Tag: anthology

Beach Baby

I love this song still to this very day. It came out during a time where nostalgia was big–especially the 1950s–and the Beach Boys had just made another comeback and their album Endless Summer was a huge hit. The song is very reminiscent of the Beach Boys–all that California sun and surf and cheerfulness and high school hops–but there was a melancholy under all that cheerful nostalgia, especially with the background refrain, oft-repeated through it, of do you remember? do you remember? (The song also come out around the same time as a book called What Really Happened to the Class of 65? and I always associated the song with the book.)

It is Tuesday morning and I am up early, as always, swilling coffee and eating coffee cake, care of Costco. I did finish editing that story, and got it turned in. I hope the editor likes it. I had the idea for it many years ago–not that long, but it seems like it now–and started writing it, getting a draft done before wondering where to try to sell it. I was going to submit it to the Minneapolis Bouchercon anthology I edited, putting it through the anonymous read process as I did for the New Orleans and St. Petersburg ones because it would look like “insider pool” if I was accepted. (I have not submitted to a Bouchercon anthology since being told this, by the way. If their board thinks I would just automatically put my own story in there instead of following the same procedure as everyone else? I don’t need to be in any of their anthologies in the future.) I’ve had the idea for a long time–going back to when I actually lived in Minneapolis, which is where I also came up with the title, which is one of my favorites of all my titles. I did try selling some other places, but the story was still…not quite right, and was rejected, as it should have been. I think I was able to fix it, but…we’ll have to see. But it felt good to work on it, and I also realized that just because it doesn’t “feel” the same to write and edit as it used to, doesn’t mean I’m not doing good work. I’ve changed, both physically and mentally, and that’s going to make things seem different to me than how they used to work, you know?

Yesterday wasn’t a bad day, you know. We weren’t as busy at work as I had expected, primarily from no-shows and last minute reschedules, so I wasn’t exhausted when I got home from work and worked on the story. I didn’t do any chores–the kitchen somehow exploded again, I don’t know how all this happens, honestly–so when I get home tonight I can’t write or read or even catch up on the news until those chores are completed. I hate when the downstairs is a mess, and the whole apartment, when it’s out of order, feels very cramped and small and claustrophobic. Because I am all about the claustrophobia? Apparently so. I slept well again last night and don’t feel terribly sleepy or tired this morning, which is a good thing. Sparky was a combination cuddle-bug/attack kitty this morning before I got up, and went into attack mode again while I was putting my shoes on. I think Paul will be working late at the office tonight, if I am not mistaken, and so it’ll be time for some bonding time after I write (or while I read and edit). I doubt I’ll be catching up on the news; the current story dominating the legacy “media” doesn’t interest me, nor am I interested in being shamed for not mourning someone who advocated me being stoned to death, either. (Miss me with the “he didn’t say that!” Okay, then, tell me one positive thing he ever said about queer rights and equality. I’ll wait.)

The story not getting this fawning, wall-to-wall coverage from the legacy media? How about the two men lynched on consecutive days in Mississippi? The Mississippi “police” already determined the Black college student’s death had “no evidence of foul play.” Really? The other victim was a white homeless man, and their names were, respectively, Trey Reed of Delta State University and Cory Zukatis. After all, it’s not like the Mississippi police have a history of covering up hate crimes or anything. (eye roll to infinity)

We are living in dark times, indeed.

And on that grim note, I am heading into the spice mines. Stay safe, Constant Reader, and I’ll be back in the morning.

You Don’t Bring Me Flowers

You don’t sing me love songs…anymore.

I had been waiting to hear about an anthology I sold a story to (they asked me to keep it quiet until further notice), but had never did so I could never mention it. But it was announced; they just hadn’t tagged me. Anyway, the anthology is Celluloid Crimes, and will be released this summer from Level Best Books. My story is “The Last To See Him Alive,” which actually now is the first, revised chapter of Chlorine, which, if you’re wondering, I’ve never stopped thinking about or working on since I first brought it up on my blog six or seven years ago. Over the weekend, I did confess to someone that I have about six or seven novels currently in progress; Chlorine is definitely one of them. In fact, taking Chapter One and turning it into a stand-alone short story also triggered some creativity in my brain, and that helped the entire novel take shape, and now I know what the middle part will be, and the end will become even more poignant and noir-ish with these necessary changes to the story. Huzzah! More about the story and the anthology as it nears its publication date.

The auction for the Transgender Law Center concluded last night, and we raised over $58,000! I have to admit being enormously pleased and proud of the organizing committee as well as all the people who donated items and those who bid on them. Well done, everyone! This project began two or three years ago (it was before my arm surgery, I do know that much–I have no grasp or concept of time anymore–but other than that? Pfffft.) and it’s kind of hard to believe it’s over and done with at last. I didn’t do that much–the driving forces were truly Susanna Calkins, Sandra SG Wong, Ellison Cooper (Jen Dornan-Fish), Cheryl Head, and Ed Aymar. The group was exceptionally fun to work with, despite my on-going issues, and I didn’t contribute nearly as much as I ordinarily do when I am volunteering because of my on-going issues, but my fellow organizers were so efficient and on top of things I didn’t need to, which was lovely. It was truly a great group, and our advisory board (including spokesperson Robyn Gigl, Brenda Buchanan, and John Copenhaver) were also amazing and hard-working. What a lovely experience this was indeed.

I did get some writing done last night, but not nearly enough. After driving uptown to get the mail and then making groceries, I was pretty fried by the time I got home, so wasn’t really able to resist Sparky’s meowing insistence that I get in my chair and let him sleep in my lap, so I did. We continued watching Mid-century Modern, and you know, not every joke lands nor does every scene necessarily work, but all the actors are clearly having a good time with it, and Matt Bomer is absolutely perfect as the beautiful, former Mormon flight attendant who is actually very sweet and a little like Rose from The Golden Girls, completely without guile and literal. Nathan Lane can be a bit histrionic, but he’s Nathan Lane; always charming and likable. Such a shame Linda Lavin died, because she’s terrific as Lane’s mother–and was probably going to at least be nominated for an Emmy. But Nathan Lee Graham steals the entire show as a former fashion editor who is very quick-witted in that bitchy sarcastic way that so many of us develop as a shell for self-defense. It’s also refreshing to see a show about older gay men who, like The Golden Girls, still are vital and have sex lives and embracing life rather than sliding into self-pity or caricature. These characters would have been easy to play as one-dimensional stereotypes, but it’s a tribute to these actors’ skill that they have heart and are real people. I’m sure it won’t thrill some queer people–nothing ever does, we are notoriously critical of things about us–but it’s nice to see gay men as realized characters on a traditional style sitcom, and definitely a progression from Will and Grace.

I feel better today than I did yesterday; another good night of sleep was had, and this morning I don’t feel any brain fog or exhaustion like I did yesterday. I think I am now acclimating back to my life, which is nice because I also need to get my act together and start getting things done again. This weekend will most likely be restful and lovely as well; and perhaps time to start working on household projects (like cleaning out the attic) so the house can be sort of presentable and livable again. Stranger things have happened, you know. I started writing a tribute to Dorothy Allison for my newsletter, triggered by the tribute reading I did Sunday, as I have been remembering how much she and her work have always meant to me. It’s kind of hard to believe such a force is gone from the world.

Sigh. And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll be back in the morning.

The Itchy Glowbo Blow

Wednesday and we’ve made it halfway through the week, Constant Reader. Didn’t think it was quite possible, did you, when Monday dawned so early and ugly? We expecting thunderstorms today in New Orleans–it feels cooler and damp this morning, but I don’t know when we are supposed to have said storms; probably this afternoon. I slept really well again last night–it’s been lovely getting good sleep lately. I felt a bit tired yesterday when I got home from work, and so took it a little easier on myself when I got home. I managed to get caught up on my emails (such a weird feeling) and did some writing last night. I think I’m still a bit in the post-book malaise phase of things, so writing anything isn’t easy (not that it ever is) but Paul got home late so was left to my own devices once I finished writing for the evening. I did watch some documentaries on Youtube about the Hapsburgs last night (I also discovered an English-language biography about her–Margaret of Austria–which I added to the my list of books to buy…which is almost as out of control as my TBR stack, which is now essentially the entire living room), and I read a short story in Hitchcock’s My Favorites in Suspense anthology; a dark little Charlotte Armstrong story called “The Enemy.” Armstrong was a writer I discovered as a tween, when Mom let me join the Mystery Guild Book Club; I got an omnibus by her (The Witch’s House, Mischief, The Dream Walker) which I greatly enjoyed. I rediscovered Armstrong thanks to the work of both Sarah Weinman and Jeffrey Marks, which enabled me to continue reading in her canon.

Armstrong won an Edgar for Best Novel for A Dram of Poison, a charming if dark little story of suspense; maybe the rare Edgar winner where there’s no dead body but the plot has to do with preventing an accidental death? It’s very clever, and incredibly charming, but beneath that clever charming surface it says something dark and awful about human nature and character–people who are unhappy spreading their misery to others. Armstrong was also made a Grand Master by Mystery Writers of America. Her work may seem a bit dated in the modern day–technology and society have moved on from the times she lived and wrote in–but I think it’s well worth the read. “The Enemy” is that same style of writing as Dram, a serious subject presented charmingly, and the death of a child’s dog the catalyst for an exposé of something darker and nastier…and yes, the plot also hinges on the darkness a human being is capable of creating. It’s a really clever, if slightly dated, story–and you can’t help but smile or laugh at the last line of the story. I am really enjoying these time capsules into the past, to tell you the truth. I bought a few more of these anthologies on eBay yesterday, too. It’s nice to have short story collections around for those times when my brain can’t really focus on reading an entire novel.

I have been listening to Carol Goodman’s The Drowning Tree on Audible, but I may have to break down and finish actually reading a physical copy because I can’t keep listening every day and with my memory a literal thing of the past these days, I’m not sure I remember enough of the story to pick it up again this weekend. I also picked up copies of her new novel, The Bones of the Story, along with Paul Tremblay’s new short story collection, The Beast You Are. I do like Tremblay’s writing–A Head Full of Ghosts was one of the best horror novels of the last decade, and I’ve liked everything else of his that I’ve read–and I think this may even be his second collection. I am also hoping to pull together another collection myself this year–This Town and Other Macabre Stories–but I am not sure if I will have the time. I also got the copy edits for a short story I contributed to an anthology in my inbox last night, so that has to go onto the to-do list, and I still have page proofs to get through. But for the most part, it seems as though I have a guilt-free free weekend, which one can never truly go wrong with, either. I’ll have some errands to run, of course–I always have errands to run–but there’s no stress or pressure on me either, which is kind of nice. I think maybe that’s the reason I’ve been sleeping so well this week? No pressure and my schedule has kind of normalized, gotten back to normal, settled back into the routine my body is used to, perhaps?

Yes, that makes total sense to me.

I also have ideas and thoughts pinging around in my head. I’m itching to get back to the works I have in progress; I want to get a strong first draft of two different novels finished before I leave for Bouchercon next (!!!) month. I actually, finally, made a to-do list yesterday; I am hoping that I can get my life back on track the way it was before the pandemic and the madness of the last few years. That doesn’t mean that my blood pressure won’t continue to go up predicated on the constant assaults on everyone who’s not a cisgender straight man from the demons on the right–which is part of the reason my interest in the Civil War and the 1850’s, that terrible lead-up to the split, has been heightened these last few months. I do see a lot of similarities in the split between conservative v. progressive today, which was predicated along the lines of abolitionist/pro-human trafficking back then. One of the books my father gave me to read was called Southerners in Blue, which was a novelization of the true story (albeit poorly written) of a Union sympathizer and others like him in Winston County, Alabama. (If you’re not familiar with Winston County, the easiest way to explain it is this county did not vote for secession and essentially stated that if Alabama had the right to secede from the Union, the county had the right to secede from Alabama. They did not secede from Alabama, just said they had the right to predicated on the secession arguments being presented, but have gone down in Alabama history and lore as having actually seceded even though they most certainly did not) Basically, in some of the northern counties of Alabama there was basically a second civil war, between the “secesh” and the “Unionist” supporters, and the mountains of north Alabama were filled with deserters from the Confederate Army, This was also novelized into a book called Tories of the Hills by Wesley Sylvester Thompson, which is incredibly rare (my uncle has a copy, which my aunt won’t let be removed from her house–wise, as I would totally steal it). I had read another book also while I was up there, about the Kansas-Missouri border war–which had a decided “secesh” slant to it, of course, while complaining that all previous histories were “unsympathetic to the Missouri slave-owner point of view”. I’m sure he had a point, but simply because there are two sides to every story doesn’t mean each side deserves to be heard, or that each side’s opinion has equal weight. It did spark my interest, though, and I really think there’s a book in this little-known history of north Alabama. Again, it would be difficult to write–lots of potential landmines there–but it’s also, as I said, not very well known and with today’s tribalism mentality–not to mention how loud the Lost Cause fanatics are–it’s hard to wrap one’s mind around the notion that the South wasn’t monolithic in its thinking.

Because no group of people are, really, which is why I don’t like being asked for a gay perspective on anything; I can only speak for myself.

But while I continue to research this aspect of history and try to figure out a way to get a novel out of it, I am going to map out two others. One is already in progress, and the other is a New Orleans ghost story I’ve been wanting to write for quite some time now. The trick is to make it different from every other ghost story I’ve already written. Good luck with that, Mr. Repetitive!

Heavy heaving sigh.

And on that note, I am heading into the spice mines. Have a great Wednesday, Constant Reader, and I will check in with you again later.

Missing You

So, this came in the mail yesterday.

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Yup, it’s the Anthony Award I received for Best Anthology for editing Blood on the Bayou: Bouchercon Anthology 2016. I was at the airport boarding my flight home when my name was called; my phone immediately began blowing up and I was more than a little stunned, surprised, thrilled and I don’t know what all.

So cool. It’s gorgeous, and a lot heavier than it looks.

So, since I wasn’t there to accept in person, I am going to give an acceptance speech. (I didn’t have one prepared; I was so certain I wasn’t going to win we booked our flights home for Sunday.)

The first time I signed a contract to edit an anthology I didn’t know the first thing about doing an anthology. So I asked an editor whom I had long admired for some advice. All he said was “only work with good writers.” With Blood on the Bayou, that was certainly the case. I didn’t know what we were going to get when I put the call for submissions out; we wound up with so much good material we could have done two anthologies. So, let me thank everyone who submitted for doing such exceptional work, for giving me such an embarrassment of riches to work with. I want to thank the people whose stories did wind up being used–you were all amazing, a joy to work with, and I wouldn’t have this if it weren’t for you. I need to thank Eric Campbell and everyone at Down and Out Books; again, you had no problem whatsoever with my moods and my oddities and my quirks and I greatly appreciate that. I owe Heather Graham and Connie Perry, the New Orleans co-chairs, a big thank you as well for letting me do this anthology, and I also need to thank Art Taylor, who put the whole thing in motion for me–none of this would have happened without Art. I also want to thank everyone I’ve ever known in my entire life.

One of the great ironies of editing this anthology–I think it was the twentieth I’ve done–was that when I finished editing the last one I said, “this is the last time I’m doing this. This is my last anthology.” And yet…here I am.

But this is just so lovely. I never dreamed I’d ever actually win an Anthony Award. I mean, I hoped, of course–who doesn’t hope they’ll win an award in their field? I hope for all kinds of things, but I don’t expect to get most of them.

And it didn’t seem quite real until now–that’s it here and I can look at it.

Wow.

And it’s Friday, just like that. I have so much to do this weekend. Sigh.