I firmly believe that writers should be paid for their work.
On the other hand, it ain’t easy making a living from writing.
Good morning, it’s Monday and I have the day off. If the plans hadn’t changed, I’d be driving back this morning and I would be very, very tired. Instead of spending the weekend visiting family, however, I spent the weekend at home getting things done. I worked on the filing some more yesterday, and will probably do so for at least part of today as well. The file drawers still need to be alphabetized, but all the “in process” book files have all been gathered together, duplicate files deleted, and I am in much better shape now with them than I have been in years. Sparky let me sleep until seven this morning, and I decided to stay up rather than going back to sleep after feeding him; since I need to get used to getting up again I thought it was smarter to just stay up. I’m going to read some this morning, and I also plan on writing today. I am going to make shrimp fajitas for dinner tonight, which is ambitious–but could be very tasty. We shall see how it all turns out, won’t we? But my kitchen is clean, the counters are all cleared off, and there’s a load of dishes that need to go into the dishwasher at some point today, too. There’s another load of laundry that also needs to be done, and I think I may just stay inside the house all day.
Last evening we got caught up on House of the Dragon and Interview with the Vampire, and I’ve got to say, Dragon moves at about a glacial pace. Very little has happened this season thus far, which is weird and odd. I mean, isn’t there going to be a dragon war? Why all this delay in getting the story moving again? They’ve all been preparing for war since the last episode of the original season and guess what? They still are. Vampire also moves at a slow pace, but it’s interesting to watch and is following the story of the book pretty closely, even with the differences and changes made to Mrs. Rice’s original works. Next week is the season finale, and I was a little taken aback that we’ve already watched so much of it already. Tonight we’ll get back to Dark Heart, and of course tomorrow it’s back to the office for one Gregalicious. I don’t mind, really, and the staycation I’ve been promising myself for August and my birthday is actually looking not only do-able but something to actually look forward to. I mean, look at all I got done this weekend! Maybe that will give me the motivation to clean and clear out the attic–stranger things have happened.
We’re also in a heat advisory until seven o’clock tonight. Hurray–and now it’s even more likely that I will not go outside today.
The opening of this entry–about writers deserving to be paid for their work–was inspired not only by today’s title, but by a post I saw on some social media by Gabino Iglesias, who is one of my favorite current writers (seriously, you need to check out The Devil Takes You Home, which was an Edgar finalist and won the Stoker for Best Novel; I can’t wait for his next book), and is one of the best authors to follow on social media because he’s all about supporting his fellow authors, giving good advice for those getting started, and basically boosting other authors every opportunity he gets. (There was also a thread from Nick Mamatas on the subject, in which he explained why some genres don’t pay well while others do.) The bottom line they both made was that everyone should get paid for their writing and no one should ever give it away–because accepting that your work has no monetary value is terrible and gives publishers an excuse for either low-balling or not paying anyone they publish. I’d never really thought about it that way, and I have been, throughout my career, guilty of doing work for free like an idiot or not properly placing a value on my work. Doing work for free has never really appealed to me; I certainly don’t give the day job one extra minute that is unpaid, but I often have gifted short stories to anthologies for one reason or another, mostly because the anthologies raise money for charity. Early on in my career, you see, I didn’t have extra money to donate to charity. When I worked for the airline, I did volunteer work for charities because I didn’t have money and that continued through developing my writing career. If I couldn’t donate cash, I’d donate my time or my work if the cause was something I believed in. I’ve also sold work that I was never paid for, either, which isn’t in the least bit acceptable.
Things to ponder.
One of the things I decided over the course of the weekend (I also figured out how to improve “The Sound of Snow Falling”, huzzah!) was that all the extra time I seem to have on my hands now that I no longer volunteer my time anymore can be better utilized than I’ve been doing; I am going to teach myself some things, I think, and I’m going to start working on doing more marketing and promotion, too. I also want to be able to take my time more with my writing; there really is no rush other than the ticking of the clock counting out the grains of sand left in my hourglass. I would like to finish every project that is unfinished at the moment, and of course I am always going to be getting more ideas all the time.
And is there any better way to unwind and relax after a day at the office than reading? I think not, and now that I can stream Spotify through the television, I am going to listen to music while I read and write and clean from now on rather than having something playing for background noise that I inevitably wind up watching rather than getting other things done.
And on that note, I am going to head into the spice mines. Have a lovely Monday, Constant Reader, and I will be back with a Pride post again later–I finally finished reading Sins of the Black Flamingo, and it definitely requires an entry of its own. Ta for now!
Today’s title sounds rather like a gay Christmas tune, does it not? It certainly sounds like a great title for a gay porn story set during the Christmas season, and just typing that out made me immediately regret never doing a Christmas gay porn anthology–imagine how the evangelicals (aka cosplay Christians) would have reacted to that!
And Jayden Daniels won the Heisman Trophy! GEAUX TIGERS!
I overslept this morning, mainly because I didn’t sleep well last night. I didn’t feel good yesterday; I ran some errands and came home exhausted, collapsing into my chair in exhaustion and later on, started feeling crummy; my stomach was really bothering me for some reason, and I went to bed early, hoping to sleep it off….only couldn’t sleep for a long time. I did finally fall asleep after midnight, and when Sparky got me up for his six am feeding I went back to bed and stayed there until almost nine thirty. I don’t feel that great this morning, either, which is not a good thing, either. I think my blood sugar crashed and I never really replenished it yesterday, and I also think I’m dehydrated–so no, this coffee isn’t really helping much here, either. I think when I finish writing this I am going to go sit in my chair and read for awhile until I feel somewhat better, and will write later on today.
I hate when I don’t feel well, you know?
We got caught up on Monarch: Legacy of Monsters yesterday, and then watched Indiana Jones and the Dial of Destiny, which was…disappointing. I love the character, I love Harrison Ford, and I love Phoebe Waller-Bridge, but the movie just didn’t engage me the way the first and third movies did; the second, fourth and fifth being disappointments. Just thinking about those movies for a moment, though–the first and third movies are predicated on the idea that the Bible is true, and there is a God up there in the heavens or wherever that is supposed to be. Likewise, horror films and books as a general rule, also work as inadvertent Christian propaganda; vampires and The Exorcist go so far as to say Catholicism is the only “good” force to combat non-Christian supernatural forces. There’s an essay in that; I’ve always found it amusing that Christians–especially Catholics–are very anti-horror because “demons and witches” and “the devil” while the work itself actually is predicated on the foundation that the Bible, and Christianity, are not only real but the primary defense against evil in the world. (It always amused me the way the church always came for Anne Rice, when all they had to do was read her books to see how staunchly pro-Catholic they actually were.)
I was too tired and unwell yesterday to be able to focus on reading more of Raquel’s book, but I am going to probably dig into that for a while this morning once I finish this and put some food into my system to see if that helps me feel better. I think it’s weather related; our bipolar weather swung back into the warm and wet side again yesterday afternoon and into the evening, so it may have been a combination of sinus, blood sugar crash, and dehydration–so I am going to have to have some of that rehydration drink today. It really does suck how a bad night can throw you off your game; all I want to do is go back to bed and rest some more. This doesn’t bode well as I have to go back to work on Tuesday; yikes! But if it wears me out, it wears me out–and should mean I’ll sleep well that night.
We also watched some of the Grand Prix figure skating final last night, too–after finishing Indy and giving up on another show we were watching–and there just aren’t a lot of good, top quality skaters anymore; there’s a huge drop-off from the top three–and the pairs? Yikes. The team that won was the best of the six, for sure, despite a lot of mistakes. Skating just isn’t as much fun to watch as it used to be–although Ilia Malinin and his insane amount of quads in every long program is pretty impressive, and he’s getting better at the artistry, which used to be practically non-existent in his programs. I think he’s going to be one of the greater skaters, as long as his body holds out–all those quads are a lot of pressure on his ankles, knees, and hips.
Sorry to be so dull today, but yikes–exhausted and tired and still not feeling super great.let me eat something and maybe that will help–and so I will bid you adieu on this Sunday morning, and hope you have a lovely day.
I never really meant to write a vampire story. For one thing, Poppy Z. Brite and Anne Rice had already done the New Orleans vampire story and set the bar super-high for anyone else wishing to write about vampires in New Orleans; Charlaine Harris also kind of cornered the market on Louisiana supernatural novels, too. It really seemed cliché to do New Orleans vampires, and I never would have, had I not been asked, and offered a lot of money, to do so. I make no bones about writing for money; if that renders me an unreadable hack, so be it.
I was initially asked to write a New Orleans vampire novella for a collection of four to be called Midnight Thirsts, which Kensington was publishing. Once I signed the contract and got paid half the advance, I decided to adapt a vampire short story I’d written, probably in or around 1997 or 1998, called “The Nightwatchers”; the main character was a young wannabe actress with a lot of talent but a lot of insecurity, who discovers that the reason she hasn’t been getting good roles in her theater company is because the woman who does is fucking the director. The story wasn’t good–she is easy prey for a vampire looking for a companion, who kills the director and the competition actress before turning her–but there was some lovely stuff about the French Quarter in the fog and her crumbling apartment–this was when you could still get a decent enough apartment in a crumbling old building in the Quarter for a price that seems unbelievable and unrealistic today–that I thought I could use. I also like the title, and as is my wont, when I started world-building and creating, I went overboard on back story. There were two point of view characters; the main, Philip Rutledge, who works as an escort, and his best friend Rachel, an aspiring singer who works in a coffee shop on Frenchmen Street, as well as a third; an older man who is a “nightwatcher,” member of an ancient society that reins in supernatural threats to humanity all the while keeping them in the dark about the reality of supernatural creatures and beings in the world. He has followed a rogue vampire to New Orleans, who has set his sights on Philip. I left the ending open, because I thought there was more story–if not a book, if not an entire series–in this idea. I decided I was going to write the vampire novel after finishing Mardi Gras Mambo…which wound up being delayed over a year. Then Katrina happened, and by the time I was ready to write about vampires again, too much time had gone by, alas. But they were doing another collection of vampire novellas, and asked me to do a Todd Gregory story for them (they had started publishing the Todd Gregory fraternity novels by this time), and that story became the novella “Blood on the Moon.” But rather than starting fresh, I used the same structure and world I’d created with “The Nightwatchers”–and tied it into the fraternity novel world as well, making the main character a member of the fraternity’s University of Mississippi chapter, visiting New Orleans for Carnival and winding up getting turned (it’s a longer, more complicated story than that, but that’s the bottom line). I brought Rachel and the old man from “The Nightwatchers” back–and when I was doing the anthology Blood Sacraments, I wrote a short story “Bloodletting”, that basically picked up where “Blood on the Moon” left off.
So, when Kensington asked for an erotic vampire novel rather than another fraternity book, I decided to use “Bloodletting” as the first chapter and build on the story from there, also using “Blood on the Moon” as the foundational story and the supernatural world I’d created for “The Nightwatchers.” This was to serve as an introductory work to a new supernatural Todd Gregory series.
It’s working title was A Vampire’s Heart. The powers that be didn’t like that title, thinking it sounded more like a romance novel title (which wasn’t wrong), and suggested Need, which was a recurring theme in the book.
And I really loved the cover.
The damp air was thick with the scent of blood.
It had been days since I had last fed, and the desire was gnawing at my insides. I stood up, and my eyes focused on a young man walking a bicycle in front of the cathedral. He was talking on a cell phone, his face animated and agitated. He was wearing a T-shirt that read Who Dat Say They Gonna Beat Dem Saints? and a pair of ratty old paint-spattered jeans cut off at the knees. There was a tattoo of Tweetybird on his right calf, and another indistinguishable one on his left forearm. His hair was dark, combed to a peak in the center of his head, and his face was flushed. He stopped walking, his voice getting louder and louder as his face got darker.
I could smell his blood. I could almost hear his beating heart.
I could see the pulsing vein in his neck, beckoning me forward.
The sun was setting, and the lights around Jackson Square were starting to come on. The tarot card readers were folding up their tables, ready to disappear into the night. The band playing in front of the cathedral was putting their instruments away. The artists who hung their work on the iron fence around the park were long gone, as were the living statues. The square, so teeming with life just a short hour earlier, was emptying of people, and the setting sun was taking the warmth with it as it slowly disappeared in the west. The cold breeze coming from the river ruffled my hair a bit as I watched the young man with the bicycle. He started wheeling the bicycle forward again, still talking on the phone. He reached the concrete ramp leading up to Chartres Street. He stopped just as he reached the street, and I focused my hearing as he became more agitated. What do you want me to say? You’re just being a bitch, and anything I say you’re just going to turn around on me.
I felt the burning inside.
Desire was turning into need.
I knew it was best to satisfy the desire before it became need. I could feel the knots of pain from deprivation forming behind each of my temples and knew it was almost too late. I shouldn’t have let it go this long, but I wanted to test my limits, see how long I could put off the hunger. I’d been taught to feed daily, which would keep the hunger under control and keep me out of danger.
Need was dangerous. Need led a vampire to take risks he wouldn’t take ordinarily. And risks could lead to exposure, to a painful death.
You see why they suggested we rename it Need? That opening pretty much says it all.
I had never really put a lot of thought into writing about vampires, in all honesty. To date, I have only published two novellas, one short story, and the novel, of course, but while I was writing Need that world began to expand and grow in my head as I worked on the story. I wanted to tie both “The Nightwatchers” and “Blood on the Moon” together, with Need as the continuation, so I brought back both Rachel and Nigel from the former, while keeping Cord from the latter as the main character. Cord Logan (how is that for a gay porn star name) was, despite being young in terms of being a vampire, quite powerful and growing in his power exponentially by the day. Headstrong, he’d broken away from the coven of vampires that turned him during Carnival, without learning everything he needed to learn first. What he didn’t know–and his former coven also didn’t–was that because of the circumstances involved in his own turning–when a male witch also tried to steal his power from him, he inadvertently wound up transferring his own power to Cord, who was then turned into a vampire to save his own life. This combination of witch/vampire is actually quite dangerous–as are any vampires Cord himself might create, which was the entire problem he faced in the story “Bloodletting” and didn’t understand.
The Supreme Council wants Cord summarily executed, but Nigel wants to keep him alive, to study and learn from, as well as to try teaching him how to control his powers. For me, Need was the introductory tale to a much longer story, where I’d be able to bring in vampires and shifters and witches and faeries and pretty much every kind of supernatural being. The next book was going to be called Desire, and every book was going to have a one-word title. I had a lot of fun with writing Need, and was really getting excited and writing lots of note for Desire…but the book didn’t do very well. It did okay, but not in the kind of numbers that would make a sequel a no-brained, and by then I had already moved on to writing the young adult books. The reviews weren’t great, either–but I never really care or pay much attention to them. The real problem is that there were sex scenes, and I don’t write the kind of gay sex scenes people want to read anymore. Mine are physical, lots of sweats and smells and experiencing how it feels and so on…most people want the sex scenes to be more esoteric and romantic and sweet.
I don’t think I’ve ever had sweet, romantic sex. I’ve certainly never written it.
Every once in a while, when I am writing something more along the lines of horror or with a supernatural tones, I remember my vampires and the world I created for them with a slight ping of sadness.
Maybe someday I’ll write Desire, but it’s highly unlikely at this point.
One of the most frustrating things about being a queer American is the absence of any kind of history, really. Oh, sure, there’s Stonewall and some other riots/protests in the years leading up to Stonewall; the Mattachine Society and the Daughters of Bilitis. But since historians have done such a marvelous job of erasing us, trying to find our history isn’t the easiest task. You have to look for clues, coding, and signs.
Because, you know, we’ve always been here. We have also always consistently, despite the muzzling of the overarching culture and society’s constant attempts to erase us from the pages of history, managed to sneak traces of our existence and our sensibilities into the art of the times. Ever wonder why so many statues and paintings decorating cathedrals, cemeteries, and palaces in Europe are depictions of well-muscled, physically beautiful men? Because the artists were gay and the only way they could make art celebrating the beauty of the male body was to do so in a religious setting. (The depictions of the martyrdom of St. Sebastian, in particular, are insanely homoerotic; one such painting was used for the cover art of Anne Rice’s Violin, which I think may be her finest novel.)
This entry’s title is also one of those sneaky gay songs passing for straight. Good old Cole Porter, the witty and intelligent composer and songwriter and overall bon vivant. Queer coding is everywhere in old books and movies and television shows and music. (I’m currently reading Matt Baume’s marvelous Hi Honey I’m Homo, which focuses on queer representation on old television series from the 70s and 80s, focusing primarily on comedy shows.)
There have been queer Kings and Queens and Emperors–and two of the greatest military minds of all time were gay Kings: Alexander the Great and Frederick the Great. But our history always gets erased–and homophobic historians will argue till their dying breath that unless there’s definitive proof, those sexualities and identities cannot be named. This is both infuriating and frustrating; take the instance of King James I of England–he of the King James Version of the Bible. He didn’t have female favorites–he had male ones, and he gifted them titles, money, jewels and estates and raised them into high positions of power. But because there’s no diaries where King James admits to taking it up the bum or going down on Robert Carr, there’s no proof. Well, likewise, the only proof the man was straight was because he was married and had children…which was also his duty as King. I know of no women favorites of King James. Likewise, there are no letters or journals written by Frederick the Great where he talks about some soldier having a nice ass or having sex with some hot young ambitious Prussian noble. So, no, there’s no actual proof. There are no photographs, no videos, no nothing. But…while he was married, he had no children; and he would go years without seeing his wife. Women were banned from his court. He also wrote his actually confirmed gay secretary a letter during the course of which he said: “My hemorrhoids affectionately greet your cock.” (The hoops historians will leap through to deny that Frederick the Great was a big ole bottom, and that sentence doesn’t mean what it actually said, are worthy of Ringling Brothers.) There was a lot of gossip, and Frederick’s preference for young men was openly gossiped about at other European courts. And most of his art collection celebrated homoeroticism.
I would love to write a biography of Frederick, seriously.
I also find Louis XIV’s younger brother “Monsieur,” Philippe, duc d’Orléans, fascinating as well–another one who’d be interesting to write about, especially since he is known as the Father of Europe; almost every European monarch from at least 1800 is one of his descendants, despite his sexuality and his predilection for wearing women’s clothes to court.
My story in The Faking of the President addressed this erasure; I chose James Buchanan to write about because he is the only president who never married and he was allegedly in a long-term relationship with Senator Rufus King (Andrew Jackson referred to Buchanan as “Aunt Fancy”). There’s no evidence that Buchanan and King were actually a couple; all of Buchanan’s correspondence was burned, on his instructions, when he died. I wrote my story about a gay historian who firmly believed Buchanan was gay…and after effectively wrecking his academic career, someone contacts him who claims to have the long lost letters to Buchanan from his fiancée when he was a very young man–and the letters will prove his thesis.
Believe me, I get the frustrations he experienced. I don’t think I’d go to the same lengths he did to get that proof, but I empathized.
But this also is an issue in even more recent history. When I was with Mystery Writers of America, at one point I wanted to try to figure out how many queer authors were members…but the impracticality soon became evident. First, you have to start with the question of what precisely counts as queer fiction, and what is a queer book? Is it the sexuality of the author what matters? What if they are openly queer but don’t write queer characters and stories? What about a straight person who writes queer stories and characters? Does that count? Lambda Literary went through hell over this, and there’s literally no way to please everyone. Is it the book, or the author? I’ve always been a firm believer that it’s the book when it comes to awards. Yes, the author gets the award, but it’s for writing the book. So, in my opinion, I would consider Call Me By Your Name a gay novel, despite the author being straight, and my own A Streetcar Named Murder to not be one, despite my being gay. The argument can be made, of course, that being gay gives me a different perspective and point of view that’s more queered than that of straight writers, but I don’t think there’s any “gay sensibility” to Streetcar.
Maybe I’m wrong. I’m not the final word on my books, really.
But this becomes problematic in two regards: one, if someone never officially stated anywhere that they weren’t straight, can it be inferred? Not every man or woman who never married was queer; but marriage itself isn’t proof of heterosexuality because a lot of queer people marry opposite sex spouses and get divorced when they come out later. I was engaged at nineteen; does that serve as proof to future generations that I was straight, despite all of my writings to the contrary? People still don’t feel completely comfortable coming out TODAY, let alone before Stonewall. Take Cornell Woolrich, for example. He never married, lived with his mother for a very long time, and was an alcoholic, pretty much had a miserable, horrible life. He never said he was, but would he have during the time in which he lived? Likewise George Baxt, who wrote a series about an openly gay Black police detective in the 1960’s. Baxt never made any announcements or pronouncements one way or the other; some of his acquaintances have said that he was but Baxt himself never did in any meaningful, definitive way. So, was Baxt or someone else the first gay crime writer? Joseph Hansen was definitely out, and his David Brandstetter series was not only groundbreaking but still remains one of the definitive gay crime series.
Secondly, it also becomes a matter of privacy as well. I know any number of authors who identify as queer but don’t write queer; how do you know how far out of the closet someone actually is in their life? There’s a hugely successful thriller writer who is a gay man, but I won’t say his name here or to anyone else because I don’t know how out he is…and whose business is it, anyway? There’s a hugely successful crime writer that I know for a fact is a lesbian. But if I google her name and lesbian, there are no hits. I generally put myself into their place, really, and ask myself, okay, what if you had somehow managed to start getting published when you were closeted? You wouldn’t have written books or stories about gay men, for one, and for another, I absolutely hated when people speculated about my sexuality–because it never meant anything good formewould come of it.
I’ve never been militant about people’s need to come out, and I also don’t think it’s anyone’s place to out anyone; with the caveat that if you are closeted and actively doing the community harm, you absolutely should be outed. That congressman from Illinois, the über-conservative congressman from Illinois who was outed? Ah yes, Aaron Schock. He deserved it–and while I don’t think he ever repented from his self-loathing brand of conservatism, he certainly has been living the gay high life since it happened. J. Edgar Hoover should have been outed; he was a monster, as was the always disgusting Roy Cohn. But actors and singers? Models? Writers? People who are just navigating their lives and coming to terms with who they are? Everyone should have the time and space to come out when they are ready.
The closet is a horrible place, and it seriously fucks with the people who are living there. I can be empathetic because I know how hard it is, how terrifying it can be. It can twist people (Aaron Schock, for example, clearly felt the need to be über-homophobic just to show he wasn’t one of those people, and yes, that is twisted and sick and sad, and why I am able to feel some empathy–not sympathy–for him as his life must have been hellish, even if it was his choice), and warp them into horrific behavior….but accountability, respect, and atonement are also necessary if the closet turns you into an Aaron Schock. I mean, how much self-loathing had to be there in his mind?
Not everyone has to be a spokesperson. It depends on your level of comfort. And please give people the grace to come out at their own pace and on their own terms. Struggling to accept and love yourself–realizing there’s nothing wrong with you–is a process that isn’t made easier by speculation. I’ve indulged in speculation about actors and singers and other public figures. That kind of speculation usually happens because there are so few queer role models in the public sphere; but I can also understand why people in the public sphere would want their privacy. Being a role model is daunting and full of pressure and potholes and dips and swerves in the road. And it also begs the question–what do we out queers owe to the rest of the community? What is our responsibility? Can we opt out of those things if we aren’t comfortable? I’m certainly not comfortable speaking for the entire community; I always say “in my experience” rather than making my own the community’s.
And we do live in dark times. There is a vast right-wing conspiracy (thank you, Madam Secretary, for that accurate phrase) to wipe queers off the face of the country–and don’t you dare call me an extremist for thinking that. We are being dehumanized and devalued on a daily basis by a bunch of evil people who think they are somehow doing God’s work (that arrogance alone will keep them from Heaven), and if dehumanization isn’t the first step towards eradication, study your Weimar Republic history. This country is at a tipping point–and it wouldn’t take much to tip us over into becoming the 4th Reich, which is terrifying. Oh, Greg, you always look at the worst case scenario!
That may be true, but I’m rarely wrong–and usually the reality is much worse than I imagined.
But I still hold out hope that decent people in this country outnumber the monsters, and that decency will inevitably prevail again. The importance of coming out, because the more of us there are and the more visible we are, cannot be underestimated. This is also where that lack of history bites us in the ass. It’s very easy for haters and bigots to dismiss us as “something new” or “it was better when you were quieter” or the ever-popular “I don’t care just don’t shove it in my face” (which literally has the opposite effect on me–tell me that and I will rub your nose in it) because we’ve been erased from history and a lot of the language around us is new. Language has changed and evolved over the course of my life, as we get more information and learn more, and yes, that means you have to keep up and might actually make a mistake by saying something you didn’t know had become dated or offensive. I am learning all the time, and want to continue to learn because I want to keep growing into the best version of myself that I can be (thank you again, Ted Lasso) and I don’t understand people who don’t want to grow but would rather stagnate and calcify.
Here we are on another gray weekend morning. It was supposed to rain off and on all day yesterday–it didn’t–but it turned out to be a pretty good day. I wrote about eight thousand words or so, give and take, and made groceries in the afternoon. I did take care of some chores around the Lost Apartment, too, and I spent some time yesterday morning with Other Horrors, which I should finish this morning as I only have three stories left. There have been a couple that puzzled me, but overall, I’ve enjoyed the collection for the most part. I’d be pressed to pick a favorite story, though. Reading it has again reminded me that I am not, no matter how much I wish I was, a horror writer. I just don’t have the imagination, I don’t think, to be a horror writer. I can write Gothic suspense–suspense stories with a touch of the supernatural in them, like Lake Thirteen and Bury Me in Shadows–but I just don’t have the kind of mind that goes to horror when I think about writing.
We also finished off That 90’s Show last night and started watching Mayfair Witches, an adaptation of Anne Rice’s Mayfair trilogy, beginning with my favorite of her novels, The Witching Hour. I am predisposed to like this, since I loved the book so much (the rest of the trilogy not so much), and of course I drove past the house they turned into the Mayfair house for filming on Prytania Street all the time. (They did not use the actual house at First and Chestnut; one thing I did have a problem with was the way they showed Dierdre’s porch, which was different on the actual house than how depicted on the show) There are two more episodes for us to get through tonight, which is cool. I slept extremely well last night again–it’s remarkable how well I’ve been sleeping since getting back from New York–and my psoriasis seems to be under control again for the first time in years. There are a few things I need from the grocery store, but I think I can safely put that off until tomorrow and can stop on the way home from work. This morning I did get up earlier than I wanted to–I am sleeping so well I could stay in bed all day without an issue, I think–but I eel good. My legs have finally stopped feeling sore and tired, thank God, and I think I can safely say that I have completely reacclimated to my day to day life again.
I’m still listening to the Hadestown score, but I also started listening to the Christine McVie-Lindsay Buckingham album the two recorded a few years ago, and it’s quite good. The harmonies! Although I can’t help but think two things while listening: first, I wish Lindsay Buckingham had produced one of her solo albums and second, the one thing missing is Stevie Nicks and this would have made an amazing Fleetwood Mac album, which I think was what it was originally intended to be but Stevie wasn’t available or something or another. It’s also sad to know there will never be another Fleetwood Mac album since Christine’s untimely passing last year (not with my favorite line-up, at any rate). I need to move her solo album from the 1980’s back into my rotation–it’s a great and always underrated record. It’s hard to imagine the band moving on without either Christine or Lindsay (whom they fired), and Stevie already has a band she tours with as a solo act…sigh. Fleetwood Mac was the soundtrack of my teens and twenties and it’s just very weird that it’s finally over after all these years for me. When I write about the 1970’s–which I probably will do either later this year or sometime next–it will indelibly have Fleetwood Mac music all over the score of my work.
When I finish this book, I have to spend February revising Mississippi River Mischief and should spend some time doing a massive copy edit of Jackson Square Jazz so I finally have all of the Scotty series for sale as ebooks at long last. Once I get that done, March will be spent revising the one I am writing now, and then finally come April I can get back to work on Chlorine at long last. I’d like to get a draft of it finished in April so I can write another first draft of something else in May (I already know what it is going to be) and then will probably spend the rest of the year writing short stories and novellas and revising everything to see what can happen with them. Next year I want to write yet another Scotty book and that’s when I am going to try to write my 1970’s Chicago suburb boys-are-disappearing novel, too. None of this is carved into stone tablets, either–things always come up along the way, new ideas or hey Greg want to write a book we’ll pay you xxx for it and I never ever say no to things like that. I’d also like to come up with a new short story collection at some time, or perhaps the three-in-one book novella collection; it’s hard to say. And I kind of want to try to write a romance. There’s always so much I want to write, isn’t there?
Heavy heaving sigh. I don’t think I’ll ever match the days when I used to write four or five novels per year, but I do think I am going to be able to get a lot more writing done now in the next few years. Next weekend I am doing a signing at the ALA event here in New Orleans at the Convention Center, and of course the next weekend I am off to Alabama, and then it’s Carnival. Utter madness!
And now I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will probably check in with you again later.
I never really thought much about writing vampire fiction.
I’ve been a Stephen King fan since I read a battered paperback copy of Carrie when I was fourteen, and ‘salem’s Lot continues to be a top 5 King novel for me, if not my favorite (it’s always a toss-up between this and The Stand, frankly) and despite my attempts to turn myself into a King clone in the 1980’s, I’ve never been very good at writing horror. I love to read it–there are some truly terrific horror writers publishing now (if you’ve not read Paul Tremblay, you really need to start), and they are, if you’ll pardon the incredibly cheap pun, killing it. I can do creepy. I can do Gothic. I can do atmosphere and all those marvelous things I love in horror fiction. But I cannot, for the life of me, scare people. I don’t know why I can’t write anything that gets under your skin and into your nervous system; the kind of thing that makes you leave a light burning after you go to bed. I wish I could write like that. I’ve certainly tried a few times…I still have an idea for a horror novel sitting in the back of my brain that I am really going to have to try to get around to writing at some point, because I really should give it a real try sometime.
I have always enjoyed reading vampire stories. “salem’s Lot has always been one of my top five Stephen King novels; I loved Dracula (oh to write an epistolary novel!) and numerous other such tales. It took me awhile to come around on Anne Rice’s The Vampire Chronicles (a tale for another time), but I did eventually. Twilight never struck any chords with me. But the one thing I never thought I would do was write about vampires, despite loving them the way I do–going all the way back to my childhood and Dark Shadows. I don’t think I ever would have written about vampires, but my editor at Kensington thought I could; thought I would do a good job at it, and encouraged it, beginning with an offer to write an erotic vampire novella for a collection to be called Midnight Thirsts.
Go home, old man, Rachel thought, tapping her black fingernails on the counter.
It was aquarter till nine, fifteen minutes before she could lock the doors. Everything was clean and the cash register was already counted down. All she had really left to do was dump the remains of the day’s coffee down the sink, lock the cash drawer in the safe, and turn everything o. She’d be gone by ten minutes after at the latest.
She glanced out the big windows fronting the coffee shop. The streetlight just outside cast a yellowish glow in the thick mist pressing against the glass. She shivered and looked back at the old man. He was sitting at one of the tables in the far corner, with the same cup of coffee he’d ordered when he came in around seven thirty. He hadn’t touched it. It was still as full as when she’d filled the cup, only no steam was coming off the black surface now. He didn’t seem to be watching for anyone, or waiting. He never glanced at this watch, which she’d spotted as a platinum Tag Heuer, nor did he ever look out the window. Every once in a while. he would look up from his newspaper and catch her staring. He’d smile and nod, then go back to his reading.
Apparently, he was determined to read every word.
She stood up, bending backward so her back cracked. The night had been really slow. The Jazz Café, even on weeknights, usually was good for at least thirty to forty dollars in tips. Tonight, when she counted out the tip jar, it yielded less than seven dollars. Just enough to get her a pack a cigarettes and a twenty-ounce Diet Coke at Quartermaster Deli on her way back to her apartment. It wasn’t, she thought, wiping down the counter yet again, even worth coming in for.
Usually, on this kind of night, cold and damp and wet, Rachel was kept busy with orders for triple lattés. The tables would be full of people who would coming in shivering, bundled against the cold wetness in the air, which seemed to penetrate even the thickest coat. They’d hold their steaming cups of coffee with both reddened hands, talking and laughing. SOme would be doing their homework on laptops.
She liked busy nights, when the orders kept coming and the tip jar filled. Then, the time seemed to fly by, her closing shift passing in the blink of an eye. She hated the slow nights, when every passing minute seemed to take an eternity. She glanced back at the clock on the wall, then back at the old man. If you would just leave, she thought, I could go ahead and close early.
He’s kind of good-looking, she thought as she sipped her tepid cup of green tea, for an older guy.
At that moment he look up, and their eyes met. His were blue, a deep blue with some green in it. Once again, he nodded his head to her and smiled, but this time he didn’t go back to his newspaper. He held her eyes.
Not to worry, my child, I’ll be gone soon enough.
She turned away, shaking her head, the hair on the back of her neck standing up…
As is frequently the case with my work, The Nightwatchers began as a short story. Within a year of moving here, Paul had struck up a friendship with the director of the Tennessee Williams/New Orleans Literary Festival (which is where he now works), and as such he volunteered us both to help out with the 1997 Festival. I worked at the sign-in desk, where people picked up their badges and so forth, and it was in the lobby of Le Petite Theatre de Vieux Carre, a marvelous old theater on the corner of Chartres and St. Peter, right across the street from the Cabildo, and kitty-corner to Jackson Square. It was very old, and the main stage was named for Helen Hayes, who’d actually played there before. It was haunted, too–every building in New Orleans is–and I heard some of the stories. Being a volunteer, I had access to back stage, upstairs to the balcony, the prop attic; everywhere. (I eventually used some of this knowledge in Jackson Square Jazz.) At some point during the weekend I had an idea for a story–a horror story–about a theater company rehearsing in an old haunted theater in the French Quarter, where the person always cast in the lead female roles is also sleeping with the director. The young actress who deserved the part doesn’t listen to company gossip, but she does eventually find out that the rumors are true, and at some point made a deal with a devil who appeared to her in her dressing room, on and on and on. I called the story The Nightwatchers, because to me, that was what the devils/demons were called–they watch at night for souls to prey on. When I was asked to write this novella, I dug out the story and reread it, deciding it was perfect to adapt into something new.
I played with it a while, and couldn’t quite get it right in my head until I decided to abandon the theater idea; I’d tried turning the girl into a gay guy but it didn’t really work. I also couldn’t seem to get the atmosphere right, either, and I was convinced–still am, in fact–that the atmosphere had to be just right or the story wouldn’t work. Then one night I was walking through the lower Quarter in December–meeting Paul somewhere, I think–and it was one of those evenings when the fog is so insanely thick that you literally can’t see more than a foot or so in front of you at any time. As I walked along the sidewalk, with the old buildings pushing up against the sidewalk, when I heard the sound of hooves on the street–and realized, bemusedly, that in the fog and the only light from a gaslight–that I could have traveled back in time. Only in New Orleans can you feel like you’ve traveled back in time when it’s foggy, I thought, and wrote an entire scene around that feeling when I got back home. It was the perfect mood/atmosphere for the story, and it worked very well.
And as I wrote the novella, I got more and more into the characters and started imagining my own supernatural world, with vampires and witches and werewolves and everything else, including a ruling council over the paranormal world, the Council of Thirteen, and the old man Rachel sees in the coffee shop is a representative of the Council, in New Orleans to hunt a rogue vampire…a vampire who believes her young friend Philip Rutledge (now the center of the story) is the reincarnation of someone he loved hundreds of years earlier when he was human (shades of Dark Shadows!) and so wants to turn Philip into his eternal companion, and it’s up to Nigel and Rachel to rescue Philip.
It was a lot of fun to write, and I left the ending a bit open so I could write more about the characters if I ever chose to do so; I actually slotted a continuation novel into my writing schedule; it was supposed to be what I wrote next after finishing Mardi Gras Mambo…needless to say, life conspired to keep me from ever getting around to this book. I am still a bit disappointed I never carried on with the story; I used this same mythology when I returned to writing about vampires again several years later with Blood on the Moon.
So, that’s how The Nightwatchers came to be a story. Writing this now I see the parallels between what I wrote and some things I read and enjoyed (or watched, a la Dark Shadows); and is my “Nightwatcher” group that different from Anne Rice’s Talamasca? Probably not.
I did read and enjoy the other novellas back in the day; I’ve been meaning to revisit Michael Thomas Ford’s because it was particularly memorable.
It is insanely early to have a kickoff in Tiger Stadium at eleven in the morning–I think I actually went to a game that started this early; I remember we had to get up at eight to get ready and barely managed to get into the stadium and into our seats as the band took the field for Pre-game (always one of the highlights of a game there; if you don’t know what LSU’s Pregame is, it’s that song the band plays that has those four notes–bah, BAH bah bah! (to me it always sounds like Hold That Ti-ger!)–and the entire stadium erupts. I mean, it really does. If you ever have a moment to kill, go to Youtube and search for LSU Marching Band Pre-game–you should immediately recognize the music. But having the game so early for me means I’ll most likely be emotionally and physically drained after it ends, and I’ll probably get sucked into the chair watching games all day (I mean, I should watch the Georgia-Auburn game, even if it is going to be a bloodbath), but hopefully I’ll find some time to make notes and do some reading as well.
I slept very well last night (again), which was really super nice, and we finished Your Honor last night–didn’t see that ending coming, apparently it’s been renewed for a second season–and also started watched this past week’s episode of Bad Sisters–God, how I hate John-Paul–and also caught this weeks Queer for Fear, which focused primarily on James Whale and Alfred Hitchcock, with a lovely section on Anthony Perkins (my God, what a beautiful man he was) and how Psycho essentially ended his career–to this day his failure to even be nominated for an Oscar for that performance is a crime; he should have won; it’s one of the best screen performances of all time–which both Paul and I enjoyed tremendously; I’m also looking forward to more of this documentary series. Yesterday I got my work done and ordered groceries to pick up tomorrow morning; I’m beginning to see this as a marvelous convenience rather than as simple laziness now and I kind of like this because it also keeps me from making impulse buys, which always drives the price up. I did pick up the mail and make a quick stop for a few things at the Fresh Market (they carry Clearly Canadian, which I used to love back in the day, but they never have strawberry, just cherry and blackberry–I always get blackberry), and I made Shrimp Creole for the first time in a very long time; I’d forgotten how marvelous that is. There’s plenty left over for me to take to work this week as well, which is even nicer. Huzzah!
I’m hoping for a lovely, restful, relaxing day today. I’ll probably do some cleaning and organizing during the games–have to do something with all that nervous energy, after all–and tomorrow is going to be a massive work day. I am going to finish Chapter Five tomorrow if it kills me, and possibly do Chapter Six; I have some other things to do as well that I need to add to the list so I don’t forget and wind up fucked. I’m also getting my booster shot on Monday; hope that doesn’t make me feel unwell. If it does, or is anything like the last one, I should just feeling mildly unwell for a day and be over it at that time.
I also picked up Interview with the Vampire to reread again, since it’s Halloween season and all, and the show is airing. I’ve not read Mrs. Rice’s work in a long time–I kind of want to go back and finish reading The Feast of All Saints, although I am sure it’s problematic now, as it is about the Free People of Color before the Civil War–and I’d forgotten how lushly stylized her writing is; I am also probably going to want to revisit The Witching Hour as well before it’s television adaptation starts airing in January. I rather famously didn’t care for this novel the first two times I read it; I finally was enthralled with it upon my third reading, in Hawaii. I read all of her work after that until she switched to Jesus and angels; I never really came back to her when she turned to werewolves before finally coming back to Lestat and vampires. At some point I intend to read the final Lestat novels, and I should probably read The Mummy sequels she co-authored with her son.
I’ve not been feeling terribly creative this past week, despite the need to work on the book as well as the little work I have done on the book, and I am hoping that changing my work schedule will help me to feel somewhat less off-kilter in my life than I’ve been feeling since I started coming in on Fridays and staying home on Mondays. I’ve never really adjusted to it, honestly, and this feels so right, you know? I feel like my life has sort of gotten back on track since this switch was made again. I could be completely wrong; who knows? By Tuesday it’s entirely possible that I might be so tired and exhausted I won’t be able to function the way I should be able to when I get home from the office. But I am hoping that won’t indeed be the case, obviously, and thus far it has made a significant difference in how rested I feel.
Which is a good thing, really.
And on that note, I am going to head into the spice mines. Have a lovely Saturday, Constant Reader–I may be back later, you never know; if not, I’ll chat with you tomorrow.
Monday and a work-at-home day, for data entry and other things. I also have a meeting at one (yay) and I am hoping to get some things delivered today so I don’t have to leave the house. Yesterday started out well; I wrote my entry and did some writing planning and then repaired to my easy chair to read; but then Paul got up and came downstairs and I decided that as long as I kept my notebook/journal handy, I could make notes while thinking and watching television. We missed the Saints game; I’d forgotten it was in London and by the time I checked what time it was starting it was already over so I can’t even blame the Saints for my complete (well, pointed, at any rate) failure to get as much done yesterday as I had wanted to–which means it’s entirely my fault.
I did watch the first two episodes of the new Interview with the Vampire series, and it put a lot of thoughts into my head. I thought it was remarkably well done and well-cast–I would have gone for a Skargaard for Lestat, but that could be True Blood’s fault as well–and it was beautifully filmed. The changes made to the original book (I liked that it’s structured as a follow-up interview to the original interview) and story were barely noticeable. It’s also amazing how different Jacob Anderson looks as Louis as opposed to Greyworm from Game of Thrones. It also made me start thinking about vampires and how/why they are so popular with queers–this show has no gay subtext, it’s right there in your face–and also remembered how incredibly disappointed I’d been when I first read the book, as a teenager. At that point in time, I’d forgotten that Dark Shadows had turned a vampire into a romantic leading man–my thoughts about vampires were entirely shaped at that time by Dracula and ‘salem’s Lot, and that was what I was expecting from Interview…and that is most definitely not what the book was. I read it again about ten years or so later, and still didn’t care for it much; I didn’t come into an appreciation of Anne Rice’s work until the 1990’s–a friend told me to read The Mummy so I did and enjoyed it, and then I read and loved The Witching Hour, so I took the first three volumes of The Vampire Chronicles with me to Hawaii on a vacation and that time…well, that time I got into the books and enjoyed them. Mrs. Rice soon became a “buy in hardcover on release” author for me, and remained that way for a very long time. I do think there’s a line from Barnabas Collins in Dark Shadows to Lestat/Louis to True Blood/the Sookie Stackhouse books; I once described True Blood as “Dark Shadows with sex, violence, nudity and blood.”
We then watched the first episode of Queer for Fear, a documentary series on Shudder about queer themes and subtexts in horror films, which was fun and certainly fit the theme of the day, but then we moved on to Your Honor starring Bryan Cranston, filmed and set in New Orleans (again, we marveled a lot about the geography–“oh, look, they’re transporting him from the courthouse to OPP but for some reason are coming in from I-10 which means they somehow detoured through Metairie”–and we can’t quite figure out where Cranston and his son live; they are always taking the bridge across the river, but Cranston can go jogging from his front door down St. Charles Avenue down to the lower 9th ward (clearly, training for a marathon of some sort) and back, so I am not sure why they have the need to go back and forth to the West Bank (Paul: this would only make sense if they lived in Algiers, but why would he cross the river to go jogging?). I know, I know, it’s fiction and make-believe and has everything to do with shots and visuals that remind the viewer it’s New Orleans; both the Crescent City Connection and the Huey P. Long bridges will do that, as will the drawbridge over the Industrial Canal, and nothing says New Orleans quite like the streetcar. I also know it’s being nit-picky and “more New Orleanian than thou”, but I can’t help it when I watch something filmed here (I was also identifying where scenes were shot in Interview with the Vampire as well). I’m sure New Yorkers do this a lot, too. We also watched this week’s House of the Dragon, which I am enjoying–there’s really no good characters to root for in this one; they are essentially all terrible people; at least in Game of Thrones we could root for the Starks as the only decent people in Westeros. We also watched the new episode of The Serpent Queen, as Catherine is now slowly coming into her own. I really am enjoying this series; I hope it doesn’t go off the rails at some point.
But now it’s October already–yikes; it seems as though this year has sped past but on the other hand January also seems like it was a million years ago already–and I’ve really got to start getting things done.
As I’ve been doing my entries about writing my books, it’s been a fun journey down memory lane, as I remember things I wanted to do and plans I had that somehow were either forgotten or pushed aside as other things crowded them out of my brain. Watching Interview and Queer for Fear reminded me of my own world of the supernatural I was trying to create with some of my horror writing (I don’t really consider my vampire writing as horror; yes, vampires, but the primary focus of them was the eroticism), and somehow I’ve managed to stick to the rules of that weird world of the supernatural I was creating through short fiction that spilled over into the erotica; so far I’ve done vampires and witches, rougaroux and le feu follet, all tied around parishes on the other side of the river and west/south of New Orleans. I have a couple of short stories to write still, and a book to get done–and I want to read more. I want to finish reading my current book and I think the first book for Horror Month will be a reread of Interview with the Vampire, perhaps followed by a reread of ‘salem’s Lot; why not explore the vampires?
And on that note, I am heading into the spice mines. Have a lovely first Monday in October, Constant Reader, and I will be checking in with you again tomorrow morning before the sun comes up. Yay.
I slept really well last night, which I inevitably usually do on Thursday nights because I can sleep an hour later those mornings, which naturally makes for a better evening of sleep. I also stay up an hour later (I really have this thing about going to be before eleven that always feels wrong and like I am being cheated out of the evening or something). I was very tired after work last evening, but I did get a load of dishes finished and another started (which I will have to finish this evening). I didn’t write, but I did reread the chapters already in place and think (hope) that tonight I will get that revision finished and can finally, at long last, move on to the next.
And today is the last day of September, October Eve, if you will, which of course leaves me shaking me head in bewilderment about where September could have gone, and why did it go so quickly? Why did I get so little done? I don’t know those answers, of course, but I do know we have been having some lovely weather this week–and it’s not because of the hurricane so we can enjoy it in peace (the cold front we are having, however, is what pushed Ian east and kept him there). It was sixty-three degrees yesterday morning when I went in to the office, so chilly that it even startled me a bit as I went outside. It was still cool when I got off work as well–there was a lot of wind, too, as there has been most of the week–but I am sure we’re going to have at least another couple of really warm weeks yet before the summer finally releases its chokehold on New Orleans.
My plan is only to read horror in the month of October, but since I’ve not had the bandwidth to finish reading my Donna Andrews novel that is one of the things I am going to work on getting through this weekend. It’s not a chore, mind you–Donna’s books are always entertaining and always great reads, and I love the world she’s created in these books–but I also want to be able to focus on the book and actually, you know, read it when my mind is not so worn out and tired, so it can really enjoy the book for the volume of sheer entertainment it inevitably will turn out to be. And then I am going to move on to horror. I have some more Paul Tremblay and Christopher Golden novels on hand to read, and of course I am years behind on Stephen King–might not be a bad idea to revisit some of the classics as well as start reading through the newer works, and of course I should reread ‘salem’s Lot, and I haven’t done a reread of The Stand in quite a while, or Christine or The Dead Zone for that matter. I also need to get back to reading short stories, and I have some lovely volumes of horror short stories on hand I can read as well.
LSU plays Auburn Saturday night at Auburn, so I have most of tomorrow free to clean and read and so forth. Paul is also planning a trip to visit his mother, probably around Halloween, so I am going to have a long and lonely week to look ahead to–thinking that I’ll be able to get a lot done while he’s gone which of course will end up not being the case–and right now I don’t know what other games are on this weekend, so I am hoping I won’t actually blow all of Saturday sitting in my chair, reclined, with a purring cat in my lap while I mindlessly watch teams play games I don’t care about. I need to get back on top of all of my projects and snap out of this weird blasé place I’ve been in since Bouchercon where I just can’t seem to have the energy or strength or will to work through being tired. But the weekend looms, and if I can manage to get a good night’s sleep tonight hopefully tomorrow morning I will wake up with lots of motivation and energy–and the strength of will to ignore Scooter’s plaintive cries to provide a lap for him to sleep in.
We started watching Reboot last night on Hulu, and it’s hilarious. The core of the story is actually kind of genius; an old family-friendly comedy from twenty or thirty years ago, similar to the kind of show Diff’rent Strokes and Full House were (heartwarming fare with cute kids with corny jokes and broad humor and–ugh, you know what I mean) is being rebooted…with the original cast…only as a more modern, darker, and more realistic show. It’s hilarious, and the entire cast is terrific (Johnny Knoxville being a surprising standout). We loved it, and can’t wait to watch more. I am also getting kind of excited to watch the new adaptations of Anne Rice’s series, The Vampire Chronicles and The Mayfair Witches (although I think the vampire series may be called Interview with the Vampire? I’ve not followed stories about either show closely, figuring I’d watch once they started airing and then would check into what the plans for the shows are). Elité is also coming back, as are some other favorites. Huzzah!
And on that note, I am going to head into the spice mines. Have a lovely, lovely day, Constant Reader, and hope everyone in Florida is doing okay this morning. Check in with you again tomorrow!
Twenty-eight years ago I came to New Orleans for my birthday weekend, and my life changed completely. Earlier that month I had already taken a cold, hard, long look at my life and I didn’t like what I saw. I had been wrapped in misery for years, wallowing in it, and diving so deep into the misery that I allowed it to erase my dreams and any hopes I had for the future. It was, after all, very easy to blame outside forces for my miserable life, and when you dig deep down into the misery, well, it’s a lot easier to just wrap yourself up in self-pity than take any responsibility for your own happiness; making excuses not to try rather than reasons to better myself. I worked for Continental Airlines at the Tampa airport–most times not a bad job for the most part, but the bad days were horrible–and didn’t make much money. I was broke all the time and yes, I wasted a lot of money treating myself to things–like buying lots and lots of books every payday–in an effort to make me feel better about myself and my miserable life. I was horribly lonely.
A bad experience with someone I was romantically interested in was the impetus for the changes I made to my life, because for whatever reason that night everything just bubbled up to the surface; I hated everything about my life, I hated where I was at, I felt trapped and like nothing good was ever going to happen to me. I stayed up the entire night, feeling sorry for myself and unable to sleep, tossing and turning and occasionally crying. At seven o’clock the next morning (it was a day off) I went into my bathroom and took a long, hard look at myself in the mirror. I never want to feel this way ever again, I thought as I looked at red swollen eyes, the unshaved face. the dark purplish circles under my eyes. I then repeated it out loud. I went back to my desk, sat down and opened my latest journal and wrote the words: I hate my life. I stared at the words for a few moments, and then added, I have no one to blame for this but myself. I am the only person who can change things for me. I want to be a writer. I want to be published, and I don’t want to work for Continental for the rest of my life in this job that makes me miserable. I am lonely and it’s probably too late for me to find a life partner. But I have to stop being afraid of everything, and I can’t go the rest of my life NOT living because I am afraid of dying. Other men are not attracted to me because I am overweight–no one ever looks at me twice when I go to bars. I cannot change my face but I can change my body. I will eat healthy. I will drop some of this extra weight. I will do crunches and push-ups every day from now on, and if by January I have been consistent with the workouts and the diet, I will join a gym. I need to start figuring out who I am and how to get what I want because no one is going to knock on my door and just give it to me. The only person who can change the things in my life is me, and I am going to work on being the best possible me that I can.And that means taking the steps necessary to change who I am and what my life is so I can become a writer.
Three weeks later, my birthday weekend rolled around and I flew to New Orleans with a friend for the weekend. We were staying with his on-again off-again boyfriend–who turned out to be one of the nicest gay men I’ve ever known. I really liked him. thought he was a good person–but once they broke up for good that was the end of that; I guess he associated me with his ex and so couldn’t be bothered anymore (or he did a great job of acting the part of the generous host; I am not sure how the invitation to stay with him came about; all I knew was we were going to New Orleans for my birthday and staying with this guy), which was always a shame. I was always grateful to him–have been for twenty-eight years–because coming to New Orleans that weekend was yet another key piece to the puzzle of Greg’s future, a piece I didn’t even now I needed.
I think at that point I may have lost five pounds or so. My friend was gorgeous; one of those perfect gay men with golden skin and very little–if any–body fat; his boyfriend was his counterpart, only with much bigger muscles, bluish-black hair, and that gorgeous gorgeous olive toned skin darker Italians have. They looked beautiful together, too, and I was in some sense a third wheel that weekend, but it was okay with me. They were totally into each other which left me with time on my own to think and reflect. He picked us up at the airport and took us to his apartment (which was in a complex on Sophie Wright Place that Paul and I eventually moved into when we returned from DC in August 2001), we showered and cleaned up, and headed to the Quarter.
I had been to New Orleans before that particular trip, and while I had always felt drawn in some ways to this city since I was a child, I’d never before felt the sense of belonging I felt that weekend. When we stepped out of the cab that night at the corner of Bourbon and St. Ann, I felt this enormous emotional release, as though tension I didn’t know I. had in my shoulders and brain were suddenly gone and a big burden had been lifted from my shoulders. It was as though my soul was saying at last you’ve come home, and I knew then, before we paid the cover charge to go into the bars there at the corner–Oz and the Pub/Parade–that I was going to someday live in New Orleans…and all of my dreams would come true once I did.
I have never been sure what was different about that trip than previous ones. On my brief, previouos visits to the city before, I’d never gotten a real sense of the city before–we stayed in motels by the airport or on the West Bank–and so it wasn’t really possible to get a sense of New Orleans. Waking up in the spare bedroom in the morning, walking out onto the balcony and looking around at the roofs and unique architecture of the lower Garden District, I felt like I was at home. It was also the first time I’d ever come to New Orleans to hang out with other gay people and in the gay section of the Quarter, and maybe that was the difference? I don’t know for certain, but I do know that was the magical trip when everything coalesced in my head on that trip here. I knew New Orleans was my home, and I needed to live there, and my dreams would finally all come true once I’d moved there.
My friend’s boyfriend was a great host. He made sure to take me to see Anne Rice’s home at First and Chestnut (which was also the home of the Mayfair witches in The Witching Hour, a book I’d loved that had only heightened my sense of need to come to New Orleans), and showed me (us) around the entire weekend; we went to Lafayette Cemetery in the Garden District, ate amazing food, and then at night we’d head down to the Quarter to the bars and danced the night away.
That was also the weekend I did Ecstasy for the first time, but that’s a story for a different time.
The entire weekend was a whirl; I have pictures somewhere (or lost many years ago during the course of a move or something) of all the places we went and things we did; the amazing food, dancing all night and going to the Clover Grill in the morning (or La Peniche, over in the Marigny) and then sleeping before going roaming again throughout the city. I fell for New Orleans hard that weekend, and have never really fallen out of love for the city, really, since. We broke up once (that dreadful year Paul and I spent in DC), but we came back and New Orleans forgave us for our desertion and welcomed us back home.
I don’t remember how old I was when I first heard about New Orleans, but I do remember Nancy Drew came to Carnival (called “the Mardi Gras” in the book, eye roll to infinity) in The Haunted Showboat (she also visited briefly during The Ghost of Blackwood Hall), but I don’t really remember much else. I think everyone in the country has a sense of Carnival/Mardi Gras, and always associates that with New Orleans–but New Orleans, obviously, is so much more than that. I was a kid when I watched the James Bond movie Live and Let Die–which whetted my interest in New Orleans and Louisiana–later movies like The Big Easy and Angel Heart and Tightrope expanded that interest, as did Anne Rice’s novels and the Skip Langdon series by Julie Smith. Whenever I had been to New Orleans previously I hadn’t felt anything but a sense that the city was different than everywhere else, and that difference felt alien to me.
But that entire weekend was different. That weekend in the city changed me and changed my life. I’d never felt like I’d belonged anywhere before–I always had felt out of place wherever I lived; part of it was being gay, part of it was being a creative, and the rest had everything to do with being raised by Southern parents with a Southern mentality but not living in the South (not a complaint, I am very grateful to have not been raised down here)–so New Orleans felt special to me; I’d finally found my place or, to quote Pippin, I’d finally found my corner of the sky.
Within a year I’d met the love of my life–who also was in love with New Orleans and wanted to live there–and on August 1, 1996, I drove the U-haul truck with all of our stuff and towing my old car into the city to start the rest of my life. I had already started dipping into the waters of writing–I got a gig with a gay paper in Minneapolis that actually paid me, and had started writing the book that would eventually become Murder in the Rue Dauphine. Within three years of moving to New Orleans I had a book contract and had sold my first ever short stories. Twenty-eight years to the day of that most important visit to New Orleans, and look at me now.
I live in the city I love with the man I love doing the work I love. I’m glad that I didn’t know at the time how important that weekend was going to prove to be; that it was, indeed, really the first day of the rest of my real life, when I finally stopped just enduring my life and actively started living it. It’s not always been easy to live here and love the city; New Orleans can be a hard place a lot of the time. We’ve endured hurricanes and floods, disease and injury, poverty and horror. But even the bad things are made bearable because we live in New Orleans.
I’ve written millions of words about New Orleans. One of the best compliments I can receive is being told that I’ve depicted the city so vividly and lovingly that it’s a character. I do laugh when people call me a “New Orleans expert”–I am anything but an expert; you could fill the Great Library of Alexandria with what I don’t know about New Orleans; every day I discover something new about this wondrous and bizarre place, the only place on earth I’ve ever felt at home. I will never run out of material to write about this magical city, and every day, more ideas and thoughts for stories and characters and essays about New Orleans comes to me.
So, my favorite part of my birthday is the fact that it is also the anniversary of me finding, at long last, where I belong.
And thank you, New Orleans, for always, no matter what, being New Orleans.
I’ve always rather blasphemously called this statue “Drag Queen Jesus”, for reasons that should be fairly apparent.
Queer and Loathing in America 