted because of being unable to control my brain. I had undiagnosed ADD as a child, and I feel pretty sure that’s carried over to my adulthood, as well. I couldn’t focus or concentrate because I didn’t know how to shut my brain off or keep it until control. The only time I could find peace, really, was reading or writing.
Professionally, I started off the year by getting nominated for a Lefty for Best Humorous for A Streetcar Named Murder, which was a very pleasant surprise. I debated going, but the timing was bad and with all the traveling I was having to do for family stuff, I had to conserve and preserve paid time off. This was followed up by an Agatha nomination for Best Children’s/Young Adult for #shedeservedit, and this time I did go. I lost to Enola Holmes, but I also became friends with Elizabeth Bunce (we’d been nominated together for an Anthony the year before) and Frances Schoonmaker, who was an absolute delight. I was nominated for three Anthonys at Bouchercon this year–Children’s/YA again; anthology for Land of 10000 Thrills, and Best Humorous for Streetcar again. None of those nominations ended with a win, but for me the nominations alone were the real win. I never ever thought I would be shortlisted for mainstream mystery awards, and what a delightful surprise.
I did publish two novels this year–a new series debuting with Death Drop, and the ninth Scotty, Mississippi River Mischief. I also got an (undeserved) editorial credit for School of Hard Knox, along with Donna Andrews and Art Taylor, for publisher Crippen and Landru–which meant working with my dear friend Jeffrey Marks. I have a story in the book, too–“The Ditch”–which was something I’d been working on forever. I also published two more short stories, “Solace in a Dying Hour” in This Fresh Hell, and “The Rosary of Broken Promises” for Dancing in the Shadows. I’m pleased with both stories, but I also need to get more. I have any number of incomplete projects that are nagging at me that I would like to finish in the new year. SO MANY PROJECTS.
But I feel good today, and very rested. I’d intended to take today as a do-nothing day, but I will probably do stuff because I am not really wired to not do anything all day.
And on that note, I will wish you happy holidays for the moment and head into the…well, not the spice mines, but perhaps a spice resort?
Well, it’s early and I’m a bit groggy; a groggy Greggy, as it were. It’s very dark outside and the heat is running, so I would also guess that it’s also cold out there too. I have PT this morning before I got to the office, and have errands to run after work as well. I still haven’t done holiday cards yet, and time is running out. Heavy heaving sigh. But I am also oddly not stressed about it. I’ve screwed up so many years and wound up not sending the cards, and I have just proved to myself that even when I get great cards and stamps in advance still doesn’t mean I’ll get them done early or on time. I’m holding on to the belief that I can still get them done and in the mail before the end of the week.
I’ve got high hopes!
It was a nice, restful, and relaxing weekend. I somehow managed to get a lot done, which was lovely, and if I didn’t make as far through my weekend to-do list as much as I would have preferred–still, I did manage to get a lot done. The oil change was vitally important, and I am very glad I managed to get that taken care of–the long life of the car is an absolute necessity, and whatever I can do to keep it running and as lasting as I can, the better. I do NOT ever want the return of having another car payment ever again, as long as I live; I am hoping the car outlives me, actually.
I got some other things done that needed doing, like hanging my nomination certificates from the Agathas and the Anthonys for the vanity area of the apartment, and I did get some good work on the book done. I think I have the entire plot figured out completely now, which will make finishing it that much easier. I need to make an extensive to-do list that will carry me through the end of the year, and I don’t think it will be a problem going forward ticking things off the to-do list; this weekend I felt more like myself than I have since at least before the surgery, which was a lovely nice change. The new medications are keeping me level and calm and anxiety-free (some slips in every now and again, which I am able to squash before things get stressful…and in some cases it’s really just habit to react with stress and anxiety at first before quelling the feelings). We watched several movies yesterday and enjoyed them all: Barbie, The Family Plan, and No Hard Feelings, and yes, quite aware what an interesting mix of film types that was, too. Paul has recovered from that little bout of flu that we both had, and he seems more balanced and centered, too. I’m kind of looking forward to this long holiday weekend that’s on deck, too.
I also spent some more time reading Buried in a Good Book by Tamara Berry, which won the first-ever Lillian Jackson Braun Award from Mystery Writers of America earlier this year. I’m really enjoying the book. I like the authorial voice and I find the main character, Tess, a bestselling thriller writer, to be quite droll and funny, and I appreciate her relationship with her rebellious daughter, Gertrude. I do tend to find common cause with characters that are writers, even as I try to avoid writing about writers myself. I also got a lot of chores caught up, and have cleaned up/made functional the workspace, which was way overdue. I’m going to try to stay on top of it as much as possible, but I always say that and always fail at keeping up with the kitchen and the workspace, alas.
Well, I was right, it’s 48 outside, which is cold for New Orleans. I have an easy day at the office today–and by that I mean I don’t have to see clients; it’s my paperwork catch-up day and I’m not quite as behind on that as one might think, given I was out for three weeks. (My supervisor kept on top of some of the paperwork that was pressing and couldn’t wait, which is much easier on me for today.) I am going to have to stay vigilant with the paperwork because the next two Mondays are holidays, but we’re never super busy just before and between those holidays, historically speaking. It’s odd, but I don’t think this first Christmas without Mom is going to be nearly as hard as the first Thanksgiving without her; Thanksgiving was more Mom’s holiday once we got older, and my sister took over Christmas. It’ll still be a bit sad, I think, but I have both Monday and Tuesday off for the holiday, so at least if I am sad on Christmas I have a whole other day to get over it.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader. and I’ll probably be back later.
I do, I really do. I was thinking about this the other night; I was thinking about my trip this weekend to spend time with relatives I’ve not really talked to much over the last forty or so years. Rereading Jackson Square Jazz (I finished last night) has also been revelatory. It’s a pretty good book, and rather ambitious in its scope, but there are some things I’m going to need to revise out of it–primarily words and phrases that have since become problematic. (They were always problematic, but unfortunately we weren’t as aware of these things back then as we are now.) But the purpose of the book overall in the scheme of Scotty’s growth as a person and development of his character definitely played out here, and it definitely worked, so I was rather pleased with the reread.
But it was (is?) interesting to see how I’ve changed and grown as a writer in the ensuing twenty years. I was also a little impressed at how ambitious this book was, in its scope and its story-telling; I don’t remember being that ambitious when I was writing the book. I remember where the idea came from, and how long it gestated in my head before it became Scotty #2; ironically, this was the plot I was going to use to try to write a mainstream mystery with Paige as the main character…at least, that was how I first thought of it. I will have to go back through the manuscript and start making corrections and finding the errors–with the actual finished book on the table beside me to consult for corrections and so forth–and I am also going to need to have the iPad around, so I can do searches in the other Scotty books to verify things. There were also a couple of interesting things I noted in the book as I was rereading it–I did a really good job of setting up the big twist in Mississippi River Mischief that was twenty years in the making–but there were also some things in there that I’ve not followed up on or I’m pretty sure are incorrect; the way I described the apartment on the top floor of Scotty’s building is way off; I am going to have to reread Vieux Carre Voodoo again as well and see what other continuity errors I’ve made with that building over the years. I also kind of liked Scotty’s not-totally-an-adult yet voice; he was a bit of a Peter Pan throughout his twenties, and didn’t start settling down until he was well into his thirties, which was also kind of interesting to me. This book also contains my first car chase (and my first writing about a car accident, for those who keep track of how many accidents Scotty has been in–Chanse has been in a few, too) and some of its geography was wrong; so I am going to need to clean that scene up a bit as well. I guess the best thing to do is reread the version that came out in print next, and put sticky notes in the places where I think I made mistakes in the manuscript to see if it got cleaned up in the edits.
I mean, I really tried a lot of shit in this book, and it actually worked! Good for me!
I ran errands on the way home from work yesterday (mainly so I don’t have to again today) and was a bit tired by the time I got home. I did get started on the chores before Tug decided he needed my lap, and of course, once I was in the chair and he was in my lap it was all over. I did manage to put away the dishes and do another load, as well as get started on the laundry, which I will have to finish tonight. Tomorrow is a work-at-home day, which will be nice. I do need to take the car in for an oil change and tire rotation before I leave on Saturday; whether I do that tomorrow morning or Saturday will depend on a number of things–primarily whether I hear from the dentist that my temporary plates are ready; I really would like to have those before I leave for the weekend because I’d really rather not have to remain on the soft food diet and try to figure out what to stop and eat on the way there and back.
I also picked up two books yesterday, which will come in handy for Halloween Horror Month: Elizabeth Hand’s retelling of Shirley Jackson’s The Haunting of Hill House, A Haunting on the Hill, and the Jonathan Maberry edited Weird Tales: 100 Years of Weirdness. I also got my three Anthony nominee certificates from this past Bouchercon in the mail, which was incredibly lovely and still doesn’t quite seem real to me yet. It still feels like it happened to someone else. I never got the certificates from the previous years–I didn’t know they actually made them for us–and the first time I actually picked one up was at Malice, when they gave out the ones for the Agathas (which was the first time I found out that they make these for the nominees. Just as well–I don’t have that much wall space and boy did that ever sound arrogant!) this past spring. It’s very nice to have these, too, but I am not sure where I can put them. Like I said, I don’t have much open space left on the walls of my kitchen/office. On the other hand, it may be time to mix that all up, anyway, and rehang things or replace things that have been up forever. Do I really need the glamour shots of Joan, Bette and Kate? Probably not.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again later.
I was, somehow, on two humor panels at this past Bouchercon. I moderated one of those panels, which was a great time and one of the best experiences I had moderating a panel because of the amazing wit and talent of my panelists, whose work I look forward to reading. I was a last minute step-in, so I didn’t have time to read their books ahead of time or prepare anything; so the entire panel was extemporaneous–which is incredibly hard for a panelist because you literally have to think on your feet–and they rose to the challenge magnificently. However, I couldn’t use those questions as a self-interview, so instead, I will share the questions marvelous Leslie Karst came up with as the fill-in moderator for the Best Humorous Mystery Anthony panel, which I got to share with Ellen Byron, Jennifer J. Chow, Raquel V. Reyes, and Catriona McPherson…and a lovely time was had by all.
(You can only imagine how thrilling it was to be nominated for an award with these oh-so-talented and wickedly witty women. The imposter syndrome was strong in me on that panel.)
But, with a strong and heartfelt thank you to Leslie for these questions, away we go.
Did you set out to write a humorous (whatever that means) book?
I don’t. That would trigger my anxiety, I think, and I’d second-guess myself constantly. I’m not really sure how funny I actually am–and it’s not self-deprecation for me to say that I don’t think I’m being–or trying to be– funny most of the time. But people always have laughed. It took me a long time for me to realize that they weren’t laughing at me, but with me.
I believe humor should come out of the characters and how they react to, and/or see things, around them. New Orleans is a very easy city to write funny about because the daily paper is an endless source of unintentional humor. Our city government is weird and crazy, as is our history. Something that would draw stares and a crowd anywhere else isn’t even blinked at here. I tried mightily to resist, but have to shamefully confess that I, too, have walked to the Walgreens on the corner in pajamas and house shoes. Are the Scotty books camp? I’ve been thinking about that a lot lately, as I have been watching and reading about the camp aesthetic in the queer community, and I think they are, based on all the definitions I’ve seen and heard and read about. Scotty exists in a very close to reality as I can make it world, but the situations he and the other characters find themselves in are often over-the-top and ridiculous but normalized in that world, much as they are in real life. No one bats at an eye at any of it, because it’s normal. I think that makes my Scotty series camp.
The book that was nominated, A Streetcar Named Murder, was one in which I didn’t even think about being funny. I had the over-the-top character of the neighbor/best friend, Lorna, for comic relief, but my main character was supposed to be the one who sees and recognizes the ridiculousness but accepts it as reality. Catriona McPherson tagged me on Facebook because one scene in the book made her laugh for several minutes–which I took as a great compliment, because she is one of the funniest people I know–but I didn’t even think about writing that scene as funny; it’s actually when Valerie discovers a dead body, and the dying woman–wearing a pirate wench costume–says her last words, trying to identify who killed her. I remember making the conscious choice as to what those last words would be and tying it into her costume, but that seemed to me how it had to be, if that makes sense? And of course, when you’re writing a book and revising and reediting and rewriting and copy editing and page proofing…you do get so heartily sick of a book and its characters that it just seems tedious and tired and dull to you. Any humor I may have deliberately thought up and wrote into a manuscript no longer is funny to me by the final pass…which is worrying. I am never sure the book is funny or not.
What’s the most challenging thing about writing humor?
Being funny! The thing that always gets me about humor is how quickly and easily it’s dismissed when it comes to books–books aren’t supposed to be funny, you know; they’re supposed to be serious–which always puts funny books at a disadvantage, especially when it comes to awards, particularly juried ones. How do you say one book is funnier than another? Do you judge just the humor, or is that just a factor in the overall quality of the book? The odds of five to seven judges all agreeing on the same thing being funny are exponentially greater than the odds of five to seven judges agreeing on something tragic. Humor is harder than tragedy, and it’s even harder when you’re trying to find the humor in a tragedy.
Humor is incredibly subjective, and difficult to agree on. I’m one of the few people who thought Seinfeld went on for too many seasons and had stopped being funny long before they stopped; likewise with any number of other highly popular comedies, from Friends to Modern Family; shows that remain consistently funny for a long run are very rare, and I’ve always appreciated the comedies that went out before the quality began to decline (The Mary Tyler Moore Show, All in the Family, The Bob Newhart Show).
Have you ever gotten the giggles in a highly inappropriate setting, and how did that go?
My grandmother’s funeral. In fairness, my eldest cousin is one of the funniest people I know, and I made the mistake of sitting next to her and she kept whispering to me and I couldn’t help it. It did NOT go over well, and we’ll leave it at that?
Have you ever had to change anything in a book (funny or not) because of pushback from your editor?
Nothing major or significant, really; there was never anything like “this scene! What were you thinking?”
Is writing humor difficult for you, or does it come naturally? Any tips on writing humor for those writers in the audience?
Like I said, I don’t really try, it just happens. So I guess I would have to say it’s easy, with the qualifier being if I am not trying to be. The Scotty books were my first experience with really writing humor, and for me, it was more about him and his reactions to all the crazy things happening around him–which is why I’ve been wondering if the books are camp or not lately. The original idea for the first one did strike me as funny; I just saw one of the dancers working at the Pub during Southern Decadence weekend maneuvering through the big crowd in the street to start his shift. I had a mental flash of a guy wearing only a day-glo lime-green thong being chased through the crowd with bad guys with guns also trying to fight their way through the enormous crowd of scantily clad partying gay men. Likewise, the original idea for Vieux Carre Voodoo came to me when I was walking through the Quarter and passed under a balcony just as they started watering their plants–so got wet. (It’s a regular hazard in the Quarter.) I then had an image flash into my head of the same thing happening to Scotty–only he was wearing a white bikini that became see-through when wet. Why would he be walking through the Quarter in a bikini? Because he’s going to ride in the Gay Easter Parade dressed as a sexy gay bunny–white bikini, cottontail, and bunny ears. There was one scene in Jackson Square Jazz where he finds a dead body, and sighs resignedly and says, “not again.” I wasn’t sure if that would get past my editor, but it did.
I think it’s easier when the humor comes organically out of the characters and the situations they’re in. I don’t write jokes, but I do imagine a scene that I think is amusing and then fit it into something I am working on, if that makes sense?
Humor is hard.
Is there any type of humor that you would deem inappropriate for your books?
No. I’m a sixty-two year old gay man who lived through the 1980s and has been doing HIV/AIDS work for the last twenty years, so my sense of humor is very dark. I’ve been told I have a very dry, caustic wit; but there’s a very fine line between dry wit and being bitchy and cruel. I don’t like to cross that line, but have.
A Streetcar Named Murder was nominated for both the Lefty and Anthony Awards for Best Humorous Mystery. It was a thrill, an enormous compliment, and a complete surprise in both cases. I’m sorry the ride had to end….
Here we are–the Best Humorous Mystery Anthony nominees and our moderator. (And why do I look at myself in this picture and hear Bianca del Rio saying “horizontal stripes are not a good look in your third trimester, sir.”)
Queer and Loathing in America 