How is it Wednesday Pay the Bills Day again already? Sheesh!
But yes, I know being able to pay them is a very good thing, but I still resent the money spent.
Yesterday was an odd day, really. I worked by myself in the clinic, and of course–since I had help Monday, over half were no-shows, but everyone came the day I was by myself! Naturally, isn’t that how it always goes? I don’t think we’re nearly as busy today, but I was highly productive at work yesterday, which was awesome. I felt good all day, actually, and when I got home I actually did shit. I did the dishes and several loads of laundry, I made dinner (so the sink is full again), and I even wrote for a little (very little) while, but more on that later. After we ate dinner, we started watching Malice on Prime, which is rather chilling; the “manny from hell” is the plot, and its also very well cast. Jack Whitehall is appropriately creepy as the manny (actually a tutor), with David Duchovny and Clarice van Houten as the wealthy couple he has targeted…although we don’t know why or what he is up to so far. Tonight after work I have to run an errand; I need to make a side dish for our office potluck tomorrow so I need to get the ingredients. I really don’t want to make what I promised to make (my spicy mac ‘n’ cheese), but there is naught to do but do so, methinks. If I make it when I first get home, then I can write or relax or do whatever the hell I want to after. I also slept deeply and well last night, so I feel very awake and rested today.
I was a bit surprised to see the numbers on the votes to release the Epstein files yesterday–and let’s face it, the landslide it turned out to be made me suspicious. After all the shenanigans and lies of this past year, now they are listening to the anger of their constituents? Then again, he honestly believes he could shoot someone and not lose any support, so there’s also that aspect of it; and to his credit, how much spinning have we seen in the last week or so from the right, parsing what technically is or isn’t pedophilia? This should be the complete and final death knell for those Moms for Liberty skanks…hard to push that drag queens, trans women, and other queers are the groomers and pedophiles when you vote for and support actual pedophiles. But it has never been about protecting children, has it? No, that was simply their cover to go after a minority population they don’t like.
And using it as a wedge issue. How’d that work out for you, bitches?
And of course, the only elected official in Congress to vote against releasing the Epstein files was Louisiana’s own garbage human, Clay Higgins. Higgins is– even for a state that produced garbage politicians like our current governor, Steve Scalise, John Kennedy, Bill Cassidy, and Liz Murrill, amongst the other trash we seem to elect all the time–pretty remarkably horrible. He had to resign in disgrace from the St. Landry Parish sheriff’s office for being, well, horrible; is constantly posting racist garbage on-line; is also ethically challenged; and was sued by his ex-wife for back child support in the amount of $14,000.
And he’ll probably be reelected next year despite providing cover for the biggest and most notorious pedophile ring in history. I mean, even Steve Scalise voted for their release. SCALISE!
Electing a Black president who gave them health care really made racist Louisiana voters lose their fucking minds.
Endymion announced yesterday who the musical entertainment at their ball this coming Carnival will be, and you couldn’t pay me enough to attend; I actually feel bad for those who go to the Endymion Ball and will have to sit through performances by the trash they booked, aka Blake Shelton and Gwen Stefani. Yuck, yuck, a thousand times yuck. At least their grand marshal will be Livvy Dunne, the former LSU gymnast and Instagram star. I literally can’t with Endymion. I guess Kid Rock and/or Jason Aldean weren’t available? What next, Endymion? Confederate flag throws?
Sigh.
I did work on “A Holler Full of Kudzu” last night; which I actually enjoyed doing and I also renamed the novella “Kudzu Jesus,” which feels like a much better title (although I still like that original one), since the story does involve religion in small town rural Alabama in the 1970s a bit. (I came up with this title when someone posted some pictures of kudzu vines on energy and/or telephone poles, which can sometimes look like Christ on the cross, hence Kudzu Jesus. I don’t know why I keep coming back to this story rather than working on Chlorine, but I think primarily that’s because of the trip next week and the potential for losing momentum by taking that break. Rationalize, rationalize, rationalize! But that’s what I am interested in working on right now, so that’s what I am doing.
And on that note, it’s time for me to hit the spice mines again. Have a great Hump Day Wednesday, Constant Reader, and I’ll be back on the morrow.
Here we are on a cold Sunday morning and I hope everyone is doing as well as they can this morning. I went to bed early and slept well–I really do think adding another to the pile of blankets, and its additional weight, is making a difference. Today I have to do some reading and some writing, go to the gym and make groceries. I feel rested and awake this morning, so as I slurp down my coffee and wake up while Sparky wants my lap in the easy chair I have to admit I feel pretty good this morning. Maybe I shouldn’t let myself sleep so late on Saturdays? I don’t know, but the coffee is hitting the spot and I do feel more rested than I did yesterday, so your guess is as good as mine. It’s kind of gray outside this morning, and it’s forty degrees–yikes–but it’ll get warmer later once the sun is higher in the sky.
We watched LSU Gymnastics compete against three of the best teams in the country yesterday, and with half of their usual competitors out with an injury, they only came in second by three tenths of a point; and Haleigh Bryant can make that difference up all by herself, not to mention the other two powerhouses who sat this meet out–which bodes well for the rest of the season. It’s so cool knowing they are the defending national champions! We also watched some of the Australian Open last night, and I went to bed early. I also managed to get some chores done around here, and overall, it was a pretty good day. I don’t think I even went outside yesterday, to be honest–which is always a good day for me.
I spent some time yesterday morning with Ode to Billy Joe, and while Raucher is a very good writer, he doesn’t really know how to write for teenagers, I think. Just because the story is set in the early 1950s and people were more innocent (?) back then in theory, it’s almost like reading something from a past civilization, and in some ways it kind of is. Raucher tries very hard not to condescend to rural Southerners, but there is a touch of that “zoo animal” thing to the story, if that makes any sense? It doesn’t quite seem real, and Bobbie Lee, the female lead, seems so child-like it’s hard to believe she’s supposed to be fourteen, and “receiving callers”–did Southern girls still say that in the 1950’s? It’s like something from The Glass Menagerie, and I don’t know if that archaic social phrase was in use, if at all. But there’s definitely more depth to the book than there was to the movie, and I think I’m going to end up enjoying the book more than I did the movie–despite the beautiful presence of Robby Benson and his amazing blue eyes and surprisingly deep voice.
Thinking of Ode to Billy Joe being a historical now made me realize that my own 70s book is kind of an artifact of another time, too. Researching and remembering things from that time of my life is always a bit of a surprise; things that had been locked away in a corner of my brain coming back to the front of the memory banks. Television shows and commercials, the looming Bicentennial (which was, at the time, shockingly commercialized; although the Tricentennial–which I won’t make it to, but hopefully the country will–will be even worse), the gas shortages and economic fears, the ever-present threat of nuclear war and annihilation, the never-ending conflicts in the Middle East, and the massive clean-up of the country’s air, water and litter. Top Forty radio was a weird mishmash of all kinds of music, from the bubblegum of the Osmonds to the Rolling Stones, Queen, and the Who to horrible novelty songs that were incredibly popular and were overplayed to death to the point I never want to hear any of them ever again, and everyone watched American Bandstand on Saturdays to hear music and see the latest dance moves. I am really looking forward to writing it. I also have two short stories to complete sooner rather than later, and of course as always I have too much to do in too little time–but I can make it work.
I’ve also, since the election, been thinking about how to resist the new regime and the inherent hatreds, cruelties, and horrors that are coming with them. Our only hope as a country depends on the Republican-controlled Senate (well, Republicans plus the bootlicking traitor John Fetterman) actually standing up for the Constitution, and looking for a spine on the Right is as fruitless as a snipe hunt. I am not getting involved with the Democratic Party, because it feels like I’ve been throwing my time, money and energy on them while they just roll over and play dead since the 1990s; and nowadays seems to be no different. Here’s the thing about our system; the only difference between the two parties since World War II has primarily been on domestic and interior policy; the foreign policy has always been the same, and a lot of bad things have been done by our government in the name of “national security” and our endless thirst for oil. This changed a bit under the MAGA monarchy the last time around–turning our backs on traditional allies while cozying up to Russia, North Korea, and China (Ivanka needs her trademarks!). I also love how the MAGAts are so quick to whine and complain against the forever wars they fully supported, and does anyone else remember their toxic patriotism on the eves of the invasions of Afghanistan and Iraq? How questioning the invasion decisions was basically treason and not supporting the military and pissing on the graves of the 9/11 dead? Because I sure the fuck do, and I also remember how the Right created cancel culture for the Dixie Chicks, as country music began to swing from being about the working class and resisting the rich? It’s also amusing to me that they complain about “forever wars” without remembering that the same people they are supporting today are the exact same people who lied to them and whipped them up into a disgusting “patriotic” frenzy?
I spent some time this weekend thinking about writing as activism, and that it used to be just that; my very existence and my career are made political by evangelicals and others of their ilk, and I had no say in that at all. Would I prefer to be left alone to live my life and make my own decisions without government interference? Absolutely. Is that ever going to happen? Not as long as trash and liars and false prophets continue to abuse the faith and the faithful for money, power, and control. How can anyone actually be a Christian and believe that the Prosperity Gospel of wolves in sheep’s clothing like Joel Osteen and other con artists of his ilk? Sinclair Lewis exposed all of this horror with Elmer Gantry, which is still as current as it was when first published in the early 20th century. Maybe Elmer Gantry, along with All the King’s Men, should be required reading in high school–but high schoolers won’t care anymore now than they did when I was one. (Also, back to the 1970s–there wasn’t an expectation that everyone would go to college, either. Only five kids from my graduating class went to college, I think, I could be off by one or two, out of forty-eight.) I’ve not thought of my writing as a way to make political statements–or at least I haven’t in a long time, at any rate, but someone pointed out to me several years ago (or longer, who knows anymore?) that my work was a lot more important than I’ve ever thought or believed; I did document what gay life was like in New Orleans before Hurricane Katrina changed everything. I also documented life in New Orleans in general, before , during and after a hurricane. I’ve written about gay con artists and corrupt hateful politicians and the far right and evangelicals and race and homophobia and misogyny. I often explore something that I find interesting in my books so I can learn more about the topic I am writing about as well as process my own complicated feelings about sensitive subjects. I even wrote a throuple into the Scotty series long before that ever became a subject for conversation in the community. It’s weird to think that my first two novels were released before Lawrence overturned sodomy laws nationally. My sex-life was against the law until I was forty-two. Forty fucking two.
I was filling out the pre-production form for Hurricane Season Hustle Friday, and I went to Amazon to look at the page for Mississippi River Mischief to see if information I needed was there–it wasn’t–but I also noticed I have forty-seven reviews and an average ranking of four and a half stars, which was kind of a surprise, albeit a pleasant one. That meant that overall there had to be more five star reviews than any other kind, else the average wouldn’t be over four, you know? This was a very pleasant surprise, in all honesty; I never look at Amazon pages for my books and especially never at the reviews; likewise, I will never go wading in the fetid swamp that is Goodreads. Who needs that aggravation? But as I said, it was a pleasant surprise, one that almost tempted me to look at the others, but I resisted the urge. I am more emotionally stable now than I’ve ever been in my life before, but why borrow trouble? And sure, it could be another ego boost but it could also be a blow.
And the last thing I need right now is something to rock my already shaky foundations.
California continues to burn, and people continue to expose how dark and twisted their souls and psyches are. It’s beginning to sound like most of these fires were started as arson–which would definitely count as a terrorist attack on Los Angeles, in my opinion; if Luigi shooting that fucking piece of shit counts as terrorism, burning down billions of dollars of property and destroying people’s lives as well as killing some of them definitely is an act if terror. Please don’t be a dick about the fires on-line, people. I’ve lived through a different kind of “act of God” that basically destroyed my city and generational wealth with it. Angelenos are still in shock and are going to be for a long time. This is a serious trauma, and believe me when I say a lot of Angelenos are going to be medicated for years to come. I’m still not entirely sure I’ve gotten over Katrina, in all honesty. So, for God’s sake, show some empathy and compassion for their suffering. Playing the blame game or bringing politics into this is fucking bullshit, so can you not do that? There’s no place in this country that is safe from an unexpected natural disaster.
And trust me, when it happens to you–you will hate those people. I’ve never forgiven any of them, including Chicago Bears fans. I had hoped that disgusting child rapist Dennis Hastert would die in prison, but he remains proof that only the good die young. Henry Kissinger and Anita Bryant is more evidence of that as well.
So, think before you post or comment. I hate Florida and Texas and their politics, but I also worry about them and try to do what I can whenever a hurricane devastates them.
And if you’re feeling smug and judgy–I’m looking at you in particular, Louisiana MAGA racists, remember that when a hurricane comes crashing through your home town.
And on that note, I am going to my chair to read my book for a bit before I get to work. I worked on the book yesterday and it went very well; I am feeling good about writing again and think I am going to be able to hit my stride again sometime soon. Huzzah! Have a lovely Sunday, Constant Reader, and I’ll talk to you again later at some point.
Monday morning and back to the office afternoon a really lovely weekend, which wasn’t nearly long enough to satisfy anyone, really. I am wide awake, which is lovely, and I thought I wasn’t sleeping well last night–but this morning I feel rested and fine. Odd, right?
I really need to buckle down and start writing. I started three short stories ideas yesterday (“Passenger to Franklin”, “The Adventure of the Kaiser’s Spy1,” and “The Haunted Bridge,” for specifics) and I reviewed some of what I have already written on the next book, which was interrupted by the surgery. It’s now extended deadline is April 1, so yes, I need to get cracking. I did get a lot of work on the apartment done this weekend, and I was correct that I had ordered the wrong smart keyboard folio for my iPad, and Apple no longer makes them for mine because it’s too old. They recommended Amazon or eBay; I found one on eBay and ordered it so it will come later this week, which is terrific. Once I got home from refunding and returning that magic keyboard, I decided to go ahead and order two things from the Apple store to be delivered–an external wireless keyboard for my desktop, that is wider than the basic one and has the number pad, too, and a super storage flash drive that will also connect to my phone and iPad…and that resulted in an insane Kafka-like experience. The delivery was supposed to come between 3 and 5; their website showed that “Orrin” picked up my delivery at 4:46, and about half an hour later it was marked “out for delivery”–and the stuff can’t just be dropped off; it has to be handed to a person so you have to be available to go meet the delivery when it arrives. The website never updated, and the delivery never came. I finally connected with Apple Support on my phone, which was insane. Their records showed the driver had never picked it up–and it couldn’t be rescheduled for delivery today, all they could do was cancel it and refund the money. I don’t know if the “support person” I was communicating with was a real person or not, or if it was AI. Whoever it was, either they were AI, or English wasn’t their first language. I still don’t understand why they couldn’t just reschedule the delivery till today, but here we are, you know?
Thanks anyway, Apple. I have since decided that it was frivolous to buy those two items, so thank you for fucking this up and saving me quite a bit of money.
I did spend some time working on the apartment and it’s starting to look better. Hilariously, all the changes I made in the reorganization (the drawers, shelves in the kitchen, etc.) have already been forgotten so I have to go looking for things now–right now I can’t find where I put the printer ink–but that’s okay. I guess I am gaslighting myself!
I did spend some time this weekend reading Norah Lofts’ The Little Wax Doll, which I remember reading in junior high but as I read it, it feels very new to me. I don’t remember anything about it; maybe I never read it in the first place but had a copy which I started to read but never finished? Regardless, I am definitely enjoying it. It’s slow-burn horror, which is starting to slowly ratchet up (it’s one of those “rural communities that seem perfect but always have a dark secret” stories). I like Lofts’ writing style, which was more common in the mid-twentieth century work–she has a point of view character, Miss Mayfield, but her third person is removed; like a cross between an omniscient narrator and tight pov. It has a very Gothic feel to it that I really like, and I am looking forward to finishing it at some point.
We also started watching an Australian show, The Tourist, starring the always fun to watch Jamie Dornan (sigh) as a man who is in a car accident and gets amnesia, but he has to figure out who he is because a lot of people are trying to kill him. We’re two episodes into the first season (and there are two seasons thus far) so I am guessing he doesn’t find out for quite some time….
And on that note, I am heading into the spice mines. Have a marvelous Monday, Constant Reader, and I may be back later; one never can be sure.
Yes, this is a Sherlock in 1916 New Orleans stories. ↩︎
(NOTE: I started writing this post back in January, after I’d returned to New Orleans from my last Mystery Writers of America board meeting–this is to give context to the opening paragraph– as you are no doubt well aware, Constant Reader, that I’ve not been back to New York since January; so this is that same trip where this happened and I started thinking about these things, which have never been far out of the forefront of my mind since then.)
While I was in New York recently, walking around to and fro, here and there, hither and yon, I was always checking my phone (and yes, I hate that I’ve become one of those people) and then shoving it back into my pants pocket without putting it to sleep first or closing the app that was open. As I walked around, of course this led to my phone doing all kinds of weird things –closing an app and opening another, etc.; but at least there were no butt dials, right? At one point, when I pulled out my phone as I took a seat on the subway, somehow what was open on the screen was a google search for my book A Streetcar Named Murder–and when I went to close that screen I touched one of the images by mistake, which took me to the Goodreads page for the book. Bear in mind, I never look at Goodreads for any of my books, let alone Amazon–the temptations to start reading the bad reviews is too great, and while I can usually laugh them off, occasionally–and it depends entirely on my mood, of course–one will get under my skin and it will annoy me, and that’s not good for anyone.
This particular day on the subway the Goodreads page opened to the bad reviews first–its average is four stars, which I will always take because I am not Lauren Hough–and the very first one made me laugh out loud on the subway. Paraphrased, it was basically someone taking umbrage at “someone who doesn’t live here or know the first thing about New Orleans” writing a book about New Orleans. The reason they had come to this conclusion was because Valerie referred to Mardi Gras as “Fat Tuesday”, and according to this one-star reviewer, no one from New Orleans would ever say Fat Tuesday instead of Mardi Gras.
Well, I’ve lived here for twenty-seven years and I have heard any number of locals say Fat Tuesday rather than Mardi Gras, and so of course I had to click on the reviewer’s profile…and grinned to myself when I saw that they actually live in Metairie, not New Orleans…which to locals is a bigger crime than getting something wrong about New Orleans: claiming to be from New Orleans when you actually live in Metairie. (the rejoinder is usually along the lines of “bitch, you live in Metairie.”)
It was also kind of fun to be accused of inauthenticity when it comes to writing about New Orleans, because I personally have never claimed to be an expert on anything New Orleans (others have said that about me, and I always am very quick to reply not even close); the more I learn about the city the more I realize how little I actually know about the city. There’s an extremely rich (and often incredibly dark) history here; it’s hard for me to wrap my mind around the fact that the New Basin canal was there as long as it was, or that there were several train stations around the French Quarter (including one that essentially was in Storyville–rather convenient for the whores and pimps, right?), or that where UNO is now used to be the lake shore resort of Milneburg, or that the only way across the river or the lake was by ferry until Huey Long built a bridge at the Rigolets (the narrow inlet between lakes Pontchartrain and Borgne).
I was on a panel once at the Tennessee Williams Festival with Bill Loefhelm (if you’re not reading Bill’s books, shame on you and correct that immediately) and the question of New Orleans authenticity came up, and Bill’s response (paraphrasing) was that New Orleanians have a tendency to play a game called “NOLier than Thou,” in which they try to one-up each other to see who the true New Orleanian actually is–which is, of course, gatekeeping. (And yes, I immediately turned to him and said, “I like that and am going to steal it” SO CONSIDER IT STOLEN.)
It does bother me somewhat when I read books set in New Orleans written by people who have never lived here; you can tell, but I also get over it pretty quickly; who is to say who can and can’t write about a place? There’s a significant difference between visiting and living here, which I realized almost immediately after we moved here, and that also becomes very apparent in fiction. I had started writing the book that would become Murder in the Rue Dauphine before I moved here, and I realized, once I did live here, that everything I’d written about New Orleans was completely wrong. I didn’t work on the book for another two years; and even then I wasn’t entirely sure I’d lived here long enough to write about the city. So…I kind of cheated by making Chanse MacLeod not a native either; he’d moved to New Orleans after getting his degree in Criminology from LSU, and had been here about six or seven years when the story opened. So he was an outsider, too; so his views on the city and how things work around here were from an outsider’s perspective, like mine; that was easier. With Bourbon Street Blues, I decided that Scotty was not only a native but came from two old-line society families, from the Garden District and Uptown. One of the greatest joys of my publishing career was having the Times-Picayune’s mystery reviewer, as well as the Books Editor, both say repeatedly that I got New Orleans right in my books. (Thanks again as always for all of your support, Diana Pinckley and Susan Larson!)
And I never really worried about it too much from then on. I wrote about New Orleans as I saw it–the potholes, the cracked sidewalks, the leaning houses, flooding streets, oppressive weather and hurricanes. As the years passed, I became more and more aware that my New Orleans writing was primarily confined to the Quarter, the Marigny, the CBD, the Lower Garden District, the Garden District, and Uptown–a very narrow slice of the city, but those were also my slices of the city, so that’s I wrote about. Sometimes I’d venture into another neighborhood–Lakeview, the Irish Channel, English Turn–and sometimes the story would take the characters to another part of Louisiana–the bayou and river parishes, the Maurepas swamp, the Atchafalaya Swamp, Baton Rouge–which, oddly enough, I had no qualms about fictionalizing. I’ve created numerous fictional towns and parishes surrounding New Orleans; I’ve even invented a sleazy gay bar in the Quarter (the Brass Rail).
So, was I doing New Orleans (and Louisiana) right by making stuff up, inventing places like the Royal Aquitaine Hotel, the Brass Rail, Bodytech Health Club, Riverview Fitness, etc.? Sometimes you have to fictionalize things, even if they are based on something that really exists. I never really thought much about it; I felt like I was getting the feel of New Orleans right, that my characters talked the way people in New Orleans do and react the way people here do, and that I was putting enough reality into the books for them to ring true to locals, natives, and tourists. Sometimes the cases are based on, in or around something that actually happened or exist; like the Cabildo Fire, the Fire at the Upstairs Lounge, Hurricane Katrina and the ensuing flood; termite swarms; Huey Long’s deduct box; and even the court case in, I think, Murder in the Irish Channel that triggered the murders was actually based on a civil trial I served as a juror on.
When I started writing A Streetcar Named Murder, I realized a lot of things I was writing about had to be fictionalized; I couldn’t set a murder at a Mardi Gras krewe ball and use an actual krewe that exists in real life, for one thing (like I had to invent a French Quarter hotel for a couple of murders to occur in) and while I didn’t want to use the cheat that Valerie had moved here again, like I did with Chanse, I wanted her to be of New Orleans but not be of New Orleans…so her parents are from Georgia and moved here after college and marriage, so Valerie was born here, went to school here, met and fell in love with and married her husband here–but her roots aren’t very deep, so she is both insider and outsider at the same time. I liked that idea; like how I am of the South but not of the South, she was of New Orleans but not of New Orleans at the same time. When creating Jem Richard in Death Drop, again, he’s a recent transplant to the city but his father is from New Orleans but relocated to Dallas, where Jem was born and raised. Jem spent a lot of his summers in New Orleans when he was growing up with his paternal grandmother, so he too is of New Orleans but not of New Orleans; which I am really liking as a method of storytelling about the city. I also moved Jem to a different part of the city; he lives in the 7th ward, on St. Roch Avenue in what is known as the St. Roch neighborhood (aka what realtors are trying to redefine and rename as the “new Marigny”, in order to raise prices) which is also very close to my office. Part of this was to move the action out of the neighborhoods I usually write about (although he does wind up in both Uptown and the Quarter) and so I could explore another neighborhood/part of the city than what I usually write about.
I also had recently–prior to the pandemic–started feeling more disconnected from the city than I ever had before. Primarily I think this was due to my office moving; we had been on Frenchmen Street in the Marigny, one block from the Quarter and where Scotty lives, so whenever I needed some Scotty inspiration I could walk a block, stand under the balconies of his building and just look around, drinking in the sights and sounds and smells of the block. To get past this, I started joining New Orleans history pages on Facebook, like Ain’t Dere No Mo New Orleans or the HNOC page and various others–you do occasionally run into Confederate apologists and racists there (they usually cry about the “crime” in New Orleans–you know, the usual dog-whistles from the white flight racists who fled to Jefferson Parish or the North Shore to escape desegregation of the public schools) and reading more histories of the city, state, and region–which are incredibly fascinating. That reading/research helped me write my historical Sherlock in New Orleans short story, “The Affair of the Purloined Rentboy”–but I have also since realized I got some things wrong in the story too, but there is just so much to know. I set the story in 1916 for example….without knowing New Orleans was hit by a MAJOR hurricane in 1915 that wiped out any number of settlements and villages around the lakes and the bay shores (that will turn up in a story sometime; the destruction of the lake front village of Freniere is just begging to be fictionalized and written about). When I mentioned this to another writer, who primarily does historicals, she snorted. “It’s impossible to know everything, and would people in 1916 still be talking about a hurricane from 1915?”
Probably, but if it doesn’t have anything to do with the story being told, why would I mention it?
A very valuable lesson, to be sure.
So, yes, lady from Metairie: you caught me. I’m not from New Orleans, you’re correct. But I’ve also published over twenty novels and umpteen short stories set here, and have even won awards for doing it.
And I’ll call it Fat Tuesday if I fucking want to.
The Huey P. Long Bridge at sunset, photo credit Marco Rasi
Wednesday morning and all is well in the Lost Apartment. We’ve reached mid-week successfully, which is always a plus, and have survived thus far. Yesterday was another good day, in which I got things done. I finished revising the first two chapters of the new work-in-progress, adding about 1500 words in total; the end result both chapters now clock in at a total of eight thousand words combined. I don’t know many words I deleted, though, so I am going to just round it up to 2000 words written over the last two days, which isn’t stellar but isn’t bad, either. I didn’t sleep well again Monday night, but it was better than Sunday’s sleep, so I was dragging by the time I got off work and had to head uptown to get the mail (the new Laura Lippman and Michael Koryta were waiting for me there) and then made some groceries before heading home. I feel very good about this book.
I also am feeling good about writing again. Go figure. I’m kind of enjoying this lessening of my anxiety, too. Being able to breathe, being able to not have to rush through things because there’s so much else to do always, but the truly tragic part is that it took loss for me to slow down and step back away from everything. I know I am in a weird place right now, with the grief, with the acceptance of the realities I’d prefer not to face, but I also don’t think it’s ever a bad thing to be introspective and really think about, well, everything. The work I’ve been doing on the new project is very good, don’t get me wrong; the writing itself is kind of satisfying me in some way it either hasn’t before, or that I simply don’t remember (yay for memory loss!) from before, which is also lovely. In a way, it almost feels like I am discovering a new way to think and process and write? I don’t know what it might be, but I know I am enjoying myself writing in a way I feel like I haven’t in a while.
On the other hand, I could also be completely insane and not remembering anything.
But the absence of anxiety could be what is making the difference. I am anxious about everything–driving, paying the bills, cleaning the house–and it’s also interesting to dissect how being anxious about everything somehow translated into a kind of rigid stance to keep from having anxiety about being an author–not reading reviews, never looking at the reviews posted on Amazon or Goodreads, staying away from things I know will make me feel beaten and utterly defeated. It’s also like finally recognizing and realizing that most of my neuroses are based in anxiety I inherited from my mother has also somehow loosened the power of the anxiety to control and run my life? I was a bit tired yesterday when I got home from work–I am not sleeping as deeply this week as I usually do, but it’s not insomnia so I am not complaining–but I still got the writing done, and did some more dishes, and was going to do more laundry but stopped myself since there wasn’t a full load. Paul was late getting home last night so we didn’t watch much television. Instead, we talked about his trip home to visit his mom (he booked the ticket and will be gone for ten days), the refrigerator issue, and about getting a new cat. We need to get a new refrigerator–ours never fully recovered from the power outage during Ike (or was it Isaac?) in 2008…so we’ve been living with a not fully operational refrigerator for quite some time. (It’s not that bad, only over the last year has it really started having ‘we need to replace this thing’ vibes.) The problem is the kitchen cabinets run above the refrigerator, so there’s only so much room for the height–and of course, I can’t find one anywhere on line that will fit and that I want. I want the freezer on the bottom, since I don’t go into as much I wouldn’t have to bend down as much (aging issue), but those are inevitably an inch or two too tall; I can’t even find one with a freezer on the top that will fit. So, we either have to keep looking, or we need to have those cabinets taken down. I am all about taking the cabinet down–it’s above the refrigerator so it’s impossible to use anyway, and anything in there hasn’t been needed for years so can be tossed out–but I don’t know how easy that would be or what kind of pain in the ass it could be to remove. All I need is a single inch more clearance, and we’d already have a new one. I also managed to get a couple of extra entries done yesterday; one about Nancy Drew and another about writing my book Need.
Tonight I’ll be coming straight home from work, and maybe tomorrow night the same. I’ve a ZOOM meeting tonight, so when I get home I’ll need to put the dishes in the dishwasher away as well as do another load (they’re soaking in the sink now), and then can probably relax for a bit before the call, maybe get my words in for the day as well. Maybe I’ll start another blog essay about another teen sleuth character. Maybe I’ll finish some of these others I’ve already started and have yet to finish. I’m feeling super-productive, and of course once Paul leaves on his trip I’ll have nothing but time on my hands when I am not at the office, so there’s no reason why I can’t get a lot of things done while he’s gone other than pure laziness, which is always a possibility. I’ll also not have a cat to keep me company, which is deeply unfortunate. But I have chores and books to read and things to write, so that I have no excuse other than pure laziness for not getting anything done while he’s gone.
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you again later.
Saturday morning and another lovely day in New Orleans–if a bit chilly–has dawned in the Lost Apartment. What a marvelous night’s sleep I had last night. The bed and blankets were so comfortable–not to mention the snoring kitty curled up between Paul and I–that I really didn’t want to get up, but I have far too much to do today to continue to laze in the bed simply because it felt good. So, it was out of the bed for one Gregalicious, and here I sit, swilling my morning coffee and clearing the cobwebs from my brain by trying to write a coherent blog post. (Good luck to me on that, am I right?) Yesterday was a work-at-home day, of data entry and doing quality assurance on testing logs, and yes, it is as tedious as it sounds. But after work I did some great thinking and work on the in-progress story, and am looking forward to getting some quality work done on it this morning/afternoon/however long it takes me to reach the day’s goal, and no matter if it kills me–which it just might do. I also have some errands to do today, but they shouldn’t take long.
Huzzah? Huzzah.
Last night we watched the final episode of Welcome to Chippendale’s, which really dragged on for far too long. There really wasn’t eight episodes of story here, and so it often seemed to drag and drag and drag. It’s a shame, the acting was top-notch and it was a great story, but unless you’re interested in viewing a couple of Emmy-worthy performances, watch the true crime documentary instead. It’s funny to remember how ubiquitous Chippendale’s seemed to be in the 1980’s–I certainly owned a few of their calendars, since they were the first real beefcake calendars produced–and I wished sometimes that I had a stronger memory, at least of the 1980’s, but it was such a dark and brutal decade for me I think I was happy to forget most of it. Paul is going to be gone most of the day today, so I have no excuse not to get a lot of writing and other things completed today. I do want to watch the adaptation of Louis Bayard’s The Pale Blue Eye on Netflix at some point this weekend, and of course we do need to finish watching Sherwood, too. I leave for New York on Wednesday, which is kind of fun–I am really looking forward to having some good Chinese food–and hopefully I’ll be able to get writing done on the road (which never happens, no matter how much I hope that it does).
But this time, it must.
I’m really enjoying all this writing I am doing lately, even though I am lazy and would rather not do anything at all. But it feels good to be pushing my brain and my creativity and trying to come up with fresh and new ways of saying things as well as fresh and new characters and interactions and stories. This first half of the year is going to be hectic and busy for me, but I am developing a plan that should help me get through till the spring. If I can stay motivated and stop being lazy, I should be able to get a lot accomplished before the dog days of summer are upon me. My writing goals for the year are very ambitious, of which I am well aware, but I think it’s better to try to do more and not quite get there than to plan less ambitiously and get even less done. I know I can’t get everything done that I want to get done in 2023 (I don’t think anyone could, to be honest), but I’d rather be overconfident than not, you know?
I am having my first piece of king cake for 2023 with my coffee this morning and it is sublime. It’s kind of hard to believe that Carnival season has rolled around again, and now of course the first part of the year will fly by: New York next week, Alabama the first weekend of February, then Carnival, the one-two punch of Tennessee Williams Festival/Saints and Sinners at the end of March, and then of course it’s practically summer again already, and then the next thing you know it’s football season again. This, for the record, is how your life ends up slipping through your fingers like mercury. Heavy sigh. But I am trying not to look forward to things, if that makes sense? I kind of want to just keep my head down, avoid drama for the most part, and focus on my writing for the year. It seems like writing always takes a back seat to everything else for me, which is ironic since it’s the thing I draw the most pleasure from and being a writer is such an integral part of my self-identity. I don’t see myself as a sexual health counselor, even though that’s my day job and has been for eighteen years. I don’t see myself as Mrs. Saints & Sinners/Tennessee Williams Festival, either–even though that’s been Paul’s job for the last twenty-two years. I see myself, despite all the other identities I take on in my everyday life, first and foremost as a writer; that is the core of my identity and who I am. And yet…it always seems as though my writing in always being shunted to the side or pushed back on the list of things to do because I have so many other things always going on in my life. Writing will be my priority now going forward, and while I still intend to work on volunteer stuff whenever I have time, that isn’t going to be a priority for me and it never should have been, either. I don’t know why the most important aspect of my life is always back-burnered for one reason or another, but it’s not going to be the case anymore. I am going to be even more zealous and jealous of my time and donating it only sparingly, and only when I have time.
I also need to start being realistic about everything I can and cannot do and stop thinking oh I can do everything in the world by all means ask me to do more things. I think it all comes from the fear of being disliked, that goes back to childhood–I don’t think I’ve ever gotten over those scars, truth be told–and I am very aware of the idiocy this implies: oh if I say no to this they won’t like me and won’t ask me again; I have always called this Homecoming Queen Syndrome–the desperate need for approval from other people, the need to be liked and well thought of, the fear of being made fun of, mocked, and disliked. I need to work harder on not giving a fuck, but it’s also part and parcel of being queer and trying to fit into a mainstream culture group, the crime writing community. It’s very strange and off-putting to know that people who’ve never met you, know nothing about you, and never will know you hate you in the abstract; that some people will never like you because they’re homophobic (honestly, when it comes to homophobia I prefer the Westboro Baptist Church version, where they will scream their hatred in your face; at least it’s more honest than people who will smile to your face while voting to strip you of your rights); and those same people will never, no matter what, ever read anything you write. It’s weird knowing that people will find your books on Amazon and one-star you without reading the actual book because you’re a queer and you had the audacity to write a book about queers where they are actually whole, happy people who aren’t suffering at all because of their same-sex attractions. The great irony of this is my own inconsistency; when I actually think about it, I do not give two shits what other people think of me, and haven’t for a long time. Unfortunately, I’ve been conditioned my entire life to care what other people think so I always fall back on that subconsciously; I’m always so flattered to be asked to do anything–which is the sneaky way that insecurity/need to be liked gaslights me into agreeing to do things I may not want to actually do or have the time to get done without something else, something that actually matters more to me, being pushed aside or not getting the full attention it needs and deserves.
A Gregalicious is still a work in progress, apparently–even at sixty-one.
And on that note, this work isn’t going to do itself now, is it? Off to the spice mines with me–and will talk to you later, Constant Reader. Have a fabulous Saturday.
Saturday here in the Lost Apartment and Paul is coming home tonight. Huzzah! Also a big day in college football down here in the South, with Georgia-Tennessee this afternoon and LSU-Alabama tonight (and the good news for Florida and Texas A&M fans is one of them has to win the game, so one team’s losing slide will temporarily stop). I have things to do this morning, lots of things to do and many miles to walk before I sleep. Last night I was very tired when I finished my day’s work; and so repaired to my easy chair with Scooter in my lap and watched Low Country, a documentary series about the Murtaugh family crimes in South Carolina. Ironically, I started watching it because I vaguely remembered hearing about the story–wife and son murdered, father shot and wounded, etc.–but I did not know the back story to all of it, which this series provides a small window into; it really only covers the recent crimes, not the criminality of the family going back almost a hundred years–but as I watched, I started seeing similarities to the book I am writing now (powerful corrupt wealthy family that basically rules a rural area as their own duchy), and ideas and things to make my own book better started riffing through my mind. One thing that urban people never get about rural areas is how much of that sort of thing goes on, especially in the South. I am really going to have to go back and dig deeper with what I’ve already done, but I am confident I can get that all worked out this weekend and then get to work on the second half of the book next week.
I slept really well again last night. I started falling asleep in my chair once I finished watching Low Country–again, worth the watch, and yes, very shocking that rural counties in the twenty-first century are still so feudal, so undemocratic, so twisted that any one person or family can be so above the law that they essentially control the justice system in the region, to the point that they get away with murder–and so went to bed early. Scooter has started sleeping with me at night, purring and cuddling, and that also helps me sleep (Paul and I have agreed that Scooter’s super power is the ability to put anyone to sleep by cuddling and purring) and I woke up feeling very settled and relaxed and rested this morning, which is terrific since I have so much to get done today (as always). But I am going to do some cleaning this morning while I do some computer clean-up and so forth (ugh, my files are such a scattered and disgusting mess, it’s not even funny; I would be better about this, of course, if Macs didn’t have that search function) and don’t plan to go anywhere today. I’ve ordered groceries to pick up for tomorrow–I also have to air up one of my tires–and other than that, I don’t plan to leave the house tomorrow either. I need to get caught up and reorganized and all of that–the usual stuff I complain about on here every day. The week went by relatively quickly, too. I read some more of the new Wanda Morris novel, which I took to bed with me but I didn’t stay awake long enough to read more than a few pages–which were fantastic. I can’t begin to talk about how delighted and exciting it is to see new perspectives, new voices, and new stories from marginalized authors. I’m just sorry it took so long to get us to this point, but this was exactly what our genre needed.
My book’s official release date is rapidly approaching, and I am trying not to get over-anxious and/or nervous about it. I need to start pushing the book more, but I am not really certain how or what to do, to be honest. I’m excited about it, of course. The reviews have thus far been pretty favorable–other than that snarky Kirkus one, but even it didn’t bother me at all, and besides, they’re known for being snarky in their reviews and always have been; I guess that’s growth of a sort. Bad reviews don’t get under my skin the way they used to when I first started doing this, you know. I tend to stay away from Goodreads and Amazon reviews–therein lies the path to madness–but my skin has thickened a lot over the years and I know what my reactions will be and why put myself into a position of any kind that might emotionally unbalance me? God knows I don’t need any help in that direction, for sure.
I also watched another documentary about gay porn, Seed Money: The Chuck Holmes Story which was very interesting. Holmes was Falcon Studios, one of the bigger and more successful brands in gay porn for a very long time, and it did give me some ideas for future projects. I will probably, most likely, keep writing Scotty books until I die (for those of you who were wondering; the next one will probably be another Carnival mystery, French Quarter Flambeaux), but I may not write anymore young adult novels. It’s not that I don’t want to or have a lot of ideas for them, but my time is limited and I want to explore other writing options and genres within crime fiction. I really am feeling the desire to work on my queer historical noirs–beginning with Chlorine–and then moving on to cover other parts of queer history from the second half of the twentieth century. Obscenity would be about gay porn; Indecency would be built around Joey Stefano’s arrest in Tampa for public indecency…and of course there would be more but that’s the original trilogy I’d want to write. They wouldn’t be connected stories–the only commonality would be the fight against oppression and repression–but I think they would be a lot of fun. I have titles for others–Beefcake, Peplum, Physique–but don’t have stories to go with those yet (although I do introduce a Bob Mizer-like character in Chlorine who could drive one of them; Peplum would be, in some ways, a sequel to Chlorine–but it wouldn’t have to be, since I’ve not really decided on the end of that book yet, but one of the possibilities does leave the path open to a sequel.
And on that note, I am going to get to work on the chores and get cleaned up and get this party started. Have a lovely Saturday, and GEAUX TIGERS!
Oh, Scotty VII, what an interesting path you took to publication.
Back when ebooks and Kindles first started to be a thing, they rather revolutionized publishing. This new technology rang the death knell on some independent book stores as well as some small presses, and it was considered the great equalizer: you no longer needed to follow the long-established path to publication that went writer/agent/publisher; and just having an agent was no guarantee your book would ever see print and if it did, that it would sell. You no longer needed a publisher to put your book out and get it to readers; all you needed to do was get a cover designed and format your manuscript and upload it. This excited a lot of people; I was one of them, but still approached the entire thing very cautiously. I have never had a problem with people who elect to self-publish their work rather than follow the traditional path; I certainly never followed the traditional path or ran my career the way I was supposed to, at least according to almost every author I knew.
But ultimately, for me, the ebook revolution and becoming a publisher/author hybrid seemed not only like a risk but a time-consuming one. I didn’t have the time available to market the books I was traditionally publishing the way I should, let alone having the time to have to do all the marketing myself.
But I was curious, and remained open-minded. A friend started her own company and wanted me to write some things for her–short, more like novellas than novels–and since I’d always wanted to spin Paige off into her own series (despite being concerned about writing a mainstream type book from a woman’s perspective) and so I thought, well, here’s a chance to try something new and different. I wound up writing two of these and was partly through a third when I began to realize that even with an independent publisher doing some of the work, I just didn’t have the time or money or incentive to work any harder at marketing these books than I already was–and they needed more attention and promotion than I was able to give them, so we decided to end the business relationship, the already done books came down from sales sites, and that was the end of that.
I did eventually slap up Bourbon Street Blues as an ebook on Amazon, and it’s done okay for me; I’ve not promoted it at all but copies sell every month–but I am not getting rich, either. I also have a longer short story up as an e-original (but it’s also in my print collection Survivor’s Guilt and Other Stories) and yes, I know I need to get Jackson Square Jazz up (one of these days), and perhaps when I’ve retired and have more time, I’ll explore the self-publishing option again just for the hell of it.
But there I was, with a partially completed manuscript and it was a very fun story; I hated wasting it (it was called The Mad Catter), and so, with a little bit of tweaking, I turned it into the seventh Scotty book, and renamed it Garden District Gothic.
I really love the cover Bold Strokes gave me for it, too:
You know you live in New Orleans when you leave your house on a hot Saturday morning in August for drinks wearing a red dress.
It was well over ninety degrees, and the humidity had tipped the heat index up to about 110, maybe 105 in the shade. The hordes of men and women in red dresses were waving handheld fans furiously as sweat ran down their bodies. Everywhere you looked, there were crowds of people in red, sweating but somehow, despite the ridiculous heat, having a good time. I could feel the heat from the pavement through my red-and-white saddle shoes and was glad I’d decided wearing hose would be a bad idea. The thick red socks I was wearing were hot enough, thank you, and were soaked through. They were new, so were probably dying my ankles, calves, and feet pink. But it was for charity, I kept reminding myself as I greeted friends and people whose names I couldn’t remember but whose faces looked familiar as we worked our way up and down and around the Quarter.
Finally, I had enough around noon and decided to call it a day.
“I don’t think I’ve ever been so hot in my life, and I grew up in Alabama,” my sort of nephew, Taylor Wheeler, said in his soft accent, wiping sweat from his forehead as we trudged down Governor Nicholls Street on our way home.
“It hasn’t been this hot in a while,” I replied, trying really hard not to laugh. I’d been forcing down giggles pretty much all day since he came galloping down the back steps the way he always does and I got my first look at his outfit. “But the last few summers have been mild—this is normal for August, usually.” It was true—everyone in town was complaining about the heat like it was something unusual, but we hadn’t had our usual hellish summer weather in a couple of years.
Last summer had been not only mild but dry, with little humidity and practically no rain—which was unheard of. Usually it rains every day around three in the summer, when the humidity has gotten so thick it turns to rain.
“I don’t even want to think about how much sweat is in my butt crack,” he complained, furiously waving the fan he’d picked up somewhere, trying to create a breeze.
I gave up trying to fight it and just gave in to the laughter.
One of the primary problems of turning The Mad Catter into Garden District Gothic was that the book was intended originally to be a sequel to a pair of books that no longer existed; vanished forever into the ether. I had established a character in earlier books of the series who was supposed to take front and center in this one, but I no longer had the back story and was facing the issue of how do I introduce this woman into Scotty’s world? And it was important, because the case involved a long ago murder that took place in this woman’s Garden District mansion–she didn’t own it at the time; she bought it from the original family that owned it, and owned it at the time of the unsolved murder–but I decided the easiest way to do this was make the woman a friend of Scotty’s older sister, which is how he knew her; and she had been a member of the cast of a reality-TV show called Grande Dames of New Orleans, which had been the centering of the previous book in the now-defunct series. I always thought the Grande Dames (obviously, my version of the Real Housewives franchises) was a clever idea and a fun one to explore as well as poke fun at in a fictional setting, and I hated wasting in a series that no one could access anymore. So I decided to keep Serena, and mention that she was in the cast of the new show which hadn’t started filming yet, and she had bought this big house as a centerpiece for her to be filmed in from the show, giving up her luxurious condo in One River Place. (This also gave me the opening to center the next Scotty book in the Grande Dames show.) The party that now opened the book was a housewarming party, so Serena could show off her new manse with the checkered past.
I had also created a character in the Paige series to serve as a kind of nemesis for her, a true crime writer named Jerry Channing, whom eventually I used as the impetus for getting the plot started in The Orion Mask. Jerry became rich and famous writing a book about the infamous, unsolved murder called Garden District Gothic, which in the Paige series seemed like a Scotty title to me, and I used it as a wink to those who were familiar with the Scotty series…and so, in writing about Scotty and the gang solving this old notorious murder, why wouldn’t I call the book Garden District Gothic, since it really is a Scotty title after all?
The murder was, of course, based on the Jon-Benet Ramsey murder that dominated the media and culture for so long back in the day. I just took the set-up of the story from that real-life case and started making up my own characters and backstories for them and went with it from there. The one thing that always bothered me the most about the case was the fact that people viewed the Ramsey family as speaking to the lawyers before calling the police as suspicious; no, it’s actually smart. Sure, it made them look “guilty” in the press (with all those headlines in the tabloids screaming this conclusively proves one of the family did it!!!! Who calls their lawyer first??? To which I again repeat, people who are fucking smart call their lawyer first. Period.), but it was the smart thing to do; someone had the presence of mind to realize that the most obvious suspects in the murder of a child are going to be the immediate family, and why–in a distraught state of grief over your child’s brutal murder–you would need to have a lawyer present when you’re being questioned by the police so you don’t say anything that could be misconstrued as an admission of guilt when you are not in fact guilty.
Always, always, always call the lawyers first. Always. If i have learned anything from my extensive reading of true crime and study of crime fiction, it is “never talk to the cops without a lawyer, especially if you are innocent.”
I was pleased with it when I was finished with it, but I’d kind of like to revise the ending a bit.
And of course, writing it left me with the decision of whether to reuse my Grande Dames of New Orleans reality show for the next Scotty book.
Thursday and my last day in the office this week. Huzzah! Which means I do not have to get up at six tomorrow morning, which is lovely, and next week my work at home day is Monday, so I don’t have to be back in the office until Tuesday, which is kind of nice. I need to do a couple of errands tomorrow–brake tag and wash the car–but I am also kind of hoping against hope that I can make it to the gym tomorrow in the early evening as well. I hate that the first thing to go out the window whenever I am overwhelmed with work are the two things I enjoy most in life and are, really, things that are just for me: working out and writing.
I entered #shedeservedit for the Thriller Award for Best Children’s/Young Adult this week; I am not sure if there’s any point, really, but you cannot complain about queer books not making award shortlists if you don’t enter your own and encourage every other queer writer to do so as well. I am also entering it for the Edgars. Dream big, Gregalicious.
I have to admit I’ve not really been promoting #shedeservedit the way I should be, and I am not entirely sure why that is. Every step of the way of writing that book I was worried about whether I was the right person to tell that story or not…something I would have never even thought about ten years ago. I still don’t think I would have been the right person to tell the story had the main pov character been a girl; making it a guy, seeing everything that was going on in Liberty Center from a male teenager who is also on the football team, for me, made it more palatable–and it’s not just the story of the toxic masculinity and the rape culture permeating the town of Liberty Center: there’s a whole lot of just plain wrong going on in that town, and my main character, Alex, was affected and damaged by all of it, even as (sometimes) merely a witness to the shenanigans. Everything has a ripple effect, after all. But at the same time, the book has a content warning–which, I am ashamed to admit, never crossed my mind that it would need when I was writing it. How would a young woman who has experienced this, or knows someone who has, react to reading this story? That thought also kind of made me pull back a bit from the promotional stuff. Even with a content warning, is what happens in the book–even though it’s all already happened, and is seen only through flashbacks–going to be too difficult for a young woman (or a young man, for that matter) who has experienced something similar to read? The book has been out in the world now for over five months, it has a four and a half star rating on Amazon (I will not look at Goodreads, and no one can make me go to that barren hellscape for authors)…but at the same time there hasn’t been any pushback thus far on the book–which also doesn’t mean it won’t eventually happen, either.
But this week, I was scrolling through my Twitter feed (I honestly don’t know why I do this. Sometimes I have fun joking around with my friends there, and I’ve seen posts about books that I went on to read and enjoy, but for far too large a percentage of the time I have to step away from it in revulsion when I see how truly terrible so many people are willing to be behind the anonymity of a computer screen, a cartoon avatar, and a fake name…and how many more are unashamed to reveal their monstrous true selves with their actual names and images proudly on display for everyone to see) and I came across a piece from The Cut, which is a part of New York magazine and Vulture and I am not sure what all other websites and so forth are involved in that tangled mess of on-line and print publications. It purported to be about a high school teenager who “made a mistake” and “got canceled by his school.”
Ah, another story about the evils of cancel culture, I thought to myself, should I bother?
Reader, I bothered. And dear God in heaven, I am so sorry I did. If you want to read the nauseating swill for yourself, if it is still up, it can be found here: https://www.thecut.com/article/cancel-culture-high-school-teens.html. If you have high blood pressure, I would advise against it.
What makes the entire thing worse, in my opinion, is of course they assigned this piece to a woman. There’s a reason why men accused of sexual harassment or sexual assault will inevitably hire a female defense attorney–it subliminally communicates to the jury would a woman defend this person if he were a rapist? No woman would take on such a case! But when I was doing my research for #shedeservedit, one of the things I noted was how many women didn’t believe the girls, how many of their peers didn’t believe the girls, and that the nastiest and most vicious critics of the victims were other women/girls. I remember reading about Brock Turner’s mother, weeping and sobbing about how her son’s life was being ruined (implied: by that drunk slut!); the former girlfriend who wrote a character reference letter for him to the judge, and on and on. (I always wonder–as I did with Brock Turner–does he have any sisters or female first cousins? What do they think about this?)
Anyway, the author of this piece–whose sympathies are entirely with this boy whose only regret for sharing nude pictures of his girlfriend with his friends (when he was “drunk,” because I guess that makes it okay) is that he was shunned by his entire high school–misses the lede in this article so many times. She is so desperate to make us all feel bad for this kid for being made to feel the absolute least amount of consequence possible for his actions that she misses that the girls at this school felt so betrayed and dismissed by the system–which is supposed to protect them–that they took action on their own. That is the story here–what the students had to step up to do because THE ADULTS and the SCHOOL SYSTEM failed them.
But no, we get another “oh this poor boy”. (Who went to four proms and is leaving for college in the fall, where none of this will follow him.) By a woman writer who, per Wikipedia, has teenaged daughters of their own. How must THEY feel when reading their mother’s latest work?
Not even ten years ago the victims in Steubenville and Marysville were the ones shunned; not the guys who got them wasted and took advantage of them. (At least the Steubenville victim got some justice, as two of the boys were convicted; the poor girl in Marysville got nothing but slut-shamed and eventually she committed suicide.)
My original inspiration for writing this book honestly came back in the early 1990’s. Remember the Spur Posse at Lakewood High School? (No less an august literary figure than Joan Didion herself wrote about the Spur Posse, in her New Yorker piece “Trouble in Lakewood.”) I thought I had read about the Spur Posse in Rolling Stone–which, let’s face it, I was more likely to read at the time than the New Yorker–and was completely appalled…I sat down and started writing an idea for a book based on it, where the girls of the school, getting nowhere with the police and the school administration and so forth, become ‘avenging angels’ to publicly shame and embarrass the boys…and then they start dying. I wrote a couple of chapters, created some characters, and titled it When Stallions Die (stallions, obviously, a stand-in for Spur Posse); I always meant to swing back around to it at some point because it was an interesting idea (if you agree, you should read Lisa Lutz’ brilliant The Swallows from a few years’ back) and I still might–one never knows. But it was the Spur Posse situation that made me start thinking–long and hard–about sexual assault and sexual misconduct, victim-blaming and slut-shaming, and the weird need that some women have to protect men at any cost: “boys will be boys,” “any red-blooded American boy”…”locker room talk.”
And since I had been wanting to write a Kansas book, and had been playing around with a story for a small city in Kansas, its teens, and its high school football team, #shedeservedit kind of evolved from there.
I don’t know why I am so reluctant and/or nervous to promote the book. It was a deeply personal book for me to write (as was Bury Me in Shadows), and yes, I put a lot of my teenaged self into that book–not the surface Greg everyone saw and knew, but the interior Greg, the one who was so deeply miserable and unhappy and alone on the inside.
Wow, this rambled on for a lot longer than I expected it to! That article clearly pissed me off, did it not?
And on that note, I am heading into the spice mines.
Look at me, up and awake before seven in the morning on a Sunday! Who would have ever thought that would happen? I feel surprisingly awake and alert and rested this morning, given the early hour and all, but that’s okay. When you’re awake, you’re awake–so I figured I might as well get up and get a jump on the day. I will be going deep into the edits of A Streetcar Named Murder today. I ran the errands I needed to run yesterday, got some organizing and cleaning done around the house, and started the deep dive into the edits yesterday–most of the day was spent planning and figuring out things in the book that I didn’t have time to figure out when I was actually writing it (mistake mistake mistake; how do pantsers do this all the time?) and with my lesson firmly learned, am ready to get cracking on fixing the errors here and clearing up and tightening up the story. I want to be finished with it all before I leave on Thursday, because it will be very hard for me to finish it while I am in Kentucky. (And I’d rather spend whatever time I have free while I’m up there reading, frankly.) I’m getting a bit excited about the trip, if I may be so bold as to say so, which is a good thing; right now I am not even dreading all those hours in the car–I have Carol Goodman and Ruth Ware novels to listen to in the car–and while I do have to go into the office tomorrow, I work at home on Tuesday this week and can packed and ready to go that day so Thursday morning I can get up, have some coffee, and head out on the highway early.
There’s also some straightening and organizing I need to get done this morning–looking around the workspace is making me shudder right now–but it’s nice to feel rested and ready to go, honestly. I wonder what was so different about last night that I slept so much better? I’m not even going to check the Fitbit because I don’t necessarily trust its judgement and evaluation of my sleep, to be honest. I mean, it’s interesting to see how I feel vs. how it thinks I slept–but there are times when I wake up and feel rested and great but I supposedly slept poorly; and then mornings when I get up and feel groggy and tired and exhausted, it claims that I slept very well. I don’t know if I can trust it, and frankly, if it wasn’t part of the complicated system of trying to get cheaper health insurance through my job, I sure as hell wouldn’t wear it. Paul often buys me really nice watches as gifts and I never wear them–mainly because I am clumsy as fuck and inevitably break things that are nice–but the Fitbit…like I said, there’s this really complicated system of scoring points through a program that helps reduce the cost of my health insurance. I’m not entirely sure I understand it–I never really grasped it when it was explained eight or nine years ago–but I know I score points, earn a medal status (bronze, silver, gold) and if I get to silver, I don’t have any “out of paycheck” contributions to my health insurance, and registering my daily steps and how well I slept through the Fitbit scores fifty points per day. (The points also can be cashed in for gift cards; I always get Amazon to buy books, of course. Don’t @ me; the other options don’t really work for me.)
It looks to be a nice day outside my windows this morning, although it’s undoubtedly already incredibly hot outside. I’m hoping to manage to not go out into it much today–maybe taking out the trash or something–and I may be meeting a friend who’s in town for drinks later this evening (not too late, since I have to get up early in the morning), but other than that, I mostly plan to sit here at this desk and edit and revise and rewrite today. I also don’t know how long it’s going to take me to get this finished; I am hoping by focusing and working really hard and not allowing myself to get distracted I can power through and get this back to my publisher before I leave on Thursday.
One can always hope and dream at any rate.
We watched Hacks last night, and the most recent episode of The Offer, although I’m not really sure why we continue to watch the latter. I noticed last night that there are any number of shows we’re in the middle of (Severance, Pieces of Her, Slow Horses) that we forgot we were watching and thus will need to pick up again–it wasn’t that we weren’t enjoying them, but rather that we inevitably ended up having our viewing disrupted by something for several days and when we had time to go back and get caught up on things, we forgot we were watching them (we also never finished Physical either). It is interesting–I thought about this while watching The Offer last night–how many shows we’ve seen lately that were set in the 1970’s (Minx, Candy, The Offer) as well as what a great job they are doing depicting the era. I remember saying during one episode of Candy, “living this kind of life was my biggest nightmare when I was a kid, and they are doing a great job of showing how bleak and ugly and dull suburban life was back then.”
I also have started up again with The Real Housewives of Beverly Hills. I’d stopped watching last season because I quickly grew tired of the Erika Jayne/Erica Girardi mess–I’d never particularly liked her very much, but at least she was somewhat entertaining–but given that the great wealth she has flaunted ever since she joined the cast was essentially stolen from settlements for victims of great and horrific tragedies and she was completely unrepentant and tried to play like she was the real victim, I no longer felt any desire to watch a sociopathic narcissist who has knowingly or unknowingly participated in embezzlement, fraud and God knows what else. I’d reached a point where I kept thinking someone just needs to slap the shit out of that fucking crooked bitch and felt that giving them eyeballs and a rating point on Hulu was endorsing the fact that Bravo was enabling her and giving her a platform to try to redeem herself in the public eye, which was shitty. Sure, innocent before proven guilty and all that–but The Real Housewives of Beverly Hills isn’t a court of law; and the fact they milked her potential criminality for ratings was disgusting and craven. I don’t love to hate her, I just fucking hate her. And the rest of the cast–outside the newer ones–are equally garbage. I stopped watching The Real Housewives of New York during its most recent season because I couldn’t watch the blatant racism being offered up as “entertainment.” Fuck you, Bravo, and fuck you, Andy Cohen. The Real Housewives shows have become a microcosm of everything that is wrong with American society and culture: there’s no accountability for anything. In fact, it’s quite the opposite: people are rewarded for being horrible.
It also makes me feel like I’ve always been incredibly naïve about the world, believing that being a good person means you’ll be rewarded and bad people will be punished for their wrong-doing, when the harsh reality is quite the opposite. I feel like I’ve been gaslit most of my life, frankly.
Which, of course, always comes back to me being a crime writer. I want to see justice being done. I want to see evil-doers punished and good people rewarded for their goodness. I want to write about a world where murderers and criminals are caught and punished, their victims avenged; not the real world where the wealthy can hire great lawyers and outspend the prosecution to get off, while so many innocent people who cannot afford great lawyers are convicted or talked into taking plea bargains every day and doing time while having committed no crime other than not being able to afford a great lawyer. (I’ve always wanted to write about a public defender–but who wants to read a book where the public defender loses every case?)
Heavy heaving sigh. And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader–I’ll check in with you again tomorrow morning.
Queer and Loathing in America 